Throat Goat Quotes

We've searched our database for all the quotes and captions related to Throat Goat. Here they are! All 39 of them:

The Llama is a woolly sort of fleecy hairy goat, with an indolent expression and an undulating throat; like an unsuccessful literary man.
Hilaire Belloc
The Kitchen           Half a papaya and a palmful of sesame oil; lately, your husband’s mind has been elsewhere.   Honeyed dates, goat’s milk; you want to quiet the bloating of salt.   Coconut and ghee butter; he kisses the back of your neck at the stove.   Cayenne and roasted pine nuts; you offer him the hollow of your throat.   Saffron and rosemary; you don’t ask him her name.   Vine leaves and olives; you let him lift you by the waist.   Cinnamon and tamarind; lay you down on the kitchen counter.   Almonds soaked in rose water; your husband is hungry.   Sweet mangoes and sugared lemon; he had forgotten the way you taste. Sour dough and cumin; but she cannot make him eat, like you.
Warsan Shire (Teaching My Mother How to Give Birth)
Inside, the doctor filled an eyedropper with goat milk and began to drip it into the back of the marten's throat. It filled him with immense medical satisfaction when eventually it urinated on the knee of his trousers. This indicated healthy renal functioning.
Louis de Bernières (Corelli’s Mandolin)
blink at the dragon. Then down at the goat. Then back at the dragon. He makes another noise deep in his throat, as if trying to get my attention. Then, he picks the goat up gently in his sharp teeth and drops it a few feet closer to me. It’s a present. Yippee.
Ruby Dixon (Fire in His Blood (Fireblood Dragon #1))
Dreams were the worst. Of course I dreamed of food and love, but they were pleasant rather than otherwise. But then I'd dream of things like slitting a baby's throat, mistaking it for a baby goat. I'd have nightmares of other islands stretching away from mine, infinities of islands, islands spawning islands, like frogs' eggs turning into polliwogs of islands, knowing that I had to live on each and every one, eventually, for ages, registering their flora, their fauna, their geography.
Elizabeth Bishop (Geography III)
The ideas of justice of Europe and Africa are not the same and those of the one world are unbearable to the other. To the African there is but one way of counter-balancing the catastrophes of existence, it shall be done by replacement; he does not look for the motive of an action. Whether you lie in wait for your enemy and cut his throat in the dark; or you fell a tree, and a thoughtless stranger passes by and is killed; so far as punishment goes, to the Native mind, it is the same thing. A loss has been brought upon the community and must be made up for, somewhere, by somebody. The Native will not give time or thought to the weighing of guilt or desert; either he fears that this may lead him too far, or he reasons that such things are no concerns of his. But he will devote himself, in endless speculations, to the method by which crime or disaster shall be weighed up in sheep and goats - time does not count to him; he leads you solemnly into a sacred maze of sophistry.
Karen Blixen (Out of Africa)
Outsong in the Jungle [Baloo:] For the sake of him who showed One wise Frog the Jungle-Road, Keep the Law the Man-Pack make For thy blind old Baloo's sake! Clean or tainted, hot or stale, Hold it as it were the Trail, Through the day and through the night, Questing neither left nor right. For the sake of him who loves Thee beyond all else that moves, When thy Pack would make thee pain, Say: "Tabaqui sings again." When thy Pack would work thee ill, Say: "Shere Khan is yet to kill." When the knife is drawn to slay, Keep the Law and go thy way. (Root and honey, palm and spathe, Guard a cub from harm and scathe!) Wood and Water, Wind and Tree, Jungle-Favour go with thee! [Kaa:] Anger is the egg of Fear-- Only lidless eyes see clear. Cobra-poison none may leech-- Even so with Cobra-speech. Open talk shall call to thee Strength, whose mate is Courtesy. Send no lunge beyond thy length. Lend no rotten bough thy strength. Gauge thy gape with buck or goat, Lest thine eye should choke thy throat. After gorging, wouldst thou sleep ? Look thy den be hid and deep, Lest a wrong, by thee forgot, Draw thy killer to the spot. East and West and North and South, Wash thy hide and close thy mouth. (Pit and rift and blue pool-brim, Middle-Jungle follow him!) Wood and Water, Wind and Tree, Jungle-Favour go with thee! [Bagheera:] In the cage my life began; Well I know the worth of Man. By the Broken Lock that freed-- Man-cub, ware the Man-cub's breed! Scenting-dew or starlight pale, Choose no tangled tree-cat trail. Pack or council, hunt or den, Cry no truce with Jackal-Men. Feed them silence when they say: "Come with us an easy way." Feed them silence when they seek Help of thine to hurt the weak. Make no bandar's boast of skill; Hold thy peace above the kill. Let nor call nor song nor sign Turn thee from thy hunting-line. (Morning mist or twilight clear, Serve him, Wardens of the Deer!) Wood and Water, Wind and Tree, Jungle-Favour go with thee! [The Three:] On the trail that thou must tread To the threshold of our dread, Where the Flower blossoms red; Through the nights when thou shalt lie Prisoned from our Mother-sky, Hearing us, thy loves, go by; In the dawns when thou shalt wake To the toil thou canst not break, Heartsick for the Jungle's sake; Wood and Water, Wind air Tree, Wisdom, Strength, and Courtesy, Jungle-Favour go with thee!
Rudyard Kipling
My vagina was green water, soft pink fields, cow mooing sun resting sweet boyfriend touching lightly with soft piece of blond straw. There is something between my legs. I do not know what it is. I do not know where it is. I do not touch. Not now. Not anymore. Not since. My vagina was chatty, can't wait, so much, so much saying, words talking, can't quit trying, can't quit saying, oh yes, oh yes. Not since I dream there's a dead animal sewn in down there with thick black fishing line. And the bad dead animal smell cannot be removed. And its throat is slit and it bleeds through all my summer dresses. My vagina singing all girl songs, all goat bells ringing songs, all wild autumn field songs, vagina songs, vagina home songs. Not since the soldiers put a long thick rifle inside me. So cold, the steel rod canceling my heart. Don't know whether they're going to fire it or shove it through my spinning brain. Six of them, monstrous doctors with black masks shoving bottles up me too. There were sticks, and the end of a broom. My vagina swimming river water, clean spilling water over sun-baked stones over stone clit, clit stones over and over. Not since I heard the skin tear and made lemon screeching sounds, not since a piece of my vagina came off in my hand, a part of the lip, now one side of the lip is completely gone. My vagina. A live wet water village. My vagina my hometown. Not since they took turns for seven days smelling like feces and smoked meat, they left their dirty sperm inside me. I became a river of poison and pus and all the crops died, and the fish. My vagina a live wet water village. They invaded it. Butchered it and burned it down. I do not touch now. Do not visit. I live someplace else now. I don't know where that is.
V (formerly Eve Ensler) (The Vagina Monologues)
Nice to have you back, girl,” he said softly. Then he turned to Alyss. “Ready to go?” She held up a hand. “One thing I have to take care of,” she said. She looked around the camp and spotted Petulengo, lurking guiltily by the goat pen. “Petulengo!” she called. Her voice was high and penetrating and he started, realizing he had been spotted. He looked around, seeking an escape route. But as he did so, Will unslung the massive longbow from his shoulder and casually plucked an arrow from his quiver. Suddenly, escaping didn’t seem like such a good idea. Then Alyss favored Petulengo with her most winning smile. “Don’t be frightened, dear,” she said soothingly. “I just want to say good-bye.” She beckoned to him, smiling encouragingly, and he stepped forward, gradually gaining in confidence as he realized that, somehow, he had won the favor of this young woman. Some of his old swagger returned as he approached and stood before her, urged a little closer by that smile. Underneath the ash and the dirt, he thought, she was definitely a looker. He gave her a smile in return. Petulengo, it has to be said, fancied himself with the ladies. Treat ’em rough and they’ll eat out of your hand, he thought. Then the smile disappeared like a candle being blown out. He felt a sudden jolt of agony in his right foot. Alyss’s heavy boot, part of Hilde’s wardrobe, had stamped down on his instep, just below the ankle. He doubled over instinctively, gasping with pain. Then Alyss pivoted and drove the heel of her open left hand hard into his nose, snapping his head back and sending him reeling. His arms windmilled and he crashed over onto the hard-packed dirt of the compound. He lay groggily, propped up on his elbows, coughing as blood coursed down the back of his throat. “Next time you throw firewood at an old lady,” Alyss told him, all traces of the winning smile gone, “make sure she can’t do that.” She turned to Will and dusted her hands together in a satisfied gesture. “Now I’m ready to go,” she said.
John Flanagan (The Lost Stories (Ranger's Apprentice, #11))
Gabe watched her move to the center of the green. In one gloved hand, she clutched a leash. The other end of the leash was attached to... something furry and brown that rolled. "What is that?" "That would be mongrel with two lamed hind legs. Apparently, Her Ladyship's friend devised a little chariot for his rear half, and the dog careens around the neighborhood like a yapping billiard ball. If you think that's strange, wait until you see the goat." "Hold a moment. There's a goat?" "Oh, yes. She grazes it on the square every afternoon. Doesn't precisely elevate the atmosphere of Bloom Square, now does it?" "I see the problem." "I'm only getting started. Her Ladyship has single-handedly set us back a month on the improvements." Hammond pulled a collection of letters from a folio. He held one aloft and read from it. "'Dear Mr. Hammond, I must request that you delay completion of the parquet flooring. The fumes from the lacquer are dizzying the hens. Sincerely yours, Lady Penelope Campion.'" He withdrew another. "'Dear Mr. Hammond, I'm afraid your improvements to the mews must be temporarily halted. I've located a litter of newborn kittens in the hayloft. Their mother is looking after them, but as their eyes are not yet open, they should not be displaced for another week. Thank you for your cooperation. Gratefully yours, Lady Penelope Campion.'" Gabe sensed a theme. "Oh, and here's my favorite." Hammond shook open a letter and cleared his throat for dramatic effect. "'Dear Mr. Hammond, if it is not too great an imposition, might I ask that your workers refrain from performing heavy labor between nine o'clock in the morning and half-three in the afternoon? Hedgehogs are nocturnal animals, and sensitive to loud noises. My dear Freya is losing quills. I feel certain this will concern you as much as it does me. Neighborly yours, Lady Penelope Campion.'" He tossed the folio of letters onto the table, where they landed with a smack. "Her hedgehog. Really.
Tessa Dare (The Wallflower Wager (Girl Meets Duke, #3))
It’s very difficult to cut the throat of some creature with which you’ve established a personal relationship, as we could attest from the time my grandfather brought home a young goat to fatten in the patio of our house and roast on his birthday. That goat died of old age. And as it turned out, it wasn’t a nanny but a male, and as soon as it grew horns, it attacked us at will.
Isabel Allende (My Invented Country: A Nostalgic Journey Through Chile)
She wasn’t going to let them make her cry. She’d cried enough self-pitying tears in her life to drown a goat, and all it had gotten her was a big fat nothing. She made herself take a deep breath, but it didn’t help break the traffic jam in her throat. Might as well call a spade a spade. That traffic jam came from shame. There was a big difference between knowing people still hated your guts and seeing it in their faces.
Susan Elizabeth Phillips (Ain't She Sweet?)
A young man with goat feet and horns, wearing a shirt of golden scale mail and holding a thing-bladed rapier, steps in the pool of light near a building. His face is expressionless, like someone in a dream. I note the curls of his tawny blond hair tucked behind his pointed ears, the garnet-coloured cloak tossed over wide shoulders, the scar along one side of his throat, a circlet at his brow. He moves as though he expects the world to bend to his will. ... His amber eyes are bright, like those of a fox, but there is nothing warm in them.
Holly Black (The Stolen Heir (The Stolen Heir Duology, #1))
It didn’t get sick. Someone”—Iran cleared her throat and went on huskily—“someone came here, got the goat out of its cage, and dragged it to the edge of the roof.” “And pushed it off?” he said. “Yes.” She nodded. “Did you see who did it?” “I saw her very clearly,” Iran said. “Barbour was still up here fooling around; he came down to get me and we called the police, but by then the animal was dead and she had left. A small young-looking girl with dark hair and large black eyes, very thin. Wearing a long fish-scale coat. She had a mail-pouch purse. And she made no effort to keep us from seeing her. As if she didn’t care.” “No, she didn’t care,” he said. “Rachael wouldn’t give a damn if you saw her; she probably wanted you to, so I’d know who had done it.” He kissed her. “You’ve been waiting up here all this time?” “Only for half an hour. That’s when it happened; half an hour ago.” Iran, gently, kissed him back. “It’s so awful. So needless.” He turned toward his parked car, opened the door, and got in behind the wheel. “Not needless,” he said. “She had what seemed to her a reason.” An android reason, he thought.
Philip K. Dick (Do Androids Dream of Electric Sheep?)
They came late to the empty land and looked with bitterness upon the six wolves watching them from the horizon's rim. With them was a herd of goats and a dozen black sheep. They took no account of the wolves' possession of this place, for in their minds ownership was the human crown that none other had the right to wear. The beasts were content to share in survival's struggle, in hunt and quarry, and the braying goats and bawling sheep had soft throats and carelessness was a common enough flaw among herds; and they had not yet learned the manner of these two-legged intruders. Herds were fed upon by many creatures. Often the wolves shared their meals with the crows and coyotes, and had occasion to argue with lumbering bears over a delectable prize. When I came upon the herders and their longhouse on a flat above the valley, I found six wolf skulls spiked above the main door. In my travels as a minstrel I knew enough that I had no need to ask - this was a tale woven into our kind, after all. No words, either, for the bear skins on the walls, the antelope hides and elk racks. Not a brow lifted for the mound of bhederin bones in the refuse pit, or the vultures killed by the poison-baited meat left for the coyotes. That night I sang and spun tales for my keep. Songs of heroes and great deeds and they were pleased enough and the beer was passing and the shank stew palatable. Poets are sembling creatures, capable of shrugging into the skin of man, woman, child and beast. There are some among them secretly marked, sworn to the cults of the wilderness. And that night I shared out my poison and in the morning I left a lifeless house where not a dog remained to cry, and I sat upon a hill with my pipe, summoning once more the wild beasts. I defend their ownership when they cannot, and make no defence against the charge of murder; but temper your horror, friends: there is no universal law that places a greater value upon human life over that of a wild beast. Why would you ever imagine otherwise?
Steven Erikson
Calypso Blues" Wa oh oh, wa oh oh Wa oh wa oh wa oh way Wa oh oh, wa oh oh Wa oh wa oh wa oh way Sittin' by de ocean Me heart, she feel so sad, Sittin' by de ocean, Me heart, she feel so sad Don't got de money To take me back to Trinidad. Fine calypso woman, She cook me shrimp and rice, Fine calypso woman, She cook me shrimp and rice These Yankee hot dogs Don't treat me stomach very nice. In Trinidad, one dollar buy Papaya juice, banana pie, Six coconut, one female goat, An' plenty fish to fill de boat. One bushel bread, one barrel wine, An' all de town, she come to dine. But here is bad, one dollar buy Cup of coffee, ham on rye. Me throat she sick from necktie, Me feet hurt from shoes. Me pocket full of empty, I got Calypso blues. She need to, bubble like perculatah' She come from Trinidad so winin' in her nature Never can't I assess a reps until failure Tell her if she stops she needs fe fly Air Jamaica Anytime she land she nah go feel like no stranger Carry us beyond we similar in behavior Them no understand our customs and we flavor Need a natty dred to be the new care taker, lord! These Yankee girl give me big scare, Is black de root, is blond de hair. Her eyelash false, her face is paint, And pads are where de girl she ain't! She jitterbugs when she should waltz, I even think her name is false. But calypso girl is good a lot, Is what you see, is what she got. Sittin' by de ocean Me heart, she feel so sad, Don't got de money To take me back to Trinidad. Wa oh oh, wa oh oh Wa oh wa oh wa oh way Wa oh oh, wa oh oh Wa oh wa oh wa oh way She need to, she need to, she need to, bubble like perculatah' She come from Trinidad so winin' in her nature Never can't I assess a reps until failure Tell her if she stops she needs fe fly Air Jamaica Anytime she land she nah go feel like no stranger Carry us beyond we similar in behavior Them no understand our customs and we flavor Need a natty dred to be the new care taker, lord! Wa oh oh, wa oh oh Wa oh wa oh wa oh way Wa oh oh, wa oh oh Wa oh wa oh wa oh way
Nat King Cole
Stop!” she called out. To a one, the crewmen froze. A dozen heads swiveled to face her. Sophia swallowed and turned to Mr. Grayson. “What about me? I’m also a virgin voyager.” His lips quirked as his gaze swept her from head to toe and then back up partway. “Are you truly?” “Yes. And I haven’t a coin to my name. Do you plan to dunk and shave me, too?” “Now there’s an idea.” His grin widened. “Perhaps. But first, you must submit to an interrogation.” A lump formed in Sophia’s throat, impossible to speak around. Mr. Grayson raised that sonorous baritone to a carrying pitch. “What’s your name then, miss?” When Sophia merely firmed her chin and glared at him, he warned dramatically, “Truth or eels.” Bang. Excited whispers crackled through the assembly of sailors. Davy was completely forgotten, dropped to the deck with a dull thud. Even the wind held its breath in anticipation, and Sophia gave a slight jump when a sail smacked limp against the mast. Though her heart pounded an erratic rhythm of distress, she willed her voice to remain even. “I’ve no intention of submitting myself to any interrogation, by god or man.” She lifted her chin and arched an eyebrow. “And I’m not impressed by your staff.” She paused several seconds, waiting for the crew’s boisterous laughter to ebb. Mr. Grayson pinned her with his bold, unyielding gaze. “You dare to speak to me that way? I’m Triton.” With each word, he stepped closer. “King of the Sea. A god among men.” Now they stood just paces apart. Hunger gleamed in his eyes. “And I demand a sacrifice.” Her hand remained pressed against her throat, and Sophia nervously picked at the neckline of her frock. This close, he was all bronzed skin stretched tight over muscle and sinew. Iridescent drops of seawater paved glistening trails down his chest, snagging on the margins of that horrific scar, just barely visible beneath his toga. “A sacrifice?” Her voice was weak. Her knees were weaker. “A sacrifice.” He flipped the trident around, his biceps flexing as he extended the blunt end toward her, hooking it under her arm. He lifted the mop handle, pulling her hand from her throat and raising her wrist for his inspection. Sophia might have yanked her arm away at any moment, but she was as breathless with anticipation as every other soul on deck. She’d become an observer of her own scene, helpless to alter the drama unfolding, on the edge of her seat to see how it would play out. He studied her arm. “An unusually fine specimen of female,” he said casually. “Young. Fair. Unblemished.” Then he withdrew the stick, and Sophia’s hand dropped to her side. “But unsatisfactory.” She felt a sharp twinge of pride. Unsatisfactory? Those words echoed in her mind again. I don’t want you. “Unsatisfactory. Too scrawny by far.” He looked around at the crew, sweeping his makeshift trident in a wide arc. “I demand a sacrifice with meat on her bones. I demand…” Sophia gasped as the mop handle clattered to a rest at her feet. Mr. Grayson gave her a sly wink, bracing his hands on his hips in a posture of divine arrogance. “I demand a goat.
Tessa Dare (Surrender of a Siren (The Wanton Dairymaid Trilogy, #2))
Taking hold of the ladder, she began to climb, stopping when she got to eye level with him. That, however, turned out to be a mistake, because the moment her eyes met his, she forgot everything—even the lines she’d just committed to memory—because nothing else mattered to her except . . . him. “You wrote a scene with a strong heroine in it, and one where the hero gets dangled by his feet.” “I did.” “Why?” “Because I couldn’t figure out a better way to let you know I love you, the real you, without dangling from my feet and letting you cut me down.” Lucetta’s eyes immediately took to turning a little misty. “You . . . love me?” “I do, but before we continue this, I have to admit that hanging upside down is far less pleasant than I imagined, so if you’d be so kind, I really do need you to get me down from here.” Realizing he was completely serious, but also realizing if she cut him down he’d go plummeting to the hard floor and most likely suffer a horrible injury—which certainly wouldn’t have the night turning out well at all—Lucetta looked to the side of the stage and caught Mr. Skukman’s eye. As he, along with a good number of backstage hands, walked across the boards, whispers began circulating around the theater, growing louder after Bram got released and rose to his feet. Smiling ever so charmingly at the audience, he presented them with a small bow right before he took center stage. “Ladies and gentlemen, I must beg your indulgence for just a few more minutes because you see . . . I am . . . Mr. Grimstone.” The whispers ceased immediately. Bram smiled. “I’m Mr. Grimstone, alias Mr. Bram Haverstein, and I’ve come here tonight, with all of you as my witnesses, to proclaim my love for Miss Lucetta Plum, and . . .” He dropped to one knee. “Ask her to do me the very great honor of becoming my wife.” He reached out and took hold of Lucetta’s hand. “Miss Lucetta Plum, I am completely and irrevocably in love with you, and just so we’re clear, I’m in love with the real you, not the person you turn into when you take to the stage. I love the idea that you’re completely oblivious to your unusual beauty, can outrun a goat, and . . . you fascinate me as no one ever has. I’m asking you, in front of all of these people who will probably never buy another one of my books again if you turn me down . . .” He stopped talking and turned his head to the audience. “And just to remind everyone, I will have another novel releasing soon, although I haven’t decided on a title just yet, something about a strong-willed lady, no doubt, or . . .” “You’re getting distracted,” Lucetta interrupted. Bram immediately returned his gaze to hers. “Quite right, but . . . I’ve lost my train of thought.” “You were just about to the part where you were going to ask her to marry you,” a voice called out, a voice that sounded remarkably like Abigail’s. “Thank you, Grandmother,” he called back. “You’re welcome, darling. And just to remind you, I’m not getting any younger, so you might want to hurry this proposal business along.” Grinning, Bram shook his head, brought Lucetta’s fingers to his lips, and then sobered as he held her gaze. “I love you, Lucetta, more than I ever imagined I could, and I would be so incredibly honored if you’d agree to be my wife.” For a second, Lucetta was unable to answer him because her heart had taken to rising in her throat, but after drawing in a deep breath, she managed to nod, ignoring the tears that had filled her eyes and were blurring her vision. “I would be honored to become your wife, especially since—I’m not sure when this happened, but—I’m in love with you as well.” Bram’s hold on her hand tightened for just a second, and then he was sliding a ring on her finger she hadn’t even realized he’d been holding. Before she could take even a second to admire what felt like an enormous rock on her hand, he was standing instead of kneeling, looking intently into her eyes, before he pulled her into his arms and kissed her. The
Jen Turano (Playing the Part (A Class of Their Own, #3))
Bacchus, the son of Zeus I know, not you! He smells of nectar, you just smell of goats! Grape-less, the Celts pour barley down their throats,
Adrian Murdoch (The Last Pagan: Julian the Apostate and the End of the Roman world (Rott Classics Book 2))
My eyes unapologetically trailed down the length of his torso, down the thin line of hair leading into his underwear and stopped on his…massive erection. Oh, God. Now, it made sense why he was suddenly modest. Clearing my throat, I said, “You…you’re…” “Hard.” “Yes.” “It’s called morning wood. I can’t be responsible for how I wake up…especially under these conditions.” “Sleeping next to a goat. Did it turn you on?” I laughed. “I was referring to your impromptu striptease a few seconds ago. And now, you barged over here again before I had a chance to calm the fuck down from it.
Penelope Ward (Cocky Bastard)
In the Old Testament, Aaron the High Priest represented all of the children of Israel. Therefore as a representative of the entire nation of Israel, the High Priest transferred all their sins by laying both his hands on the head of a goat, and by drawing the blood of the animal by slitting its throat, and then putting its blood on the four horns of the altar of burnt offering. He thus offered the sin offering of the Day of Atonement before God on behalf of all the people. In the New Testament, it was none other than John the Baptist who was the representative
Paul C. Jong (The Relationship Between the Ministry of JESUS and That of JOHN the BAPTIST Recorded in the Four Gospels)
My throat constricted and I choked on my drink, placing it down as I tried to rein in my coughing. With a noise like a dying goat,
Caroline Peckham (The Awakening (Zodiac Academy, #1))
Tis also a sin to rid a woman of a child, yet every woman in Colmar knows that you can do it.” “Not through potions nor incantations, my dear. I ain’t no witch. I help women remain without child through revulsion.” “Tell me again, Appel, how does this ‘revulsion’ against children work? And what does ‘revulsion’ mean?” “Ah, yes.” Appel straightened and cleared her throat with the gravity of a philosopher. “You take the womb of a she-goat who has never borne a kid and carry it against you when Jorges starts a’plowing in your field. This will prevent you from getting with child again, mark me.” They looked at each other and laughed. “Well, it works because he doesn’t wish to go investigating anything so foul! You see? Revulsion!” They roared with such laughter that they didn’t hear the knock at the door.
Elizabeth R. Andersen (The Alewives (The Alewives of Colmar, #1))
Snowblind There's sadness in winter's frosted eyelids, madness from a lumpy snowball lodged in its throat; I ski snowblind across its fleecy highlands, Hallucinating every hill gambols like a goat.
Beryl Dov
Gargling with goat urine was one remedy for a person who accidentally swallowed a leech. If that didn’t work, a patient would abstain from water to make sure the leech was thirsty. Then, a hollow bronze tube would be shoved down the patient’s throat. Next, a red-hot cautery iron would be shoved down the tube. Finally, a nice, cold glass of water would be placed in front of the patient, and the thirsty leech would be grabbed when it made its move.
Nathan Belofsky (Strange Medicine: A Shocking History of Real Medical Practices Through the Ages)
Useful Gaelic Proverbs for Priests, Adulterers and other Hooligans May the cat eat you, and may the devil eat the cat. You're as thick as manure And only half as useful as my hat. So have a pint of the black stuff But don't let your tongue cut your throat You don't need a Gaelic proverb to know your wife's an ugly goat. But the truth can't be concealed I fooked your Caitlin from behind, because you can never plow a field by just turning it over in your mind. By the way, Caitlin's last words, before sucking me cock, were, "Smells do sac liathróid cosúil ballyblue, ahhh, Éirinn go Brách!" ("Your balls smells like ballyblue* brie cheese, ahhh, Erin go Bragh!") **
Beryl Dov
Are you certain you’re unharmed?” he asked as the carriage surged into motion. “My nerves are a little rattled, as can be expected, but other than that, I’m fine.” She caught his eye. “I’m incredibly grateful that you and everyone else worked so hard to find me, and were able to rid me of Silas once and for all.” A smile tugged at her lips. “I’m sure after a few weeks have passed, or . . . maybe a few years, when it’s not so very fresh to me, I’ll be able to laugh about it and tell people I was able to participate in my very own gothic-style story, quite like one our favorite author, Mr. Grimstone, might pen.” The mention of Mr. Grimstone had him leaning forward. “We have much to discuss.” Lucetta immediately took to looking wary. “Why do I have the feeling we’re no longer talking about me and . . . my abduction?” “Because we need to talk about us, and talk about where we go from here before we get back to Abigail’s house and everyone distracts us.” Lucetta’s wariness immediately increased. “I’m not certain there’s any need for that, Bram. The danger to me has passed, which means I’m free to return to the theater, and . . . you and I are free to go on our merry ways—and our separate merry ways, at that.” Bram settled back against the carriage seat. “I never took you for a coward, Lucetta.” Temper flashed in her eyes. “I’m not a coward.” “Then why aren’t you willing to at least see where whatever this is between us leads?” “There’s nothing between us.” “Your lips said differently a few days ago, and . . . you enjoy my company—you can’t deny that.” “Perhaps I do enjoy your company, but we’ll leave my lips out of further discussion, if you please. The truth of the matter is that I don’t trust you, I don’t like secrets, which you’re obviously keeping, and . . . I have no desire to become attached to a gentleman who spends time in a dungeon, of all places, and has a mausoleum marking the entrance to his drive.” “Ah, well, yes, but you see, those are some of the things I’d like to discuss with you.” He sent her what he hoped was a most charming smile, but one that only had her arching a brow his way again. Clearing his throat, he sat forward. “To continue, I have to admit that I’ve thought out my explanation regarding all of the things I need to explain in a certain order. So . . . if you’ll humor me, I wrote down a list, and . . .” Digging a hand into his jacket pocket, he pulled out the list and read it through, nodding before he lifted his head. “First, I need to say that—” he blew out a breath—“I’ve bungled practically everything with you so far, starting when I almost drowned you in the moat, er . . . twice.” “You won’t get an argument from me on that.” “I neglected to warn you about my goat.” Her lips twitched right at the corners. “That might be being a little hard on yourself, Bram. You couldn’t have known someone would turn Geoffrey loose on me up in the tower room.” “True, but I should have mentioned that I owned a goat with a curious dislike for ladies in skirts.” “I don’t believe Geoffrey is really at the root of the issues I have with you and Ravenwood, Bram.” He caught her eye and nodded. “I’m at the root of your issues, Lucetta—me and all of my secrets—which is why . . .” He consulted his notes again before he lifted his head. “I’m going to tell you everything, and then . . . ” He glanced one last time at his notes before he looked her way. “After you hear me out, I’d greatly appreciate it if you’d consider allowing me to . . . court you.” “Court me?” She began inching toward the carriage door, which was rather disturbing considering the carriage was traveling at a fast clip down the road. Stiffening his resolve, and ignoring the disbelief in her eyes, he nodded. “It would be my greatest honor to court you, especially since I should have asked to court you before I kissed you, and certainly before I offered to marry you . . . twice.” “You
Jen Turano (Playing the Part (A Class of Their Own, #3))
GOAT HOUR GOSPEL (SUCH SALVAGE) BY MARK WAGENAAR   Just as the evening’s about to move on, they appear, not as the apparitional deer— here, & gone in the next moment, without a sound—but one by one, bumbling through briar, chewing through poison ivy, sniffing at trees. A slow procession walking beneath elms & birches that hold up the last light. And you’re alone with the traces of things, the news in front of you: the crooked skeleton of Richard III was dug up from a parking lot, humpbacked, once buried in his boots & battlefield wounds. Nearby a lost river has been uncovered, & coughed up its mouthful of Roman skulls. No relic is safe, it seems, from an invisible tide that presses them upward. Sometimes it’s not the loss that hurts but the indignities of the discovery. And yet beside the diggers & builders of new things is this mangy congregation, pushing through the scrub without a trail or blueprint or direction. Their dirty white fur shines a little in this late, lost hour. They bleat as they shamble & piss on each other without warning, or maybe as a warning, or in greeting. They’ll eat anything—tin can, T-shirt, canvas sack, bones of animals & kings, & carry them awhile. And so do we: each night, across the country, people turn up at hospitals unable to speak, for the needle or nail lodged in their throats. They’re unable to explain why, but we know— that desperate mix of need & panic that can drive us to keep something safe for good. These dearest items take your words & leave them luminous, radiolucent, shining on the X-ray, like this swallowed ring: a ghostly eclipse. Small comfort to share an appetite with these goats, this dishevelled lot. But a comfort, too, to know that some things will be saved from the soil, rescued from time’s indignities, if only for a little while, & by these scruffy reliquaries, on the other side of the valley now, flickering slightly as they near the vanishing point of the timberline. And we might call such salvage mercy . And it must be even for the undeserving, for those of us who didn’t live right, or live best. Whatever that means. Mercy will find us, even when we fail to recognize it, when we least expect it.
Anonymous
Every time the waiter with the cheese platter comes by I take two or three cracker loads at a time. I give him a polite smile, hoping he can guess I once did his job and I know his feet hurt like pins are being driven through the heels. The expensive cheeses are salty and soft against the crispiness of the crackers, and I realize how hungry I am. How little I have been eating these past weeks. Perhaps the waiter can sense this too; he begins to make a beeline for me each time he comes from the kitchen with a new plate. Goat, blue, Brie. Soothingly thick and creamy in my throat.
Hannah Tunnicliffe (The Color of Tea)
Look beyond the broken bottles Past the rotting wooden stairs Root out the wine-dark honeyed center Not everyone can live like millionaires Look through the air-thin walls Tear up the floorboards, strip the paint Go over every inch of space with the patience of a saint Grab your hat, get your coat The cellar door is an open throat —The Mountain Goats, “The House That Dripped Blood
Nat Cassidy (Nestlings)
The only thing is, I saw her. A few days before she disappeared.” Dorothy cleared her throat, even though there was nothing to clear. “She was going into number eleven.
Joanna Cannon (The Trouble with Goats and Sheep)
Dare to be the most charitable friend that one can know - therefore, care for the orphan and the poor and the widow - share everything through prayers from your heart to spare a soul, so that you barely do it for the credit or for show (hardly for rarity, too, although you reap what you sow). Through sincerity do what you trust; it scares many foes. Also, show no partiality: 'too unfair' must go. Plus know it's a slow, terrible thing to love just to boast; there's no scarcity of things true being cut in the throat: and blown up, such harsh realities roast us coast to coast (as though love's some dark noir since neither good nor bad may gloat (doesn't matter if you sacrifice your sun or a goat)). But regardless, much to the contrary, all seeds need growth; thus, deplorable, horrible or not, we'll bleed love's flow. More pouring out meaningful ways to keep the boat afloat; less rowing for it seems eternal days around a moat: because good deeds, clichés, these are what make the world still glow, placing smiles on its face while it toasts to our Lord of hosts. It's like grace is needed most when even one's been brought low, so dare to be the most charitable one you will know.
Criss Jami
See, when ye come to reckon your life,” she said briskly, stooping to pick up the goat’s rope, “ye see that it’s the bairns are most important. They carry your blood and they carry whatever else ye gave them, on into the time ahead.” Her voice was perfectly steady, but she cleared her throat with a tiny hem before going on.
Diana Gabaldon (Go Tell the Bees that I Am Gone (Outlander, #9))
You used to sit like this and tell me stories about my great-great-grandmother, the one who killed scorpions with her bare heels and slit the throats of the goats on Eid. You and Teta Badra before you and Teta's mother before her—my great-grandmother Wafaa, daughter of the scorpion-killer—you were the bearers of bravery in our family. You were the one who fought to save the neighborhood I'm now sneaking into to paint each night. But you failed to realize that America has only ever deemed certain heritages worth preserving.
Zeyn Joukhadar (The Thirty Names of Night)
[...] hereby declare my unwavering friendship to Mitch Johnson. I promise to have your back in any public situation. If I believe you to be wrong, I will tell you so in private. I promise to be there when you need to talk. To say nothing when you just need my presence but not my opinion. I promise to laugh at your bad jokes at least once a month.” She folded up her speech, stuck it back in her pocket. “And I promise to help you create an edible that will make all fifty states want to legalize cannabis.” She waited for him. He said nothing. “It’s your turn.”“I know. I’m just trying to come up with the right words for how I’m feeling at this moment.” He pulled at his collar. “Then as your friend, I’ll stand here silently and wait for you to speak.” Many seconds later, he cleared his throat. “I, Mitch Johnson, clearly being of unsound mind for being a part of a friendship ceremony, do hereby declare my freely given friendship to Luna Parker. I recognize Ms. Parker’s weirdness and never-ending antics as a part of who she is, and I embrace the idea of bringing a friend like that into my life. Together, I believe we will balance each other out. I… shall strive to always have her back in any given situation. And to occasionally put aside my rules if the result brings a smile to her lips.” He stopped and glanced at the goats. “And I promise to protect her from those who would try and harm her. Oh, and eat her muffins without complaint.
Lisa Wells (Rocky Mountain High-Jinx (Rocky Mountain Springs))
Silence people, prevent them from speaking, and above all, when they do speak, pretend they haven’t said a thing: the famous psychoanalytic neutrality. The Wolf-Man keeps howling: Six wolves! Seven wolves! Freud says, How’s that? Goats, you say? How interesting. Take away the goats and all you have left is a wolf, so it’s your father... That is why the Wolf-Man feels so fatigued: he’s left lying there with all his wolves in his throat, all those little holes on his nose, and all those libidinal values on his body without organs. The war will come, the wolves will become Bolsheviks, and the Wolf-Man will remain suffocated by all he had to say.
Gilles Deleuze (A Thousand Plateaus: Capitalism and Schizophrenia)
Esther tilted her head, debating whether or not to give him the dietary laws she had followed all of her life. He would wonder about her background if she said too much. Could she word the request in such a way so as not to draw attention? "I can tell you want to say something." He quirked a brow. "It is only... I am used to a minimal diet where I come from. We ate from the garden and ate many lentils and nuts and raisins and dates. And bread, of course." She searched his face. "We rarely ate meat- sometimes goat or lamb- but in the city we could not keep flocks or herds or afford to purchase much from the butchers." "Well, you can have your fill of meat here," he said, smiling. "There is no lack of what the king has to offer." Esther hesitated and swallowed, then took a chance in spite of the warnings in her head to remain silent. "I simply fear that too drastic a change in my diet might make me ill. It is not that I am ungrateful for whatever the king has to offer." Hegai regarded her. "I hadn't considered that, but you are wise to think of it. I will make sure your diet consists only of things you are used to. It will not bode well for me if you became ill." "Thank you, my lord." She bowed her head. He cleared his throat. "It is just Hegai. I am simply a eunuch, not a lord or nobleman." "Thank you, Hegai." She bowed her head again. "I appreciate all you have done for me." "It is my pleasure.
Jill Eileen Smith (Star of Persia: (An Inspirational Retelling about Queen Esther))
[Adso, experiencing a divine allegorical vision] I saw a voluptuous woman, naked and fleshless, gnawed by foul toads, sucked by serpents, coupled with a fat-bellied satyr whose gryphon legs were covered with wiry hairs, howling its own damnation from an obscene throat; and I saw a miser, stiff in the stiffness of death on his sumptuously columned bed, now helpless prey of a cohort of demons, one of whom tore from the dying man's mouth his soul in the form of an infant (alas, never to be again born to eternal life); and I saw a proud man with a devil clinging to his shoulders and thrusting his claws into the man's eyes, while two gluttons tore each other apart in a repulsive hand-to-hand struggle, and other creatures as well, goat head and lion fur, panther's jaws, all prisoners in a forest of flames whose searing breath I could almost feel.
Umberto Eco (The Name of the Rose)
Mona sat watching them, two weird figures in the uncertain light. as they wrestled with the reluctant charcoal in the censer. Then Jelkes rose upright and whirled the thing on its yard-long clashing chains round and round his head. clouds of smoke and showers of sparks flying in every direction; his enormous shadow stretched far across the vaulting of the roof. grotesque and demoniac, the cloak of his ulster flapping like the wings of a bat. Hugh, his face invisible in the shadow of his cowl, stood silently watching him. Mona clutched the arms of her chair, her heart beating in her throat and nearly suffocating her. Jelkes and Hugh, tall men in any case, looked enormous in the uncertain light. Hugh was in very deed the renegade monk returned from the tomb; Jelkes a being of another order of creation altogether.
Dion Fortune (Goat Foot God: A Novel)