Time Nor Distance Quotes

Souls" When two souls fall in love, there is nothing else but the yearning to be close to the other. The presence that is felt through a hand held, a voice heard, or a smile seen. Souls do not have calendars or clocks, nor do they understand the notion of time or distance. They only know it feels right to be with one another. This is the reason why you miss someone so much when they are not there— even if they are only in the very next room. Your soul only feels their absence— it doesn’t realize the separation is temporary.

Souls do not have calendars or clocks, nor do they understand the notion of time or distance. They only know it feels right to be with one another.

He understood then that neither time nor distance had lessened his love for her. But was love that made him ache with suffering truly worth fighting for?

When two souls fall in love, there is nothing else but the yearning to be close to the other. The presence that is felt through a hand held, a voice heard, or a smile seen. Souls do not have calendars or clocks, nor do they understand the notion of time or distance. They only know it feels right to be with one another. This is the reason why you miss someone so much when they are not there—even if they are only in the very next room. Your soul only feels their absence—it doesn't realize the separation is temporary.

Twin flame love is raw, real and rare ~ it comes when we least expect, can't understand nor have the patience to accept it, than its gone & the true test of fate starts to play. A bond built amongst the stars can't be tampered by an earthly experience, trust the distance, twin flames always meet again.

Anyway, it wasn't that flavor of love. She could leave and carry it with her. Time would not put a dent in it, nor distance snuff it out.

Souls do not have calendars or clocks, nor do they understand the notion of time and distance. They only know it feels right to be with one another. [...] Your soul only feels their absence - it doesn't realize the separation is temporary.

We didn't think the library was funny looking in it's faux- Greek splendor, nor did we find the cuisine limited or bland, or the movies at the Michigan theater relentlessly American and mindless. These were opinions I came to later, after I became a denizen of a City, an expatriate anxious to distance herself from the bumpkin ways of her youth. I am suddenly consumed by nostalgia for the little girl who was me, who loved the fields and believed in God, who spent winter days home sick from school reading Nancy Drew and sucking menthol cough drops, who could keep a secret.

It was then that Maxim looked at me. He looked at me for the first time that evening. And in his eyes I read the message of farewell. It was as though he leant against the side of a ship, and I stood below him on the quay. There would be other people touching his shoulder, and touching mine, but we would not see them. Nor would we speak or call to one another, for the wind and the distance would carry away the sound of our voices. But I should see his eyes and he would see mine before the ship drew away from the side of the quay.

It avails not, time nor place--distance avails not, I am with you, you men and women of a generation, or ever so many generations hence, Just as you feel when you look on the river and sky, so I felt, Just as any of you is one of a living crowd, I was one of a crowd, Just as you are refresh'd by the gladness of the river and the bright flow, I was refresh'd, Just as you stand and lean on the rail, yet hurry with the swift current, I stood yet was hurried, Just as you look on the numberless masts of ships and the thick-stemm'd pipes of steamboats, I look'd.

The heart knows not of distance, space nor time. It meshes to the fabric of its desire & follows on an immeasurable continuum.

Death, distance, and time, shall each one of them dig graves for your affections; but this you do not know, nor can know, until the story of your life is ended.

There were some things that couldn't be laid to rest by time nor distance.

As those who are gone now keep wandering through our words sounds of paper following them at untold distances so I wake again in the old house where at times I have believed that I was waiting for myself and many years have gone taking with them the semblance of youth reason after reason ranges of blue hills who did I think was missing those days neither here nor there my own dog waiting to be known

Dr. Chef knew exactly where all of his feelings were, every joy, every ache. He didn’t need to visit them all at once to know they were there. Humans’ preoccupation with “being happy” was something he had never been able to figure out. No sapient could sustain happiness all of the time, just as no one could live permanently within anger, or boredom, or grief. Grief. Yes, that was the feeling that Rosemary needed him to find today. He did not run from his grief, nor did he deny its existence. He could study his grief from a distance, like a scientist observing animals. He embraced it, accepted it, acknowledged that it would never go away. It was as much a part of him as any pleasant feeling. Perhaps even more so.

Nothing passes the time, or shortens the path, like a thought which engrosses all the faculties of an individual's organisation. Our external Existence is as a sleep, of which this thought is the dream; and. whilst we are subjected to its influence, time has no longer any measure, nor is there any distance in space: we leave one place, and arrive at another, and are conscious of nothing between. Of the intervening scenes, the only remembrance preserved, is somewhat akin to the idea of an indefinite mist, partially broken by obscure images of mountains, trees, and plains.

Death, distance, and time, shall each one of them dig graves for your affections; but this pi do not know, nor can know, until the story of your life is ended.

But time is not easy to measure on the Other Side, where infinity is the only boundary, and seconds do not exist, nor minutes nor hours nor years: only space and distance.

I neither oblige the belief of other person, nor overhastily subscribe mine own. Nor have I stood with others computing or collating years and chronologies, lest I should be vainly curious about the time and circumstance of things, whereof the substance is so much in doubt. By this time, like one who had set out on his way by night, and travelled through a region of smooth or idle dreams, our history now arrives on the confines, where daylight and truth meet us with a clear dawn, representing to our view, though at a far distance, true colours and shapes.

Nothing passes the time, or shortens the path, like a thought which engrosses all the faculties of an individual's organization. Our external existence is a sleep, of which this thought is the dream; and while we are subjected to its influence, time has no longer any measure, nor is there any distance in space. We leave one place and arrive at another, and are conscious of nothing between.

Nor can it be argued that the time required is too short to be perceived; for though this may be the case in short distances, it cannot be so in distances so great as that which separates the East from the West.

Let dry my tears, let me gaze into the truly everlasting gleam in your eyes, knowing that what we hold dear in our hearts will forever illuminate our parting journey from now forward. Each drop that falls bears witness to the bittersweet ache of farewell, as we bid adieu to the warmth of shared moments and the comfort of familiar embraces. Yet, amidst the sorrow, there lies a glimmer of solace in the knowledge that the love we've nurtured will transcend the boundaries of time and distance. As we embark on separate paths, may the radiance of cherished memories serve as guiding stars, lighting our way through the darkness of separation. Though tears may blur our vision momentarily, let them not obscure the beauty of the connection we've forged, nor dampen the flicker of hope that dances in our souls. For even in the midst of goodbyes, our love remains an unwavering beacon, casting its luminous glow upon the road ahead.

When two souls fall in love, there is nothing else but the yearning to be close to the other. The presence that is felt through a hand held, a voice heard, or a smile seen. Souls do not have calendars or clocks, nor do they understand the notion of time or distance. They only know it feels right to be with one another. This is the reason why you miss someone so much when they are not there--even if they are only in the very next room. Your soul only feels their absence--it doesn't realize the separation is temporary.

It begins with a doorway. There is a huge, burnished metal door, erected by the First, that is heavy as sin, three times the height of a man and half that distance in width. It is a full cubit thick and bears a head-sized ring of brass, a complicated pressure-plate lock and an inscription that reads, roughly, "Go away. This is not a place to be. If you do try to enter here, you will fail and also be cursed. If somehow you succeed, then do not complain that you entered unwarned, nor bother us with your deathbed prayers." Signed, "The Gods.

There was no possibility of taking a walk that day. We had been wandering, indeed, in the leafless shrubbery an hour in the morning; but since dinner (Mrs. Reed, when there was no company, dined early) the cold winter wind had brought with it clouds so sombre, and a rain so penetrating, that further out-door exercise was now out of the question. I was glad of it: I never liked long walks, especially on chilly afternoons: dreadful to me was the coming home in the raw twilight, with nipped fingers and toes, and a heart saddened by the chidings of Bessie, the nurse, and humbled by the consciousness of my physical inferiority to Eliza, John, and Georgiana Reed. The said Eliza, John, and Georgiana were now clustered round their mama in the drawing-room: she lay reclined on a sofa by the fireside, and with her darlings about her (for the time neither quarrelling nor crying) looked perfectly happy. Me, she had dispensed from joining the group; saying, “She regretted to be under the necessity of keeping me at a distance; but that until she heard from Bessie, and could discover by her own observation, that I was endeavouring in good earnest to acquire a more sociable and childlike disposition, a more attractive and sprightly manner— something lighter, franker, more natural, as it were—she really must exclude me from privileges intended only for contented, happy, little children.” What does Bessie say I have done?” I asked. Jane, I don’t like cavillers or questioners; besides, there is something truly forbidding in a child taking up her elders in that manner. Be seated somewhere; and until you can speak pleasantly, remain silent.

Nature, too, seems increasingly better understood in fungal terms: not as a single gleaming snow-peak or tumbling river in which we might find redemption, nor as a diorama that we deplore or adore from a distance – but rather as an assemblage of entanglements of which we are messily part.

Jesus Christ is not a cosmic errand boy. I mean no disrespect or irreverence in so saying, but I do intend to convey the idea that while he loves us deeply and dearly, Christ the Lord is not perched on the edge of heaven, anxiously anticipating our next wish. When we speak of God being good to us, we generally mean that he is kind to us. In the words of the inimitable C. S. Lewis, "What would really satisfy us would be a god who said of anything we happened to like doing, 'What does it matter so long as they are contented?' We want, in fact, not so much a father in heaven as a grandfather in heaven--a senile benevolence who as they say, 'liked to see young people enjoying themselves,' and whose plan for the universe was simply that it might be truly said at the end of each day, 'a good time was had by all.'" You know and I know that our Lord is much, much more than that. One writer observed: "When we so emphasize Christ's benefits that he becomes nothing more than what his significance is 'for me' we are in danger. . . . Evangelism that says 'come on, it's good for you'; discipleship that concentrates on the benefits package; sermons that 'use' Jesus as the means to a better life or marriage or job or attitude--these all turn Jesus into an expression of that nice god who always meets my spiritual needs. And this is why I am increasingly hesitant to speak of Jesus as my personal Lord and Savior. As Ken Woodward put it in a 1994 essay, 'Now I think we all need to be converted--over and over again, but having a personal Savior has always struck me as, well, elitist, like having a personal tailor. I'm satisfied to have the same Lord and Savior as everyone else.' Jesus is not a personal Savior who only seeks to meet my needs. He is the risen, crucified Lord of all creation who seeks to guide me back into the truth." . . . His infinity does not preclude either his immediacy or his intimacy. One man stated that "I want neither a terrorist spirituality that keeps me in a perpetual state of fright about being in right relationship with my heavenly Father nor a sappy spirituality that portrays God as such a benign teddy bear that there is no aberrant behavior or desire of mine that he will not condone." . . . Christ is not "my buddy." There is a natural tendency, and it is a dangerous one, to seek to bring Jesus down to our level in an effort to draw closer to him. This is a problem among people both in and outside the LDS faith. Of course we should seek with all our hearts to draw near to him. Of course we should strive to set aside all barriers that would prevent us from closer fellowship with him. And of course we should pray and labor and serve in an effort to close the gap between what we are and what we should be. But drawing close to the Lord is serious business; we nudge our way into intimacy at the peril of our souls. . . . Another gospel irony is that the way to get close to the Lord is not by attempting in any way to shrink the distance between us, to emphasize more of his humanity than his divinity, or to speak to him or of him in casual, colloquial language. . . . Those who have come to know the Lord best--the prophets or covenant spokesmen--are also those who speak of him in reverent tones, who, like Isaiah, find themselves crying out, "Woe is me! for I am undone; because I am a man of unclean lips, and I dwell in the midst of a people of unclean lips: for mine eyes have seen the King, the Lord of hosts" (Isaiah 6:5). Coming into the presence of the Almighty is no light thing; we feel to respond soberly to God's command to Moses: "Put off thy shoes from off thy feet, for the place whereon thou standest is holy ground" (Exodus 3:5). Elder Bruce R. McConkie explained, "Those who truly love the Lord and who worship the Father in the name of the Son by the power of the Spirit, according to the approved patterns, maintain a reverential barrier between themselves and all the members of the Godhead.

Why value humility in our approach to God? Because it accurately reflects the truth. Most of what I am — my nationality and mother tongue, my race, my looks and body shape, my intelligence, the century in which I was born, the fact that I am still alive and relatively healthy — I had little or no control over. On a larger scale, I cannot affect the rotation of planet earth, or the orbit that maintains a proper distance from the sun so that we neither freeze nor roast, or the gravitational forces that somehow keep our spinning galaxy in exquisite balance. There is a God and I am not it. Humility does not mean I grovel before God, like the Asian court officials who used to wriggle along the ground like worms in the presence of their emperor. It means, rather, that in the presence of God I gain a glimpse of my true state in the universe, which exposes my smallness at the same time it reveals God’s greatness.

One day, years after we stop living together, I will embark on a Kyuri series. I know that with absolute certainty. I cannot start now, when I am in the midst of my Ruby series, nor while I am still living with Kyuri. I need time and distance between us. But this is why I relish living with Kyuri now. I am spoon-feeding the muse that lives in a well deep inside of my brain--hearing Kyuri's stories, watching her drink to oblivion every weekend, obsessing over her face and her body and her clothes and her bags. I take photos of her and her things whenever I can. I will need them to remember her by. The other girls too, I have glimmers of them lurking in the outer regions of my mind; Sujin's terrifying transformation, and dear, silent Ara and her antediluvian upbringing. I will take years, though, before I can commit them to paper or form. As for Hanbin, I don't need Kyuri or Hanbin's mother to know that he will not be my salvation.

I didn't cry out and I didn't weep when I was told that my son Henri was a prisoner in his own world, when it was confirmed that he is one of those children who don't hear us, don't speak to us, even though they're neither deaf nor mute. He is also one of those children we must love from a distance, neither touching, nor kissing, not smiling at them because every one of their senses would be assaulted by the odour of our skin, by the intensity of our voices, the texture of our hair, the throbbing of our hearts. Probably he'll never call me maman lovingly, even if he can pronounce the world poire with all the roundness and sensuality of the oi sound. He will never understand why I cried when he smiled for the first time. He won't know that, thanks to him, every spark of joy has become a blessing and that I will keep waging war against autism, even if I know already that it's invincible. Already, I am defeated, stripped bare, beaten down.

We must practice social distancing and stay at home for a while, because that's the only way to stop the corona virus from spreading. However, we must also keep in mind that not everybody is in the position to work from home, nor do they have enough savings to make ends meet without work for even a few days. So, now, more than ever, is the time that we wake up the human in us, and come to the rescue of those in need, by either helping such individuals in our locality personally, or by donating to a covid-19 relief fund. We must make sure that we all have each other's back and that we all get through this catastrophe together, without leaving anyone behind.

Thomas had no concept of time as he went through the Changing. It started much like his first memory of the Box—dark and cold. But this time he had no sensation of anything touching his feet or body. He floated in emptiness, stared into a void of black. He saw nothing, heard nothing, smelled nothing. It was as if someone had stolen his five senses, leaving him in a vacuum. Time stretched on. And on. Fear turned into curiosity, which turned into boredom. Finally, after an interminable wait, things began to change. A distant wind picked up, unfelt but heard. Then a swirling mist of whiteness appeared far in the distance—a spinning tornado of smoke that formed into a long funnel, stretching out until he could see neither the top nor the bottom of the white whirlwind. He felt the gales then, sucking into the cyclone so that it blew past him from behind, ripping at his clothes and hair like they were shredded flags caught in a storm. The tower of thick mist began to move toward him—or he was moving toward it, he couldn’t tell—increasing its speed at an alarming rate. Where seconds before he’d been able to see the distinct form of the funnel, he now could see only a flat expanse of white. And then it consumed him; he felt his mind taken by the mist, felt memories flood into his thoughts. Everything else turned into pain.

In the course of working on ourselves, we learn in time that when we stay on the surface of ourselves, which is to say when we are identified with and operating from our outer shell—our personality—we suffer. The more asleep we are to the reality beneath our shells, the less we feel that life is fulfilling, meaningful, and pleasurable. Or, in the language of the enneagram, the more fixated we are, the less we partake of the loving nature of reality, for we have lost our connection with Holy Love. Our suffering is not the result of being alone or of being in the wrong relationship, is not because we don’t have enough money or because we have too much of it, or because of anything of the sort. Nor is it because our outer surface doesn’t look as pretty as we think it should or because our personality isn’t as pleasant as we think it might be. We suffer because we are living at a distance from our depths—it’s as simple as that. The more our souls are infused with Being, the better we feel and the better life seems to us, no matter what our outer circumstances happen to be.

The connections we share with one another—the ones that mean the most to us—are never truly severed. Not across time, nor distance, nor death, even. The heaviness in your chest, that ache you feel right now, I like to believe that the strength of that emotion extends outward to somewhere far beyond us, touching those we’re missing in some way . . . wherever they are.

them? • Don’t fight the Trail. You have to flow with it. Be cooperative with the Trail, neither competitive nor combative. • Don’t expect the Trail to respect or to be sensitive to your comfort level and desire to control your environment. In your avoidance of discomfort, you may become more uncomfortable. Fear is weight. • Time, distance, terrain, weather, and the Trail itself cannot be changed. You have to change. Don’t waste any of your energy complaining about things you have no control over. Instead, look at yourself and adapt you mind, heart, body, and soul to the Trail. Remember, you will be a guest in someone else’s house the entire journey. • The Trail knows neither prejudice nor discrimination. Don’t expect any favors from the Trail. The Trail is inherently hard

Humans, whatever they might mean to the Tuann, had saved her. At her lowest moments, they'd found her, given her warmth and companionship. Not just once, but many times. She'd sacrificed more than Graydon would ever know for humanity's cause, for their very survival. She might have distanced herself from them, but it didn't mean she'd forgotten. Nor did she plan to leave them behind because it was convenient.

Each volcano is an independent machine—nay, each vent and monticule is for the time being engaged in its own peculiar business, cooking as it were its special dish, which in due time is to be separately served. We have instances of vents within hailing distance of each other pouring out totally different kinds of lava, neither sympathizing with the other in any discernible manner nor influencing other in any appreciable degree.

When people speak of the tragedies in my life, they ordinarily mean the deaths. Not only Jacob. But all those around me who have perished. Whether in direct consequence of danger or simple misfortune and the passage of time after our friendships have formed. At times though I think these partings should be accounted as highly, if only in the ledger of my own sorrow. Akinimanbi did not die on a Lebane spear, but I never saw her again after leaving for the Great Cataract. In that sense I lost her as thoroughly as if she had died. So it was with Yeyuama as well. I only saw Faj Rawango once more, years later. And although Galinke corresponded with me, we could not be friends the way we might have been had we dwelt in the same land. So it has been, again and again throughout my life, as I form connections with people and then lose them to distance and time. I mourn those losses, even when I know my erstwhile friends are safe and happy among their own kin. But the only way for me to avoid such losses, would be to stay home. To never journey beyond the range of easy visitation. As my life will attest, that is not a measure I am willing to take. Nor would I forgo the pleasures of my transient friendships if I could. So we made our farewells, packed our things, and boarded a steamship in the harbor of Nsebu. Much browner, thinner and more worn than it had been when we arrived, we made our way back to Scirland.

Her pretty name of Adina seemed to me to have somehow a mystic fitness to her personality. Behind a cold shyness, there seemed to lurk a tremulous promise to be franker when she knew you better. Adina is a strange child; she is fanciful without being capricious. She was stout and fresh-coloured, she laughed and talked rather loud, and generally, in galleries and temples, caused a good many stiff British necks to turn round. She had a mania for excursions, and at Frascati and Tivoli she inflicted her good-humoured ponderosity on diminutive donkeys with a relish which seemed to prove that a passion for scenery, like all our passions, is capable of making the best of us pitiless. Adina may not have the shoulders of the Venus of Milo...but I hope it will take more than a bauble like this to make her stoop. Adina espied the first violet of the year glimmering at the root of a cypress. She made haste to rise and gather it, and then wandered further, in the hope of giving it a few companions. Scrope sat and watched her as she moved slowly away, trailing her long shadow on the grass and drooping her head from side to side in her charming quest. It was not, I know, that he felt no impulse to join her; but that he was in love, for the moment, with looking at her from where he sat. Her search carried her some distance and at last she passed out of sight behind a bend in the villa wall. I don't pretend to be sure that I was particularly struck, from this time forward, with something strange in our quiet Adina. She had always seemed to me vaguely, innocently strange; it was part of her charm that in the daily noiseless movement of her life a mystic undertone seemed to murmur "You don't half know me! Perhaps we three prosaic mortals were not quite worthy to know her: yet I believe that if a practised man of the world had whispered to me, one day, over his wine, after Miss Waddington had rustled away from the table, that there was a young lady who, sooner or later, would treat her friends to a first class surprise, I should have laid my finger on his sleeve and told him with a smile that he phrased my own thought. .."That beautiful girl," I said, "seems to me agitated and preoccupied." "That beautiful girl is a puzzle. I don't know what's the matter with her; it's all very painful; she's a very strange creature. I never dreamed there was an obstacle to our happiness--to our union. She has never protested and promised; it's not her way, nor her nature; she is always humble, passive, gentle; but always extremely grateful for every sign of tenderness. Till within three or four days ago, she seemed to me more so than ever; her habitual gentleness took the form of a sort of shrinking, almost suffering, deprecation of my attentions, my petits soins, my lovers nonsense. It was as if they oppressed and mortified her--and she would have liked me to bear more lightly. I did not see directly that it was not the excess of my devotion, but my devotion itself--the very fact of my love and her engagement that pained her. When I did it was a blow in the face. I don't know what under heaven I've done! Women are fathomless creatures. And yet Adina is not capricious, in the common sense... .So these are peines d'amour?" he went on, after brooding a moment. "I didn't know how fiercely I was in love!" Scrope stood staring at her as she thrust out the crumpled note: that she meant that Adina--that Adina had left us in the night--was too large a horror for his unprepared sense...."Good-bye to everything! Think me crazy if you will. I could never explain. Only forget me and believe that I am happy, happy, happy! Adina Beati."... Love is said to be par excellence the egotistical passion; if so Adina was far gone. "I can't promise to forget you," I said; "you and my friend here deserve to be remembered!

What he did there was, if one were to make a story of it to someone, absolutely nothing. It was fall, and in the mountains the early-autumn sun has a power of its own; mornings it lifted him up and bore him to some tree high up on the slopes, from beneath which one looked into the far distance, for in spite of his heavy hiking boots he was really not conscious of walking. In the same self-forgetful way he changed his location several times during the day and read a little in a few books he had with him. Nor was he really thinking, although he felt his mind more deeply agitated than usual, for his thoughts did not shake themselves up as they usually do, so that a new idea is always landing on top of the pyramid of the earlier ones while the ones at the bottom are becoming more and more compacted until finally they fuse with flesh, blood, skull case, and the tendons supporting the muscles, but his insights came like a jet into a full vessel, in endless overflowing and renewal, or they passed in an everlasting progression like clouds through the sky in which nothing changes, not the blue depths and not the soundless swimming of those mother-of-pearl fish. It could happen that an animal came out of the woods, observed Ulrich, and slowly bounded away without anything changing; that a cow grazed nearby, or a person went past, without any more happening than a beat of the pulse, twin to all the others of the stream of life that softly pounds without end against the walls of the understanding.

Without slavery, as a matter of fact, there is no definitive solution. I very soon realized that. Once upon a time, I was always talking of freedom: At breakfast I used to spread it on my toast, I used to chew it all day long, and in company my breath was delightfully redolent of freedom. With that key word I would bludgeon whoever contradicted me; I made it serve my desires and my power. I used to whisper it in bed in the ear of my sleeping mates and it helped me to drop them. I would slip it… Tchk! Tchk! I am getting excited and losing all sense of proportion. After all, I did on occasion make a more disinterested use of freedom and even – just imagine my naiveté -- defended it two or three times without of course going so far as to die for it, but nevertheless taking a few risks. I must be forgiven such rash acts; I didn't know what I was doing. I didn't know that freedom is not a reward or a decoration that is celebrated with champagne. Nor yet a gift, a box of dainties designed to make you lick your chops. Oh, no! It’s a choice, on the contrary and a long-distance race, quite solitary and very exhausting. No champagne, no friends raising their glasses as they look at your affectionately. Alone in a forbidding room, alone in the prisoner's box before the judges, and alone to decide in face of oneself or in the face others' judgment. At the end of all freedom is a court sentence; that's why freedom is too heavy to bear, especially when you're down with a fever, or are distressed, or love nobody.

The grey-haired man was obviously the woman's inferior; he sat on the ground at a distance, and although what he said was urbane enough, in the Malayan way, it was nothing like so urbane nor nearly as copious as her conversation, a steady, lively flow, not of anything so coarse as direct enquiry but of remarks that would have elicited information if Stephen had chosen to give it. He did not choose, of course: after so long a course of discretion his mind would scarcely agree to give the exact time without an effort.

...I want to exist from my own force, like the sun which gives light and does not suck light. That belongs to the earth. I recall my solar nature and would like to rush to my rising. But ruins stand in my way They say: "With regard to men you should be this or that." My chameleonesque skin shudders. They obtrude upon me and want to color me. But that should no longer be. Neither good nor evil shall be my masters. I push them aside, the laughable survivors, and go on my way again, which leads me to the East. The quarreling powers that for so long stood between me and myself lie behind me. Henceforth I'm completely alone. I can no longer say to you: "Listen!" or "you should," or "you could," but now I talk only with myself Now no one else can do anything more for me, nothing whatsoever. I no longer have a duty toward you, and you no longer have duties toward me, since I vanish and you vanish from me. I no longer hear requests and no longer make requests of you. I no longer fight and reconcile myself with you, but place silence between you and me. Your call dies away in the distance, and you cannot find my footprints. Together with the west wind, which comes from the plains of the ocean, I journey across the green countryside, I roam through the forests, and bend the young grass. I talk with trees and the forest wildlife, and the stones show me the way. When I thirst and the source does not come to me, I go to the source. When I starve and the bread does not come to me, I seek my bread and take it where I find it. I provide no help and need no help. If at any time necessity confronts me, I do not look around to see whether there is a helper nearby, but I accept the necessity and bend and writhe and struggle. I laugh, I weep,I swear, but I do not look around me. On this way, no one walks behind me, and I cross no one's path. I am alone, but I fill my solitariness with my life. I am man enough, I am noise, conversation, comfort, and help enough unto myself And so I wander to the far East. Not that I know any-thing about what my distant goal might be. I see blue horizons before me: they suffice as a goal. I hurry toward the East and my rising- I will my rising.

Tis with great Pleasure I observe, That Men of Letters, in this Age, have lost, in a great Measure, that Shyness and Bashfulness of Temper, which kept them at a Distance from Mankind; and, at the same Time, That Men of the World are proud of borrowing from Books their most agreeable Topics of Conversation. ’Tis to be hop’d, that this League betwixt the learned and conversible Worlds, which is so happily begun, will be still farther improv’d to their mutual Advantage; and to that End, I know nothing more advantageous than such Essays as these with which I endeavour to entertain the Public. In this View, I cannot but consider myself as a Kind of Resident or Ambassador from the Dominions of Learning to those of Conversation; and shall think it my constant Duty to promote a good Correspondence betwixt these two States, which have so great a Dependence on each other. I shall give Intelligence to the Learned of whatever passes in Company, and shall endeavour to import into Company whatever Commodities I find in my native Country proper for their Use and Entertainment. The Balance of Trade we need not be jealous of, nor will there be any Difficulty to preserve it on both Sides. The Materials of this Commerce must chiefly be furnish’d by Conversation and common Life: The manufacturing of them alone belongs to Learning. As

When you come to any town And one comes to any town very late When you come very late to any town In case that town happens to be Valjevo Where I also came You'll come by the path you had to come by Which didn't exist before you But was born with you For you to go by your path And meet her whom you must meet On the path you must go by Who was your life Even before you met her Or knew that she existed Both her and the town to which you came. ***** Until she comes into your life And there forever remains She who started towards you From a great distance From somewhere in the Russian Jerusalem From the Caucasus from Pyatigorsk Where she had never been And her name was what it was For instance Vera Pavlodoljska And looked the way she looked The way no one on earth looks anymore. ***** That will be the only town Where you’ve always been And as soon as you heard her name And before you met her You always knew her And already loved her for centuries. When you come to any town And one comes to any town very late When you come very late to any town In case that town happens to be Valjevo You will come stepping to a double echo Yours and the clatter of another Who travels with you And whose voice blows in the wind On an unusual day for that time of year So even you won’t be sure What town that is Nor which are your steps You’ll only know that voice That doesn’t blow in the wind But appears in you ***** When you come very late to any town The world will become a reminder of her And there won’t be a single place on earth Where she won’t be waiting for you Nor a mirror in which she won’t appear Nor blonde hair that isn’t hers Nor a cloud without her silken smile Space, fields and water have remembered her The way she was when you first met her In any town ***** And nothing would be the way that it is If it could have been the way that it couldn’t Because there exists only one town And only one arrival And only one encounter And each is the first and only And it never happened before or after And all towns are one Parts of one single town Of a town above all towns Of a town that is you Towards which everyone goes ***** And as soon as you saw her You loved her from the beginning And in advance rued the parting Which took place Before you met her Because there exists only one town And only one woman And one single day And one song above all songs And one single word And one town in which you heard it And one mouth that said it And from everything about the way it uttered it You knew it was uttering it for the first time And that you could quietly shut your eyes Because you’d already died and already risen And that which never was had repeated itself.

Each time we tackle something with joy, each time we open our eyes toward a yet untouched distance, we transform not only this and the next moment, but we also rearrange and gradually absorb the past inside of us. We dissolve the foreign body of pain of which we know neither its actual consistency and makeup nor how many (perhaps) life-affirming stimuli it imparts, once it has been dissolved, to our blood! Death, especially the most completely felt and experienced death, has never remained an obstacle to life for a surviving individual, because its innermost essence is not contrary to us (as one may occasionally suspect), but it is more knowing about life than we are in our most vital moments. I always think that such a great weight, with its tremendous pressure, somehow has the task of forcing us into a deeper, more intimate layer of life so that we may grow out of it all the more vibrant and fertile. I gained this experience very early on through various circumstances, and it was then confirmed from pain to pain: What is here and now is, after all, what has been given and is expected of us, and we must attempt to transform everything that happens to us into a new familiarity and friendliness with it. For where else should we direct our senses, which after all have been exquisitely designed to grasp and master what is here?

And it is, after all, as good a way as any of solving the problem of existence to approach near enough to the things that have appeared to us from a distance to be beautiful and mysterious, to be able to satisfy ourselves that they have neither mystery nor beauty. It is one of the systems of hygiene among which we are at liberty to choose our own, a system which is perhaps not to be recommended too strongly, but it gives us a certain tranquillity with which to spend what remains of life, and also — since it enables us to regref nothing, by assuring us that we have attained to the best, and that the best was nothing out of the common — with which to resign ourselves to death.

Closing the distance between them, he had savored the modest allure of her walk and felt his body respond to the graceful sway of her hips as they approached the pool. He had envisioned her taking off her robe and showing him her slender nakedness, but instead, she had just stood there, as though searching for someone. It skipped through his mind that when he caught up to the girl, he would either apprehend or ravish her. He still wasn't sure which it would be as he stood before her, blocking her escape with a dark, slight smile. As she peered up at him fearfully from the shadowed folds of her hood, he found himself staring into the bluest eyes he had ever seen. He had only encountered that deep, dream-spun shade of cobalt once in his life before, in the stained glass windows of Chartres Cathedral. His awareness of the crowd them dimmed in the ocean-blue depths of her eyes. 'Who are you?' He did not say a word nor ask her permission. With the smooth self-assurance of a man who has access to every woman in the room, he captured her chin in a firm but gentle grip. She jumped when he touched her, panic flashing in her eyes. His hard stare softened slightly in amusement at that, but then his faint smile faded, for her skin was silken beneath his fingertips. With one hand, he lifted her face toward the dim torchlight, while the other softly brushed back her hood. Then Lucien faltered, faced with a beauty the likes of which he had never seen. His very soul grew hushed with reverence as he gazed at her, holding his breath for fear the vision would dissolve, a figment of his overactive brain. With her bright tresses gleaming the flame-gold of dawn and her large, frightened eyes of that shining, ethereal blue, he was so sure for a moment that she was a lost angel that he half expected to see silvery, feathered wings folded demurely beneath her coarse brown robe. She appeared somewhere between the ages of eighteen and twenty-two- a wholesome, nay, a virginal beauty of trembling purity. He instantly 'knew' that she was utterly untouched, impossible as that seemed in this place. Her face was proud and weary. Her satiny skin glowed in the candlelight, pale and fine, but her soft, luscious lips shot off an effervescent champagne-pop of desire that fizzed more sweetly in his veins than anything he'd felt since his adolescence, which had taken place, if he recalled correctly, some time during the Dark Ages. There was intelligence and valor in her delicate face, courage, and a quivering vulnerability that made him ache with anguish for the doom of all innocent things. 'A noble youth, a questing youth,' he thought, and if she had come to slay dragons, she had already pierced him in his black, fiery heart with the lance of her heaven-blue gaze.

When the dead return they will come to you in dream and in waking, will be the bird knocking, knocking against glass, seeking a way in, will masquerade as the wind, its voice made audible by the tongues of leaves, greedily lapping, as the waves’ self-made fugue is a turning and returning, the dead will not then nor ever again desert you, their unrest will be the coat cloaking you, the farther you journey from them the more that distance will maw in you, time and place gulching when the dead return to demand accounting, wanting and wanting and wanting everything you have to give and nothing will quench or unhunger them as they take all you make as offering. Then tell you to begin again.

At Dniepropetrovsk the Stalin regime had made great efforts in construction. We were at first impressed as we approached the suburbs of the city, where we saw outlined the large masonry blocks of the proletarian housing erected by the Soviets. Their lines were modern. The buildings were huge, and there were many of them. Undeniably, the Communist system had done something for the people. If the misery of the peasants was great, at least the worker seemed to have benefited from the new times. Still, it was necessary to visit and examine the buildings. We lived for six months in the Donets coal basin. We had plenty of time to test the conclusions that we had reached at the time of our entrance into Dniepropetrovsk. The buildings, so impressive from a distance, were just a gigantic hoax, intended to fool sightseers shepherded by Intourist [Soviet tourism agency] and the viewers of documentary films. Approaching those housing blocks you were sickened by the stench of mud and excrement that rose from the quagmires surrounding each of the buildings. Around them were neither sidewalks nor gravel nor paving stones. The Russian mud was everywhere, and everywhere the walls peeled and crumbled. The quality of the construction materials was of the lowest order. All the balconies had come loose, and already the cement stairways were worn and grooved, although the buildings were only a few years old.

Philotheo. No corporeal sense can perceive the infinite. None of our senses could be expected to furnish this conclusion; for the infinite cannot be the object of sense-perception; therefore he who demandeth to obtain this knowledge through the senses is like unto one who would desire to see with his eyes both substance and essence. And he who would deny the existence of a thing merely because it cannot be apprehended by the senses, nor is visible, would presently be led to the denial of his own substance and being. Wherefore there must be some measure in the demand for evidence from our sense-perception, for this we can accept only in regard to sensible objects, and even there it is not above all suspicion unless it cometh before the court aided by good judgement. It is the part of the intellect to judge, yielding due weight to factors absent and separated by distance of time and by space intervals. And in this matter our sense-perception doth suffice us and doth yield us adequate testimony, since it is unable to gainsay us; moreover it advertiseth and confesseth his own feebleness and inadequacy by the impression it giveth us of a finite horizon, an impression moreover which is ever changing. Since then we have experience that sense-perception deceiveth us concerning the surface of this globe on which we live, much more should we hold suspect the impression it giveth us of a limit to the starry sphere.

At the same distance from it is the city of Sala, situate on a river which bears the same name, a place which stands upon the very verge of the desert, and though infested by troops of elephants, is much more exposed to the attacks of the nation of the Autololes, through whose country lies the road to Mount Atlas, the most fabulous locality even in Africa. [...] There formerly existed some Commentaries written by Hanno, a Carthaginian general, who was commanded, in the most flourishing times of the Punic state, to explore the sea-coast of Africa. The greater part of the Greek and Roman writers have followed him, and have related, among other fabulous stories, that many cities there were founded by him, of which no remembrance, nor yet the slightest vestige, now exists. [V,1]

There is a musical instrument, one that is in fact little more than a toy, that we in Viron used to call Molpe’s dulcimer. Strings are arranged in a certain way and drawn tight above a chamber of thin wood that swells the sound when they are strummed by the wind. Horn made several for his young siblings before we went into the tunnels; when I made them, I dreamed of making a better one someday, one constructed with all the knowledge and care that a great craftsman would bring to the task, a fitting tribute to Molpe. I have never built it, as you will have guessed already. I have the craft now, perhaps; but I have never had the musical knowledge the task would require, and I never will. If I had built it, it might have sounded something like that, because I would have made it sound as much like a human voice as I could; and if I were the great craftsman I once dreamed of becoming, I would have come very near—and yet not near enough. That is how it was with the Mother’s voice. It was lovely and uncanny, like Molpe’s dulcimer; and although it was not in truth very remote as well as I could judge, there was that in it that sounded very far away indeed. I have since thought that the distance was perhaps of time, that we heard a song on that warm, calm evening that was not merely hundreds but thousands of years old, sung as it had been sung when the Short Sun of Blue was yet young, and floating to us across that lonely sea with a pain of loss and longing that my poor words cannot express. No, not even if I could whisper them aloud to you of the future, and certainly not as I am constrained to speak to you now with Oreb’s laboring black wingfeather. Nor with a quill from any other bird that ever flew. *

The path was a familiar one. Over the years she’d resided in Spindle Cove, Susanna must have walked it thousands of times. She knew each curve of the land, every last mottled depression in the road. More than once, she’d covered this distance in the dark of night with nary a misstep. Today, she stumbled. He was there, catching her elbow in his strong, sure grip. She hadn’t realized he was following so close. Just when she thought she’d regained her balance, his heat and presence unsteadied her all over again. “Are you well?” “Yes. I think so.” In an effort to dispel the awkwardness, she joked, “Mondays are country walks; Tuesdays, sea bathing…” He didn’t laugh. Nor even smile. He released her without comment, moving on ahead to take the lead. His strides were long, but she noticed he was still favoring that right leg. She did what a good healer ought never do. She hoped it hurt.

The first true men had tools and weapons only a little better than those of their ancestors a million years earlier, but they could use them with far greater skill. And somewhere in the shadowy centuries that had gone before they had invented the most essential tool of all, though it could be neither seen nor touched. They had learned to speak, and so had won their first great victory over Time. Now the knowledge of one generation could be handed on to the next, so that each age could profit from those that had gone before. Unlike the animals, who knew only the present, Man had acquired a past; and he was beginning to grope toward a future. He was also learning to harness the force of nature; with the taming of fire, he had laid the foundations of technology and left his animal origins far behind. Stone gave way to bronze, and then to iron. Hunting was succeeded by agriculture. The tribe grew into the village, the village into the town. Speech became eternal, thanks to certain marks on stone and clay and papyrus. Presently he invented philosophy, and religion. And he peopled the sky, not altogether inaccurately, with gods. As his body became more and more defenseless, so his means of offense became steadily more frightful. With stone and bronze and iron and steel he had run the gamut of everything that could pierce and slash, and quite early in time he had learned how to strike down his victims from a distance. The spear, the bow the gun and finally the guided missile had given him weapons of infinite range and all but infinite power. Without those weapons, often though he had used them against himself, Man would never have conquered his world. Into them he had put his heart and soul, and for ages they had served him well. But now, as long as they existed, he was living on borrowed time.

According to my definition of tragedy, the tragic pathos is born when the perfectly average sensibility momentarily takes unto itself a privileged nobility that keeps others at a distance, and not when a special type of sensibility vaunts its own special claims. It follows that he who dabbles in words can create tragedy, but cannot participate in it. It is necessary, moreover, that the “privileged nobility” find its basis strictly in a kind of physical courage. The elements of intoxication and superhuman clarity in the tragic are born when the average sensibility, endowed with a given physical strength, encounters that type of privileged moment especially designed for it. Tragedy calls for an anti-tragic vitality and ignorance, and above all for a certain “inappropriateness.” If a person is at times to draw close to the divine, then under normal conditions he must be neither divine nor anything approaching it.

Ione II. 'TWAS in the radiant summer weather, When God looked, smiling, from the sky; And we went wand'ring much together By wood and lane, Ione and I, Attracted by the subtle tie Of common thoughts and common tastes, Of eyes whose vision saw the same, And freely granted beauty's claim Where others found but worthless wastes. We paused to hear the far bells ringing Across the distance, sweet and clear. We listened to the wild bird's singing The song he meant for his mate's ear, And deemed our chance to do so dear. We loved to watch the warrior Sun, With flaming shield and flaunting crest, Go striding down the gory West, When Day's long fight was fought and won. And life became a different story; Where'er I looked, I saw new light. Earth's self assumed a greater glory, Mine eyes were cleared to fuller sight. Then first I saw the need and might Of that fair band, the singing throng, Who, gifted with the skill divine, Take up the threads of life, spun fine, And weave them into soulful song. They sung for me, whose passion pressing My soul, found vent in song nor line. They bore the burden of expressing All that I felt, with art's design, And every word of theirs was mine. I read them to Ione, ofttimes, By hill and shore, beneath fair skies, And she looked deeply in mine eyes, And knew my love spoke through their rhymes. Her life was like the stream that floweth, And mine was like the waiting sea; Her love was like the flower that bloweth, And mine was like the searching bee — I found her sweetness all for me. God plied him in the mint of time, And coined for us a golden day, And rolled it ringing down life's way With love's sweet music in its chime. And God unclasped the Book of Ages, And laid it open to our sight; Upon the dimness of its pages, So long consigned to rayless night, He shed the glory of his light. We read them well, we read them long, And ever thrilling did we see That love ruled all humanity, — The master passion, pure and strong.

Wessex Heights There are some heights in Wessex, shaped as if by a kindly hand For thinking, dreaming, dying on, and at crises when I stand, Say, on Ingpen Beacon eastward, or on Wylls-Neck westwardly, I seem where I was before my birth, and after death may be. In the lowlands I have no comrade, not even the lone man’s friend – Her who suffereth long and is kind; accepts what he is too weak to mend: Down there they are dubious and askance; there nobody thinks as I, But mind-chains do not clank where one’s next neighbour is the sky. In the towns I am tracked by phantoms having weird detective ways – Shadows of beings who fellowed with myself of earlier days: They hang about at places, and they say harsh heavy things – Men with a frigid sneer, and women with tart disparagings. Down there I seem to be false to myself, my simple self that was, And is not now, and I see him watching, wondering what crass cause Can have merged him into such a strange continuator as this, Who yet has something in common with himself, my chrysalis. I cannot go to the great grey Plain; there’s a figure against the moon, Nobody sees it but I, and it makes my breast beat out of tune; I cannot go to the tall-spired town, being barred by the forms now passed For everybody but me, in whose long vision they stand there fast. There’s a ghost at Yell’ham Bottom chiding loud at the fall of the night, There’s a ghost in Froom-side Vale, thin lipped and vague, in a shroud of white, There is one in the railway-train whenever I do not want it near, I see its profile against the pane, saying what I would not hear. As for one rare fair woman, I am now but a thought of hers, I enter her mind and another thought succeeds me that she prefers; Yet my love for her in its fulness she herself even did not know; Well, time cures hearts of tenderness, and now I can let her go. So I am found on Ingpen Beacon, or on Wylls-Neck to the west, Or else on homely Bulbarrow, or little Pilsdon Crest, Where men have never cared to haunt, nor women have walked with me, And ghosts then keep their distance; and I know some liberty.

As regards space, the modern view is that it is neither a substance, as Newton maintained, and as Leucippus and Democritus ought to have said, nor an adjective of extended bodies, as Descartes thought, but a system of relations, as Leibniz held. It is not by any means clear whether this view is compatible with the existence of the void. Perhaps, as a matter of abstract logic, it can be reconciled with the void. We might say that, between any two things, there is a certain greater or smaller distance, and that distance does not imply the existence of intermediate things. Such a point of view, however, would be impossible to utilize in modern physics. Since Einstein, distance is between events, not between things, and involves time as well as space. It is essentially a causal conception, and in modern physics there is no action at a distance. All this, however, is based upon empirical rather than logical grounds. Moreover the modern view cannot be stated except in terms of differential equations, and would therefore be unintelligible to the philosophers of antiquity.

My dwelling was small, and I could hardly entertain an echo in it; but it seemed larger for being a single apartment and remote from neighbors. All the attractions of a house were concentrated in one room; it was kitchen, chamber, parlor, and keeping-room; and whatever satisfaction parent or child, master or servant, derive from living in a house, I enjoyed it all. Cato says, the master of a family (patremfamilias) must have in his rustic villa "cellam oleariam, vinariam, dolia multa, uti lubeat caritatem expectare, et rei, et virtuti, et gloriae erit," that is, "an oil and wine cellar, many casks, so that it may be pleasant to expect hard times; it will be for his advantage, and virtue, and glory." I had in my cellar a firkin of potatoes, about two quarts of peas with the weevil in them, and on my shelf a little rice, a jug of molasses, and of rye and Indian meal a peck each. I sometimes dream of a larger and more populous house, standing in a golden age, of enduring materials, and without gingerbread work, which shall still consist of only one room, a vast, rude, substantial, primitive hall, without ceiling or plastering, with bare rafters and purlins supporting a sort of lower heaven over one's head—useful to keep off rain and snow, where the king and queen posts stand out to receive your homage, when you have done reverence to the prostrate Saturn of an older dynasty on stepping over the sill; a cavernous house, wherein you must reach up a torch upon a pole to see the roof; where some may live in the fireplace, some in the recess of a window, and some on settles, some at one end of the hall, some at another, and some aloft on rafters with the spiders, if they choose; a house which you have got into when you have opened the outside door, and the ceremony is over; where the weary traveller may wash, and eat, and converse, and sleep, without further journey; such a shelter as you would be glad to reach in a tempestuous night, containing all the essentials of a house, and nothing for house-keeping; where you can see all the treasures of the house at one view, and everything hangs upon its peg, that a man should use; at once kitchen, pantry, parlor, chamber, storehouse, and garret; where you can see so necessary a thing, as a barrel or a ladder, so convenient a thing as a cupboard, and hear the pot boil, and pay your respects to the fire that cooks your dinner, and the oven that bakes your bread, and the necessary furniture and utensils are the chief ornaments; where the washing is not put out, nor the fire, nor the mistress, and perhaps you are sometimes requested to move from off the trap-door, when the cook would descend into the cellar, and so learn whether the ground is solid or hollow beneath you without stamping. A house whose inside is as open and manifest as a bird's nest, and you cannot go in at the front door and out at the back without seeing some of its inhabitants; where to be a guest is to be presented with the freedom of the house, and not to be carefully excluded from seven eighths of it, shut up in a particular cell, and told to make yourself at home there—in solitary confinement. Nowadays the host does not admit you to his hearth, but has got the mason to build one for yourself somewhere in his alley, and hospitality is the art of keeping you at the greatest distance. There is as much secrecy about the cooking as if he had a design to poison you. I am aware that I have been on many a man's premises, and might have been legally ordered off, but I am not aware that I have been in many men's houses. I might visit in my old clothes a king and queen who lived simply in such a house as I have described, if I were going their way; but backing out of a modern palace will be all that I shall desire to learn, if ever I am caught in one.

In 1969 the Khmer Rouge numbered only about 4,000. By 1975 their numbers were enough to defeat the government forces. Their victory was greatly helped by the American attack on Cambodia, which was carried out as an extension of the Vietnam War. In 1970 a military coup led by Lon Nol, possibly with American support, overthrew the government of Prince Sihanouk, and American and South Vietnamese troops entered Cambodia. One estimate is that 600,000 people, nearly 10 per cent of the Cambodian population, were killed in this extension of the war. Another estimate puts the deaths from the American bombing at 1000,000 peasants. From 1972 to 1973, the quantity of bombs dropped on Cambodia was well over three times that dropped on Japan in the Second World War. The decision to bomb was taken by Richard Nixon and Henry Kissinger and was originally justified on the grounds that North Vietnamese bases had been set up in Cambodia. The intention (according to a later defence by Kissinger’s aide, Peter W. Rodman) was to target only places with few Cambodians: ‘From the Joint Chiefs’ memorandum of April 9, 1969, the White House selected as targets only six base areas minimally populated by civilians. The target areas were given the codenames BREAKFAST, LUNCH, DINNER, SUPPER, SNACK, and DESSERT; the overall programme was given the name MENU.’ Rodman makes the point that SUPPER, for instance, had troop concentrations, anti-aircraft, artillery, rocket and mortar positions, together with other military targets. Even if relatively few Cambodians were killed by the unpleasantly names items on the MENU, each of them was a person leading a life in a country not at war with the United States. And, as the bombing continued, these relative restraints were loosened. To these political decisions, physical and psychological distance made their familiar contribution. Roger Morris, a member of Kissinger’s staff, later described the deadened human responses: Though they spoke of terrible human suffering reality was sealed off by their trite, lifeless vernacular: 'capabilities', 'objectives', 'our chips', 'giveaway'. It was a matter, too, of culture and style. They spoke with the cool, deliberate detachment of men who believe the banishment of feeling renders them wise and, more important, credible to other men… They neither understood the foreign policy they were dealing with, nor were deeply moved by the bloodshed and suffering they administered to their stereo-types. On the ground the stereotypes were replaced by people. In the villages hit by bombs and napalm, peasants were wounded or killed, often being burnt to death. Those who left alive took refuge in the forests. One Western ob-server commented, ‘it is difficult to imagine the intensity of their hatred to-wards those who are destroying their villages and property’. A raid killed twenty people in the village of Chalong. Afterwards seventy people from Chalong joined the Khmer Rouge. Prince Sihanouk said that Richard Nixon and Henry Kissinger created the Khmer Rouge by expanding the war into Cambodia.

Just like the mountains, all jumbled together when you view them from a distance, had Beth's impulses and emotions already begun to be in their extraordinary complexity at this period; and even more like the mountains where you are close to them, for then, losing sight of the whole, you become aware of the details, and are surprised at their wonderful diversity, at the heights and hollows, the barren wastes, fertile valleys, gentle slopes, and giddy precipices- heights and hollows of hope and despair, barren wastes of mis-spent time, fertile valleys of intellectual accomplishment, gentle slopes of aspiration undefined, and giddy precipices of passionate impulse and desperate revolt. Genius is sympathetic insight made perfect; and it must have this diversity if it is ever to be effectual- must touch on every human experience, must suffer, and must also enjoy; great, therefore, are its compensations. It feels the sorrows of all mankind, and is elevated by them; whereas the pain of an individual bereavement is rather acute than prolonged. Genius is spared the continuous gnawing ache of the grief which stultifies; instead of an ever-present wearing sense of loss that would dim its power, it retains only those hallowed memories, those vivid recollections, which foster the joy of a great yearning tenderness; and all its pains are transmuted into something subtle, mysterious, invisible, neither to be named nor ignored- a fertilizing essence which is the source of its own heaven, and may also contain the salvation of earth. So genius has no lasting griefs.

Punishment cells were set up in the two-story cathedral ... Poles the thickness of an arm were set from wall to wall and prisoners were ordered to sit on these poles all day ... one's feet could not reach the ground. And it was not so easy to keep balance ... the prisoner spent the entire day just trying to maintain his perch. If he fell, the jailers jumped in and beat him ... Every little island and every little hillock of the Archipelago had to be encircled by a hostile, stormy Soviet seascape ... Escapes multiplied ... For half a year the sea was frozen over, but not solidly, and in places there was open water, and the snowstorms raged, and the frost bit hard, and things were enveloped in mists and darkness. And in the spring ... there were the long white nights with clear visibility over long distances for the patrolling cutters ... it was only when the nights began to lengthen, in the late summer and the autumn, that the time was right ... for those who were out in work parties, where a prisoner might have freedom of movement and time to build a boat or a raft near the shore ... and to cast off at night ... and strike out at random, hoping above all to encounter a foreign ship ... The whole long history of the Archipelago, about which it has fallen to me to write this home-grown, homemade book, has, in the course of half a century, found in the Soviet Union almost no expression whatever in the printed word. In this a role was played by that same unfortunate happenstance by which camp watchtowers never got into scenes in films nor into landscapes painted by our artists ...

The onset of catastrophe is not signaled by the sense of falling through the dark to an accidental death: everything, including a catastrophe, has a moment-by-moment structure - a structure that is beyond measurement or comprehension, one that is maddeningly complex or must be conceived in quite another manner, in which the degree of complexity can be articulated only in terms of images that seem impossible to conjure - visible only if time has slowed down to the point that we see the world as indifferent owing to the available circumstances and having doomed preconditions that arrive at a perfect universal conclusion, if only because they are composed of individual intentions - because the moment is the result of unconscious choices, because a key doesn't automatically fit into the ignition, because we do not start into third gear and move down to second but we start in second and move into third, rolling down the hill then turning onto a highway above the village, because the distance before us is like looking down a tunnel, because the greenery on the boughs still smells of morning dew, because of the death of a dog and someone's badly executed maneuver when turning left, that is to say because of one choice or another, of more choices and still more choices ad infinitum, those maddening had-we-but-known choices impossible to conceptualize because the situation we find ourselves in is complicated, determined by something that is in the nature of neither God nor the devil, something whose ways are impenetrable to us and are doomed to remain so because chance is simply a matter of choosing, but the result of that which might have happened anyway.

If, in the further reaches of some or another remote corridor in an immense house of two or, perhaps, three storeys, and behind some or another door that remains mostly closed but in sight of a window overlooking some or another tract of far-reaching landscape of mostly level grassy countryside with low hills or a line of trees in the distance, a certain man at his desk, on some or another day of sunshine with scattered clouds, were to spurn the predictable words and phrases of the many writers of fiction who have reported of this or that male character that he once fell in love with this or that female character, and if that same man, after striving as neither I, the author of this sentence, nor even the most discerning reader of the sentence, have or has striven nor will ever strive, in late afternoon, and at about the time when the rays of the declining sun might have caused the pane in the window of his room to seem to a traveller on a distant road like a spot of golden oil, had found in his heart, or wherever such things are to be found, the words best fitted to suggest what he seemed to have felt long before, on a certain hot afternoon, in a distant inland city, and whether he had simply kept those words in mind or whether he had actually written them, either as notes for a work of fiction that he might one day write or as part of an actual work of fiction, then I do not doubt that the words would have been to the effect that a certain boy, a mere child, while he watched unobserved a certain girl, a mere child, whose name he did not know and who had almost certainly never had sight of him, wished for the means to inform her that he was worthy of trust.

For the five months after he returned to Tokyo, Tsukuru lived at death’s door. He set up a tiny place to dwell, all by himself, on the rim of a dark abyss. A perilous spot, teetering on the edge, where, if he rolled over in his sleep, he might plunge into the depth of the void. Yet he wasn’t afraid. All he thought about was how easy it would be to fall in. All around him, for as far as he could see, lay a rough land strewn with rocks, with not a drop of water, nor a blade of grass. Colorless, with no light to speak of. No sun, no moon or stars. No sense of direction, either. At a set time, a mysterious twilight and a bottomless darkness merely exchanged places. A remote border on the edges of consciousness. At the same time, it was a place of strange abundance. At twilight birds with razor-sharp beaks came to relentlessly scoop out his flesh. But as darkness covered the land, the birds would fly off somewhere, and that land would silently fill in the gaps in his flesh with something else, some other indeterminate material. Tsukuru couldn’t fathom what this substance was. He couldn’t accept or reject it. It merely settled on his body as a shadowy swarm, laying an ample amount of shadowy eggs. Then darkness would withdraw and twilight would return, bringing with it the birds, who once again slashed away at his body. He was himself then, but at the same time, he was not. He was Tsukuru Tazaki, and not Tsukuru Tazaki. When he couldn’t stand the pain, he distanced himself from his body and, from a nearby, painless spot, observed Tsukuru Tazaki enduring the agony. If he concentrated really hard, it wasn’t impossible. Even now that feeling would sometimes spring up. The sense of leaving himself. Of observing his own pain as if it were not his own.

But among those 150 people, Dunbar stressed that there are hierarchical "layers of friendship" determined by how much time you spend with the person. It's kind of like a wedding cake where the topmost layer consist of only one or two people—say, a spouse and best friend—with whom you are most intimate and interact daily. The next layer can accommodate at most four people for whom you have great affinity, affection, and concern. Friendships at this level require weekly attention to maintain. Out from there, the tiers contain more casual friends who you see less often and thus, your ties are more tenuous. Without consistent contact, they easily fall into the realm of acquaintance. At this point, you are friendly but not really friends, because you've lost touch with who they are, which is always evolving. You could easily have a beer with them, but you wouldn't miss them terribly, or even notice right way, if they moved out of town. Nor would they miss you. An exception might be friends with whom you feel like you can pick up right where you left or even though you haven't talked to them for ages. According to Dunbar, these are usually friendships forged through extensive and deep listening at some point in your life, usually during an emotionally wrought time, like during college or early adulthood, or maybe during a personal crisis like an illness or divorce. It's almost as if you have banked a lot of listening that you can draw on later to help you understand and relate to that person even after significant time apart. Put another way, having listened well and often to someone in the past makes it easier to get back on the same wavelength when you get out of sync, perhaps due to physical separation or following a time of emotional distance caused by an argument.

Phoebe Kitzke?” The man had stopped in front of her. He had a deep, beautiful voice that made her thigh muscles quiver. This close she could see the multiple shades of deep blue that made up his eyes. He didn’t smile. On the whole she would say he looked about as far from happy as it was possible to be while still breathing. “I’m Phoebe,” she said, afraid she sounded as tentative as she felt. Why hadn’t Maya warned her? Saying Zane was good-looking was like saying summer in the desert was warm. “Zane.” He held out his hand. She wasn’t sure if he wanted to shake or take her luggage. She erred on the side of good manners and found her fingers engulfed in his. The instant heat didn’t surprise her, nor did the melting sensation. Everything else was going wrong in her life--it made sense for her body to betray her, too. She mentally jerked her attention away from her traitorous thighs and noticed that he had a really big hand. Phoebe tried not to think about those old wives’ tales. She tried not to think about anything except the fact that she was going to kill Maya the next time she saw her. “Nice to meet you,” she said when he’d released her. “Maya says the ranch is some distance from the airport, and I really appreciate you coming all this way to collect me.” His only response was to pick up her luggage. He didn’t bother with the wheels, instead carrying the bags out as if they weighed as much as a milk carton. Uh-huh. She’d nearly thrown out her entire back just wrestling them into the car. While in the past she’d never been all that interested in men with muscles, she could suddenly see the appeal of well-developed biceps. Zane headed for the parking lot, and Phoebe trailed after him. He didn’t seem to be much of a talker. That could make the drive to the ranch incredibly long.

artists and acrobats, the walls were enough to keep most people in. I don’t get super strength or scary points. But speed is my friend, and I caught her flat-footed because she thought one thing was happening when it was really something else. She thought I was running from her—and I was just trying to get up some speed. I ran for the wall. I don’t know what she thought I was doing, but she chased me hard for most of the distance. But as I approached the giant stone wall that surrounded the grounds, she slowed, anticipating that I would be stopped by it. A few months ago, a bunch of the pack had been at Warren’s house watching a Jackie Chan movie—I don’t remember which one because we were having a marathon—and Jackie just ran up a wall like magic. Warren had a wall around his backyard. Someone stopped the movie, and we’d all gone out and tried it. A lot. The werewolves had gotten moderately proficient, but my light weight and speed had made me the grand champion. The trick is to find a corner and have enough speed to make it to the top. Instead of stopping at the wall, I Jackie-Channed it up the stone surfaces and leaped over. I caught the werewolf totally by surprise. I don’t expect Bonarata and she watched old martial arts movies together. It didn’t seem like that kind of relationship. Her pause meant that the wolf, who could have caught me because as agile as I’d learned to be imitating Jackie Chan, going up was still slower than going forward, had missed her chance. I didn’t intend to give her another. I changed to coyote as I came off the top of the wall. I’m not a were-anything. It takes them time to change from human to wolf. I could do it—well, in this case I could do it in the time it took me to drop off the wall. I landed on four feet, running as fast as I could down a narrow road that was walled on both sides. I had no idea where I was, but out was a good direction, and I didn’t hesitate as I headed one way. Nor did I slow

This is not to say that he was not qualified, though he concealed his beginnings as a scullion, to lend a hand like anyone else. It required some exceptional circumstance nevertheless to induce him one day to carve the turkeys himself. I was out, but I heard afterwards that he carved them with a sacerdotal majesty, surrounded, at a respectful distance from the service-table, by a ring of waiters who, endeavouring thereby not so much to learn the art as to curry favour with him, stood gaping in open-mouthed admiration. The manager, however, as he plunged his knife with solemn deliberation into the flanks of his victims, from which he no more deflected his eyes, filled with a sense of his high function, than if he were expecting to read some augury therein, was totally oblivious of their presence. The hierophant was not even conscious of my absence. When he heard of it, he was distressed: “What, you didn’t see me carving the turkeys myself?” I replied that having failed, so far, to see Rome, Venice, Siena, the Prado, the Dresden gallery, the Indies, Sarah in Phèdre, I had learned to resign myself, and that I would add his carving of turkeys to my list. The comparison with the dramatic art (Sarah in Phèdre) was the only one that he seemed to understand, for he had learned through me that on days of gala performances the elder Coquelin had accepted beginners’ roles, even those of characters who had only a single line or none at all. “All the same, I’m sorry for your sake. When shall I be carving again? It will need some great event, it will need a war.” (It needed the armistice, in fact.) From that day onwards, the calendar was changed, and time was reckoned thus: “That was the day after the day I carved the turkeys myself.” “It was exactly a week after the manager carved the turkeys himself.” And so this prosectomy furnished, like the Nativity of Christ or the Hegira, the starting point for a calendar different from the rest, but neither so extensively adopted nor so long observed.

The wooden ship objected with loud creaks as the heavy wind strained its sails to the limits, pushing it forwards through the waves. A rather petite vessel, it was the smallest she’d sailed. It was old and worn, too. Nora looked up at the yellowed sails fondly. It was a miracle that they’d lasted this long, cooperating with the buffeting winds without rest for many seasons now. And Nora and the ship had been through some strong gales together. Excellent craftsmanship, Nora thought and, as she often did, pondered the ship’s origins: who’d made it and what waters it’d sailed before she stole it. She’d been certain that the ship wouldn’t last long on the high seas, and that she’d soon have to find a replacement, but she’d been pleasantly surprised. Her ship might not cover vast distances in as short a time as the bigger, heavier sailing ships she was used to, but Nora could turn Naureen around or change direction in a matter of minutes. She could swiftly put distance between her and the ships she plundered. Sometimes, it seemed as if the ship responded to her thoughts, as if there was a weird invisible bond between the two of them. ‘Naureen. Us sailor gals must stick together,’ she said aloud, as if the ship could hear her. Nora always talked to her ship. Clearly a sign she’d been on the sea for too long, she mused. Naureen. Nora didn’t know who’d named the ship or what the name meant, but she thought it strangely fitting. It graced the bow of the ship, painted in beautiful calligraphy. Nora saw it whenever she was aboard another vessel, rummaging for furs or bones of extinct animals she could sell, or food. The sight of her ship always made her heart flutter with happiness. There was a time when Nora would steal the ships she plundered, if she liked them and was in the mood for a change. But not after she stole Naureen. Well, not stole, she corrected herself. When she’d come across the tiny ship, she’d found the salt-rimed corpse of the hollow-cheeked owner sprawled face down on the deck. He’d probably starved to death. His body had not been the first one Nora’d found drifting at sea, nor the last.

In order to refashion the world, it is necessary for people themselves to adopt a different mental attitude. Until man becomes brother unto man, there shall be no brotherhood of men. No kind of science or material advantage will ever induce people to share their property or their rights equitably. No one will ever have enough, people will always grumble, they will always envy and destroy one another. You ask when will all this come about. It will come about, but first there must be an end to the habit of self-imposed isolation of man.’ ‘What isolation?’ I asked him. ‘The kind that is prevalent everywhere now, especially in our age, and which has not yet come to an end, has not yet run its course. For everyone nowadays strives to dissociate himself as much as possible from others, everyone wants to savour the fullness of life for himself, but all his best efforts lead not to fullness of life but to total self-destruction, and instead of ending with a comprehensive evaluation of his being, he rushes headlong into complete isolation. For everyone has dissociated himself from everyone else in our age, everyone has disappeared into his own burrow, distanced himself from the next man, hidden himself and his possessions, the result being that he has abandoned people and has, in his turn, been abandoned. He piles up riches in solitude and thinks: ‘How powerful I am now, and how secure,’ and it never occurs to the poor devil that the more he accumulates, the further he sinks into suicidal impotence. For man has become used to relying on himself alone, and has dissociated himself from the whole; he has accustomed his soul to believe neither in human aid, nor in people, nor in humanity; he trembles only at the thought of losing his money* and the privileges he has acquired. Everywhere the human mind is beginning arrogantly to ignore the fact that man’s true security is to be attained not through the isolated efforts of the individual, but in a corporate human identity. But it is certain that this terrible isolation will come to an end, and everyone will realize at a stroke how unnatural it is for one man to cut himself off from another. This will indeed be the spirit of the times, and people will be surprised how long they have remained in darkness and not seen the light. It is then that the sign of the Son of man will appear in heaven…* But, nevertheless, until then man should hold the banner aloft and should from time to time, quite alone if necessary, set an example and rescue his soul from isolation in order to champion the bond of fraternal love, though he be taken for a holy fool. And he should do this in order that the great Idea should not die…

Closing the distance between them, he had saved the modest allure of her walk and felt his body respond to the graceful sway of her hips as they approached the pool. He had envisioned her taking off her robe and showing him her slender nakedness, but instead, she had just stood there, as though searching for someone. It skipped through his mind that when he caught up to the girl, he would either apprehend or ravish her. He still wasn't sure which it would be as he stood before her, blocking her escape with a dark, slight smile. As she peered up at him fearfully from the shadowed folds of her hood, he found himself staring into the bluest eyes he had ever seen. He had only encountered that deep, dream-spun shade of cobalt once in his life before, in the stained glass windows of Chartres Cathedral. His awareness of the crowd them dimmed in the ocean-blue depths of her eyes. 'Who are you?' He did not say a word nor ask her permission. With the smooth self-assurance of a man who has access to every woman in the room, he captured her chin in a firm but gentle grip. She jumped when he touched her, panic flashing in her eyes. His hard stare softened slightly in amusement at that, but then his faint smile faded, for her skin was silken beneath his fingertips. With one hand, he lifted her face toward the dim torchlight, while the other softly brushed back her hood. Then Lucien faltered, faced with a beauty the likes of which he had never seen. His very soul grew hushed with reverence as he gazed at her, holding his breath for fear the vision would dissolve, a figment of his overactive brain. With her bright tresses gleaming the flame-gold of dawn and her large, frightened eyes of that shining, ethereal blue, he was so sure for a moment that she was a lost angel that he half expected to see silvery, feathered wings folded demurely beneath her coarse brown robe. She appeared somewhere between the ages of eighteen and twenty-two- a wholesome, nay, a virginal beauty of trembling purity. He instantly 'knew' that she was utterly untouched, impossible as that seemed in this place. Her face was proud and weary. Her satiny skin glowed in the candlelight, pale and fine, but her soft, luscious lips shot off an effervescent champagne-pop of desire that fizzed more sweetly in his veins than anything he'd felt since his adolescence, which had taken place, if he recalled correctly, some time during the Dark Ages. There was intelligence and valor in her delicate face, courage, and a quivering vulnerability that made him ache with anguish for the doom of all innocent things. 'A noble youth, a questing youth,' he thought, and if she had come to slay dragons, she had already pierced him in his black, fiery heart with the lance of her heaven-blue gaze.

Our galaxy is surrounded by a cloud of about fifty nearby galaxies, known as our Local Group. Foremost among them is the Andromeda Galaxy, a beautiful spiral galaxy, and the only galaxy in our group larger than our own. Gravity is pulling the two toward each other, and in four billion years (before our Sun has died) they will collide and unite. With so much distance between the stars of each galaxy, this collision will do surprisingly little to upset the stars and their planets. Its main effect will be to disrupt the delicate spiral structures of the partners, probably merging into a more uniform elliptical galaxy about three times as large. Eventually (in hundreds of billions of years) all the other galaxies in our group will have merged in too, forming a single giant galaxy.28 Zooming further out, we see many more groups of galaxies, some with as many as a thousand members.29 Eventually these groups resolve into a larger structure: the cosmic web—long, thick threads of galaxies, called filaments. These filaments criss-cross space in a kind of three-dimensional network, as if someone took a random set of points in space and connected each to its nearest handful of neighbors. Where the filaments intersect, space is bright and rich with galaxies.30 Between such filaments are dark and empty expanses, known as cosmic voids. As far as we can tell, this cosmic web continues indefinitely. At the very least, it continues as far as we can see or go. It is these final limits on our knowledge and action that appear to set the ultimate scale in our universe. We have known for almost a century that our universe is expanding, pulling the groups of galaxies apart. And twenty years ago we discovered that this expansion is accelerating. Cosmologists believe this puts a hard limit on what we will ever be able to observe or affect.31 We can currently see a sphere around us extending out 46 billion light years in all directions, known as the observable universe. Light from galaxies beyond this sphere hasn’t yet had time to reach us.32 Next year we will see a little further. The observable universe will increase in radius by a single light year, and about 25 more galaxies will come into view. But on our leading cosmological theory, the rate at which new galaxies become visible will decline, and those currently more than 63 billion light years away will never become visible from the Earth. We could call the region within this distance the eventually observable universe.33 But much more importantly, accelerating expansion also puts a limit on what we can ever affect. If, today, you shine a ray of light out into space, it could reach any galaxy that is currently less than 16 billion light years away. But galaxies further than this are being pulled away so quickly that neither light, nor anything else we might send, could ever affect them.34

Under these circumstances the most anodyne book was a source of danger from the simple fact that love was alluded to, and woman depicted as an attractive creature; and this was enough to account for all—for the inherent ignorance of Catholics, since it was proclaimed as the preventive cure for temptations—for the instinctive horror of art, since to these craven souls every written and studied work was in its nature a vehicle of sin and an incitement to fall. Would it not really be far more sensible and judicious to open the windows, to air the rooms, to treat these souls as manly beings, to teach them not to be so much afraid of their own flesh, to inculcate the firmness and courage needed for resistance? For really it is rather like a dog which barks at your heels and snaps at your legs if you are afraid of him, but who beats a retreat if you turn on him boldly and drive him off. The fact remains that these schemes of education have resulted, on the one hand, in the triumph of the flesh in the greater number of men who have been thus brought up and then thrown into a worldly life, and on the other, in a wide diffusion of folly and fear, an abandonment of the possessions of the intellect and the capitulation of the Catholic army surrendering without a blow to the inroads of profane literature, which takes possession of territory that it has not even had the trouble of conquering. This really was madness! The Church had created art, had cherished it for centuries; and now by the effeteness of her sons she was cast into a corner. All the great movements of our day, one after the other—romanticism, naturalism—had been effected independently of her, or even against her will. If a book were not restricted to the simplest tales, or pleasing fiction ending in virtue rewarded and vice punished, that was enough; the propriety of beadledom was at once ready to bray. As soon as the most modern form of art, the most malleable and the broadest—the Novel—touched on scenes of real life, depicted passion, became a psychological study, an effort of analysis, the army of bigots fell back all along the line. The Catholic force, which might have been thought better prepared than any others to contest the ground which theology had long since explored, retired in good order, satisfied to cover its retreat by firing from a safe distance, with its old-fashioned match-lock blunderbusses, on works it had neither inspired nor written. The Church party, centuries behind the time, and having made no attempt to follow the evolution of style in the course of ages, now turned to the rustic who can scarcely read; it did not understand more than half of the words used by modern writers, and had become, it must be said, a camp of the illiterate. Incapable of distinguishing the good from the bad, it included in one condemnation the filth of pornography and real works of art; in short, it ended by emitting such folly and talking such preposterous nonsense, that it fell into utter discredit and ceased to count at all. And it would have been so easy for it to work on a little way, to try to keep up with the times, and to understand, to convince itself whether in any given work the author was writing up the Flesh, glorifying it, praising it, and nothing more, or whether, on the contrary, he depicted it merely to buffet it—hating it. And, again, it would have done well to convince itself that there is a chaste as well as a prurient nude, and that it should not cry shame on every picture in which the nude is shown. Above all, it ought to have recognized that vices may well be depicted and studied with a view to exciting disgust of them and showing their horrors.

I, Prayer (A Poem of Magnitudes and Vectors) I, Prayer, know no hour. No season, no day, no month nor year. No boundary, no barrier or limitation–no blockade hinders Me. There is no border or wall I cannot breach. I move inexorably forward; distance holds Me not. I span the cosmos in the twinkling of an eye. I knowest it all. I am the most powerful force in the Universe. Who then is My equal? Canst thou draw out leviathan with a hook? None is so fierce that dare stir him up. Surely, I may’st with but a Word. Who then is able to stand before Me? I am the wind, the earth, the metal. I am the very empyrean vault of Heaven Herself. I span the known and the unknown beyond Eternity’s farthest of edges. And whatsoever under Her wings is Mine. I am a gentle stream, a fiery wrath penetrating; wearing down mountains –the hardest and softest of substances. I am a trickling brook to fools of want lost in the deserts of their own desires. I am a Niagara to those who drink in well. I seep through cracks. I inundate. I level forests kindleth unto a single burning bush. My hand moves the Universe by the mind of a child. I withhold treasures solid from the secret stores to they who would wrench at nothing. I do not sleep or eat, feel not fatigue, nor hunger. I do not feel the cold, nor rain or wind. I transcend the heat of the summer’s day. I commune. I petition. I intercede. My time is impeccable, by it worlds and destinies turn. I direct the fates of nations and humankind. My Words are Iron eternaled—rust not they away. No castle keep, nor towers of beaten brass, Nor the dankest of dungeon helks, Nor adamantine links of hand-wrought steel Can contain My Spirit–I shan’t turn back. The race is ne’er to the swift, nor battle to the strong, nor wisdom to the wise or wealth to the rich. For skills and wisdom, I give to the sons of man. I take wisdom and skills from the sons of man for they are ever Mine. Blessed is the one who finds it so, for in humility comes honor, For those who have fallen on the battlefield for My Name’s sake, I reach down to lift them up from On High. I am a rose with the thorn. I am the clawing Lion that pads her children. My kisses wound those whom I Love. My kisses are faithful. No occasion, moment in time, instances, epochs, ages or eras hold Me back. Time–past, present and future is to Me irrelevant. I span the millennia. I am the ever-present Now. My foolishness is wiser than man’s My weakness stronger than man’s. I am subtle to the point of formlessness yet formed. I have no discernible shape, no place into which the enemy may sink their claws. I AM wisdom and in length of days knowledge. Strength is Mine and counsel, and understanding. I break. I build. By Me, kings rise and fall. The weak are given strength; wisdom to those who seek and foolishness to both fooler and fool alike. I lead the crafty through their deceit. I set straight paths for those who will walk them. I am He who gives speech and sight - and confounds and removes them. When I cut, straight and true is my cut. I strike without fault. I am the razored edge of high destiny. I have no enemy, nor friend. My Zeal and Love and Mercy will not relent to track you down until you are spent– even unto the uttermost parts of the earth. I cull the proud and the weak out of the common herd. I hunt them in battles royale until their cries unto Heaven are heard. I break hearts–those whose are harder than granite. Beyond their atomic cores, I strike their atomic clock. Elect motions; not one more or less electron beyond electron’s orbit that has been ordained for you do I give–for His grace is sufficient for thee until He desires enough. Then I, Prayer, move on as a comet, Striking out of the black. I, His sword, kills to give Life. I am Living and Active, the Divider asunder of thoughts and intents. I Am the Light of Eternal Mind. And I, Prayer, AM Prayer Almighty.

This point was driven home for me for the first time when I was traveling in Asia in 1978 on a trip to a forest monastery in northeastern Thailand, Wat Ba Pong, on the Thai-Lao border. I was taken there by my meditation teacher, Jack Kornfield, who was escorting a group of us to meet the monk under whom he had studied at that forest hermitage. This man, Achaan Chaa, described himself as a “simple forest monk,” and he ran a hundred-acre forest monastery that was simple and old-fashioned, with one notable exception. Unlike most contemporary Buddhist monasteries in Thailand, where the practice of meditation as the Buddha had taught had all but died out, Achaan Chaa’s demanded intensive meditation practice and a slow, deliberate, mindful attention to the mundane details of everyday life. He had developed a reputation as a meditation master of the first order. My own first impressions of this serene environment were redolent of the newly extinguished Vietnam War, scenes of which were imprinted in my memory from years of media attention. The whole place looked extraordinarily fragile to me. On my first day, I was awakened before dawn to accompany the monks on their early morning alms rounds through the countryside. Clad in saffron robes, clutching black begging bowls, they wove single file through the green and brown rice paddies, mist rising, birds singing, as women and children knelt with heads bowed along the paths and held out offerings of sticky rice or fruits. The houses along the way were wooden structures, often perched on stilts, with thatched roofs. Despite the children running back and forth laughing at the odd collection of Westerners trailing the monks, the whole early morning seemed caught in a hush. After breakfasting on the collected food, we were ushered into an audience with Achaan Chaa. A severe-looking man with a kindly twinkle in his eyes, he sat patiently waiting for us to articulate the question that had brought us to him from such a distance. Finally, we made an attempt: “What are you really talking about? What do you mean by ‘eradicating craving’?” Achaan Chaa looked down and smiled faintly. He picked up the glass of drinking water to his left. Holding it up to us, he spoke in the chirpy Lao dialect that was his native tongue: “You see this goblet? For me, this glass is already broken. I enjoy it; I drink out of it. It holds my water admirably, sometimes even reflecting the sun in beautiful patterns. If I should tap it, it has a lovely ring to it. But when I put this glass on a shelf and the wind knocks it over or my elbow brushes it off the table and it falls to the ground and shatters, I say, ‘Of course.’ But when I understand that this glass is already broken, every moment with it is precious.”5 Achaan Chaa was not just talking about the glass, of course, nor was he speaking merely of the phenomenal world, the forest monastery, the body, or the inevitability of death. He was also speaking to each of us about the self. This self that you take to be so real, he was saying, is already broken.

He was my soul mate. Distance, time, nor circumstances could keep us apart. Some shit was just meant to be. “You

For many intelligences,the thought of homely intimacies is associated with a spontaneous disgust at too much sweetness-which is why there is neither a philosophy of sweetness nor an elaborated ontology of the intimate. One must assess the nature of this resistance if one is to get past typical initial aversions. From a distance,the subject appears so unattractive and inconsequential that for the time being,only suckers for harmony or theophilic eunuchs would get stuck on it. An intellect that spends its energy on worthy objects usually prefers the sharp to the sweet; one does not offer candy to heroes

The difference now is that I know Jace Dawson exists, and that knowledge has infiltrated every cell of my body and permanently altered me in a way neither time nor distance has managed to revert.

We meant, in speaking of a passive synthesis, that the multiple is penetrated by us, and that, nevertheless, we are not the ones who perform the synthesis. I am not the author of time, any more than am I the author of my own heartbeats, nor am I the one who takes the initiative of temporalization; I did not choose to be born, but no matter what I do, once I am born, time flows through me. And yet, this springing forth of time is not a mere fact that I undergo; I can find in time a recourse against time itself, as happens in a decision that I commit to, or in an act of conceptual focusing. Time tears me away from what I was about to be, but simultaneously gives me the means of grasping myself from a distance and of actualizing myself as myself. What we call passivity is not our reception of an external reality or of the causal action of the outside upon us: it is being encompassed, a situated being--prior to which we do not exist--that we perpetually start over and that is constitutive of us. A spontaneity that is 'acquired'...is precisely time and precisely subjectivity...Thus, there can be no question of deducing time from spontaneity. We are not temporal because we are spontaneous and because, as consciousness, we tear ourselves away from ourselves; rather, we are temporal because time is the foundation and the measure of our spontaneity; and the power of passing beyond and of 'nihilating,' which inhabits us and that we in fact are, is itself given to us along with temporality and life. Our birth...simultaneously establishes our activity or our individuality and our passivity or generality--that internal weakness that forever prevents us from achieving the density of an absolute individual. We are not, in some incomprehensible way, an activity tied to a passivity, a machine surmounted by a will, or a perception surmounted.by a judgment; rather, we are entirely active and entirely passive because we are the sudden upsurge of time.

Perhaps if his childhood had been like Clarisse’s, he would have done something else, he would have taken the time she suggested to to discover what he truly loves, what he wants to devote his days to doing, but he has not been able to shake off entirely the obligation of the utilitarian, the efficient, the concrete, nor has he been able to shake off a notion of the civil service as a grail where he is fortunate to be allowed to work. At night, as he sets his alarm clock, he sometimes thinks that it takes much longer than he expected to escape, and that if he has not put as much distance between himself and his childhood as he would have liked, the next generation can carry on where he left off. He imagines that what he is really doing in the stifling little room that serves as his office is amassing shares in freedom that he will be able to pass on to his children.

street, nor when two owls swooped overhead. In fact, it was nearly midnight before the cat moved at all. A man appeared on the corner the cat had been watching, appeared so suddenly and silently you’d have thought he’d just popped out of the ground. The cat’s tail twitched and its eyes narrowed. Nothing like this man had ever been seen in Privet Drive. He was tall, thin and very old, judging by the silver of his hair and beard, which were both long enough to tuck into his belt. He was wearing long robes, a purple cloak which swept the ground and high-heeled, buckled boots. His blue eyes were light, bright and sparkling behind half-moon spectacles and his nose was very long and crooked, as though it had been broken at least twice. This man’s name was Albus Dumbledore. Albus Dumbledore didn’t seem to realise that he had just arrived in a street where everything from his name to his boots was unwelcome. He was busy rummaging in his cloak, looking for something. But he did seem to realise he was being watched, because he looked up suddenly at the cat, which was still staring at him from the other end of the street. For some reason, the sight of the cat seemed to amuse him. He chuckled and muttered, ‘I should have known.’ He had found what he was looking for in his inside pocket. It seemed to be a silver cigarette lighter. He flicked it open, held it up in the air and clicked it. The nearest street lamp went out with a little pop. He clicked it again – the next lamp flickered into darkness. Twelve times he clicked the Put-Outer, until the only lights left in the whole street were two tiny pinpricks in the distance, which were the eyes of the cat watching him. If anyone looked out of their window now, even beady-eyed Mrs Dursley, they wouldn’t be able to see anything that was happening down on the pavement. Dumbledore slipped the Put-Outer back inside his cloak and set off down the street towards number four, where he sat down on the wall next to the cat. He didn’t look at it, but after a moment he spoke to it. ‘Fancy seeing you here, Professor McGonagall.

When two people produce entirely different memories of the same event, observers usually assume that one of them is lying. Of course, some people do invent or embellish stories to manipulate or deceive their audiences (or sell books). But most of us, most of the time, are neither telling the whole truth nor intentionally deceiving. We aren’t lying; we are self-justifying. All of us, as we tell our stories, add details and omit inconvenient facts; we give the tale a small, self-enhancing spin. That spin goes over so well that the next time we add a slightly more dramatic embellishment; we justify that little white lie as making the story better and clearer. Eventually the way we remember the event may bring us a far distance from what actually happened.

Between the past and the future of an event (for example, between the past and the future for you, where you are, and in the precise moment in which you are reading), there exists an “intermediate zone,” an “extended present”; a zone that is neither past nor future. This is the discovery made with special relativity. The duration of this “intermediate zone,”* which is neither in your past nor in your future, is very small and depends on where an event takes place relative to you, as illustrated in figure 3.2: the greater the distance of the event from you, the longer the duration of the extended present. At a distance of a few meters from your nose, the duration of what for you is the “intermediate zone,” neither past nor future, is no more than a few nanoseconds: next to nothing (the number of nanoseconds in a second is the same as the number of seconds in thirty years). This is much less than we could possibly notice. On the other side of the ocean, the duration of this “intermediate zone” is a thousandth of a second, still well below the threshold of our perception of time, the minimum amount of time we perceive with our senses, which is somewhere on the order of a tenth of a second. But on the moon, the duration of the “extended present” is a few seconds, and on Mars it is a quarter of an hour. This means we can say that on Mars there are events that in this precise moment have already happened, events that are yet to happen, but also a quarter-of-an-hour of events during which things occur that are neither in our past nor in our future. They are elsewhere. We had never before been aware of this “elsewhere” because next to us this “elsewhere” is too brief; we are not quick enough to notice it. But it exists, and is real. This is why it is impossible to hold a smooth conversation between here and Mars. Say I am on Mars and you are here; I ask you a question and you reply as soon as you’ve heard what I said; your reply reaches me a quarter of an hour after I had posed the question. This quarter of an hour is time that is neither past nor future to the moment you’ve replied to me. The key fact that Einstein understood is that this quarter of an hour is inevitable: there is no way of reducing it. It is woven into the texture of the events of space and of time: we cannot abbreviate it, any more than we can send a letter to the past. It’s strange, but this is how the world happens to be.

There is a fundamental difference between patriotism and nationalism. Most simply, patriotism is a love for one’s country while nationalism is primarily love of country at the expense of others. “Historically, religious nationalism is created out of a complicated mix of religious conviction and political expediency.”[23]  This remains true today. Often, and perhaps with pure motives, leaders in the church see the shortest distance to religious gains as a political path. The dangers of this line of thinking should be evident. There is no political party founded by Christ, nor one that diligently upholds the purity and principles of the gospel. When the church embraces a political party for power she places her blanket approval on that party, and everything that party espouses. In our massively polarized political culture this leads to excluding anyone that doesn’t toe the party line. Again, consider how many times we are charged in Scripture not to trust in the power of kings and armies. We do not derive power in the church from the government. We have the power of the Cross in us to do God’s will. That power cannot, will not, be denied. That is the unstoppable force of grace. To

It was a strange passage. Most of it seemed more a dream than reality. Such things as the tremendous gait we built up—far more than light speed— and the great distances we traveled were the realities, but I barely noticed them. More real was the unreality of the thin, lovely forms of the Nor maids moving about their mighty princess, the soft fires of their floating hair like seedling flames from the vast fire of Vanue’s god-life crowned by its floating cloud of yellow; our own eyes burning like the spotted wings of moths against the screen of her will; the sad faces of our own maids beside us, gazing first at the fierce white flame of her body and then at our own bemused selves; the vaulting of the vast ship walls about us; the unfamiliar instruments blinking and whirring. It was a very real dream to me—a dream I knew I would never stop dreaming. Strange passage. . . Ever the whisper of the feet of the Nor maids on some swift errand; the soft rumble of the voice of their living Goddess and the answering bright song of her worshipping maidens. Yes, it was a strange passage, and every mile of it brought home a fascinating realization. I had embarked on the most amazing voyage of my whole life. The very thought of what now certainly lay before me was enough to stun my mind into an apathy of thinking that was hard to overcome; yet my mind was so full of excitement that it did strive to think, to add to the realization of what the future would hold. A new life was at hand; opening to wonders that staggered me to think of them—and awed me into all-engulfing reverence. To live to become what this Nor princess had become; to have the love of people as she had the love of these Nor maids—that is the real dream. I knew that I must gain the key to the door of a way of living that would lead to the full value of the Nortan life. So it was, sitting in the thrall of that too-strong beauty of woman-life, we noted so little. How much time passed? I will never know. It was as if all body functions ceased, as though food and drink were not needed—as long as we were in the presence of Vanue of Nor. But I did know that she was in continual communication with the planet Nor over the space telescreens. Face after face appeared before her, murmured briefly and intensely, and vanished; only to be replaced by others. I knew vaguely that she was calling for a conference on the strength of our information; and sensed also that we would attend that conference at her side. The thought dawned on me slowly. Here was an honor few ro ever attain in the first century of their growth. By old Mother Mu! To see those Elders of Nor, the whole lot of them, male and female, all at once. . . ! That would be more than one could well stand. An overpowering, devastating ecstasy. . . . Well, it would be an interesting death.

I'm not separate from this world, nor is this world separate from me; time had not taken hold of me yet and distances are nothing but ripples on the water

We must have a sense of this illusion of the Virtual somewhere, since, at the same time as we plunge into this machinery and its superficial abysses, it is as though we viewed it as theatre. Just as we view news coverage as theatre. Of news coverage we are the hostages, but we also treat it as spectacle, consume it as spectacle, without regard for its credibility. A latent incredulity and derision prevent us from being totally in the grip of the information media. It isn't critical consciousness that causes us to distance ourselves from it in this way, but the reflex of no longer wanting to play the game. Somewhere in us lies a profound desire not to have information and transparency (nor perhaps freedom and democracy - all this needs looking at again). Towards all these ideals of modernity there is something like a collective form of mental reserve, of innate immunity. It would be best, then, to pose all these problems in terms other than those of alienation and the unhappy destiny of the subject (which is where all critical analysis ends up). The unlimited extension of the Virtual itself pushes us towards something like pataphysics, as the science of all that exceeds its own limits, of all that exceeds the laws of physics and metaphysics. The pre-eminently ironic science, corresponding to a state in which things reach a pitch that is simultaneously paroxystic and parodic.

 Perhaps, it is the words, and in turn, the many meanings that divide us. Neither the body nor the mind; Neither the distance nor the time, just words.

Over and over again, growing increasingly hostile as he went, he blackened the earth, drawing with the magnet of his rage the storm of the bloody century to my demesne. Worms screamed in anguish as they burned. Moles, disturbed from slumber, whimpered once then crumbled to ash. I suffered the soft implosion of larvae not yet formed enough to rue the beauty they were losing; subterranean life in all its dark, earthy grandeur. The occasional burrowing snake hissed defiance as it was seared to death. Sean O’Bannion walks—the earth turns black, barren, and everything in it dies, a dozen feet down. Hell of a princely power. Again, what the fuck was the Unseelie king thinking? Was he? Incensed by failure, Sean insisted hotly, as we stood in the bloody deluge—it wasn’t raining, that scarce-restrained ocean that parked itself above Ireland at the dawn of time and proceeded to leak incessantly, lured by the siren-song of Sean’s broodiness decamped to Scotland and split wide open—that I was either lying or it didn’t work the same for each prince. Patiently (okay, downright pissily, but, for fuck’s sake, I could be having sex again and gave that up to help him), I explained it did work the same for each of us but, because he wasn’t druid-trained, it might take time for him to understand how to tap into it. Like learning to meditate. Such focus doesn’t come easy, nor does it come all at once. Practice is key. He refused to believe me. He stormed thunderously and soddenly off, great ebon wings dripping rivers of water, lightning bolts biting into the earth at his heels, Kat trailing sadly at a safe distance behind. I was raised from birth to be in harmony with the natural world. Humans are the unnatural part of it. Animals lack the passel of idiotic emotions we suffer. I’ve never seen an animal feel sorry for itself. While other children played indoors with games or toys, my da led me deep into the forest and taught me to become part of the infinite web of beating hearts that fill the universe, from the birds in the trees to the insects buzzing about my head, to the fox chasing her cubs up a hillside and into a cool, splashing stream, to the earthworms tunneling blissfully through the vibrant soil. By the age of five, it was hard for me to understand anyone who didn’t feel such things as a part of everyday life. As I matured, when a great horned owl perched nightly in a tree beyond my window, Uncle Dageus taught me to cast myself within it (gently, never usurping) to peer out from its eyes. Life was everywhere, and it was beautiful. Animals, unlike humans, can’t lie. We humans are pros at it, especially when it comes to lying to ourselves.

I am his. He is mine. Nothing, not time, distance, nor the complete obliteration of our world can change that.

Without doubt the Pterodactyl attracted great attention, for even the least observant could see that there was the making of a bird in him. And so it turned out. Also the makings of a mammal, in time. One thing we have to say to his credit, that in the matter of picturesqueness he was the triumph of his Period; he wore wings and had teeth, and was a starchy and wonderful mixture altogether , a kind of long-distance premonitory symptom of Kipling’s marine: ’E isn’t one o’ the reg’lar Line, nor ’e isn’t one of the crew, ’E’s a kind of a giddy harumfrodite – soldier an’ sailor too! Alfred Russel Wallace

The thoughts he was drumming up were old and safely kept. Kizzy had accused him once of “bottling up his feelings,” but this was a Human concept, the idea that one could hide their feelings away and pretend that they were not there. Dr. Chef knew exactly where all of his feelings were, every joy, every ache. He didn’t need to visit them all at once to know they were there. Humans’ preoccupation with “being happy” was something he had never been able to figure out. No sapient could sustain happiness all of the time, just as no one could live permanently within anger, or boredom, or grief. Grief. Yes, that was the feeling that Rosemary needed him to find today. He did not run from his grief, nor did he deny its existence. He could study his grief from a distance, like a scientist observing animals. He embraced it, accepted it, acknowledged that it would never go away. It was as much a part of him as any pleasant feeling. Perhaps even more so.

Much to the slaveholders' delight, the degradation of slave life increased the social distance between plantation slaves and urban free people of color. Nothing seemed to be further from the cosmopolitan world of New Orleans and the other Gulf ports than the narrow alternatives of the plantation, with its isolation, machine-like regimentation, and harsh discipline. As free people of color strove to establish themselves in the urban marketplace and master the etiquette of a multilingual society, they drew back from the horrors of plantation life and from the men and women forced to live that nightmare. The repulsion may have been mutual. Plantation slaves, many of them newly arrived Africans, little appreciated the intricacies of urban life and had neither the desire nor the ability to meet its complex conventions. Rather than embrace European-American standards, planation slaves sought to escape them. Their cultural practices pointed toward Africa - as did their filed teeth and tribal markings. While free people of color embraced Christianity and identified with the Catholic Church, the trappings of the white man's religions were not to be found in the quarter. Planters, ever eager to divide the black majority, labored to enlarge differences between city-bound free people of color and plantation slaves. Rewarding with freedom those men and women who displayed the physical and cultural attributes of European Americans fit their purpose exactly, as did employing free colored militiamen against maroons or feting white gentlemen and colored ladies at quadroon balls. It was no accident that the privileges afforded to free people of color expanded when the danger of slave rebellion was greatest. Nor was it mysterious that the free colored population grew physically lighter as the slave population - much of it just arrived from Africa - grew darker. But somatic coding was just one means of dividing slave and free blacks. Every time black militiamen took to the field against the maroons or a young white gentlemen took a colored mistress, the distance between slaves and free people of color widened.

People like us, who believe in physics, know that the distinction between past, present, and future is only a stubbornly persistent illusion. —Albert Einstein In previous chapters, we saw that the perceptual forms of psi are difficult to distinguish clearly in the laboratory. Telepathy in the lab, and in life, can be explained as a form of clairvoyance, and clairvoyance is difficult to localize precisely in time. Concepts like “retrocognition,” “real-time clairvoyance,” and “precognition” have arisen, blurring the usual concepts of perception and time. It seems that we must think of psi perception as a general ability to gain information from a distance, unbound by the usual limitations of both space and time.1 As long as we are interested in demonstrating the mere existence of perceptual psi, these conceptual distinctions do not matter. But when we try to understand how these effects are possible, the differences become critical. For example, it’s important when theorizing about psi to know if it’s actually possible to directly perceive someone’s thoughts. Likewise, it’s important to know if it’s possible to perceive objects at a distance in real time. Based on the experimental evidence, it is by no means clear that pure telepathy exists per se, nor is it certain that real-time clairvoyance exists. In stead, the vast majority of both anecdotal and empirical evidence for perceptual psi suggests that the evidence can all be accommodated by various forms of precognition. This may be surprising, given the temporal paradoxes presented by the notion of perception through time. But one simple way of thinking about virtually every form of perceptual psi is that we occasionally bump into our own future. That is, the only way that we personally know that something is psychic, as opposed to a pure fantasy, is because sometime in our future we get verification that our mental impressions were based on something that really did happen to us. This means that, in principle, the original psychic impression could have been a precognition from ourselves.

Standing at a distance ( Part 1 ) I stand at a distance intermittently looking at her, Envying the Sun rays that bathe her from head to toe, While I from the distance keep looking at her, With longing eyes and my head slightly bent low, In the distance rainbow appears in the sky, And the rain drops kiss her skin, And I only glance at her by and by, With a deep desire to win, Her heart and her gaze of affection, I see the raindrop dripping down through her backbone, And oh my imagination and its dereliction, With the wish to be the lucky Sun that over her had shone, Before the daylight embraced her from everywhere, And it was just the light that covered her, And in this light she was everywhere, Now it was the light and her, and just her, While I stood in the distance waiting for my chance, Turning my head and ogling at her, Hoping she would smile someday, and I shall live my moment of romance, To be the sunshine and the raindrop always kissing her, And melt everywhere over her skin, And never to return to the light nor to this world, I shall now forever reside in this beauty’s eternal inn, Sometimes spreading over her skin, & often like the sun rays around her hair curled, But for now she is busy with the rain drops, the Sun, the Moon, I wonder if she even notices my presence, So I often wish the Sun and the Moon to set soon, So that she could somehow notice my presence, Alas the time too loves to love her, And when the Sun shines over her it seems to shine forever, And time remains there circling around her, And ah my pain to keep hoping in this moment that lasts forever, That she would someday acknowledge my smile, Nevertheless, I am happy as long as I can see her, I shall manage to walk a million mile, Just for that glimpse of her,

It was a painting of the unfolding of time. Time was merely another color in the painter’s palette. Rudoph II once owned it. Its shapes sang to him. Exhausted men swung scythes, women carried bundles in the distance. On a hillside covered in chest-high, golden wheat, the peasants carried out tasks they had performed a thousand times. The sky was yellow with light. The painting, almost a manual on how to harvest, had neither beginning nor end. Jason had stood before it one hundred times and assumed that the secret to his own existence could be revealed if he approached it from the right angle. At other times he felt the painting was suffocating, monstrous. It was a hymn to death: the infinity of the barren sky, the corporeality of the peasants, the cut wheat on the ground, waiting for workers to bind it. He imagined the painter, brush stroking the wooden panel, believed himself capable of seeing the entirety of the universe.

Nothing, not time, distance, nor the complete obliteration of our world can change that.

I Love You Everywhere! I neither love you here nor there, Because I love you wherever I am, always somewhere, So when I am somewhere, there you are everywhere, Maybe I have repurposed my sense of existence, Because only in your presence, Do I feel my own sense of being alive and its true essence, The distance between us exists in many a mile, But it begets emotional pain where my every thought is cast into exile, Of your memories, sweet kisses and that smile, Many years have passed since we last met, And I pledged to be entangled in the loyalty’s net, From it no pleasure, but some inexplicable satisfaction I do get, But there are times when something within me is lamenting in deep pain, Longing to see you, feel you, and once again feel sane, Quite often and again and again, Who have I become: a lover in despair, Longing for the moments bit kind and fair, Before these longings transform into a never ending despair, Let us meet somewhere under the vast sky, Under the moonlight or the sunshine bearing the wings of a butterfly, Let us meet, be mine, and let us not ponder on how and why, Then let silence prevail and nothing, Only the throbbing of two hearts to be the recognisable clamour of happiness and our moments loving, In this universe of infinite possibilities let us be this beautiful thing!