Ticket To Ride Quotes

We've searched our database for all the quotes and captions related to Ticket To Ride. Here they are! All 100 of them:

No sympathy for the devil; keep that in mind. Buy the ticket, take the ride...and if it occasionally gets a little heavier than what you had in mind, well...maybe chalk it up to forced consciousness expansion: Tune in, freak out, get beaten.
Hunter S. Thompson (Fear and Loathing in Las Vegas: A Savage Journey to the Heart of the American Dream)
Buy the ticket, take the ride.
Hunter S. Thompson (Fear and Loathing in Las Vegas: A Savage Journey to the Heart of the American Dream)
My experience in Amsterdam is that cyclists ride where the hell they like and aim in a state of rage at all pedestrians while ringing their bell loudly, the concept of avoiding people being foreign to them. My dream holiday would be a) a ticket to Amsterdam b) immunity from prosecution and c) a baseball bat.
Terry Pratchett
The possibility of physical and mental collapse is now very real. No sympathy for the Devil, keep that in mind. Buy the ticket, take the ride.
Hunter S. Thompson (Fear and Loathing in Las Vegas: A Savage Journey to the Heart of the American Dream)
Life is truly a ride. We're all strapped in and no one can stop it. When the doctor slaps your behind, he's ripping your ticket and away you go. As you make each passage from youth to adulthood to maturity, sometimes you put your arms up and scream, sometimes you just hang on to that bar in front of you. But the ride is the thing. I think the most you can hope for at the end of life is that your hair's messed, you're out of breath, and you didn't throw up.
Jerry Seinfeld
I would praise the Lord above for a ticket to that ride.
Lola Stark (Tattered Love (Needle's Kiss, #1))
Learning to let go of expectations is a ticket to peace. It allows us to ride over every crisis—small or large, brother-in-law or end-of-quarter office lockdown—like a beach ball on water. The next time a problem arises in your life, take a deep breath, let out a sigh, and replace the thought Oh no! with the thought Okay.
Martha N. Beck
Every book is a revolution. Books are our ticket out of boredom, despair, loneliness—but also ignorance.
Heidi Cullinan (Sleigh Ride (Minnesota Christmas, #2))
This is our ride. Your one-way ticket to the Nevernever.
Julie Kagawa (The Iron King (The Iron Fey, #1))
I didn't want to be a sweet boy's sweet girlfriend. I wanted to be Fawn's equal, the kind of girl who stood up for herself and took care of business, who cut guys loose when it was required.
Paula McLain (A Ticket to Ride)
Nice to meet you both,” she said. “I hate to be rude, but if I don’t ride The Beast in the next five minutes, I’m going to die.
Olivia Cunning (Hot Ticket (Sinners on Tour, #3))
In life, the path of least resistance is always silence. If you don’t express your feelings and thoughts to others, you don’t have to deal with their reactions to it. You don’t have to feel vulnerable. You don’t risk rejection. But I’ll tell you what: the path of least resistance leads exactly where that ride leads to.” He pointed again to the carts looping around the track. “Nowhere.
Brendon Burchard (Life's Golden Ticket: A Story about Second Chances)
If a person leads an ‘active’ life, as Wiggs had, if a person has goals, ideals, a cause to fight for, then that person is distracted, temporarily, from paying a whole lot of attention to the heavy scimitar that hangs by a mouse hair just about his or her head. We, each of us, have a ticket to ride, and if the trip be interesting (if it’s dull, we have only ourselves to blame), then we relish the landscape (how quickly it whizzes by!), interact with our fellow travelers, pay frequent visits to the washrooms and concession stands, and hardly ever hold up the ticket to the light where we can read its plainly stated destination: The Abyss. Yet, ignore it though we might in our daily toss and tussle, the fact of our impending death is always there, just behind the draperies, or, more accurately, inside our sock, like a burr that we can never quite extract. If one has a religious life, one can rationalize one’s slide into the abyss; if one has a sense of humor (and a sense of humor, properly developed, is superior to any religion so far devised), one can minimalize it through irony and wit. Ah, but the specter is there, night and day, day in and day out, coloring with its chalk of gray almost everything we do. And a lot of what we do is done, subconsciously, indirectly, to avoid the thought of death, or to make ourselves so unexpendable through our accomplishments that death will hesitate to take us, or, when the scimitar finally falls, to insure that we ‘live on’ in the memory of the lucky ones still kicking.
Tom Robbins (Jitterbug Perfume)
I’m a first class passenger on the Spaceship Earth, and I got one ticket. And I gotta make the ride count, you know? And, as far as I figure, you can either take the service road or the scenic route. And, man, if I only have one ride, I want it to be beautiful. 84. Highway.
Eric Bogosian
We, each of us, have a ticket to ride, and if the trip be interesting (if it's dull, we have only ourselves to blame), then we relish the landscape (how quickly it whizzes by!), interact with our fellow travelers, pay frequent visits to the washrooms and concession stands, and hardly ever hold up the ticket to the light where we can read its plainly stated destination: The Abyss.
Tom Robbins (Jitterbug Perfume)
Sometimes when I felt the eyes crawling on me from all sides, I got scared thinking someone was looking who wasn’t just curious. I knew it was my imagination and I got used to it, learned to shunt it away. But sometimes I held onto it quietly, that feeling that someone behind or beside me in the crowd – some guy leaning on the target booth with a rifle, or some cranky sweating father spending too much on ride tickets to keep his kids away from him – anybody could be looking at me in the sidelong way that norms use to look at freaks, but thinking of me twitching and biting at the dirt while my guts spilled out of the big escape hatch he’d cut for them… a feeling like that is special. Sometimes you hold onto it quietly for a while.
Katherine Dunn (Geek Love)
We all go through life as puzzled monkeys. The minute we think we're any more than that, we've made a grave mistake. We're just trying to gain some meaning of it all, some understanding. The only thing we can do is buy the ticket, take the ride. And offer our barbaric yawps to the world...
Nate Jordon
I just got a ticket to Hogwarts. Might be taking a train ride to a magical place that's much better than here. Don't tell any Muggles, okay? But I want you to know I'll be alright.
Matthew Quick (Boy21)
Please, Mr. Engineer let a man ride the line Please, Mr. Engineer let a man ride the line I ain't got no ticket please let me ride the blinds
August Wilson (Fences (The Century Cycle, #6))
…forgiveness isn’t a ticket you buy, a one-time thing bought and paid for. Forgiveness is the train you choose to ride through life’s journey. You have to stay on it, even though sometimes you don’t know where it’s taking you. You have to trust it to protect you from the elements that rage outside—and inside.
Roseanna M. White (Shadowed Loyalty)
When I was tiny, the county fair came through town. Our parents took us, and got tickets for the rides, even though I was scared to death of all of them. Edward was the one who convinced me to go on the merry-go-round. He put me up on one of the wooden horses and he told me the horse was magic, and might turn real right underneath me, but only if I didn't look down. So I didn't. I stared out at the pinwheeling crowd and searched for him. Even when I started to get dizzy or thought I might throw up, the circle would come around again and there he was. After a while, I stopped thinking about the horse being magic, or even how terrified I was, and instead, I made a game out of finding Edward. I think that's what family feels like. A ride that takes you back to the same place over and over.
Jodi Picoult (Lone Wolf)
Buy the ticket, take the ride …
Hunter S. Thompson (Fear and Loathing in Las Vegas)
I guess what makes me feel better are the truly sane: the motorcycle cop in a clean uniform who gives me a ticket and then rides away on two wheels like a man who never had an itchy crotch.
Charles Bukowski (What Matters Most is How Well You Walk Through the Fire)
Well, the first reaction was, What smoke? When I looked and saw it, and we all ran to the back where we were far away from the flames-cowards as we are, you know-all sat around the emergency door and even tested the emergency door, ready to jump out. Of course, I said, Beatles and children first.
Larry Kane (Ticket to Ride: Inside the Beatles' 1964 and 1965 Tours That Changed the World)
No sympathy for the devil; keep that in mind. Buy the ticket, take the ride … and if it occasionally gets a little heavier than what you had in mind, well … maybe chalk it off to forced consciousness expansion:
Hunter S. Thompson (Fear and Loathing in Las Vegas: The captivating memoir of countercultural journalism and social commentary (Harper Perennial Modern Classics))
For this is the journey that men make: to find themselves. If they fail in this, it doesn't matter much what else they find. Money, position, fame, many loves, revenge are all of little consequence, and when the tickets are collected at the end of the ride they are tossed into the bin marked FAILURE. But if a man happens to find himself—if he knows what he can be depended upon to do, the limits of his courage, the positions from which he will no longer retreat, the degree to which he can surrender his inner life to some woman, the secret reservoirs of his determination, the extent of his dedication, the depth of his feeling for beauty, his honest and unpostured goals—then he has found a mansion which he can inhabit with dignity all the days of his life.
James A. Michener (The Fires of Spring)
Instead of evidence showing black crime waves, the original records of county jails indicated thousands of arrests for inconsequential charges or for violations of laws specifically written to intimidate blacks—changing employers without permission, vagrancy, riding freight cars without a ticket, engaging in sexual activity—or loud talk—with white women. Repeatedly, the timing and scale of surges in arrests appeared more attuned to rises and dips in the need for cheap labor than any demonstrable acts of crime.
Douglas A. Blackmon (Slavery by Another Name: The Re-Enslavement of Black Americans from the Civil War to World War II)
I considered quitting graduate school. I paid my ticket, I rode the ride. Right? Half the people I started with quit. I did not have to continue toward scholar. But something wouldn’t let me. Some deep wrestling match going on inside my rib house and gray matter. Some woman in me I’d never met. You know who she was? My intellect. When I opened the door and there she stood, with her sassy red reading glasses and fitted skirt and leather bookbag, I thought, who the hell are you? Crouching into a defensive posture and looking at her warily out of the corner of my eye. Watch out, woman. To which she replied, I’m Lidia. I have a desire toward language and knowledge that will blow your mind.
Lidia Yuknavitch (The Chronology of Water)
Big D. November '63. He was there that Big Weekend. He caught the Big Moment and took this Big Ride. He was a sergeant on Vegas PD. He was married. He had a chemistry degree. His father was a big Mormon fat cat. Wayne Senior was jungled up all over the nut Right. He did Klan ops for Mr. Hoover and Dwight Holly. He pushed high-line hate tracts. He rode the far-Right zeitgeist and stayed in the know. He knew about the JFK hit. It was multi-faction: Cuban exiles, rogue CIA, mob. Senior bought Junior a ticket to ride. Extradition job with one caveat: kill the extraditee.
James Ellroy (Blood's a Rover (Underworld USA, #3))
The following afternoon the two arrived at the carnival grounds. They mingled with the crowd, enjoying the various amusements. Finally Ned bought tickets for the roller coaster. As the car dashed madly down each incline, Nancy held her breath and clung to Ned. He enjoyed this so much that he suggested a second ride.
Carolyn Keene (The Clue in the Jewel Box (Nancy Drew, #20))
Wasn’t this great?” Nudge asked excitedly. “I can’t believe we’re in the White House! I want to be president someday.” “I’ll be vice president,” the Gasman offered. “You guys would be great,” I said politely. Yes, they could run on the Mutant Party ticket, with a freak-of-nature platform. No prob. I’m sure America is ready for that.
James Patterson (School's Out - Forever (Maximum Ride, #2))
It was august. for years it was august … . there was heat like wet gauze and a high, white sky and music coming from everywhere at once.
Paula McLain (A Ticket to Ride)
Write whenever you can but choose a subject you know about and will want to work with for a few years or even longer...
Graham Sclater (Ticket to Ride)
I want to go to the Olympics. But I don’t want to train, so who’s going to buy me a ticket? I also don’t want to ride on a train, so airfare should be included.
Jarod Kintz (This Book is Not for Sale)
was
Sheila Norton (Ticket To Ride)
PRINT the ticket, take the ride!
Chairman Kingmaker
You bought the ticket, now take the ride.
Hunter S. Thompson
No sympathy for the devil; keep that in mind. Buy the ticket, take the ride...
Hunter S. Thompson (Fear and Loathing in Las Vegas: A Savage Journey to the Heart of the American Dream)
Buy the ticket take the ride.
Hunter S. Thompson
We cannot aspire to masterpieces. We may content ourselves with a joy ride in a paint-box. And for this Audacity is the only ticket.
Winston S. Churchill (Painting As a Pastime)
I win—I pay your debt, and in return, you hop off the Cillian is Satan train. If my wife wants to ride it, she’ll buy her own ticket and travel solo.
L.J. Shen (The Villain (Boston Belles, #2))
Ya live your life like it's a coma So won't you tell me why we'd wanna With all the reasons you give it's It's kinda hard to believe But who am I to tell you that I've Seen any reason why you should stay Matbe we'd be better off Without you anyway You got a one way ticket On your last chance ride Gotta one way ticket To your suicide Gotta one way ticket An there's no way out alive An all this crass communication That has left you in the cold Isn't much for consolation When you feel so weak and old But is home is where the heart is Then there's stories to be told No you don't need a doctor No one else can heal your soul Got your mind in submission Got your life on the line But nobody pulled the trigger They just stepped aside They be down by the water While you watch 'em waving goodbye They be callin' in the morning They be hangin' on the phone They be waiting for an answer When you know nobody's home And when the bell's stopped ringing It was nobody's fault but your own There were always ample warnings There were always subtle signs And you would have seen it comin' But we gave you too much time And when you said That no one's listening Why'd your best friend drop a dime Sometimes we get so tired of waiting For a way to spend our time An "It's so easy" to be social "It's so easy" to be cool Yeah it's easy to be hungry When you ain't got shit to lose And I wish that I could help you With what you hope to find But I'm still out here waiting Watching reruns of my life When you reach the point of breaking Know it's gonna take some time To heal the broken memories That another man would need Just to survive Guns N’ Roses, “Coma” (1991)
Guns N' Roses (Use Your Illusion I (Bass Guitar, with Tablature))
We all arrive in this world with a ticket out of it, but somehow, in spite of all evidence to the contrary, we remain convinced that those we care about will be with us for a long ride.
Dean Koontz (Quicksilver)
Keys parachuted down into one of the exact seats he purchased that he and his father sat in as season ticket holders in the Old Barn on Grand River Avenue. Keys slipped his arm around the empty chair dressed with his father’s withering Tiger’s baseball cap, secured to the seat with a quarter inch drywall screw. Keys reflected upon his father, who chauffeured Keys and other players, every weekend, to a hockey tournament somewhere, “You know pop…every kid you gave a ride too game or practice, came to your funeral. When this hat falls away, no more screws, pop. I’m gonna branch out…make new friends. Soon as these gypsy moths get a hold of your precious, Old English “D”, here--turn your glory years, Kaline and Mclain into tree threads.
Kevin Moccia (The Beagle and the Hare)
Hey, did you hear about Brad Miller?” he asked, already forgetting about the Lissie conversation. “He got his car taken away for getting another speeding ticket. Of course he tried to tell his parents it was a setup.” Violet laughed. “Yeah, because the police have nothing better to do than to plan a sting operation targeting eleventh-grade idiots.” She was more than willing to go along with this diversion from conversations about Jay and his many admirers. Jay laughed too, shaking his head. “You’re so cold-hearted,” he said to Violet, shoving her a little but playing along. “How’s he supposed to go cruising for unsuspecting freshmen and sophomores without a car? What willing girl is going to ride on the handlebars of his ten-speed?” “I don’t see you driving anything but your mom’s car yet. At least he has a bike,” she said, turning on him now. He pushed her again. “Hey!” he tried to defend himself. “I’m still saving! Not all of us are born with a silver spoon in our mouths.” They were both laughing, hard now. The silver spoon joke had been used before, whenever one of them had something the other didn’t. “Right!” Violet protested. “Have you seen my car?” This time she shoved him, and a full-scale war broke out on the couch. “Poor little rich girl!” Jay accused, grabbing her arm and pulling her down. She giggled and tried to give him the dreaded “dead leg” by hitting him with her knuckle in the thigh. But he was too strong, and what used to be a fairly even matchup was now more like an annihilation of Violet’s side. “Oh, yeah. Weren’t you the one”—she gasped, still giggling and thrashing to break free from his suddenly way-too-strong grip on her, just as his hand was almost at the sensitive spot along the side of her rib cage—“who got to go to Hawaii . . .” She bucked beneath him, trying to knock him off her. “. . . for spring break . . . last . . .” And then he startled to tickle her while she was pinned beneath him, and her last word came out in a scream: “YEAR?!” That was how her aunt and uncle found them.
Kimberly Derting (The Body Finder (The Body Finder, #1))
In Athens, you’ll save money buying the Acropolis combo-ticket, which covers a number of ancient sites (buy at a less-crowded site to save time). City transit passes (for multiple rides or all-day usage) decrease your cost per ride.
Rick Steves (Rick Steves Greece: Athens & the Peloponnese)
I’m not sure how the ponies happened, though I have an inkling: “Can I get you anything?” I’ll say, getting up from a dinner table, “Coffee, tea, a pony?” People rarely laugh at this, especially if they’ve heard it before. “This party’s ‘sposed to be fun,” a friend will say. “Really? Will there be pony rides?” It’s a nervous tic and a cheap joke, cheapened further by the frequency with which I use it. For that same reason, it’s hard to weed it out of my speech – most of the time I don’t even realize I’m saying it. There are little elements in a person’s life, minor fibers that become unintentionally tangled with your personality. Sometimes it’s a patent phrase, sometimes it’s a perfume, sometimes it’s a wristwatch. For me, it is the constant referencing of ponies. I don’t even like ponies. If I made one of my throwaway equine requests and someone produced an actual pony, Juan-Valdez-style, I would run very fast in the other direction. During a few summers at camp, I rode a chronically dehydrated pony named Brandy who would jolt down without notice to lick the grass outside the corral and I would careen forward, my helmet tipping to cover my eyes. I do, however, like ponies on the abstract. Who doesn’t? It’s like those movies with the animated insects. Sure, the baby cockroach seems cute with CGI eyelashes, but how would you feel about fifty of her real-life counterparts living in your oven? And that’s precisely the manner in which the ponies clomped their way into my regular speech: abstractly. “I have something for you,” a guy will say on our first date. “Is it a pony?” No. It’s usually a movie ticket or his cell phone number. But on our second date, if I ask again, I’m pretty sure I’m getting a pony. And thus the Pony drawer came to be. It’s uncomfortable to admit, but almost every guy I have ever dated has unwittingly made a contribution to the stable. The retro pony from the ‘50s was from the most thoughtful guy I have ever known. The one with the glitter horseshoes was from a boy who would later turn out to be straight somehow, not gay. The one with the rainbow haunches was from a librarian, whom I broke up with because I felt the chemistry just wasn’t right, and the one with the price tag stuck on the back was given to me by a narcissist who was so impressed with his gift he forgot to remover the sticker. Each one of them marks the beginning of a new relationship. I don’t mean to hint. It’s not a hint, actually, it’s a flat out demand: I. Want. A. Pony. I think what happens is that young relationships are eager to build up a romantic repertoire of private jokes, especially in the city where there’s not always a great “how we met” story behind every great love affair. People meet at bars, through mutual friends, on dating sites, or because they work in the same industry. Just once a coworker of mine, asked me out between two stops on the N train. We were holding the same pole and he said, “I know this sounds completely insane, bean sprout, but would you like to go to a very public place with me and have a drink or something...?” I looked into his seemingly non-psycho-killing, rent-paying, Sunday Times-subscribing eyes and said, “Sure, why the hell not?” He never bought me a pony. But he didn’t have to, if you know what I mean.
Sloane Crosley (I Was Told There'd Be Cake: Essays)
No sympathy for the devil; keep that in mind. Buy the ticket, take the ride … and if it occasionally gets a little heavier than what you had in mind, well … maybe chalk it off to forced consciousness expansion: Tune in, freak out, get beaten. It’s all in Kesey’s Bible.… The Far Side of Reality.
Hunter S. Thompson (Fear and Loathing in Las Vegas)
One can fully own a manufactured thing—a toaster, say, or a pair of shoes. But in what reasonable sense can one fully "own" and have "rights" to do whatever we want to land, water, air, and forests, which are among the most valuable assets in humanity's basic endowments? To say, in the march of eons, that we own these things into which we suddenly, fleetingly appear and from which we will soon vanish is like a newborn laying claim to the maternity ward, or a candle asserting ownership of the cake; we might as well declare that, having been handed a ticket to ride, we've bought the train. Let's be serious.
Carl Safina (The View from Lazy Point: A Natural Year in an Unnatural World)
The quick ticket to ecstasy is to catch yourself feeling in a very low state of mind--depressed, stupid, hateful--and to love yourself for feeling that way. When you do that you can experience a rocket ride right to the top. Love does not take time; it's possible to transform depression into ecstasy in a flash. But please do not accept my word for it. Try it as an experiment next time you are feeling low. Something else to consider is that we will always be in the process of remembering how to love ourselves, then forgetting, then remembering again. It does not seem to be our destiny to be any one way all the time. So let's get used to being pendulums and enjoy the ride.
Gay Hendricks (Learning to Love Yourself)
Ulysses S. Grant became president of the United States in 1869, and he made a priority of expanding the White House stables. During his eight years in office, he sheltered more horses than any other U.S. president. Because he never liked being driven around by a chauffeur, Grant often saddled one of his horses for a solo ride through the streets of Washington, D.C. One day, as he galloped his way down M Street, a police officer pulled him over for speeding! When the officer discovered that the law-breaker was the leader of the country, he was embarrassed. But Grant wasn’t the least bit upset. “I was speeding; you caught me,” he said. So the police officer issued him a $5 ticket, and America’s eighteenth president walked back to the White House on foot.
David Stabler (Kid Legends: True Tales of Childhood from the Books Kid Artists, Kid Athletes, Kid Presidents, and Kid Authors)
And then I see it. Azure Helicopter Tours. I drag Toraf to the landing pad. “What is that?” he asks suspiciously. “Um. It’s a helicopter.” “What does it do? Triton’s trident, it doesn’t fly does it? Emma? Emma wait!” He catches up to me and burps right in my ear. “Stop being a jerkface,” I tell him. “Whatever that is. You don’t care about me at all, do you?” “You came to me, remember? This is me helping you. Now be quiet while I buy tickets.” It’s a private ride, no other passengers to worry about. Plus, we’re not stealing anything. The helicopter can return to land with its pilot as soon as we’re done with our part of the mission. “Why do we need to fly? The water is right there.” He points to it longingly. I almost feel bad for him. Almost. But I don’t have time for pity. “Because I think these helicopters can still cover more distance faster than you can haul me. I’m trying to make up for all the time we spent at security in LAX.” “Humans are so weird,” he mutters again as I walk away. “You do everything backward.” Since this is a sightseeing flight, the pilot, Dan, a thick Hawaiian man with an even thicker accent, takes his time pointing out all the usual tourist stuff, like the fishing industry, the history of the coast, and other things I have no interest in at the moment. The view of the blue water and visible reefs, the chain of islands, and the rich culture would be breathtaking if I weren’t preoccupied with crashing a Syrena get-together. I can imagine spending time with Galen here. Exploring the reefs like no human could, playing with the tropical fish, and making Galen wear a lei. But I need to stay focused if I ever want a chance to do it.
Anna Banks (Of Triton (The Syrena Legacy, #2))
Witch Mildred was invited to the wondrous Witches’ Wobble, a Halloween festivity where witches go to gobble. Her snakeskin invitation read: Feasting Starts at Eight! A Grand Buffet (with Skunk Filet!) Hopping on her broomstick, She took off from a thicket. She raced along the back roads to dodge a speeding ticket. A skeleton soon hailed her. (His bones could use some meat!) He pled, “Please! I’m so hungry, I rattle head to feet.” A jack-o’-lantern hollered, “Please take me from this wall, for some, I dread, might use my head as a soccer ball.” Soon the three encountered a ghost who was in tears. “Please take me from this graveyard. It’s much too spooky here.” A shaky, quaky mummy called, “I’m ready to collapse. Please find me a warm hearthside, for I forgot my wraps!” A bat swooped down upon them. He squeaked, “Please wait for me! I’ll go batty when the sexton bongs the bells in my belfry.” A black cat yowled, “Please take me. I need some company, for when I cross their pathways, people run from me!
Elizabeth Spurr (Halloween Sky Ride)
Hey, did you hear about Brad Miller?" he asked, already forgetting about the Lissie conversation. "He got his car taken away for getting another speeding ticket. Of course he tried to tell his parents that it was a setup." Violet laughed. "Yeah, because the police have nothing better to do than to plan a sting operation targeting eleventh-grade idiots." She was more than willing to go along with this diversion from conversations about Jay and his many admirers. Jay laughed too, shaking his head. "You're so cold-hearted," he said to Violet, shoving her a little but playing along. "How's he supposed to go cruising for unsuspecting freshman and sophomores without a car? What willing girl is going to ride on the handlebars of his ten-speed?" "I don't see you driving anything but your mom's car yet. At least he has a bike," she said, turning on him now. He pushed her again. "Hey!" he tried to defend himself. "I'm still saving! Not all of us are born with a silver spoon in our mouths." They were both laughing, hard now. The silver spoon joke had been used before, whenever one of them had something the other one didn't. "Right!" Violet protested. "Have you seen my car?" This time she shoved him, and a full-scale war broke out on the couch. "Poor little rich girl!" Jay accused, grabbing her arm and pulling her down. She giggled and tried to give him the dreaded "dead leg" by hitting him with her knuckle in the thigh. But he was too strong, and what used to be a fairly even matchup was now more like an annihilation of Violet's side. "Oh, yeah. Weren't you the one"-she gasped, still giggling and thrashing to break free from his suddenly way-too-strong grip on her, just as his hand was almost at the sensitive spot along the side of her rib cage-"who got to go to Hawaii..." She bucked beneath him, trying to knock him off her. "...For spring break...last..." And then he started to tickle her while she was pinned beneath him, and her last word came out in a scream: "...YEAR?!" That was how her aunt and uncle found them. Violet never heard the key in the dead bolt, or the sound of the door opening up. And Jay was just as ignorant of their arrival as she was. So when they were caught like that, in a mass of tangled limbs, with Jay's face just inches from hers, as she giggled and squirmed against him, it should have meant they were going to get in trouble. And if it had been any other teenage boy and girl, they would have. But it wasn't another couple. It was Violet and Jay...and this was business as usual for the two of them. Even her aunt and uncle knew that there was no possibility they were doing anything they shouldn't. The only reprimand they got was her aunt shushing them to keep it down before they woke the kids. After Jay left, Violet took the thirty dollars that her uncle gave her and headed out. As she drove home, she tried to ignore the feelings of frustration she had about the way her aunt and uncle had reacted-or rather hadn't reaction-to finding her and Jay together on the couch. For some reason it made her feel worse to know that even the grown-ups around them didn't think there was a chance they could ever be a real couple.
Kimberly Derting (The Body Finder (The Body Finder, #1))
Kekulé dreams the Great Serpent holding its own tail in its mouth, the dreaming Serpent which surrounds the World. But the meanness, the cynicism with which this dream is to be used. The Serpent that announces, "The World is a closed thing, cyclical, resonant, eternally-returning," is to be delivered into a system whose only aim is to violate the Cycle. Taking and not giving back, demanding that "productivity" and "earnings" keep on increasing with time, the System removing from the rest of the World these vast quantities of energy to keep its own tiny desperate fraction showing a profit: and not only most of humanity—most of the World, animal, vegetable, and mineral, is laid waste in the process. The System may or may not understand that it's only buying time. And that time is an artificial resource to begin with, of no value to anyone or anything but the System, which must sooner or later crash to its death, when its addiction to energy has become more than the rest of the World can supply, dragging with it innocent souls all along the chain of life. Living inside the System is like riding across the country in a bus driven by a maniac bent on suicide . . . though he's amiable enough, keeps cracking jokes back through the loudspeaker . . . on you roll, across a countryside whose light is forever changing--castles, heaps of rock, moons of different shapes and colors come and go. There are stops at odd hours of teh mornings, for reasons that are not announced: you get out to stretch in lime-lit courtyards where the old men sit around the table under enormous eucalyptus trees you can smell in the night, shuffling the ancient decks oily and worn, throwing down swords and cups and trumps major in the tremor of light while behind them the bus is idling, waiting--"passengers will now reclaim their seats" and much as you'd like to stay, right here, learn the game, find your old age around this quiet table, it's no use: he is waiting beside the door of the bus in his pressed uniform, Lord of the Night he is checking your tickets, your ID and travel papers, and it's the wands of enterprise that dominate tonight...as he nods you by, you catch a glimpse of his face, his insane, committed eyes, and you remember then, for a terrible few heartbeats, that of course it will end for you all in blood, in shock, without dignity--but there is meanwhile this trip to be on ... over your own seat, where there ought to be an advertising plaque, is instead a quote from Rilke: "Once, only once..." One of Their favorite slogans. No return, no salvation, no Cycle--that's not what They, nor Their brilliant employee Kekule, have taken the Serpent to mean.
Thomas Pynchon
On the train I had a lot of time to think. I thought how in the thirty years of my life I had seldom gotten on a train in America without being conscious of my color. In the South, there are Jim Crow cars and Negroes must ride separate from the whites, usually in a filthy antiquated coach next to the engine, getting all the smoke and bumps and dirt. In the South, we cannot buy sleeping car tickets. Such comforts are only for white folks. And in the North where segregated travel is not the law, colored people have, nevertheless, many difficulties. In auto buses they must take the seats in the rear, over the wheels. On the boats they must occupy the worst cabins. The ticket agents always say that all other accommodations are sold. On trains, if one sits down by a white person, the white person will sometimes get up, flinging back an insult at the Negro who has dared to take a seat beside him. Thus it is that in America, if you are yellow, brown, or black, you can never travel anywhere without being reminded of your color, and oft-times suffering great inconveniences. I sat in the comfortable sleeping car on my first day out of Moscow and remembered many things about trips I had taken in America. I remembered how, once as a youngster going alone to see my father who was working in Mexico, I went into the dining car of the train to eat. I sat down at a table with a white man. The man looked at me and said, "You're a nigger, ain't you?" and left the table. It was beneath his dignity to eat with a Negro child. At St. Louis I went onto the station platform to buy a glass of milk. The clerk behind the counter said, “We don't serve niggers," and refused to sell me anything. As I grew older I learned to expect this often when traveling. So when I went South to lecture on my poetry at Negro universities, I carried my own food because I knew I could not go into the dining cars. Once from Washington to New Orleans, I lived all the way on the train on cold food. I remembered this miserable trip as I sat eating a hot dinner on the diner of the Moscow-Tashkent express. Traveling South from New York, at Washington, the capital of our country, the official Jim Crow begins. There the conductor comes through the train and, if you are a Negro, touches you on the shoulder and says, "The last coach forward is the car for colored people." Then you must move your baggage and yourself up near the engine, because when the train crosses the Potomac River into Virginia, and the dome of the Capitol disappears, it is illegal any longer for white people and colored people to ride together. (Or to eat together, or sleep together, or in some places even to work together.) Now I am riding South from Moscow and am not Jim-Crowed, and none of the darker people on the train with me are Jim-Crowed, so I make a happy mental note in the back of my mind to write home to the Negro papers: "There is no Jim Crow on the trains of the Soviet Union.
Langston Hughes (Good Morning, Revolution: Uncollected Social Protest Writings)
In 1924, riding a wave of anti-Asian sentiment, the US government halted almost all immigration from Asia. Within a few years, California, along with several other states, banned marriages between white people and those of Asian descent. With the onset of World War II, the FBI began the Custodial Detention Index—a list of “enemy aliens,” based on demographic data, who might prove a threat to national security, but also included American citizens—second- and third-generation Japanese Americans. This list was later used to facilitate the internment of Japanese Americans. In 1940, President Franklin D. Roosevelt signed the Alien Registration Act, which compelled Japanese immigrants over the age of fourteen to be registered and fingerprinted, and to take a loyalty oath to our government. Japanese Americans were subject to curfews, their bank accounts often frozen and insurance policies canceled. On December 7, 1941, the Japanese attacked a US military base at Pearl Harbor, Hawaii. More than 2,400 Americans were killed. The following day, America declared war on Japan. On February 19, 1942, FDR signed Executive Order 9066, permitting the US secretary of war and military commanders to “prescribe military areas” on American soil that allowed the exclusion of any and all persons. This paved the way for the forced internment of nearly 120,000 Japanese Americans, without trial or cause. The ten “relocation centers” were all in remote, virtually uninhabitable desert areas. Internees lived in horrible, unsanitary conditions that included forced labor. On December 17, 1944, FDR announced the end of Japanese American internment. But many internees had no home to return to, having lost their livelihoods and property. Each internee was given twenty-five dollars and a train ticket to the place they used to live. Not one Japanese American was found guilty of treason or acts of sedition during World War II.
Samira Ahmed (Internment)
Why, he asked, do all of our policing efforts have to be so reactive, so negative, and so after the fact? What if, instead of just focusing on catching criminals—and serving up ever harsher punishments—after they committed the crime, the police devoted significant resources and effort to eliminating criminal behavior before it happens? To quote Tony Blair, what if they could be tough on crime but also tough on the causes of crime?3 Out of these questions came the novel idea for Positive Tickets, a program whereby police, instead of focusing on catching young people perpetrating crimes, would focus on catching youth doing something good—something as simple as throwing litter away in a bin rather than on the ground, wearing a helmet while riding their bike, skateboarding in the designated area, or getting to school on time—and would give them a ticket for positive behavior. The ticket, of course, wouldn’t carry a fine like a parking ticket but instead would be redeemable for some kind of small reward, like free entry to the movies or to an event at a local youth center—wholesome activities that also had the bonus of keeping the young people off the streets and out of trouble. So how well did Richmond’s unconventional effort to reimagine policing work? Amazingly well, as it turned out. It took some time, but they invested in the approach as a long-term strategy, and after a decade the Positive Tickets system had reduced recidivism from 60 percent to 8 percent. You might not think of a police department as a place where you would expect to see Essentialism at work, but in fact Ward’s system of Positive Tickets is a lesson in the practice of effortless execution. The way of the Nonessentialist is to go big on everything: to try to do it all, have it all, fit it all in. The Nonessentialist operates under the false logic that the more he strives, the more he will achieve, but the reality is, the more we reach for the stars, the harder it is to get ourselves off the ground. The way of the Essentialist is different. Instead of trying to accomplish it all—and all at once—and flaring out, the Essentialist starts small and celebrates progress. Instead of going for the big, flashy wins that don’t really matter, the Essentialist pursues small and simple wins in areas that are essential.
Greg McKeown (Essentialism: The Disciplined Pursuit of Less)
Most of the cadets accepted an invitation to attend a reception at the Venezuelan Naval Academy in La Guaira. Don Silke and I had other ideas and figured on getting a cab to the capital city of Caracas. The ride would take about a half hour, if the car did not overheat going over the mountain pass on the newly constructed highway. The capital city had an elevation of 7,083 feet and we were at sea level. As we stepped off the gangway, I noticed two stunningly beautiful girls standing on the concrete dock looking at the ship. Neither of us could figure out why the girls were there. Perhaps they were tourists, but I would find out. Approaching them, I asked if we could help, but soon discovered that they didn’t speak English and we didn’t speak what seemed to be French. It could have led to an impasse but my knowledge of German saved the day. It turned out that both girls were from France and one of them came from the Alsace Province and spoke German. They were both quite bubbly and we soon found out that they were dancers with the Folies Bergère, on tour to South America. From what I understood, they would be performing in Caracas that night and could get us free tickets. It all sounded great except that we had to be back aboard by 10:00 p.m., since the ship would be leaving first thing in the morning. Rats! You win some and you lose some, but at least we were with them for now. Don and I offered to take them aboard for lunch. It all seemed exciting for them to board a ship with so many single men. Ooh là là. The girls attracted a lot of attention and the ship’s photographer couldn’t stop taking pictures. The rest of our classmates couldn’t believe what they saw and of course thought that we were luckier than we really were. For us, the illusion had to be enough and fortunately the lunch served that day was reasonably good.
Hank Bracker
Gene Autry riding into coral skyline while the cacti stand up ancient and timeless
Jayne Anne Phillips (Black Tickets: Stories (Vintage Contemporaries))
As he punched a hole in each ticket, the conductor shared the fact that a young girl once spent a fortnight on the train before it came to a stop. “What’s a fortnight?” asked Jack. “Two weeks; you know, fourteen nights,” responded Petucan. “Wow. That’s a long time to be sitting on a train. What did she find to do in a fortnight?” quizzed Jack. “She found plenty to do to kill time. Eat up and enjoy the ride,” smiled the conductor
Jacqueline Edgington (Happy Jack)
So this is the ride Mary chose as her last?” “Yep,” Crank said. “In the end, love is always the last ride.
Brendon Burchard (Life's Golden Ticket: A Story About Second Chances)
Has anyone who won a Dream Ticket actually made it to the finals on American Idol? Then seventeen-year-old Aaron Kelly won his Dream Ticket just four days after the American Idol Experience opened, and he made it to fifth place on the television show.
Susan Veness (The Hidden Magic of Walt Disney World Trivia: A Ride-by-Ride Exploration of the History, Facts, and Secrets Behind the Magic Kingdom, Epcot, Disney's Hollywood ... Kingdom (Disney Hidden Magic Gift Series))
I always thought that Jax was my golden ticket to happiness, but I was wrong. There is joy without Jax, and in actuality, there always has been. In all my happy memories, he was there, and I let myself think that he was the reason. But now, I know that he was just along for the ride, just as I was on his roller coaster through life. He was a passenger on my ride, the one I created. I have the choice to live my life with regret or to live it with gratitude, and I’m choosing the latter. I still don’t understand everything that has happened, and maybe I never will. But I know that this isn’t the end for me. I’m not on the downward slide of life at almost twenty-three. Bigger and better things are out there. A smile warms my face as I focus on the full suitcase sitting next to my bedroom door. I leave tomorrow for New York City. I still can’t wrap my mind around that one either. While looking for photography jobs online this summer, I came across an internship at a huge advertising firm, and I applied on a whim. I knew that the competition would be fierce, and the chances of me getting
Ellie Wade (A Beautiful Kind of Love (Choices, #1))
That night, though, Mom was getting things ready for a party at the restaurant, so I had to bum a ride with Jack and Julie. Jack said they didn’t need a chaperon, but it was just talk. He always helped me when it mattered. While we were waiting for Julie, I asked him about the one detail that was bothering me. “I’m supposed to meet her there,” I said. “Do I meet her inside the gym or outside?” “Do you have a date or not?” “More or less.” Jack grinned and shook his head. “Well, it’s not that simple,” I told him. “She can’t go out on dates, so she’s coming with her parents, and I’m supposed to meet her.” Jack broke out laughing. “You’re singing the freshman blues again, Eddie. Everything ends up half-baked.” “So where do I meet her on a half-baked date?” “Inside,” he said. “That way you won’t have to pay for her ticket.” “I don’t want to look like a cheapskate.” “Why hide the truth? Besides, her parents are bringing her, right? You don’t want to meet her father, do you?” “I don’t know.” “Look, he’ll just shake your hand and give you a dirty look. That’s what freshman girls’ fathers always do.” “Really?” “So save the hassle and the money. Wait inside.” I ended up waiting right inside the door. When Wendy and her father came in, she was careful to keep things looking casual. She pretended not to notice me at first, then said, “Oh, hi, Eddie,” and introduced me to her father as a boy in her algebra class. He shook my hand and gave me a dirty look. For a minute I thought the three of us would end up sitting together, but her father decided not to join us in the student rooting section. Wendy and I found an empty bench in the bleachers and were alone for twenty or thirty seconds before two of her friends came along, then three of mine. Then some friends of theirs. And finally Wayne Parks squeezed into a spot on the bench behind us. All through the game he kept leaning forward and making comments like “Where’s the ref keep his Seeing Eye dog during the game?” Even if Wendy and I hadn’t had an audience, we couldn’t have done much talking. During every time-out the Los Cedros Spirit Band, sitting three rows behind us, blasted us off the benches with fight songs. To top things off, Wendy’s father sat across the aisle and stared at us all night. And the Los Cedros Panthers blew a six-point lead in the final minute and lost the game at the buzzer. Before Wendy and I had our coats on, her father showed up beside us, mumbled, “Nice to meet you, Willy,” and led her away. The night could have been worse, I guess. I didn’t break an ankle or choke on my popcorn or rip my pants. But I had a hard time being thankful for those small favors.
P.J. Petersen (The Freshman Detective Blues)
Buy the ticket! Take the ride!
Michael J Phillips
If the stare didn’t ward off the jackals completely, well, while he wasn’t as young as he once was, he was pretty confident that he was at the peak of his devious bastard career. Anyone who came for him was going to get a masterclass in fighting dirty. His opponent might win, but Bunny would at least lose in a way that discouraged anyone else from buying a ticket for the ride.
Caimh McDonnell (The Quiet Man (McGarry Stateside, #3))
I’m living an “a-ticket” dream. That’s the ticket you would need back then for something lame, like riding the trolley, walking through the staircases of Sleeping Beauty’s castle, or sitting in the theater to watch an Abraham Lincoln robot put you to sleep. Four snores and seven years ago.
GLEN NESBITT (SUS: Short Unpredictable Stories)
I’m sorry, Mr. Chavez,” the club’s young assistant reception manager, Talya, said. “This is a private club. If you’re not a member, your name has to be on the guest list.” Luis Chavez sighed. He wasn’t here by choice. “I was told to come here at this time,” Luis replied. “By whom?” Talya asked. Luis watched her eyes weigh his appearance. He was in black pants, heavy black shoes, and wore a gray jacket zipped up to his Adam’s apple even though it was almost summer. He was clean shaven with short black hair. That he wasn’t representative of the club’s regular clientele wasn’t even a question. “Mr. Alazraqui.” “I’m sorry. We don’t have a member by that name or anyone on our guest list.” Luis nodded. His job was done. He could go home in good conscience. “My mistake,” Luis said, nodding to the young woman. He turned and was almost out the door when a white Mercedes SUV rolled up to the valet stand just outside in the sublevel parking garage. Its driver was a large Hispanic man practically bursting through the seams of an off-white suit and mustard-yellow shirt. Even though he was only an inch or two taller than Luis’s diminutive five foot three, his expansive girth caused him to dwarf Luis. Talya stepped past Luis to open the door for him. “Good morning, Mr. Mata!” Mata nodded a greeting at her and stepped through the door. As soon as the big man was through, Talya jogged ahead to ring for an elevator. Though the club’s entrance was in a parking garage, the club itself was an elevator ride up to the ninth floor. “Have a good breakfast, sir.” Luis had just located the valet ticket in his pocket when he heard the older man’s voice. “Padre?” Luis winced. “Oh, is Mr. Chavez a guest of yours?” Talya asked. “He’s the priest. To deliver the benediction.” Luis caught the surprised look on Talya’s face, then felt Mata’s heavy hand on his shoulder. “Come on, Padre. Let’s get you upstairs.” As soon as they were inside the elevator, Mata nodded to the tiny strip of white peering over the top of Luis’s jacket. “Why didn’t you flash the collar?” Mata asked. “Waited too late,” Luis admitted. “Would’ve felt like a jerk.” “Ah,” Mata said, laughing. “Guess enough people out there think priests are assholes, huh?” Luis didn’t reply.
Mark Wheaton (Fields of Wrath (Luis Chavez, #1))
In a world where you can get a spare kidney, a black-market Picasso or a ticket to ride into space, why can’t I see some actual sex? Some actual fucking from people who want to fuck each other? Some chick in an outfit I halfway respect, having the time of her life? I have MONEY. I’m willing to PAY for this. I AM NOW A 35-YEAR-OLD WOMAN, AND I JUST WANT A MULTI-BILLION-DOLLAR INTERNATIONAL PORN INDUSTRY WHERE I CAN SEE A WOMAN COME. I just want to see a good time.
Caitlin Moran (How to Be a Woman)
I enjoyed the movies but did not like the restrictions on watching them. A relative and I devised a clever way to watch movies. If we were away from the shop or home for three hours, there were questions to be answered. How could we stay away and still watch a movie? I collaborated with Satya Narain. He was my age, even though he was my father’s cousin. We would buy one movie ticket and watch one half at a time. I would watch the first half and return home after oneand-a-half hours. He would watch the second half. The next day we would swap the roles and watch the other halves. This way we would not be away long enough to attract suspicion. There were only two cinema halls and both were less than ten minutes’ cycle-ride away. We could return to work quickly since the halls were so close.
Subhash Chandra (The Z Factor: My Journey as the Wrong Man at the Right Time)
Why didn’t you grab a ticket on the Linda Sue Harris train?” “Not my kind of ride. And she’s not my type.” “I thought that didn’t matter to guys.” “It doesn’t matter to most guys. It does to me.
Todd Travis (Sex, Marry, Kill)
America: I window-peeped four years of our History. It was one long mobile stakeout and kick- the-door-in shakedown. I had a license to steal and a ticket to ride. I followed people. I bugged and tapped and caught big events in ellipses. I remained unknown. My surveillance links the Then to the Now in a never-before-revealed manner. I was there. My reportage is buttressed by credible hearsay and insider tattle. Massive paper trails provide verification. This book derives from stolen public files and usurped private journals. It is the sum of personal adventure and forty years of scholarship. I am a literary executor and an agent provocateur. I did what I did and saw and I saw and learned my way through to the rest of the story. Scripture-pure veracity and and scandal-rag content. That conjunction gives it its sizzle. You carry the seed and of belief within you already. You recall the time this narrative captures and sense conspiracy. I am here to tell you that it is all true and not all what you think. You will read with some reluctance and capitulate in the end. The following pages will force you to succumb. I am going to tell you everything.
James Ellroy
You are a man without a heart, Dr. Leddell. And you, Mary Cooper, are a meddler. A woman can be forgiven for many transgressions but not that. I have been called worse. And by people I hold in more esteem than you. Ha! I pity the poor man unfortunate enough to marry you someday. He writes his own ticket to hell. If he does, then I'll make that hell as pleasant a place for him as I know how. But I won't deceive him and tell him it's heaven, then stoke the fires behind his back and cover it all with the scent of lilacs".
Ann Rinaldi (A Ride into Morning: The Story of Tempe Wick)
Twenty-three D," he said, as a boarding-pass spooled from a different slot. He pulled her passport out and handed it to her, along with her ticket and the boarding pass. "Gate fifty-two, blue concourse. Checking anything?" "No." "Passengers who've cleared security may be subject to noninvasive DNA sampling," he said, the words all run together because he was only saying it because it was the law that he had to. She put her passport and ticket away in the special pocket inside her parka. She kept the boarding pass in her hand. She went looking for the blue concourse. She had to go downstairs to find it, and take one of those trains that was like an elevator that ran sideways. Half an hour later she was through security, looking at the seals they'd put on the zippers of her carry-on. They looked like rings of rubbery red candy. She hadn't expected them to do that; she'd thought she could find a pay-station in the departure lounge, link up, and give the club an update. They never sealed her carry-on when she went to Vancouver to stay with her uncle, but that wasn't really international, not since the Agreement. She was riding a rubber sidewalk toward Gate 52 when she saw the blue light flashing, up ahead. Soldiers there, and a little barricade. The soldiers were lining people up as they came off the sidewalk. They wore fatigues and didn't seem much older than the guys at her last school. "Shit," she heard the woman in front of her say, a big-haired blond with obvious extensions woven in.
William Gibson (Idoru (Bridge, #2))
actually wanted to fuck each other. Had to fuck each other. Imagine watching two people screwing at that early, white-hot stage of attraction when your pupils dilate just looking at each other, and you want to melt each other’s bones so bad you’re practically eating each other’s clothes off the minute the door closes. I can’t be the only one who’s occasionally had a fuck so spectacular, all-encompassing, cinematic and intense that, at the end of it, I’ve lain back – ears still ringing – and thought, CNN wanna get a hold of that. Now that REALLY needed a tickertape running underneath it. In a world where you can get a spare kidney, a black-market Picasso or a ticket to ride into space, why can’t I see some actual sex? Some actual fucking
Caitlin Moran (How to Be a Woman)
You can’t ride the entrepreneur roller coaster and stay the same. That person who waits nervously at the ticket booth is never the same when he or she steps off the ride at the other end.
Darren Hardy (The Entrepreneur Roller Coaster: Why Now Is the Time to #Join the Ride)
The Train Ride When traveling in Germany recently, I was surprised to find that my language, English, was not as widely spoken as I thought it would be.  Most people, I found, spoke in their native language. One day I was riding on a train when the ticket inspector came up to me and asked to see my ticket.  I showed it to him and he smiled and said something in German. I smiled and nodded back to show I was interested in what he was saying.  He waived his arms around like a windmill as he spoke.  I thought he was so nice but did not understand a single word. When he left a woman sitting in a compartment nearby leaned over and spoke to me.   She asked if I spoke German.  I told her I did not. “Oh,” she smiled.  “So that explains why you didn’t seem at all bothered when he explained you were on the wrong train.
Peter Jenkins (Funny Jokes for Adults: All Clean Jokes, Funny Jokes that are Perfect to Share with Family and Friends, Great for Any Occasion)
Life....Isn't a roller coaster, it isn't unexpected or surprising. It's not a free ticket to go along for the ride... Simply put, Life is life. Its who you are, what you do that defines you and your life, so choose ... but choose wisely, because life is here to stay...
Bilal Hussain
For whatever reason, speed enforcement in the U.S. is a bigger deal than elsewhere in the world. In Europe, police seem to be more concerned about preventing accidents and less consumed with the passion to write speeding tickets.
David L. Hough (More Proficient Motorcycling: Mastering the Ride)
How could you? On his ass, Eric. Brian has a fucking kitten riding on a unicorn permanently etched on his ass!” Huh?
Olivia Cunning (Hot Ticket (Sinners on Tour, #3))
utility or usage tokens can simplify transaction execution inside of a Dapp. When you go to an amusement park, you typically exchange fiat currency for a wristband or set of tickets granting access to rides, rather than paying a variable amount in fiat currency for each ride.
Andrew J. Chapin (Art of the Initial Coin Offering: Lessons Learned from the Launch of a Crypto-Token)
mama who I got away from when I was in New York I was finally away raw eighteen all hell has broken loose inside me don't go to bed before six a.m each night the whole year feel like I'm going crazy, I am crazy, I can't tell anybody, any school counselor, what the inside of my head feels like, it'll be Prozac Xanax it'll be back home failure not let me out again you got one ticket to ride, kid, don't blow it, the last thing I want is to be back in that house. If I get back in that house I'm never gonna be let out I'm gonna be some famous loser trapped fighting with her folks forever til they die. Everything feels like a TV program.
Leah Lakshmi Piepzna-Samarasinha (Dirty River: A Queer Femme of Color Dreaming Her Way Home)
I swallow roughly and try again. “Are these the ticket stubs from the Ferris wheel ride? The first one we went on together?” He nods, not saying a word.
Samantha Towle (Ruin (Gods, #1))
Instead of evidence showing black crime waves, the original records of county jails indicated thousands of arrests for inconsequential charges or for violations of laws specifically written to intimidate blacks—changing employers without permission, vagrancy, riding freight cars without a ticket, engaging in sexual activity— or loud talk—with white women. Repeatedly, the timing and scale of surges in arrests appeared more attuned to rises and dips in the need for cheap labor than any demonstrable acts of crime. Hundreds of forced labor camps came to exist, scattered throughout the South—operated by state and county governments, large corporations, small-time entrepreneurs, and provincial farmers.
Douglas A. Blackmon (Slavery by Another Name: The Re-Enslavement of Black Americans from the Civil War to World War II)
Welcome to endless adventure! We bring you the best new issue & CGC DC and Marvel comics. Thousands of Magic The Gathering, Yu-Gi-Oh, & Pokemon signles. LA Mood also carries the best board games (Wingspan, Catan, Groomhaven, Ticket to Ride and much more). Godzilla, The Walking Dead, Funko Pop! Vinyl toys and collectables, graphic novels, dice, and deck boxes as well. Drop by out new store in the 100 Kellogg Ln complex and start your endless adventure today!
L.A. Mood Comics & Games
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I call them “the movies.” Never indefinite — “I’m going to a movie” — but instead, a stipulated and familiar certainty: the movies. I do it, perhaps, as a nod to my childhood; to preserve my capacity for dupable wonder. Or possibly, to modify with the slightest article shift, the casual nature of going to a Cineplex, buying my ticket, a soda, some snacks maybe, riding the escalator, and invariably forgetting what theater I’m looking for — was it 9 or 6? I choose to observe these steps as more than just a series of small, unremarkable transactions.
Durga Chew-Bose
had already spent hours in the airport, my tickets having been purchased last minute and at the cheapest possible fare—a red-eye from LA, a layover at JFK, a flight to Frankfurt, a four-hour train ride to Berlin—and the idea of a first-class lounge was so appealing I could have hugged old Jeff right there and then.
Antoine Wilson (Mouth to Mouth)
On November 20, 2007, he was arrested for riding without a ticket on an intercity train near Mainz, Germany. Once German authorities identified him, he was extradited back to Italy.
Douglas Preston (The Forgotten Killer: Rudy Guede and the Murder of Meredith Kercher (Kindle Single))
FINALLY—YOU ARE A SWEEPSTAKES WINNER! I don’t know about you, but I enter all those darned magazine company sweepstakes. I go for the Reader’s Digest sweepstakes and I buy my weekly lottery tickets—after all, as a character in the movie Let It Ride said, “You could be walking around lucky and not know it.” In a lot of years, though, I have gone winless. The guys with the balloons and the giant-sized check have not shown up at my door. So the headline FINALLY—YOU ARE A SWEEPSTAKES WINNER! got me. I read that letter. And if you send a letter to every one of your customers with that headline on it, every one of them will read it. What should the letter say? Here’s an example, courtesy of the late, great copywriter, my friend Gary Halbert: Dear Valued Customer:    I am writing to tell you that your name was entered into a drawing here at my store and you have won a valuable prize.    As you know, my store, ABC Jewelry, specializes in low-cost, top-quality diamond rings and diamond earrings. Well, guess what? The other day we got in a small shipment of fake diamonds that are made with a new process that makes them look so real they almost fooled me!    Anyway, I don’t want to sell these fakes because they could cause a lot of trouble for the pawnbrokers around town. So I’ve decided to give them away to some of my good customers whose names were selected at random by having my wife, Janet, put all the names in a jar and pull out the winners.    So, you’re one of the winners—and all you’ve got to do is drop in sometime before 5:00 P.M. Friday and you’ll have a 1-karat “diamond” that looks so good it’ll knock your eyes out! Sincerely, John Jones P.S.: After 5:00 P.M. Friday, I reserve the right to give your prize to someone else. Thank you.
Dan S. Kennedy (The Ultimate Marketing Plan: Target Your Audience! Get Out Your Message! Build Your Brand!)
grand final had faded into the background of my brain and I was starting to get excited about going on the roller coaster and the Batman ride. The last time we had gone to Movie World I was only a toddler and had been too little to go on anything scary. They had little statues of movie characters next to each ride and if you weren’t as tall as they were, you couldn’t go on the ride. To be honest, back then I was too scared to go on anything anyway. Mom said when they tried to get me on the Scooby Doo ride, little China men would have heard me screaming in China. I think the only ride I went on all day was the merry-go-round. Even then I didn’t dare go on top of a horse that bobbed up and down. I sat in the safety of a stationary boat.              But this time I was going to go on everything. Mom said because it was a school day there might not be many queues so we could have as many turns as we wanted on everything. When we were finally at the ticket box I felt a stray smile sneaking up all over my face and taking over my grumpy frown. I tried to keep feeling sad about the playoffs, but the lure of Movie World was starting to take over me like a parasitic alien dominating his victim. No matter how I tried to fight the betrayal, the feelings of thrilling
Kate Cullen (Game On Boys! The Play Station Play-offs: A Hilarious adventure for children 9-12 with illustrations)
But they {journalists} are still viewed as a rather privileged category. True, they no longer can ride buses free or go to the movies for free as was the case in Mussolini’s day. But they can still get into most museums or exhibitions without paying. If you’re a smooth operator you can get complimentary tickets for shows or the opera. Until recently, you could get a 30% discount on all domestic flights (now it’s 15%). And if you have trouble with any of your utilities,the utility company’s press office will be glad to give you a have in working things out. In addition, since many Italian journalists have a different sense of what constitutes a conflict of interest from what we do in the United States, they often accept any manner of gifts or paid vacations from companies they regularly cover.
Sari Gilbert (My Home Sweet Rome: Living (and loving) in Italy's Eternal City)
it is not the more intelligent who survive: it's the people who adapt.
Tom Chesshyre (Ticket to Ride: Around the World on 49 Unusual Train Journeys)
Golda Meir in Israel, Geraldine Ferraro on the Mondale ticket, Sandra Day O’Connor on the Supreme Court, Sally Ride in space.
Sheryl Sandberg (Lean In: Women, Work, and the Will to Lead)
Buy the ticket, take the ride,
William McKeen (Outlaw Journalist: The Life and Times of Hunter S. Thompson)
But “God” is the best song any Beatle wrote about religion, with all due respect to George’s “My Sweet Lord.” Both were produced by Phil Spector the same year—with Ringo on drums. (Talk about ecumenical.) “God” is where John does his most beautiful singing, reaching for a doo-wop tremble straight out of his beloved Rosie and the Originals, with that “Elvis echo” on his voice. It’s one of the two or three songs I’d play if I had ten minutes to convince a jury that John was the greatest of rock and roll singers-as-singers. Along with “Girl,” and maybe “Ticket to Ride.” Or “You Can’t Do That”? “Money”? “I Want to Hold Your Hand”? “Happiness Is a Warm Gun”? “Oh My Love”? “I’m So Tired”?
Rob Sheffield (Dreaming the Beatles: The Love Story of One Band and the Whole World)
College student Dave MacPherson was the very first guest to enter Disneyland. He didn't ride a single attraction that time because he had to get back to school. However, he was awarded a life-long ticket to Disneyland with up to three guests. The ticket was later extended to include Disney parks around the world.
Scott Matthews (1100 Crazy Fun & Random Facts You Won’t Believe - The Knowledge Encyclopedia To Win Trivia)
A half hour later, with a new schedule and an alarming set of "personal academic benchmarks" to meet, Steve was released back into the wild, feeling a confusing blend of joy and terror, which was often a ticket to a ride on the anxiety roller coaster.
Maureen Johnson (The Vanishing Stair (Truly Devious, #2))
don’t feel like by purchasing a ticket or riding a bus [and having] to forfeit my constitutional rights and my protections and be subject to search or seizure.
Jim Marrs (Population Control: How Corporate Owners Are Killing Us)