Thursday Quotes

We've searched our database for all the quotes and captions related to Thursday. Here they are! All 100 of them:

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This must be Thursday,' said Arthur to himself, sinking low over his beer. 'I never could get the hang of Thursdays.
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Douglas Adams (The Hitchhiker’s Guide to the Galaxy (Hitchhiker's Guide to the Galaxy, #1))
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If the real world were a book, it would never find a publisher. Overlong, detailed to the point of distraction-and ultimately, without a major resolution.
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Jasper Fforde (Something Rotten (Thursday Next, #4))
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Take no heed of her.... She reads a lot of books.
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Jasper Fforde (The Eyre Affair (Thursday Next, #1))
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After all, reading is arguably a far more creative and imaginative process than writing; when the reader creates emotion in their head, or the colors of the sky during the setting sun, or the smell of a warm summer's breeze on their face, they should reserve as much praise for themselves as they do for the writer - perhaps more.
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Jasper Fforde (The Well of Lost Plots (Thursday Next, #3))
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The surface of the pond was green with fallen leaves. "How could you have been happy there? I know what you thought, but Valentine was a terrible father. He killed your pets, lied to you, and I know he hit you- don't even try to pretend he didn't." A flicker of a smile ghosted across Jace's face. "Only on alternate Thursdays.
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Cassandra Clare (City of Bones (The Mortal Instruments, #1))
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Whereas story is processed in the mind in a straightforward manner, poetry bypasses rational thought and goes straight to the limbic system and lights it up like a brushfire. It's the crack cocaine of the literary world.
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Jasper Fforde (First Among Sequels (Thursday Next, #5))
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Don't ever call me mad, Mycroft. I'm not mad. I'm just ... well, differently moraled, that's all.
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Jasper Fforde (The Eyre Affair (Thursday Next, #1))
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Religion isn't the cause of wars, it's the excuse.
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Jasper Fforde (The Eyre Affair (Thursday Next, #1))
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Governments and fashions come and go but Jane Eyre is for all time.
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Jasper Fforde (The Eyre Affair (Thursday Next, #1))
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And then, one Thursday, nearly two thousand years after one man had been nailed to a tree for saying how great it would be to be nice to people for a change, a girl sitting on her own in a small cafΓ© in Rickmansworth suddenly realized what it was that had been going wrong all this time, and she finally knew how the world could be made a good and happy place. This time it was right, it would work, and no one would have to get nailed to anything.
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Douglas Adams (The Hitchhiker’s Guide to the Galaxy (Hitchhiker's Guide to the Galaxy, #1))
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You've seen the sun flatten and take strange shapes just before it sinks in the ocean. Do you have to tell yourself every time that it's an illusion caused by atmospheric dust and light distorted by the sea, or do you simply enjoy the beauty of it?
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John Steinbeck (Sweet Thursday (Cannery Row, #2))
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Books may look like nothing more than words on a page, but they are actually an infinitely complex imaginotransference technology that translates odd, inky squiggles into pictures inside your head.
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Jasper Fforde (The Well of Lost Plots (Thursday Next, #3))
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Do I have to talk to insane people?" "You're a librarian now. I'm afraid it's mandatory.
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Jasper Fforde (The Woman Who Died a Lot (Thursday Next, #7))
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Two minds with but a single thought, two hearts that beat as one.
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Jasper Fforde (First Among Sequels (Thursday Next, #5))
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Always be comic in a tragedy. What the deuce else can you do?
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G.K. Chesterton (The Man Who Was Thursday)
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Sorry," [Hamlet] said, rubbing his temples. "I don't know what came over me. All of a sudden I had this overwhelming desire to talk for a very long time without actually doing anything.
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Jasper Fforde (Something Rotten (Thursday Next, #4))
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In life you have to learn to count the good days. You have to tuck them in your pocket and carry them around with you. So I’m putting today in my pocket and I’m off to bed.
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Richard Osman (The Thursday Murder Club (Thursday Murder Club, #1))
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My parents are going to kill me!" "That seems rather harsh...
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Garth Nix (Sir Thursday (The Keys to the Kingdom, #4))
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The day I died was just like any other idle Thursday.
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Kelly Moran (Idle Thursday)
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Her majesty is one verb short of a sentence.
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Jasper Fforde (Lost in a Good Book (Thursday Next, #2))
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Your offer," he said, "is far too idiotic to be declined.
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G.K. Chesterton (The Man Who Was Thursday: A Nightmare)
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For Children: You will need to know the difference between Friday and a fried egg. It's quite a simple difference, but an important one. Friday comes at the end of the week, whereas a fried egg comes out of a chicken. Like most things, of course, it isn't quite that simple. The fried egg isn't properly a fried egg until it's been put in a frying pan and fried. This is something you wouldn't do to a Friday, of course, though you might do it on a Friday. You can also fry eggs on a Thursday, if you like, or on a cooker. It's all rather complicated, but it makes a kind of sense if you think about it for a while.
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Douglas Adams (The Salmon of Doubt: Hitchhiking the Galaxy One Last Time)
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Men do change, and change comes like a little wind that ruffles the curtains at dawn, and it comes like the stealthy perfume of wildflowers hidden in the grass.
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John Steinbeck (Sweet Thursday (Cannery Row, #2))
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Shall I tell you the secret of the whole world? It is that we have only known the back of the world. We see everything from behind, and it looks brutal. That is not a tree, but the back of a tree. That is not a cloud, but the back of a cloud. Cannot you see that everything is stooping and hiding a face? If we could only get round in front--
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G.K. Chesterton (The Man Who Was Thursday)
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Go back to bed', said the omniscient interior voice, because you don't need to know the final answer right now, at three o'clock in the morning on the Thursday in November. 'Go back to bed', because I love you. 'Go back to bed', beacause the only thing you need to do for now is get some rest and take good care of yourself until you do know the answer.
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Elizabeth Gilbert (Eat, Pray, Love)
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I would so hate to be a first-person character! Always on your guard, always having people read your thoughts!
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Jasper Fforde (Lost in a Good Book (Thursday Next, #2))
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Dead. Never been that before. Not even once.
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Jasper Fforde (First Among Sequels (Thursday Next, #5))
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Growth purely for its own sake is the philosophy of cancer.
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Jasper Fforde (Lost in a Good Book (Thursday Next, #2))
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Compassion is a lifetime business. You can't say something like, "I will have compassion on Monday, Thursdays and Fridays only. But for the rest, I will be cruel". That is hypocrisy.
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Israelmore Ayivor
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Moderate strength is shown in violence, supreme strength is shown in levity.
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G.K. Chesterton (The Man Who Was Thursday: A Nightmare)
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The Tuesday scowls, the Wednesday growls, the Thursday curses, the Friday howls, the Saturday snores, the Sunday yawns, the Monday morns, the Monday morns. The whacks, the moans, the cracks, the groans, the welts, the squeaks, the belts, the shrieks, the pricks, the prayers, the kicks, the tears, the skelps, and the yelps.
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Samuel Beckett (Watt)
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You'll like it here; everyone is quite mad.
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Jasper Fforde (Lost in a Good Book (Thursday Next, #2))
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Thieves respect property; they merely wish the property to become their property that they may more perfectly respect it.
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G.K. Chesterton (The Man Who Was Thursday: A Nightmare)
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Let’s see, today is Thor’s Day the sixteenth.” β€œYou mean Thursday?” β€œThat’s what I said. The island will rise on the full moon six days from now, on the twenty-second, which is Woden’s Day.” β€œWednesday?” I asked. β€œThat’s what I said.
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Rick Riordan (The Sword of Summer (Magnus Chase and the Gods of Asgard, #1))
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Death doesn't care about personalities - he's more interested in meeting quotas.
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Jasper Fforde (Something Rotten (Thursday Next, #4))
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If you'd take your head home and boil it for a turnip it might be useful. I can't say. But it might.
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G.K. Chesterton (The Man Who Was Thursday: A Nightmare)
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After a certain age, you can pretty much do whatever takes your fancy. No one tells you off, except for your doctors and your children.
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Richard Osman (The Thursday Murder Club)
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It happens that the stage sets collapse. Rising, streetcar, four hours in the office or the factory, meal, streetcar, four hours of work, meal, sleep, and Monday Tuesday Wednesday Thursday Friday and Saturday according to the same rhythm – this path is easily followed most of the time. But one day the β€œwhy” arises and everything begins in that weariness tinged with amazement.
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Albert Camus (The Myth of Sisyphus)
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Literary detection and firearms don't really go hand in hand; pen mighter than the sword and so forth.
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Jasper Fforde (The Eyre Affair (Thursday Next, #1))
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For every expert there is an equal and opposite expert.
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Jasper Fforde (One of Our Thursdays Is Missing (Thursday Next, #6))
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I'll tell you what love is" I said, "It is blind devotion, unquestioning self humiliation, utter submission, trust and belief against yourself and against the whole world, giving up your heart and soul to the smiter.
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Jasper Fforde (Lost in a Good Book (Thursday Next, #2))
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Reality TV was to me the worst form of entertainment--the modern equivalent of paying sixpence to watch lunatics howling at the wall down at the local madhouse.
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Jasper Fforde (First Among Sequels (Thursday Next, #5))
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People are trying to kill you?” Jesinia’s brow knits. β€œIt’s Thursday.
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Rebecca Yarros (Iron Flame (The Empyrean, #2))
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It's Thursday afternoon, and we have sports. These are the choices for the girls: watching an invitational cricket game; studying in one of the classrooms; or watching the senior rugby league. As you can imagine, I'm torn.
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Melina Marchetta (Saving Francesca)
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You can have too much choice in this world. And when everyone has too much choice, it is also much harder to get chosen. And we all want to be chosen.
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Richard Osman (The Thursday Murder Club)
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He said he would come in,' the White Queen went on, `because he was looking for a hippopotamus. Now, as it happened, there wasn't such a thing in the house, that morning.' Is there generally?' Alice asked in an astonished tone. Well, only on Thursdays,' said the Queen.
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Lewis Carroll (Through the Looking-Glass and What Alice Found There (Alice's Adventures in Wonderland, #2))
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Sometimes I didn't even feel like getting out of bed. I took to wearing my days-of-the-week panties out of order. It could be Monday and I'd have on underwear saying Thursday. I just didn't care.
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Sue Monk Kidd (The Secret Life of Bees)
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I am more than a devil; I am a man. I can do the one thing which Satan himself cannot doβ€” I can die.
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G.K. Chesterton (The Man Who Was Thursday: A Nightmare)
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You always know when it’s your first time, don’t you? But you rarely know when it’s your final time.
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Richard Osman (The Thursday Murder Club (Thursday Murder Club, #1))
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…Tell me, has anything odd happened to you recently? What do you mean, odd?' Unusual. Deviating from the customary. Something outside the usual parameters of normalcy. An occurrence of unprecedented weird.
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Jasper Fforde (Lost in a Good Book (Thursday Next, #2))
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I make love like I make coffee. Tuesdays and Thursdays I offer free refills.

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Jarod Kintz (This Book is Not for Sale)
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Fiction wouldn't be much fun without its fair share of scoundrels, and they have to live somewhere.
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Jasper Fforde (The Well of Lost Plots (Thursday Next, #3))
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It has been remarked (by a lady infinitely cleverer than the present author) how kindly disposed the world in general feels to young people who either die or marry. Imagine then the interest that surrounded Miss Wintertowne! No young lady ever had such advantages before: for she died upon the Tuesday, was raised to life in the early hours of Wednesday morning, and was married upon the Thursday; which some people thought too much excitement for one week.
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Susanna Clarke (Jonathan Strange & Mr Norrell)
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It was a well-known fact that there were no calories in homemade cakes.
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Richard Osman (The Thursday Murder Club (Thursday Murder Club, #1))
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An offering for the sake of offering, perhaps. Anyhow, it was her gift. Nothing else had she of the slightest importance; could not think, write, even play the piano. She muddled Armenians and Turks; loved success; hated discomfort; must be liked; talked oceans of nonsense: and to this day, ask her what the Equator was, and she did not know. All the same, that one day should follow another; Wednesday, Thursday, Friday, Saturday; that one should wake up in the morning; see the sky; walk in the park; meet Hugh Whitbread; then suddenly in came Peter; then these roses; it was enough. After that, how unbelievable death was!-that it must end; and no one in the whole world would know how she had loved it all; how, every instant . . .
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Virginia Woolf (Mrs. Dalloway)
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Well, if I am not drunk, I am mad," replied Syme with perfect calm; "but I trust I can behave like a gentleman in either condition.
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G.K. Chesterton (The Man Who Was Thursday: A Nightmare)
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Yes, and imagine a world where there were no hypothetical situations.
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Jasper Fforde (First Among Sequels (Thursday Next, #5))
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How fishy on the fishiness scale? Ten is a stickleback and one is a whale shark." "A whale isn't a fish, Thursday." "A whale shark is--sort of." "All right, it's as fishy as a crayfish." "A crayfish isn't a fish." "A starfish, then." "Still not a fish." "This is a very odd conversation, Thursday.
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Jasper Fforde (Lost in a Good Book (Thursday Next, #2))
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True and baseless evil is as rare as the purest good--and we all know how rare that is...
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Jasper Fforde (The Eyre Affair (Thursday Next, #1))
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I'm not someone who can be depended one five days a week. Monday Tuesday Wednesday Thursday Friday? I don't even get out of bed five days in a row-I often don't remember to eat five days in a row. Reporting to a workplace, where I should need to stay for eight hours-eight big hours outside my home- was unfeasible.
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Gillian Flynn (Dark Places)
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Simone said, "Do me a favor. Picture a map of the world." I was not in the mood. She said, "Just picture it." So I did. And she said, "And you're in L.A. You're a blinking light, you with me so far?" And I said, "Sure." "And you know you blink brighter than anybody. You get that, don't you?" And I said, "Sure." Just humoring her. And then she said, "And then in New York today, and London on Thursday and Barcelona next week, there's another blinking light." "And that's you?" I said. She said, "That's me. And no matter where we are, no matter what time of day it is, the world is dark and we are two blinking lights. Flashing at the same time. Neither one of us flashing alone.
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Taylor Jenkins Reid (Daisy Jones & The Six)
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If you expect me to believe that a lawyer wrote A Midsummer Night's Dream, I must be dafter than I look.
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Jasper Fforde (The Eyre Affair (Thursday Next, #1))
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People without a sense of humor will never forgive you for being funny.
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Richard Osman (The Thursday Murder Club)
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She wasn't the only one to be physically morphed by reader expectation. Miss Havisham was now elderly whether she liked it or not, and Sherlock Holmes wore a deerstalker and smoked a ridiculously large pipe. The problem wasn't just confined to the classics. Harry Potter was seriously pissed off that he'd have to spend the rest of life looking like Daniel Radcliffe.
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Jasper Fforde (One of Our Thursdays Is Missing (Thursday Next, #6))
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I shouldn't believe anything I say, if I were you-and that includes what I just told you.
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Jasper Fforde (The Eyre Affair (Thursday Next, #1))
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Ordinary adults don't like children to speak of things that are denied them by their own gray minds.
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Jasper Fforde (The Eyre Affair (Thursday Next, #1))
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Have you ever wondered how nostalgia isn"t what it used to be?
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Jasper Fforde (First Among Sequels (Thursday Next, #5))
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Morrigan didn’t like the sound of the Goal-Setting and Achieving Club for Highly Ambitious Youth, which met on Monday, Tuesday, Wednesday, and Thursday evenings, and all day Sunday. But she thought she could probably get on board with Introverts Utterly Anonymous, which promised no meetings or gatherings of any sort, ever.
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Jessica Townsend (Wundersmith: The Calling of Morrigan Crow (Nevermoor, #2))
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Death, I had discovered long ago, was available in varying flavors, and none of them particularly palatable.
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Jasper Fforde (First Among Sequels (Thursday Next, #5))
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It’s great to be the fastest runner, but not when you’re running in the wrong direction.
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Richard Osman (The Thursday Murder Club (Thursday Murder Club, #1))
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History has rewritten itself so many times I'm not really sure how it was to begin with -- it's a bit like trying to guess the original color of a wall when it's been repainted eight times.
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Jasper Fforde (Something Rotten (Thursday Next, #4))
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Men seem to be born with a debt they can never pay no matter how hard they try.
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John Steinbeck (Sweet Thursday (Cannery Row, #2))
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What is there to forgive?. . .Ignore forgive and concentrate on living. Life for you is short; far too short to allow small jealousies to infringe on the happiness which can be yours only for the briefest of times.
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Jasper Fforde (The Eyre Affair (Thursday Next, #1))
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Many years ago, everybody here would wake early because there was much to do and only so many hours in the day. Now they wake early because there is much to do and only so many days left.
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Richard Osman (The Thursday Murder Club)
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More women are murdering people these days,” says Joyce. β€œIf you ignore the context, it is a real sign of progress.
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Richard Osman (The Man Who Died Twice (Thursday Murder Club, #2))
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The Minister of Army answered, β€œBob, I thought that you would have been an astute and clever enough a politician to think of this yourself, but seeing how you have asked me, I suggest that you wait until eight in the night on Thursday 29/April/1965 to announce that Australia will send the First Battalion Royal Australian Regiment to fight in South Vietnam. By you waiting until the evening of 29/April/1965 to announce this in Parliament, the labour opposition leader of Arthur Caldwell and his deputy leader of Gough Whitlam should be absent, as will be most of the entire parliament, because the following day is the beginning of a long week- end. You are legally not required to give advanced warning to the house, so you can easily get away with this!
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Michael G. Kramer (A Gracious Enemy & After the War Volume One)
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The most poetical thing in the world is not being sick.
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G.K. Chesterton (The Man Who Was Thursday: A Nightmare)
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Fanfiction isn't copying - it's a celebration. One long party, from the first capital letter to the last full stop!
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Jasper Fforde (One of Our Thursdays Is Missing (Thursday Next, #6))
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Sometimes I don't know whether I'm thening or nowing.
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Jasper Fforde (Something Rotten (Thursday Next, #4))
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Ill-fitting grammar are like ill-fitting shoes. You can get used to it for a bit, but then one day your toes fall off and you can't walk to the bathroom.
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Jasper Fforde (One of Our Thursdays Is Missing (Thursday Next, #6))
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I could forgive you even your cruelty if it were not for your calm.
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G.K. Chesterton (The Man Who Was Thursday: A Nightmare)
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You have not wasted your time; you have helped to save the world. We are not buffoons, but very desperate men at war with a vast conspiracy.
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G.K. Chesterton (The Man Who Was Thursday: A Nightmare)
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And if one is never lost in life, then clearly one has never traveled anywhere interesting.
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Richard Osman (The Man Who Died Twice (Thursday Murder Club, #2))
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You’re not doing well and finally I don’t have to pretend to be so interested in your on going tragedy, but I’ll rob the bank that gave you the impression that money is more fruitful than words, and I’ll cut holes in the ozone if it means you have one less day of rain. I’ll walk you to the hospital, I’ll wait in a white room that reeks of hand sanitizer and latex for the results from the MRI scan that tries to locate the malady that keeps your mind guessing, and I want to write you a poem every day until my hand breaks and assure you that you’ll find your place, it’s just the world has a funny way of hiding spots fertile enough for bodies like yours to grow roots. and I miss you like a dart hits the iris of a bullseye, or a train ticket screams 4:30 at 4:47, I wanted to tell you that it’s my birthday on Thursday and I would have wanted you to give me the gift of your guts on the floor, one last time, to see if you still had it in you. I hope our ghosts aren’t eating you alive. If I’m to speak for myself, I’ll tell you that the universe is twice as big as we think it is and you’re the only one that made that idea less devastating.
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Lucas Regazzi
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You been asleep, baby." My body went still at his words. Tack kept talking. "Green tea. Yoga. No TV. Placemats for your coffee table. Thursday night takeaway. You got a night for takeaway. Scheduled. A narrow, little world. Fuck me. Crazy. Fuckin' whacked. I woke you up, opened your eyes to a bigger world and scared you shitless.
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Kristen Ashley (Motorcycle Man (Dream Man, #4))
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The cleanest souls are the easiest to soil.
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Jasper Fforde (The Eyre Affair (Thursday Next, #1))
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I have the death sentence in seven genres.
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Jasper Fforde (The Well of Lost Plots (Thursday Next, #3))
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Failure concentrates the mind wonderfully. If you don't make mistakes, you're not trying hard enough.
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Jasper Fforde (The Well of Lost Plots (Thursday Next, #3))
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...There are silly, proper tears now. I'll let them fall. If you don't cry sometimes, you'll end up crying all the time.
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Richard Osman (The Thursday Murder Club (Thursday Murder Club, #1))
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Thanks. And I’ll give Brayden a talking-to so he doesn’t try anything on Thursday.” My mind was still full of Latin and Shakespeare. β€œTry what?” Trey shook his head. β€œHonestly, Melbourne, I don’t know Trey shook his head. β€œHonestly, Melbourne, I don’t know how you’ve survived this long in the world without me.” β€œOh,” I said, blushing. β€œThat.” Great. Now I had something else to worry about. Trey scoffed. β€œBetween you and me, Brayden’s probably the last guy in the world you have to worry about. I think he’s as clueless as you are. If I didn’t care about your virtue so much, I’d actualy probably give him a lecture on how to try something.
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Richelle Mead (The Golden Lily (Bloodlines, #2))
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Through all this ordeal his root horror had been isolation, and there are no words to express the abyss between isolation and having one ally. It may be conceded to the mathematicians that four is twice two. But two is not twice one; two is two thousand times one. That is why, in spite of a hundred disadvantages, the world will always return to monogamy.
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G.K. Chesterton (The Man Who Was Thursday: A Nightmare)
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The barriers between reality and fiction are softer than we think; a bit like a frozen lake. Hundreds of people can walk across it, but then one evening a thin spot develops and someone falls through; the hole is frozen over by the following morning.
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Jasper Fforde (The Eyre Affair (Thursday Next, #1))
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Maybe those sorts of yes-or-no life-and-death decisions are easier to make because they are so black and white. I can cope with them because it's easier. Human emotions, well. . .they're just a fathomless collection of grays and I don't do so well on the midtones.
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Jasper Fforde (The Eyre Affair (Thursday Next, #1))
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To espresso or to latte, that is the question...whether 'tis tastier on the palate to choose white mocha over plain...or to take a cup to go. Or a mug to stay, or extra cream, or have nothing, and by opposing the endless choice, end one's heartache...
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Jasper Fforde (Something Rotten (Thursday Next, #4))
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You've got that eternal idiotic idea that if anarchy came it would come from the poor. Why should it? The poor have been rebels, but they have never been anarchists; they have more interest than anyone else in there being some decent government. The poor man really has a stake in the country. The rich man hasn't; he can go away to New Guinea in a yacht. The poor have sometimes objected to being governed badly; the rich have always objected to being governed at all. Aristocrats were always anarchists
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G.K. Chesterton (The Man Who Was Thursday: A Nightmare)
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Why does each thing on the earth war against each other thing? Why does each small thing in the world have to fight against the world itself? Why does a fly have to fight the whole universe? Why does a dandelion have to fight the whole universe? For the same reason that I had to be alone in the dreadful Council of the Days. So that each thing that obeys law may have the glory and isolation of the anarchist. So that each man fighting for order may be as brave and good a man as the dynamiter. So that the real lie of Satan may be flung back in the face of this blasphemer, so that by tears and torture we may earn the right to say to this man, 'You lie!' No agonies can be too great to buy the right to say to this accuser, 'We also have suffered.
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G.K. Chesterton (The Man Who Was Thursday: A Nightmare)
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Oh, I believe you. It’s too ridiculous not to be true. It’s just that each time my world gets stranger, I think: Right. We’re at maximum oddness now. At least I know the full extent of it. First, I find out my brother and I are descended from the pharaohs and have magic powers. All right. No problem. Then I find out my dead father has merged his soul with Osiris and Why not? Then my uncle takes over the House of Life and oversees hundreds of magicians around the world. Then my boyfriend turns out to be a hybrid magician boy/immortal god of funerals. And all the while I’m thinking, Of course! Keep calm and carry on! I’ve adjusted! And then you come along on a random Thursday, la-di-da, and say, Oh, by the way, Egyptian gods are just one small part of the cosmic absurdity. We’ve also got the Greeks to worry about! Hooray!
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Rick Riordan (The Staff of Serapis (Demigods & Magicians, #2))
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Honestly, I never really understood the glorification of Fridays & weekends. I don't want to build a life and career, where I spent five days a week waiting for the weekend. No! I want to enjoy my life, and don't wish any weekday away. I want each day to matter to me, in some way, even if it's a small tiny way. I love my life. Everyday. That's the spirit we should convey all around us.
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Akilnathan Logeswaran
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Good. Item seven. The had had and that that problem. Lady Cavendish, weren’t you working on this?’ Lady Cavendish stood up and gathered her thoughts. β€˜Indeed. The uses of had had and that that have to be strictly controlled; they can interrupt the imaginotransference quite dramatically, causing readers to go back over the sentence in confusion, something we try to avoid.’ β€˜Go on.’ β€˜It’s mostly an unlicensed-usage problem. At the last count David Copperfield alone had had had had sixty three times, all but ten unapproved. Pilgrim’s Progress may also be a problem due to its had had/that that ratio.’ β€˜So what’s the problem in Progress?’ β€˜That that had that that ten times but had had had had only thrice. Increased had had usage had had to be overlooked, but not if the number exceeds that that that usage.’ β€˜Hmm,’ said the Bellman, β€˜I thought had had had had TGC’s approval for use in Dickens? What’s the problem?’ β€˜Take the first had had and that that in the book by way of example,’ said Lady Cavendish. β€˜You would have thought that that first had had had had good occasion to be seen as had, had you not? Had had had approval but had had had not; equally it is true to say that that that that had had approval but that that other that that had not.’ β€˜So the problem with that other that that was that…?’ β€˜That that other-other that that had had approval.’ β€˜Okay’ said the Bellman, whose head was in danger of falling apart like a chocolate orange, β€˜let me get this straight: David Copperfield, unlike Pilgrim’s Progress, had had had, had had had had. Had had had had TGC’s approval?’ There was a very long pause. β€˜Right,’ said the Bellman with a sigh, β€˜that’s it for the moment. I’ll be giving out assignments in ten minutes. Session’s over – and let’s be careful out there.
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Jasper Fforde (The Well of Lost Plots (Thursday Next, #3))
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It's simple. If you go to see 'Saturday Night Fever' expecting it to be good, it's a corker. However, if you go expecting it to be a crock of shit, it's that, too. Thus 'Saturday Night Fever' can exist in two mutually opposing states at the very same time, yet only by the weight of our expectations. From this principle we can deduce that any opposing states can be governed by human expectation - even, as in the case of retro-deficit-engineering, the present use of a future technology." "I think I understand that. Does it work with any John Travolta movie?" "Only the artistically ambiguous ones such as 'Pulp Fiction' or 'Face/Off.' 'Battlefield Earth' doesn't work, because it's a stinker no matter how much you think you're going to like it, and 'Get Shorty' doesn't work either, because you'd be hard-pressed not to enjoy it, irrespective of any preconceived notions.
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Jasper Fforde (First Among Sequels (Thursday Next, #5))