Stop On A Dime Quotes

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On writing, my advice is the same to all. If you want to be a writer, write. Write and write and write. If you stop, start again. Save everything that you write. If you feel blocked, write through it until you feel your creative juices flowing again. Write. Writing is what makes a writer, nothing more and nothing less. --- Ignore critics. Critics are a dime a dozen. Anybody can be a critic. Writers are priceless. ---- Go where the pleasure is in your writing. Go where the pain is. Write the book you would like to read. Write the book you have been trying to find but have not found. But write. And remember, there are no rules for our profession. Ignore rules. Ignore what I say here if it doesn't help you. Do it your own way. --- Every writer knows fear and discouragement. Just write. --- The world is crying for new writing. It is crying for fresh and original voices and new characters and new stories. If you won't write the classics of tomorrow, well, we will not have any. Good luck.
Anne Rice
I can still to this day hear my folks whispering and laughing before they went off to sleep: perhaps it is all I want to recall, perhaps our stories should stop on a dime, maybe things could begin and end right there, at the moment of laughter, but things don’t begin and end really, I suppose; they just keep on going.
Colum McCann (Let the Great World Spin)
It could be that the sort of sentence one wants right here is the kind that runs, and laughs, and slides, and stops right on a dime.
Renata Adler (Speedboat)
You’re back and forth with me, with your actions, with your emotions. You act like you don’t remember me, then spring on me that you do. You flirt with me and then you stop on a dime. You kiss me and then you pull away as soon as I touch you. You’re mad then you’re not.” I don’t stop to take a breath or let him speak before finally raising the hand he’s holding and letting it go. “You’re holding my hand, then . . .” I trail off, not sure of how to finish that thought. Tearing my gaze from his, I try to rein in my emotions, to wipe the flustered girl up off the floor.
Kim Karr (Connected (Connections, #1))
You know, Governer, most men do things through a desire to escape pain. Did you ever stop and watch a blind man begging on a street corner? A man passes by hurriedly and suddenly stops still; he looks hurt, annoyed. He goes back and drops a coin in the blind man's cup. Well - maybe he couldn't afford a dime. But the site of the helpless man standing forlornly at a corner hurts him, makes him feel a sense of social responsibility, and so he buys ten cents' worth of relief from social pain. It hurts me too much to see Debs and men like him faced with the possibility of spending years in prison, so I am buying relief too.
Irving Stone (Clarence Darrow for the Defense)
When I stepped outside, the Wiccans stopped, turning as one body and bestowing beatific smiles on me... "Sister Winterbourne" the first one said. She threw open her arms, embrace me, planted a kiss on my lips, then another on my left breast. I yelped... I grabbed the nearest discarded robe. "Could you please put this-- Could you all put these-- Could you get dressed, please?" The woman only bestowed a serene smile on me. "We are as the Goddess requires." "The Goddess requires you to be naked on my lawn?" "We aren't naked child, we're skyclad."... "That's --uh--very-- I mean--" I stammered. Be polite, I reminded myself. Witches should respect Wiccans, even if we didn't quite get the whole Goddesss-Worship thing. I knew some Wiccans, and they were very nice people, though I must admit they'd never arrived in my backyard naked and kissed my tits before.
Kelley Armstrong (Dime Store Magic (Women of the Otherworld, #3))
May I stop at that amphetamine dispenser and put in my dime? I need a stimulant to cheer me up.
Philip K. Dick (Selected Stories Of Philip K. Dick)
Ya live your life like it's a coma So won't you tell me why we'd wanna With all the reasons you give it's It's kinda hard to believe But who am I to tell you that I've Seen any reason why you should stay Matbe we'd be better off Without you anyway You got a one way ticket On your last chance ride Gotta one way ticket To your suicide Gotta one way ticket An there's no way out alive An all this crass communication That has left you in the cold Isn't much for consolation When you feel so weak and old But is home is where the heart is Then there's stories to be told No you don't need a doctor No one else can heal your soul Got your mind in submission Got your life on the line But nobody pulled the trigger They just stepped aside They be down by the water While you watch 'em waving goodbye They be callin' in the morning They be hangin' on the phone They be waiting for an answer When you know nobody's home And when the bell's stopped ringing It was nobody's fault but your own There were always ample warnings There were always subtle signs And you would have seen it comin' But we gave you too much time And when you said That no one's listening Why'd your best friend drop a dime Sometimes we get so tired of waiting For a way to spend our time An "It's so easy" to be social "It's so easy" to be cool Yeah it's easy to be hungry When you ain't got shit to lose And I wish that I could help you With what you hope to find But I'm still out here waiting Watching reruns of my life When you reach the point of breaking Know it's gonna take some time To heal the broken memories That another man would need Just to survive Guns N’ Roses, “Coma” (1991)
Guns N' Roses (Use Your Illusion I (Bass Guitar, with Tablature))
From the end of the World War twenty-one years ago, this country, like many others, went through a phase of having large groups of people carried away by some emotion--some alluring, attractive, even speciously inspiring, public presentation of a nostrum, a cure-all. Many Americans lost their heads because several plausible fellows lost theirs in expounding schemes to end barbarity, to give weekly handouts to people, to give everybody a better job--or, more modestly, for example, to put a chicken or two in every pot--all by adoption of some new financial plan or some new social system. And all of them burst like bubbles. Some proponents of nostrums were honest and sincere, others--too many of them--were seekers of personal power; still others saw a chance to get rich on the dimes and quarters of the poorer people in our population. All of them, perhaps unconsciously, were capitalizing on the fact that the democratic form of Government works slowly. There always exists in a democratic society a large group which, quite naturally, champs at the bit over the slowness of democracy; and that is why it is right for us who believe in democracy to keep the democratic processes progressive--in other words, moving forward with the advances in civilization. That is why it is dangerous for democracy to stop moving forward because any period of stagnation increases the numbers of those who demand action and action now.
Franklin D. Roosevelt
On writing, my advice is the same to all. If you want to be a writer, write. Write and write and write. If you stop, start again. Save everything that you write. If you feel blocked, write through it until you feel your creative juices flowing again. Write. Writing is what makes a writer, nothing more and nothing less. — Ignore critics. Critics are a dime a dozen. Anybody can be a critic. Writers are priceless. — Go where the pleasure is in your writing. Go where the pain is. Write the book you would like to read. Write the book you have been trying to find but have not found. But write. And remember, there are no rules for our profession. Ignore rules. Ignore what I say here if it doesn’t help you. Do it your own way. — Every writer knows fear and discouragement. Just write. — The world is crying for new writing. It is crying for fresh and original voices and new characters and new stories. If you won’t write the classics of tomorrow, well, we will not have any. Good luck.
Anne Rice
When I watched all the children, their copper, brown, and beige faces staring up at me as I taught Sunday school, I felt that I was committing a crime in talking about the gentle Jesus, in telling them to reconcile themselves to their misery on earth in order to gain the crown of eternal life. Were only Negroes to gain this crown? Was Heaven, then, to be merely another ghetto? Perhaps I might have been able to reconcile myself even to this if I had been able to believe that there was any loving-kindness to be found in the haven I represented. But I had been in the pulpit too long and I had seen too many monstrous things. I don’t refer merely to the glaring fact that the minister eventually acquires houses and Cadillacs while the faithful continue to scrub floors and drop their dimes and quarters and dollars into the plate. I really mean that there was no love in the church. It was a mask for hatred and self-hatred and despair. The transfiguring power of the Holy Ghost ended when the service ended, and salvation stopped at the church door.
James Baldwin (The Fire Next Time)
Wow wow wow is all I can say! Remember how I always buy lunchtime Scratch-Off ticket? Have I said? Maybe did not say? Well, every Friday, to reward self for good week, I stop at store near home, treat self to Butterfinger, plus Scratch-Off ticket. Sometimes, if hard week, two Butterfingers. Sometimes, if very hard week, three Butterfingers. But, if three Butterfingers, no Scratch-Off. But Friday won ten grand!! On Scratch-Off! Dropped both Butterfingers, stood there holding dime used to scratch, mouth hanging open. Kind of reeled into magazine rack. Guy at register took ticket, read ticket, said, Winner! Guy righted magazine rack, shook my hand. Raced home on foot, forgetting car. Raced back for car. Halfway back, thought, What the heck, raced home on foot. Pam raced out, said, Where is car? Showed her Scratch-Off ticket. She stood stunned in yard. Are we rich now? Thomas said, racing out, dragging Ferber by collar. Not rich, Pam said. Richer, I said. Richer, Pam said. Damn. All began dancing around yard, Ferber looking witless at sudden dancing, then doing dance of own, by chasing own tail.
George Saunders (Tenth of December)
Antidepression medication is temperamental. Somewhere around fifty-nine or sixty I noticed the drug I’d been taking seemed to have stopped working. This is not unusual. The drugs interact with your body chemistry in different ways over time and often need to be tweaked. After the death of Dr. Myers, my therapist of twenty-five years, I’d been seeing a new doctor whom I’d been having great success with. Together we decided to stop the medication I’d been on for five years and see what would happen... DEATH TO MY HOMETOWN!! I nose-dived like the diving horse at the old Atlantic City steel pier into a sloshing tub of grief and tears the likes of which I’d never experienced before. Even when this happens to me, not wanting to look too needy, I can be pretty good at hiding the severity of my feelings from most of the folks around me, even my doctor. I was succeeding well with this for a while except for one strange thing: TEARS! Buckets of ’em, oceans of ’em, cold, black tears pouring down my face like tidewater rushing over Niagara during any and all hours of the day. What was this about? It was like somebody opened the floodgates and ran off with the key. There was NO stopping it. 'Bambi' tears... 'Old Yeller' tears... 'Fried Green Tomatoes' tears... rain... tears... sun... tears... I can’t find my keys... tears. Every mundane daily event, any bump in the sentimental road, became a cause to let it all hang out. It would’ve been funny except it wasn’t. Every meaningless thing became the subject of a world-shattering existential crisis filling me with an awful profound foreboding and sadness. All was lost. All... everything... the future was grim... and the only thing that would lift the burden was one-hundred-plus on two wheels or other distressing things. I would be reckless with myself. Extreme physical exertion was the order of the day and one of the few things that helped. I hit the weights harder than ever and paddleboarded the equivalent of the Atlantic, all for a few moments of respite. I would do anything to get Churchill’s black dog’s teeth out of my ass. Through much of this I wasn’t touring. I’d taken off the last year and a half of my youngest son’s high school years to stay close to family and home. It worked and we became closer than ever. But that meant my trustiest form of self-medication, touring, was not at hand. I remember one September day paddleboarding from Sea Bright to Long Branch and back in choppy Atlantic seas. I called Jon and said, “Mr. Landau, book me anywhere, please.” I then of course broke down in tears. Whaaaaaaaaaa. I’m surprised they didn’t hear me in lower Manhattan. A kindly elderly woman walking her dog along the beach on this beautiful fall day saw my distress and came up to see if there was anything she could do. Whaaaaaaaaaa. How kind. I offered her tickets to the show. I’d seen this symptom before in my father after he had a stroke. He’d often mist up. The old man was usually as cool as Robert Mitchum his whole life, so his crying was something I loved and welcomed. He’d cry when I’d arrive. He’d cry when I left. He’d cry when I mentioned our old dog. I thought, “Now it’s me.” I told my doc I could not live like this. I earned my living doing shows, giving interviews and being closely observed. And as soon as someone said “Clarence,” it was going to be all over. So, wisely, off to the psychopharmacologist he sent me. Patti and I walked in and met a vibrant, white-haired, welcoming but professional gentleman in his sixties or so. I sat down and of course, I broke into tears. I motioned to him with my hand; this is it. This is why I’m here. I can’t stop crying! He looked at me and said, “We can fix this.” Three days and a pill later the waterworks stopped, on a dime. Unbelievable. I returned to myself. I no longer needed to paddle, pump, play or challenge fate. I didn’t need to tour. I felt normal.
Bruce Springsteen (Born to Run)
[Jess]"... you were wonderful. Magnificent. Incomparable. Unparalleled. Incredible." "Oh, stop it!" Addie grinned and blushed, and backed a step with each word, as Jess advanced toward her with each accolade. But on the third step, her back made contact with the ivy wall, and Jess kept moving toward her until he'd pressed her into its soft, green embrace. Then he moved another inch until his Sunday boots straddled her Sunday pumps.
Bailey Bristol (The Devil's Dime (The Samaritan Files #1))
when I don't have anything to read, I feel like a tortoise without a shell or a boat without an anchor. There is nothing to hide under. Nowhere to stop and rest. When I don't have a book, there is nowhere good or interesting to be, there is nobody to care about, nothing to hope for, and nothing to puzzle over. When I do have something to read, it keeps me breathing. It's the reward for all the other things. It's the think to look forward to, the reason for doing my day.
E.R. Frank (Dime)
Pete Berman sized up his competition like a predator lining up its prey. Gerry Williams dribbled once with his left hand, stopped on a dime, and nailed an open 15-footer. He had played on the Fellingwood Varsity Basketball Team since his freshman year, and was now a 16 year-old boy in a man's body. Pete sat on a board of the old splinter-ridden, wooden stands fixed on Gerry, but he was unable to defend his turf. His team was losing badly again, and the waiting was pure agony.
Phil Wohl (High School Rivalry)
106When I don’t have anything to read, I feel like a tortoise without a shell or a boat without an anchor. There is nothing to hide under. Nowhere to stop and rest. When I don’t have a book, there is nowhere good or interesting to be, there is nobody to care about, nothing to hope for, and nothing to puzzle over. When I do have something to read, it keeps me breathing. It’s the reward for all the other things. It’s the thing to look forward to, the reason for doing my day.” p. 177, Dime
E.R. Frank
It hurt me with its inevitability. They all find out sooner or later how unchic it is to pop your buttons at the Sadie Hawkins dance, or to crawl into the trunk so you can get into the drive-in for free. They stop eating pizza and plugging dimes into the juke down at Fat Sammy’s. They stop kissing boys in the blueberry patch. And they always seem to end up looking like Barbie doll cutouts in Jack and Jill magazine. Fold in at Slot A, Slot B, and Slot C. Watch Her Grow Old Before Your Very Eyes.
Richard Bachman (Rage)
back-scratching of liquor licenses, the netherworld of trash removal, linen, grease disposal. And with every dime you've got tied up in your new place, suddenly the drains in your prep kitchen are backing up with raw sewage, pushing hundreds of gallons of impacted crap into your dining room; your coke-addled chef just called that Asian waitress who's working her way through law school a chink, which ensures your presence in court for the next six months; your bartender is giving away the bar to under-age girls from Wantagh, any one of whom could then crash Daddy's Buick into a busload of divinity students, putting your liquor license in peril, to say the least; the Ansel System could go off, shutting down your kitchen in the middle of a ten-thousand-dollar night; there's the ongoing struggle with rodents and cockroaches, any one of which could crawl across the Tina Brown four-top in the middle of the dessert course; you just bought 10,000 dollars-worth of shrimp when the market was low, but the walk-in freezer just went on the fritz and naturally it's a holiday weekend, so good luck getting a service call in time; the dishwasher just walked out after arguing with the busboy, and they need glasses now on table seven; immigration is at the door for a surprise inspection of your kitchen's Green Cards; the produce guy wants a certified check or he's taking back the delivery; you didn't order enough napkins for the weekend — and is that the New York Times reviewer waiting for your hostess to stop flirting and notice her?
Anthony Bourdain (Kitchen Confidential: Adventures in the Culinary Underbelly)
He got up out of bed, walked across the room, and put his glowing hand to her face with hesitation. On a sigh she leaned into the imprint of his palm and the warmth of his flesh. “Is this you?” he said hoarsely. She nodded and reached out to his cheeks, which were a little red. “You’ve been crying.” He captured her hand. “I feel you.” “Me, too.” He touched her neck, her shoulder, her sternum. Brought her arm forward and looked at it…well, through it. “Um…so I can sit on things,” she said for no particular reason. “I mean…while I was waiting out there, I sat on the couch. I also moved a picture on the wall, put a penny back in your change dish, picked up a magazine. It’s a little weird, but all I have to do is concentrate.” Shit. She had no idea what she was saying. “The, ah…the Scribe Virgin said I could eat but I didn’t have to. She said…I could drink, too. I’m not sure how it all works, but she seems to know. Yeah. So. Anyway, I think it’s going to take some time to figure out the drill, but…” He put his hand into her hair and it felt the same as it had before. Her nonexistent body registered the sensations exactly as it had before. He frowned, then looked downright angry. “She said it required a sacrifice. To bring someone back. What did you give her? What did you bargain with?” “How do you mean?” “She doesn’t give things away without demanding something in return. What did she take from you?” “Nothing. She never asked me for anything.” He shook his head and seemed like he was going to speak. But then he wrapped his heavy arms around her and held her against his trembling, glowing body. Unlike the other times when she had to concentrate to find solidity, with V it just happened. Against him, she was corporeal with no effort on her part. She could tell he was crying by the way he breathed and the fact that he leaned on her, but she knew that if she made any mention of it, or tried to soothe him with words, he would stop on a dime. So she just held him and let him go. Then again, she was kind of busy holding herself together. “I thought I would never get to do this again,” he said in a voice that cracked. -Vishous & Jane
J.R. Ward (Lover Unbound (Black Dagger Brotherhood, #5))
Also, Nick’s stomach was rumbling uncomfortably. No one had showed up from the truck-stop down the road, and he looked at the telephone, more with disgust than with longing. He was quite fond of science fiction, picking up falling-apart paperbacks from time to time on the dusty back shelves of antique barns for a nickel or a dime, and he found himself thinking, not for the first time, that it was going to be a great day for the deaf-mutes of the world when the telephone viewscreens the science fiction novels were always predicting finally came into general use.
Stephen King (The Stand)
Inarguably, a successful restaurant demands that you live on the premises for the first few years, working seventeen-hour days, with total involvement in every aspect of a complicated, cruel and very fickle trade. You must be fluent in not only Spanish but the Kabbala-like intricacies of health codes, tax law, fire department regulations, environmental protection laws, building code, occupational safety and health regs, fair hiring practices, zoning, insurance, the vagaries and back-alley back-scratching of liquor licenses, the netherworld of trash removal, linen, grease disposal. And with every dime you've got tied up in your new place, suddenly the drains in your prep kitchen are backing up with raw sewage, pushing hundreds of gallons of impacted crap into your dining room; your coke-addled chef just called that Asian waitress who's working her way through law school a chink, which ensures your presence in court for the next six months; your bartender is giving away the bar to under-age girls from Wantagh, any one of whom could then crash Daddy's Buick into a busload of divinity students, putting your liquor license in peril, to say the least; the Ansel System could go off, shutting down your kitchen in the middle of a ten-thousand-dollar night; there's the ongoing struggle with rodents and cockroaches, any one of which could crawl across the Tina Brown four-top in the middle of the dessert course; you just bought 10,000 dollars-worth of shrimp when the market was low, but the walk-in freezer just went on the fritz and naturally it's a holiday weekend, so good luck getting a service call in time; the dishwasher just walked out after arguing with the busboy, and they need glasses now on table seven; immigration is at the door for a surprise inspection of your kitchen's Green Cards; the produce guy wants a certified check or he's taking back the delivery; you didn't order enough napkins for the weekend — and is that the New York Times reviewer waiting for your hostess to stop flirting and notice her?
Anthony Bourdain (Kitchen Confidential: Adventures in the Culinary Underbelly)
Onions! Fresh, hot, sweet onions,” Sam called as Mary Lou pulled the cart down Main Street. “Eight cents a dozen.” It was a beautiful spring morning. The sky was painted pale blue and pink—the same color as the lake and the peach trees along its shore. Mrs. Gladys Tennyson was wearing just her nightgown and robe as she came running down the street after Sam. Mrs. Tennyson was normally a very proper woman who never went out in public without dressing up in fine clothes and a hat. So it was quite surprising to the people of Green Lake to see her running past them. “Sam!” she shouted. “Whoa, Mary Lou,” said Sam, stopping his mule and cart. “G’morning, Mrs. Tennyson,” he said. “How’s little Becca doing?” Gladys Tennyson was all smiles. “I think she’s going to be all right. The fever broke about an hour ago. Thanks to you.” “I’m sure the good Lord and Doc Hawthorn deserve most of the credit.” “The Good Lord, yes,” agreed Mrs. Tennyson, “but not Dr. Hawthorn. That quack wanted to put leeches on her stomach! Leeches! My word! He said they would suck out the bad blood. Now you tell me. How would a leech know good blood from bad blood?” “I wouldn’t know,” said Sam. “It was your onion tonic,” said Mrs. Tennyson. “That’s what saved her.” Other townspeople made their way to the cart. “Good morning, Gladys,” said Hattie Parker. “Don’t you look lovely this morning.” Several people snickered. “Good morning, Hattie,” Mrs. Tennyson replied. “Does your husband know you’re parading about in your bed clothes?” Hattie asked. There were more snickers. “My husband knows exactly where I am and how I am dressed, thank you,” said Mrs. Tennyson. “We have both been up all night and half the morning with Rebecca. She almost died from stomach sickness. It seems she ate some bad meat.” Hattie’s face flushed. Her husband, Jim Parker, was the butcher. “It made my husband and me sick as well,” said Mrs. Tennyson, “but it nearly killed Becca, what with her being so young. Sam saved her life.” “It wasn’t me,” said Sam. “It was the onions.” “I’m glad Becca’s all right,” Hattie said contritely. “I keep telling Jim he needs to wash his knives,” said Mr. Pike, who owned the general store. Hattie Parker excused herself, then turned and quickly walked away. “Tell Becca that when she feels up to it to come by the store for a piece of candy,” said Mr. Pike. “Thank you, I’ll do that.” Before returning home, Mrs. Tennyson bought a dozen onions from Sam. She gave him a dime and told him to keep the change. “I don’t take charity,” Sam told her. “But if you want to buy a few extra onions for Mary Lou, I’m sure she’d appreciate it.” “All right then,” said Mrs. Tennyson, “give me my change in onions.” Sam gave Mrs. Tennyson an additional three onions, and she fed them one at a time to Mary Lou. She laughed as the old donkey ate them out of her hand.
Louis Sachar (Holes)
When Francie brought a ticket and a dime back and pushed them across the counter, he gave her the wrapped shirt and two lichee nuts in exchange. Francie loved these lichee nuts. There was a crisp easily broken shell and the soft sweet meat inside. Inside the meat was a hard stone that no child had ever been able to break open. It was said that this stone contained a smaller stone and that the smaller stone contained a smaller stone which contained a yet smaller stone and so on. It was said that soon the stones got so small you could only see them with a magnifying glass and those smaller ones got still smaller until you couldn't see them with anything but they were always there and would never stop coming. It was Francie’s first experience with infinity.
Betty Smith
Jackie, can you tell me if someone’s dead or not?’ “Who it be? Maybe I heard something.” “Miranda Lopez.” I pulled out the charm and balanced it on my fingertips, and then I realized the photo was probably a better likeness. I pocketed the milagro ad held up the Polaroid. “I find out for you if you get me a dime.” I sighed and put the photo away. “You can’t smoke crack. You’re dead. And even if you weren’t, I’m not gonna score for you. I’m a cop. “ “You so full of shit. You ain’t no cop neither.” “Would I be wearing this fucking suit if I wasn’t a cop?” “I don’t know. I always thought you sold cars or something.” I tucked my chin toward my chest and stomped toward my gate. Jackie couldn’t help me. And how dare she call me a used car salesman? I wasn’t always a dork in a blazer. Once upon a time I was actually cool. Until the Cook County Mental Health Centre, anyway. After that, I guess I kinda stopped caring.
Jordan Castillo Price (Body and Soul (PsyCop, #3))
I have talked to many people about this and it seems to be a kind of mystical experience. The preparation is unconscious, the realization happens in a flaming second. It was on Third Avenue. The trains were grinding over my head. The snow was nearly waist-high in the gutters and uncollected garbage was scattered in a dirty mess. The wind was cold, and frozen pieces of paper went scraping along the pavement. I stopped to look in a drug-store window where a latex cooch dancer was undulating by a concealed motor–and something burst in my head, a kind of light and a kind of feeling blended into an emotion which if it had spoken would have said, “My God! I belong here. Isn’t this wonderful?” Everything fell into place. I saw every face I passed. I noticed every doorway and the stairways to apartments. I looked across the street at the windows, lace curtains and potted geraniums through sooty glass. It was beautiful–but most important, I was part of it. I was no longer a stranger. I had become a New Yorker. Now there may be people who move easily into New York without travail, but most I have talked to about it have had some kind of trial by torture before acceptance. And the acceptance is a double thing. It seems to me that the city finally accepts you just as you finally accept the city. A young man in a small town, a frog in a small puddle, if he kicks his feet is able to make waves, get mud in his neighbor’s eyes–make some impression. He is known. His family is known. People watch him with some interest, whether kindly or maliciously. He comes to New York and no matter what he does, no one is impressed. He challenges the city to fight and it licks him without being aware of him. This is a dreadful blow to a small-town ego. He hates the organism that ignores him. He hates the people who look through him. And then one day he falls into place, accepts the city and does not fight it any more. It is too huge to notice him and suddenly the fact that it doesn’t notice him becomes the most delightful thing in the world. His self-consciousness evaporates. If he is dressed superbly well–there are half a million people dressed equally well. If he is in rags–there are a million ragged people. If he is tall, it is a city of tall people. If he is short the streets are full of dwarfs; if ugly, ten perfect horrors pass him in one block; if beautiful, the competition is overwhelming. If he is talented, talent is a dime a dozen. If he tries to make an impression by wearing a toga–there’s a man down the street in a leopard skin. Whatever he does or says or wears or thinks he is not unique. Once accepted this gives him perfect freedom to be himself, but unaccepted it horrifies him. I don’t think New York City is like other cities. It does not have character like Los Angeles or New Orleans. It is all characters–in fact, it is everything. It can destroy a man, but if his eyes are open it cannot bore him. New York is an ugly city, a dirty city. Its climate is a scandal, its politics are used to frighten children, its traffic is madness, its competition is murderous. But there is one thing about it–once you have lived in New York and it has become your home, no place else is good enough. All of everything is concentrated here, population, theatre, art, writing, publishing, importing, business, murder, mugging, luxury, poverty. It is all of everything. It goes all right. It is tireless and its air is charged with energy. I can work longer and harder without weariness in New York than anyplace else….
John Steinbeck
March 12 Dear Stargirl, Hey, you're a big girl now. Stop being such a baby. You think you're the only one who's ever lost a boyfriend? Boyfriends are a dime a dozen. You want to talk loss, look at all the loss around you. How about the man in the red and yellow plaid scarf? He lost Grace. BELOVED WIFE. I'll bet they were married over 50 years. You barely had 50 days with Leo. And you have the gall to be sad in the same world as that man. Betty Lou. She's lost the confidence to leave her house. Look at you. Have you ever stopped to appreciate the simple ability to open your front door and step outside? And Alvina the floor sweeper-she hates herself, and it seems she's got plenty of company. All she's losing is her childhood, her future, a worldful of people who will never be her friends. How would you like to trade places with her? Oh yes, lets not forget the footshuffling guy at the stone piles. Moss-green pom-pom. What did he say to you? "Are you looking for me?" It seems like he hasn't lost much, has he? Only...HIMSELF! Now look at you, sniveling like a baby over some immature kid in Arizona who didn't know what a prize he had, who tried to remake you into somebody else, who turned his back to you and left you to the wolves, who hijacked your heart and didn't even ask you to the Ocotillo Ball. What don't you understand about the message? Hel-loooo? Anybody home in there? You have your whole life ahead of you, and all your doing is looking back. Grow up, girl. There are some things they don't teach you in homeschool. Your Birth Certificate Self, Susan Caraway
Jerry Spinelli
In Riverview, we stopped at Larkin’s Drugstore for a cold drink. Leaving the rest of us to scramble out unaided, John offered Hannah his hand. Although I’d just seen her leap out of a tree as fearless as a cat, she let him help her. At the soda fountain, Hannah took a seat beside John. In her white dress, she was as prim and proper as any lady you ever saw. Quite frankly, I liked her better the other way. I grabbed the stool on the other side of Hannah and spun around on it a couple of times, hoping to get her to spin with me, but the only person who noticed was Mama. She told me to sit still and behave myself. “You act like you have ants in your pants,” she said, embarrassing me and making Theo laugh. While I was sitting there scowling at Theo in the mirror, John leaned around Hannah and grinned at me. “To celebrate your recovery, Andrew, I’m treating everyone to a lemon phosphate--everyone, that is, except you.” He paused dramatically, and Hannah gave him a smile so radiant it gave me heartburn. She was going to marry John someday, I knew that. But while I was here, I wanted her all to myself, just Hannah and me playing marbles in the grove, talking, sharing secrets, climbing trees. She had the rest of her life to spend with stupid John Larkin. “As the guest of honor,” John went on, “you may pick anything your heart desires.” Slightly placated by his generosity, I stared at the menu. It was amazing what you could buy for a nickel or a dime in 1910. “Choose a sundae,” Theo whispered. “It costs the most.” “How about a root beer float?” Hannah suggested. “Egg milk chocolate,” Mama said. “It would be good for you, Andrew.” “Tonic water would be even better,” John said, “or, best of all, a delicious dose of cod-liver oil.” When Hannah gave him a sharp poke in the ribs, John laughed. “Andrew knows I’m teasing. Come on, what will it be, sir?” Taking Theo’s advice, I asked for a chocolate sundae. “Good choice,” John said. “You’d have to go all the way to St. Louis to find better ice cream.
Mary Downing Hahn (Time for Andrew: A Ghost Story)
That Christmas Club money is all we can control. We can't stop these drug dealers from selling poison in front our houses. Or make the city stop sending our kids to lousy schools. We can't stop folks from blaming us for everything gone wrong in New York, or stop the army from calling our sons to Vietnam after them Vietcong done cut the white soldiers' toenails too short to walk. But the little nickels and dimes we saved up so we can give our kids ten minutes of love at Christmastime, that's ours to control. What's wrong with that?
James McBride (Deacon King Kong)
When I think about exactly why twelve-step programs worked for me, I believe it was because: I was desperate, and it was free and the only help available. I was relatively cozy with Judeo-Christian verbiage. I had a positive memory of it. My dad had gone to ACOA and my mom had tried OA, but she stopped because she was worried that “word would get around town.” And she’s totally right. It does get around town. I could easily change my worldview on a dime (see also Suzuki, Dale Carnegie). Everyone looked like me or my mom. I do not know.
Maria Bamford (Sure, I'll Join Your Cult: A Memoir of Mental Illness and the Quest to Belong Anywhere)
Once I stand and watch helplessly while some rug rat pulls everything he can reach off the racks, and the thought that abortion is wasted on the unborn must show on my face, because his mother finally tells him to stop.
Barbara Ehrenreich (Nickel and Dimed: On (Not) Getting By in America)
I understand. I’ll call my brother and he’ll come get me.” Gracie’s hand flew up and her eyes went wide. “Wait, what?” “I don’t want to hurt anyone.” After thirteen years, she was used to giving up her desires to do the right thing; she only wished it wasn’t so hard. “You’re right, it’s best if I go home.” “No!” Gracie shouted. She straightened and stepped closer to Maddie. “No! That’s not what I meant. I was only trying to say, ‘be careful.’” The men chose that moment to burst in the door like a bunch of rambunctious puppies, filling the room with chaos and testosterone. Gracie placed her hand over her forehead. “Oh, shit, he’s going to kill me.” Mitch stopped on a dime, his attention going first to Maddie and then to Gracie. A muscle in his jaw jumped. “What did you do?” All three men turned to Gracie. They advanced on her, gleaming with sweat. Alarm stirred. Maddie didn’t need to see their faces. The aggression was clear in their stance. The sheriff crossed his arms over his broad chest, and the muscles in his back rippled with the movement. Like Mitch, he also had a tribal-looking tattoo, although it was on his left shoulder instead of wrapping around his bicep. “You couldn’t keep your mouth shut, huh?” Gracie seemed to regain some of her composure, and her chin tilted. “I was only . . .” She cleared her throat. “Being friendly. And helpful.” Sam pinched the bridge of his nose with his thumb and forefinger. “Didn’t I tell you to leave it alone?” “Yes, but . . .” Gracie glanced at Maddie. “I was worried, and—” Mitch sliced a hand through the air. “What happened?” The men reminded Maddie so much of her brothers and their tactics lit her temper. “That’s enough!” They all swung around. The men’s eyes were sharp, hard with leftover adrenaline. It gave her a moment of pause, before she brushed their daunting presence aside and vaulted off her position by the sink. They tracked her as she stomped around them to stand in front of Gracie. “Stop intimidating her.” Charlie laughed, a wry, amused sound. “Honey, we couldn’t intimidate her if we tried.” His gaze slid over Gracie in a familiar, intimate way. “Although I do think she’s angling for a spanking.” “Ha! You wish.” Gracie placed a hand on Maddie’s shoulder. “Thanks for trying to rescue me. You’re a doll.” She sniffed. “It’s nice to have another female here. I never have anyone on my side.” Sam shook his head. “What did I tell you?” Maddie planted her hands on her hips. “She didn’t do anything, so stop it.” Mitch’s eyes narrowed. “What did she say, Maddie?” “I was just—” Gracie said. “Nothing.” Maddie cut her off as a sudden loyalty toward the woman behind her swelled in her chest. “It has nothing to do with any of you. Now back off.” Charlie’s lips curled into a smile. “Aren’t you a feisty little thing?” “I might be little,” Maddie said, in a righteous tone. “But I’m used to dealing with my brothers, who are all bigger and scarier than you.” Charlie laughed and elbowed Mitch in the ribs. “That sounds like a challenge.” Maddie risked a glance at Mitch to find his expression still hard, not amused at all. He crossed his arms. “I want to talk to Maddie. Alone.” Sam jutted his chin toward the door. “Let’s go.” Gracie squeezed Maddie’s shoulders. “Thanks for sticking up for me. And remember, I’m right next door if you need anything.” “She won’t,” Mitch said, his tone matching the dark expression he wore. Strangely,
Jennifer Dawson (Take a Chance on Me (Something New, #1))
Yet, if I were to adhere to my mom's advice, I would have had to drop out of school years ago (since a lot of folks in our inequitable education system refuse to love us), quit engaging public health offices (because I walked in as a human in need of medical services and walked out as a patient whose subjective world was mad invisible by research lingo: "MSM," otherwise known as "men who have sex with men'), sleep in my bed all damn day (knowing it is more likely that I would be stopped by police when walking to the store in Camden or Bed-Stuy while rocking a fitted cap and carrying books than my white male neighbors would be while walking around in ski masks in the middle of summer and dropping a dime bag on the ground in front of a walking police and his dog)...
Kiese Laymon (How to Slowly Kill Yourself and Others in America)
Their driver was a happy guy from Zimbabwe with the crazy ability to accelerate to breathtaking speeds and then stop on a dime for a light or a pedestrian.
Karen Kingsbury (The Bailey Flanigan Collection: Leaving / Learning / Longing / Loving (Bailey Flanigan, #1-4))
her purse. Evan Nussbaum, Det. 114th Precinct, City of New York. It would be one quick phone call, one quick urgently whispered sentence—the truck driver and Desirio are sitting together in a diner—as if each of them carries an electric charge and their union produces instant ignition, and Nussbaum would be here immediately. But she has stolen 1.3 million dollars. Not spent a dime of it, no, but moved it, transferred it, and therefore stolen it . . . and therefore can hardly risk more contact with a detective of the New York Police Department. A moment later, the big truck driver and Desirio are up out of the booth and heading toward the door. And at the same time, clearly choreographed—obviously summoned by cell phone—a big silver sedan pulls up to the door of the diner and Desirio and the truck driver look both ways before ducking purposefully, wordlessly, into the back of it. Shit. As the sedan pulls away and stops in a moment at a red light, Elaine steps out of the shadows, raises her hand high above her head, waves it around irrationally, frantically. As if to halt the silver sedan purely on the strength of her authority, through the power of her righteousness, for the obviousness of the vehicle’s illicitness. But the frantically waving hand is, in fact, searching for a telltale flank
Jonathan Stone (The Teller)
Dustin Rhodes, at 52, is still the fastest man in wrestling. When he hits the ropes with that velocity, leapfrogging, running, ducking and stopping on a dime, dropping to his knees to deliver his trademark Goldust punch, I’d be willing to bet he’s at a resting heart rate. It’s his footwork and timing, honed to perfection from decades of repetition, that make it look so smooth and so fast.
Jon Moxley (MOX)
One thing I don’t see here today is customers. Luxury-car sales are “more lifestyle than automotive,” Christiansen explains. The vehicles follow the money. His team will cosponsor events with private jet manufacturers and fractional ownership services such as NetJets and XOJET, or with San Francisco’s St. Francis Yacht Club, to expose affluent people to vehicles “they don’t even know they want yet.” Customers wander in from time to time, of course. Rocker Sammy Hagar, a Ferrari collector who sold his Cabo Wabo tequila brand to Campari for $91 million, has been known to stop by the sister dealership in San Francisco “in flip-flops, torn shorts, ratted hair, and a T-shirt. You wouldn’t think the guy has two dimes to rub together if you didn’t know who he was,” Christiansen says. Another guy showed up at the Walnut Creek lot dressed like a plumber and configured a $260,000 Bentley. He was, in fact, a plumber—one who owned a thriving plumbing business. He’d arrived in another Bentley, now on consignment.
Michael Mechanic (Jackpot: How the Super-Rich Really Live—and How Their Wealth Harms Us All)
For most of the jury selection, Arturo Hernandez had stopped coming to court. Daniel had hired a paralegal named Richard Salinas, who had wavy black hair, a pointed hatchet face, and dark eyes. Daniel would often confer with Salinas on important issues. Arturo had apparently become disillusioned with defending Richard. There was no big movie or book deal, and the case was costing him money. A television movie about the Night Stalker was in the works, but the Hernandezes hadn’t gotten a dime. As long as Richard refused to talk about his alleged crimes, nobody was willing to put up money. Daniel did his best, but the arduous task of being in court every day, staying in hotels away from his family in San Jose, and working without the benefit of co-counsel was taking its toll. He was tired, yet couldn’t sleep at night; he’d toss and turn and worry about the case, his two little girls, and his wife. He began eating excessively, and by the time the jury was finally sworn in, he’d gained twenty-five pounds.
Philip Carlo (The Night Stalker: The Disturbing Life and Chilling Crimes of Richard Ramirez)
Chain letters—yes, the type you still occasionally get via email, or see on social media—have their roots in snail mail, first popularized in the late 1800s. One of the most successful ones, “The Prosperity Club,” originated in Denver in the post-Depression 1930s, and asked people to send a dime to a list of others who were part of the club. Of course, you would add yourself to the list as well. The next set of people would return the favor, sending dimes back, and so on and so forth—with the promise that it would eventually generate $1,562.50. This is about $29,000 in 2019 dollars—not bad! The last line says it all: “Is this worth a dime to you?” It might surprise you that in a world before email, social media, and everything digital, the Prosperity Club chain letter spread incredibly well—so well, in fact, that it reached hundreds of thousands of people within months, within Denver and beyond. There are historical anecdotes of local mail offices being overwhelmed by the sheer volume of letters, and not surprisingly, eventually the US Post Office would make chain letters like Prosperity Club illegal, to stop their spread. It clearly tapped into a Depression zeitgeist of the time, promising “Faith! Hope! Charity!” This is a clever, viral idea (for its time), and I will also argue that this is an analog version of a network effect from the 1800s, just as telephones and railways were, too. How so? First, chain letters are organized as a network, and can be represented by the list of names that are copied and recopied by each participant. These names are likely to be friends, family, and people in the community, furthering the Prosperity Club’s credibility, thereby increasing the engagement level. It follows the classic definition of network effects: the more people who are participating in this chain letter, the better, since you are then more likely to receive dimes. And it even faces the Cold Start Problem: if enough people aren’t already on the list and playing along, then it will fail to grow.
Andrew Chen (The Cold Start Problem: How to Start and Scale Network Effects)
With the Allies on the advance nearly everywhere and invasion talk in the air, London was a welcoming place for young airmen who were taking the fight to Hitler’s doorstep. The first stop for American airmen was usually the nearest Red Cross Club, where helpful volunteers made bookings free of charge at commercial hotels or at one of the Red Cross’s own dormitory-like facilities. After checking in and dropping off their kits, most men headed straight for Rainbow Corner. Located on the corner of Shaftesbury Avenue and Piccadilly Circus, it was a place as close to home as a GI could find in all of England. Administered by the American Red Cross, Rainbow Corner had been designed “to create a strictly American atmosphere.” There was an exact replica of a small-town corner drugstore in the club’s basement, where ice-cold Cokes were sold for a nickel and grilled hamburgers for a dime. Upstairs, in the grand ballroom, servicemen danced with volunteer hostesses to the driving music of soldier bands—the Flying Forts, the Thunderbolts, the Sky Blazers. There was also a lounge with a jukebox and a small dance floor with tables and chairs around it. Lonely GIs dunking donuts in fresh coffee would loaf there, listening to the latest American hits. Rainbow Corner never closed its doors. The key had been symbolically thrown away the day of the grand opening in November 1942.
Donald L. Miller (Masters of the Air: America's Bomber Boys Who Fought the Air War Against Nazi Germany)
One morning on the way to the studio, I stopped at a drugstore for something. There was this dingy little guy with tangled rat’s-nest hair trying to buy a bottle of cheap wine but he was short a dime. Somebody in line behind him paid the ten cents for him, and he bellowed, “Thank you, brother, the revolution will be won on ripple.
Charlie Daniels (Never Look at the Empty Seats: A Memoir)
You are a talented guy. That talent did not go away. The company went away? So what! Companies always go away. They’re a dime a dozen. It’s talent that counts!
Jerry Weintraub (When I Stop Talking, You'll Know I'm Dead: Useful Stories from a Persuasive Man)
And not much around in this society, with its nutty insistence on the nuclear family and faceless cities and no roots, to take up the slack. We should change the way we’ve organized society so that we make better use of the Next Third of our lives. We should foster commitments and communities that will last a lifetime, and I believe we will. Because it’s so obvious. But not in time for you. American society has been rushing down this weird, atomizing, isolating track for a hundred years now—making us into rounder, smoother pieces for the global economy we’re all so nuts about—and it’s not going to stop on a dime, even though it should.
Chris Crowley (Younger Next Year: Live Strong, Fit, and Sexy - Until You're 80 and Beyond)