“
I knew Noah worshipped Charlie Parker and that his toothbrush was green. That he wouldn't bother to button his shirts correctly but always made his bed. That when he slept he curled into himself and that his eyes were the color of the clouds before it rained, and I knew he had no problem eating meat but would subtly leave the room if animals started to kill one another on the Discovery Channel. I knew one hundred little things about Noah Shaw but when he kissed me I couldn't remember my own name.
”
”
Michelle Hodkin
“
Music is your own experience, your thoughts, your wisdom. If you don't live it, it won't come out of your horn. They teach you that music has boundaries. But, man, there's no boundary line to art.
”
”
Charlie Parker
“
Don't be afraid, just play the music.
”
”
Charlie Parker
“
At the edge of madness you howl diamonds and pearls.
”
”
Aberjhani (Journey through the Power of the Rainbow: Quotations from a Life Made Out of Poetry)
“
Being a nerd, which is to say going too far and caring too much about a subject, is the best way to make friends I know. For me, the spark that turns an acquaintance into a friend has usually been kindled by some shared enthusiasm . . . At fifteen, I couldn't say two words about the weather or how I was doing, but I could come up with a paragraph or two about the album Charlie Parker with Strings. In high school, I made the first real friends I ever had because one of them came up to me at lunch and started talking about the Cure.
”
”
Sarah Vowell (The Partly Cloudy Patriot)
“
The nature of compassion isn't coming to terms with your own suffering and applying it to others: It's knowing that other folks around you suffer and, no matter what happens to you, no matter how lucky or unlucky you are, they keep suffering. And if you can do something about that, then you do it, and you do it without whining or waving your own fuckin' cross for the world to see. You do it because it's the right thing to do.
”
”
John Connolly (Dark Hollow (Charlie Parker, #2))
“
They were on the side of the angels, even if the angels weren't entirely sure that this was a good thing.
”
”
John Connolly (The Reapers (Charlie Parker, #7))
“
I'd been hurt, and in response I had acted violently, destroying a little of myself each time I did so.
”
”
John Connolly (The Killing Kind (Charlie Parker, #3))
“
This world is full of broken things: broken hearts, broken promises, broken people,
”
”
John Connolly (The Unquiet (Charlie Parker, #6))
“
Charles Simic, when asked what he thought of Slam Poetry events: "They are fun, but they have as much to do with poetry as Elvis Presley had to do with Charlie Parker and Thelonious Monk".
”
”
Charles Simic
“
If you don't live it, it won't come out of your horn.
”
”
Charlie Parker
“
He was trying to put loss into words, but loss is absence and will always defy expression.
”
”
John Connolly (The Wolf in Winter (Charlie Parker, #12))
“
Why did you shoot him?"
"You weren't around," I replied, my teeth gritted in pain. "If you'd been here I'd have shot you instead.
”
”
John Connolly (Every Dead Thing (Charlie Parker, #1))
“
First you learn the instrument, then you learn the music, then you forget all that s**t and just play.
”
”
Charlie Parker
“
The nature of humanity, its essence, is to feel another's pain as one's own, and to act to take that pain away,. There is a nobility in compassion, a beauty in empathy, a grace in forgiveness.
”
”
John Connolly (The Killing Kind (Charlie Parker, #3))
“
She was plump, with dyed red hair and a face so caked with cosmetics that the floor of the Amazon jungle probably saw more natural light...
”
”
John Connolly (Every Dead Thing (Charlie Parker, #1))
“
When she was taken from me it was like the death of a world, an infinite number of futures coming to an end.
”
”
John Connolly (Every Dead Thing (Charlie Parker, #1))
“
I would like to be able to gently drift in and out of existence when I wanted to. I don’t want to kill myself. I still want to listen to Charlie Parker and sit in a room alone at four in the morning. There are moments to live for. There are times, hours slammed together, that are definitely worthwhile. It’s all the other hours, minutes and unendurable expanses of time that drag me by my collarbone slowly through the mindlessness of their blank words.
”
”
Henry Rollins (Solipsist (Henry Rollins))
“
Don't play the saxophone, let the saxophone play you.
”
”
Charlie Parker (Charlie Parker - Jazz Masters Series)
“
Misery loved company, but damnation needed it.
”
”
John Connolly (The Wolf in Winter (Charlie Parker, #12))
“
Know a man by his metaphors.
”
”
John Connolly (The Wolf in Winter (Charlie Parker, #12))
“
I believe in evil because I have touched it, and it has touched me.
”
”
John Connolly (Every Dead Thing (Charlie Parker, #1))
“
You must be careful where you step.
And you must be ready for what you might find.
”
”
John Connolly (The Killing Kind (Charlie Parker, #3))
“
Patriots built Auschwitz. You start believing that “my country wrong or right” shit, and it always ends up at the same place: a pit filled with bones.
”
”
John Connolly (The Woman in the Woods (Charlie Parker, #16))
“
For a moment they still lived and I experienced their deaths as a fresh loss with each waking, so that I was unsure whether I was a man waking from a dream of death or a dreamer entering a world of loss, a man dreaming of unhappiness or a man waking to grief.
”
”
John Connolly (Every Dead Thing (Charlie Parker, #1))
“
I am sorry," I whispered. "I am sorry for all of the ways that I failed you. I am sorry that I was not there to save you, or to die alongside you. I am sorry that I have kept you with me for so long, trapped in my heart, bound in sorrow and remorse. I forgive you too. I forgive you for leaving me, and I forgive you for returning. I forgive you your anger, and your grief. Let this be an end to it.
”
”
John Connolly (The Unquiet (Charlie Parker, #6))
“
Frank tried to look like he was wrestling with his conscience, although he couldn't have found his conscience without a shovel and an exhumation order.
”
”
John Connolly (Every Dead Thing (Charlie Parker, #1))
“
In the end, you have to let things go. The things you regret are the things you hold on to.
”
”
John Connolly (Every Dead Thing (Charlie Parker, #1))
“
Drowning men will drag you down if you let them. Sometimes, to survive, you have to let them sink.
”
”
John Connolly (The Burning Soul (Charlie Parker, #10))
“
Here is a truth, a truth by which to live: there is hope. There is always hope. If we choose to abandon it, our souls will turn to ash and blow away. But the soul can burn and not be damned.
”
”
John Connolly (The Burning Soul (Charlie Parker, #10))
“
Some revelations came only with the sound of dirt falling on a coffin:the ones that mattered, the ones that made for regrets.
”
”
John Connolly (The Wrath of Angels (Charlie Parker, #11))
“
I slipped from present to past, sliding down the snake heads of memory into what was and what would never be again.
”
”
John Connolly (Every Dead Thing (Charlie Parker, #1))
“
Sometimes we need our pain. We need it to call our own.
”
”
John Connolly (Every Dead Thing (Charlie Parker, #1))
“
Families,” said Angel, with some feeling. “Can’t live with them, can’t have them killed without complications.
”
”
John Connolly (A Game of Ghosts (Charlie Parker, #15))
“
THERE ARE NO COINCIDENCES, only patterns we do not see.
”
”
John Connolly (Every Dead Thing (Charlie Parker, #1))
“
When I started in homicide, the Dead Sea was just sick.
”
”
John Connolly (The Killing Kind (Charlie Parker, #3))
“
It was an overcast late November morning, the grass splintered by hoarfrost, and winter grinning through the gaps in the clouds like a bad clown peering through the curtains before the show begins.
”
”
John Connolly (The Unquiet (Charlie Parker, #6))
“
There is a dark resource within all of us, a reservoir of hurt and pain and anger upon which we can draw when the need arises. Most of us rarely, if ever, have to delve too deeply into it. That is as it should be, because dipping into it costs and you lose a little of yourself each time, a small part of all that is good and honorable and decent about you. Each time you use it you have to go a little deeper, a little further down into the blackness. Strange creatures move through its depths, illuminated by a burning light from within and fueled only by the desire to survive and to kill. The danger in diving into that pool, in drinking from that dark water, is that one day you may submerge yourself so deeply that you can never find the surface again. Give in to it and you're lost forever.
”
”
John Connolly (The Killing Kind (Charlie Parker, #3))
“
There was a lot to be said for the discipline of married life. It forced one to learn the art of compromise, and to remedy the flaws in one's nature.
”
”
John Connolly (The Wolf in Winter (Charlie Parker, #12))
“
The evolutionary curve obviously sloped pretty gently where Six came from.
”
”
John Connolly (Every Dead Thing (Charlie Parker, #1))
“
It’s a full-time job being homeless. It’s a full-time job being poor.
”
”
John Connolly (The Wolf in Winter (Charlie Parker, #12))
“
You're breathing, Charlie. You are breathing, and it is beautiful, and I am so grateful for that.
”
”
Parker S. Huntington (Darling Venom)
“
My grandfather used to say that if God did not allow a man to be reunited with his dogs in the next life He was no God worth worshipping; that if a dog did not have a soul, then nothing had.
”
”
John Connolly (The Wrath of Angels (Charlie Parker, #11))
“
You still carrying an arsenal in the trunk of your car?”
“Why, you need something?”
“No, but if your car is hit by lightning I’ll know where my lawn went.
”
”
John Connolly (The White Road (Charlie Parker, #4))
“
He has all the weaknesses that come with a conscience, but none of the strengths.
”
”
John Connolly (The Killing Kind (Charlie Parker, #3))
“
..her lips were as red as a stop light..
”
”
John Connolly (The Killing Kind (Charlie Parker, #3))
“
I have found in the past that what passes for coincidence is usually life’s way of telling you that you’re not paying enough attention.
”
”
John Connolly (The White Road (Charlie Parker, #4))
“
Prepare for the worst and you won’t be disappointed.
”
”
John Connolly (The Wolf in Winter (Charlie Parker, #12))
“
It was the kind of bar where everybody knew your name, as long as your name was ‘Motherfucker’.
”
”
John Connolly (A Time of Torment (Charlie Parker, #14))
“
The Detective was different. Not that he wasn't a good man; Willie had heard enough about him to understand that he was the kind who didn't like to turn away from another's pain, the kind who couldn't put a pillow over his ears to drown out the cries of strangers. Those scars he had were badges of courage, and Willie knew that there were others hidden beneath his clothes, and still more deep inside, right beneath the skin and down to the soul. No, it was just that whatever goodness was there coexisted with rage and grief and loss.
”
”
John Connolly (The Reapers (Charlie Parker, #7))
“
We all know that books burn—yet we have the greater knowledge that books cannot be killed by fire. People die, but books never die. . . . In this war, we know, books are weapons. —Franklin Delano Roosevelt (1882–1945)
”
”
John Connolly (The Woman in the Woods (Charlie Parker #16))
“
Everyone in the world is a Charlie. The trick is to figure out which Charlie you’re going to be. Charlie Manson. Charlie Starkweather. Or Charlie and the Chocolate Factory.”
“Charlie Chaplin.”
“Charlie Parker.”
“Charly… from Flowers for Algernon.”
“Charlie Brown.
”
”
Richard Kadrey (Kill the Dead (Sandman Slim, #2))
“
His grandfather used to say that there were angels whom devils would greet on the street. If that were true, thought Parker, then let the devils raise their hats to him. It would just make them easier to identify and destroy.
”
”
John Connolly (A Time of Torment (Charlie Parker, #14))
“
I realized by using the high notes of the chords as a melodic line, and by the right harmonic progression, I could play what I heard inside me. That's when I was born.
”
”
Charlie Parker
“
That is what we do for the ones we love: we lie to protect them. Not all truths are welcome.
”
”
John Connolly (The Lovers (Charlie Parker, #8))
“
Every individual spends a lifetime trying to disprove Copernicus by placing him- or herself at the heart of existence, but a small core of diehards manages to turn it into an art.
”
”
John Connolly (A Time of Torment (Charlie Parker, #14))
“
But the measure of a man was the degree to which he was prepared to inconvenience himself for what was right;
”
”
John Connolly (A Book of Bones (Charlie Parker, #17))
“
Here is a truth, a truth by which to live: there is hope. There is always hope. If we choose to abandon it, our souls will turn to ash and blow away.
”
”
John Connolly (The Burning Soul (Charlie Parker, #10))
“
We haunt ourselves, I sometimes think; or, rather, we choose to be haunted. If there is a hole in our lives, then something will fill it. We invite it inside, and it accepts willingly.
”
”
John Connolly (The Lovers (Charlie Parker, #8))
“
There should be a Stage IV of black identity—Unmitigated Blackness. I’m not sure what Unmitigated Blackness is, but whatever it is, it doesn’t sell. On the surface Unmitigated Blackness is a seeming unwillingness to succeed. It’s Donald Goines, Chester Himes, Abbey Lincoln, Marcus Garvey, Alfre Woodard, and the serious black actor. It’s Tiparillos, chitterlings, and a night in jail. It’s the crossover dribble and wearing house shoes outside. It’s “whereas” and “things of that nature.” It’s our beautiful hands and our fucked-up feet. Unmitigated Blackness is simply not giving a fuck. Clarence Cooper, Charlie Parker, Richard Pryor, Maya Deren, Sun Ra, Mizoguchi, Frida Kahlo, black-and-white Godard, Céline, Gong Li, David Hammons, Björk, and the Wu-Tang Clan in any of their hooded permutations. Unmitigated Blackness is essays passing for fiction. It’s the realization that there are no absolutes, except when there are. It’s the acceptance of contradiction not being a sin and a crime but a human frailty like split ends and libertarianism. Unmitigated Blackness is coming to the realization that as fucked up and meaningless as it all is, sometimes it’s the nihilism that makes life worth living. Sitting
”
”
Paul Beatty (The Sellout)
“
You want to know what’s on the other side?’
Walsh eyed the detective carefully, as if gauging the seriousness of the question.
‘Is it seventy-two virgins, like the Muslims believe?’
‘That’s the good news. The bad news is that they’re all guys. It’s like being at a boarding school.’
‘I knew there had to be a catch.
”
”
John Connolly (A Song of Shadows (Charlie Parker, #13))
“
When one encounters enough strangeness, then what is strange ultimately becomes familiar.
The mind can accommodate itself to almost anything, given time: pain, grief, loss, even the possibility that the dead talk to the living.
”
”
John Connolly (The Burning Soul (Charlie Parker, #10))
“
He understood the half-life of hope: it is not despair that destroys us, but its opposite. Hope is the winding, despair the unwinding. Despair brings with it the possibility of an ending. Taken to the extreme, its logical conclusion is death. But hope sustains. It can be exploited. Ormsby
”
”
John Connolly (A Time of Torment (Charlie Parker, #14))
“
When Louis relaxed, it was an indication that a threat was at hand and he was preparing to act, as when an archer releases a breath simultaneously with the flight of an arrow, channeling all of the tension into the flighted missile itself.
”
”
John Connolly (The Reapers (Charlie Parker, #7))
“
No man has seen God. No man has seen Lucifer. No man that I've ever talked to! It's just a useful way of looking at the world. And seeing into it.
”
”
T. Jefferson Parker (Iron River (Charlie Hood #3))
“
We lose ourselves by degrees: our youth, our souls.
”
”
John Connolly (A Book of Bones (Charlie Parker #17))
“
I learned something that day: there may be worse things than arriving somewhere with your dog and leaving without him, but there aren’t many.
”
”
John Connolly (The Lovers (Charlie Parker, #8))
“
because a man who is everybody’s friend really has no friends at all.
”
”
John Connolly (The Burning Soul (Charlie Parker, #10))
“
Regret, he now knew, was a useless emotion, the poor cousin of guilt.
”
”
John Connolly (The Burning Soul (Charlie Parker, #10))
“
In any given situation, the most difficult step is to reach a decision. Once a decision is made, control can be asserted.
”
”
John Connolly (A Song of Shadows (Charlie Parker, #13))
“
It didn’t matter whether a thing existed or not. What mattered was the trouble caused by those who believed in its existence.
”
”
John Connolly (The Wolf in Winter (Charlie Parker, #12))
“
He was just thinking aloud, ruling out possibilities by releasing them into the air, like canaries in the coal mine of his mind.
”
”
John Connolly (The Reapers (Charlie Parker, #7))
“
[I]gnorance was never an obstacle to a good sound bite.
”
”
John Connolly (The Lovers (Charlie Parker, #8))
“
The trick was not to stifle the emotions, but to control them. Love, anger, grief – all were weapons in their way, but they needed to be kept in check.
”
”
John Connolly (The Wolf in Winter (Charlie Parker, #12))
“
Come on,” I said a third time, to the approaching darkness, to the figures that beckoned from within it, to the peace that comes at last to every dead thing.
”
”
John Connolly (The Wolf in Winter (Charlie Parker, #12))
“
Law and justice are not the same.
”
”
John Connolly (A Time of Torment (Charlie Parker, #14))
“
Came from nothing- less than nothing, because the poor always enter this life with their account in deficit, and generally leave it in much the same condition...
”
”
John Connolly (A Book of Bones (Charlie Parker, #17))
“
what human beings did: they tried and failed and failed again, and they kept failing until either they got it right at last or time ran out and they had to settle for what they had.
”
”
John Connolly (The Killing Kind (Charlie Parker, #3))
“
Perhaps it's true that all men love their fathers, no matter how terrible the things they do to their sons: there is a part of us that remains forever in debt to those responsible for our existence.
”
”
John Connolly (The Reapers (Charlie Parker, #7))
“
But some gifts are worse than curses, and the dark side of the gift is that they know. The lost, the stragglers, those who should not have been taken but were, the innocents, the struggling, tormented shades, the gathering ranks of the dead, they know. And they come.
”
”
John Connolly (Dark Hollow (Charlie Parker, #2))
“
Good will attract good to itself, and those involved will unite toward a common goal. Evil, in turn, draws evil men, but they will never truly act as one. They will always be distrustful, always jealous. Ultimately, they seek power for themselves alone, and for that reason they will always fall apart at the end.
”
”
John Connolly (The Black Angel (Charlie Parker, #5))
“
Early mornings were given over to Bartok and Schoenberg. Midmorning I treated myself to the vocals of Billy Eckstine, Billie Holiday, Nat Cole, Louis Jordan and Bull Moose Jackson. A piroshki from the Russian delicatessen next door was lunch and then the giants of bebop flipped through the air. Charlie Parker and Max Roach, Dizzy Gillespie, Sarah Vaughan and Al Haig and Howard McGhee. Blues belonged to late afternoons and the singers’ lyrics of lost love spoke to my solitude.
”
”
Maya Angelou (Singin' & Swingin' and Gettin' Merry Like Christmas)
“
Not every wound needs to be poked and opened, and not every wrong needs to be reexamined, or dragged kicking and screaming into the light. Better just to let the wound heal, even if it doesn’t heal quite right, or to leave the wrongs in the dark, and remind yourself not to go stepping into the shadows if you can avoid it.
”
”
John Connolly (The Lovers (Charlie Parker, #8))
“
The thing in jazz that will get Bix Beiderbecke out of his bed at two o’clock in the morning, pick that cornet up and practice into the pillow for another two or three hours, or that would make Louis Armstrong travel around the world for fifty plus years non stop, just get up out of his sick bed, crawl up on the bandstand and play, the thing that would make Duke Ellington, the thing that would make Thelonious Monk, Miles Davis, Charlie Parker, Mary Lou Williams, the thing that would make all of these people give their lives for this, and they did give their lives, is that it gives us a glimpse into what America is going to be when it becomes itself. And this music tells you that it will become itself. And when you get a taste of that, there’s just nothing else you’re going to taste that’s as sweet.
”
”
Wynton Marsalis
“
He died at forty-two.
I was there to collect his talent.
I was there at the hospital deathbed of my beloved Billie Holiday, just forty-four, her liver destroyed by drinking; I was there inside the hotel room of Charlie Parker, my singular jazz saxophonist, who died in his midthirties, but whose body was so ravaged by drugs the coroners thought he was sixty.
Tommy Dorsey, the bandleader, choked in his sleep when he was fifty-one, too deep in pills to awaken. Johnny Allen Hendrix (you called him Jimi) swallowed a handful of barbiturates and expired. He was twenty-seven.
It is not new, this idea that a purer art awaits you in a substance. But it is naive. I existed before the first grapes were fermented. Before the first whiskey was distilled. Be it opium or absinthe, marijuana or heroin, cocaine or ecstasy or whatever will follow, you may alter your state, but you will not alter this truth: I am Music. I am here inside you. Why would I hide behind a powder or a vapor?
Do you think me so petty?
”
”
Mitch Albom (The Magic Strings of Frankie Presto)
“
It really was a whole generation who were listening to Charlie Parker, Dizzy Gillespie, Thelonious Monk, Ella Fitzgerald, Sonny Rollins, James Moody, Fats Navarro and, a little bit later on, Mongo Santamaría and Chuck Berry, and these dozen or so guys gave them a voice. They led the way. They wrote what a whole generation wanted to read. The time was right and they seized the day by writing about their lives. They travelled, they got into scrapes, they got arrested, they got wasted … and they wrote about it.
Isn’t that something?
”
”
Karl Wiggins (Wrong Planet - Searching for your Tribe)
“
The beam caught the bowed head of Angel. He glanced up into Bobby Sciorra’s eyes and smiled. Sciorra looked puzzled for a moment and then his mouth opened in slow-dawning realization. He was already turning to try to locate Louis when the darkness seemed to come alive around him and his eyes widened as he realized, too late, that death had come for him too.
”
”
John Connolly (Every Dead Thing (Charlie Parker, #1))
“
What's seldom is wonderful.
”
”
John Connolly (Dark Hollow (Charlie Parker, #2))
“
In the end, we’ll all face oblivion.
”
”
John Connolly (The Woman in the Woods (Charlie Parker, #16))
“
I don’t think you can dial 911 for a literary emergency.
”
”
John Connolly (The Woman in the Woods (Charlie Parker, #16))
“
It never paid to underestimate children.
”
”
John Connolly (The Woman in the Woods (Charlie Parker, #16))
“
So you’re British?’ said Billy.
‘I think of myself as English first, British second. It’s a way of keeping the Scots and Welsh at a distance, never mind the Irish.
”
”
John Connolly (The Woman in the Woods (Charlie Parker, #16))
“
A faint mist hung over the streets, creating penumbrae around the streetlights like the halos of saints, and making a dreamscape of the skyline.
”
”
John Connolly (A Game of Ghosts (Charlie Parker, #15))
“
There are people whose eyes you must avoid, whose attention you must not draw to yourself. They are strange, parasitic creatures, lost souls seeking to stretch across the abyss and make fatal contact with the warm, constant flow of humanity. They live in pain and exist only to visit that pain on others.
”
”
John Connolly (The Killing Kind (Charlie Parker, #3))
“
They listened to the Beatles for most of the journey, and Hynes explained to Gackowska why Abbey Road was the band’s best record, and how Sgt. Pepper’s wasn’t really a concept album, no matter what anyone claimed to the contrary. Then he had to explain to Gackowska what a concept album was, and a B side, until pretty soon he felt about a hundred years old and was tempted to check himself into a nursing home.
”
”
John Connolly (A Book of Bones (Charlie Parker #17))
“
It was human nature. You didn't give everything away; if you did, you would have nothing left.
There were those who took the view that there was a liberation in the act of confession, but mostly they tended to be the ones who were listening, and not the ones confessing. The only full confessions occur on deathbeds; all others are partial, modified.
”
”
John Connolly (The Burning Soul (Charlie Parker, #10))
“
So what you gonna do?”
“Push a stick into the beehive and rustle up some bees. The Larousses are hosting a party today. I think we should avail ourselves of their hospitality.”
“We got an invite?”
“Has not having one ever stopped us before?”
“No, but sometimes I just like to be invited to shit, you know what I’m sayin’, instead of havin’ to bust in, get threatened, irritate the nice white folks, put the fear of the black man on them.”
He paused, seemed to think for a while about what he had just said, then brightened.
“Sounds good, doesn’t it?” I said.
“Real good,” he agreed.
”
”
John Connolly (The White Road (Charlie Parker, #4))
“
An interesting thing happened today,” she said, giving me just enough time to get the word “hi” out of my mouth. “I opened the front door and there was a man on my doorstep. A big man. A very big, very black man.”
“Rachel —”
“You said it would be discreet. His T–shirt had the words ‘Klan Killer’ written on the front.”
“I —”
“And do you know what he said?”
I waited.
“He handed me a note from Louis and told me he was lactose intolerant. That was it. Note. Lactose intolerant. Nothing else. He’s coming to the reading with me. It was all I could do to get him to change his T–shirt. The new one reads ‘Black Death.’ I’m going to tell people it’s a rap band. Do you think it’s a rap band?”
I figured it was probably his occupation, but I didn’t say that. Instead, I said the only thing I could think of to say.
“Maybe you’d better buy some soy milk.”
She hung up without saying good–bye.
”
”
John Connolly (The White Road (Charlie Parker, #4))
“
Winston Churchill once said that you can judge a society by how it treats its prisoners. You know, there was all this stuff about Abu Ghraib and what we're doing to Muslims in Iraq and Guantanamo and in Afghanistan and wherever else we've decided to lock up those whom we perceive to be a threat. People seem surprised by it, but all they had to do was look around them. We do it to our own people. We try children as adults. We lock up, even execute, the mentally ill. And we tie people naked to chairs in ice-cold rooms because their medication isn't working. If we can do that here, then how the hell can anybody be surprised when we don't treat our enemies any better? ~Aimee Price
”
”
John Connolly (The Unquiet (Charlie Parker, #6))
“
Even in the coldest weather, the harbor, the fields, the woods, all are alive. Blue jays fly, and brown winter wrens; finches feed on birch seed. Tiny, unseen things crawl, hunt, live, die. Lacewings hibernate under the loose bark on the trees. Caddis-fly larvae carry houses made from plant debris on their backs, and aphids huddle on the alders. Wood frogs sleep frozen beneath piles of leaf mold, and beetles and back swimmers, newts and spotted salamanders, their tails thick with stored fat, all flicker in the icy waters above. There are carpenter ants, and snow fleas, and spiders, and black mourning cloak butterflies that flit across the snow like burned paper. White-footed mice and woodland voles and pygmy shrews scurry through the slash, ever-wary of the foxes and weasels and the vicious, porcupine-hunting fishers that share the habitat. The snowshoe hare changes its coat to white in response to the diminishing daylight hours, the better to hide itself from its predators. Because the predators never go away.
”
”
John Connolly (Dark Hollow (Charlie Parker, #2))