Widow Life Quotes

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Every life is in many days, day after day. We walk through ourselves, meeting robbers, ghosts, giants, old men, young men, wives, widows, brothers-in-love, but always meeting ourselves.
James Joyce (Ulysses)
Every widow wakes one morning, perhaps after years of pure and unwavering grieving, to realize she slept a good night's sleep, and will be able to eat breakfast, and doesn't hear her husband's ghost all the time, but only some of the time. Her grief is replaced with a useful sadness. Every parent who loses a child finds a way to laugh again. The timbre begins to fade. The edge dulls. The hurt lessens. Every love is carved from loss. Mine was. Yours is. Your great-great-great-grandchildren's will be. But we learn to live in that love.
Jonathan Safran Foer (Everything is Illuminated)
These people walk by a widow deformed by leprosy...walk by children dressed in rags living in the street, and they think, 'Business as usual.' But if they perceive a slight against God, it is a different story. Their faces go red, their chests heave mightily, they sputter angry words. The degree of their indignation is astonishing. Their resolve is frightening.
Yann Martel (Life of Pi)
If Socrates leaves his house today he will find the sage seated on his doorstep. If Judas go forth tonight it is to Judas his steps will tend.’ Every life is many days, day after day. We walk through ourselves, meeting robbers, ghosts, giants, old men, young men, wives, widows, brothers-in-law. But always meeting ourselves.
James Joyce (Ulysses)
All his life he would hold this moment as exemplary of what love was. It was not wanting anything more, nor was it expecting people to exceed what they had just accomplished; it was simply feeling so complete.
John Irving (A Widow for One Year)
There is an hour, a minute - you will remember it forever - when you know instinctively on the basis of the most inconsequential evidence, that something is wrong. You don't know - can't know - that it is the first of a series of "wrongful" events that will culminate in the utter devastation of your life as you have known it.
Joyce Carol Oates (A Widow's Story)
Human beings suffer, They torture one another, They get hurt and get hard. No poem or play or song Can fully right a wrong Inflicted and endured. The innocent in gaols Beat on their bars together. A hunger-striker's father Stands in the graveyard dumb. The police widow in veils Faints at the funeral home. History says, don't hope On this side of the grave. But then, once in a lifetime The longed-for tidal wave Of justice can rise up, And hope and history rhyme. So hope for a great sea-change On the far side of revenge. Believe that further shore Is reachable from here. Believe in miracle And cures and healing wells. Call miracle self-healing: The utter, self-revealing Double-take of feeling. If there's fire on the mountain Or lightning and storm And a god speaks from the sky That means someone is hearing The outcry and the birth-cry Of new life at its term.
Seamus Heaney
Beli at thirteen believed in love like a seventy-year-old widow who's been abandoned by family, husband, children and fortune believes in God.
Junot Díaz (The Brief Wondrous Life of Oscar Wao)
You can't learn everything you need to know legally.
John Irving (A Widow for One Year)
What greater thing is there for two human souls, than to feel that they are joined for life - to strengthen each other in all labor, to rest on each other in all sorrow, to minister to each other in all pain, to be one with each other in silent unspeakable memories at the moment of the last parting?
John Irving (A Widow for One Year)
There are always those who take it upon themselves to defend God, as if Ultimate Reality, as if the sustaining frame of existence, were something weak and helpless. These people walk by a widow deformed by leprosy begging for a few paise, walk by children dressed in rags living in the street, and they think, "Business as usual." But if they perceive a slight against God, it is a different story. Their faces go red, their chests heave mightily, they sputter angry words. The degree of their indignation is astonishing. Their resolve is frightening. These people fail to realize that it is on the inside that God must be defended, not on the outside. They should direct their anger at themselves. For evil in the open is but evil from within that has been let out. The main battlefield for good is not the open ground of the public arena but the small clearing of each heart. Meanwhile, the lot of widows and homeless children is very hard, and it is to their defense, not God's, that the self-righteous should rush.
Yann Martel (Life of Pi)
May a man live well-enough and long-enough, to leave many joyful widows behind him.
Roman Payne (Cities & Countries)
Life can change in the flash of a shooting star, and the people we love can be out of our reach forever.
Rebecca Rosenberg (Champagne Widows: First Woman of Champagne, Veuve Clicquot)
I felt bad for trying to live a happy, full life, while my heart was buried in a dead man’s chest.
Kristen Hope Mazzola (Crashing Back Down (Crashing, #1))
Oh yes. You’ve caught me. I confess. My sole purpose in life is to gleefully, willfully, maniacally destroy all of your precious chrome babies.
Jennifer Estep (Widow's Web (Elemental Assassin, #7))
Heterosexual relationships seem to lead only to marriage, and for most poor dumb brainwashed women marriage is the climactic experience. For men, marriage is a matter of efficient logistics: the male gets his food, bed, laundry, TV, pussy, offspring and creature comforts all under one roof, where he doesn't have to dissipate his psychic energy thinking about them too much - then he is free to go out and fight the battles of life, which is what existence is all about. But for a woman, marriage is surrender. Marriage is when a girl gives up the fight, walks off the battlefield and from then on leaves the truly interesting and significant action to her husband, who has bargained to 'take care' of her. What a sad bum deal. Women live longer than men because they really haven't been living. Better blue-in-the-face dead of a heart attack at fifty than a healthy seventy-year old widow who hasn't had a piece of life's action since girlhood.
Tom Robbins (Even Cowgirls Get the Blues)
She thought about how it was to have been a woman in the prime of life, with children and a man, and then to lose all that, becoming old and a widow, powerless. But even so she did not feel she understood his shame, his agony of humiliation. Perhaps only a man could feel so. A woman got used to shame.
Ursula K. Le Guin (Tehanu (Earthsea Cycle, #4))
But the measure of a man, of a life, of a union of man and wife or even country is not in the falling. It’s in the rising back up again to repair what’s broken, to put right what’s wrong. Your father and I did that. We always did that. He never stopped trying until the day he died. And neither will I.
Stephanie Dray (My Dear Hamilton: A Novel of Eliza Schuyler Hamilton: Wife, Widow, and Warrior in Alexander Hamilton’s Quest for a More Perfect Union)
Also, when you are young, you think you can predict the likely pains and bleaknesses that age might bring. You imagine yourself being lonely, divorced, widowed; children growing away from you, friends dying. You imagine the loss of status, the loss of desire – and desirability. You may go further and consider your own approaching death, which, despite what company you may muster, can only be faced alone. But all this is looking ahead. What you fail to do is look ahead, and then imagine yourself looking back from the future point. Learning the new emotions that time brings. Discovering, for example, that as the witnesses to your life diminish, there is less corroboration, and therefore less certainty, as to what you are or have been. Even if you have assiduously kept records – in words, sound, pictures – you may find that you have attended to the wrong kind of record-keeping. What was the line Adrian used to quote? 'History is that certainty produced at the point where the imperfections of memory meet the inadequacies of documentation.
Julian Barnes (The Sense of an Ending)
Why does it sound like you're projecting on my life?" "Because I am. Duh.
Xiran Jay Zhao (Iron Widow (Iron Widow, #1))
Screw-top wine has improved the quality of life by about ten percent, wouldn't you say?
Martin Amis (The Pregnant Widow)
There’s no such a thing as karma. Or if it does exist, it sure doesn’t give a shit about people like me. Some of us were born to be used and discarded. We can’t afford to simply go along with the flow of life, because nothing in this world has been created, built, or set up in our favor. If we want something, we have to push back against everything around us and take it by force.
Xiran Jay Zhao (Iron Widow (Iron Widow, #1))
Perhaps passion and excitement were meant to be secondary to a stable adult life.
Balli Kaur Jaswal (Erotic Stories for Punjabi Widows)
They say that people who live next to waterfalls don't hear the water. It was terrible at first. We couldn't stand to be in the house for more than a few hours at a time. The first two weeks were filled with nights of intermittent sleep and quarreling for the sake of being heard over the water. We fought so much just to remind ourselves that we were in love, and not in hate. But the next weeks were a little better. It was possible to sleep a few good hours each night and eat in only mild discomfort. [We] still cursed the water, but less frequently, and with less fury. Her attacks on me also quieted. It's your fault, she would say. You wanted to live here. Life continued, as life continues, and time passed, as time passes, and after a little more than two months: Do you hear that? I asked her one of the rare mornings we sat at the table together. Hear it? I put down my coffee and rose from my chair. You hear that thing? What thing? she asked. Exactly! I said, running outside to pump my fist at the waterfall. Exactly! We danced, throwing handfuls of water in the air, hearing nothing at all. We alternated hugs of forgiveness and shouts of human triumph at the water. Who wins the day? Who wins the day, waterfall? We do! We do! And this is what living next to a waterfall is like. Every widow wakes one morning, perhaps after years of pure and unwavering grieving, to realize she slept a good night's sleep and will be able to eat breakfast, and doesn't hear her husband's ghost all the time, but only some of the time. Her grief is replaced with a useful sadness. Every parent who loses a child finds a way to laugh again. The timbre begins to fade. The edge dulls. The hurt lessens. Every love is carved from loss. Mine was. Yours is. Your great-great-great-grandchildren's will be. But we learn to live in that love.
Jonathan Safran Foer (Everything is Illuminated)
I have a burden on my soul. During my long life, I did not make anyone happy, neither my friends, nor my family, nor even myself. I have done many evil things...I was the cause of the beginning of three big wars. About 800,000 people were killed because of me on the battlefields., and their mothers, brothers, and widows cried for them. And now this stands between me and God.
Otto von Bismarck
Every life is many days, day after day. We walk through ourselves, meeting robbers, ghosts, giants, old men, young men, wives, widows, brothers-in-love, but always meeting ourselves.
James Joyce (Ulysses: Complete Text with Integrated Study Guide from Shmoop)
Female. That label has never done anything for me except dictate what I can or cannot do. No going anywhere without permission. No showing too much skin. No speaking too loudly or unkindly, or at all, if the men are talking. No living my life without being constantly aware of how pleasing I am to the eye. No future except pushing out son after son for a husband
Xiran Jay Zhao (Iron Widow (Iron Widow, #1))
Coming back last time to the house she grew up in, Isabel had been reminded of the darkness that had descended with her brothers' deaths, how loss had leaked all over her mother's life like a stain. As a fourteen-year-old, Isabel had searched the dictionary. She knew that if a wife lost a husband, there was a whole new word to describe who she was: she was now a widow. A husband became a widower. But if a parent loss a child, there was no special label for their grief. They were still just a mother or a father, even if they no longer had a son or daughter. That seemed odd. As to her own status, she wondered whether she was still technically a sister, now that her adored brothers had died.
M.L. Stedman (The Light Between Oceans)
Every moment in a woman's life was a deal, a deal for her body: first for its blooming and then for its wilting; first for her bleeding and then for her virginity and then for her bearing (counting only the sons) and for her widowing.
Shobha Rao (Girls Burn Brighter)
He has trifled with the sacred memory of my husband," thought the Professor's widow. "On my life and honor, I will make him pay for it.
Wilkie Collins
This is an ode to all of those that have never asked for one. A thank you in words to all of those that do not do what they do so well for the thanking. This is to the mothers. This is to the ones who match our first scream with their loudest scream; who harmonize in our shared pain and joy and terrified wonder when life begins. This is to the mothers. To the ones who stay up late and wake up early and always know the distance between their soft humming song and our tired ears. To the lips that find their way to our foreheads and know, somehow always know, if too much heat is living in our skin. To the hands that spread the jam on the bread and the mesmerizing patient removal of the crust we just cannot stomach. This is to the mothers. To the ones who shout the loudest and fight the hardest and sacrifice the most to keep the smiles glued to our faces and the magic spinning through our days. To the pride they have for us that cannot fit inside after all they have endured. To the leaking of it out their eyes and onto the backs of their hands, to the trails of makeup left behind as they smile through those tears and somehow always manage a laugh. This is to the patience and perseverance and unyielding promise that at any moment they would give up their lives to protect ours. This is to the mothers. To the single mom’s working four jobs to put the cheese in the mac and the apple back into the juice so their children, like birds in a nest, can find food in their mouths and pillows under their heads. To the dreams put on hold and the complete and total rearrangement of all priority. This is to the stay-at-home moms and those that find the energy to go to work every day; to the widows and the happily married. To the young mothers and those that deal with the unexpected announcement of a new arrival far later than they ever anticipated. This is to the mothers. This is to the sack lunches and sleepover parties, to the soccer games and oranges slices at halftime. This is to the hot chocolate after snowy walks and the arguing with the umpire at the little league game. To the frosting ofbirthday cakes and the candles that are always lit on time; to the Easter egg hunts, the slip-n-slides and the iced tea on summer days. This is to the ones that show us the way to finding our own way. To the cutting of the cord, quite literally the first time and even more painfully and metaphorically the second time around. To the mothers who become grandmothers and great-grandmothers and if time is gentle enough, live to see the children of their children have children of their own. To the love. My goodness to the love that never stops and comes from somewhere only mothers have seen and know the secret location of. To the love that grows stronger as their hands grow weaker and the spread of jam becomes slower and the Easter eggs get easier to find and sack lunches no longer need making. This is to the way the tears look falling from the smile lines around their eyes and the mascara that just might always be smeared with the remains of their pride for all they have created. This is to the mothers.
Tyler Knott Gregson
If mother kept a list of the reasons she confined me to the house on the hill, she'd have a length of paper that could stretch all the way down Pinnacle Lane and trail into the waters of the Puget Sound. It could choke passing sea life. It could flap in the wind like a giant white flag of surrender atop our house's widow's walk.
Leslye Walton (The Strange and Beautiful Sorrows of Ava Lavender)
Real life is all beginnings. Days, weeks, children, journeys, marriages, inventions. Even a murder is the beginning of a criminal. Perhaps even a spree. Everything is prologue. Every story has a stutter. It just keeps starting and starting until you decide to shut the camera off. Half the time you don’t even realise that what you’re choosing for breakfast is the beginning of a story that won’t pan out till you’re sixty and staring at the pastry that made you a widower. No, love, in real life you can get all the way to death and never have finished one single story. Or never even get one so much as half-begun.
Catherynne M. Valente
We call those who have lost their spouses “widows” and children who have lost their parents “orphans,” but there is no word in the English language to describe a parent who loses a child. Your children are supposed to outlive you by many decades, to confront the burden of mortality only by way of your dying. To witness your child’s death is a hell too heavy for the fabric of language. Words simply collapse.
Suleika Jaouad (Between Two Kingdoms: A Memoir of a Life Interrupted)
October Fullness” Little by little, and also in great leaps, life happened to me, and how insignificant this business is. These veins carried my blood, which I scarcely ever saw, I breathed the air of so many places without keeping a sample of any. In the end, everyone is aware of this: nobody keeps any of what he has, and life is only a borrowing of bones. The best thing was learning not to have too much either of sorrow or of joy, to hope for the chance of a last drop, to ask more from honey and from twilight. Perhaps it was my punishment. Perhaps I was condemned to be happy. Let it be known that nobody crossed my path without sharing my being. I plunged up to the neck into adversities that were not mine, into all the sufferings of others. It wasn’t a question of applause or profit. Much less. It was not being able to live or breathe in this shadow, the shadow of others like towers, like bitter trees that bury you, like cobblestones on the knees. Our own wounds heal with weeping, our own wounds heal with singing, but in our own doorway lie bleeding widows, Indians, poor men, fishermen. The miner’s child doesn’t know his father amidst all that suffering. So be it, but my business was the fullness of the spirit: a cry of pleasure choking you, a sigh from an uprooted plant, the sum of all action. It pleased me to grow with the morning, to bathe in the sun, in the great joy of sun, salt, sea-light and wave, and in that unwinding of the foam my heart began to move, growing in that essential spasm, and dying away as it seeped into the sand.
Pablo Neruda (The Essential Neruda: Selected Poems)
Life may not be exactly pleasant, but it is at least not dull. Heave yourself into Hell today, and you may miss, tomorrow or next day, another Scopes trial, or another War to End War, or perchance a rich and buxom widow with all her first husband's clothes. There are always more Hardings hatching. I advocate hanging on as long as possible.
H.L. Mencken
People will rather pass by the weak, the lame, the beggars, the orphans, the tormented, the widows and take their large offerings to church, to the man of God who already has a mansion and jets , what a shallow mindedness.
Sunday Adelaja (Create Your Own Net Worth)
I try to see the whole woman,' Eddie said to Hannah. 'Of course I recognize that she's old, but there are photographs - or the equivalent of photographs in one's imagination of anyone's life. A whole life, I mean. I can picture her when she was much younger than I am - because there are always gestures and expressions that are ingrained, ageless. An old woman doesn't see herself as an old woman, and neither do I. I try to see her her whole life in her. There's something so moving about someone's whole life.
John Irving (A Widow for One Year)
It’s life, that’s all. There are no happy endings, just happy days, happy moments. The only real ending is death, and trust me, no one dies happy. And the price of not dying is that things change all the time, and the only thing you can count on is that there’s not a thing you can do about it.
Jonathan Tropper (How to Talk to a Widower)
Mourning a living person is different from mourning the dead. A woman whose husband dies is a widow. But there is no word for a person who grieves a living person—a child, a partner, an estranged family member or dear friend. There is no name for what you are when a part of your life and identity dies, but you go on living. There is no name for what you are when you outlive the life you expected to have and find yourself in a kind of afterlife.
Maggie Smith (Keep Moving: Notes on Loss, Creativity, and Change)
we buried him in a normal cemetery. We didn’t bury him in some special pet cemetery where he would come back to life after a week or two, carrying a terrible curse.
Freida McFadden (The Widow's Husband's Secret Lie)
The main battlefield for good is not the open ground of the public arena but the small clearing of each heart. Meanwhile, the lot of widows and homeless children is very hard, and it is to their defense, not God's, that the self-righteous should rush.
Yann Martel (Life of Pi)
You're still alive. Be thankful for that. You can still walk and talk and think. Yes, you feel like shit most of the time, but it could be worse. So instead of sitting in your room waiting to die, why don't you join in on life until you do die? Dammit! Get off your dead ass and make something of the life you still have left!
Deanna Lynn Sletten (Widow, Virgin, Whore)
Many people discover relatively soon in life that the realm of their inferior function is where they are emotional, touchy and unadapted, and they therefore acquire the habit of covering up this part of their personality with a surrogate pseudo-reaction. For instance, a thinking type often cannot express his feelings normally and in the appropriate manner at the right time. It can happen that when he hears that the husband of a friend has died he cries, but when he meets the widow not a word of pity will come out. They not only look very cold, but they really do not feel anything! They had all the feeling before, when at home, but now in the appropriate situation they cannot pull it out. Thinking types are very often looked on by other people as having no feeling; this is absolutely not true. It is not that they have no feeling, but that they cannot express it at the appropriate moment. They have the feeling somehow and somewhere, but not just when they ought to produce it.
Marie-Louise von Franz (Lectures on Jung's Typology)
All this to say: I am forty-three years old. I may yet live another forty. What do I do with those years? How do I fill them without Lexy? When I come to tell the story of my life, there will be a line, creased and blurred and soft with age, where she stops. If I win the lottery, if I father a child, if I lose the use of my legs, it will be after she has finished knowing me. "When I get to Heaven", my grandmother used to say, widowed at thirty-nine, "your grandfather won't even recognize me.
Carolyn Parkhurst (The Dogs of Babel)
Here, take this, she would say, take this, and tell me where he is. Tell me whether he's dead or alive, so I can walk as his widow or his wife. No one would, or could, tell her, and so she continued to cook, and to learn new things all the while searching for an answer among the outcasts. The way he carried his body, the way he walked in my life, Tatiana thought, declared that he was the only man I had ever loved, and he knew it. And until I was alone without him, I thought it was all worth it.
Paullina Simons (Tatiana's Table: Tatiana And Alexander's Life Of Food And Love (The Bronze Horseman #3.5))
Stop, stop!" he blurts, then his tone mellows into a dark, low murmur. "I think...you've been lied to about what male needs are like. We aren't animals. Yes, our desires get pretty strong, but they're not overpowering. There's no such thing as going mad because of them." A bitter laugh grinds out of me like glass shards. "Tell that to all the girls getting raped as we speak." "That's not a matter of losing control. Every guy who does something like that knows exactly what he's doing. There is always a moment where he consciously decides that he will ruin someone's life to feel better about his own. Always.
Xiran Jay Zhao (Iron Widow (Iron Widow, #1))
Life, they showed me, could go on no matter how unpredictable, no matter how unfair.
Stephanie Madoff Mack (The End of Normal: A Wife's Anguish, a Widow's New Life)
The flowers were beaten down, their bent-over heads bejeweled with diamond droplets like earring on sad, rich widows
Barbara Kingsolver (Animal Dreams)
Tolstoy will live forever. Some people do. But that's not enough. It's not the length of life that matters--just the depth of it. The chances we take. The paths we choose. How we go on after our hearts break. Hearts always break. And so we bend with our hearts. And we sway. But in the end--what matters is that we loved and lived
Marjorie M. Liu (Black Widow, Vol. 1: The Name of the Rose)
The slaves of paltriness, the frogs in life’s swamp, will naturally cry out, “Such a love is foolishness. The rich brewer’s widow is a match fully as good and respectable.” Let them croak.
Søren Kierkegaard (Fear and Trembling)
It’s ridiculous how your life doesn’t need your permission to turn upside down.
Liz Fenton (The Good Widow)
You can’t live your life in a bubble, Charlie. And you can’t live Evan’s life for him. He won’t thank you if you try to wrap him in bubble wrap and set him on a shelf.
Tamara Hoffa (Heart of a Soldier)
The widower glanced at her wedding ring and contemplated a solitary life with his son, but then the mayhem of his marital allegiance resurfaced, and he decided not to betray her.
Laura Gentile (Within Paravent Walls)
You can leave but you can always come back. You can live here again. Life can be a circle, not just a line.
Jennifer Clement (Widow Basquiat: A Love Story)
A plane flies overhead and inside it is a writer who has spent most of his life as a law clerk, even though he’s always known deep down that he’s a writer. For the first time, he’s worked out what he wants to write, what the truth really is. He begs a napkin and a pen off the air hostess and he writes down the most beautiful sentence ever written, as the engine catches fire outside and the plane starts its plummet to the ground. It doesn’t matter to him. It’s the only sentence he’s ever written and it is the last and no part of him cares. The sentence falls through the air with singed, black edges and comes to rest in a tree, in a park, miles away. One day, around ten years from now, an old widow of an astronaut will find it when a strong breeze finally blows it from its hiding place. She will read it and she will weep.
pleasefindthis (Intentional Dissonance)
Looking at the children, she knew that any hope for a new life would have to grow within her. She glanced at Nate, wondering if he felt as she did, that children were the only consolation in this world, the only recompense for so much suffering.
Laura Brodie (The Widow's Season)
I am technically a widower, but I think I can get that little mishap annulled.” “‘Little mishap’?” For something she had risked her life to prevent multiple times, Cinder wasn’t sure she could consider Kai’s marriage a “little mishap.” “A temporary mistake,
Marissa Meyer (Winter (The Lunar Chronicles, #4))
I think timing is better left up to God to decide then religious leaders. I once met a man that brought his wife flowers in the hospital. They held hands, kissed and were as affectionate as any cute couple could be. They were both in their eighties. I asked them how long they were married. I expected them to tell me fifty years or longer. To my surprise, they said only five years. He then began to explain to me that he was married thirty years to someone that didn’t love him, and then he remarried a second time only to have his second wife die of cancer, two years later. I looked at my patient (his wife) sitting in the wheelchair next to him smiling. She added that she had been widowed two times. Both of her marriages lasted fifteen years. I was curious, so I asked them why they would even bother pursuing love again at their age. He looked at me with astonishment and said, “Do you really think that you stop looking for a soulmate at our age? Do you honestly believe that God would stop caring about how much I needed it still, just because I am nearing the end of my life? No, he left the best for last. I have lived through hell, but if I only get five years of happiness with this woman then it was worth the years of struggle I have been through.
Shannon L. Alder
Of course, if I write a first-person novel about a woman writer, I am inviting every book reviewer to apply the autobiographical label -- to conclude that I am writing about myself. But one must never not write a certain kind of novel out of fear of what the reaction to it will be.
John Irving (A Widow for One Year)
Jodie felt the lonely life hanging in her kitchen. It was there in the tiny supply of onions in the vegetable basket, the single plate drying in the rack, the cornbread wrapped carefully in a tea towel, the way an old widow might do it.
Delia Owens (Where the Crawdads Sing)
Her long life spanned American history from the colonial era to the eve of the Civil War, and she died as the last remaining widow of a Founding Father.
Susan Holloway Scott (I, Eliza Hamilton)
And maybe it was fair; if a book was any good, it was a slap in the face to someone.
John Irving (A Widow for One Year)
A novel is always more complicated than it seems at the beginning. Indeed a novel should be more complicated than it seems at the beginning.
John Irving (A Widow for One Year)
And that wasn't the end of it. There are always those who take it upon themselves to defend God, as if Ultimate Reality, as if the sustaining frame of existence, were something weak and helpless. These people walk by a widow deformed by leprosy begging for a few paise, walk by children dressed in rags living in the street, and they think, "Business as usual." But if they perceive a slight against God, it is a different story. Their faces go red, their chests heave mightily, they sputter angry words. The degree of their indignation is astonishing. Their resolve is frightening. These people fail to realize that it is on the inside that God must be defended, not on the outside. They should direct their anger at themselves. For evil in the open is but evil from within that has been let out. The main battlefield for good is not the open ground of the public arena but the small clearing of each heart. Meanwhile, the lot of widows and homeless children is very hard, and it is to their defense, not God's, that the self-righteous should rush.
Yann Martel (Life of Pi)
The New Testament describes the characteristics of a "virtuous widow" who is qualified to receive help from believers. This woman's description seems to parallel the miraculous, poured-out life portrayed by the Proverbs 31 woman. She does not live for her own pleasure but is well reported for good works, bringing up children, lodging strangers, washing the saints' feet, relieving the afflicted, and diligently following every good work. How does she accomplish all of this? "She trusts in God and continues in supplications and prayers night and day" (1 Timothy 5:5-6,10). She lives a supernatural existence, accomplishing incredible things without stress and exhaustion because she makes prayer the foundation of her life.
Leslie Ludy (Set-Apart Femininity: God's Sacred Intent for Every Young Woman)
If I believed that, then I’d have to believe it was fate for Kyle to die at such a young age. I’d much rather believe shit just happens. Injured in a fire? Shit happens. Lost your career? Shit happens. Lost the love of your life to a widow with an infant? Shit happens.
Colleen Hoover (November 9)
You are an educated man, Old One.' 'What is education besides a conditioning of the mind to a society and a way of life? There are many kinds of education, and often education closes as many doors as it opens for to believe implies disbelief. One accepts one kind of belief but closes the mind to all that is, or seems to be contradictory.
Louis L'Amour (Great Mysteries: I Hate to Tell His Widow/Collect from a Corpse/Stay Out of My Nightmare/Street of Lost Corpses/the Hills of Homicide)
Becky . . .” Luke looks at me carefully. “Have you ever been on a horse in your life?” “Yes! Of course I have!” Once. When I was ten. And I fell off. But I probably wasn’t concentrating or something. “Just be careful, won’t you?” he says. “I’m not quite ready to become a widower.
Sophie Kinsella
Because when we lose someone we’ve allowed to be our whole life, we find that we have very little left to sustain us. Not only have we distanced ourselves from God, but we’ve lost something of ourselves in the process.
Lawana Blackwell (The Widow of Larkspur Inn (Gresham Chronicles, #1))
Her widowed mother owns the shop on rue de Grenelle. Should her mother die, despite her expertise, Pauline Léon will not inherit the shop. She can only do so through a husband. As she has not yet met a suitable spouse, we can only imagine the kind of chocolat he would make if he were a wig maker.
Debra Borchert (Her Own Legacy (Château de Verzat #1))
The Bible, after all, repeatedly speaks of God as the special protector of the poor, the widow, and the orphan, without raising the question of how it happened that they became poor, widowed, or orphaned in the first place.
Harold S. Kushner (When Bad Things Happen to Good People)
Am I a mother, Father? What name do you give to a woman with a dead child? I’m not a widow, not an orphan, what am I? Better you don’t give me name Father, if you and your church ever find a name for me - you’ll probably just take away my right to decide how I behave or how I live my life, or how I die. Better not.
Claudia Piñeiro (Elena Knows)
The latter. She had a good run," Sook said, doing a little shrug. It was his usual response to death at Mapleshade, and it was a safe bet that he felt that way about himself. Like most twice-widowed, Korea-vet, nature-loving, gun-enthusiast, bilingual, weed-connoisseur great grandfathers of five, he'd lived a full life.
Lisa Lutz (Heads You Lose)
In every story, in every life, there are moments of death that take away our name and rename us as strangers, orphans or widows. At the moment of being unnamed, we are thrown into our story. We lose the name Friend and are given the name Reject.
Dan B. Allender (To Be Told: God Invites You to Coauthor Your Future)
...Only then will I teach you how to take a life—how and when and where.” “And why?” Natasha had asked. She had been young, then, or she would have known better. ... He had laughed outright. “Not why, my Natashka. Never why. Why is for guitar players and Americans.
Margaret Stohl (Forever Red (Black Widow, #1))
NINA Your life is beautiful. TRIGORIN I see nothing especially lovely about it. [He looks at his watch] Excuse me, I must go at once, and begin writing again. I am in a hurry. [He laughs] You have stepped on my pet corn, as they say, and I am getting excited, and a little cross. Let us discuss this bright and beautiful life of mine, though. [After a few moments' thought] Violent obsessions sometimes lay hold of a man: he may, for instance, think day and night of nothing but the moon. I have such a moon. Day and night I am held in the grip of one besetting thought, to write, write, write! Hardly have I finished one book than something urges me to write another, and then a third, and then a fourth--I write ceaselessly. I am, as it were, on a treadmill. I hurry for ever from one story to another, and can't help myself. Do you see anything bright and beautiful in that? Oh, it is a wild life! Even now, thrilled as I am by talking to you, I do not forget for an instant that an unfinished story is awaiting me. My eye falls on that cloud there, which has the shape of a grand piano; I instantly make a mental note that I must remember to mention in my story a cloud floating by that looked like a grand piano. I smell heliotrope; I mutter to myself: a sickly smell, the colour worn by widows; I must remember that in writing my next description of a summer evening. I catch an idea in every sentence of yours or of my own, and hasten to lock all these treasures in my literary store-room, thinking that some day they may be useful to me. As soon as I stop working I rush off to the theatre or go fishing, in the hope that I may find oblivion there, but no! Some new subject for a story is sure to come rolling through my brain like an iron cannonball. I hear my desk calling, and have to go back to it and begin to write, write, write, once more. And so it goes for everlasting. I cannot escape myself, though I feel that I am consuming my life. To prepare the honey I feed to unknown crowds, I am doomed to brush the bloom from my dearest flowers, to tear them from their stems, and trample the roots that bore them under foot. Am I not a madman? Should I not be treated by those who know me as one mentally diseased? Yet it is always the same, same old story, till I begin to think that all this praise and admiration must be a deception, that I am being hoodwinked because they know I am crazy, and I sometimes tremble lest I should be grabbed from behind and whisked off to a lunatic asylum. The best years of my youth were made one continual agony for me by my writing. A young author, especially if at first he does not make a success, feels clumsy, ill-at-ease, and superfluous in the world. His nerves are all on edge and stretched to the point of breaking; he is irresistibly attracted to literary and artistic people, and hovers about them unknown and unnoticed, fearing to look them bravely in the eye, like a man with a passion for gambling, whose money is all gone. I did not know my readers, but for some reason I imagined they were distrustful and unfriendly; I was mortally afraid of the public, and when my first play appeared, it seemed to me as if all the dark eyes in the audience were looking at it with enmity, and all the blue ones with cold indifference. Oh, how terrible it was! What agony!
Anton Chekhov (The Seagull)
Sometimes life sucked, and there was nothing she could do about it but endure it and wait for the moments when it didn’t.
Theo Baxter (The Widow's Secret)
I cannot live the rest of my life without my husband. But I can live without him for one day.
Linda Feinberg (I'm Grieving as Fast as I Can: How Young Widows and Widowers Can Cope and Heal)
And let’s face it: all of this remodeling made me feel like I was taking control of something in my life.
Catherine Tidd (Confessions of a Mediocre Widow: Or, How I Lost My Husband and My Sanity)
Until he was widowed, Fred never realized that he’d taken physical touch for granted—yet it meant so much.
Anna Johnston (The Borrowed Life of Frederick Fife)
You cannot have everyone else's happiness in mind as well when you go out seeking your own. It's not as if what you wish to of with your life is going to take away anything from theirs.
Musharraf Ali Farooqi (The Story of a Widow)
I am made to think, not for the first time, that in my writing I have plunged ahead-head-on, heedlessly one might say-or 'fearlessly'- into my own future: this time of utter raw anguished loss. Though I may have had, since adolescence, a kind of intellectual/literary precocity, I had not experienced much;nor would I experience much until I was well into middle age-the illnesses and deaths of my parents, this unexpected death of my husband. We play at paste till qualified for pearl says Emily Dickinson. Playing at paste is much of our early lives. And then, with the violence of a door slammed shut by wind rushing through a house, life catches up with us.
Joyce Carol Oates (A Widow's Story)
Some of the common occurrences of injustice are the presence of poverty, starvation, gender inequality, neglected widows and orphans and the injustice towards other vulnerable groups of people.
Sunday Adelaja (The Mountain of Ignorance)
Grandmam, as I have seen in looking back, was the decider of my fate. She shaped my life, without of course knowing what my life would be. She taught me many things that I was going to need to know, without either us knowing I would need to know them. She made the connections that made my life.... If it hadn't been for her, what would my life have been? I don't know. I know it surely would have been different. And it is only by looking back, as an old woman myself, like her a widow and a grandmother, that I can see how much she loved me and can pay her out of my heart the love I owe her.
Wendell Berry (Hannah Coulter)
Winter dark, five o'clock in the morning by the little gold carriage clock on the bedroom mantelpiece. The clock, an English one ('Better than a French one', her mother had instructed), had been one of her parents' wedding presents. When the creditors came to call after the society portraitist's death his widow hid the clock beneath her skirts, bemoaning the passing of the crinoline. Lottie appeared to chime on the quarter, disconcerting the creditors. Luckily they were not in the room when she struck the hour.
Kate Atkinson (Life After Life (Todd Family, #1))
To stand up straight with your shoulders back means building the ark that protects the world from the flood, guiding your people through the desert after they have escaped tyranny, making your way away from comfortable home and country, and speaking the prophetic word to those who ignore the widows and children. It means shouldering the cross that marks the X, the place where you and Being intersect so terribly.
Jordan B. Peterson (12 Rules for Life: An Antidote to Chaos)
People kept giving me space, all of us hoping my grief had a half-life, but I didn't need space. I needed people to say Miles's name out loud. I needed them not to flinch when I said it. Weren't they curious about the color of his eyes? I needed them to acknowledge not just that he had died but that he had lived.
Artis Henderson (Unremarried Widow)
Did the Prophet Elijah really restore to life the dead child of the Widow? This story, along with all the other stories of the Bible, is a psychological drama which takes place in the consciousness of man. The Widow symbolizes every man and woman in the world; the dead child represents the frustrated desires and ambitions of man; while the prophet, Elijah, symbolizes the God power within man, or man’s awareness of being. The story tells us that the prophet took the dead child from the Widow’s bosom and carried him into an upper room. As he entered this upper room he closed the door behind them; placing the child upon a bed, he breathed life into him; returning to the mother, he gave her the child and said, “Woman, thy son liveth.
Neville Goddard (Your Faith is Your Fortune)
In this martial world dominated by men, women had little place. The Church's teachings might underpin feudal morality, yet when it came to the practicalities of life, a ruthless pragmatism often came into play. Kings and noblemen married for political advantage, and women rarely had any say in how they or their wealth were to be disposed in marriage. Kings would sell off heiresses and rich widows to the highest bidder, for political or territorial advantage, and those who resisted were heavily fined. Young girls of good birth were strictly reared, often in convents, and married off at fourteen or even earlier to suit their parents' or overlord's purposes. The betrothal of infants was not uncommon, despite the church's disapproval. It was a father's duty to bestow his daughters in marriage; if he was dead, his overlord or the King himself would act for him. Personal choice was rarely and issue. Upon marriage, a girl's property and rights became invested in her husband, to whom she owed absolute obedience. Every husband had the right to enforce this duty in whichever way he thought fit--as Eleanor was to find out to her cost. Wife-beating was common, although the Church did at this time attempt to restrict the length of the rod that a husband might use.
Alison Weir (Eleanor of Aquitaine: A Life (World Leaders Past & Present))
Still, I am angry with him. I am very angry with him. With my poor dead defenseless husband, I am furious as I was rarely—perhaps never—furious with him, in life. How can I forgive you, you’ve ruined both our lives.
Joyce Carol Oates (A Widow's Story)
I think... you've been lied to about what male needs are like. We aren't animals. Yes, our desires get pretty strong, but they're not overpowering. There's no such thing as going mad because of them." A bitter laugh grinds out of me like glass shards. "Tell that to all the girls getting raped as we speak." "That's not a matter of losing control. Every guy who does something like that knows exactly what he's doing. There is always a moment where he consciously decides that he will ruin sometone's life to feel better about his own. Always.
Xiran Jay Zhao (Iron Widow (Iron Widow, #1))
The ability to lie persuasively is one of the greatest gifts a woman can possess in this life. Some critics, principally men, will argue that deception in women is inherently evil; but having spent the last fifteen years of my life in the theater, I can attest that lying not only is sometimes expedient but can save one's career.
Amanda DeWees (Nocturne for a Widow (Sybil Ingram #1))
Little Mr. Bowley, who had rooms in the Albany and was sealed with wax over the deeper sources of life but could be unsealed suddenly, inappropriately, sentimentally, by this sort of thing––poor women waiting to see the Queen go past––poor women, nice little children, orphans, widows, the War––tut tut––actually had tears in his eyes.
Virginia Woolf (Mrs. Dalloway)
As he carried the blood-splattered body of his precious daughter, draped in bridal attire, he could feel the nagging burden of being pawned into a senseless situation. Yards behind, another life, lay snuffed – the sole earning member of a destitute family, leaving behind an aged mother and a widowed sister to weep until their tears would run dry.
Rajnish Gambhir (Honour for a Ransom)
When she was widowed, there were still pleasing qualities in her, suitable for an unpretentious everyday life, and people sent matchmakers to her, but she declined any new matrimony and busied herself with the baking of savory pies.
Nikolai Leskov (The Enchanted Wanderer: and Other Stories)
When it's time to retire, maybe I could disappear too." "I always thought you'd end up taking a director's position at S.H.I.E.L.D." "Some day we all retire, Isaiah. The trick is to be sure you do it well before life is done with you.
Nathan Edmondson (Black Widow #7)
It may have been characteristic of Mr. Dombey’s pride, that he pitied himself through the child. Not poor me. Not poor widower, confiding by constraint in the wife of an ignorant Hind* who has been working “mostly underground” all his life, and yet at whose door Death had never knocked, and at whose poor table four sons daily sit—but poor little fellow!
Charles Dickens (Dombey and Son)
It occurred to him now that people are defined much more by their association with death than by what they do in life. Poor thing, she’s a widow, they say. She lost her mother when she was ten to cancer. I’ve been immune to all this, he thought.
Karan Mahajan (The Association of Small Bombs)
How many beginnings can a story have, Daddy?" "As many as you can eat, my lamb. But only one ending. Or maybe it's the other way around: one beginning and a whole Easter basket of endings." "Papa, don't be silly... A story has to start somewhere. And then it has to end somewhere. That's the whole point. That's how it is in real life." "But that's not how it is in real life, Rinny. Real life is all beginnings. Days, weeks, children, journeys, marriages, inventions. Even a murder is the beginning of a criminal. Perhaps even a spree. Everything is prologue. Every story has a stutter. It just keeps starting and starting until you decide to shut the camera off. Half the time you don't even realize that what you're choosing for breakfast is the beginning of a story that won't pan out till you're sixty and staring at the pastry that made you a widower. No, love, in real life you can get all the way to death and never have finished one single story. Or never even get one so much as half-begun.
Catherynne M. Valente (Radiance)
Whoever lives like me doesn’t die: he terminates, wilts, devegetates. The place where he was remains without him being there; the street where he walked remains without him being seen on it; the house where he lived is inhabited by not-him. That’s all, and we call it nothing; but not even this tragedy of negation can be staged to applause, for we don’t even know for sure if it’s nothing, we, these vegetable manifestations of both truth and life, dust on both the outside and the inside of the panes, grandchildren of Destiny and stepchildren of God, who married Eternal Night when she was widowed by the Chaos that fathered us.
Fernando Pessoa (The Book of Disquiet)
As soon as she left, Cinder felt the air change. A sudden tension, a sudden stillness. She licked her parched lips. "Are you the king of Luna now?" Kai looked surprised at the question. "No. As Levana was never the true queen, she didn't have the legal power to appoint anyone as king consort. I am technically a widower, but I think I can get that little mishap annulled." "Little mishap?" For something she had risked her life to prevent multiple times, Cinder wasn't sure she could consider Kai's marriage a "little mishap". "A temporary mistake," he said, shoving away the surgeon's light so it was no longer blinding Cinder. "With all that was going on, we never even had time to consummate." Cinder coughed. "Unnecessary information." "Really? You weren't curious?" "I'd been trying not to think about it." "Well - think no more. I'm still thanking all the stars, one by one." Cinder would have laughed, except it hurt too much.
Marissa Meyer (Winter (The Lunar Chronicles, #4))
Christianity revitalized life in Greco-Roman cities by providing new norms and new kinds of social relationships able to cope with many urgent urban problems. To cities filled with the homeless and the impoverished, Christianity offered charity as well as hope. To cities filled with newcomers and strangers, Christianity offered an immediate basis for attachments. To cities filled with orphans and widows, Christianity provided a new and expanded sense of family. To cities torn by violent ethnic strife, Christianity offered a new basis for social solidarity. And to cities faced with epidemics, fires, and earthquakes, Christianity offered effective nursing services.
Rodney Stark
A mother comforts, a mother cleans. A mother gives when any reasonable person would deny. Life might affix any number of labels to Vera- Russian, pensioner, widow, daughter- but when she looked to her washed-out reflection in the bathroom mirror, she saw only Lydia's mother.
Anthony Marra (The Tsar of Love and Techno)
There are always those who take it upon themselves to defend God, as if Ultimate Reality, as if the sustaining frame of existence, were something weak and helpless. These people walk by a widow deformed by leprosy begging for a few paise, walk by children dressed in rags living in the street, and they think, ' Business as usual.' But if they perceive a slight against god, it is a different story. Their faces go red, their chests heave nightly, they sputter angry words. The degree of their indignation is astonishing. Their resolve is frightening.
Yann Martel (Life of Pi)
The emotions of grief are ageless. Widows often feel they have lost their purpose in life. The worst part of a widow’s day is when her comforters leave. Every part of her daily routine has a kink in it, especially when it’s time to go to sleep. Going to bed without hearing someone say, goodnight, feels like leaving the period off the end of a sentence. Michael Ben Zehabe, Ruth: a woman’s guide to husband material, pg 18
Michael Ben Zehabe (Ruth: A Woman's Guide to Husband Material)
There’s a reason Shimin has been the most powerful pilot in Huaxia for two years. And it has nothing to do with how easily he can carry me without breaking a sweat. To have kept choosing to wake up every day and face what life has dealt him, he is the strongest person I can imagine.
Xiran Jay Zhao (Iron Widow (Iron Widow #1))
He found in the world without as actual what was in his world within as possible. Maeterlinck says: If Socrates leave his house today he will find the sage seated on his doorstep. If Judas go forth tonight it is to Judas his steps will tend. Every life is many days, days after day. We walk through ourselves, meeting robbers, ghosts, giants, old men, young men, wives, widows, brothers-in-love. But always meeting ourselves.
James Joyce (Ullyses)
What greater thing is there for two human souls, than to feel that they are joined for life—to strengthen each other in all labor, to rest on each other in all sorrow, to minister to each other in all pain, to be one with each other in silent unspeakable memories at the moment of the last parting?
John Irving (A Widow for One Year)
I love you. I want to know what you are going through, if not now, then some day I want to sit with you and hear it. My imagination is not big enough to comprehend the emotions you are having. How small and insignificant all of this worldly stuff must seem to you. Can you talk? You must miss him intensely. You must think about him in every moment. Which is harder for you, being alone or being in the world of people? Life must feel surreal to you.
Christine Silverstein
I thought you people were supposed to be good at math." "Yes, my people all do math for fun, while simultaneously dry-cleaning our karate outfits and giving each other manicures and pedicures, all in between our numerous piano and violin recitals," I said, slamming his book shut. "Do you own freaking work. Although I guess that's a completely foreign concept to you, isn't it? Since you've been deep-throating a silver spoon your whole life." "That is so hot that you just said that," Camden said, lazily swiggin his Red Bull. "Besides, I'll work one of these days when I have to. I'll either go into real estate like my dad or find some rich old widow who wants...uh...services." "That doesn't sound like work," I said. "Of course it is, if she's old," he answered.
Cherry Cheva (She's So Money)
Why is it that we claim to want certainty? Only fools and cowards seek certainty. Certainty is a dead end; it’s a rich old widow living out the rest of her days on the Upper East Side with a little dog and big memories. Unless you are a senior citizen, you’ll go nuts after a few weeks of knowing what the rest of your life will bring. You’ll die of boredom. But uncertainty is what keeps us alive. It is that flip of a coin, that brief moment when it’s in the air or spinning on its side, that snaps us out of our daily stasis. Some invisible Odds Gods are giving you a chance to become better, smarter, richer. What fun it is to get paid if you earned it by the skin of your teeth, by the close call. And how dreadful it is to shoot fish in a barrel. Exposure to uncertainty earns you membership in a select tribe: You are a Padawan mastering the Force. Once the trade is on, once the die has been cast, you’re in a parallel, auspicious universe.
K. G. Cohen
I gave the best and all my life to a girdled tree. It was live oak, and was good for any purpose, except for blossom and fruit, and I am not willing for Belle to be content with anything less than the whole of a man's heart. [Varina Davis, Letter to a friend, advising against his daughter Belle marrying a widower]
Erik Larson (The Demon of Unrest: A Saga of Hubris, Heartbreak, and Heroism at the Dawn of the Civil War)
I am 23 and I am learning what it means to be an artist, for I am not an artist, because it takes life and a life lived well, to the limit, to see the patterns in storms, but I am 23 and I am learning. I am learning shame and solitude, forgiveness and goodbyes. I’m learning persistence and the closing of doors, the way the seasons come and go as I keep walking on these roads, back and forth, to find myself in new time zones, new arms with new phrases and new goals. And it hurts to become, hurts to find out about the poverty and gaps, the widow and the leavers. It hurts to accept that it hurts and it hurts to learn how easy it is for people to not need other people. Or how easy it is to need other people but that you can never build a home in someone’s arms because they will let go one day, and you must build your own.
Charlotte Eriksson (Another Vagabond Lost To Love: Berlin Stories on Leaving & Arriving)
Life as a widow, she thinks, will always be like this. The friends will go on proposing toasts for months (for years!). To her. To their new center of attention. What she doesn't know yet is that, after a few courtesy calls, it will all be over. The silence that will follow is the same silence that always falls after a life in the shadows.
Herman Koch (Summer House with Swimming Pool)
That widow’s peak is preposterous. God. It really makes you feel the sad dearth of widow’s peaks in daily life. We could, like, use him as breeding stock to seed widow’s peaks into the populace.”“My god. What’s with all the mating and seed talk?”“I’m just saying,” Zuzana said reasonably. “I’m crazy about Mik, okay, but that doesn’t mean I can’t do my part for the proliferation of widow’s peaks. As a favor to the gene pool. You would, too, right? Or maybe…” She shot Karou a sidelong glance. “You already have?
Laini Taylor (Daughter of Smoke & Bone (Daughter of Smoke & Bone, #1))
No matter what I do or where I go, I must live as a proper Confucian woman: When a girl, obey your father; when a wife, obey your husband; when a widow, obey your son. My entire life will be limited to a total of three places: the house where I lived with my parents, the Mansion of Golden Light, and my future in-laws’ compound and garden. Weeks
Lisa See (Lady Tan's Circle of Women)
The thing is, Jesus was the ultimate embracer of chaos. He preached and taught and shepherded a flock, and in the midst of his tumultuous ministry, he accepted everyone. Everyone was allowed to join in on the love. The widows, the prostitutes, the lepers, the orphans, people with great need, people who brought drama and stress into his life, and folks who weren’t always lovable or even kind. Furthermore, Jesus told us to love them too. He didn’t ask us kindly or say, “Hey guys, maybe you could . . .” No, he straight up called us to stand with the oppressed. Jesus looked at them and said, “Bring it on.” Jesus took in the messy, broken pieces and said, “Behold, I am making all things new” (Rev. 21:5 WEB). Amid our chaos, fear, and frustration there is the reminder, “For everything there is a season, and a time to every purpose under heaven” (Eccl. 3:1 WEB, emphasis added).
Rachel Hollis (Girl, Wash Your Face: Stop Believing the Lies About Who You Are so You Can Become Who You Were Meant to Be (Girl, Wash Your Face Series))
Once Once, oh once, there was, was not, A girl, princess, mermaid, widow, witch, queen, wife, A boy, king, soldier, wizard, troll, giants, Magic Life. The tale turns, returns, confuses, confesses, And all the hardships, spells, and stresses, End well in happy laughter And we hope- ever after. Believe me, friend- because would I, A storyteller, ever lie?
Jane Yolen (Grumbles from the Forest: Fairy-Tale Voices with a Twist)
You're the biggest secret I know...The only way I know what's going on with you is the only way everyone else knows it. I just have to wait and read your next book.
John Irving (A Widow for One Year)
She resists the reality of life: a married woman gives up her childhood home forever, and a widow’s fate is to remain in the home she married into.
Abraham Verghese (The Covenant of Water)
It galls me that seeking out the seedy, the sordid, the sexual, and the deviant is the expected (if not altogether acceptable) behavior of male writers; it would surely benefit me, as a writer, if I had the courage to seek out more of the seedy, the sordid, the sexual, and the deviant myself. But women who seek out such things are made to feel ashamed, or else they sound stridently ridiculous in defending themselves -- as if they're bragging. ... Yet there are subjects that remain off-limits for women writers. It's not unlike that dichotomy which exists regarding one's sexual past: it is permissible, even attractive, for a man to have had one, but if a woman has had a sexual past, she'd better keep quiet about it.
John Irving (A Widow for One Year)
Wow, I wonder why I don't want to be touched by a man who threatens my life on a daily basis!" He pulls an offended face. "I do not do that on a 'daily basis.' Monthly at most. And only when you're thinking about divulging information that could destabilize Huaxia and/or attempting to kill me. The very fact that you remain alive is a testament to my patience.
Xiran Jay Zhao (Heavenly Tyrant (Iron Widow, #2))
Every life is many days, day after day. We walk through ourselves, meeting robbers, ghosts, giants, old men, young men, wives, widows, brothers-in-love. But always meeting ourselves.
James Joyce (Ulysses)
The two women did more than resolve a major problem, they went on to form a political alliance and launch a coup. Cixi was twenty-five years old and Empress Zhen a year younger. Facing them were eight powerful men in control of the state machine. The women were well aware of the risk they were taking. A coup was treason, and if it failed the punishment would be the most painful ling-chi, death by a thousand cuts. But they were willing to take the risk. Not only were they determined to save their son and the dynasty, but they also rejected the prescribed life of imperial widows – essentially living out their future years as virtual prisoners in the harem. Choosing to change their own destiny as well as that of the empire, the two women plotted, often with their heads together leaning over a large glazed earthenware water tank, pretending to be appraising their reflections or just talking girls’ talk.
Jung Chang
The other wives and I talked together one night about the possibility of becoming widows. What would we do? God gave us peace of heart, and confidence that whatever might happen, His Word would hold. We knew that 'when He Putteth forth His sheep, He goeth before them.' God's leading was unmistakable up to this point. Each of us knew when we married our husbands that there would never be any question about who came first -- God and His work held held first place in each life. It was the condition of true discipleship; it became devastatingly meaningful now. It was a time for soul-searching, a time for counting the possible cost. Was it the thrill of adventure that drew our husbands on? No. Their letters and journals make it abundantly clear that these men did not go out as some men go out to shoot a lion or climb a mountain. Their compulsion was from a different source. Each had made a personal transaction with God, recognising that he belonged to God, first of all by creation, and secondly by redemption through the death of His Son, Jesus Christ. This double claim on his life settled once and for all the question of allegiance. It was not a matter of striving to follow the example of a great Teacher. To conform to the perfect life of Jesus was impossible for a human being. To these men, Jesus Christ was God, and had actually taken upon Himself human form, in order that He might die, and, by His death, provide not only escape from the punishment which their sin merited, but also a new kind of life, eternal both in length and in quality. This meant simply that Christ was to be obeyed, and more than that, that. He would provide the power to obey
Elisabeth Elliot (Through Gates of Splendor)
Sunlight is the life-blood of Nature.  Mother Earth looks at us with such dull, soulless eyes, when the sunlight has died away from out of her.  It makes us sad to be with her then; she does not seem to know us or to care for us.  She is as a widow who has lost the husband she loved, and her children touch her hand, and look up into her eyes, but gain no smile from her.
Jerome K. Jerome (Three Men in a Boat (To Say Nothing of the Dog))
How many successful men who have led loveless lives would wish to be born again to the mean worry and anxious labour they have suffered under and defeated? But when I have spoken to grey-haired widowed husbands of a future life their eyes have sparkled and I have not needed telling of their secret hope. As I have put it: "If there is another life I will seek my sweet friend and marry her again.
Robert Blatchford (My Eighty Years)
It was as if the boy had already divined what his senses and intellect had not encompassed yet: that doomed wilderness whose edges were being constantly and punily gnawed at by men with plows and axes who feared it because it was wilderness, men myriad and nameless even to one another in the land where the old bear had earned a name, and through which ran not even a mortal beast but an anachronism indomitable and invincible out of an old dead time, a phantom, epitome and apotheosis of the old wild life which the little puny humans swarmed and hacked at in fury of abhorrence and fear like pygmies about the ankles of a drowsing elephant;--the old bear, solitary, indomitable, and alone; widowered childless and absolved of mortality--old Priam reft of his old wife and outlived all his sons.
William Faulkner
This is the way that it goes. In your mid forties you have your first crisis of mortality (death will not ignore me); and ten years later you have your first crisis of age (my body whispers that death is already intrigued by me). But something very interesting happens to you in between. As the fiftieth birthday approaches, you get that sense that your life is thinning out, and will continue to thin out, until it thins out into nothing. And you sometimes say to yourself; That went a bit quick. That went a bit quick. In certain moods you may want to put it a bit more forcefully. As in: OY!! That went a BIT FUCKING QUICK!!!.... Then fifty comes and goes, and fifty-one, and fifty-two. And life thickens out again. Because there is now an enormous and unsuspected presence within your being, like an undiscovered continent. This is the past.
Martin Amis
Kitty made the acquaintance of Madame Stahl too, and this acquaintance, together with her friendship with Varenka, did not merely exercise a great influence on her, it also comforted her in her mental distress. She found this comfort through a completely new world being opened to her by means of this acquaintance, a world having nothing in common with her past, an exalted, noble world, from the height of which she could contemplate her past calmly. It was revealed to her that besides the instinctive life to which Kitty had given herself up hitherto there was a spiritual life. This life was disclosed in religion, but a religion having nothing in common with that one which Kitty had known from childhood, and which found expression in litanies and all-night services at the Widow's Home, where one might meet one's friends, and in learning by heart Slavonic texts with the priest. This was a lofty, mysterious religion connected with a whole series of noble thoughts and feelings, which one could do more than merely believe because one was told to, which one could love.
Leo Tolstoy (Anna Karenina)
Oh, Starbuck! it is a mild, mild wind, and a mild looking sky. On such a day - very much such a sweetness as this - I struck my first whale - a boy-harpooneer of eighteen! Forty - forty - forty years ago! - ago! Forty years of continual whaling! forty years of privation, and peril, and storm-time! forty years on the pitiless sea! for forty years has Ahab forsaken the peaceful land, for forty years to make war on the horrors of the deep! Aye and yes, Starbuck, out of those forty years I have not spent three ashore. When I think of this life I have led; the desolation of solitude it has been; the masoned, walled-town of a Captain's exclusiveness, which admits but small entrance to any sympathy from the green country without - oh, weariness! heaviness! Guinea-coast slavery of solitary command! - when I think of all this; only half-suspected, not so keenly known to me before - and how for forty years I have fed upon dry salted fare - fit emblem of the dry nourishment of my soul - when the poorest landsman has had fresh fruit to his daily hand, and broken the world's fresh bread to my mouldy crusts - away, whole oceans away, from that young girl-wife I wedded past fifty, and sailed for Cape Horn the next day, leaving but one dent in my marriage pillow - wife? wife? - rather a widow with her husband alive! Aye, I widowed that poor girl when I married her, Starbuck; and then, the madness, the frenzy, the boiling blood and the smoking brow, with which, for a thousand lowerings old Ahab has furiously, foamingly chased his prey - more a demon than a man! - aye, aye! what a forty years' fool - fool - old fool, has old Ahab been! Why this strife of the chase? why weary, and palsy the arm at the oar, and the iron, and the lance? how the richer or better is Ahab now? Behold. Oh, Starbuck! is it not hard, that with this weary load I bear, one poor leg should have been snatched from under me? Here, brush this old hair aside; it blinds me, that I seem to weep. Locks so grey did never grow but from out some ashes! But do I look very old, so very, very old, Starbuck? I feel deadly faint, bowed, and humped, as though I were Adam, staggering beneath the piled centuries since Paradise. God! God! God! - crack my heart! - stave my brain! - mockery! mockery! bitter, biting mockery of grey hairs, have I lived enough joy to wear ye; and seem and feel thus intolerably old? Close! stand close to me, Starbuck; let me look into a human eye; it is better than to gaze into sea or sky; better than to gaze upon God. By the green land; by the bright hearth-stone! this is the magic glass, man; I see my wife and my child in thine eye. No, no; stay on board, on board! - lower not when I do; when branded Ahab gives chase to Moby Dick. That hazard shall not be thine. No, no! not with the far away home I see in that eye!
Herman Melville
But someday I'll fall in love again, right? I'll start over with someone, and maybe we'll buy a big old house with all this new money I have, and we'll have kids, and I'll be a professional writer, maybe even write some books. I'll have this whole great life, and it will be thanks to Hailey dying in a plane crash. And I don't know exactly at what point it will happen, but the time will come when I'll have crossed this line where maybe I wouldn't go back to save her, because I'll know that if it weren't for her dying, I wouldn't have this family I love, and this life I'm living. And the thought of that, of becoming the person who wouldn't go back to save her...
Jonathan Tropper (How to Talk to a Widower)
We are all of us exposed to grief: the people we love die, as we shall ourselves in due course; expectations are disappointed and ambitions are thwarted by circumstance. Finally, there are some who insist upon feeling guilty over the ill they have done or simply on account of the ugliness which they perceive in their own souls. A solution of a kind has been found to this problem in the form of sedatives and anti-depressant drugs, so that many human experiences which used to be accepted as an integral part of human life are now defined and dealt with as medical problems. The widow who grieves for a beloved husband becomes a 'case', as does the man saddened by the recollection of the napalm or high explosives he has dropped on civilian populations. One had thought that guilt was a way, however indirect, in which we might perceive the nature of reality and the laws which govern our human experience; but it is now an illness that can be cured. Death however, remains incurable. Though we might be embarrassed by Victorian death-bed scenes or the practices of mourning among people less sophisticated than ourselves, the fact of death tells us so much about the realities of our condition that to ignore it or try to forget it is to be unaware of the most important thing we need to know about our situation as living creatures. Equally, to witness and participate in the dying of our fellow men and women is to learn what we are and, if we have any wisdom at all, to draw conclusions which must in their way affect our every thought and our every act.
Charles Le Gai Eaton (King of the Castle: Choice and Responsibility in the Modern World (Islamic Texts Society))
In fact, we found strong evidence that many of the widows who had had the best marriages went through the bereavement and detachment process more easily than those who had had a deeply conflicted one. (The explanation for this paradox lay, it seemed to me, in “regret”: for those who had spent their lives married to the wrong person, bereavement was more complicated because they also had to grieve for themselves, for their many squandered years.)
Irvin D. Yalom (Momma and the Meaning of Life: Tales From Psychotherapy)
This new concept of the "finest, highest achievement of art" had no sooner entered my mind than it located the imperfect enjoyment I had had at the theater, and added to it a little of what it lacked; this made such a heady mixture that I exclaimed, "What a great artiste she is!" It may be thought I was not altogether sincere. Think, however, of so many writers who, in a moment of dissatisfaction with a piece they have just written, may read a eulogy of the genius of Chateaubriand, or who may think of some other great artist whom they have dreamed of equaling, who hum to themselves a phrase of Beethoven for instance, comparing the sadness of it to the mood they have tried to capture in their prose, and are then so carried away by the perception of genius that they let it affect the way they read their own piece, no longer seeing it as they first saw it, but going so far as to hazard an act of faith in the value of it, by telling themselves "It's not bad you know!" without realizing that the sum total which determines their ultimate satisfaction includes the memory of Chateaubriand's brilliant pages, which they have assimilated to their own, but which, of course, they did not write. Think of all the men who go on believing in the love of a mistress in whom nothing is more flagrant than her infidelities; of all those torn between the hope of something beyond this life (such as the bereft widower who remembers a beloved wife, or the artist who indulges in dreams of posthumous fame, each of them looking forward to an afterlife which he knows is inconceivable) and the desire for a reassuring oblivion, when their better judgement reminds them of the faults they might otherwise have to expiate after death; or think of the travelers who are uplifted by the general beauty of a journey they have just completed, although during it their main impression, day after day, was that it was a chore--think of them before deciding whether, given the promiscuity of the ideas that lurk within us, a single one of those that affords us our greatest happiness has not begun life by parasitically attaching itself to a foreign idea with which it happened to come into contact, and by drawing from it much of the power of pleasing which it once lacked.
Marcel Proust (In the Shadow of Young Girls in Flower)
There’s no such thing as karma,” I say, enunciating every syllable like I want to crush them with my teeth. “Or, if it does exist, it sure doesn’t give a shit about people like me. Some of us were born to be used and discarded. We can’t afford to simply go along with the flow of life, because nothing in this world has been created, built, or set up in our favor. If we want something, we have to push back against everything around us and take it by force.
Xiran Jay Zhao (Iron Widow (Iron Widow #1))
The stewards, and then the bailiffs, and then finally the lawyers meet. They wrangle, they agree, and we are to be married in June. It is no little decision for me - for the first time in my life I have my own lands in my own hands as a widow; once I become a wife everything becomes Lord Stanley's property. I have to struggle to reserve what I can from the law that rules that a wife has no rights, and I keep what I can, but I know that I am choosing my master.
Philippa Gregory (The Red Queen (The Plantagenet and Tudor Novels, #3))
Story time. In September of 1869, there was a terrible fire at the Avondale coal mine near Plymouth, Pennsylvania. Over 100 coal miners lost their lives. Horrific conditions and safety standards were blamed for the disaster. It wasn’t the first accident. Hundreds of miners died in these mines every year. And those that didn’t, lived in squalor. Children as young as eight worked day in and out. They broke their bodies and gave their lives for nothing but scraps. That day of the fire, as thousands of workers and family members gathered outside the mine to watch the bodies of their friends and loved ones brought to the surface, a man named John Siney stood atop one of the carts and shouted to the crowd: Men, if you must die with your boots on, die for your families, your homes, your country, but do not longer consent to die, like rats in a trap, for those who have no more interest in you than in the pick you dig with. That day, thousands of coal miners came together to unionize. That organization, the Workingmen’s Benevolent Association, managed to fight, for a few years at least, to raise safety standards for the mines by calling strikes and attempting to force safety legislation. ... Until 1875, when the union was obliterated by the mine owners. Why was the union broken so easily? Because they were out in the open. They were playing by the rules. How can you win a deliberately unfair game when the rules are written by your opponent? The answer is you can’t. You will never win. Not as long as you follow their arbitrary guidelines. This is a new lesson to me. She’s been teaching me so many things, about who I am. About what I am. What I really am. About what must be done. Anyway, during this same time, it is alleged a separate, more militant group of individuals had formed in secret. The Molly Maguires. Named after a widow in Ireland who fought against predatory landlords, the coal workers of Pennsylvania became something a little more proactive, supposedly assassinating over two dozen coal mine supervisors and managers. ... Until Pinkerton agents, hired by the same mine owners, infiltrated the group and discovered their identities. Several of the alleged Mollies ended up publicly hanged. Others disappeared. You get the picture. So, that’s another type of secret society. The yeah-we’re-terrorists-but-we-strongly-feel-we’re-justified-and-fuck-you-if-you-don’t-agree society. So, what’s the moral of this little history lesson? This sort of thing happens all day, every day across the universe. It happens in Big Ways, and it happens in little ways, too. The strong stomp on the weak. The weak fight back, usually within the boundaries of the rat trap they find themselves confined. They almost always remain firmly stomped. But sometimes, the weak gather in secret. They make plans. They work outside the system to effect change. Like the Mollies, they usually end up just as stomped as everyone else. But that’s just life. At least they fucking tried. They died with their boots on, as much as I hate that expression. They died with their boots on for their people, their family, not for some rich, nameless organization that gives no shits whether they live or die. Or go extinct. Or are trapped for a millennia after they’re done being used. In my opinion, that’s the only type of society that’s worth joining, worth fighting for. Sure, you’re probably gonna die. But if you find yourself in such a position where such an organization is necessary, what do you have to lose? How can you look at yourself if you don’t do everything you can? And that brings us to the door you’re standing in front of right now. What does all this have to do with what you’re going to find on the other side? Nothing!
Matt Dinniman (The Eye of the Bedlam Bride (Dungeon Crawler Carl, #6))
May the ears of Canada never grow deaf to the plea of widows and orphans and our crippled men for care and support. May the eyes of Canada never be blind to that glorious light which shines upon our young national life from the deeds of those "who counted not their lives dear unto themselves," and may the lips of Canada never be dumb to tell to future generations the tales of heroism which will kindle the imagination and fire the patriotism of children that are yet unborn.
Frederick George Scott
Sarah shifted on the bench. I worried she was winding up to say something, that Sky would start humming now, that the fright spring-coiled inside me would break loose. Then I remembered the widow dress I was wearing. I made a sound with my lips like I was trying to give him an answer, but choking on the words, seized by my grief, and I didn't have to pretend that much. I felt sorrow for my life, for what I'd lived and seen and known, for what was lost to me, and the weeping turned real.
Sue Monk Kidd (The Invention of Wings)
But what answer? Well that the soul—for she was conscious of a movement in her of some creature beating its way about her and trying to escape which momentarily she called the soul—is by nature unmated, a widow bird; a bird perched aloof on that tree. But then Bertram, putting his arm through hers in his familiar way, for he had known her all her life, remarked that they were not doing their duty and must go in. At that moment, in some back street or public house, the usual terrible sexless, inarticulate voice rang out; a shriek, a cry. And the widow bird, startled, flew away, describing wider and wider circles until it became (what she called her soul) remote as a crow which has been startled up into the air by a stone thrown at it.
Virginia Woolf (A Haunted House And Other Short Stories)
o a word in season, how good it is!     24 The path of life leads upward  p for the prudent,         that he may turn away from Sheol beneath.     25 The LORD tears down the house of  q the proud         but  r maintains  s the widow’s boundaries.     26  
Anonymous (Holy Bible: English Standard Version (ESV))
A true revolution of values will soon cause us to question the fairness and justice of many of our past and present policies. On the one hand we are called to play the good Samaritan on life’s roadside; but that will be only an initial act. One day we must come to see that the whole Jericho road must be transformed so that men and women will not be constantly beaten and robbed as they make their journey on life’s highway. True compassion is more than flinging a coin to a beggar; it is not haphazard and superficial. It comes to see that an edifice which produces beggars needs restructuring. A true revolution of values will soon look uneasily on the glaring contrast of poverty and wealth. With righteous indignation, it will look across the seas and see individual capitalists of the West investing huge sums of money in Asia, Africa and South America, only to take the profits out with no concern for the social betterment of the countries, and say: “This is not just.” It will look at our alliance with the landed gentry of Latin America and say: “This is not just.” The Western arrogance of feeling that it has everything to teach others and nothing to learn from them is not just. A true revolution of values will lay hands on the world order and say of war: “This way of settling differences is not just.” This business of burning human beings with napalm, of filling our nation’s homes with orphans and widows, of injecting poisonous drugs of hate into veins of people normally humane, of sending men home from dark and bloody battlefields physically handicapped and psychologically deranged, cannot be reconciled with wisdom, justice and love. A nation that continues year after year to spend more money on military defense than on programs of social uplift is approaching spiritual death.
Martin Luther King Jr.
If one’s husband had been married before and widowed—a fairly common condition—and a close relative of his first wife’s died, the second wife was expected to engage in “complementary mourning”—a kind of proxy mourning on behalf of the deceased earlier partner.
Bill Bryson (At Home: A Short History of Private Life)
Mrs. Watson was feeling a little sorry for herself. Widowed, in the autumn of her life, her only relation away much of the year. But oh, such warmth radiated through her at Miss Holmes’s words, as if she’d swallowed a drop of sunfire and now glowed from within. True, certain beloved phases of her life had come to an end, but with Miss Holmes’s arrival, a whole new vista had opened up. And for one who had tended her years with care, autumn need not be a season of scarcity or regret—but one of harvest and celebration.
Sherry Thomas (A Conspiracy in Belgravia (Lady Sherlock, #2))
Tell yourself that there are things you will never forget. Tell yourself that you will always remember what is important. Tell yourself that everything you love will stay with you, forever. Even though it won't. Not even a little. Nothing lasts. But unless you are strong, and careful, that will not be enough. I learned love form sacrifice. I learned love from living. And no matter where I've gone, or what I've done, all the dark things I do not regret, but will never speak of, that is the one part of me that I have always kept safe. But that's not enough. It's not the length of a life that matters, just the depth of it. The chances we take. The pathes we choose. How we go on after our hearts break. Hearts always break. And so we bend with our hearts. And we sway. But in the end, what matters is that we loved and lived.
Marjorie M. Liu (Black Widow, Vol. 1: The Name of the Rose)
In our marriage it was our practice not to share anything that was upsetting, depressing, demoralizing, tedious—unless it was unavoidable. Because so much in a writer’s life can be distressing—negative reviews, rejections by magazines, difficulties with editors, publishers, book designers—disappointment with one’s own work, on a daily/hourly basis!—it seemed to me a very good idea to shield Ray from this side of my life as much as I could. For what is the purpose of sharing your misery with another person, except to make that person miserable, too?
Joyce Carol Oates (A Widow's Story)
This is the way it goes. In your mid-forties you have your first crisis of mortality (death will not ignore me); and ten years later you have your first crisis of age (my body whispers that death is already intrigued by me). But something very interesting happens to you in between. As the fiftieth birthday approaches, you get the sense that your life is thinning out, and will continue to thin out, until it thins out into nothing. And you sometimes say to yourself: That went a bit quick. That went a bit quick. In certain moods, you may want to put it rather more forcefully. As in: OY!! THAT went a BIT FUCKING QUICK!!! ... Then fifty comes and goes, and fifty-one, and fifty-two. And life thickens out again. Because there is now an enormous and unsuspected presence within your being, like an undiscovered continent. This is the past.
Martin Amis (The Pregnant Widow)
My wife of more than forty-years shot herself yesterday afternoon. At least that is what the police assume, and I am playing the part of grieving widower with enthusiasm and success. Life with Sarah has schooled me in self-deception, which I find--as she did--to be an excellent training in the deceiving of others. Of course I know that she did nothing of the kind. My wife was far too sane, far too rooted in the present to think of harming herself. In my opinion she never gave a thought to what she had done. She was incapable of guilt. It was I who killed her.
Richard Mason (The Drowning People)
A century gone by and still the wounds remain fresh , the problem unresolved and a zillion questions unanswered. The subliminal hyper nationalist state with so maligned dynamics that a simple wrong step is enough to wake the beast from its simmering slumber and throw the entire nation into whirl pool of unaccounted casualties.... A millions lives lost , businesses uprooted and educations at stake ...this is a jinxed paradise where the wails of the half widows reach the heavens and bring nothing but sorrow. Legend has it that this place will be swallowed in one great leap of water as we will self annihilate everything and thus life will complete its full circle. "Cursed be the ground for our sake. Both thorns and thistles it shall bring forth for us. For out of the ground we were taken, for the dust we are... and to the dust we shall return
BinYamin Gulzar
Suppose you are particularly rich and well-to-do, and say on that last day, 'I am very rich; I am tolerably well known; I have lived all my life in the best society, and, thank Heaven, come of a most respectable family. I have served my King and country with honour. I was in Parliament for several years, where, I may say, my speeches were listened to, and pretty well received. I don't owe any man a shilling: on the contrary, I lent my old college friend, Jack Lazarus, fifty pounds, for which my executors will not press him. I leave my daughters with ten thousand pounds a piece--very good portions for girls: I bequeath my plate and furniture, my house in Baker Street, with a handsome jointure, to my widow for her life; and my landed property, besides money in the Funds, and my cellar of well-selected wine in Baker Street, to my son. I leave twenty pound a year to my valet; and I defy any man after I am gone to find anything against my character.' Or suppose, on the other hand, your swan sings quite a different sort of dirge, and you say, 'I am a poor, blighted, disappointed old fellow, and have made an utter failure through life. I was not endowed either with brains or with good fortune: and confess that I have committed a hundred mistakes and blunders. I own to having forgotten my duty many a time. I can't pay what I owe. On my last bed I lie utterly helpless and humble: and I pray forgiveness for my weakness, and throw myself with a contrite heart at the feet of the Divine Mercy.' Which of these two speeches, think you, would be the best oration for your own funeral? Old Sedley made the last; and in that humble frame of mind, and holding by the hand of his daughter, life and disappointment and vanity sank away from under him.
William Makepeace Thackeray (Vanity Fair)
Death is dark, but it's also light, and between that contrast I saw a death positive narrative begin to appear. The dark and light can produce a rainbow of color that exists in a spectrum of hues, shades, tints, and values. Its beauty is firmly planted in the storm, but we've become color-blind. And I tremble to say there's good in death, that there's a death positive narrative, because I've looked in the eyes of a grieving mother and I've seen the heartbreak of the stricken widow, but I've also seen something more in death, something good. Death's hands aren't all bony and cold.
Caleb Wilde (Confessions of a Funeral Director: How the Business of Death Saved My Life)
Wedding Superstitions The Bridal Gown White - You have chosen right. Grey - You'll go far away. Black - You'll wish yourself back. Red - You'll wish yourself dead. Green - Ashamed to be seen. Blue - You'll always be true. Pearl - You'll live in a whirl. Peach - A love out of reach. Yellow - Ashamed of your fellow. Pink - Your Spirits will sink. The Wedding Day Monday for health, Tuesday for wealth, Wednesday best of all, Thursday for losses, Friday for crosses, Saturday for no luck at all. The Wedding Month Marry in May, and you'll rue the day, Marry in Lent, you'll live to repent. Married when the year is new, He'll be loving, kind and true. When February birds do mate, You wed nor dread your fate. If you wed when March winds blow, Joy and sorrow both you'll know. Marry in April when you can, Joy for maiden and the man. Marry in the month of May, And you'll surely rue the day. Marry when the June roses grow, Over land and sea you'll go. Those who in July do wed, Must labour for their daily bread. Whoever wed in August be, Many a change is sure to see. Marry in September's shine, Your living will be rich and fine. If in October you do marry, Love will come, but riches tarry. If you wed in bleak November, Only joys will come, remember, When December's snows fall fast, Marry and true love will last. Married in January's roar and rime, Widowed you'll be before your prime. Married in February's sleepy weather, Life you'll tread in time together. Married when March winds shrill and roar, Your home will lie on a distant shore. Married 'neath April's changeful skies, A checkered path before you lies. Married when bees o'er May blossoms flit, Strangers around your board will sit. Married in month of roses June, Life will be one long honeymoon. Married in July with flowers ablaze, Bitter-sweet memories in after days. Married in August's heat and drowse, Lover and friend in your chosen spouse. Married in September's golden glow, Smooth and serene your life will go. Married when leaves in October thin, Toil and hardships for you begin. Married in veils of November mist, Fortune your wedding ring has kissed. Married in days of December's cheer, Love's star shines brighter from year to year
New Zealand Proverb
We would like God's ways to be like our ways, his judgments to be like our judgments. It is hard for us to understand that he lavishly gives enormous talents to people we would consider unworthy, that he chooses his artists with as calm a disregard of surface moral qualifications as he chooses his saints. Often we forget that he has a special gift for each one of us, because we tend to weigh and measure such gifts with the coin of the world's marketplace. The widow's mite was worth more than all the rich men's gold because it represented the focus of her life. Her poverty was rich because all she had belonged to the living Lord.
Madeleine L'Engle (Walking on Water: Reflections on Faith and Art)
I love you. How many times have you been asked, "How are you" today? It's a dreadful question. It's an absurd question. Knowing you and seeing what has happened in your life makes me stop in my tracks and catch myself before I ask anyone that question again. How the hell can you answer that question in the aisle of a supermarket? Come back to the house, you say. Bring your toothbrush and call your boss. You will need a week to hear the complete answer. And you will never be the same if you listen. It's the question that the entire human race reduces itself to each and every day, in each and every encounter, and without the intention of ever truly hearing the answer.
Christine Silverstein
And do you wish to see this widower son?” Jane asked hesitantly. “No, I do not. Nor do I want my mother or brother’s interference in my life. And I certainly don’t wish to guard my words and laughter. Or to be dull and bored by life.” Jane gave a pleased nod. “Then live for yourself and show your daughters how life can be, and should be, lived,” she said.
Christi Caldwell (To Woo a Widow (The Heart of a Duke, #10))
Because one night, between one sweet-sounding song and another, she understood that, while life offers no guarantees, sometimes it does offer gifts; and understanding that, accepting it even without being fully aware of it, the bitterness, the grief, and the deep wound of Beatriz Cortés, now the widow of Morales, began to heal, and her determined streak began to reemerge.
Sofía Segovia (The Murmur of Bees)
XVI. In My Sky At Twilight" In my sky at twilight you are like a cloud and your form and colour are the way I love them. You are mine, mine, woman with sweet lips and in your life my infinite dreams live. The lamp of my soul dyes your feet, My sour wine is sweeter on your lips, oh reaper of my evening song, how solitary dreams believe you to be mine! You are mine, mine, I go shouting it to the afternoon's wind, and the wind hauls on my widowed voice. Huntress of the depths of my eyes, your plunder stills your nocturnal regard as though it were water. You are taken in the net of my music, my love, and my nets of music are as wide as the sky. My soul is born on the shore of your eyes of mourning. In your eyes of mourning the land of dreams begin
Pablo Neruda (Twenty Love Poems and a Song of Despair)
You want a physicist to speak at your funeral. You want the physicist to talk to your grieving family about the conservation of energy, so they will understand that your energy has not died. You want the physicist to remind your sobbing mother about the first law of thermodynamics; that no energy gets created in the universe, and none is destroyed. You want your mother to know that all your energy, every vibration, every Btu of heat, every wave of every particle that was her beloved child remains with her in this world. You want the physicist to tell your weeping father that amid energies of the cosmos, you gave as good as you got. And at one point you’d hope that the physicist would step down from the pulpit and walk to your brokenhearted spouse there in the pew and tell him that all the photons that ever bounced off your face, all the particles whose paths were interrupted by your smile, by the touch of your hair, hundreds of trillions of particles, have raced off like children, their ways forever changed by you. And as your widow rocks in the arms of a loving family, may the physicist let her know that all the photons that bounced from you were gathered in the particle detectors that are her eyes, that those photons created within her constellations of electromagnetically charged neurons whose energy will go on forever. And the physicist will remind the congregation of how much of all our energy is given off as heat. There may be a few fanning themselves with their programs as he says it. And he will tell them that the warmth that flowed through you in life is still here, still part of all that we are, even as we who mourn continue the heat of our own lives. And you’ll want the physicist to explain to those who loved you that they need not have faith; indeed, they should not have faith. Let them know that they can measure, that scientists have measured precisely the conservation of energy and found it accurate, verifiable and consistent across space and time. You can hope your family will examine the evidence and satisfy themselves that the science is sound and that they’ll be comforted to know your energy’s still around. According to the law of the conservation of energy, not a bit of you is gone; you’re just less orderly. Amen.
Aaron Freeman
Did you see Octavia? MESSENGER Yes, revered Queen. CLEOPATRA Where? MESSENGER In Rome, Madam. I saw her face as she walked with her brother and Mark Antony. CLEOPATRA Is she as tall as I am? MESSENGER She is not, madam. CLEOPATRA Did you hear her speak? Is her voice pitched high or low? MESSENGER Madam, I heard her speak. She has a low-pitched voice. CLEOPATRA That’s not so good. He cannot like her long. MESSENGER Like her? Oh, Isis, that’s impossible. CLEOPATRA You’re right. Charmian, she’s both dull-spoken and dwarfishly little.—Did she carry herself with majesty? Compare her to any memory you might have of royalty. MESSENGER She creeps along. Moving or standing still, her bearing is about the same. She has a body, not a life. She’s more like a statue than a living, breathing human being. CLEOPATRA Is this true? MESSENGER If not, then I have no powers of observation. CHARMIAN There aren’t three people in all of Egypt who could do better. CLEOPATRA He’s very observant. I can tell. She doesn’t have anything going for her so far. This messenger is wise. CLEOPATRA (to MESSENGER ) How old do you think she is? MESSENGER She was a widow previously, madam CLEOPATRA A widow? Do you hear that, Charmian? MESSENGER And I think she’s at least thirty. CLEOPATRA Do you remember her face? Was it long or round? MESSENGER Round enough to be unattractive. CLEOPATRA Usually that means a person is foolish. What color is her hair? MESSENGER Brown, madam, and her forehead As low as she would wish it.
William Shakespeare (Antony and Cleopatra)
These people walk by a widow deformed by leprosy begging for a few paise, walk by children dressed in rags living in the street, and they think, “Business as usual.” But if they perceive a slight against God, it is a different story. Their faces go red, their chests heave mightily, they sputter angry words. The degree of their indignation is astonishing. Their resolve is frightening.
Yann Martel (Life of Pi)
Tomorrow’s Promise Don’t be afraid—you’re not going to be embarrassed. Don’t hold back—you’re not going to come up short. You’ll forget all about the humiliations of your youth, and the indignities of being a widow will fade from memory. For your Maker is your bridegroom, his name, GOD-of-the-Angel-Armies! Your Redeemer is The Holy of Israel, known as God of the whole earth. ISAIAH 54:4–5 THE MESSAGE May God expand your territory, enlarge your vision, and increase your capacity for His influence in your life. May you be quick to hear, quick to obey, and quick to trust Him with every detail of your life. As you consider His faithfulness today, may you walk faithfully to your next place of promise tomorrow. He has been faithful. He will be faithful. Rest assured of that.
Susie Larson (Blessings for the Evening: Finding Peace in God's Presence)
The Aftermath When the fierce pure pleasure has clawed through, ripped open my tent of separateness, I lay in my lover's arms, weeping and exposed. I can't help seeing my sister, new widow whose heart hangs heavy, a side of beef in the ice box of her chest. I imagine her entering a bedroom like this, maples flaming beyond the window against a perfectly useless blue sky. And then my mother-in-law stops at the library on the way home from her husband’s funeral, picks up the book they've been holding. It sits in the passenger seat while she stares at the windshield, stunned, a bird flown into glass. Even my friend whose wife hasn’t died yet appears in this sex-drenched air. Tears pool in the shallows under his eyes. If his soul were a tin can, it would be sliced, the thick soup leaking out. The night is soaked with suffering. My dumb body, sprung open, can’t tell the difference between this blaze of pleasure and the sorrow it drags in. As I gaze out into the gathering darkness it seems I almost comprehend the mystery, glimpse the water of life pouring through my form into theirs, theirs back to mine, misery and ecstasy swirled like the blue white planet seen from space, but it lasts less than a moment-- the arms of my own dear one haul me back into my body, her flesh so ostentatiously alive.
Ellen Bass
....It was to complete his marriage with Maimuna, the daughter of Al Hareth, the Helalite. He had become betrothed to her on his arrival at Mecca, but had post-poned the nuptials until after he had concluded the rites of pilgrimage. This was doubtless another marriage of policy, for Maimuna was fifty-one years of age, and a widow, but the connection gained him two powerful proselytes. One was Khaled Ibn al Waled, a nephew of the widow, an intrepid warrior who had come near destroy- ing Mahomet at the battle of Ohod. He now became one of the most victorious champions of Islamism, and by his prowess obtained the appellation of " The Sword of God." The other proselyte was Khaled's friend, Amru Ibn al Aass ; the same who assailed Mahomet with poetry and satire at the commencement of his prophetic career ; who had been an ambassador from the Koreishites to the king of Abyssinia, to obtain the surrender of the fugitive Moslems, and who was henceforth destined with his sword to carry victoriously into foreign lands the faith he had once so strenuously opposed. Note.— Maimuna was the last spouse of the prophet, and, old as she was at her marriage, survived all his other wives. She died many years after him, in a pavilion at Serif, under the same tree in the shade of which her nuptial tent had been pitched, and was there interred. The pious historian, Al Jannabi, who styles himself "a poor servant of Allah, hoping for the pardon of his sins through the mercy of God," visited her tomb on returning from a pilgrimage to Mecca, in the year of the Hegira 963, a.d. 1555. "I saw there," said he, "a dome of black marble erected in memory of Maimuna, on the very spot on which the apostle of God had reposed with her. God knows the truth ! and also the reason of the black color of the stone. There is a place of ablution, and an oratory ; but the building has fallen to decay.
Washington Irving (Life of Mohammed)
Time means succession, and succession, change: Hence timelessness is bound to disarrange Schedules of sentiment. We give advice 570  To widower. He has been married twice: He meets his wives; both loved, both loving, both Jealous of one another. Time means growth, And growth means nothing in Elysian life. Fondling a changeless child, the flax-haired wife Grieves on the brink of a remembered pond Full of a dreamy sky. And, also blond, But with a touch of tawny in the shade, Feet up, knees clasped, on a stone balustrade The other sits and raises a moist gaze 580  Toward the blue impenetrable haze. How to begin? Which first to kiss? What toy To give the babe? Does that small solemn boy Know of the head-on crash which on a wild March night killed both the mother and the child? And she, the second love, with instep bare In ballerina black, why does she wear The earrings from the other’s jewel case? And why does she avert her fierce young face?
Vladimir Nabokov (Pale Fire)
Not the Happiness but the Consequence of Happiness He wakes up in the silence of the winter woods, the silence of birds not singing, knowing he will not hear his voice all day. He remembers what the brown owl sounded like while he was sleeping. The man wakes in the frigid morning thinking about women. Not with desire so much as with a sense of what is not. The January silence is the sound of his feet in the snow, a squirrel scolding, or the scraping calls of a single blue jay. Something of him dances there, apart and gravely mute. Many days in the woods he wonders what it is that he has for so long hunted down. We go hand in hand, he thinks, into the dark pleasure, but we are rewarded alone, just as we are married into aloneness. He walks the paths doing the strange mathematics of the brain, multiplying the spirit. He thinks of caressing her feet as she kept dying. For the last four hours, watching her gradually stop as the hospital slept. Remembers the stunning coldness of her head when he kissed her just after. There is light or more light, darkness and less darkness. It is, he decides, a quality without definition. How strange to discover that one lives with the heart as one lives with a wife. Even after many years, nobody knows what she is like. The heart has a life of its own. It gets free of us, escapes, is ambitiously unfaithful. Dies out unaccountably after eight years, blooms unnecessarily and too late. Like the arbitrary silence in the white woods, leaving tracks in the snow he cannot recognize.
Jack Gilbert (Refusing Heaven: Poems)
Saturday was the fifth day of Flush's imprisonment. Almost exhausted, almost hopeless, he lay panting in his dark corner of the teeming floor. Doors slammed and banged. Rough voices cried. Women screamed. Parrots chattered as they had never chattered to widows in Maida Vale, but now evil old women merely cursed at them. Insects crawled in his fur, but he was too weak, too indifferent to shake his coat. All Flush’s past life and its many scenes – Reading, the greenhouse, Miss Mitford, Mr Kenyon, the bookcases, the busts, the peasants on the blind – had faded like snowflakes dissolved in a cauldron. If he still held to hope, it was to something nameless and formless; the featureless face of someone he still called ‘Miss Barrett’. She still existed; all the rest of the world was gone, but she still existed, though such gulfs lay between them that it was impossible, almost, that she should reach him still. Darkness began to fall again, such darkness as seemed almost able to crush out his last hope – Miss Barrett.
Virginia Woolf (Flush)
And that wasn't the end of it. There are always those who take it upon themselves to defend God, as if Ultimate Reality, as if the sustaining frame of existence, were something weak and helpless. These people walk by a widow deformed by leprosy begging for a few paise, walk by children dressed in rags living in the street, and they think, 'Business as usual.' But if they perceive a slight against God, it is a different story. Their faces go red, their chests heave mightily, they sputter angry words. The degree of their indignation is astonishing. Their resolve is frightening. These people fail to realize that it is on the inside that God must be defended, not on the outside. They should direct their anger at themselves. For evil in the open is but evil from within that has been let out. The main battlefield for good is not the open ground of the public arena, but the small clearing of each heart. Meanwhile, the lot of widows and homeless children is very hard, and it is to their defence, not God's, that the self-righteous should rush.
Yann Martel (Life of Pi)
Discreet as you are, Rohan, one can’t help but notice how ardently you are pursued. It seems you hold quite an appeal for the ladies of London. And from all appearances, you’ve taken full advantage of what’s been offered.” Cam stared at him without expression. “Pardon, but are you leading to an actual point, my lord?” Leaning back in his chair, St. Vincent made a temple of his elegant hands and regarded Cam steadily. “Since you’ve had no problem with lack of desire in the past, I can only assume that, as happens with other appetites, yours has been sated with an overabundance of sameness. A bit of novelty may be just the thing.” Considering the statement, which actually made sense, Cam wondered if the notorious former rake had ever been tempted to stray. Having known Evie since childhood, when she had come to visit her widowed father at the club from time to time, Cam felt as protective of her as if she’d been his younger sister. No one would have paired the gentle-natured Evie with such a libertine. And perhaps no one had been as surprised as St. Vincent himself to discover their marriage of convenience had turned into a passionate love match. “What of married life?” Cam asked softly. “Does it eventually become an overabundance of sameness?” St. Vincent’s expression changed, the light blue eyes warming at the thought of his wife. “It has become clear to me that with the right woman, one can never have enough. I would welcome an overabundance of such bliss—but I doubt such a thing is mortally possible.” Closing the account book with a decisive thud, he stood from the desk. “If you’ll excuse me, Rohan, I’ll bid you good night.” “What about finishing the accounting?” “I’ll leave the rest in your capable hands.” At Cam’s scowl, St. Vincent shrugged innocently. “Rohan, one of us is an unmarried man with superior mathematical abilities and no prospects for the evening. The other is a confirmed lecher in an amorous mood, with a willing and nubile young wife waiting at home. Who do you think should do the damned account books?” And, with a nonchalant wave, St. Vincent had left the office.
Lisa Kleypas (Mine Till Midnight (The Hathaways, #1))
We tiptoe around everything except the truth: that one of her sons has left and the other is counting the days, that she has lost control, and that we will never replace her husband and are incapable of meeting her needs. I sometimes see in her face a look of fear and loss. I try to think like her—a disillusioned widow and parent. I soon give up. I can only think like me. One thing becomes clear, though. If this is the Victorious Christian Life—if this is what a person who hasn’t sinned in decades looks like—then I want no part of it.
Philip Yancey (Where the Light Fell)
Something dangerous is beginning: I am coming late to my own self. I made an appointment with my thoughts- the thoughts were snatched from me. I made an appointment with Faulkner- but they made me go to a banquet. I made an appointment with history, but a grass-widow dragged me into bed. Worse than barbed wire are birthday parties, mine and others', and roasted suckling pigs hold me like a sprig of parsley between their teeth! Led away for good to a life absolutely not my own, everything that I eat, eats me, everything that I drink, drinks me. I made an appointment with myself, but they invite me to feast on my own spareribs. I am garlanded from all sides not by strings of bagels, but by the holes of bagels, and I look like an anthology of zeros. Life gets broken into hundreds of lifelets, that exhaust and execute me. In order to get through to myself I had to smash my body against others', and my fragments, my smithereens, are trampled by the roaring crowd. I am trying to glue myself together, but my arms are still severed. I'd write with my left leg, but both the left and the right have run off, in different directions. I don't know- where is my body? And soul? Did it really fly off, without a murmured 'good-bye! '? How do I break through to a faraway namesake, waiting for me in the cold somewhere? I've forgotten under which clock I am waiting for myself. For those who don't know who they are, time does not exist. No one is under the clock. On the clock there is nothing. I am late for my appointment with me. There is no one. Nothing but cigarette butts. Only one flicker- A lonely, dying, spark...
Yevgeny Yevtushenko
To stand up straight with your shoulders back is to accept the terrible responsibility of life, with eyes wide open. It means deciding to voluntarily transform the chaos of potential into the realities of habitable order. It means adopting the burden of self-conscious vulnerability, and accepting the end of the unconscious paradise of childhood, where finitude and mortality are only dimly comprehended. It means willingly undertaking the sacrifices necessary to generate a productive and meaningful reality (it means acting to please God, in the ancient language). To stand up straight with your shoulders back means building the ark that protects the world from the flood, guiding your people through the desert after they have escaped tyranny, making your way away from comfortable home and country, and speaking the prophetic word to those who ignore the widows and children. It means shouldering the cross that marks the X, the place where you and Being intersect so terribly. It means casting dead, rigid and too tyrannical order back into the chaos in which it was generated; it means withstanding the ensuing uncertainty, and establishing, in consequence, a better, more meaningful and more productive order. So, attend carefully to your posture. Quit drooping and hunching around. Speak your mind. Put your desires forward, as if you had a right to them—at least the same right as others. Walk tall and gaze forthrightly ahead. Dare to be dangerous. Encourage the serotonin to flow plentifully through the neural pathways desperate for its calming influence. People, including yourself, will start to assume that you are
Jordan B. Peterson (12 Rules for Life: An Antidote to Chaos)
He died in his sleep of a massive heart attack. I found him when I went in to wake him from his nap. I sat beside his bed for several minutes, praying, before I made any calls. I could tell that my husband’s soul had not yet left the room, and I have come to believe that that is when Patrick gave me his gift. In that viscous, tenuous time between life and death, anything can happen. A forty-two-year-old marriage suddenly ended; I earned the new and unwanted title of “widow,” and a chill ran through a room in which every window was shut tight against drafts.
Ann Napolitano (Within Arm's Reach)
Brisbane continued. “I have led a selfish life, and I have enjoyed it. I cannot imagine a life without my work, and I cannot imagine a life without you, and yet I cannot reconcile the two.” My heart, which had given a joyous leap in the middle of his speech, faltered now as I realised what he was trying to say. “I never thought to ask you to give up your work,” I began. “But how can I ask you to sit idly by and wait for me to return when every time I kiss you goodbye might be the last?” “Oh, don’t!” I told him, fully enraged. “How dare you blame your cowardice upon me?” His lips went white, as did the tiny crescent moon scar high upon his cheekbone. “I beg your pardon?” “Cowardice,” I said distinctly. “You hide behind this pretence of fine feeling because you will not declare yourself directly and this gives you a perfect excuse, does it not? Spare poor Julia the horror of being widowed a second time. Put her up on the shelf and keep her out of harm’s way whilst you amuse yourself with your dashing adventures.” He opened his mouth to speak, but I stepped forward, tipping my head up to rail at him. “I am quite disappointed that you have revealed yourself to be so thoroughly conventional in your philosophy. Have I not proven myself a capable partner?” I demanded. “Have I not stood, side by side, with you, facing peril with equal courage? If you thought for a moment that I would be the meek, quiet, obedient sort of woman who would sit quietly at home mending your socks while you get to venture out into the world on your daring escapades, you have sorely mistaken me.” I turned on my heel and left him then, gaping after me like a landed carp. It was a very small consolation.
Deanna Raybourn (Silent on the Moor (Lady Julia Grey, #3))
Leta walked to the door and opened it with a ready smile for Colby Lane. And found herself looking straight into the eye of a man she hadn’t seen face-to-face in thirty-six years. Matt Holden matched her face against his memories of a young, slight, beautiful woman whose eyes loved him every time they looked at him. His heart spun like a cartwheel in his chest. “Cecily said it was Colby,” Leta said unsteadily. “Strange. She phoned me and asked if I was free this evening.” His broad shoulders shrugged and he smiled faintly. “I’m free every evening.” “That doesn’t sound like the life of a playboy widower,” Leta said caustically. “My wife was a vampire,” he said. “She sucked me dry of life and hope. Her drinking wore me down. Her death was a relief for both of us. Do I get to come in?” he added, glancing down the hall. “I’m going to collect dust if I stand out here much longer, and I’m hungry. A sack of McDonald’s hamburgers and fries doesn’t do a lot for me.” “I hear it’s a presidential favorite,” Cecily mused, joining them. “Come in, Senator Holden.” “It was Matt before,” he pointed out. “Or are you trying to butter me up for a bigger donation to the museum?” She shrugged. “Pick a reason.” He looked at Leta, who was uncomfortable. “Well, at least you can’t hang up on me here. You’ll be glad to know that our son isn’t speaking to me. He isn’t speaking to you, either, or so he said,” he added. “I suppose he won’t talk to you?” he added to Cecily. “He said goodbye very finally, after telling me that I was an idiot to think he’d change his mind and want to marry me just because he turned out to have mixed blood,” she said, not relating the shocking intimacy that had prefaced his remarks. “I’ll punch him for that,” Matt said darkly. “Ex-special forces,” Leta spoke up with a faint attempt at humor, nodding toward Matt. “He was in uniform when we went on our first date.” “You wore a white cotton dress with a tiered skirt,” he recalled, “and let your hair down. Hair…” He turned back to Cecily and grimaced. “Good God, what did you do that for?” “Tate likes long hair, that’s what I did it for,” she said, venom in her whole look. “I can’t wait for him to see it, even if I have to settle for sending him a photo!” “I hope you never get mad at me,” Matt said. “Fat chance.
Diana Palmer (Paper Rose (Hutton & Co. #2))
Leonard Woolf was two years older than Virginia, whom he had first met in 1901 in the rooms of her brother Thoby at Cambridge. He went from St Paul’s School to Trinity College on a scholarship in 1899 and was the first Jew to be elected to the Cambridge Apostles. His father Sidney Woolf (1844–92) was a barrister who died prematurely, leaving his widow, Marie, with the care of their ten children. After Cambridge, Leonard reluctantly entered the Colonial Civil Service and he served in Ceylon for seven years. The experience forged him as a passionate anti-imperialist. In 1911 he began writing a novel based on his experiences, but written from the point of view of the Sinhalese; The Village in the Jungle was published in 1913. This work may have influenced his wife’s novel The Voyage Out, which has a fictional colonial setting. On his return to England he became a committed socialist and he was active on the left for most of his life, publishing numerous pamphlets and books of significance on national and international politics. His role as intimate literary mentor to Virginia Woolf has sometimes overshadowed his considerable import as a political writer in his own right.
Jane Goldman (The Cambridge Introduction to Virginia Woolf (Cambridge Introductions to Literature))
Young man,” he went on, raising his head again, “in your face I seem to read some trouble of mind. When you came in I read it, and that was why I addressed you at once. For in unfolding to you the story of my life, I do not wish to make myself a laughing-stock before these idle listeners, who indeed know all about it already, but I am looking for a man of feeling and education. Know then that my wife was educated in a high-class school for the daughters of noblemen, and on leaving, she danced the shawl dance before the governor and other personages for which she was presented with a gold medal and a certificate of merit. The medal … well, the medal of course was sold—long ago, hm … but the certificate of merit is in her trunk still and not long ago she showed it to our landlady. And although she is most continually on bad terms with the landlady, yet she wanted to tell some one or other of her past honours and of the happy days that are gone. I don’t condemn her for it. I don’t blame her, for the one thing left her is recollection of the past, and all the rest is dust and ashes. Yes, yes, she is a lady of spirit, proud and determined. She scrubs the floors herself and has nothing but black bread to eat, but won’t allow herself to be treated with disrespect. That’s why she would not overlook Mr. Lebeziatnikov’s rudeness to her, and so when he gave her a beating for it, she took to her bed more from the hurt to her feelings than from the blows. She was a widow when I married her, with three children, one smaller than the other. She married her first husband, an infantry officer, for love, and ran away with him from her father’s house. She was exceedingly fond of her husband; but he gave way to cards, got into trouble and with that he died. He used to beat her at the end: and although she paid him back, of which I have authentic documentary evidence, to this day she speaks of him with tears and she throws him up at me; and I am glad, I am glad that, though only in imagination, she should think of herself as having once been happy.… And she was left at his death with three children in a wild and remote district where I happened to be at the time; and she was left in such hopeless poverty that, although I have seen many ups and downs of all sorts, I don’t feel equal to describing it even. Her relations had all thrown her off. And she was proud, too, excessively proud.… And then, honoured sir, and then, I, being at the time a widower, with a daughter of fourteen left me by my first wife, offered her my hand, for I could not bear the sight of such suffering. You can judge the extremity of her calamities, that she, a woman of education and culture and distinguished family, should have consented to be my wife. But she did! Weeping and sobbing and wringing her hands, she married me! For she had nowhere to turn! Do you understand, sir, do you understand what it means when you have absolutely nowhere to turn? No, that you don’t understand yet…
Fyodor Dostoevsky (Crime and Punishment)
Later on in life, you expect a bit of rest, don’t you? You think you deserve it. I did, anyway. But then you begin to understand that the reward of merit is not life’s business. Also, when you are young, you think you can predict the likely pains and bleaknesses that age might bring. You imagine yourself being lonely, divorced, widowed; children growing away from you, friends dying. You imagine the loss of status, the loss of desire—and desirability. You may go further and consider your own approaching death, which, despite what company you may muster, can only be faced alone. But all this is looking ahead. What you fail to do is look ahead, and then imagine yourself looking back from that future point. Learning the new emotions that time brings. Discovering, for example, that as the witnesses to your life diminish, there is less corroboration, and therefore less certainty, as to what you are or have been. Even if you have assiduously kept records—in words, sound, pictures—you may find that you have attended to the wrong kind of record-keeping. What was the line Adrian used to quote? “History is that certainty produced at the point where the imperfections of memory meet the inadequacies of documentation.
Julian Barnes (The Sense of an Ending)
God says He wants us to battle injustice, to look out for orphans and widows, to give sacrificially. And anyone who gets distracted with the minutiae of this point or that opinion is tagging out of the real skirmish. God wants us to get some skin in the game and to help make a tangible difference. I can’t make a real need matter to me by listening to the story, visiting the website, collecting information, or wearing the bracelet about it. I need to pick the fight myself, to call it out just like I called Dale out. Then, most important of all, I need to run barefoot toward it. But I want to go barefoot because it’s holy ground; I want to be running because time is short and none of us has as much runway as we think we do; and I want it to be a fight because that’s where we can make a difference. That’s what love does. Sure, it’s easier to pick an opinion than it is to pick a fight. It’s also easier to pick an organization or a jersey and identify with a fight than it is to actually go pick one, to commit to it, to call it out and take a swing. Picking a fight isn’t neat either. It’s messy, it’s time consuming, it’s painful, and it’s costly. It sounds an awful lot like the kind fight Jesus took on for us when He called out death for us and won.
Bob Goff (Love Does: Discover a Secretly Incredible Life in an Ordinary World)
We do not converse. She visits me to talk. My task to murmur. She talks about her grandsons, her daughter who lives in Delphi, her sister or her husband - both gone - obscure friends - dead - obscurer aunts and uncles - lost - ancient neighbors, members of her church or of her clubs - passed or passing on; and in this way she brings the ends of her life together with a terrifying rush: she is a girl, a wife, a mother, widow, all at once. All at once - appalling - but I believe it; I wince in expectation of the clap. Her talk's a fence - shade drawn, window fastened, door that's locked - for no one dies taking tea in a kitchen; and as her years compress and begin to jumble, I really believe in the brevity of life; I sweat in my wonder; death is the dog down the street, the angry gander, bedroom spider, goblin who's come to get her; and it occurs to me that in my listening posture I'm the boy who suffered the winds of my grandfather with an exactly similar politeness, that I am, right now, all my ages, out in elbows, as angular as badly stacekd cards. Thus was I, when I loved you, every man I could be, youth and child - far from enough - and you, so strangely ambiguous a being, met me, h eart for spade, play after play, the whole run of our suits.
William H. Gass (In the Heart of the Heart of the Country and Other Stories)
In Europe, in the fifteenth century, before the major wave of witchcraft trials, the dismantling of the special dispensation given to the beguines can be seen as a harbinger of what was to follow. These communities of women were principally to be found in France, Germany and Belgium. Neither wives nor nuns, though often widows, free of all male authority, they lived communally in rows of small individual houses, with medicinal and kitchen gardens, free to come and go as they pleased. In her vivid novel of 2017, Aline Kliner brings to life the great royal beguinage in Paris, vestiges of which can still be seen today in the Marais quarter.
Mona Chollet (In Defense of Witches: The Legacy of the Witch Hunts and Why Women Are Still on Trial)
The state of mind above which my distraction floats like fog is suddenly perfectly clear, though the right word for it is less immediately available. Grief is too sharp and immediate; maybe it’s the high pitch of the vowel sound, or the monosyllabic impact of the word, as quick a jab as knife or cut. Sadness is too ephemeral, somehow; it sounds like something that comes and goes, a response to an immediate cause which will pass in a little while as another cause arises to generate a different feeling. Mourning isn’t bad, but there’s something a little archaic about it. I think of widows keening, striking themselves- dark-swathed years, a closeting of self away from the world, turned inward toward an interior dark. Sorrow feels right , for now. Sorrow seems large and inhabitable, an interior season whose vaulted sky’s a suitable match for the gray and white tumult arched over these headlands. A sorrow is not to be gotten over or moved through in quite the way that sadness is, yet sorrow is also not as frozen and monochromatic as mourning. Sadness exists inside my sorrow, but it’s not as large as sorrow’s realm. This sorrow is capacious; there’s room inside it for the everyday, for going about the workaday stuff of life. And for loveliness, for whatever we’re to be given by the daily walk.
Mark Doty (Heaven's Coast: A Memoir)
The Bible is full of evidence that God’s attention is indeed fixed on the little things. But this is not because God is a Great Cosmic Cop, eager to catch us in minor transgressions, but simply because God loves us—loves us so much that the divine presence is revealed even in the meaningless workings of daily life. It is in the ordinary, the here—and—now, that God asks us to recognize that the creation is indeed refreshed like dew—laden grass that is “renewed in the morning” (Ps 90:5), or to put it in more personal and also theological terms, “our inner nature is being renewed every day” (2 Cor 4:16). Seen in this light, what strikes many modern readers as the ludicrous attention to detail in the book of Leviticus, involving God in the minutiae of daily life—all the cooking and cleaning of a people’s domestic life—might be revisioned as the very love of God. A God who cares so much as to desire to be present to us in everything we do. It is this God who speaks to us through the psalmist as he wakes from sleep, amazed, to declare, “I will bless you, Lord, you give me counsel, and even at night direct my heart” (Ps 16:7, GR). It is this God who speaks to us through the prophets, reminding us that by meeting the daily needs of the poor and vulnerable, characterized in the scriptures as the widows and orphans, we prepare the way of the Lord and make our own hearts ready for the day of salvation. When it comes to the nitty—gritty, what ties these threads of biblical narrative together into a revelation of God’s love is that God has commanded us to refrain from grumbling about the dailiness of life. Instead we are meant to accept it gratefully, as a reality that humbles us even as it gives us cause for praise. The rhythm of sunrise and sunset marks a passage of time that makes each day rich with the possibility of salvation, a concept that is beautifully summed up in an ancient saying from the monastic tradition: “Abba Poeman said concerning Abba Pior that every day he made a new beginning.
Kathleen Norris (The Quotidian Mysteries: Laundry, Liturgy and "Women's Work")
She could have called up her friends, of course; she had plenty of friends. But with them she would simply have worn her normal face and manner, and kept her own counsel. You do not burden your friends with a sudden stranger half-way to the grave. You hide yourself while the darkness lasts - being, even at this crisis, reasonably secure that it will not last long - and emerge when you are yourself as they know you, and fit for their society again. No, at this moment what you need is a stranger in an express train, someone you need never see again, one of those accidental priests in the fleeting confessionals of this life where souls are often saved against the odds.
Ellis Peters (The Grass Widow's Tale (The Felse Investigations #7))
This was no coincidence. The best short stories and the most successful jokes have a lot in common. Each form relies on suggestion and economy. Characters have to be drawn in a few deft strokes. There's generally a setup, a reveal, a reversal, and a release. The structure is delicate. If one element fails, the edifice crumbles. In a novel you might get away with a loose line or two, a saggy paragraph, even a limp chapter. But in the joke and in the short story, the beginning and end are precisely anchored tent poles, and what lies between must pull so taut it twangs. I'm not sure if there is any pattern to these selections. I did not spend a lot of time with those that seemed afraid to tell stories, that handled plot as if it were a hair in the soup, unwelcome and embarrassing. I also tended not to revisit stories that seemed bleak without having earned it, where the emotional notes were false, or where the writing was tricked out or primped up with fashionable devices stressing form over content. I do know that the easiest and the first choices were the stories to which I had a physical response. I read Jennifer Egan's "Out of Body" clenched from head to toe by tension as her suicidal, drug-addled protagonist moves through the Manhattan night toward an unforgivable betrayal. I shed tears over two stories of childhood shadowed by unbearable memory: "The Hare's Mask," by Mark Slouka, with its piercing ending, and Claire Keegan's Irishinflected tale of neglect and rescue, "Foster." Elizabeth McCracken's "Property" also moved me, with its sudden perception shift along the wavering sightlines of loss and grief. Nathan Englander's "Free Fruit for Young Widows" opened with a gasp-inducing act of unexpected violence and evolved into an ethical Rubik's cube. A couple of stories made me laugh: Tom Bissell's "A Bridge Under Water," even as it foreshadows the dissolution of a marriage and probes what religion does for us, and to us; and Richard Powers's "To the Measures Fall," a deftly comic meditation on the uses of literature in the course of a life, and a lifetime. Some stories didn't call forth such a strong immediate response but had instead a lingering resonance. Of these, many dealt with love and its costs, leaving behind indelible images. In Megan Mayhew Bergman's "Housewifely Arts," a bereaved daughter drives miles to visit her dead mother's parrot because she yearns to hear the bird mimic her mother's voice. In Allegra Goodman's "La Vita Nuova," a jilted fiancée lets her art class paint all over her wedding dress. In Ehud Havazelet's spare and tender story, "Gurov in Manhattan," an ailing man and his aging dog must confront life's necessary losses. A complicated, only partly welcome romance blossoms between a Korean woman and her demented
Geraldine Brooks (The Best American Short Stories 2011)
Adelia began to get cross. Why was it women who were to blame for everything—everything, from the Fall of Man to these blasted hedges? “We are not in a labyrinth, my lord,” she said clearly. “Where are we, then?” “It’s a maze.” “Same difference.” Puffing at the horse: “Get back, you great cow.” “No, it isn’t. A labyrinth has only one path and you merely have to follow it. It’s a symbol of life or, rather, of life and death. Labyrinths twist and turn, but they have a beginning and an end, through darkness into light.” Softening, and hoping that he would, too, she added, “Like Ariadne’s. Rather beautiful, really.” “I don’t want mythology, mistress, beautiful or not, I want to get to that sodding tower. What’s a maze when it’s at home?” “It’s a trick. A trick to confuse. To amaze.” “And I suppose Mistress Clever-boots knows how to get us out?” “I do, actually.” God’s rib, he was sneering at her, sneering. She’d a mind to stay where she was and let him sweat. “Then in the name of Christ, do it.” “Stop bellowing at me,” she yelled at him. “You’re bellowing.” She saw his teeth grit in the pretense of a placatory smile; he always had good teeth. Still did. Between them, he said, “The Bishop of Saint Albans presents his compliments to Mistress Adelia and please to escort him out of this hag’s hole, for the love of God. How will you do it?” “My business.” Be damned if she’d tell him. Women were defenseless enough without revealing their secrets. “I’ll have to take the lead.” She stumped along in front, holding Walt’s mount’s reins in her right hand. In the other was her riding crop, which she trailed with apparent casualness so that it brushed against the hedge on her left. As she went, she chuntered to herself. Lord, how disregarded I am in this damned country. How disregarded all women are. ... Ironically, the lower down the social scale women were, the greater freedom they had; the wives of laborers and craftsmen could work alongside their men—even, sometimes, when they were widowed, take over their husband’s trade. Adelia trudged on. Hag’s hole. Grendel’s mother’s entrails. Why was this dreadful place feminine to the men lost in it? Because it was tunneled? Womb-like? Is this woman’s magic? The great womb? Is that why the Church hates me, hates all women? Because we are the source of all true power? Of life? She supposed that by leading them out of it, she was only confirming that a woman knew its secrets and they did not. Great God, she thought, it isn't a question of hatred. It’s fear. They are frightened of us. And Adelia laughed quietly, sending a suggestion of sound reverberating backward along the tunnel, as if a small pebble was skipping on water, making each man start when it passed him. “What in hell was that?” Walt called back stolidly, “Reckon someone’s laughing at us, master.” “Dear God.
Ariana Franklin (The Serpent's Tale (Mistress of the Art of Death, #2))
More specifically, the Hebrew Bible tells the story of a people who move away from slavery under Pharaoh—a system that requires many people to produce more and more with less and less for the few with power, that requires them to give their lives to production in order to enhance the wealth of the powerful (in other words, the “rat race”)—into a covenant with their God and with each other. This covenant lifts up the ideal of “neighborhood”—a community in which the members care for one another, share in abundance, acquire no more than is needed, and especially look out for the poorest or the least powerful of those in the neighborhood (in the language of the Old Testament prophets: “the widow, the immigrant, and the orphan”).
John Cullinan (Your Life Is a Gospel: Selected Sermons 2007-2009)
She was a daughter, a sister, and then a wife. But now her parents were dead—did that make her an orphan? Certainly not. Was there a specific age, she wondered, old enough, after which you were not considered an orphan if your parents died? Eighteen perhaps. And then her husband died—so she was a widow. But was there a certain age, young enough, that if you lost your husband you did not have to be called a widow? If a young childless woman lost her husband tragically when she was only twenty-five—or even thirty-seven, like Mrs. Ray had been—it felt unfair to burden her with the label of widow for the rest of her life. And Mrs. Ray certainly did not feel like a widow, even though she was reminded that she was one nearly every day in Mayur Palli.
Diksha Basu (The Windfall)
I notice that you’re wearing your wedding ring,” he said after I sat down. “Do you think you might be in denial?” I guess it was a fair question, but it caught me off guard. “I know Chris is gone,” I said. “But I do feel as if I’m still married to him.” I looked at my ring. It didn’t mean I was in denial; it meant I loved Chris. Yet the question bothered me. My husband is dead, and of course I acknowledge it. But that’s different than shouting about it. The ring is a symbol of our love as well as our marriage. How should I treat that symbol? Do I have a problem? I left the office in a quandary. The Bible says “until death do you part.” I know that means that marriage lasts only until one death, and that it’s okay for me to marry again. I know good friends wo are widows, and I’ve encouraged them to marry, feeling it was right for them. One of my dearest friends decided to do just that this past summer. It hadn’t been that long since her husband had died, but things had just come together, and her new love deserved to be acknowledged. It was another case, to me, of finding beauty through the ashes. “I kept asking God, why now? Why so soon?” she confessed. “The answer that came back was, timing doesn’t matter. Accept the gift.” She’s right. People may judge her, but she had the courage and strength to admit that she had something beautiful, and that the right thing to do was act on it. I know with certainty that not only was the man right but the timing was as well. They have strengthened each other, and I’m sure will have a life together many can only dream of.
Taya Kyle (American Wife: Love, War, Faith, and Renewal)
Darwin enjoyed every advantage of upbringing, but continually pained his widowed father with his lackluster academic performance. “You care for nothing but shooting, dogs, and rat-catching, and you will be a disgrace to yourself and all your family,” his father wrote in a line that nearly always appears just about here in any review of Darwin’s early life. Although his inclination was to natural history, for his father’s sake he tried to study medicine at Edinburgh University but couldn’t bear the blood and suffering. The experience of witnessing an operation on an understandably distressed child—this was in the days before anesthetics, of course—left him permanently traumatized. He tried law instead, but found that insupportably dull and finally managed, more or less by default, to acquire a degree in divinity from Cambridge.
Bill Bryson (A Short History of Nearly Everything)
The tribal ceremonies of birth, initiation, marriage, burial, installation, and so forth, serve to translate the individual's life-crises and life-deeds into classic, impersonal forms. They disclose him to himself, not as this personality or that, but as the warrior, the bride, the widow, the priest, the chieftain; at the same time rehearsing for the rest of the community the old lesson of the archetypal stages. All participate in the ceremonial according to rank and function. The whole society becomes visible to itself as an imperishable living unit. Generations of individuals pass, like anonymous cells from a living body; but the sustaining, timeless form remains. By an enlargement of vision to embrace this superindividual, each discovers himself enhanced, enriched, supported, and magnified. His role, however unimpressive, is seen to be intrinsic to the beautiful festival-image of man—the image, potential yet necessarily inhibited, within himself. Social duties continue the lesson of the festival into normal, everyday existence, and the individual is validated still. Conversely, indifference, revolt—or exile—break the vitalizing connectives. From the standpoint of the social unit, the broken-off individual is simply nothing—waste. Whereas the man or woman who can honestly say that he or she has lived the role—whether that of priest, harlot, queen, or slave—is something in the full sense of the verb to be. Rites of initiation and installation, then, teach the lesson of the essential oneness of the individual and the group; seasonal festivals open a larger horizon. As the individual is an organ of society, so is the tribe or city—so is humanity entire—only a phase of the mighty organism of the cosmos.
Joseph Campbell (The Hero With a Thousand Faces)
76. Two men, one heart – one widow?! It was over the news around the end of 2010s – a man called Sonny Graham, 57 at the time, had received a heart transplantation which saved his life. The heart had belonged to Terry Cottle, an adopted father of two, and a husband of a woman named Cheryl, who had taken his life at the age of 33. Here is where things got creepy. Mr. Graham suddenly changed some of his life habits, including his food and drink preferences, which now strangely matched Mr. Cottle's. On top of that – he fell in love with Cheryl, Mr. Cottle's widow. Soon after, they married. However, there was no happy ending to this story. 13 years later, Sonny Graham, who had previously never displayed any signs of mental or emotional instability, took his life as well – in much the same way as late mr. Cottle did. So who says our brain is our only thing responsible for our thoughts and emotions?
Tyler Backhause (101 Creepy, Weird, Scary, Interesting, and Outright Cool Facts: A collection of 101 facts that are sure to leave you creeped out and entertained at the same time)
On November 27 Napoleon wrote to Leclerc about Pauline, who had bravely gone out on the expedition, saying he was ‘highly satisfied with the conduct of Paulette. She ought not to fear death, as she would die with glory in dying with the army and being useful to her husband. Everything passes rapidly on earth, with the exception of the mark we leave on history.’67 At the time he wrote, Leclerc himself was nearly four weeks dead from yellow fever. ‘Come back soon,’ Napoleon wrote to Pauline on learning of Leclerc’s death, ‘here you will find consolation for your misfortunes in the love of your family. I embrace you.’ Pauline – whom Laure d’Abrantès described as ‘a less-than-desolate widow’ – returned with the body on January 1, 1803, and by the end of August she was remarried, to the handsome and rich Don Camillo Filippo Ludovico Borghese, Prince of Sulmona and of Rossano, Duke and Prince of Guastalla, whom she privately thought ‘an imbecile’ and to whom she was soon wildly unfaithful.
Andrew Roberts (Napoleon: A Life)
Life within a Templar house was designed where possible to resemble that of a Cistercian monastery. Meals were communal and to be eaten in near silence, while a reading was given from the Bible. The rule accepted that the elaborate sign language monks used to ask for necessities while eating might not be known to Templar recruits, in which case "quietly and privately you should ask for what you need at table, with all humility and submission." Equal rations of food and wine were to be given to each brother and leftovers would be distributed to the poor. The numerous fast days of the Church calendar were to be observed, but allowances would be made for the needs of fighting men: meat was to be served three times a week, on Tuesdays, Thursdays and Saturdays. Should the schedule of annual fast days interrupt this rhythm, rations would be increased to make up for lost sustenance as soon as the fasting period was over. It was recognized that the Templars were killers. "This armed company of knights may kill the enemies of the cross without stated the rule, neatly summing up the conclusion of centuries of experimental Christian philosophy, which had concluded that slaying humans who happened to be "unbelieving pagans" and "the enemies of the son of the Virgin Mary" was an act worthy of divine praise and not damnation. Otherwise, the Templars were expected to live in pious self-denial. Three horses were permitted to each knight, along with one squire whom "the brother shall not beat." Hunting with hawks—a favorite pastime of warriors throughout Christendom—was forbidden, as was hunting with dogs. only beasts Templars were permitted to kill were the mountain lions of the Holy Land. They were forbidden even to be in the company of hunting men, for the reason that "it is fitting for every religious man to go simply and humbly without laughing or talking too much." Banned, too, was the company of women, which the rule scorned as "a dangerous thing, for by it the old devil has led man from the straight path to paradise the flower of chastity is always [to be] maintained among you.... For this reason none Of you may presume to kiss a woman' be it widow, young girl, mother, sister, aunt or any other.... The Knighthood of Christ should avoid at all costs the embraces of women, by which men have perished many times." Although married men were permitted to join the order, they were not allowed to wear the white cloak and wives were not supposed to join their husbands in Templar houses.
Dan Jones (The Templars: The Rise and Spectacular Fall of God's Holy Warriors)
Feeling like a displaced person Laura struggles with being defined by her status as a widow. “Distracted by the word widow, which had taken root, budded and bloomed in her mind like a weed in a vacant lot, Laura opened the dictionary on her desk. Flipping past thousands of words, she used in every-day communication with family, friends, and acquaintances – those little black letters, symbols to express thoughts for the ear to hear and the heart to feel – she wondered, What words gave expression to her pain? What words described the sense of something lurking inside her, or the dark shadows stalking her mind? Widow: a five-letter word, preceded by words like wide, and widget and followed by words like widow’s peak, widow’s weeds, and widower. This little word – widow- in small case, had no business masquerading as a noun: a person, place or thing. In contrast, - widget, a small mechanical object, not a feeling thing, just an object – seemed an honest noun. Widow is not an object, she thought. “It’s a word so thin as to be nothing but a wisp of breath passing through one’s vocal cords and disappearing almost imperceptibly between one’s lips. It has no life of its own. It’s a mere label, and it could just as well be a piece of paper saying, chocolate cookies or best before date.
Sharon J. Harrison (Picking Apples in the Sunshine)
Whatever comes,” she said, “cannot alter one thing. If I am a princess in rags and tatters, I can be a princess inside. It would be easy to be a princess if I were dressed in cloth of gold, but it is a great deal more of a triumph to be one all the time when no one knows it. There was Marie Antoinette when she was in prison and her throne was gone and she had only a black gown on, and her hair was white, and they insulted her and called her Widow Capet. She was a great deal more like a queen then than when she was so gay and everything was so grand. I like her best then. Those howling mobs of people did not frighten her. She was stronger than they were, even when they cut her head off.” This was not a new thought, but quite an old one, by this time. It had consoled her through many a bitter day, and she had gone about the house with an expression in her face which Miss Minchin could not understand and which was a source of great annoyance to her, as it seemed as if the child were mentally living a life which held her above the rest of the world. It was as if she scarcely heard the rude and acid things said to her; or, if she heard them, did not care for them at all. Sometimes, when she was in the midst of some harsh, domineering speech, Miss Minchin would find the still, unchildish eyes fixed upon her with something like a proud smile in them. At such times she did not know that Sara was saying to herself: “You don’t know that you are saying these things to a princess, and that if I chose I could wave my hand and order you to execution. I only spare you because I am a princess, and you are a poor, stupid, unkind, vulgar old thing, and don’t know any better.” This used to interest and amuse her more than anything else; and queer and fanciful as it was, she found comfort in it and it was a good thing for her. While the thought held possession of her, she could not be made rude and malicious by the rudeness and malice of those about her. “A princess must be polite,” she said to herself. And so when the servants, taking their tone from their mistress, were insolent and ordered her about, she would hold her head erect and reply to them with a quaint civility which often made them stare at her. “She’s got more airs and graces than if she come from Buckingham Palace, that young one,” said the cook, chuckling a little sometimes. “I lose my temper with her often enough, but I will say she never forgets her manners. ‘If you please, cook’; ‘Will you be so kind, cook?’ ‘I beg your pardon, cook’; ‘May I trouble you, cook?’ She drops ’em about the kitchen as if they was nothing.
Frances Hodgson Burnett (A Little Princess)
The face of the movement was the “pro-life and pro-family values” stance of millions, but the blood running through the movement’s veins was the racism and greed of a few. That is how white evangelicals became the most powerful and influential voting bloc in the United States and the fuel of the American white supremacy engine. That’s how evangelical leaders get away with the stunning hypocrisy of keeping their money, racism, misogyny, classism, nationalism, weapons, war, and corruption while purporting to lead in the name of a man who dedicated his life to ending war, serving orphans and widows, healing the sick, welcoming immigrants, valuing women and children, and giving power and money away to the poor. That is also why all a political candidate must do to earn evangelical allegiance is claim to be antiabortion and antigay—even if the candidate is a man who hates and abuses women, who stockpiles money and rejects immigrants, who incites racism and bigotry, who lives in every way antithetical to Jesus’s teachings. Jesus, the cross, and the identity “pro-life” are just shiny decals evangelical leaders slap on top of their own interests. They just keep pushing the memo: “Don’t think, don’t feel, don’t know. Just be against abortion and gays and keep on voting. That’s how to live like Jesus.” All the devil has to do to win is convince you he’s God.
Glennon Doyle (Untamed)
How many of these do you suppose will be alive at this time to-morrow?" asked Sir Henry. I shook my head and looked again at the sleeping men, and to my tired and yet excited imagination it seemed as though Death had already touched them. My mind's eye singled out those who were sealed to slaughter, and there rushed in upon my heart a great sense of the mystery of human life, and an overwhelming sorrow at its futility and sadness. To-night these thousands slept their healthy sleep, to-morrow they, and many others with them, ourselves perhaps among them, would be stiffening in the cold; their wives would be widows, their children fatherless, and their place know them no more for ever. Only the old moon would shine on serenely, the night wind would stir the grasses, and the wide earth would take its rest, even as it did æons before we were, and will do æons after we have been forgotten. Yet man dies not whilst the world, at once his mother and his monument, remains. His name is lost, indeed, but the breath he breathed still stirs the pine-tops on the mountains, the sound of the words he spoke yet echoes on through space; the thoughts his brain gave birth to we have inherited to-day; his passions are our cause of life; the joys and sorrows that he knew are our familiar friends—the end from which he fled aghast will surely overtake us also! Truly the universe is full of ghosts, not sheeted churchyard spectres, but the inextinguishable elements of individual life, which having once been, can never die, though they blend and change, and change again for ever.
H. Rider Haggard (King Solomon's Mines (Allan Quatermain, #1))
As I write this note, it is May 2020, and the world is battling the coronavirus pandemic. My husband’s best friend, Tom, who was one of the earliest of our friends to encourage my writing and who was our son’s godfather, caught the virus last week and has just passed away. We cannot be with his widow, Lori, and his family to mourn. Three years ago, I began writing this novel about hard times in America: the worst environmental disaster in our history; the collapse of the economy; the effect of massive unemployment. Never in my wildest dreams did I imagine that the Great Depression would become so relevant in our modern lives, that I would see so many people out of work, in need, frightened for the future. As we know, there are lessons to be learned from history. Hope to be derived from hardships faced by others. We’ve gone through bad times before and survived, even thrived. History has shown us the strength and durability of the human spirit. In the end, it is our idealism and our courage and our commitment to one another—what we have in common—that will save us. Now, in these dark days, we can look to history, to the legacy of the Greatest Generation and the story of our own past, and take strength from it. Although my novel focuses on fictional characters, Elsa Martinelli is representative of hundreds of thousands of men, women, and children who went west in the 1930s in search of a better life. Many of them, like the pioneers who went west one hundred years before them, brought nothing more than a will to survive and a hope for a better future. Their strength and courage were remarkable. In writing this story, I tried to present the history as truthfully as possible. The strike that takes place in the novel is fictional, but it is based on strikes that took place in California in the thirties. The town of Welty is fictional as well. Primarily where I diverged from the historical record was in the timeline of events. There are instances in which I chose to manipulate dates to better fit my fictional narrative. I apologize in advance to historians and scholars of the era. For more information about the Dust Bowl years or the migrant experience in California, please go to my website KristinHannah.com for a suggested reading list.
Kristin Hannah (The Four Winds)