Through Black Spruce Quotes

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When I die, nieces, I want to be cremated, my ashes taken up in a bush plane and sprinkled onto the people in town below. Let them think my body is snowflakes, sticking in their hair and on their shoulders like dandruff.
Joseph Boyden (Through Black Spruce (Bird Family Trilogy, #2))
Mother Nature was one angry slut. She'd try and kill you the first chance she got. You'd screwed with her for so long that she was happy to eliminate you.
Joseph Boyden (Through Black Spruce (Bird Family Trilogy, #2))
As the glow of the cabin windows turned to flickers through the trees and then to black, her eyes adjusted and the starlight alone on the pure white snow was enough to light her way. The cold scorched her cheeks and her lungs, but she was warm in her fox hat and wool. An owl swooped through the spruce boughs, a slow-flying shadow, but she was not frightened. She felt old and strong, like the mountains and the river. She would find her way home.
Eowyn Ivey (The Snow Child)
There’s something sexy in cooking for a man who likes my food. Am I growing up?
Joseph Boyden (Through Black Spruce (Bird Family Trilogy, #2))
Lots of times growing up, I’d just try to do something myself because I believed that being a boy, and being Indian, I should just know how to do things." -Will Bird, Through Black Spruce
Joseph Boyden (Through Black Spruce (Bird Family Trilogy, #2))
I thought of my mother late that night, after leaving Dorothy, as I followed the moon's path back home across the Moose River. My mother, maybe she was in that moon's light. I didn't know any more, but when I was younger, Iuse to imagine that she was. I'd talk to the moon some nights, and I knew my mother listened. I haven't done that in a long time, me." -Through Black Spruce, Joseph Boyden, ch 13, pg 119
Joseph Boyden (Through Black Spruce (Bird Family Trilogy, #2))
Build it all up, and it all falls down. It all burns down. Everything you need can be taken. Remember that, nieces. Everything you hold dear, it can be taken.
Joseph Boyden (Through Black Spruce (Bird Family Trilogy, #2))
I passed the friendship centre and nodded to an old couple on the porch. Kookum smiled back and nodded, a cotton kerchief on her head. Moshum's eyes squinted, too, but never looked straight at me, just glanced my presence once, and that was enough. Old school. I knew that when they stood up to hobble home, he would lead a few feet ahead, and she would follow. They grew up in the bush and still walked the same way, as if the wide road was nothing more than a narrow path through the muskeg and spruce.
Joseph Boyden (Through Black Spruce (Bird Family Trilogy, #2))
Solitary Swedish Houses" A mix-max of black spruce and smoking moonbeams. Here’s the croft lying low and not a sign of life. Till the morning dew murmurs and an old man opens – with a shaky hand – his window and lets out an owl. Further off, the new building stands steaming with the laundry butterfly fluttering at the corner in the middle of a dying wood where the mouldering reads through spectacles of sap the proceedings of the bark-drillers. Summer with flaxen-haired rain or one solitary thunder-cloud above a barking dog. The seed is kicking inside the earth. Agitated voices, faces fly in the telephone wires on stunted rapid wings across the moorland miles. The house on an island in the river brooding on its stony foundations. Perpetual smoke – they’re burning the forest’s secret papers. The rain wheels in the sky. The light coils in the river. Houses on the slope supervise the waterfall’s white oxen. Autumn with a gang of starlings holding dawn in check. The people move stiffly in the lamplight’s theatre. Let them feel without alarm the camouflaged wings and God’s energy coiled up in the dark.
Tomas Tranströmer (Samlade dikter: 1954–1996)
Your grandfather was a hero in a war, girls. He wasn't a bad man or a weak man. Maybe he was too old to have a second family, a second wife and your mother and me, so many years after he lost his first. Maybe he was too old to fight anymore, and that's why he let me be taken away. I've thought about this for years and years. All I know is there are no heroes in this world. Not really. Just men and women who become old and tired and lose the strength to fight for what they love any longer.
Joseph Boyden (Through Black Spruce (Bird Family Trilogy, #2))
The countryside around us changed again. Now we were driving through forest. Sørland forests with mountain crags here and there among the trees, hills covered with spruce and oaks, aspen and birch, sporadic dark moorland, sudden meadows, flatland with densely growing pine trees. When I was a boy I used to imagine the sea rising and filling the forest so that the hilltops became islets you could sail between and on which you could bathe. Of all my childhood fantasies this was the one that captivated me most; the thought that you could swim over bus shelters and roofs, perhaps dive down and glide through a door, up a staircase, into a living room. Or just through a forest, with its slopes, cliffs, cairns, and ancient trees. At a certain point in childhood my most exciting game was building dams in streams, watching the water swell and cover the marsh, the roots, the grass, the rocks, the beaten earth path beside the stream. It was hypnotic. Not the mention the cellar we found in an unfinished house filled with shiny, black water we sailed on in two styrofoam boxes, when we were around five years old. Hypnotic. The same applied to winter when we skated along frozen streams in which grass, sticks, twigs, and small plants stood upright in the translucent ice beneath us. What had been the great attraction? And what had happened to it? Another fantasy I had at that time was that there were two enormous saw blades sticking out from the side of the car, chopping off everything as we drove past. Trees and streetlamps, houses and outhouses, but also people and animals. If someone was waiting for a bus they would be sliced through the middle, their top half falling like a felled tree, leaving feet and waist standing and the wound bleeding.
Karl Ove Knausgaard (Min kamp 1 (Min kamp, #1))
Calling to Measure It’s an obsession now, this matching And measuring, comparing, for instance, The coral-violet of the inner lip Of a queen conch to the last rim of dusk On the purple-flowering raspberry To the pure indigo of the bird-voiced Tree frog’s twittering tongue, then converting The result to an accepted standard Of rose-scarlet gradations. It’s difficult to say which is greater- The brevity of the elk’s frosty bellow Or the moments of fog sun-lifted Through fragrances of blue spruce Or the fading flavor in one spoonful Of warm chocolate rum. I mark out space by ten peas Strung on a string. The pane perimeter Of my window, for instance, is twenty-eight Lengths, twelve lengths over. Seventy pea-strings stretch from bed To door, Four go round my neck. My longing for you is more painful Than the six-times folding, doubling And doubling, of a coyote’s Most piercing cry, more inconsolable Than a whole night of moonlight blinded By thunderclouds, more constant Than black at the center of a cavern Stone below leagues of granite. I gauge my cold by the depth Of stillness in the pod heart of a frozen Wren. I time my breath by the faltering Leaves of aspen in wind. I count the circles Of my dizziness by the spreading rings Of rain-lassos on the pond, by the repeating Bell chimes of the corridor clock, By the one unending ring of the horizon. Where is the tablet, where the rule, where The steel weights, the balance, the book, Properly to make measure of a loss So grand and deep I can spread and stitch it To every visible star I name- Arcturus, Spica, Vega, Regulus- in this dark Surrounding dark surrounding dark?
Pattiann Rogers (Quickening Fields (Penguin Poets))
You know something? It was beautiful. So still you could hear one aspen leaf caressing another, the moon wide and white shining through the leaves, and just above the dark, somber spruce, bunched closely together, tall and still like a crowd of black-robed monks standing in prayer.
Louis L'Amour (Ride the Dark Trail: The Sacketts)
This is the one thing I managed to keep. I’d rather give it to you privately, since I have nothing for the others.” Hesitantly she took the object from his open palm. It was a small, exquisite black cameo rimmed with pearls. A woman on a horse. “The woman is Athena,” Devon said. “According to myth, she invented the bridle and was the first ever to tame a horse.” Kathleen looked down at the gift in wonder. First the shawl…now this. Personal, beautiful, thoughtful things. No one had ever understood her taste so acutely. Damn him. “It’s lovely,” she said unsteadily. “Thank you.” Through a glaze of incipient tears, she saw him grin. Unclasping the little pin, she tried to fasten it to the center of her collar. “Is it straight?” “Not quite.” The backs of his fingers brushed her throat as he adjusted the cameo and pinned it. “I have yet to actually see you ride,” he said. “West claims that you’re more accomplished than anyone he’s ever seen.” “An exaggeration.” “I doubt that.” His fingers left her collar. “Happy Christmas,” he murmured, and leaned down to kiss her forehead. As the pressure of his lips lifted, Kathleen stepped back, trying to create a necessary distance between them. Her heel brushed against some solid, living thing, and a sharply indignant squeal startled her. “Oh!” Kathleen leaped forward instinctively, colliding with Devon’s front. His arms closed around her automatically, even as a pained grunt escaped him. “Oh--I’m sorry…What in heaven’s name--” She twisted to see behind her and broke off at the sight of Hamlet, who had come to root beneath the Christmas tree for stray sweets that had fallen from paper cones as they’d been removed from the branches. The pig snuffled among the folds of the tree skirt and the scattered presents wrapped in colored paper. Finding a tidbit to consume, he oinked in satisfaction. Kathleen shook her head and clung to Devon as laughter trembled through both of them. “Did I hurt you?” she asked, her hand resting lightly at the side of his waistcoat. His smiling lips grazed her temple. “Of course not, you little makeweight.” They stayed together in that delicious moment of scattered light and fragrant spruce and irresistible attraction.
Lisa Kleypas (Cold-Hearted Rake (The Ravenels, #1))
There are halibut as big as doors in the ocean down below the town, flapskimming on the murky ocean floor with vast skates and rays and purple crabs and black cod large as logs, and sea lions slashing through the whip-forests of bull kelp and eelgrass and sugar wrack, and seals in the rockweed and giant perennial kelp and iridescent kelp and iridescent fish and luminous shrimp too small to see with the naked eye but billions of which feed the gray whales which slide hugely slowly by like rubbery zeppelins twice a year, north in spring and south in fall. Salmonberries, thimbleberries, black raspberries, gooseberries, bearberries, snowberries, salal berries, elderberries, blackberries along the road and by the seasonal salt marshes north and south. The ground squirrels burrow along the dirt banks of the back roads, their warren of mysterious holes, the thick scatter of fine brown soil before their doorsteps, the flash of silver-gray on their back fur as they rocket into the bushes; the bucks and does and fawns in the road in the morning, their springy step as they slip away from the gardens they have been eating; the bobcat seen once, at dusk, its haunches jacked up like a teenager's hot-rodding car; the rumor of cougar in the hills; the coyotes who use the old fire road in the hills; the tiny mice and bats one sometimes finds long dead and leathery like ancient brown paper; the little frenetic testy chittering skittering cheeky testy chickaree squirrels in the spruces and pines - Douglas squirrels, they are, their very name remembering that young gentleman botanist who wandered near these hills centuries ago. The herons in marshes and sinks and creeks and streams and on the beach sometimes at dusk; and the cormorants and pelicans and sea scoters and murres (poor things so often dead young on the beach after the late-spring fledging) and jays and crows and quorking haunted ravens (moaning Poe! Poe! at dusk) especially over the wooded hills, and the goldfinches mobbing thistles in the meadowed hills, and sometimes a falcon rocketing by like a gleeful murderous dream, and osprey of all sizes all along the Mink like an osprey police lineup, and the herring gulls and Caspian terns and arctic terns, and the varied thrushes in wet corners of thickets, and the ruffed grouse in the spruce by the road, and the quail sometimes, and red-tailed hawks floating floating floating; from below they look like kites soaring brownly against the piercing blue sky, which itself is a vast creature bluer by the month as summer deepens into crispy cold fall.
Brian Doyle (Mink River: A Novel)