Tides Happy Quotes

We've searched our database for all the quotes and captions related to Tides Happy. Here they are! All 100 of them:

Of course it hurt that we could never love each other in a physical way. We would have been far more happy if we had. But that was like the tides, the change of seasons--something immutable, an immovable destiny we could never alter. No matter how cleverly we might shelter it, our delicate friendship wasn't going to last forever. We were bound to reach a dead end. That was painfully clear.
Haruki Murakami (Sputnik Sweetheart)
It was many and many a year ago, In a kingdom by the sea, That a maiden there lived whom you may know By the name of ANNABEL LEE; And this maiden she lived with no other thought Than to love and be loved by me. I was a child and she was a child, In this kingdom by the sea; But we loved with a love that was more than love- I and my Annabel Lee; With a love that the winged seraphs of heaven Coveted her and me. And this was the reason that, long ago, In this kingdom by the sea, A wind blew out of a cloud, chilling My beautiful Annabel Lee; So that her highborn kinsman came And bore her away from me, To shut her up in a sepulchre In this kingdom by the sea. The angels, not half so happy in heaven, Went envying her and me- Yes!- that was the reason (as all men know, In this kingdom by the sea) That the wind came out of the cloud by night, Chilling and killing my Annabel Lee. But our love it was stronger by far than the love Of those who were older than we- Of many far wiser than we- And neither the angels in heaven above, Nor the demons down under the sea, Can ever dissever my soul from the soul Of the beautiful Annabel Lee. For the moon never beams without bringing me dreams Of the beautiful Annabel Lee; And the stars never rise but I feel the bright eyes Of the beautiful Annabel Lee; And so, all the night-tide, I lie down by the side Of my darling- my darling- my life and my bride, In the sepulchre there by the sea, In her tomb by the sounding sea.
Edgar Allan Poe
Frank heard a laugh behind him. He glanced back and couldn't believe what he saw. Nico di Angelo was actually smiling. "That's more like it," Nico said. "Let's turn this tide!
Rick Riordan (The House of Hades (The Heroes of Olympus, #4))
The moral of this story is that sometimes, you can attempt to make all the difference in the world, and it still is like trying to stem the tide with a sieve. The moral of this story is that no matter how much we try, no matter how much we want it … some stories just don’t have a happy ending.
Jodi Picoult (Leaving Time)
Three or four times only in my youth did I glimpse the Joyous Isles, before they were lost to fogs, depressions, cold fronts, ill winds, and contrary tides... I mistook them for adulthood. Assuming they were a fixed feature in my life's voyage, I neglected to record their latitude, their longitude, their approach. Young ruddy fool. What wouldn't I give now for a never-changing map of the ever-constant ineffable? To possess, as it were, an atlas of clouds.
David Mitchell (Cloud Atlas)
You need to figure out what you want, Josh. If that means you need to swim against the tide to get it, at least youre aiming for something that could make you very happy.
Jay Asher (The Future of Us)
I write to find strength. I write to become the person that hides inside me. I write to light the way through the darkness for others. I write to be seen and heard. I write to be near those I love. I write by accident, promptings, purposefully and anywhere there is paper. I write because my heart speaks a different language that someone needs to hear. I write past the embarrassment of exposure. I write because hypocrisy doesn’t need answers, rather it needs questions to heal. I write myself out of nightmares. I write because I am nostalgic, romantic and demand happy endings. I write to remember. I write knowing conversations don’t always take place. I write because speaking can’t be reread. I write to sooth a mind that races. I write because you can play on the page like a child left alone in the sand. I write because my emotions belong to the moon; high tide, low tide. I write knowing I will fall on my words, but no one will say it was for very long. I write because I want to paint the world the way I see love should be. I write to provide a legacy. I write to make sense out of senselessness. I write knowing I will be killed by my own words, stabbed by critics, crucified by both misunderstanding and understanding. I write for the haters, the lovers, the lonely, the brokenhearted and the dreamers. I write because one day someone will tell me that my emotions were not a waste of time. I write because God loves stories. I write because one day I will be gone, but what I believed and felt will live on.
Shannon L. Alder
WINTER'S GHOST: Autumn moon incautious in the dark river Winter’s ghost walks with a covered face and silver bones wait in all animals to be bone cloth upon her shoulder wait for her happiness in that they are silver
Tamara Rendell (Mystical Tides)
Soon after the completion of his college course, his whole nature was kindled into one intense and passionate effervescence of romantic passion. His hour came,—the hour that comes only once; his star rose in the horizon,—that star that rises so often in vain, to be remembered only as a thing of dreams; and it rose for him in vain. To drop the figure,—he saw and won the love of a high-minded and beautiful woman, in one of the northern states, and they were affianced. He returned south to make arrangements for their marriage, when, most unexpectedly, his letters were returned to him by mail, with a short note from her guardian, stating to him that ere this reached him the lady would be the wife of another. Stung to madness, he vainly hoped, as many another has done, to fling the whole thing from his heart by one desperate effort. Too proud to supplicate or seek explanation, he threw himself at once into a whirl of fashionable society, and in a fortnight from the time of the fatal letter was the accepted lover of the reigning belle of the season; and as soon as arrangements could be made, he became the husband of a fine figure, a pair of bright dark eyes, and a hundred thousand dollars; and, of course, everybody thought him a happy fellow. The married couple were enjoying their honeymoon, and entertaining a brilliant circle of friends in their splendid villa, near Lake Pontchartrain, when, one day, a letter was brought to him in that well-remembered writing. It was handed to him while he was in full tide of gay and successful conversation, in a whole room-full of company. He turned deadly pale when he saw the writing, but still preserved his composure, and finished the playful warfare of badinage which he was at the moment carrying on with a lady opposite; and, a short time after, was missed from the circle. In his room,alone, he opened and read the letter, now worse than idle and useless to be read. It was from her, giving a long account of a persecution to which she had been exposed by her guardian's family, to lead her to unite herself with their son: and she related how, for a long time, his letters had ceased to arrive; how she had written time and again, till she became weary and doubtful; how her health had failed under her anxieties, and how, at last, she had discovered the whole fraud which had been practised on them both. The letter ended with expressions of hope and thankfulness, and professions of undying affection, which were more bitter than death to the unhappy young man. He wrote to her immediately: I have received yours,—but too late. I believed all I heard. I was desperate. I am married, and all is over. Only forget,—it is all that remains for either of us." And thus ended the whole romance and ideal of life for Augustine St. Clare. But the real remained,—the real, like the flat, bare, oozy tide-mud, when the blue sparkling wave, with all its company of gliding boats and white-winged ships, its music of oars and chiming waters, has gone down, and there it lies, flat, slimy, bare,—exceedingly real. Of course, in a novel, people's hearts break, and they die, and that is the end of it; and in a story this is very convenient. But in real life we do not die when all that makes life bright dies to us.
Harriet Beecher Stowe (Uncle Tom’s Cabin)
Remember, Montag, we're the happiness boys. We stand against the small tide of those who want to make everyone unhappy with conflicting theory and thought.
Ray Bradbury (Fahrenheit 451)
He became absorbed beyond mere happiness as he felt himself exercising control over living things. He talked to them, urging them, ordering them. Driven back by the tide, his footprints became bays in which they were trapped and gave him the illusion of mastery.
William Golding (Lord of the Flies)
Don't pretend to be happy with any ordeal, it's cruel and could seal a fate that shouldn't be.
The Raveness (Night Tide Musings)
Whenever you go out-of-doors, draw the chin in, carry the crown of the head high, and fill the lungs to the utmost; drink in the sunshine; greet your friends with a smile, and put soul into every handclasp. Do not fear being misunderstood and do not waste a minute thinking about your enemies. Try to fix firmly in your mind what you would like to do; and then, without veering off direction, you will move straight to the goal. Keep your mind on the great and splendid things you would like to do, and then, as the days go gliding away, you will find yourself unconsciously seizing upon the opportunities that are requiered for the fulfillment of your desire, just as the coral insect takes from the running tide the element it needs. Picture in your mind the able, earnest, useful person you desire to be, and the thought you hold is hourly transforming you into that particular individual... Thought is supreme. Preserve a right mental attitude - the attitude of courage, frankness, and good cheer. To think rightly is to create. All things come through desire and every sincere prayer is answered. We become like that on which our hearts are fixed. Carry your chin in and the crown of your head high. We are good in the chrysalis.
Elbert Hubbard
Red Horn kills people,” Thomas said behind my back. “Your wife…” “Will enjoy the exercise,” my husband said. “You know what they say. Happy wife, happy life.
Ilona Andrews (Magic Tides (Kate Daniels: Wilmington Years, #1; Kate Daniels, #10.5))
Happiness is not a matter of events, it depends upon the tides of the mind.
Alice Meynell
Lives interweave with other lives, and out of the tapestry arise hints at answers to questions that raze to the bone of life: What are the building blocks of character, of contentment, of lasting achievement? How does a person come into self-possession and sovereignty of mind against the tide of convention and unreasoning collectivism? Does genius suffice for happiness, does distinction, does love?
Maria Popova (Figuring)
We are still on our journey, still suffering and still laughing together. But I feel like the tide has turned, and I think we will have our happy ending yet. Even if it doesn’t look like what we were expecting.
Meg Keene (A Practical Wedding: Creative Ideas for Planning a Beautiful, Affordable, and Meaningful Celebration)
I pulled out that photograph and as I stared at it, it was just a flood tide. I remembered. I remembered how much I loved you. How happy you made me. How much you could surprise me. How hard you made me laugh. And what it felt like to feel you laughing against me. To hold you. To kiss you. To be inside you. I remembered what I said to you. I remembered every tear on your face when I broke up with you, and I couldn't believe I put them there That's when it hit me: there was no going back.
Samantha Young (Into the Deep (Into the Deep, #1))
When I was a child people simply looked about them and were moderately happy; today they peer beyond the seven seas, bury themselves waist deep in tidings, and by and large what they see and hear makes them unutterably sad.
E.B. White (One Man's Meat)
I wished upon a star and the heavens sent me you
Sonya Watson (The Tide Breaker)
The important thing for you to remember, Montag, is we're the Happiness Boys, the Dixie Duo, you and I and the others. We stand against the small tide of those who want to make everyone unhappy with conflicting theory and thought. We have our fingers in the dike. Hold steady. Don't let the torrent of melancholy and drear philosophy drown our world. We depend on you. I don't think you realize how important you are, we are, to our happy world as it stands now.
Ray Bradbury (Fahrenheit 451)
The blossoming of the trees, the rising of the sun, the flow of the tides: these recurring events remind us of time’s circular nature and create an underlying cadence of joy that we can rely on.
Ingrid Fetell Lee (Joyful: The Surprising Power of Ordinary Things to Create Extraordinary Happiness)
He finally pulled it all back into his heart, sucking in the painful tide of his misery. In the Glade, Chuck had become a symbol for him—a beacon that somehow they could make everything right again in the world. Sleep in beds. Get kissed goodnight. Have bacon and eggs for breakfast, go to a real school. Be happy. But now Chuck was gone. And his limp body, to which Thomas still clung, seemed a cold talisman—that not only would those dreams of a hopeful future never come to pass, but that life had never been that way in the first place. That even in escape, dreary days lay ahead. A life of sorrow. His returning memories were sketchy at best. But not much good floated in the muck. Thomas reeled in the pain, locked it somewhere deep inside him. He did it for Teresa. For Newt and Minho. Whatever darkness awaited them, they’d be together, and that was all that mattered right then.
James Dashner (The Maze Runner (The Maze Runner, #1))
All force strives forward to work far and wide To live and grow and ever to expand; Yet we are checked and thwarted on each side By the world's flux and swept along like sand: In this internal storm and outward tide We hear a promise, hard to understand: From the compulsion that all creatures binds, Who overcomes himself, his freedom finds.
Johann Wolfgang von Goethe
Happy, thrice happy, every one Who sees his labor well begun, And not perplexed and multiplied, By idly waiting for time and tide!
Henry Wadsworth Longfellow (Favorite Poems)
At my most precarious, I balanced on a book, and the books rafted me over the tides of feelings that left me soaked and shattered.
Jeanette Winterson (Why Be Happy When You Could Be Normal?)
The tides here are too rough. I sink here, happy only when I hoard my little blue sleeping pills, stash the blades of my razor. I accumulate a drawer of drop-out devices, so by December I can escape to a Merry Christmas.
Stephanie Hemphill (Your Own, Sylvia: A Verse Portrait of Sylvia Plath)
Why hope to be happy? Before, it had been like a tide of water, (life), not especially fast, passing over her. Not happy. Not unhappy. Indifferent. There was music and there were books. The rest was an interruption. Live second-hand.
Tanith Lee (Personal Darkness (Blood Opera Sequence, #2))
I have hair that drifts like seaweed when I swim. I have eyes that shine like rock pools. My ears are like scallop shells. The ripples on my skin are like the ripples on the sand when the tide has turned back again. At night I gleam and glow like sea beneath the stars and moon. Thoughts dart and dance inside like little minnows in the shallows. They race and flash like mackerel farther out. My wonderings roll in the deep like sails. Dreams dive each night into the dark like dolphins do and break out happy and free into the morning light. These are the things I know about myself and that I see when I look in the rock pools at myself.
David Almond
Into the promise of happiness, synchronizing the rhythm of our lives to the turning of the leaves and the rise and fall of the tides.
Jennifer Irwin
The property adjoined the bay, and when the tide came in it was possible to go kayaking, which some of the residents not yet disabled by their infirmities were happy to do. This is how I would like to live, thought Irina, taking deep breaths of the sweet aroma of pines and laurels.
Isabel Allende (The Japanese Lover)
The moral of the story is that sometimes, you can attempt to make all the difference in the world, and it still is like trying to stem the tide with a sieve. The moral of this story is that no matter how much we try, no matter how much we want it... some stories just don't have a happy ending
Jodi Picoult (Leaving Time)
The moral of this story is that sometimes, you can attempt to make all the difference in the world, and it still is like trying to stem the tide with a sieve. The moral of this story is that no matter how much we try, no matter how much we want it... some stories just don't have a happy ending
Jodi Picoult
He sensed she was drifting on a tide that neither he nor she could do much about. He couldn't tell whether her restlessness, her compulsive and increasingly unsafe wandering through the city, marked the onset of an unsoundness of mind or an acute, perilous kind of sanity. Or were they both the same thing?
Arundhati Roy (The Ministry of Utmost Happiness)
It was many and many a year ago, In a kingdom by the sea, That a maiden there lived whom you may know By the name of ANNABEL LEE; And this maiden she lived with no other thought Than to love and be loved by me. I was a child and she was a child, In this kingdom by the sea; But we loved with a love that was more than love- I and my Annabel Lee; With a love that the winged seraphs of heaven Coveted her and me. And this was the reason that, long ago, In this kingdom by the sea, A wind blew out of a cloud, chilling My beautiful Annabel Lee; So that her highborn kinsman came And bore her away from me, To shut her up in a sepulchre In this kingdom by the sea. The angels, not half so happy in heaven, Went envying her and me- Yes!- that was the reason (as all men know, In this kingdom by the sea) That the wind came out of the cloud by night, Chilling and killing my Annabel Lee. But our love it was stronger by far than the love Of those who were older than we- Of many far wiser than we- And neither the angels in heaven above, Nor the demons down under the sea, Can ever dissever my soul from the soul Of the beautiful Annabel Lee. For the moon never beams without bringing me dreams Of the beautiful Annabel Lee; And the stars never rise but I feel the bright eyes Of the beautiful Annabel Lee; And so, all the night-tide, I lie down by the side Of my darling- my darling- my life and my bride, In the sepulchre there by the sea, In her tomb by the sounding sea." "It was many and many a year ago, In a kingdom by the sea, That a maiden there lived whom you may know By the name of ANNABEL LEE; And this maiden she lived with no other thought Than to love and be loved by me. I was a child and she was a child, In this kingdom by the sea; But we loved with a love that was more than love- I and my Annabel Lee; With a love that the winged seraphs of heaven Coveted her and me. And this was the reason that, long ago, In this kingdom by the sea, A wind blew out of a cloud, chilling My beautiful Annabel Lee; So that her highborn kinsman came And bore her away from me, To shut her up in a sepulchre In this kingdom by the sea. The angels, not half so happy in heaven, Went envying her and me- Yes!- that was the reason (as all men know, In this kingdom by the sea) That the wind came out of the cloud by night, Chilling and killing my Annabel Lee. But our love it was stronger by far than the love Of those who were older than we- Of many far wiser than we- And neither the angels in heaven above, Nor the demons down under the sea, Can ever dissever my soul from the soul Of the beautiful Annabel Lee. For the moon never beams without bringing me dreams Of the beautiful Annabel Lee; And the stars never rise but I feel the bright eyes Of the beautiful Annabel Lee; And so, all the night-tide, I lie down by the side Of my darling- my darling- my life and my bride, In the sepulchre there by the sea, In her tomb by the sounding sea.
Edgar Allan Poe
The sooner you decide that it is alright to believe the opposite of what the masses do, and that it is alright to trust the universe, and you choose to be happy rather than be right, the sooner you will be happy.
Malti Bhojwani
There was always that other feeling, crouched and waiting nearby in the shadows, even at a moment like this, even when he was on the brink of the most beautiful thing he would ever see in his life. It was the low tide. The sacred, empty void after the birds had taken flight. The tangled thing that tugged on Mikey, kept him sewn up inside himself, made happiness hard. Mikey didn’t yet have words for this feeling, but already at this young age, he understood that it would never leave him entirely—nature had put it in his heart, and there it would always remain, even when he thought he was in the clear, even when he thought he had left it behind.
Rebecca Kauffman (The Gunners)
It is just all the difference between happiness and misery," said Challenger with an abstracted face, still patting his wife's hand. "You can swim with the tide and have peace in mind and soul, or you can thrust against it and be bruised and weary. This business is beyond us, so let us accept it as it stands and say no more.
Arthur Conan Doyle (The Poison Belt)
Sometimes making bad decisions really takes no time at all. In fact, you realize you've been itching to do it all along. Deep down, I think it comes from being so angry at having to restrict yourself all the time. Because in the end, no matter how you behave, someone will always dash your life's work away with little to no regard. We are always swimming against the tide. How's that for justice? If I am reckless, it is because I am tired.
Marlowe Granados (Happy Hour)
It seemed that out of every tear of a martyr new confessors were born, and that every groan on the arena found an echo in thousands of breasts. Caesar was swimming in blood, Rome and the whole pagan world was mad. But those who had had enough of transgression and madness, those who were trampled upon, those whose lives were misery and oppression, all the weighed down, all the sad, all the unfortunate, came to hear the wonderful tidings of God, who out of love for men had given Himself to be crucified and redeem their sins. When they found a God whom they could love, they had found that which the society of the time could not give any one, -- happiness and love.
Henryk Sienkiewicz (Quo Vadis)
In my mind are all the tides, their seasons, their ebbs and their flows. In my mind are all the halls, the endless procession of them, the intricate pathways. When this world becomes too much for me, when I grow tired of the noise and the dirt and the people, I close my eyes and I name a particular vestibule to myself; then I name a hall. I imagine I am walking the path from the vestibule to the hall. I note with precision the doors I must pass through, the rights and lefts that I must take, the statues on the walls that I must pass. Last night I dreamt that I was standing in the fifth northern hall facing the statue of the gorilla. The gorilla dismounted from his plinth and came towards me with his slow knuckle-walk. He was grey-white in the moonlight; and I flung my arms around his massive neck and told him how happy I was to be home. When I awoke I thought: I am not home. I am here.
Susanna Clarke (Piranesi)
Every moment he spent with Wendy was a happy one. She had captured his heart. He put his left arm around her shoulder and pulled her in close. She nestled into his chest, and James was all but lost in the tide of her breathing.
Kalynn Bayron (Hook's Origin (Six Points of Light, #1))
What infinite heart's-ease Must kings neglect, that private men enjoy! And what have kings, that privates have not too, Save ceremony, save general ceremony? And what art thou, thou idle ceremony? What kind of god art thou, that suffer'st more Of mortal griefs than do thy worshippers? What are thy rents? what are thy comings in? O ceremony, show me but thy worth! What is thy soul of adoration? Art thou aught else but place, degree and form, Creating awe and fear in other men? Wherein thou art less happy being fear'd Than they in fearing. What drink'st thou oft, instead of homage sweet, But poison'd flattery? O, be sick, great greatness, And bid thy ceremony give thee cure! Think'st thou the fiery fever will go out With titles blown from adulation? Will it give place to flexure and low bending? Canst thou, when thou command'st the beggar's knee, Command the health of it? No, thou proud dream, That play'st so subtly with a king's repose; I am a king that find thee, and I know 'Tis not the balm, the sceptre and the ball, The sword, the mace, the crown imperial, The intertissued robe of gold and pearl, The farced title running 'fore the king, The throne he sits on, nor the tide of pomp That beats upon the high shore of this world, No, not all these, thrice-gorgeous ceremony, Not all these, laid in bed majestical, Can sleep so soundly as the wretched slave, Who with a body fill'd and vacant mind Gets him to rest, cramm'd with distressful bread; Never sees horrid night, the child of hell, But, like a lackey, from the rise to set Sweats in the eye of Phoebus and all night Sleeps in Elysium; next day after dawn, Doth rise and help Hyperion to his horse, And follows so the ever-running year, With profitable labour, to his grave: And, but for ceremony, such a wretch, Winding up days with toil and nights with sleep, Had the fore-hand and vantage of a king. The slave, a member of the country's peace, Enjoys it; but in gross brain little wots What watch the king keeps to maintain the peace, Whose hours the peasant best advantages.
William Shakespeare (Henry V)
What paralyzes life is lack of faith and lack of courage. The difficulty lies not in solving problems but in expressing them correctly; and we can now see that it is biologically undeniable that unless we harness passion to the service of spirit there can be no progress. Sooner or later, then, and in spite of all our incredulity, the world will take this step— because the greater truth always prevails and the greater good emerges in the end. The day will come when, after mastering the ether, the winds, the tides, gravity, we shall master the energies of love, for God. And then, for the second time in the history of the world, man will have made fire his servant.
Pierre Teilhard de Chardin (On Love & Happiness)
How easily it can all be washed away. Power, happiness, even life itself. It only takes an instant, a single unguarded instant. And it's gone.
Tilly Bagshawe (Sidney Sheldon's The Tides of Memory)
we, who have always thought of joy as rising . . . feel the emotion that almost amazes us when a happy thing falls.
Amitav Ghosh (The Hungry Tide)
Real love was not easy. It was not floating on a cloud of happiness. Life and death, survival and failure, happiness and grief were woven together with the unbreakable cords of marriage.
Heather Day Gilbert (The Distant Tide (Hearts of Ireland #1))
Girls who responded to the advertisement and then were willing to put themselves under Fong's wing, so to speak, till they could be inspected by the theatrical agent' were of a type that had no important family ties. (…) Each had a story behind her, but it was the story of the hundreds, the thousands. It was the story of a little ambition and a great hope; of immense trust and a few brains; of false pride and tragic courage. They were but units in the great mass of humanity which seem destined to struggle vainly for any realization of happiness and who go under in the backwash of the tide of living.
Mae West (She Done Him Wrong)
All articulate thought had long ago deserted her; her heart seemed to have grown to the size of a sun, and to illuminate her entire body, shedding like the sun a steady tide of warmth. “I’m happy, I’m happy, I’m happy,” she
Virginia Woolf (The Complete Works of Virginia Woolf (Illustrated, Inline Footnotes) (Classics Book 3))
Of course, the happy shutterbug couldn't have known that his picture of a dildo keel would soon inspire a plot leading to murder and ensnare human beings like dolphins in a gill net. For he was just a San Diego cop who drove a boat, not a true man of the sea. Not one who understands in his soul that the actions of people are like the tides that chase the moon but invariably come crashing back, with all manner of thrashing things roiling in their foamy wake.
Joseph Wambaugh (Floaters: A Novel)
We cherished what we had together, though we never put into words how very precious it was. Of course it hurt that we could never love each other in a physical way. We would have been far more happy if we had. But that was like the tides, the change of seasons —something immutable, an immovable destiny we could never alter. No matter how cleverly we might shelter it, our delicate friendship wasn't going to last forever. We were bound to reach a dead end. That was painfully clear.
Haruki Murakami
Prince Aenys was the first to marry. In 22 AC, he wed the Lady Alyssa, the maiden daughter of the Lord of the Tides, Aethan Velaryon, King Aegon’s lord admiral and master of ships. She was fifteen, the same age as the prince, and shared his silvery hair and purple eyes as well, for the Velaryons were an ancient family descended from Valyrian stock. King Aegon’s own mother had been a Velaryon, so the marriage was reckoned one of cousin to cousin. fruitful. The following year, Alyssa gave birth to a daughter. Prince Aenys named her Rhaena, in honor of his mother. Like her father, the girl was small at birth, but unlike him she proved to be a happy, healthy child, with lively lilac eyes and hair that shone like beaten silver.
George R.R. Martin (Fire & Blood (A Targaryen History, #1))
The Bird of Time O Bird of Time on your fruitful bough What are the songs you sing? ... Songs of the glory and gladness of life, Of poignant sorrow and passionate strife, And the lilting joy of the spring; Of hope that sows for the years unborn, And faith that dreams of a tarrying morn, The fragrant peace of the twilight's breath, And the mystic silence that men call death. O Bird of Time, say where did you learn The changing measures you sing? ... In blowing forests and breaking tides, In the happy laughter of new-made brides, And the nests of the new-born spring; In the dawn that thrills to a mother's prayer, And the night that shelters a heart's despair, In the sigh of pity, the sob of hate, And the pride of a soul that has conquered fate.
Sarojini Naidu
This is my delight, thus to wait and watch at the wayside where shadow chases light and the rain comes in the wake of the summer. Messengers, with tidings from unknown skies, greet me and speed along the road. My heart is glad within, and the breath of the passing breeze is sweet. From dawn till dusk I sit here before my door, and I know that of a sudden the happy moment will arrive when I shall see. In the meanwhile I smile and I sing all alone. In the meanwhile the air is filling with the perfume of promise.
Rabindranath Tagore (Gitanjali)
The Word Wonder or dream from distant land I carried to my country's strand And waited till the twilit norn Had found the name within her bourn— Then I could grasp it close and strong It blooms and shines now the front along... Once I returned from happy sail, I had a prize so rich and frail, She sought for long and tidings told: "No like of this these depths enfold." And straight it vanished from my hand, The treasure never graced my land... So I renounced and sadly see: Where word breaks off no thing may be.
Stefan George (Das Neue Reich)
Get yourself to bed earlier. I’m sorry to be the bearer of bad tidings, but if you have to use an alarm, you aren’t getting enough sleep, either. Your child depends on you to start your own day with a “full cup.” There’s no way to stay patient when you’re exhausted.
Laura Markham (Peaceful Parent, Happy Kids: How to Stop Yelling and Start Connecting (The Peaceful Parent Series))
moral of this story is that sometimes, you can attempt to make all the difference in the world, and it still is like trying to stem the tide with a sieve. The moral of this story is that no matter how much we try, no matter how much we want it … some stories just don’t have a happy ending.
Jodi Picoult (Leaving Time)
The moral of this story is that sometimes, you can attempt to make all the difference in the world, and it still is like trying to stem the tide with a sieve. The moral of this story is that no matter how much we try, no matter how much we want it … some stories just don’t have a happy ending.
Jodi Picoult (Leaving Time)
And then, sir,' he added, 'you would oblige me infinitely by marrying us, if you have the leisure.' Captain Broke paused for a moment: was this a strangely-timed pleasantry? Judging from the Doctor's demeanour and his pale, determined face, it was not. Should he wish him joy of the occasion? Perhaps, in view of Jack's silence and Maturin's cool, matter-of-fact, unfestive manner, that might be inappropriate. He remembered his own wedding-day and the desperate feeling of being caught on a leeshore in a gale of wind, unable to claw off, tide setting hard against him, anchors coming home. He said, 'I should be very happy, sir. But I have never performed the manoeuvre -that is, the ceremony - and I am not sure of the forms nor of the extent of my powers. You will allow me to consult the Printed Instructions, and let you know how far I may be of service to you and the lady.' Stephen bowed and walked off.
Patrick O'Brian (The Fortune of War (Aubrey & Maturin, #6))
We went through the Happy Valley to the little cove. The azaleas were finished now, the petals lay brown and crinkled on the moss. The bluebells had not faded yet, they made a solid carpet in the woods above the valley, and the young bracken was shooting up, curling and green. The moss smelt rich and deep, and the bluebells were earthy, bitter. I lay down in the long grass beside the bluebells with my hands behind my head, and Jasper at my side. He looked down at me panting, his face foolish, saliva dripping from his tongue and his heavy jowl. There were pigeons somewhere in the trees above. It was very peaceful and quiet. I wondered why it was that places are so much lovelier when one is alone. How commonplace and stupid it would be if I had a friend now, sitting beside me, someone I had known at school, who would say “By the way, I saw old Hilda the other day. You remember her, the one who was so good at tennis. She’s married, with two children.” And the bluebells beside us unnoticed, and the pigeons overhead unheard. I did not want anyone with me. Not even Maxim. If Maxim had been there I should not be lying as I was now, chewing a piece of grass, my eyes shut. I should have been watching him, watching his eyes, his expression. Wondering if he liked it, if he was bored. Wondering what he was thinking. Now I could relax, none of these things mattered. Maxim was in London. How lovely it was to be alone again. No, I did not mean that. It was disloyal, wicked. It was not what I meant. Maxim was my life and my world. I got up from the bluebells and called sharply to Jasper. We set off together down the valley to the beach. The tide was out, the sea very calm and remote. It looked like a great placid lake out there in the bay. I could not imagine it rough now, any more than I could imagine winter in summer. There was no wind, and the sun shone on the lapping water where it ran into the little pools in the rocks.
Daphne du Maurier (Rebecca)
I realized that a life without you in it was meaningless. The adventure I was living seemed so dull and lackluster when compared to the way my heart fills with happiness when I see you. I could give it all up, and start a new adventure with you, as husband and wife. Let me protect you, let me take care of you. Let me love you.
Sarah West (Passion's Tide)
Time passes, day by day. The greatness of this country lies in the inexorable journey it has taken through time. Time is like an enormous pot, into which all ugliness and beauty are thrown, all happiness and grief, all life and all death. Cycle follows cycle, living life and dying death. Only the great River rolls on, unending.
Yo Yo (Ghost Tide)
You’re a go-with-the-flow guy,” he says. “You’ve always been that way. And that can feel great because it means you don’t have to make any hard decisions. But sometimes you need to figure out what you want, Josh. If that means you need to swim against the tide to get it, at least you’re aiming for something that could make you very happy.
Jay Asher (The Future of Us)
We stand against the small tide of those who want to make everyone unhappy with conflicting theory and thought. We have our fingers in the dike. Hold steady. Don’t let the torrent of melancholy and drear philosophy drown our world. We depend on you. I don’t think you realize how important you are, we are, to our happy world as it stands now.
Ray Bradbury (Fahrenheit 451)
What I remember most about those days is how happy we all were. When I think back on my life growing up on Terra d’Amore, tides of warm memories wash over me like the waves of the Mediterranean. Our little farm, nestled in the hills and valleys of Montecalvo just outside Bologna, was idyllic. Indeed, it was an Italian paradise...a veritable heaven.
Giacomino Nicolazzo
I don't have anything as exotic as saffron. I hope a jar of blackberry jam will do. As you know, I write often about picking wild native blackberries. It's a chore since they're not easy game like the big purple bubbles that grow all over the sides of the road around here. Whenever I set out to hunt for a hidden patch in an old clear-cut, Francis accuses me of looking like a hobo with my canvas sunhat, khaki trousers, and Folgers cans tied over my shoulders. I don't care. When I'm in the brambles, I'm happy as a clam at high tide. Just writing to you about it makes me wish for July mornings. There's always a perfect moment when the sun strikes the bushes and a deep, sweet, earthy smell rises into the air.
Kim Fay (Love & Saffron)
It will not hurt me when I am old, A running tide where moonlight burned Will not sting me like silver snakes; The years will make me sad and cold, It is the happy heart the breaks. The hearts asks more than life can give, When that is learned, then all is learned; The waves break fold on jewelled fold, But beauty itself is fugitive, It will not hurt me when I am old.
Sara Teasdale (The Collected Poems)
Of course it hurt that we could never love each other in a physical way. We would have been far more happy if we had. But that was like the tides, the change of seasons—something immutable, an immovable destiny we could never alter. No matter how cleverly we might shelter it, our delicate friendship wasn’t going to last forever. We were bound to reach a dead end. That was painfully clear.
Haruki Murakami (Sputnik Sweetheart)
He'd grown accustomed to the yawning emptiness in his own life. Perhaps it always chafed like imagined sackcloth, but like sackcloth in the scriptures, he'd decided at some point in the last months that it ought to be a reminder to fall to his knees. Perhaps the cup given him wasn't happiness, but rather holiness. Perhaps he could do as a man of prayer all that he'd failed to do as a man of action.
Roseanna M. White (Yesterday's Tides)
Paris is a sensuous woman every man has loved, even if only in his dreams. Once he has been deep inside her, walked her streets and tasted her delights, he can never forget her. Yet no matter how strong the memory of her remains, it cannot prepare him for the sheer beauty of her nakedness as he gazes upon her for the second time; the intoxicating fragrance of her hair as it brushes against him as it did when she let him love her; the softness of her skin beneath his fingertips as he strokes her breathtakingly graceful form; or the searing fire which courses through every fiber of his soul now that she is within reach. For every man blessed with a woman's love, she is a shrine to his happiness now that he need search no more. But for those who reside in obscurity within the lonely domicile of an empty heart, she is the hope of finding love. In his tortured heart, love waits for him at a corner cafe in the woman's smile two tables away; it lingers in the melodic laughter of a girl riding past him on a bicycle; and sometimes, when the woman is smiling at someone else, and the girl rides past him without notice, he finds love beneath the skirt of the darkly sensual woman waiting for him under a streetlamp.
Bobby Underwood (The Gentle Tide (Matt Ransom #3))
The campaign to obscure the true nature of our species' sexuality leaves half our marriages collapsing under an unstoppable tide of swirling sexual frustration, libido-killing boredom, impulsive betrayal, dysfunction, confusion, and shame. Serial monogamy stretches before (and behind) many of us like an archipelago of failure: isolated islands of transitory happiness in a cold, dark sea of disappointment.
Cacilda Jethá
key to health and happiness. Living in the twenty-first-century American culture seems to promote an unbalanced life: too much work and not enough play, excessive calories and not enough natural fresh foods, too much stress and not enough fun, and too much TV and too little exercise, too much rushing around—insufficient restful sleep, too much materialism and too little spirituality. As Dr. Phil would ask, “Is it work in’ for ya?” We can tell you that it doesn’t work for us. One of the best ways to avoid getting swept away in the tide of the often self-defeating modern lifestyle is to live by the mantra: “Good Things First.” Get in the habit of prioritizing the things that will make your life better in the long run: exercise, eating breakfast each morning, good food and healthy beverages, time to play, plenty
James O'Keefe (The Forever Young Diet & Lifestyle)
But the happiness of the summer began to drain out of him as when the tide changes on the flats and the ebb begins in the channel that opens out to sea. He watched the sea and the line of beach and he noticed that the tide had changed and the shore birds were working busily well down the slope of new wet sand. The breakers were diminishing as they receded. He looked a long way up along the shore and then went into the house.
Ernest Hemingway (Islands in the Stream)
With a whistle of the wind, And an icy snow flurry. Off to Gobbler's Knob, Come now let us hurry! It is February second! Groundhog's Day! We need some prognostication, On this cold winter's day. Happy Groundhog Day to you! Punxsutawney Phil, do come out of your cave! For whether you cast a fair shadow, or no shadow you see on this day! We send many warm wishes, Of good tidings and cheer! For when it is Groundhog's Day, Springtime is surely near!
L.K. Merideth
It was all leaving her in slow, imperceptible movements, like the tide when one's back is turned: everyone, everything she had known. So all of grief and happiness, far from being buried with one, vanished beforehand except for scattered pieces. She lived among forgotten episodes, unknown faces bereft of names, closed off from the very world she had created; that was how it came to be. But I must show nothing of that, she thought. Her children---she must not reveal it to them.
James Salter (Light Years)
The greatest happiness of the greatest number is the foundation of morals and legislation,’ Bentham famously once articulated. Yet dig a little deeper, and a trickier, quirkier, murkier, picture emerges – one of ruthless selectivity and treacherous moral rip-tides. Crafting that legislation, for example, excavating those morals, will inevitably necessitate riding roughshod over someone else’s interests: some group or cause, which, through the simple lottery of numbers, has to bite the bullet for the sake of the ‘greater good’.
Kevin Dutton (The Wisdom of Psychopaths)
The Offing - And if the sky itself, no matter its hue, were to fracture... What then? Would I then know freedom's name? In my wake lies the shore—a past where I had been happy—refusing to yield to the tide. Before me, upon the horizon, is the sun... hesitant... inert... A new day cannot rise if its ancestor does not fall. Am I but a pawn in this game? I cannot command the sun to set, nor will the moon to take its place and wash the shore away. That power belongs to kings. To drown in the offing. Such sovereign beauty. Such exquisite pain.
R.J. Arkhipov
She told me to keep writing. After my journal filled up, I bought another one. As I wrote and read my entries to Joan, I felt myself metamorphosing. My growth was like the tide, coming in waves, retracting out of reach, coming back. Sometimes undercurrents came, pulling at my feet, sucking the sand out from under them. I dug my toes in hard and closed my eyes and managed to stay mostly upright, but those riptides came anyway, guided by the same moon that looked so benevolent, so white and happy against the indigo sky, so serene and fat and innocent, so far away. (141)
Wendy Blackburn (Beachglass)
What are the building blocks of character, of contentment, of lasting achievement? How does a person come into self-possession and sovereignty of mind against the tide of convention and unreasoning collectivism? Does genius suffice for happiness, does distinction, does love? Two Nobel Prizes don’t seem to recompense the melancholy radiating from every photograph of the woman in the black laboratory dress. Is success a guarantee of fulfillment, or merely a promise as precarious as a marital vow? How, in this blink of existence bookended by nothingness, do we attain completeness of being?
Maria Popova (Figuring)
Oh, now, life, life! I lifted up my hands and called upon eternal truth, not with words, but with tears; ecstasy, immeasurable ecstasy flooded my soul. Yes, life and spreading the good tidings! Oh, I at that moment resolved to spread the tidings, and resolved it, of course, for my whole life. I go to spread the tidings, I want to spread the tidings — of what? Of the truth, for I have seen it, have seen it with my own eyes, have seen it in all its glory. And since then I have been preaching! Moreover I love all those who laugh at me more than any of the rest. Why that is so I do not know and cannot explain, but so be it. I am told that I am vague and confused, and if I am vague and confused now, what shall I be later on? It is true indeed: I am vague and confused, and perhaps as time goes on I shall be more so. And of course I shall make many blunders before I find out how to preach, that is, find out what words to say, what things to do, for it is a very difficult task. I see all that as clear as daylight, but, listen, who does not make mistakes? An yet, you know, all are making for the same goal, all are striving in the same direction anyway, from the sage to the lowest robber, only by different roads. It is an old truth, but this is what is new: I cannot go far wrong. For I have seen the truth; I have seen and I know that people can be beautiful and happy without losing the power of living on earth. I will not and cannot believe that evil is the normal condition of mankind. And it is just this faith of mine that they laugh at. But how can I help believing it? I have seen the truth — it is not as though I had invented it with my mind, I have seen it, seen it, and the living image of it has filled my soul for ever. I have seen it in such full perfection that I cannot believe that it is impossible for people to have it. And so how can I go wrong? I shall make some slips no doubt, and shall perhaps talk in second-hand language, but not for long: the living image of what I saw will always be with me and will always correct and guide me. Oh, I am full of courage and freshness, and I will go on and on if it were for a thousand years!
Fyodor Dostoevsky (The Dream of a Ridiculous Man)
Hush little baby, don’t you cry, Mama’s gonna sing you a lullaby, and if that mockingbird don’t sing, Papa’s gonna buy you a diamond ring. Mama, Dada, uh-oh, ball. Good night tree, good night stars, good night moon, good night nobody. Potato stamps, paper chains, invisible ink, a cake shaped like a flower, a cake shaped like a horse, a cake shaped like a cake, inside voice, outside voice. If you see a bad dog, stand still as a tree. Conch shells, sea glass, high tide, undertow, ice cream, fireworks, watermelon seeds, swallowed gum, gum trees, shoes and ships and sealing wax, cabbages and kings, double dares, alphabet soup, A my name is Alice and my boyfriend’s name is Andy, we come from Alabama and we like apples, A my name is Alice and I want to play the game of looooove. Lightning bugs, falling stars, sea horses, goldfish, gerbils eat their young, please, no peanut butter, parental signature required, #1 Mom, show-and-tell, truth or dare, hide-and-seek, red light, green light, please put your own mask on before assisting, ashes, ashes, we all fall down, how to keep the home fires burning, date night, family night, night-night, May came home with a smooth round stone as small as the world and as big as alone. Stop, Drop, Roll. Salutations, Wilbur’s heart brimmed with happiness. Paper valentines, rubber cement, please be mine, chicken 100 ways, the sky is falling. Monopoly, Monopoly, Monopoly, you be the thimble, Mama, I’ll be the car.
Jenny Offill (Dept. of Speculation)
Vinyasa has three parts: arising, abiding, and dissolving. And the dissolving of one thing is the arising of the next. Every day turns into night turns into day. Winter becomes spring becomes summer becomes autumn becomes winter. Waves roll in and slip back out, tides ebb and flow. Every breath is like this. Every life is like this. Each flower buds, ripens, and blooms, wilts and fades away. The leaves fall to the earth and create the ground for a new plant to grow. The Sanskrit word vinyasa means "to place in a special way". It means that everything is connected and the sequence of things matters. It means that every action, thought, or word that arises now is planting the seed for future fruit. "In a special way" means the unfolding of life is logical. If you plant a tomato seed, you will get a tomato. If you plant an apple seed and you wait long enough, you will get an apple tree. And if you plant a hard thought, you will get a hard heart.
Cyndi Lee (May I Be Happy: A Memoir of Love, Yoga, and Changing My Mind)
Lalla Ruk Dearest dream, my soul's enchantment Lovely guest from heav'n above, Most benevolent attender To the earthly realm below, You gave me blissful satisfaction Momentary but complete: Bringing with you happy tidings - Like a herald from the skies. I dreamed dreams of life eternal In that Promised Land of peace; I dreamed dreams of fragrant regions, Of a tranquil, sweet Kashmir; I could witness celebrations, Festivals of roses vernal Honoring that lovely maiden From lands strange and far away. And, with glistening enchantment Like an angel from above, - This untainted, youthful vision Came before my dreaming eyes; Like a veil, a shining shroud Screened her lovely face from view, Tenderly she did incline Her shy gazes toward the earth. All her traits - her timid shyness Underneath her shining crown, Childlike her animation, And her face's noble beauty - Glowing with a depth of feeling, Sweet serenity and peace - All of these completely artless Indescribably sublime! As I watched, the apparition (Captivating me in passing) Never to return, flew by; I pursued - but it had gone! T'was a vision merely fleeting, Transient illumination Leaving nothing but a legend Of its passing through my life! T'is not ours to harbor Beauty's spirit - Ah, so pure! It comes nigh but for a moment From its heavenly abode; Like a dream, it slips away, Like an airy dream of morning: But in sacred reminiscence It is married with the heart! Only in the purest instants Of our life does it appear Bringing with it revelations Beneficial to our hearts; That our hearts may know of heaven In this earthly shadow realm, It allows us momentary Glimpses through the earthly veil. And through all that here is lovely, All that animates our lives, To our souls it speaks a language Reassuring and distinct; When it quits our earthly region It bestows a gift of love Glowing in our evening heaven: "Tis a farewell star for all to see.
Vasily Zhukovsky
There was always an outrageousness to our response to minor events. Flamboyance and exaggeration were the tail feathers, the jaunty plumage that stretched and flared whenever a Wingo found himself eclipsed in the lampshine of a hostile world. As a family, we were instinctive, not thoughtful. We could never outsmart our adversaries but we could always surprise them with the imaginativeness of our reactions. We functioned best as connoisseurs of hazard and endangerment. We were not truly happy unless we were engaged in our own private war with the rest of the world. Even in my sister’s poems, one could always feel the tension of approaching risk. Her poems all sounded as though she had composed them of thin ice and falling rock. They possessed movement, weight, dazzle and craft. Her poetry moved through streams of time, wild and rambunctious, like an old man entering the boundary waters of the Savannah River, planning to water-ski forty miles to prove he was still a man.
Pat Conroy (The Prince of Tides)
Upon the King! Let us our lives, our souls, Our debts, our careful wives, Our children, and our sins, lay on the King! We must bear all. O hard condition, Twin-born with greatness, subject to the breath Of every fool, whose sense no more can feel But his own wringing! What infinite heart's ease Must kings neglect that private men enjoy! And what have kings that privates have not too, Save ceremony- save general ceremony? And what art thou, thou idol Ceremony? What kind of god art thou, that suffer'st more Of mortal griefs than do thy worshippers? What are thy rents? What are thy comings-in? O Ceremony, show me but thy worth! What is thy soul of adoration? Art thou aught else but place, degree, and form, Creating awe and fear in other men? Wherein thou art less happy being fear'd Than they in fearing. What drink'st thou oft, instead of homage sweet, But poison'd flattery? O, be sick, great greatness, And bid thy ceremony give thee cure! Thinks thou the fiery fever will go out With titles blown from adulation? Will it give place to flexure and low bending? Canst thou, when thou command'st the beggar's knee, Command the health of it? No, thou proud dream, That play'st so subtly with a king's repose. I am a king that find thee; and I know 'Tis not the balm, the sceptre, and the ball, The sword, the mace, the crown imperial, The intertissued robe of gold and pearl, The farced tide running fore the king, The throne he sits on, nor the tide of pomp That beats upon the high shore of this world- No, not all these, thrice gorgeous ceremony, Not all these, laid in bed majestical, Can sleep so soundly as the wretched slave Who, with a body fill'd and vacant mind, Gets him to rest, cramm'd with distressful bread; Never sees horrid night, the child of hell; But, like a lackey, from the rise to set Sweats in the eye of Pheebus, and all night Sleeps in Elysium; next day, after dawn, Doth rise and help Hyperion to his horse; And follows so the ever-running year With profitable labour, to his grave. And but for ceremony, such a wretch, Winding up days with toil and nights with sleep, Had the fore-hand and vantage of a king. The slave, a member of the country's peace, Enjoys it; but in gross brain little wots What watch the king keeps to maintain the peace Whose hours the peasant best advantages.
William Shakespeare (Henry V)
Darkness: I had a dream, which was not all a dream. The bright sun was extinguish'd, and the stars Did wander darkling in the eternal space, Rayless, and pathless, and the icy earth Swung blind and blackening in the moonless air; Morn came and went—and came, and brought no day, And men forgot their passions in the dread Of this their desolation; and all hearts Were chill'd into a selfish prayer for light: And they did live by watchfires—and the thrones, The palaces of crowned kings—the huts, The habitations of all things which dwell, Were burnt for beacons; cities were consum'd, And men were gather'd round their blazing homes To look once more into each other's face; Happy were those who dwelt within the eye Of the volcanos, and their mountain-torch: A fearful hope was all the world contain'd; Forests were set on fire—but hour by hour They fell and faded—and the crackling trunks Extinguish'd with a crash—and all was black. The brows of men by the despairing light Wore an unearthly aspect, as by fits The flashes fell upon them; some lay down And hid their eyes and wept; and some did rest Their chins upon their clenched hands, and smil'd; And others hurried to and fro, and fed Their funeral piles with fuel, and look'd up With mad disquietude on the dull sky, The pall of a past world; and then again With curses cast them down upon the dust, And gnash'd their teeth and howl'd: the wild birds shriek'd And, terrified, did flutter on the ground, And flap their useless wings; the wildest brutes Came tame and tremulous; and vipers crawl'd And twin'd themselves among the multitude, Hissing, but stingless—they were slain for food. And War, which for a moment was no more, Did glut himself again: a meal was bought With blood, and each sate sullenly apart Gorging himself in gloom: no love was left; All earth was but one thought—and that was death Immediate and inglorious; and the pang Of famine fed upon all entrails—men Died, and their bones were tombless as their flesh; The meagre by the meagre were devour'd, Even dogs assail'd their masters, all save one, And he was faithful to a corse, and kept The birds and beasts and famish'd men at bay, Till hunger clung them, or the dropping dead Lur'd their lank jaws; himself sought out no food, But with a piteous and perpetual moan, And a quick desolate cry, licking the hand Which answer'd not with a caress—he died. The crowd was famish'd by degrees; but two Of an enormous city did survive, And they were enemies: they met beside The dying embers of an altar-place Where had been heap'd a mass of holy things For an unholy usage; they rak'd up, And shivering scrap'd with their cold skeleton hands The feeble ashes, and their feeble breath Blew for a little life, and made a flame Which was a mockery; then they lifted up Their eyes as it grew lighter, and beheld Each other's aspects—saw, and shriek'd, and died— Even of their mutual hideousness they died, Unknowing who he was upon whose brow Famine had written Fiend. The world was void, The populous and the powerful was a lump, Seasonless, herbless, treeless, manless, lifeless— A lump of death—a chaos of hard clay. The rivers, lakes and ocean all stood still, And nothing stirr'd within their silent depths; Ships sailorless lay rotting on the sea, And their masts fell down piecemeal: as they dropp'd They slept on the abyss without a surge— The waves were dead; the tides were in their grave, The moon, their mistress, had expir'd before; The winds were wither'd in the stagnant air, And the clouds perish'd; Darkness had no need Of aid from them—She was the Universe.
Lord Byron
He: "I mean, are you happy and are you fully alive?" I laughed: ''As you can see, you wove witty jokes into the lecture to please your listeners. You heaped up learned expressions to impress them. You were restless and hasty, as if still compelled to snatch up all knowledge. You are not in yourself" Although these words at first seemed laughable to me, they still made an impression on me, and reluctantly I had to / credit the old man, since he was right. Then he said: "Dear Ammonius, I have delightful tidings for you: God has become flesh in his son and has brought us all salvation." ""What are you saying," I called, "you probably mean Osiris, who shall appear in the mortal body?" "No," he replied, "this man lived in Judea and was born from a virgin." I laughed and answered: "I already know about this; a Jewish trader has brought tidings of our virgin queen to Judea, whose image appears on the walls of one of our temples, and reported it as a fairy tale." "No," the old man insisted, "he was the Son of God." "Then you mean Horus the son of Osiris, don't you?" I answered. "No,hewasnotHorus,butarealman,andhewashung from a cross." "Oh, but this must be Seth, surely; whose punishments our old ones have often described." But the old man stood by his conviction and said: "He died and rose up on the third day." "Well, then he must be Osiris," I replied impatiently. "No," he cried, "he is called Jesus the anointed one." ''Ah, you really mean this Jewish God, whom the poor honor at the harbor, and whose unclean mysteries they celebrate in cellars." "He was a man and yet the Son of God," said the old man staring at me intently. "That's nonsense, dear old man," I said, and showed him to the door. But like an echo from distant rock faces the words returned to me: a man and yet the Son of God. It seemed significant to me, and this phrase was what brought me to Christianity. I: "But don't you think that Christianity could ultimately be a transformation ofyour Egyptian teachings?" A: "If you say that our old teachings were less adequate expressions of Christianity, then I'm more likely to agree with you." I: "Yes, but do you then assume that the history of religions is aimed at a final goal?" A: "My father once bought a black slave at the market from the region of the source of the Nile. He came from a country that had heard ofneither Osiris nor the other Gods; he told me many things in a more simple language that said the same as we believed about Osiris and the other Gods. I learned to understand that those uneducated Negroes unknowingly already possessed most of what the religions of the cultured peoples had developed into complete doctrines. Those able to read that language correctly could thus recognize in it not only the pagan doctrines but also the doctrine of Jesus. And it's with this that I now occupy myself I read the gospels and seek their meaning which is yet to come.We know their meaning as it lies before us, but not their hidden meaning which points to the future. It's erroneous to believe that religions differ in their innermost essence. Strictly speaking, it's always one and the same religion. Every subsequent form of religion is the meaning of the antecedent." I: "Have you found out the meaning which is yet to come?" A: "No, not yet; it's very difficult, but I hope I'll succeed. Sometimes it seems to me that I need the stimulation of others, but I realize that those are temptations of Satan." I: "Don't you believe that you'd succeed ifyou were nearer men?" A: "maybeyoureright." He looks at me suddenly as if doubtful and suspicious. "But, I love the desert, do you understand? This yellow, sun-glowing desert. Here you can see the countenance of the sun every day; you are alone, you can see glorious Helios-no, that is - pagan-what's wrong with me? I'm confused-you are Satan- I recognize you-give way; adversary!" He jumps up incensed and wants to lunge at me. But I am far away in the twentieth century.
C.G. Jung
It was my father who called the city the Mansion on the River. He was talking about Charleston, South Carolina, and he was a native son, peacock proud of a town so pretty it makes your eyes ache with pleasure just to walk down its spellbinding, narrow streets. Charleston was my father’s ministry, his hobbyhorse, his quiet obsession, and the great love of his life. His bloodstream lit up my own with a passion for the city that I’ve never lost nor ever will. I’m Charleston-born, and bred. The city’s two rivers, the Ashley and the Cooper, have flooded and shaped all the days of my life on this storied peninsula. I carry the delicate porcelain beauty of Charleston like the hinged shell of some soft-tissued mollusk. My soul is peninsula-shaped and sun-hardened and river-swollen. The high tides of the city flood my consciousness each day, subject to the whims and harmonies of full moons rising out of the Atlantic. I grow calm when I see the ranks of palmetto trees pulling guard duty on the banks of Colonial Lake or hear the bells of St. Michael’s calling cadence in the cicada-filled trees along Meeting Street. Deep in my bones, I knew early that I was one of those incorrigible creatures known as Charlestonians. It comes to me as a surprising form of knowledge that my time in the city is more vocation than gift; it is my destiny, not my choice. I consider it a high privilege to be a native of one of the loveliest American cities, not a high-kicking, glossy, or lipsticked city, not a city with bells on its fingers or brightly painted toenails, but a ruffled, low-slung city, understated and tolerant of nothing mismade or ostentatious. Though Charleston feels a seersuckered, tuxedoed view of itself, it approves of restraint far more than vainglory. As a boy, in my own backyard I could catch a basket of blue crabs, a string of flounder, a dozen redfish, or a net full of white shrimp. All this I could do in a city enchanting enough to charm cobras out of baskets, one so corniced and filigreed and elaborate that it leaves strangers awed and natives self-satisfied. In its shadows you can find metalwork as delicate as lace and spiral staircases as elaborate as yachts. In the secrecy of its gardens you can discover jasmine and camellias and hundreds of other plants that look embroidered and stolen from the Garden of Eden for the sheer love of richness and the joy of stealing from the gods. In its kitchens, the stoves are lit up in happiness as the lamb is marinating in red wine sauce, vinaigrette is prepared for the salad, crabmeat is anointed with sherry, custards are baked in the oven, and buttermilk biscuits cool on the counter.
Pat Conroy (South of Broad)
It was also revealed that the reason I am cruel to others is because I have low-self-esteem. Because I don’t love myself, I am unable to understand those who do love me in spite of it all, and so I test them. “You love me even when I do this? Or this? Or this?” Even when the other person forgives me, I am unable to understand their forgiveness, and when they give up on me, I torture and console myself with the “fact” that no one could ever love me. That goddamn self-esteem. [...] Looking more closely at myself, there are parts that I've improved on. I still remain someone who is unable to love herself. But as I had that thought, I had another: light and darkness are part of the same thing. Happiness and unhappiness alternate throughout life, as in a dance. So as long as I keep going and don’t give up, surely I will keep having moments of tears and laughter. This book, therefore, ends not with answers but with a wish. I want to love and be loved. I want to find a way where I don’t hurt myself. I want to live a life where I say things are good more than things are bad. I want to keep failing and discovering new and better directions. I want to enjoy the tides of feeling in me as the rhythms of life. I want to be the kind of person who can walk inside the vast darkness and find the one fragment of sunlight I can linger in for a long time. Some day, I will.
Baek Se-hee (I Want to Die But I Want to Eat Tteokpokki)
Annabel Lee It was many and many a year ago, In a kingdom by the sea, That a maiden there lived whom you may know By the name of Annabel Lee; And this maiden she lived with no other thought Than to love and be loved by me. I was a child and she was a child, In this kingdom by the sea: But we loved with a love that was more than love— I and my Annabel Lee; With a love that the winged seraphs of heaven Coveted her and me. And this was the reason that, long ago, In this kingdom by the sea, A wind blew out of a cloud, chilling My beautiful Annabel Lee; So that her highborn kinsmen came And bore her away from me, To shut her up in a sepulchre In this kingdom by the sea. The angels, not half so happy in heaven, Went envying her and me— Yes!—that was the reason (as all men know, In this kingdom by the sea) That the wind came out of the cloud by night, Chilling and killing my Annabel Lee. But our love it was stronger by far than the love Of those who were older than we— Of many far wiser than we— And neither the angels in heaven above, Nor the demons down under the sea, Can ever dissever my soul from the soul Of the beautiful Annabel Lee. For the moon never beams without bringing me dreams Of the beautiful Annabel Lee; And the stars never rise but I see the bright eyes Of the beautiful Annabel Lee; And so, all the night-tide, I lie down by the side Of my darling, my darling, my life and my bride, In her sepulchre there by the sea— In her tomb by the side of the sea.
Edgar Allan Poe (Edgar Allan Poe's Complete Poetical Works)
Annabel Lee By Edgar Allan Poe (1809–1849)   It was many and many a year ago, In a kingdom by the sea, That a maiden there lived whom you may know By the name of Annabel Lee; And this maiden she lived with no other thought Than to love and be loved by me.   I was a child and she was a child, In this kingdom by the sea; But we loved with a love that was more than love- I and my Annabel Lee; With a love that the winged seraphs of heaven Coveted her and me.   And this was the reason that, long ago, In this kingdom by the sea, A wind blew out of a cloud, chilling My beautiful Annabel Lee; So that her highborn kinsman came And bore her away from me, To shut her up in a sepulchre In this kingdom by the sea.   The angels, not half so happy in heaven, Went envying her and me — Yes! — that was the reason (as all men know, In this kingdom by the sea) That the wind came out of the cloud by night, Chilling and killing my Annabel Lee.   But our love it was stronger by far than the love Of those who were older than we — Of many far wiser than we — And neither the angels in heaven above, Nor the demons down under the sea, Can ever dissever my soul from the soul Of the beautiful Annabel Lee.   For the moon never beams without bringing me dreams Of the beautiful Annabel Lee; And the stars never rise but I feel the bright eyes Of the beautiful Annabel Lee; And so, all the night-tide, I lie down by the side Of my darling — my darling — my life and my bride, In the sepulchre there by the sea, In her tomb by the sounding sea.
Rudolph Amsel (The Best of Poetry: Thoughts that Breathe and Words that Burn: In Two Hundred Poems)
Okay, try this, ma’am,” Januscheitis said, setting down a shot glass with a clear liquid in it. “What is this?” Faith said. She sniffed it and her nose wrinkled. “Seriously? A Marine has to drink?” “Not has to, ma’am,” Januscheitis said. “Just interested. And it’s chilled vodka. Try it.” Faith tossed back the drink as the assembled group watched with sneaky smiles. “Okay, that’s not bad,” Faith said, shrugging. “No reaction at all?” Paula said, looking shocked. “No coughing? No choking?” “Was there supposed to be one?” Faith asked. She picked up the bottle, poured another shot and tossed it back. “There, happy?” “Try this one… ” Sophia said, carefully, sliding across a shot of dark liquor. “Ick,” Faith said. “That’s not so good. What was it?” “Twenty-five-year-old Strathsclyde,” Sophia said. “Which is?” Faith asked. “Scotch, ma’am,” Januscheitis said. “Good scotch.” “Tastes like piss,” Faith said. “Not that I’ve ever drunk piss. Okay, what else you got?” Thirty minutes later there were a dozen bottles on the table and Faith had had at least one shot from each. “Okay, rum’s pretty good,” she said, smacking her lips. “Not as good as Razzleberry tea but not bad.” “She’s not even slightly drunk?” Derek slurred. He was, for sure. “Isn’t it supposed to be doing something by now?” Faith asked, taking another shot of 151. “I mean, I’d just finished seventh grade,” Faith said. “I’ve been to, like, two school dances! I’m never going to get to go to prom… ” She took another drink and frowned. “That sucks. That’s one of the reasons I hate fucking zombies. I’m never going to get to go to prom.” “Marine corps ball, ma’am,” Januscheitis said. He’d stopped drinking when the LT started to get shit-faced. Which had taken enough straight booze to drown a Force Recon platoon. “Way better than prom.” “Really?” Faith said. “Really,” Derek said. “Marine Corps ball is like prom for Marines.” “Christ, it’s coming up, isn’t it?” Januscheitis said. “Time’s sort of gotten to be one of those things you forget.” “We gonna have one?” Derek said. “Bet you,” Januscheitis said. “Gunny will insist. Probably use the Alpha or the Money.” “That’d be cool,” Derek said, grinning. “Use the Alpha. Marine Corps ball on a megayacht captured from zombies? I can dig that. Besides it’s more trashed out. You know how ball gets… ” “Semper fucking Fi,” Faith said. “I get to go to prom.” “We’ll make sure of it, ma’am,” Januscheitis said. “Great!” Faith slurred. “So why do I gotta puke?
John Ringo (To Sail a Darkling Sea (Black Tide Rising, #2))
Many other things were delivered to me out of storage, the most important being Matthew Rose Sorensen’s missing journals. They cover the period from June 2000 (when he was an undergraduate) until December 2011. As for the rest of his possessions, I am getting rid of most of them. Piranesi cannot bear to have so many possessions. I do not need this! is his constant refrain. Piranesi is always with me, but of Rose Sorensen I have only hints and shadows. I piece him together out of the objects he has left behind, from what is said about him by other people and, of course, from his journals. Without the journals I would be all at sea. I remember how this world works – more or less. I remember what Manchester is and what the police are and how to use a smartphone. I can pay for things with money – though I still find the process strange and artificial. Piranesi has a strong dislike of money. Piranesi wants to say: But I need the thing you have, so why don’t you just give it to me? And then when I have something you need, I will just give it to you. This would be a simpler system and much better! But I, who am not Piranesi – or at least not only him – realise that this probably wouldn’t go down too well. I have decided to write a book about Laurence Arne-Sayles. It is something that Matthew Rose Sorensen wanted to do and something that I want to do. After all, who knows Arne-Sayles’s work better than me? Raphael has shown me what Laurence Arne-Sayles taught her: how to find the path to the labyrinth and how to find the path out again. I can come and go as I please. Last week I took a train to Manchester. I took a bus to Miles Platting. I walked through a bleak autumn landscape to a flat in a tower block. The door was answered by a thin, ravaged-looking man who smelt strongly of cigarettes. ‘Are you James Ritter?’ I asked. He agreed that he was. ‘I’ve come to take you back,’ I said. I led him through the shadowy corridor and when the noble minotaurs of the first vestibule rose up around us, he started to cry, not for fear, but for happiness. He went immediately and sat under the great marble sweep of the staircase; the place where he used to sleep. He closed his eyes and listened to the sounds of the tides. When it was time to leave, he begged me to let him stay, but I refused. ‘You don’t know how to feed yourself,’ I told him. ‘You never learnt. You would die here unless I fed you – and I can’t take on that responsibility. But I’ll bring you back here whenever you want. And if ever I decide to come back for good, I promise I will bring you with me.’ The
Susanna Clarke (Piranesi)
ANNABEL LEE It was many and many a year ago, In a kingdom by the sea, That a maiden there lived whom you may know By the name of Annabel Lee;— And this maiden she lived with no other thought Than to love and be loved by me. I was a child and she was a child In this kingdom by the sea, But we loved with a love that was more than love— I and my Annabel Lee— With a love that the wingéd seraphs of Heaven Coveted her and me. And this was the reason that, long ago, In this kingdom by the sea, A wind blew out of a cloud, chilling My beautiful Annabel Lee; So that her highborn kinsmen came And bore her away from me, To shut her up in a sepulchre, In this kingdom by the sea. The angels, not half so happy in Heaven, Went envying her and me— Yes! that was the reason (as all men know, In this kingdom by the sea) That the wind came out of the cloud by night, Chilling and killing my Annabel Lee. But our love it was stronger by far than the love Of those who were older than we— Of many far wiser than we— And neither the angels in Heaven above Nor the demons down under the sea Can ever dissever my soul from the soul Of the beautiful Annabel Lee:— For the moon never beams, without bringing me dreams Of the beautiful Annabel Lee; And the stars never rise, but I feel the bright eyes Of the beautiful Annabel Lee:— And so, all the night-tide, I lie down by the side Of my darling—my darling—my life and my bride, In her sepulchre there
Anonymous
It was still quiet at the bar, early afternoon, before the happy-hour crowd arrived with their after-work bonhomie, and even as the barkeep kept himself busy wiping bottles and slicing limes, he had no choice but to nod and listen. He liked it busy at the bar, he liked it when the crowd was three deep and the calls for drinks came from all sides like a rising tide of feverish chants, when there wasn’t time to take in the stories and the gripes and he was able to lose himself in the work. That was the quest in everything he did: the work, the meditation, the exercise, the sex. To lose himself. And as the barkeep would be the first to tell you, it was not without reason.
William Lashner (The Barkeep)
It also made an impression on Ford, one of the most virulently antiunion of Detroit’s new capitalist class.Yet he was also a financial pragmatist. Tired of losing money to keep the fresh tides of workers trained for only a few weeks’ worth of work—and with an eye toward removing the unionists’ main rallying issue, money—Ford announced in January 1914 a new profit-sharing plan that would boost workers’ pay to $5 for an eight-hour workday.10 That was more than double the $2.25 he had been paying for a nine-hour day. There was a very thick string attached. To qualify for the program, and the job, workers had to allow representatives from Ford’s new Sociological Department to inspect their homes to ensure the workers and their families were living clean lives of frugality and sobriety. They had to meet one of three criteria: be married and living with and taking care of their family; be single and over age twenty-two with “proven thrifty habits”; or under age twenty-two but providing sole support for relatives.11 Thousands were happy to make that trade and went to the Highland Park plant hoping to land one of the jobs. Ford, though, wound up hiring relatively few new workers—the vast majority of those already in the plant accepted the personal intrusions, and the money.
Scott Martelle (Detroit: A Biography)
I'm swimming upstream. Fighting the tide while the happy dead drift past me to the pools of ignorance.
Katie Waitman (Merro Tree (Del Rey Discovery))
Forget your troubles, come on get happy You better chase all your cares away Shout Hallelujah, come on get happy Get ready for the judgment day The sun is shinin', come on get happy The Lord is waitin' to take your hand Shout Hallelujah, come on get happy We're going to the promise land We're headin' across the river To wash your sins away in the tide It's all so peaceful on the other side
Lisa Wilson (AUDACITY: Jodi Arias: 18 Days on the Stand (True Crime Worldwide Book 1))
I survey the lux in flux and exploit it to stay happy," she said. I was bewildered. She sensed my hesitation to be drawn deeper and did exactly that. "You see, the trick to tide over misery is not to fight it; but, in sensing those little specks of happiness which providence embeds therein.The mere scale of it boosts enough to float over back to happiness." She was asking me to sense and extract happiness from sadness, cheer from misery, and order from chaos; while being in the midst of the latter. She was asking me to feel at ease with the uncertainty all around by using the certainty of my consciousness of it.
Sudhansu Nayak
May my tide never end unless I wash up on the shore of paradise!
Jen Selinsky