Ajax Play Quotes

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For the next hour, the subject of Pandora's board game business was discarded as the group worked on the sandcastle. They paused at intervals to drink thirstily from jugs of cold water and lemonade that had been sent down from the house. Pandora threw herself into the project with enthusiasm, consulting with Justin, who had decided the castle must have a moat, square corner towers, a front gatehouse with a drawbridge, and battlement walls from which the occupants could drop scalding water or molten tar onto the advancing enemy. Gabriel, who'd been instructed to dig the moat, stole frequent glances at Pandora, who had enough energy for ten people. Her face glowed beneath her battered straw hat, which she had managed to pry away from Ajax. She was sweaty and covered in sand, a few escaped locks of hair trailing over her neck and back. She played with the unselfconscious ease of a child, this woman of radical thoughts and ambitions. She was beautiful. Complex. Frustrating. He'd never met a woman who was so wholly and resolutely herself. What the devil was he going to do about her?
Lisa Kleypas (Devil in Spring (The Ravenels, #3))
Shaking his head, Lord St. Vincent watched the retriever scamper across the lawn. "I owe you a new hat," he told Pandora. "That one will return in shreds." "I don't mind. Ajax is still a pup." "The dog is inbred," he said flatly. "He doesn't retrieve or obey commands, he tries to dig holes in carpets, and as far as I can tell, he's incapable of walking in a straight line." Pandora grinned. "I rarely walk in a straight line," she confessed. "I'm too distractible to keep to one direction- I keep veering this way and that, to make certain I'm not missing something. So whenever I set out for a new place, I always end up back where I started." Lord St. Vincent turned to face her fully, the beautiful cool blue of his eyes intent and searching. "Where do you want to go?" The question caused Pandora to blink in surprise. She'd just been making a few silly comments, the kind no one ever paid attention to. "It doesn't matter," she said prosaically. "Since I walk in circles, I'll never reach my destination." His gaze lingered over her face. "You could make the circles bigger." The remark was perceptive and playful at the same time, as if he somehow understood how her mind worked. Or perhaps he was mocking her.
Lisa Kleypas (Devil in Spring (The Ravenels, #3))
Louis van Gaal is generally considered the creator of a football system or machine. It might be more accurate to describe him as the originator of a new process for playing the game. His underlying tactical principles were much as those of Michels and Cruyff: relentless attack; pressing and squeezing space to make the pitch small in order to win the ball; spreading play and expanding the field in possession. By the 1990s, though, footballers had become stronger, faster and better organised than ever before. Van Gaal saw the need for a new dimension. ‘With space so congested, the most important thing is ball circulation,’ he declared. ‘The team that plays the quickest football is the best.’ His team aimed for total control of the game, maintaining the ball ‘in construction’, as he calls it, and passing and running constantly with speed and precision. Totaalvoetbal-style position switching was out, but players still had to be flexible and adaptable. Opponents were not seen as foes to be fought and beaten in battle; rather as posing a problem that had to be solved. Ajax players were required to be flexible and smart – as they ‘circulated’ the ball, the space on the field was constantly reorganised until gaps opened in the opponents’ defence.
David Winner (Brilliant Orange: The Neurotic Genius of Dutch Football)
The ultimate space-measurer in Dutch football is of course, Johan Cruyff. He was only seventeen when he first played at Ajax, yet even then he delivered running commentaries on the use of space to the rest of the team, telling them where to run, where not to run. Players did what the tiny, skinny teenager told them to do because he was right. Cruyff didn't talk about abstract space but about specific, detailed spatial relations on the field. Indeed, the most abiding image of him as a player is not of him scoring or running or tackling. It is of Cruyff pointing. 'No, not there, back a little... forward two metres... four metres more to the left.' He seemed like a conductor directing a symphony orchestra. It was as if Cruyff was helping his colleagues to realize an approximate rendering on the field to match the sublime vision in his mind of how the space ought to be ordered.
David Winner
Gerard van der Lem, Van Gaal’s right-hand man at Ajax and Barcelona, explains: ‘The main principle was possession of the ball. We trained on this endlessly. In some European Cup and Dutch League games we had seventy per cent ball possession. Seventy per cent! You need a lot of technical skills to do that. We almost always had the ball and we were always trying to find solutions. People think our system was rigid, but it was not. It could not be rigid. We could play with three strikers, or with three in midfield, with or without a shadow spits [striker]; whatever you like. The thing was to understand what consequences these formations have for the team. The players must be tactically very skilful and they have to be thinking spatially in advance. When we won the European Cup, everything fitted. Everything fell like a puzzle. Every player knew the qualities of his fellow players. Each player knew how to play a ball to his fellow players. In defence, they knew exactly how to press. They all knew the distances… Yeah, it was like solving a puzzle.
David Winner (Brilliant Orange: The Neurotic Genius of Dutch Football)
Johan Cruyff, although he never played in Italy, had an enormous impact on the Italian game. Ajax’s three European Cup victories in the 1970s revealed a new type of football to the world – ‘total football’ – based on movement, flexibility and a swift, short-passing game. As David Winner has written, ‘total football was built on a new theory of flexible space’. In attack, teams ‘aimed to make the pitch as large as possible’, in defence, they collapsed space.20 This was supposedly the complete opposite of catenaccio, which was based around rigid man-marking, discipline and a mixture of long passing and counter-attacks.
John Foot (Calcio: A History of Italian Football)
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What pisses us off more than anything is that we were never appreciated and never properly recognised for what we achieved,’ Birtles says. ‘We beat Malmo and everybody thought, “Oh, it’s only Malmo.” Well, they had beaten some bloody good sides to get to the final, and so had we. We played the European Cup when it was the champions of every country. It’s now the champions and also-rans of every country. We beat Hamburg with Kevin Keegan and Ajax with Rudi Krol.
Daniel Taylor (I Believe In Miracles: The Remarkable Story of Brian Clough's European Cup-winning Team)
I was a bag of bones, I looked like a shrimp, and they took pity on me, which meant that even though I had no business being there, and wasn’t even in the youth team, I was playing with the Ajax team from a very early age.
Johan Cruyff (My Turn: The Autobiography)
Atlas and Ajax had drilled it into me from day one—superhumans were powerful and scary to everyone else. Beyond the profitability of playing to the whole superhero image, the reason for the colorful costumes and silly codenames was simple; we could only be trusted if our deeds were done in the daylight, if we could be seen and held accountable. And we had to keep that trust, with both governments and the public, or none of it would work. Which meant acting inside the law, being seen to act lawfully at all times—otherwise people started asking questions like “Who watches the watchers?” We watched ourselves and each other, it was the only way it could work.
Marion G. Harmon (Ronin Games (Wearing the Cape, #5))
one mission. Feed Zlatan, let him sleep, keep him happy’. That guy says whatever he wants. I like him.” On his bromance with Mourinho “The Barca players were like schoolboys, following the coach blindly. Whereas I was used to asking, ‘Why should we?’” The forward explains what it was like to play at Barcelona “I can’t help but laugh at how perfect I am.” Zlatan is as modest as ever Reporter: “You’ve got some scars on your face, Zlatan. What has happened?” Zlatan: “Well... I don’t know... You’ll have to ask your wife about that.” Agent Anders Carlsson: “Southampton...Southampton is interested.” Zlatan: “What the f*ck! Southampton! Is that my level? Southampton!” Unsettled at Ajax, Zlatan asks his agent if any clubs offered him a way out “You can’t be a clown all the time.” Zlatan on growing up after five months at Ajax “Hi @Twitter. For tomorrow Zlatan needs more than 140 characters. Please change rules for Zlatan.” He tweeted this ahead of a Q&A on social media. The following are some of his best replies to fan questions... “There are 2 things Zlatan cannot do @at_sunshine. One is be predictable. The other is a step-under. But Zlatan is practising. #DareToZlatan.
Gordon Law (Zlatan Style: The funniest Zlatan Ibrahimovic quotes!)