Three Pines Quotes

High high in the hills , high in a pine tree bed. She's tracing the wind with that old hand, counting the clouds with that old chant, Three geese in a flock one flew east one flew west one flew over the cuckoo's nest

Three Pines is a state of mind. When we choose tolerance over hate. Kindness over cruelty. Goodness over bullying. When we choose to be hopeful, not cynical. Then we live in Three Pines.

Three Pines wasn’t on any tourist map, being too far off any main or even secondary road. Like Narnia, it was generally found unexpectedly and with a degree of surprise that such an elderly village should have been hiding in this valley all along. Anyone fortunate enough to find it once usually found their way back.

The autumn leaves, arranged in two or three scarlet terraces among the pine-trees, have fallen like ancient dreams.

A traditional New Mexico Christmas differs from the rest of the world with four amazing traditions: tamales, bisochitos, empanadas, and luminarias. The first three Mexican specialties add delicious flavor to any meal, and the last one lights up our towns!

Time plays like an accordion in the way it can stretch out and compress itself in a thousand melodic ways. Months on end may pass blindingly in a quick series of chords, open-shut, together-apart; and then a single melancholy week may seem like a year's pining, one long unfolding note.

Gabri and Myrna were very rich indeed, rich in the things that matter. In friendships and laughter, in kindness and company. People rich in money might belong at the Inn and Spa, but those rich in other ways belonged in the tiny village of Three Pines. Here, kindness was the real currency.

Excuse me. Nine hours ago, I broke off the single most pointlessly agonizing one-way relationship of my young life. It was a thin slice of hell, and now it is over.. He's not mine. He never will be mine, and I've thrown away three years of my life pining and hoping. Well, not anymore, and I need to get him out of my system. I've given the matter serious thought, and all I want right now is for some total stranger to nail me to a mattress for the next fourteen hours. I will almost certainly cry all over you and call you by his name, but I assure you that my sexual frustration has built to such a fever peak that I will fuck you dry. What do you say?" "whine

She’s like…waking up on Christmas morning when you’re three years old and you finally understand what it’s all about. She’s the moment the rain stops and the sun comes out, lighting up the sky with color, and everything smells new and fresh. She’s the first skate on a frozen lake, surrounded by snowy mountains and pine trees and the freshest breath of air. She’s rolling over in the middle of the night, pulling that warm body into yours and curling around it, and everything’s just right.

I have been reading three books Dean lent me this week. One was like a rose garden--very pleasant, but just a little too sweet. And one was like a pine wood on a mountain--full of balsam and tang--I loved it, and yet it filled me with a sort of despair. It was written so beautifully--I can never write like that, I feel sure. And one--it was just like a pig-sty. Dean gave me that one by mistake.

As far as the official mapmakers were concerned Three Pines didn’t exist. It had never been surveyed. Never plotted. No GPS or sat nav system, no matter how sophisticated, would ever find the little village. It only appeared as though by accident over the edge of the hill. Suddenly. It could not be found unless you were lost.

Love was something I would not have to worry about - the whole mystery of love, heartbreak songs, and family legends. Women who pined, men who went mad, people who forgot who they were and shamed themselves with need, wanting only to be loved by the one they loved. Love was a mystery. Love was a calamity. Love was a curse that had somehow skipped me, which was no doubt why I was so good at multiple-choice tests and memorizing poetry. Sex was a country I been dragged into as an unwilling girl - sex, and the madness of the body. For all that it could terrify and confuse me, sex was something I had assimilated. Sex was a game or a weapon or an addiction. Sex was familiar. But love - love was another country.

Gamache had been to Three Pines on previous investigations and each time he’d had the feeling he belonged. It was a powerful feeling. After all, what else did people really want except to belong? He

The bistro was his secret weapon in tracking down murderers. Not just in Three Pines, but in every town and village in Quebec. First he found a comfortable café or brasserie, or bistro, then he found the murderer. Because Armand Gamache knew something many of his colleagues never figured out. Murder was deeply human, the murdered and the murderer. To describe the murderer as a monstrosity, a grotesque, was to give him an unfair advantage. No. Murderers were human, and at the root of each murder was an emotion. Warped, no doubt. Twisted and ugly. But an emotion. And one so powerful it had driven a man to make a ghost. Gamache's job was to collect the evidence, but also to collect the emotions. And the only way he knew to do that was do get to know the people. To watch and listen. To pay attention, and the best way to do that was in a deceptively casual way in a deceptively casual setting. Like the bistro.

Jack of diamonds is a hard card, why should there be a story? It’s too hard a card to please, and it isn’t the no earth I know. I got hepatitis C from shooting speed thirty-three years ago.

I hurried out of the lobby and turned the corner into the English hall, so I didn’t see the guy in front of me until it was too late. “Oh!” I exclaimed as we bumped shoulders. “Sorry!” Then I realized who I’d bumped into, and I immediately regretted my apologetic tone. If I’d known it was David Stark, I would have tried to hit him harder, or maybe stepped on his foot with the spiky heel of my new shoes for good measure. I did my best to smile at him, though, even as I realized my stomach was jumping all over the place. He must have scared me more than I’d thought. David scowled at me over the rims of his ridiculous hipster glasses, the kind with the thick black rims. I hate those. I mean, it’s the 21st century. There are fashionable options for eyewear. “Watch where you’re going,” he said. Then his lips twisted in a smirk. “Or could you not see through all that mascara?” I would’ve loved nothing more than the tell him to kiss my ass, but one of the responsibilities of being a student leader at The Grove is being polite to everyone, even if he is a douchebag who wrote not one, but three incredibly unflattering articles in the school paper about what a crap job you’re doing as SGA president. And you especially needed to be polite to said douchebag when he happened to be the nephew of Saylor Stark, President of the Pine Grove Junior League, head of the Pine Grove Betterment Society, Chairwoman of the Grove Academy School Board, and, most importantly, Founder and Organizer of Pine Grove’s Annual Cotillion. So I forced myself to smile even bigger at David and said, “Nope, just in a hurry. Are you, uh… are you here for the dance?” He snorted. “Um, no. I’d rather slam my testicles in a locker door. I have some work to do on the paper.

This village has known loss, people killed before their time, accidents, war, disease. Three Pines isn’t immune to any of that. But you seem to accept it as part of life and not hang on to the bitterness.

Sometimes it's beautiful and we fall in love with all that story. Even after a thousand pages we don't want to leave the world the writer has made for us, or the make-believe people who live there. You wouldn't leave after two thousand pages, if there were two thousand. The Rings trilogy of J.R.R.Tolkien is a perfect example of this. A thousand pages of hobbits hasn't been enough for three generations of post-World War II fantasy fans; even when you add in that clumsy, galumphing dirigible of an epilogue, The Silmarillion, it hasn't been enough. Hence Terry Brooks, Piers Anthony, Robert Jordan, the questing rabbits of Watership Down, and half a hundred others. The writers of these books are creating the hobbits they still love and pine for; they are trying to bring Frodo and Sam back from the Grey Havens because Tolkien is no longer around to do it for them.

Three craggy pine trees had stood at the far end of the green for as long as anyone remembered, like wise men who’d found what they were looking for.

Dionysus is the life-spirit of all green vegetation—ivy, pine tree and especially the vine; he is, in Dylan Thomas’ phrase, “the force that through the green fuse drives the flower.

The three species of pine native to Wisconsin (white, red and jack) differ radically in their opinions about marriageable age. The precocious jackpine sometimes bloom and bears cones a year or two after leaving the nursery, and a few of my 13-year-old jacks already boast of grandchildren. My 13-year-old reds first bloomed this year, but my whites have not yet bloomed; they adhere closely to the Anglo-Saxon doctrine of free, white, and twenty-one.

Didn’t anyone die a normal death in Three Pines? And even their murders weren’t normal. Couldn’t they just haul off and stab each other, or use a gun or a bat? No. It was always something convoluted. Complicated. Very unQuébécois. The Québécois were straightforward, clear. If they liked you they hugged. When they murdered you they just whacked you over the head. Boom, done. Convicted. Next.

Some might argue that Three Pines itself isn’t real, and they’d be right, but limited in their view. The village does not exist, physically. But I think of it as existing in ways that are far more important and powerful. Three Pines is a state of mind. When we choose tolerance over hate. Kindness over cruelty. Goodness over bullying. When we choose to be hopeful, not cynical. Then we live in Three Pines.

Dad used to say lots of funny things - like he was speaking his own language sometimes. Twenty-three skidoo, salad days, nosey parker, bandbox fresh, the catbird seat, chocolate teapot, and something about Grandma sucking eggs. One of his favourites was 'safe as houses'. Teaching me to ride a bike, my mother worrying in the doorway: "Calm down, Linda, this street is as safe as houses." Convincing Jamie to sleep without his nightlight: "It's as safe as houses in here, son, not a monster for miles." Then overnight the world turned into a hideous nightmare, and the phrase became a black joke to Jamie and me. Houses were the most dangerous places we knew. Hiding in a patch of scrubby pines, watching a car pull out from the garage of a secluded home, deciding whether to make a food run, whether it was too dicey. "Do you think the parasites'll be long gone?" "No way - that place is as safe as houses. Let's get out of here." And now I can sit here and watch TV like it is five years ago and Mom and Dad are in the other room and i've never spent a night hiding in a drainpipe with Jamie and a bunch of rats while bodysnatchers with spotlights search for the thieves who made off with a bag of dried beans and a bowl of cold spaghetti. I know that if Jamie and I survived alone for twenty years we would never find this feeling on our own. The feeling of safety. More than safety, even - happiness. Safe and happy, two things I thought i'd never feel again. Jared made us feel that way without trying, just be being Jared. I breathe in the scent of his skin and feel the warmth of his body under mine. Jared makes everything safe, everything happy. Even houses.

How could I forget. I was her ghost daughter, sitting at empty tables with crayons and pens while she worked on a poem, a girl malleable as white clay. Someone to shape, instruct in the ways of being her. She was always shaping me. She showed me an orange, a cluster of pine needles, a faceted quartz, and made me describe them to her. I couldn’t have been more than three or four. My words, that’s what she wanted. ”What’s this?” she kept asking. ”What’s this?” But how could I tell her? She’d taken all the words. The smell of tuberoses saturated the night air, and the wind clicked through the palms like thoughts through my sleepless mind. Who am I? I am a girl you don’t know, mother. The silent girl in the back row of the classroom, drawing in notebooks. Remember how they didn’t know if I even spoke English when we came back to the country? They tested me to find out if I was retarded or deaf. But you never asked why. You never thought, maybe I should have left Astrid some words. I thought of Yvonne in our room, asleep, thumb in mouth, wrapped around her baby like a top. ”I can see her,” you said. You could never see her, Mother. Not if you stood in that room all night. You could only see her plucked eyebrows, her bad teeth, the books that she read with the fainting women on the covers. You could never recognize the kindness in that girl, the depth of her needs, how desperately she wanted to belong, that’s why she was pregnant again. You could judge her as you judged everything else, inferior, but you could never see her. Things weren’t real to you. They were just raw material for you to reshape to tell a story you liked better. You could never just listen to a boy playing guitar, you’d have to turn it into a poem, make it all about you.

deflating. Then empty. His diaphragm relaxed. He counted to three and squeezed the trigger. The British-made AWM bucked hard against his shoulder, the report dampened by the suppressor. Recovering from the recoil, he found his target in the sphere of magnification, still crouched on a flat-topped boulder on the floor of the canyon. Damn. He’d missed. It was a longer shot than he normally took, and so many

When the storm is over, the new growth, tiny and light, timid-green, starts edging our on the buses and three limbs. Then Nature brings April rain. It whispers down soft and lonesome, making mists in the hollows and on the trails where you walk under the drippings from hanging branches of trees. It's a good feeling, exciting--but sad too--in April rain. Granpa said he always got that kind of mixed-up feeling. He said it was exciting because something new was being born and it was sad, because you knowed you can't hold onto it. It will pass too quick. April wind is soft and warm as a baby's crib. It breathes on the crab apple tree until white blossoms open out, smeared with pink. The smell is sweeter than honeysuckle and brings bees swarming over the blossoms. Mountain laurel with pink-white blooms and purple centers grow everywhere, from the hollows to the top of the mountain, alongside of the dogtooth violet... Then, when April gets its warmest, all of a sudden the cold hits you. It stays cold for four or five days. This is to make the blackberries bloom and is called "blackberry winter." The blackberries will not bloom without it. That's why some years there are no blackberries. When it ends, that's when the dogwoods bloom out like snowballs over the mountainside in places you never suspicioned they grew: in a pine grove or stand of oak of a sudden there's a big burst of white.

A dog's bark amid the water's sound, Peach blossom that's made thicker by the rain. Deep in the trees, I sometimes see a deer, And at the stream I hear no noonday bell. Wild bamboo divides the green mist, A flying spring hangs from the jasper peak. No-one knows the place to which he's gone, Sadly, I lean on two or three pines

What part soever you have taken upon you, play that as well as you can and make the best of it.

. .his cell phone didn't work in Three Pines, and neither did email. He almost expected to see messages fluttering back and forth in the sky above the village, unable to descend.

As a young man he seemed to pine for a bygone world of aristocrats. [In his twenties, he] took to wearing Edwardian three-piece suits with a pocket watch and chain. [discussing Kip Forbes]

The utopian solution to the problems of reality, according to Davis, is to idealize neither man nor nature, but organization: the utopianist devises bureaucratic and institutional systems in order to contain desire and transgression, and thus to apportion a limited supply of material satisfactions.5

The first time Ree kissed a man it was not a man, but Gail acting as a man, and as the kissing progressed and Gail acting as a man pushed her backwards onto a blanket of pine needles in shade and slipped her tongue deep into Ree's mouth, Ree found herself sucking on the wiggling tongue of a man in her mind, sucking that plunging tongue of the man in her mind until she tasted morning coffee and cigars and spit leaked from between her lips and down her chin. She opened her eyes then and smiled, and Gail yet acting the man roughed up her breasts with grabs and pinches, kissed her neck, murmuring and Ree said, "Just like that! I want it to be just like that!" There came three seasons of giggling and practice, puckering readily anytime they were alone, each being the man and the woman, each on top and bottom, pushing for it with grunts or receiving it with signs. The first time Ree kissed a boy who was not a girl his lips were soft and timid on hers, dry and unmoving, until finally she had to say it and did, "Tongue, honey, tongue," and the boy she called honey turned away saying, "Yuck!

This house is an embarrassment. This house is shameful. I hate this house. I hate how being inside it makes me feel tense and anxious, and all week long I look forward to my three-hour escape into the land of testimonies and pine-scented tile cleaner.

Monarda was the zucchini of the flower world. It, too, figured prominently in the harvest market and, subsequently, the Thanksgiving bonfire, which would give off a hint of sweet bergamot so that it smelled as though every cottage in Three Pines was brewing Earl Grey tea.

Would he love this place less because he needed it less? Again he looked at Three Pines, the little village lost in the valley and felt the familiar lifting of his heart. But would it lift if there was no load? Was the final fear that, in losing his fears, he would also lose his joy?

here is your own magic staff. Use it well and there is nothing it cannot do for you.” He placed in Milo’s breast pocket a small gleaming pencil which, except for the size, was much like his own. Then, with a last word of encouragement, he and the Dodecahedron (who was simultaneously sobbing, frowning, pining, and sighing from four of his saddest faces) made their farewells and watched as the three tiny figures disappeared into the forbidding Mountains of Ignorance.

small pieces and fed the fire. I will not let you go out, he said to himself, to the flames—not ever. And so he sat through a long part of the day, keeping the flames even, eating from his stock of raspberries, leaving to drink from the lake when he was thirsty. In the afternoon, toward the evening, with his face smoke smeared and his skin red from the heat, he finally began to think ahead to what he needed to do. He would need a large woodpile to get through the night. It would be almost impossible to find wood in the dark so he had to have it all in and cut and stacked before the sun went down. Brian made certain the fire was banked with new wood, then went out of the shelter and searched for a good fuel supply. Up the hill from the campsite the same windstorm that left him a place to land the plane—had that only been three, four days ago?—had dropped three large white pines across each other. They were dead now, dry and filled with weathered dry dead limbs

It is with great cunning that we assume the name of the world

The ceaseless rain is falling fast, And yonder gilded vane, Immovable for three days past, Points to the misty main, It drives me in upon myself And to the fireside gleams, To pleasant books that crowd my shelf, And still more pleasant dreams, I read whatever bards have sung Of lands beyond the sea, And the bright days when I was young Come thronging back to me. In fancy I can hear again The Alpine torrent's roar, The mule-bells on the hills of Spain, The sea at Elsinore. I see the convent's gleaming wall Rise from its groves of pine, And towers of old cathedrals tall, And castles by the Rhine. I journey on by park and spire, Beneath centennial trees, Through fields with poppies all on fire, And gleams of distant seas. I fear no more the dust and heat, No more I feel fatigue, While journeying with another's feet O'er many a lengthening league. Let others traverse sea and land, And toil through various climes, I turn the world round with my hand Reading these poets' rhymes. From them I learn whatever lies Beneath each changing zone, And see, when looking with their eyes, Better than with mine own.

He was particulary drawn to these two clerks by the fact that they both had crooked noses, one bent to the left and the other to the right. They took him finally to a pleasure garden, where he paid for their entrance. There was one lanky three-year-old pine tree and three bushes in the garden, besides a vauxhal, which was in reality a drinking-bar where tea too was served...

There is a bench in the back of my garden shaded by Virginia creeper, climbing roses, and a white pine where I sit early in the morning and watch the action. Light blue bells of a dwarf campanula drift over the rock garden just before my eyes. Behind it, a three-foot stand of aconite is flowering now, each dark blue cowl-like corolla bowed for worship or intrigue: thus its common name, monkshood. Next to the aconite, black madonna lilies with their seductive Easter scent are just coming into bloom. At the back of the garden, a hollow log, used in its glory days for a base to split kindling, now spills white cascade petunias and lobelia. I can't get enough of watching the bees and trying to imagine how they experience the abundance of, say, a blue campanula blosssom, the dizzy light pulsing, every fiber of being immersed in the flower. ... Last night, after a day in the garden, I asked Robin to explain (again) photosynthesis to me. I can't take in this business of _eating light_ and turning it into stem and thorn and flower... I would not call this meditation, sitting in the back garden. Maybe I would call it eating light. Mystical traditions recognize two kinds of practice: _apophatic mysticism_, which is the dark surrender of Zen, the Via Negativa of John of the Cross, and _kataphatic mysticism_, less well defined: an openhearted surrender to the beauty of creation. Maybe Francis of Assissi was, on the whole, a kataphatic mystic, as was Thérèse of Lisieux in her exuberant momemnts: but the fact is, kataphatic mysticism has low status in religious circles. Francis and Thérèse were made, really made, any mother superior will let you know, in the dark nights of their lives: no more of this throwing off your clothes and singing songs and babbling about the shelter of God's arms. When I was twelve and had my first menstrual period, my grandmother took me aside and said, 'Now your childhood is over. You will never really be happy again.' That is pretty much how some spiritual directors treat the transition from kataphatic to apophatic mysticism. But, I'm sorry, I'm going to sit here every day the sun shines and eat this light. Hung in the bell of desire.

the real ‘twelve days of Christmas’ is a period in Christian theology that marks the span between the birth of Christ and the coming of the three wise men. It begins on Christmas Day and runs to January 6th.

High high in the hills , high in a pine tree bed. She's tracing the wind with that old hand, counting the clouds with that old chant, Three geese in a flock one flew east one flew west one flew over the cuckoo's nest

The autumn leaves, arranged in two or three scarlet terraces among the pine trees, have fallen like ancient dreams. The red and white sasanquas near the garden’s ornamental basin, dropping their petals, now a white and now a red one, are finally left bare. The wintry sun along the ten-foot length of the southwards-facing veranda goes down daily earlier than yesterday. Seldom a day goes by but a cold wind blows. So my snoozes have been painfully curtailed.

Tonight, no one will rage and cry: "My Kingdom for a horse!" No ghost will come to haunt the battlements of a castle in the kingdom of Denmark where, apparently something is rotten. Nor will anyone wring her hands and murmur: "Leave, I do not despise you." Three still young women will not retreat to a dacha whispering the name of Moscow, their beloved, their lost hope. No sister will await the return of her brother to avenge the death of their father, no son will be forced to avenge an affront to his father, no mother will kill her three children to take revenge on their father. And no husband will see his doll-like wife leave him out of contempt. No one will turn into a rhinoceros. Maids will not plot to assassinate their mistress, after denouncing her lover and having him jailed. No one will fret about "the rain in Spain!" No one will emerge from a garbage pail to tell an absurd story. Italian families will not leave for the seashore. No soldier will return from World War II and bang on his father's bedroom dor protesting the presence of a new wife in his mother's bed. No evanescent blode will drown. No Spanish nobleman will seduce a thousand and three women, nor will an entire family of Spanish women writhe beneath the heel of the fierce Bernarda Alba. You won't see a brute of a man rip his sweat-drenched T-shirt, shouting: "Stella! Stella!" and his sister-in-law will not be doomed the minute she steps off the streetcar named Desire. Nor will you see a stepmother pine away for her new husband's youngest son. The plague will not descend upon the city of Thebes, and the Trojan War will not take place. No king will be betrayed by his ungrateful daughters. There will be no duels, no poisonings, no wracking coughs. No one will die, or, if someone must die, it will become a comic scene. No, there will be none of the usual theatrics. What you will see tonight is a very simple woman, a woman who will simply talk...

When the three girls stepped outside, Nancy took a deep breath of air. She loved the earthy smell of the forests surrounding the lake resort, particularly the scent of the tall pines. “What a day!” she exclaimed. Only a few fleecy white clouds broke the clear blue sky.

..As I watch her pine casket descend...I try to envision the reunion of a frail eighty year old woman with her decades younger husband and their three sons and am left with the lingering feeling that the places we go in our minds to find comfort have little to do with where our bodies go

Pan, Echo, and the Satyr From the Greek of Moschus Published (without title) by Mrs. Shelley, "Posthumous Poems", 1824. There is a draft amongst the Hunt manuscripts. Pan loved his neighbour Echo—but that child Of Earth and Air pined for the Satyr leaping; The Satyr loved with wasting madness wild The bright nymph Lyda,—and so three went weeping. As Pan loved Echo, Echo loved the Satyr, The Satyr, Lyda; and so love consumed them.— And thus to each—which was a woful matter— To bear what they inflicted Justice doomed them; For, inasmuch as each might hate the lover, Each, loving, so was hated.—Ye that love not Be warned—in thought turn this example over, That when ye love, the like return ye prove not. NOTE: _6 so Hunt manuscript; thus 1824. _11 So 1824; This lesson timely in your thoughts turn over, The moral of this song in thought turn over (as alternatives) Hunt manuscript.

Kya stood and walked into the night, into the creamy light of a three-quarter moon. The marsh’s soft air fell silklike around her shoulders. The moonlight chose an unexpected path through the pines, laying shadows about in rhymes. She strolled like a sleepwalker as the moon pulled herself naked from the waters and climbed limb by limb through the oaks. The slick mud of the lagoon shore glowed in the intense light, and hundreds of fireflies dotted the woods. Wearing a secondhand white dress with a flowing skirt and waving her arms slowly about, Kya waltzed to the music of katydids and leopard frogs.

Red Brocade" The Arabs used to say, When a stranger appears at your door, feed him for three days before asking who he is, where he’s come from, where he’s headed. That way, he’ll have strength enough to answer. Or, by then you’ll be such good friends you don’t care. Let’s go back to that. Rice? Pine nuts? Here, take the red brocade pillow. My child will serve water to your horse. No, I was not busy when you came! I was not preparing to be busy. That’s the armor everyone put on to pretend they had a purpose in the world. I refuse to be claimed. Your plate is waiting. We will snip fresh mint into your tea.

Funnel The family story tells, and it was told true, of my great-grandfather who begat eight genius children and bought twelve almost-new grand pianos. He left a considerable estate when he died. The children honored their separate arts; two became moderately famous, three married and fattened their delicate share of wealth and brilliance. The sixth one was a concert pianist. She had a notable career and wore cropped hair and walked like a man, or so I heard when prying a childhood car into the hushed talk of the straight Maine clan. One died a pinafore child, she stays her five years forever. And here is one that wrote- I sort his odd books and wonder his once alive words and scratch out my short marginal notes and finger my accounts. back from that great-grandfather I have come to tidy a country graveyard for his sake, to chat with the custodian under a yearly sun and touch a ghost sound where it lies awake. I like best to think of that Bunyan man slapping his thighs and trading the yankee sale for one dozen grand pianos. it fit his plan of culture to do it big. On this same scale he built seven arking houses and they still stand. One, five stories up, straight up like a square box, still dominates its coastal edge of land. It is rented cheap in the summer musted air to sneaker-footed families who pad through its rooms and sometimes finger the yellow keys of an old piano that wheezes bells of mildew. Like a shoe factory amid the spruce trees it squats; flat roof and rows of windows spying through the mist. Where those eight children danced their starfished summers, the thirty-six pines sighing, that bearded man walked giant steps and chanced his gifts in numbers. Back from that great-grandfather I have come to puzzle a bending gravestone for his sake, to question this diminishing and feed a minimum of children their careful slice of suburban cake.

A town always looked different once you'd returned, like a house where all the furniture had shifted three inches. You wouldn't mistake it for a stranger's house but you'd keep banging your shins on the table corners. She paused in the mouth of the woods, overwhelmed by all those pine trees, stretching on endlessly.

The advance from a personal acquaintance with the elder Mr Chivery to an introduction to his amiable wife and disconsolate son, may have been easy; but easy or not, Mr Pancks soon made it. He nestled in the bosom of the tobacco business within a week or two after his first appearance in the College, and particularly addressed himself to the cultivation of a good understanding with Young John. In this endeavour he so prospered as to lure that pining shepherd forth from the groves, and tempt him to undertake mysterious missions; on which he began to disappear at uncertain intervals for as long a space as two or three days together. The prudent Mrs Chivery, who wondered greatly at this change,

Reading Group Guide Questions Discussion questions for The Three Pines Mysteries, by Louise Penny 1. How important is the use of humor in this book? 2. Which Three Pines villager would you most like to have cafe au lait with at the bistro? 3. Why is Ruth a villager? 4. Louise Penny says her books are about murder, but at their heart they’re about other things. What else is this book about? What are some other themes? 5. Agent Nichol is an extremely controversial character in the books. What do you think of her? What purpose does she serve? Discussion questions for Still Life 1. At the beginning of Still Life, we are told that “violent death still surprised” Chief Inspector Armand Gamache. Why is that odd for a homicide detective, and how does it influence his work? What are his strengths and his weaknesses? 2. The village of Three Pines is not on any map, and when Gamache and Agent Nicole first arrive there, they see “the inevitable paradox. An old stone mill sat beside a pond, the mid-morning sun warming its fieldstones. Around it the maples and birches and wild cherry trees held their fragile leaves, like thousands of happy hands waving to them on arrival. And police cars. The snakes in Eden.” Can you find other echoes of Paradise in Three Pines, and what role do snakes—real or metaphorical—play there? 3. There are three main couples in the book: Clara and Peter, Olivier and Gabri, and

Kya stood and walked into the night, into the creamy light of a three-quarter moon. The marsh's soft air fell silklike around her shoulders. The moonlight chose an unexpected path through the pines, laying shadows about in rhymes. She strolled like a sleepwalker as the moon pulled herself naked from the waters and climbed limb by limb through the oaks.

When the valley surrounding St. Cloud's was cleared and the second growth (scrub pine and random, unmanaged softwoods) sprang up everywhere, like swamp weed, and when there were no more logs to send downriver, from Three Mile Falls to St. Cloud's--because there were no more trees--that was when the Ramses Paper Company introduced Maine to the twentieth century by closing down the saw mill and the lumberyard along the river at St. Cloud's and moving camp downstream. . .There were no Ramses Paper Company people left behind, but there were people. . . Not one of the neglected officers of the Catholic Church of St. Cloud's stayed; there were more souls to save by following the Ramses Paper Company downstream.

THE COUNTY CLERK: "So there I was sitting in front of Jed's store over in Cunt Lick my peter standing up straight as a jack pine under my Levis just a-pulsin' in the sun ... Weell, old Doc Scranton walks by, a good old boy too, there's not a finer man in this valley than Doc Scranton. He's got a prolapsed asshole and when he wants to get screwed he'll pass you his ass on three feet of in-tes-tine ... If he's a mind to it he can drop out a piece of gut reaches from his office clear over to Roy's Beer Place, and it go feelin' around lookin' for a peter, just a-feelin' around like a blind worm ... So old Doc Scranton sees my peter and he stops like a pointin' dog and he says to me, `Luke, I can take your pulse from here.

This house is an embarrassment. This house is shameful. I hate this house. I hate how being inside it makes me feel tense and anxious, and all week long I look forward to my three-hour escape into the land of testimonies and pine-scented tile cleaner. That’s why it’s so upsetting to me that my family can never get out the door on time, no matter how hard I try to make that happen.

On our way down, we passed a two-story villa, hidden in a thicket of Chinese parasol trees, magnolia, and pines. It looked almost like a random pile of stones against the background of the rocks. It struck me as an unusually lovely place, and I snapped my last shot. Suddenly a man materialized out of nowhere and asked me in a low but commanding voice to hand over my camera. He wore civilian clothes, but I noticed he had a pistol. He opened the camera and exposed my entire roll of film. Then he disappeared, as if into the earth. Some tourists standing next to me whispered that this was one of Mao's summer villas. I felt another pang of revulsion toward Mao, not so much for his privilege, but for the hypocrisy of allowing himself luxury while telling his people that even comfort was bad for them. After we were safely out of earshot of the invisible guard, and I was bemoaning the loss of my thirty-six pictures, Jin-ming gave me a grin: "See where goggling at holy places gets you!" We left Lushan by bus. Like every bus in China, it was packed, and we had to crane our necks desperately trying to breathe. Virtually no new buses had been built since the beginning of the Cultural Revolution, during which time the urban population had increased by several tens of millions. After a few minutes, we suddenly stopped. The front door was forced open, and an authoritative-looking man in plainclothes squeezed in. "Get down! Get down!" he barked. "Some American guests are coming this way. It is harmful to the prestige of our motherland for them to see all these messy heads!" We tried to crouch down, but the bus was too crowded. The man shouted, "It is the duty of everyone to safeguard the honor of our motherland! We must present an orderly and dignified appearance! Get down! Bend your knees!" Suddenly I heard Jin-ming's booming voice: "Doesn'T Chairman Mao instruct us never to bend our knees to American imperialists?" This was asking for trouble. Humor was not appreciated. The man shot a stern glance in our direction, but said nothing. He gave the bus another quick scan, and hurried off. He did not want the "American guests' to witness a scene. Any sign of discord had to be hidden from foreigners. Wherever we went as we traveled down the Yangtze we saw the aftermath of the Cultural Revolution: temples smashed, statues toppled, and old towns wrecked. Litfie evidence remained of China's ancient civilization. But the loss went even deeper than this. Not only had China destroyed most of its beautiful things, it had lost its appreciation of them, and was unable to make new ones. Except for the much-scarred but still stunning landscape, China had become an ugly country.

His big, pleasant, ugly black-clad wife, very broad-beamed, came out. Said she also milked goats; described frisky games of little kid with hand motions. Moon brightening through clouds as we left, clear-cut pine tree jagged against sky. Man happy, own world, out of earth; brother kept three cows on hill beyond railroad station. Left feeling good day; light yellow-green eyes of goats.

I look into the chocolaterie. It looks warm in there, almost intimate. Candles are burning on the tables; the Advent window is lit with a rose glow. It smells of orange and clove from the pomander hanging above the door; of pine from the tree; of the mulled wine that we are serving alongside our spiced hot chocolate; and of fresh gingerbread straight out of the oven. It draws them in- three or four at a time- regulars and strangers and tourists alike. They stop at the window, catch the scent, and in they come, looking a little dazed, perhaps, at the many scents and colors and all their favorites in their little glass boxes- bitter orange cracknel; mendiants du roi; hot chili squares; peach brandy truffle; white chocolate angel; lavender brittle- all whispering inaudibly- Try me. Taste me. Test me.

He saw his enemies stealthily darting from rock to tree, and tree to bush, creeping through the brush, and slipping closer and closer every moment. On three sides were his hated foes and on the remaining side—the abyss. Without a moment's hesitation the intrepid Major spurred his horse at the precipice. Never shall I forget that thrilling moment. The three hundred savages were silent as they realized the Major's intention. Those in the fort watched with staring eyes. A few bounds and the noble steed reared high on his hind legs. Outlined by the clear blue sky the magnificent animal stood for one brief instant, his black mane flying in the wind, his head thrown up and his front hoofs pawing the air like Marcus Curtius' mailed steed of old, and then down with a crash, a cloud of dust, and the crackling of pine limbs.

Beauvoir unfolded the paper in his hands. I just sit where I’m put, composed of stone, and wishful thinking: “Who’s Vincent Gilbert, sir? You seemed to know him.” “He’s a saint.” Beauvoir laughed, but seeing Gamache’s serious face he stopped. “What do you mean?” “There’re some people who believe that.” “Seemed like an asshole to me.” “The hardest part of the process. Telling them apart.” “Do you believe he’s a saint?” Beauvoir was almost afraid to ask. Gamache smiled suddenly. “I’ll leave you here. What do you say to lunch in the bistro in half an hour?” Beauvoir looked at his watch. Twelve thirty-five. “Perfect.” He watched the Chief walk slowly back across the bridge and into Three Pines. Then he looked down again, at the rest of what Ruth had written. that the deity who kills for pleasure will also heal, Someone

Here and there among the pines are rowans, with ripe coral berries; now the berries are falling, heavy clusters striking the earth. So they reap themselves and sow themselves again, an inconceivable abundance to be squandered every single year. Over three hundred clusters I can count on a single tree. And here and there about are flowers still in bloom, obstinate things that will not die, though their time is really past.

The very last moment of Beit Nuba’s existence comes to life in his articulate writings (Kenan would become one of Israel’s foremost novelists in later years): Elegant stone houses, orchards of fruit trees around each house – olives, peach and vine trees – and next to them cedars. All the orchards nicely cultivated and maintained . . . In the morning the first bulldozer arrived and demolished the first house. In ten minutes, the house, the orchard and the trees were all gone. The house and its contents were destroyed . . . After the third house was destroyed, the refugees’ convoy began to make its way towards Ramallah. The three picturesque villages are now hidden by Canada Park – a pine forest of the kind planted in the aftermath of the 1948 ethnic cleansing as a means of covering such atrocities, and part of Beit Nuba’s land now forms a new colony named Beit Horon.

For three decades I have lived within a silence that declares periods too embarrassing, too unwanted, too female to talk about out loud. I have done this for so long that I almost no longer notice it. Almost. Bur now I am sick of the silence and the secrecy and the warped idea that blood is taboo when it comes out of a vagina. Because it is just not fucking good enough. To hell with covering up, with being embarrassed, with being silent.

Up in her bedroom she lays her tarot cards out on the bed. A draught creeps across her shoulder blades and, for a moment, she gets a strange feeling of a hand, reaching out of the darkness. She shakes her head and shoulders and shuffles the dog-eared cards. She flicks three across her bed, face down, then puts her hand over the first card and asks it to tell her what is going on. The next one she asks what is getting in the way. The third she asks what will fix the problem.

She’s like … waking up on Christmas morning when you’re three years old and you finally understand what it’s all about. She’s the moment the rain stops and the sun comes out, lighting up the sky with color, and everything smells new and fresh. She’s the first skate on a frozen lake, surrounded by snowy mountains and pine trees and the freshest breath of air. She’s rolling over in the middle of the night, pulling that warm body into yours and curling around it, and everything’s just right.

Either Jupiter or Saturn was still visible, pale against the lightening sky. The wind was blustery and full of voices. I sat as sun lipped the horizon. The grass changed in the light, from brown to yellowish to green. The grass: it was green. It was the end of March. I'd been in the country for three weeks. All around me, as if the scales had fallen from my eyes, I saw color flushing the slopes, a color I'd never again hoped to see: that green that is the herald of flavor and pleasure, that says: look, says: wait, says: taste: the gates of the underworld unlatched for mints and sorrels and pine-dark needles in shade and the pale sun-swell of the honeysuckle that bells out the triumphant return, after long winter, of a daughter. It was a green made possible by a man who held in his sway horticulturalists and biologists and chicken geneticists and meteorologists who could control the weather itself, and I forgot those wan, distant orbs in the sky as I opened my mouth, I bayed. And then, at last, it was spring.

Geralt looked around, and quickly and easily found what he was hunting for. A second, identical arrow, lodged in the trunk of a pine tree, around six paces behind the corpse. He knew what had happened. The boy had not understood the warning, and hearing the whistle and thud of the arrow had panicked and begun to run the wrong way. Towards the one who had ordered him to stop and withdraw at once. The hissing, venomous, feathered whistle and the short thud of the arrowhead cutting into the wood. Not a step further, man, said that whistle and that thud. Begone, man, get out of Brokilon at once. You have captured the whole world, man, you are everywhere. Everywhere you introduce what you call modernity, the era of change, what you call progress. But we want neither you nor your progress here. We do not desire the changes you bring. We do not desire anything you bring. A whistle and a thud. Get out of Brokilon! Get out of Brokilon, thought Geralt. Man. No matter that you are fifteen and struggling through the forest, insane with fear, unable to find your way home. No matter that you are seventy and have to gather brushwood, because otherwise they will drive you from the cottage for being useless, they will stop giving you food. No matter that you are six and you were lured by a carpet of little blue flowers in a sunny clearing. Get out of Brokilon! A whistle and a thud. Long ago, thought Geralt, before they shot to kill, they gave two warnings. Even three. Long ago, he thought, continuing on his way. Long ago. Well, that’s progress.

Fred had first come to Fire Island Pines when he was thirty. He wasn’t ready for such beauty, such potential, such unlimited choice. The place scared him half to death. It was a warm and sunny weekend and there were one thousand bathing-suited handsomenesses on The Botel deck at Tea Dance. They all seemed to know each other and to touch and greet and smile at each other. And there he was, alone. Though he had acquired his 150-pound body for the first time (of his so-far three: the first for himself, the second for Feffer, number three, with muscles, for Dinky), he still felt like Mrs. Shelley’s monster, pale, and with a touch of leprosy thrown in. Not only had he no one to talk to, not only did the overwhelmingness of being confronted by so much Grade A male flesh, most of which seemed superior to his, which would make it difficult to talk to, even if he could utter, which he could not, floor him, but everyone else seemed so secure, not only with their bodies (all thin and no doubt well-defined since birth), tans, personalities, their smiles and chat, but also with that ability to use their eyes, much like early prospectors must have looked for gold, darting them hither and yon, seeking out the sparkling flecks, separating the valued from the less so, meaning, he automatically assumed, him. Their glances his way seemed like disposable bottles, no deposit, no return. He felt like Mr. Not Wanted On The Voyage, even though it was, so be it, his birthday. Many years would pass before he would discover that everybody else felt exactly the same, but came out every weekend so to feel, thus over the years developing more flexible feelings in so feeling.

I glance around the set—everyone is buzzing like worker bees getting ready for the shot. Cordelia’s getting primped and powdered by a makeup girl, Vanessa is speaking with a few of the cameramen, and the convertible I’m supposed to drive is just sitting there . . . all by its lonesome. And look at that—someone left the keys in the ignition. Stealthily, I sidle up to Sarah. “Have you ever driven in a convertible?” She looks up sharply, like she didn’t see me approach. “Of course I have.” My hands slide into my pockets and I lean back on my heels. “Have you ever been in a convertible driven by a prince?” Her eyes are lighter in the sun, with a hint of gold. They crinkle as she smiles. “No.” I nod. “Perfect. We do this in three.” Now she looks nervous. “Do what?” I spot James across the way, eyes scanning the crowd—far enough away that he’ll never get over here in time. “Three . . .” “I don’t know what you mean.” “Two . . .” “Henry . . .” “One.” “I . . .” “Go, go, go!” “Go where?” she asks, loud enough to draw attention. So I wrap my arm around her waist, lift her off her feet, carry her to the car, and swing her up and into the passenger seat. Then, I jump into the driver’s side. “Shit!” James curses. But then the engine is roaring to life. I back out, knocking over a food service table, and the tires screech as I turn around and drive across the grounds . . . toward the woods. “The road is that way!” Sarah yells, the wind making her long, dark hair dance and swirl. “I know a shortcut. Buckle up.” We fly into the woods, sending a flurry of leaves in our wake. The car bounces and jostles, and I feel Sarah’s hand wrapped around my arm—holding on. It feels good. “Duck.” “What?” I push her head down and crouch at the same time, to avoid getting whipped in the face by the low-branch of a pine tree. After we’re past it, Sarah sits up, owl-eyed, and looks back at the branch and then at me. I smirk. “If you wanted me to push your head down, love, you could’ve just said so.” “You’re insane!” I hit the gas hard, swerving around a stump. “What? You’re the only one who gets to make dirty jokes?” We have a sharp turn coming up ahead. I lay my arm across Sarah’s middle. “Hold on.

Saturday morning brought an Imbolc gift of thick fog, as our select company of three set off onto the rain-sodden moor. ‘Here we are,’ said Mrs Darley, as the well appeared before us after a ten minute climb. She immediately began to unwrap a joint offering from Phyllis and herself of an ivy swag interwoven with white ribbons and laid it across the lintel of the well. I followed suit but with a far more modest bunch of pine branches and silver honesty. ‘Drinks, dear?’ Mrs Darley looked at Phyllis, who right on cue produced three paper cups from her bag and filled them with whiskey from a hip flask.

Deacon met my glare with an impish grin. “Anyway, did you celebrate Valentine’s Day when you were slumming with the mortals?” I blinked. “Not really. Why?” Aiden snorted and then disappeared into one of the rooms. “Follow me,” Deacon said. “You’re going to love this. I just know it.” I followed him down the dimly-lit corridor that was sparsely decorated. We passed several closed doors and a spiral staircase. Deacon went through an archway and stopped, reaching along the wall. Light flooded the room. It was a typical sunroom, with floor-to-ceiling glass windows, wicker furniture, and colorful plants. Deacon stopped by a small potted plant sitting on a ceramic coffee table. It looked like a miniature pine tree that was missing several limbs. Half the needles were scattered in and around the pot. One red Christmas bulb hung from the very top branch, causing the tree to tilt to the right. “What do you think?” Deacon asked. “Um… well, that’s a really different Christmas tree, but I’m not sure what that has to do with Valentine’s Day.” “It’s sad,” Aiden said, strolling into the room. “It’s actually embarrassing to look at. What kind of tree is it, Deacon?” He beamed. “It’s called a Charlie Brown Christmas Tree.” Aiden rolled his eyes. “Deacon digs this thing out every year. The pine isn’t even real. And he leaves it up from Thanksgiving to Valentine’s Day. Which thank the gods is the day after tomorrow. That means he’ll be taking it down.” I ran my fingers over the plastic needles. “I’ve seen the cartoon.” Deacon sprayed something from an aerosol can. “It’s my MHT tree.” “MHT tree?” I questioned. “Mortal Holiday Tree,” Deacon explained, and smiled. “It covers the three major holidays. During Thanksgiving it gets a brown bulb, a green one for Christmas, and a red one for Valentine’s Day.” “What about New Year’s Eve?” He lowered his chin. “Now, is that really a holiday?” “The mortals think so.” I folded my arms. “But they’re wrong. The New Year is during the summer solstice,” Deacon said. “Their math is completely off, like most of their customs. For example, did you know that Valentine’s Day wasn’t actually about love until Geoffrey Chaucer did his whole courtly love thing in the High Middle Ages?” “You guys are so weird.” I grinned at the brothers. “That we are,” Aiden replied. “Come on, I’ll show you your room.” “Hey Alex,” Deacon called. “We’re making cookies tomorrow, since it’s Valentine’s Eve.” Making cookies on Valentine’s Eve? I didn’t even know if there was such a thing as Valentine’s Eve. I laughed as I followed Aiden out of the room. “You two really are opposites.” “I’m cooler!” Deacon yelled from his Mortal Holiday Tree room

Bethany stands in the middle of the enormous, apparently endless beach surrounded by square miles of damp sand, the surf still some hundred yards off, the light pearly and uniform, the horizon a blurry, darker grey line shading into the clouds. Turning, she sees the black-green jagged stripe of the pines behind the dunes and, beyond that, more unchanging grey sky. A kind of dizziness afflicts her – she senses her insignificance, a small two-legged homunculus in the midst of all this space, a mere speck, a tiny crawling gnat in this elemental simplicity of sand, water and sky. She squats on her haunches, worried she might fall over, and to distract herself takes out her camera and frames a shot of the beach, the sea and the packed clouds – it looks like an abstract painting. Click. It looks like an abstract painting by – what was his name? Colour-field paintings they are called, the three layers of colour-fields in this case being broad, horizontal bands of dark taupe, slate grey, nebulous tarnished silver. It is rather beautiful. She stands up, feeling equilibrium return – maybe she was hungry, and felt faint for a second or two or maybe, she wonders, maybe she has experienced an actual existential moment – an epiphany – and has seen clearly the reality of her place in the world and has felt the nothingness, the vast indifference of the universe…

The Same (As revised by Mr. C.D. Locock.) Melodious Arethusa, o'er my verse Shed thou once more the spirit of thy stream: (Two lines missing.) Who denies verse to Gallus? So, when thou Glidest beneath the green and purple gleam Of Syracusan waters, mayest thou flow Unmingled with the bitter Dorian dew! Begin, and whilst the goats are browsing now The soft leaves, in our song let us pursue The melancholy loves of Gallus. List! We sing not to the deaf: the wild woods knew His sufferings, and their echoes answer... Young Naiades, in what far woodlands wild Wandered ye, when unworthy love possessed Our Gallus? Nor where Pindus is up-piled, Nor where Parnassus' sacred mount, nor where Aonian Aganippe spreads its... (Three lines missing.) The laurels and the myrtle-copses dim, The pine-encircled mountain, Maenalus, The cold crags of Lycaeus weep for him. (Several lines missing.) 'What madness is this, Gallus? thy heart's care, Lycoris, mid rude camps and Alpine snow, With willing step pursues another there.' (Some lines missing.) And Sylvan, crowned with rustic coronals, Came shaking in his speed the budding wands And heavy lilies which he bore: we knew Pan the Arcadian with.... ...and said, 'Wilt thou not ever cease? Love cares not. The meadows with fresh streams, the bees with thyme, The goats with the green leaves of budding spring Are saturated not—nor Love with tears.

I had started climbing trees about three years earlier, or rather, re-started; for I had been at a school that had a wood for its playground. We had climbed and christened the different trees (Scorpio, The Major Oak, Pegagsus), and fought for their control in territorial conflicts with elaborate rules and fealties. My father built my brother and me a tree house in our garden, which we had defended successfully against years of pirate attack. In my late twenties, I had begun to climb trees again. Just for the fun of it: no ropes, and no danger either. In the course of my climbing, I learned to discriminate between tree species. I liked the lithe springiness of silver birch, the alder and the young cherry. I avoided pines -- brittle branches, callous bark -- and planes. And I found that the horse chestnut, with its limbless lower trunk and prickly fruit, but also its tremendous canopy, offered the tree-climber both a difficulty and an incentive.

The houses in the better part of San Francisco, in those days, were all alike and all so ugly it was a wonder even their owners did not know it. (My father called it the better part of the city because he lived there.) Most of them were built on hillsides, with two or three of their corners standing on stilts. From the sidewalk you saw the doors a dozen feet above your head, the stairs leading up to them and a flat, bare expanse of pine sheathing enclosing the stilts. Each crowded against the next without an inch to spare, the houses themselves were narrow and looked taller than they actually were. If one of them had not occasionally been painted a dull brown instead of a dull green, or if a panel of brick had not been set here and there among the panels of wood, nobody could have told where his neighbor’s left off and his own began. All of them rose straight from the sidewalks; there were no lawns, and no trees. A few blocks away there were well-proportioned and attractive houses, but the builders of our street had searched farther for their model—in a box factory, from the evidence. We were moderately rich, and nothing was too bad for us.

The shoot-to-kill order came through at zero one fifteen, relayed over a satellite radio. It’d been just three hours since the two-man reconnaissance team had reported the sighting. They lay in a shallow dugout on a windblown ridge, the leeward slope falling away steeply to an impassable boulder field. A desert-issue tarp all but covered the hole, protected from view on the flanks by thorny scrub. Shivering, they blew into their bunched trigger-finger mitts. The daytime temperature had dropped twenty degrees or more, and fine sleet was melting on their blackened faces. Darren Proctor extended the folded stock of his L115A3 sniper rifle. He split the legs of the swivel bi-pod and aligned the swivel cheek piece with the all-weather scope. Flipping open the lens cap, he glassed the terrain cast a muted green by the night vision. The tree line was sparse, a smattering of pines and cedars shuddering in the biting wind. Glimpsing movement on a scree slope fifty metres or so beyond, he focused in. The eyes of a striped hyena shone like glow sticks. He watched as the scavenger ripped at the carcass of an ibex or wild sheep. A second later it sniffed the air, ears pricked, and scampered off.

Scrubby evergreen bushes released a strong scent of resin and honey; forests of pine gave way to gentle south-facing vineyards disturbed only by the ululation of early summer cicadas. Sitting up tall on the seat, she craned around eagerly to see what plants thrived naturally. It was a wild and romantic place, Laurent de Fayols had written, the whole island once bought as a wedding gift to his wife by a man who had made his fortune in the silver mines of Mexico. One of three small specks in the Mediterranean known as the Golden Isles, after the oranges, lemons, and grapefruit that glowed like lamps in their citrus groves. There were few reference works in English that offered information beyond superficial facts about the island, and those she had managed to find were old. The best had been published in 1880, by a journalist called Adolphe Smith. Ellie had been struck by the loveliness of his "description of the most Southern Point of the French Riviera": 'The island is divided into seven ranges of small hills, and in the numerous valleys thus created are walks sheltered from every wind, where the umbrella pines throw their deep shade over the path and mingle their balsamic odor with the scent of the thyme, myrtle and the tamarisk.

When Wen was seventeen years old, she'd sharpened a kitchen knife and slashed the tires on her brother's bicycle. She never told Kehn, who gave on of the neighbor boys a beating over it. After that, Kaul Hilo came around their house in his car every day to pick up Kehn and Tar when the three of them went around town together, junior Fingers fresh out of the Academy, hungry to win jade and earn their reputations. Every day, Wen walked out to the Duchesse to bid her brothers goodbye and to welcome them home. Hilo once laughed as he pulled up to see her standing in the rain. He said she was the kindest and most devoted sister he'd ever met, that his own sister would never do such a thing. Wen had to admit with some chagrin that she had been a lovesick teenage girl, but she hadn't simply pined uselessly. A small thing like a ruined bicycle could change fate, just as a stone-eye could tip the scales in a clan war. She searched now for the one thing she could say that would make Hilo turn towards her, the way he used to when he rolled down the window and leaned across the seat with a grin. But she was too weary. 'I have to go back out there,' Hilo said. Wen turned onto her side. She felt the pressure of him lift off the mattress, and when the next burst of light from the fireworks struck the room, it lit empty space.

If you give me the name of the contraceptive shot you had, I will source for more of them. I am keen that nothing interrupts our enjoyment of each other.” His tone indicated the understatement of the millennium. “It’s called Depo-Provera. It’s supposed to last three months or so, and Paul has a few more doses.” When he’d injected me, I’d said, “The idea of living another three months feels far-fetched right now.” He’d replied, “Better safe than sorry, huh?” Aric nodded. “I will be on the lookout for it.” Aric raised a brow at that. Then, seeming to make a decision, he eased me aside to get out of the bed. “I have something for you.” As he strode to our closet, I gawked at the sight of his flawless body. The return view was even more rewarding. He sat beside me and handed me a small jewelry box. “I want you to have this.” I opened the box, finding a gorgeous gold ring, engraved with runes that called to mind his tattoos. An oval of amber adorned the band. Beautiful. The warm color reminded me of his eyes whenever he was pleased. “My homeland was famous for amber—from pine.” He slipped the ring on my finger, and it fit perfectly. Holding my gaze, he said, “We are wed now.” First priest I find, I’m goan to marry you. Jack’s words. I recalled the love blazing from his gray gaze before I stifled the memory. “Aric, th-this is so beautiful. Thank you.” The symbol of his parents’ marriage had been derived from trees. Another waypoint.

I was a kid in Florida, in Sarasota, and the New York Giants trained in Sarasota. When teams would come, we’d stand outside the ballpark, and we would get the balls they hit over the fence during batting practice. We’d sell them to the tourists. And we made a stepladder so we could climb a pine tree out there. That way we could look into the ballpark. The Yanks were in town. I’m out there behind the fence, and I hear this sound. I’d never heard THAT sound off the bat before. Instead of me running to get the ball, I ran up the ladder to see who was hitting it. Well, it was a barrel-chested sucker, with skinny legs, with the best swing I’d ever seen. That was Babe Ruth hitting that ball. Yeah. I don’t hear that sound again until 1938, I’m with the Monarchs, we’re at Griffith Stadium in Washington D.C. We’re upstairs, changing clothes, and the Grays are taking batting practice. I’ve got nothing on but my jock. And I hear that sound. I ran down the runway, ran out on the field, and there’s a pretty black sucker with a big chest and about 34 in the waist, prettiest man I’d ever seen. That was Josh Gibson hitting that ball. And I don’t hear the sound again until I’m a scout with the Cubs. I’m scouting the Royals. When I opened the door to go downstairs, I heard that sound again. I rushed down on the field, and here’s another pretty black sucker hitting that ball. That was Bo Jackson. That’s three times I heard the sound. Three times. But I want to hear it a fourth. I go to the ballpark every day. I want to hear that sound again.

On the other hand, everyday language would soon prove inadequate for designating all the olfactory notions that he had accumulated within himself. Soon he was no longer smelling mere wood, but kinds of wood: maple-wood, oak-wood, pine-wood, elm-wood, pear-wood, old, young, rotting, mouldering, mossy wood, down to single logs, chips and splinters – and could clearly differentiate them as objects in a way that other people could not have done by sight. It was the same with other things. For instance, the white drink that Madame Gaillard served her wards each day, why should it be designated uniformly as milk, when to Grenouille’s senses it smelled and tasted completely different every morning depending on how warm it was, which cow it had come from, what that cow had been eating, how much cream had been left in it and so on … Or why should smoke possess only the name ‘smoke’, when from minute to minute, second to second, the amalgam of hundreds of odours mixed iridescently into ever new and changing unities as the smoke rose from the fire … or why should earth, landscape, air – each filled at every step and every breath with yet another odour and thus animated with another identity – still be designated by just those three coarse words. All these grotesque incongruities between the richness of the world perceivable by smell and the poverty of language were enough for the lad Grenouille to doubt that language made any sense at all; and he grew accustomed to using such words only when his contact with others made it absolutely necessary.

A young woman stepped in front of the dais and cleared her throat. She had reddish-brown hair that hung in loose waves down her back. Her figure was slender and regal, and Ian could have easily drowned in her emerald eyes. But what captured his attention the most was the way the lass carried herself—confident, yet seemingly unaware of her true beauty. She wore a black gown with hanging sleeves, and the embroidered petticoat under her skirts was lined in gray. With the added reticella lace collar and cuffs dyed with yellow starch, she looked as though she should have been at the English court rather than in the Scottish Highlands. “Pardon me, Ruairi. Ravenna wanted me to tell you that we’re taking little Mary to the beach. We won’t be long. We’ll be in the garden until the mounts are readied, if you need us.” When the woman’s eyes met Ian’s, something clicked in his mind. His face burned as he remembered. He shifted in the seat and pulled his tunic away from his chest. Why was the room suddenly hot? He felt like he was suffocating in the middle of the Sutherland great hall. God help him. This was the same young chit who had pined after him, following him around the castle and nipping at his heels like Angus, Ruairi’s black wolf. But like everything else that had transformed around here, so had she. She was no longer a girl but had become an enchantress—still young, but beautiful nevertheless. His musings were interrupted by a male voice. “Munro, ye do remember Lady Elizabeth, eh?” How could he forget the reason why he’d avoided Sutherland lands for the past three years?

You are God. You want to make a forest, something to hold the soil, lock up energy, and give off oxygen. Wouldn’t it be simpler just to rough in a slab of chemicals, a green acre of goo? You are a man, a retired railroad worker who makes replicas as a hobby. You decide to make a replica of one tree, the longleaf pine your great-grandfather planted- just a replica- it doesn’t have to work. How are you going to do it? How long do you think you might live, how good is your glue? For one thing, you are going to have to dig a hole and stick your replica trunk halfway to China if you want the thing to stand up. Because you will have to work fairly big; if your replica is too small, you’ll be unable to handle the slender, three-sided needles, affix them in clusters of three in fascicles, and attach those laden fascicles to flexible twigs. The twigs themselves must be covered by “many silvery-white, fringed, long-spreading scales.” Are your pine cones’ scales “thin, flat, rounded at the apex?” When you loose the lashed copper wire trussing the limbs to the trunk, the whole tree collapses like an umbrella. You are a sculptor. You climb a great ladder; you pour grease all over a growing longleaf pine. Next, you build a hollow cylinder around the entire pine…and pour wet plaster over and inside the pine. Now open the walls, split the plaster, saw down the tree, remove it, discard, and your intricate sculpture is ready: this is the shape of part of the air. You are a chloroplast moving in water heaved one hundred feet above ground. Hydrogen, carbon, oxygen, nitrogen in a ring around magnesium…you are evolution; you have only begun to make trees. You are god- are you tired? Finished?

Azriel and Cassian were there in an instant, their colored shields shrinking back into their Siphons. The three of them forces of nature in the pine forest, Rhysand didn’t even look at me as he ordered Cassian, “Take her to the palace, and stay there until I’m back. Az, you’re with me.” Cassian reached for me, but I stepped away. “No.” “What?” Rhys snarled, the word near-guttural. “Take me with you,” I said. I didn’t want to go to that moonstone palace to pace and wait and wring my fingers. Cassian and Azriel, wisely, kept their mouths shut. And Rhys, Mother bless him, only tucked in his wings and crossed his arms—waiting to hear my reasons. “I’ve seen ash arrows,” I said a bit breathlessly. “I might recognize where they were made. And if they came from the hand of another High Lord … I can detect that, too.” If they’d come from Tarquin … “And I can track just as well on the ground as any of you.” Except for Azriel, maybe. “So you and Cassian take the skies,” I said, still waiting for the rejection, the order to lock me up. “And I’ll hunt on the ground with Azriel.” The wrath radiating through the snowy clearing ebbed into frozen, too-calm rage. But Rhys said, “Cassian—I want aerial patrols on the sea borders, stationed in two-mile rings, all the way out toward Hybern. I want foot soldiers in the mountain passes along the southern border; make sure those warning fires are ready on every peak. We’re not going to rely on magic.” He turned to Azriel. “When you’re done, warn your spies that they might be compromised, and prepare to get them out. And put fresh ones in. We keep this contained. We don’t tell anyone inside that court what happened. If anyone mentions it, say it was a training exercise.

Few grown humans can normally survive a fall of much more than twenty-five or thirty feet, though there have been some notable exceptions—none more memorable perhaps than that of a British airman in World War II named Nicholas Alkemade. In the late winter of 1944, while on a bombing run over Germany, Flight Sergeant Alkemade, the tail gunner on a British Lancaster bomber, found himself in a literally tight spot when his plane was hit by enemy flak and quickly filled with smoke and flames. Tail gunners on Lancasters couldn’t wear parachutes because the space in which they operated was too confined, and by the time Alkemade managed to haul himself out of his turret and reach for his parachute, he found it was on fire and beyond salvation. He decided to leap from the plane anyway rather than perish horribly in flames, so he hauled open a hatch and tumbled out into the night. He was three miles above the ground and falling at 120 miles per hour. “It was very quiet,” Alkemade recalled years later, “the only sound being the drumming of aircraft engines in the distance, and no sensation of falling at all. I felt suspended in space.” Rather to his surprise, he found himself to be strangely composed and at peace. He was sorry to die, of course, but accepted it philosophically, as something that happened to airmen sometimes. The experience was so surreal and dreamy that Alkemade was never certain afterward whether he lost consciousness, but he was certainly jerked back to reality when he crashed through the branches of some lofty pine trees and landed with a resounding thud in a snowbank, in a sitting position. He had somehow lost both his boots, and had a sore knee and some minor abrasions, but otherwise was quite unharmed. Alkemade’s survival adventures did not quite end there. After the war, he took a job in a chemical plant in Loughborough, in the English Midlands. While he was working with chlorine gas, his gas mask came loose, and he was instantly exposed to dangerously high levels of the gas. He lay unconscious for fifteen minutes before co-workers noticed his unconscious form and dragged him to safety. Miraculously, he survived. Some time after that, he was adjusting a pipe when it ruptured and sprayed him from head to foot with sulfuric acid. He suffered extensive burns but again survived. Shortly after he returned to work from that setback, a nine-foot-long metal pole fell on him from a height and very nearly killed him, but once again he recovered. This time, however, he decided to tempt fate no longer. He took a safer job as a furniture salesman and lived out the rest of his life without incident. He died peacefully, in bed, aged sixty-four in 1987. —

The temple was in a field of graves suddenly a pitiful-looking skeleton appeared and said: A melancholy autumn wind Blows through the world; the pampas grass waves As we drift to the moor, Drift to the sea. What can be done With the mind of a man That should be clear But though he is dressed up in a monk's robe, Just lets life pass him by? Such deep musings Made me uneasy, I could not sleep. Towards dawn I dozed off... I found myself surrounded by a group of skeletons, acting as they had when they were still alive. One skeleton came over to me and said: Memories Flee and Are no more. All are empty dreams Devoid of meaning. Violate the reality of things And babble about 'God' and 'the Buddha' And you will never find the true Way. Still breathing, You feel animated, So a corpse in a field Seems to be something Apart from you. If chunks of rock Can serve as a memento To the dead A better headstone Would be a simple tea-mortar. Humans are indeed frightful things. A single moon Bright and clear In an unclouded sky; Yet we still stumble In the world's darkness. This world Is but A fleeting dream So why be alarmed At its evanescence? The vagaries of life, Though painful, Teach us Not to cling To this floating world. Why do people Lavish decoration On this set of bones, Destined to disappear Without a trace? The original body Must return to Its original place. Do not search For what cannot be found. No one really knows The nature of birth Nor the true dwelling place. We return to the source And turn to dust. Many paths lead from The foot of the mountain, But at the peak We all gaze at the Single bright moon. If at the end of our journey There is no final Resting place, Then we need not fear Losing our Way. No beginning. No end. Our mind Is born and dies; The emptiness of emptiness! Relax, And the mind Runs wild; Control the world And you can cast it aside. Rain, hail, snow, and ice: All are different But when they fall They become to same water As the valley stream. The ways of proclaiming The Mind all vary, But the same heavenly truth Can be seen In each and every one. Cover your path With fallen pine needles So no one will be able To locate your True dwelling place. How vain, The endless funderals at the Cremation grounds of Mount Toribe! Don't the mourner realize That they will be next? 'Life is fleeeting!' We think at the sight Of smoke drifting from Mount Toribe, But when will we realize That we are in the same boat? All is in vain! This morning, A healthy friend; This evening, A wisp of cremation smoke. What a pity! Evening smoke from Mount Toribe Blown violently To and fro By the wind. When burned We become ashes, and earth when buried. Is it only our sins That remain behind? All the sins Committed In the Three Worlds Will fade away Together with me.

Land and Sea The brilliant colors are the first thing that strike a visitor to the Greek Isles. From the stunning azure waters and blindingly white houses to the deep green-black of cypresses and the sky-blue domes of a thousand churches, saturated hues dominate the landscape. A strong, constant sun brings out all of nature’s colors with great intensity. Basking in sunshine, the Greek Isles enjoy a year-round temperate climate. Lemons grow to the size of grapefruits and grapes hang in heavy clusters from the vines of arbors that shade tables outside the tavernas. The silver leaves of olive trees shiver in the least sea breezes. The Greek Isles boast some of the most spectacular and diverse geography on Earth. From natural hot springs to arcs of soft-sand beaches and secret valleys, the scenery is characterized by dramatic beauty. Volcanic formations send craggy cliffsides plummeting to the sea, cause lone rock formations to emerge from blue waters, and carve beaches of black pebbles. In the Valley of the Butterflies on Rhodes, thousands of radiant winged creatures blanket the sky in summer. Crete’s Samaria Gorge is the longest in Europe, a magnificent natural wonder rife with local flora and fauna. Corfu bursts with lush greenery and wildflowers, nurtured by heavy rainfall and a sultry sun. The mountain ranges, gorges, and riverbeds on Andros recall the mainland more than the islands. Both golden beaches and rocky countrysides make Mykonos distinctive. Around Mount Olympus, in central Cyprus, timeless villages emerge from the morning mist of craggy peaks and scrub vegetation. On Evia and Ikaria, natural hot springs draw those seeking the therapeutic power of healing waters. Caves abound in the Greek Isles; there are some three thousand on Crete alone. The Minoans gathered to worship their gods in the shallow caves that pepper the remotest hilltops and mountain ranges. A cave near the town of Amnissos, a shrine to Eileithyia, goddess of childbirth, once revealed a treasure trove of small idols dedicated to her. Some caves were later transformed into monasteries. On the islands of Halki and Cyprus, wall paintings on the interiors of such natural monasteries survive from the Middle Ages. Above ground, trees and other flora abound on the islands in a stunning variety. ON Crete, a veritable forest of palm trees shades the beaches at Vai and Preveli, while the high, desolate plateaus of the interior gleam in the sunlight. Forest meets sea on the island of Poros, and on Thasos, many species of pine coexist. Cedars, cypress, oak, and chestnut trees blanket the mountainous interiors of Crete, Cyprus, and other large islands. Rhodes overflows with wildflowers during the summer months. Even a single island can be home to disparate natural wonders. Amorgos’ steep, rocky coastline gives way to tranquil bays. The scenery of Crete--the largest of the Greek Isles--ranges from majestic mountains and barren plateaus to expansive coves, fertile valleys, and wooded thickets.

The state of New Hampshire boasts a mere eighteen miles of Atlantic Ocean coastline. The Piscataqua River separates the state's southeastern corner from Maine and empties into the Atlantic. On the southwestern corner of this juncture of river and ocean is Portsmouth, New Hampshire. The smaller town of Kittery, Maine, is on the opposite side of the river. The port of Piscataqua is deep, and it never freezes in winter, making it an ideal location for maritime vocations such as fishing, sea trade, and shipbuilding. Four years before the founding of Jamestown, Virginia, in 1603, Martin Pring of England first discovered the natural virtues of Piscataqua harbor. While on a scouting voyage in the ship Speedwell, Pring sailed approximately ten miles up the unexplored Piscataqua, where he discovered “goodly groves and woods replenished with tall oakes, beeches, pine-trees, firre-trees, hasels, and maples.”1 Following Pring, Samuel de Champlain, Captain John Smith, and Sir Ferdinando Gorges each sailed along the Maine-New Hampshire coastline and remarked on its abundance of timber and fish. The first account of Piscataqua harbor was given by Smith, that intrepid explorer, author, and cofounder of the Jamestown settlement, who assigned the name “New-England” to the northeast coastline in 1614. In May or June of that year, he landed near the Piscataqua, which he later described as “a safe harbour, with a rocky shore.”2 In 1623, three years after the Pilgrim founding of Plymouth, an English fishing and trading company headed by David Thomson established a saltworks and fishing station in what is now Rye, New Hampshire, just west of the Piscataqua River. English fishermen soon flocked to the Maine and New Hampshire coastline, eventually venturing inland to dry their nets, salt, and fish. They were particularly drawn to the large cod population around the Piscataqua, as in winter the cod-spawning grounds shifted from the cold offshore banks to the warmer waters along the coast.

Their affair had been three of the most intense, reckless, terrifying, happy, alive months of his life. Like how he imagined being on heroin felt if the high never ended, if every syringe didn’t also contain the possibility of death. They’d been partners at the time, and there had been one week when they’d been on the road together in northern California. Every night, they rented two rooms. Every night, for five days, he stayed with her. They barely slept that week. Couldn’t keep their hands off each other. Couldn’t stop talking when they weren’t making love, and the daylight hours when they had to pretend to be professionals made it all the more beautifully excruciating. He had never felt such a complete lack of self-consciousness around anyone. Even Theresa. Unconditional acceptance. Not just of his body and mind, but also of something more, of something indefinably him. Ethan had never connected with anyone on this level. The most generous blessing and life-destroying curse all wrapped up in the same woman, and despite the pain of the guilt and the knowledge of how it would crush his wife, whom he still loved, the idea of turning away from Kate seemed like a betrayal of his soul. So she had done it for him. On a cold and rainy night in Capitol Hill. In a booth over glasses of Belgian beer in a loud dark bar called the Stumbling Monk. He was ready to leave Theresa. To throw everything away. He had asked Kate there to tell her that and instead she had reached across the scuffed wood of a table worn smooth by ten thousand pint glasses and broken his heart. Kate wasn’t married, had no children. She wasn’t ready to jump off the cliff with him when he had so much pulling him back from the ledge. Two weeks later, she was in Boise, pursuant to her own transfer request. One year later, she was missing in a town in Idaho in the middle of nowhere called Wayward Pines, with Ethan off to find her. Eighteen hundred years later, after almost everything they had known had turned to dust or eroded out of existence, here they stood, facing each other in a toy shop in the last town on earth. For a moment, staring into her face at close range blanked Ethan’s mind. Kate spoke first. “I was wondering if you’d ever drop in.” “I was wondering that myself.” “Congratulations.” “For?” She reached over the counter and tapped his shiny brass star. “Your promotion. Nice to see a familiar face running the show. How are you adjusting to the new job?” She was good. In this short exchange, it was obvious that Kate had mastered the superficial conversational flow that the best of Wayward Pines could achieve without straining. “It’s going well,” he said. “Good to have something steady and challenging, I bet.” Kate smiled, and Ethan couldn’t help hearing the subtext, wondered if everyone did. If it ever went silent. As opposed to running half naked through town while we all try to kill you. “The job’s a good fit,” he said. “That’s great. Really happy for you. So, to what do I owe the pleasure?” “I just wanted to pop in and say hi.” “Well, that was nice of you. How’s your son?” “Ben’s great,” Ethan said.

No place could ever be warmer than Three Pines.

What Three Pines had wasn’t immunity but a rare ability to heal.

Three square tiers of hazelnut cake filled with caramel mousse and sliced poached pears, sealed with vanilla buttercream scented with pear eau-de-vie. It's covered in a smooth expanse of ivory fondant decorated with what appear to be natural branches of pale green dogwood but are actually gum paste and chocolate, and with almost-haphazard sheer spheres of silvery blown sugar, as if a child came by with a bottle of bubbles and they landed on the cake. On the top, in lieu of the traditional bride and groom, is a bottle of Dexter's favorite Riesling in a bow tie and a small three-tier traditional wedding cake sporting a veil, both made out of marzipan. It took me the better part of the last three weeks to make this cake. Not to mention the loaves of banana bread, the cellophane bags of pine nut shortbread cookies, and the little silver boxes of champagne truffles in the gift bags. And the vanilla buttermilk panna cottas we're serving with balsamic-macerated berries as the pre-dessert before the cake. And the hand-wrapped caramels and shards of toffee and dark-chocolate-covered candied ginger slices that will be served with the coffee.

I should be that first kiss,” he said, his eyes open now, gaze locked on hers. “Three months from now, I want it to be me.

She met those pine-green eyes, and he opened his mouth again, but she made a small noise. “Before we say anything else …” She glanced at the door. “I need you to help me get to the bathing room. Or else I’m going to wet myself.” Rowan burst out laughing. She glared at him again as she sat up, the movement agonizing, exhausting. She was naked save for the clean undergarments someone had stuffed her into, but she supposed she was decent enough. He’d seen every part of her, anyway. Rowan was still chuckling as he helped her up, letting her lean against him as her legs—useless, wobbling like a newborn fawn—tried to work. It took her so long to go three steps that she didn’t object when he swept her up and carried her to the bathing room. She growled when he tried to set her on the toilet itself, and he left with his hands upraised, his eyes dancing as if to say Can you blame me for trying? You might very well fall into it instead.

himself, he hiked through the pines toward the rear deck of the Beer Goggles Bar and Grill. It seemed early to see Jerry Blackman’s old pickup in the parking lot on a Wednesday, but Wolf decided it was a good piece of luck. He walked to the rear door and knocked three times. The barred trashcans

spring and summer. Not this one. He continued a quarter mile through heavy scrub oak, pine, and aspen. At a bend to the left, a light shimmered in the tree branches. Buzz drove toward it, onto a gravel drive leading to a double-wide. Before he’d parked, a man pushed out the front door and descended three wooden stairs, crossing a dirt yard cluttered with unstacked firewood, scrap metal, and an empty clothesline. Buzz checked the name he’d jotted on his pocket notepad and got out. The air, smelling of pine, was heavy with the weight of impending snow. First of the season. His girls would be excited. The ground, starting