Three Stripe Life Quotes

We've searched our database for all the quotes and captions related to Three Stripe Life. Here they are! All 24 of them:

Every act of will is an act of self-limitation. To desire action is to desire limitation. In that sense, every act is an act of self-sacrifice. When you choose anything, you reject everything else... Every act is an irrevocable selection and exclusion. Just as when you marry one woman you give up all the others, so when you take one course of action you give up all the other courses… Art is limitation; the essence of every picture is the frame. If you draw a giraffe, you must draw him with a long neck. If, in you bold creative way, you hold yourself free to draw a giraffe with a short neck, you will really find that you are not free to draw a giraffe. The moment you step into the world of facts, you step into a world of limits. You can free things from alien or accidental laws, but not from the laws of their own nature. You may, if you like, free a tiger from his bars; but do not free him from his stripes. Do not free a camel from the burden of his hump; you may be freeing him from being a camel. Do not go about as a demagogue, encouraging triangles to break out of the prison of their three sides. If a triangle breaks out of its three sides, its life comes to a lamentable end. Somebody wrote a work called “The Loves of the Triangles”; I never read it, but I am sure that if triangles ever were loved, they were loved for being triangular. This is certainly the case with all artistic creation, which is in some ways the most decisive example of pure will. The artist loves his limitations: they constitute the thing he is doing.
G.K. Chesterton (Orthodoxy)
I especially treasured my glimpses of Mother, Queen Cleopatra VII. She sat on a golden throne, looking as resplendent as one of the giant marble statues guarding the tombs of the Old Ones. Diamonds twinkled in a jungle of black braids on her ceremonial wig. She wore a diadem with three rearing snakes and a golden broad collar, shining with lapis lazuli, carnelian, and emeralds, over her golden, form-fitting pleated gown. In one hand, she held a golden ankh of life, while the other clasped the striped crook and flail of her divine rulership. Her stillness radiated power, like a lioness pausing before the pounce. It left me breathless with awe.
Vicky Alvear Shecter (Cleopatra's Moon)
You can free things from alien or accidental laws, but not from the laws of their own nature. You may, if you like, free a tiger from his bars; but do not free him from his stripes. Do not free a camel of the burden of his hump: you may be freeing him from being a camel. Do not go about as a demagogue, encouraging triangles to break out of the prison of their three sides. If a triangle breaks out of its three sides, its life comes to a lamentable end. Somebody wrote a work called “The Loves of the Triangles”; I never read it, but I am sure that if triangles ever were loved, they were loved for being triangular.
G.K. Chesterton (The G.K. Chesterton Collection [34 Books])
The material world constrain us, often with gret beneficence, to see each person and thing in its time and place, its historical context. But mental life doesn't so constrain us. It is porous, open to air and light, swings forward while swaying back, scatters its stripes in all directions, and delights to find itself beached beside something invented only that morning or instead standing beside an altar from three millennia ago.
Elaine Scarry (On Beauty and Being Just)
You are all more or less wearing the same types of clothes—look around the room and you will see it’s true. Now imagine you’re the only one not wearing a cool symbol. How would that make you feel? The Nike swoop, the three Adidas stripes, the little Polo player on a horse, the Hollister seagull, the symbols of Philadelphia’s professional sports teams, even our high school mascot that you athletes wear to battle other schools—some of you wear our Mustang to class even when there is no sporting event scheduled. These are your symbols, what you wear to prove that your identity matches the identity of others. Much like the Nazis had their swastika. We have a very loose dress code here and yet most of you pretty much dress the same. Why? Perhaps you feel it’s important not to stray too far from the norm. Would you not also wear a government symbol if it became important and normal to do so? If it were marketed the right way? If it was stitched on the most expensive brand at the mall? Worn by movie stars? The president of the United States?
Matthew Quick (Forgive Me, Leonard Peacock)
This was the southern sea. The colors that fade when coral is drawn out of its element were garishly bright here, intricate and lovely labyrinths on the bottom. Among the coral, fish went darting; and overhead a sea-bat, a devil-fish, flapped slow wings past, its stingaree tail trailing. Morays coiled by, opening their incredible, wolfish mouths at him, and many-limbed crabs scuttled sidewise over the rocks and little sandy plateaus of the bottom. Groves of seaweed and great fans of colored sponges swung with hypnotic motion, and schools of tiny striped fish went flashing in and out among them, moving all together as if with a single mind. Pete swam down. From a cavern among the brown and purple rocks an octopus looked at him out of huge, alien eyes. Its tentacles hung and quivered. Pete swam away, hovering over an expanse of pale sand where the light from above shimmered and ran in rippling waves, his own shadow hanging spread-eagled below him. In and out of it many little creatures went scuttling busily on their underwater errands. Life here was painted in three dimensions, and there was no gravity. There was only beauty and strangeness and a hint of terror that sent pleasurable excitement thrilling through Pete's blood. ("Before I Wake")
Henry Kuttner (Masters of Horror)
And I’m sorry we didn’t really get to play, but when you come to Berlin, that’s what we’ll do. And I’ll introduce you to … Oh, what were their names again?’ he asked himself, frustrated because they were supposed to be his three best friends for life but they had all vanished from his memory now. He couldn’t remember any of their names and he couldn’t picture any of their faces. ‘Actually,’ he said, looking down at Shmuel, ‘it doesn’t matter whether I do or don’t. They’re not my best friends any more anyway.’ He looked down and did something quite out of character for him: he took hold of Shmuel’s tiny hand in his and squeezed it tightly. ‘You’re my best friend, Shmuel,’ he said. ‘My best friend for life.
John Boyne (The Boy in the Striped Pajamas)
Mathilde watched as down the street came a little girl in a red snowsuit with purple racing stripes. Mittens, a cap too big for her head. Disoriented, the girl turned around and around and around. She began to climb the snow mountain that blocked her from the street. But she was so weak. Halfway up, she’d slip back down. She’d try again, digging her feet deeper into the drift. Mathilde held her breath each time, let it out when the girl fell. She thought of a cockroach in a wineglass, trying to climb up the smooth sides. When Mathilde looked across the street at a long brick apartment complex taking up the whole block, ornate in its 1920s style, she saw, in scattered windows, three women watching the little girl’s struggles. Mathilde watched the women as they watched the girl. One was laughing over her bare shoulder at someone in the room, flushed with sex. One was elderly, drinking her tea. The third, sallow and pinched, had crossed her skinny arms and was pursing her lips. At last, the girl, exhausted, slid down and rested, her face against the snow. Mathilde was sure she was crying. When Mathilde looked up again, the woman with crossed arms was staring angrily through all the glass and cold and snow directly at her. Mathilde startled, sure she’d been invisible. The woman disappeared. She reappeared on the sidewalk in inside clothes, tweedy and thin. She chucked her body into the snowdrift in front of the apartment building, crossed the street, grabbed the girl by the mittens and swung her over the mountain. Carried her across the street and did it again. Both mother and daughter were powdered with white when they went inside. Long after they were gone, Mathilde thought of the woman. What she was imagining when she saw her little girl fall and fall and fall. She wondered at the kind of anger that would crumple your heart up so hard that you could watch a child struggle and fail and weep for so long, without moving to help. Mothers, Mathilde had always known, were people who abandoned you to struggle alone. It occurred to her then that life was conical in shape, the past broadening beyond the sharp point of the lived moment. The more life you had, the more the base expanded, so that the wounds and treasons that were nearly imperceptible when they happened stretched like tiny dots on a balloon slowly blown up. A speck on the slender child grows into a gross deformity in the adult, inescapable, ragged at the edges. A
Lauren Groff (Fates and Furies)
Even stranger than our teeth-brushing behaviour is our preference for stripy toothpaste. When it first appeared, in a product called Stripe, it aroused a great deal of debate over how it was made. Many people dissected the empty container; others froze a full tube and then cut it open in a cross section.* What was strange was that nobody ever asked ‘Why?’ After all, the moment toothpaste enters your mouth, all the ingredients are mixed together, so what was the point of keeping them separate in the tube? There are two explanations: 1) simple childish novelty and 2) psycho-logic. Psychologically, the stripes serve as a signal: a claim that a toothpaste performed more than one function (fighting cavities, tackling infection and freshening breath) was thought to be more convincing if the toothpaste contained three visibly separate active ingredients. In general, people are impressed by any visible extra effort that goes into a product: if you simply say ‘this washing powder is better than our old powder’, it is a hollow claim. However, if you replace the powder with a gel, a tablet or some other form, the cost and effort which have gone into the change make it more plausible to the purchaser there may have been some real innovation in the new contents.
Rory Sutherland (Alchemy: The Dark Art and Curious Science of Creating Magic in Brands, Business, and Life)
For the time being, however, his bent was literary and religious rather than balletic. He loved, and what seventh grader doesn’t, the abstracter foxtrots and more metaphysical twists of a Dostoevsky, a Gide, a Mailer. He longed for the experience of some vivider pain than the mere daily hollowness knotted into his tight young belly, and no weekly stomp-and-holler of group therapy with other jejune eleven-year-olds was going to get him his stripes in the major leagues of suffering, crime, and resurrection. Only a bona-fide crime would do that, and of all the crimes available murder certainly carried the most prestige, as no less an authority than Loretta Couplard was ready to attest, Loretta Couplard being not only the director and co-owner of the Lowen School but the author, as well, of two nationally televised scripts, both about famous murders of the 20th Century. They’d even done a unit in social studies on the topic: A History of Crime in Urban America. The first of Loretta’s murders was a comedy involving Pauline Campbell, R.N., of Ann Arbor, Michigan, circa 1951, whose skull had been smashed by three drunken teenagers. They had meant to knock her unconscious so they could screw her, which was 1951 in a nutshell. The eighteen-year-olds, Bill Morey and Max Pell, got life; Dave Royal (Loretta’s hero) was a year younger and got off with twenty-two years. Her second murder was tragic in tone and consequently inspired more respect, though not among the critics, unfortunately. Possibly because her heroine, also a Pauline (Pauline Wichura), though more interesting and complicated had also been more famous in her own day and ever since. Which made the competition, one best-selling novel and a serious film biography, considerably stiffen Miss Wichura had been a welfare worker in Atlanta, Georgia, very much into environment and the population problem, this being the immediate pre-Regents period when anyone and everyone was legitimately starting to fret. Pauline decided to do something, viz., reduce the population herself and in the fairest way possible. So whenever any of the families she visited produced one child above the three she’d fixed, rather generously, as the upward limit, she found some unobtrusive way of thinning that family back to the preferred maximal size. Between 1989 and 1993 Pauline’s journals (Random House, 1994) record twenty-six murders, plus an additional fourteen failed attempts. In addition she had the highest welfare department record in the U.S. for abortions and sterilizations among the families whom she advised. “Which proves, I think,” Little Mister Kissy Lips had explained one day after school to his friend Jack, “that a murder doesn’t have to be of someone famous to be a form of idealism.” But of course idealism was only half the story: the other half was curiosity. And beyond idealism and curiosity there was probably even another half, the basic childhood need to grow up and kill someone.
Thomas M. Disch (334)
In 1985, Wouter van Hoven was in his office in the zoology department at Pretoria University when he got an unusual call from a wildlife warden. In the last month, more than a thousand kudu, a particularly majestic species of antelope with elegant stripes and long, curling horns, had dropped dead on multiple game ranches in the nearby Transvaal region. The same thing had happened the winter before. In total some three thousand kudu had died. Nothing seemed wrong with them, no open wounds, no disease, though some looked a little thin. Could he come out as soon as possible? The ranch owners were beside themselves. Van Hoven was a wildlife nutrition zoologist who specialized in African ungulates. He should be able to figure this out, he thought. He’d be over right away. When Van Hoven got to the first game ranch, dead kudu were lying about as if a war had just been fought. But the first thing he noticed after the stench was that there were too many of them for a ranch that size. As a rule, there should not be more than three kudu per 100 hectares, and this ranch had about fifteen per 100. The same was true at the next few ranches he visited. Game-ranch hunting had exploded in popularity, and to cash in, ranchers were pushing the limits of their land. He opened up several kudu and saw stomachs full of crushed acacia leaves, undigested. He looked out at the giraffes, who were spread out along a swath of savanna, nibbling acacia trees and evidently not dying. After a few weeks a picture began to come together: when acacias begin to be eaten, they increase the bitter tannin in their leaves. Van Hoven already knew this. It’s a gentle defensive mechanism. At first, the tannin rises just a little. It’s not dangerous, but it tastes bad. Typically, that’s enough to deter a kudu. But both of the last two winters were extremely dry. All the grass was dead. Too many kudu, penned in by game fences, had nothing else to eat and nowhere else to go. He figured they had continued eating the acacia leaves, despite the bitter taste, because they had to. He pulled out a few clumps of chewed acacia leaves from a kudu gut and brought them to a lab. Kudu, Van Hoven knew, could handle about 4 percent tannin content in a leaf. Above that is trouble. The acacia, he figured, kept raising the level of tannin in the leaves, tit for tat. The kudu kept eating. And then, clearly, the acacias delivered a lethal dose. The undigested leaves Van Hoven tested from the kudu’s stomachs were 12 percent tannin.
Zoë Schlanger (The Light Eaters: How the Unseen World of Plant Intelligence Offers a New Understanding of Life on Earth)
This severely crew-cutted, Mr Rambo, Die-Hard Terminator type, wore neither helmet nor goggles. He was also shirtless under his black, armoured vest and had two belts of oversized bullets slung over his shoulders and crossing at his chest. He obviously being one of a mind that size was indeed important, looking the butch business as he cradled an almightily impressive BFG in his bared, muscle-bound arms. The outer edge of the right one’s bicep having three stripes tattooed upon in… No, honestly. The huge weapon he held looked as if it’d been specifically designed for bringing down either crack addicted bull elephants, smack riddled rhinos in dire need, or heroin dependant hippos desperate for a fix.
Ian Atkinson (ROT & BYRNE: Life's a Bastard Then you Die, Part 2)
Then suddenly, after only three or four months, I’ve got four or five badges and I’m promoted to patrol leader. I had badges all over the place, unbelievable! I don’t know where my scout shirt is now, but it’s adorned, stripes and strings and badges all over the place. Looked like I was into bondage. All that boosted my confidence at a crucial moment, after my ejection from the choir, especially the fact that I was promoted so fast. I think it was more important, that whole scouting period, than I’ve ever realized. I had a good team.
Keith Richards (Life)
When you travel to fish, this changes the equation. The first thing to do is establish an advance position on the calendar. Wear something three times and it becomes what the fashion rags call a signature look. All white, nautical stripes, a novel hat, whether it’s good or bad people will recognize it. Similarly the angler must stake out his territory. Go to Patagonia in January once and people think it’s indulgent. Ignore them. The second time they come to terms with it. The third time they expect it. They know you fly to Buenos Aires after New Year’s—this is your thing—and they may roll their eyes but they know you’re unavailable for dinner parties and christenings.
David Coggins (The Believer: A Year in the Fly Fishing Life)
I watch the car headlights stripe the ceiling and try to make a list of everything I want to do with the rest of my life. I get to number three, 'Find my rollerblades,' before the rain starts plucking at the roof and I give myself over to sleep.
Coco Mellors (Cleopatra and Frankenstein)
This is about life or death,” Stripes interrupted. His claws slid out. “If necessary, our life and your death.
Erin Hunter (Outcast (Warriors: Power of Three, #3))
I asked with genuine curiosity what the boys hoped to do now they had finished the army, and heard how they both planned to go to university, but hadn’t thought much beyond that. It felt like such an important time in their life, the moment when you first encounter the endless crossroads in front of you and when the one you pick can determine the course of your life forever.
Bex Band (Three Stripes South)
I thought about us running out of water, about the fine line between taking risks and being stupid. How one good or bad decision can change the course of your life forever.
Bex Band (Three Stripes South)
It doesn’t matter who or what you believe in, only that you are living true to yourself. That’s how life is meant to be lived, I believe.
Bex Band (Three Stripes South)
The moment you step into the world of facts, you step into a world of limits. You can free things from alien or accidental laws, but not from the laws of their own nature. You may, if you like, free a tiger from his bars; but do not free him from his stripes. Do not free a camel of the burden of his hump: you may be freeing him from being a camel. Do not go about as a demagogue, encouraging triangles to break out of the prison of their three sides. If a triangle breaks out of its three sides, its life comes to a lamentable end.
G.K. Chesterton (Orthodoxy)
The orange wave was real. Layton and the NDP won 103 seats on May 2, 2011, and for the first and only time in its history, the party formed the official opposition with Layton at the helm. It was a huge accomplishment for the NDP, but for Jack Layton there was very little time to celebrate. The cancer had returned. It was about to race through his body. Just one hundred and twelve days after election night, the battle against it ended. On August 22, just before five in the morning, my phone rang. I've been around long enough to know that when the phone rings in the middle of the night the odds are it's not good news. It wasn't. "Jack just passed away. We will be announcing it publicly in a few hours. Perhaps you could make it known before then." I got up, showered, and dressed. I drove into Toronto from our home in Stratford thinking about those last conversations we'd had during the campaign. In St. John's after that interview had ended, I'd thanked him for being so frank about his health and his hopes in the few days we'd just spent together. Standing on the dock I'd told him that while he and I had done many interviews in the years before, all my questions in those past years had been so predictable. Before I could say anything, he smiled and looked at me. "And all my answers were so predictable too." We both laughed. It was so true. But 2011 had been different. I parked my car and walked into the studio where Heather Hiscox was hosting her morning show and, to her surprise, I sat down, unannounced, beside her. She could tell something wasn't right and, on air, she asked me what was up. "Jack Layton has just died." Heather's face said it all. She was shocked and saddened, just like so many Canadians of all political stripes were, as they found out in that same moment. A person's life have been stolen from them at the pinnacle of their professional career. The country was instantly in mourning. Two weeks later, Layton's widow, Olivia Chow, returned with me to the spot on Toronto Island where they had been married twenty-three years before and talked about what the final moments had been like. "It was very difficult, but he had no fear. He had no fear. He was ready, so I thought, okay. So we held him.
Peter Mansbridge (Off the Record)
You can free things from alien or accidental laws, but not from the laws of their own nature. You may, if you like, free a tiger from his bars; but do not free him from his stripes. Do not free a camel of the burden of his hump: you may be freeing him from being a camel. Do not go about as a demagogue, encouraging triangles to break out of the prison of their three sides. If a triangle breaks out of its three sides, its life comes to a lamentable end.
G.K. Chesterton (Orthodoxy)
the last rays of the sun touched the hills at night," now, on his next to last day on earth, he had changed his mind and wanted to be buried on Lookout Mountain. "It's pretty up there.... You can look down into four states," he said. At any rate, Denver won the old plainsman's remains, and Lookout Mountain in nearby Golden, Colorado, would receive them-but not immediately. The funeral services were scheduled for Sunday, January 14, but the body would be kept in a mortuary vault in Olinger's Funeral Home until Memorial Day, when it would be finally buried on Lookout Mountain. Cody's funeral, like his life, was carried out on a grand scale. Described as "the most impressive and most largely-attended ever seen in the West," it was a service of such pomp and ceremony as only a head of state would have been granted. At ten o'clock on the morning of January 14, Cody's body was taken from the Decker home to the state capitol, where it lay in state in the rotunda, beneath the huge dome and its flagpole, on which the Stars and Stripes floated at half mast. The body was dressed in a frock coat on which were pinned the badges of the Legion of Honor and of the Grand Army of the Republic. The coffin bore the inscription: "Colonel William F. Cody, `Buffalo Bill."' Troopers from Fort Logan formed lines in the rotunda, through which passed the governors of Colorado and Wyoming, delegations from the legislatures from those states, officers of the United States Army, members of the fraternal organizations of which Cody was a member, veterans of the Grand Army of the Republic, thousands of men, women, and children. Among the mourners were a handful of old Indians and former scouts-those who had been performers in Buffalo Bill's Wild West. The rotunda was open for three hours. During that time, some eighteen thousand people according to the Denver Post's estimates-twenty-five thousand was the New York Times's guess-filed past the casket. At noon the crowd was kept back while the family, including his foster son, Johnny Baker, bade the Colonel farewell. A delegation of Knights Templar from North Platte followed.
Robert A. Carter (Buffalo Bill Cody: The Man Behind the Legend)
A red light stopped the Subaru at a three-pronged intersection where a McDonald’s sat opposite a KFC which sat across from a Taco Bell and waiting behind the Subaru on her way to a robbery Alabama watched as a monstrously fat woman marched out of the McDonald’s while guzzling from a box of fries and continued right on into the KFC and Alabama noticed now a billboard high above the KFC upon which a skinny blonde with perky tits wrapped in the Stars and Stripes stood on top of an aggressively masculine pickup truck like a white-trash Wonder Woman beside giant text which read “PICKUP A HOT CHICK IN THE NEW DODGE RAM” and for one revelatory moment that passed just as quick Alabama had never in her life felt so American.
Philip Elliott (Porno Valley)