Nails Inspiration Quotes

Every man is more than just himself; he also represents the unique, the very special and always significant and remarkable point at which the world's phenomena intersect, only once in this way, and never again. That is why every man's story is important, eternal, sacred; that is why every man, as long as he lives and fulfills the will of nature, is wondrous, and worthy of consideration. In each individual the spirit has become flesh, in each man the creation suffers, within each one a redeemer is nailed to the cross.

I'm the biggest critic of my own work, but sometimes you nail a chapter so good that you have to take a step back and admire that bitch.

You are beautiful like demolition. Just the thought of you draws my knuckles white. I don’t need a god. I have you and your beautiful mouth, your hands holding onto me, the nails leaving unfelt wounds, your hot breath on my neck. The taste of your saliva. The darkness is ours. The nights belong to us. Everything we do is secret. Nothing we do will ever be understood; we will be feared and kept well away from. It will be the stuff of legend, endless discussion and limitless inspiration for the brave of heart. It’s you and me in this room, on this floor. Beyond life, beyond morality. We are gleaming animals painted in moonlit sweat glow. Our eyes turn to jewels and everything we do is an example of spontaneous perfection. I have been waiting all my life to be with you. My heart slams against my ribs when I think of the slaughtered nights I spent all over the world waiting to feel your touch. The time I annihilated while I waited like a man doing a life sentence. Now you’re here and everything we touch explodes, bursts into bloom or burns to ash. History atomizes and negates itself with our every shared breath. I need you like life needs life. I want you bad like a natural disaster. You are all I see. You are the only one I want to know.

By the time I was fourteen the nail in my wall would no longer support the weight of the rejection slips impaled upon it. I replaced the nail with a spike and went on writing.

Relegated as he was to a corner and as though sheltered behind the billiard table, the soldiers, their eyes fixed upon Enjolras, had not even noticed Grantaire, and the sergeant was preparing to repeat the order: 'Take aim!' when suddenly they heard a powerful voice cry out beside them, 'Vive la Republique! Count me in.' Grantaire was on his feet. The immense glare of the whole combat he had missed and in which he had not been, appeared in the flashing eyes of the transfigured drunkard. He repeated, 'Vive la Republique!' crossed the room firmly, and took his place in front of the muskets beside Enjolras. 'Two at one shot,' he said. And, turning toward Enjolras gently, he said to him, 'Will you permit it?' Enjolras shook his hand with a smile. The smile had not finished before the report was heard. Enjolras, pierced by eight bullets, remained backed up against the wall is if the bullets had nailed him there. Except that his head was tilted. Grantaire, struck down, collapsed at his feet.

Into the silence rips a sound that makes me let go of Max's hand and cover my ears. It is like the strafe of a bullet, nails on a chalkboard, promises being broken. It's a note I have never heard - this chord of pure pain - and it takes a moment to realize it is coming from me.

Only remember that cities, too, are like human beings. They are not made of stones and wood, solely. They are of flesh and bone. They bleed when they are hurt. Every unlawful construction is a nail hammered into the heart of the Instambul. Remember to pity a wounded city the way you pity a wounded person".

If you can't do what you long to do, go do something else. Go walk the dog, go pick up every bit of trash on the street outside your home, go walk the dog again, go bake a peach cobbler, go paint some pebbles with brightly colored nail polish and put them in a pile. You might think it's procrastiantion, but - with the right intention - it isn't; it's motion. And any motion whatsoever beats inertia, because inspiration will always be drawn to motion.

You’ll be looking to make a niche for yourself in whatever dim, echoing caverns of academia may still exist by your time. I situate you at your desk, your hair tucked back behind your ears, your nail polish chipped—for nail polish will have returned, it always does. You’re frowning slightly, a habit that will increase as you age. I hover behind you, peering over your shoulder: your muse, your unseen inspiration, urging you on. You’ll labour over this manuscript of mine, reading and rereading, picking nits as you go, developing the fascinated but also bored hatred biographers so often come to feel for their subjects.

If you can think of your lover in six senses, then I'd say you're nailed. They've got themselves wrapped around your heart. And your cock. (...) Six senses? (...) Sight, sound, taste, scent, touch, and the other, that thing you can't figure out that means everything. 

You cannot be certain of what you create.

You think it’s because they’re lying? Nonsense! I like it when people lie! Lying is man’s only privilege over all other organisms. If you lie--you get to the truth! Lying is what makes me a man. Not one truth has ever been reached without first lying fourteen times or so, maybe a hundred and fourteen, and that’s honorable in its way; well, but we can’t even lie with our own minds! Lie to me, but in your own way, and I’ll kiss you for it. Lying in one’s own way is almost better than telling the truth in someone else’s way; in the first case you’re a man, and in the second—no better than a bird! The truth won’t go away, but life can be nailed shut; there are examples. Well, so where are we all now? With regard to science, development, thought, invention, ideals, aspirations, liberalism, reason, experience, and everything, everything, everything, we’re all, without exception, still sitting in the first grade! We like getting by on other people’s reason--we’ve acquired a taste for it! Right? Am I right?

Ten Best Song to Strip 1. Any hip-swiveling R&B fuckjam. This category includes The Greatest Stripping Song of All Time: "Remix to Ignition" by R. Kelly. 2. "Purple Rain" by Prince, but you have to be really theatrical about it. Arch your back like Prince himself is daubing body glitter on your abdomen. Most effective in nearly empty, pathos-ridden juice bars. 3. "Honky Tonk Woman" by the Rolling Stones. Insta-attitude. Makes even the clumsiest troglodyte strut like Anita Pallenberg. (However, the Troggs will make you look like even more of a troglodyte, so avoid if possible.) 4. "Pour Some Sugar on Me" by Def Leppard. The Lep's shouted choruses and relentless programmed drums prove ideal for chicks who can really stomp. (Coincidence: I once saw a stripper who, like Rick Allen, had only one arm.) 5. "Amber" by 311. This fluid stoner anthem is a favorite of midnight tokers at strip joints everywhere. Mellow enough that even the most shitfaced dancer can make it through the song and back to her Graffix bong without breaking a sweat. Pass the Fritos Scoops, dude. 6. "Miserable" by Lit, but mostly because Pamela Anderson is in the video, and she's like Jesus for strippers (blonde, plastic, capable of parlaying a broken nail into a domestic battery charge, damaged liver). Alos, you can't go wrong stripping to a song that opens with the line "You make me come." 7. "Back Door Man" by The Doors. Almost too easy. The mere implication that you like it in the ass will thrill the average strip-club patron. Just get on all fours and crawl your way toward the down payment on that condo in Cozumel. (Unless, like most strippers, you'd rather blow your nest egg on tacky pimped-out SUVs and Coach purses.) 8. Back in Black" by AC/DC. Producer Mutt Lange wants you to strip. He does. He told me. 9. "I Touch Myself" by the Devinyls. Strip to this, and that guy at the tip rail with the bitch tits and the shop teacher glasses will actually believe that he alone has inspired you to masturbate. Take his money, then go masturbate and think about someone else. 10. "Hash Pipe" by Weezer. Sure, it smells of nerd. But River Cuomo is obsessed with Asian chicks and nose candy, and that's just the spirit you want to evoke in a strip club. I recommend busting out your most crunk pole tricks during this one.

Christ nailed all my guilt to the cross. Sometimes, though, I needed a reminder that the nails held.

I like cats. They don't care if you love Jesus.

I've been thinking a lot about the word "everything." Whenever something horrible happens, you hear people say they "lost everything." They lost their house or their car or their stuff or whatever, and to them it feels like everything. But they have no idea what it's like to lose everything. I thought I knew, but now I realize even I haven't lost everything, because I still have that polka-dot swimsuit in my memory. I still have those ice cream nights and the scorpion that scared Marin and the Barking Bulldogs sweatshirt and the robins-egg-blue nail polish. Somehow having those things makes the other things matter less. I'm wondering if it's even possible to lose "everything" or if you just have to keep redefining what "everything" is.

A stretch of time when I was rewarded with so many mystic moments, a chunk of red chalk, a chestnut, a rusted piece of scrap metal, a nail, a flat stone shaped like an ancient tablet. Although suggesting little of the magnificent work I had seen, these objects helped inspire my newfound contentedness. I placed them with the same care as a police detective into a clean plastic bag. Evidence of an awareness of the relative value of insignificant things.

Helen Keller, who lost both her sight and hearing in childhood but became a renowned activist and author, said that there is no such thing as a secure life. “It does not exist in nature … Life is either a daring adventure or nothing.” Risk, then, is not just part of life. It is life. The place between your comfort zone and your dream is where life takes place. It’s the high-anxiety zone, but it’s also where you discover who you are. Karl Wallenda, patriarch of the legendary high-wire-walking family, nailed it when he said: “Being on the tightrope is living; everything else is waiting.

Obviously, she doesn't subscribe to the "I can only eat salads in front of the opposite sex" rule of thumb a lot of chicks swear by. Who gave women that idea? Like a guy's going to say to his friend, "Dude, she was one fugly chick, but once I saw her chomping that romaine, I just had to nail her.

Hope doesn’t float. Hope is an anchor forged from the nails that pierced Him and the iron-will that held Him to the cross, made Him stay the course, and drove Him to live out His extreme devotion to His Father’s will. His back became the anvil on which God forged our redemption. Jesus is our only hope.

I picture you as a young woman, bright, ambitious. You’ll be looking to make a niche for yourself in whatever dim, echoing caverns of academia may still exist by your time. I situate you at your desk, your hair tucked back behind your ears, your nail polish chipped—for nail polish will have returned, it always does. You’re frowning slightly, a habit that will increase as you age. I hover behind you, peering over your shoulder: your muse, your unseen inspiration, urging you on.

Already the people murmur that I am your enemy because they say that in verse I give the world your me. They lie, Julia de Burgos. They lie, Julia de Burgos. Who rises in my verses is not your voice. It is my voice because you are the dressing and the essence is me; and the most profound abyss is spread between us. You are the cold doll of social lies, and me, the virile starburst of the human truth. You, honey of courtesan hypocrisies; not me; in all my poems I undress my heart. You are like your world, selfish; not me who gambles everything betting on what I am. You are only the ponderous lady very lady; not me; I am life, strength, woman. You belong to your husband, your master; not me; I belong to nobody, or all, because to all, to all I give myself in my clean feeling and in my thought. You curl your hair and paint yourself; not me; the wind curls my hair, the sun paints me. You are a housewife, resigned, submissive, tied to the prejudices of men; not me; unbridled, I am a runaway Rocinante snorting horizons of God's justice. You in yourself have no say; everyone governs you; your husband, your parents, your family, the priest, the dressmaker, the theatre, the dance hall, the auto, the fine furnishings, the feast, champagne, heaven and hell, and the social, "what will they say." Not in me, in me only my heart governs, only my thought; who governs in me is me. You, flower of aristocracy; and me, flower of the people. You in you have everything and you owe it to everyone, while me, my nothing I owe to nobody. You nailed to the static ancestral dividend, and me, a one in the numerical social divider, we are the duel to death who fatally approaches. When the multitudes run rioting leaving behind ashes of burned injustices, and with the torch of the seven virtues, the multitudes run after the seven sins, against you and against everything unjust and inhuman, I will be in their midst with the torch in my hand.

If you want to see the world don't be the fulcrum pin of the ferris wheel. Rather be a nail on one of the benches in one of the cars.

Coach Wooden nailed it: “Be more concerned with your character than your reputation, because your character is what you really are, while your reputation is merely what others think you are.

I picture you as a young woman, bright, ambitious. You’ll be looking to make a niche for yourself in whatever dim, echoing caverns of academia may still exist by your time. I situate you at your desk, your hair tucked back behind your ears, your nail polish chipped—for nail polish will have returned, it always does. You’re frowning slightly, a habit that will increase as you age. I hover behind you, peering over your shoulder: your muse, your unseen inspiration, urging you on. You’ll labour over this manuscript of mine, reading and rereading, picking nits as you go, developing the fascinated but also bored hatred biographers so often come to feel for their subjects. How can I have behaved so badly, so cruelly, so stupidly? you will ask. You yourself would never have done such things! But you yourself will never have had to.

There are two powers in this world which cannot be matched. Beauty and Youth. Buy the beauty and imprison the youth. Give the best models, actress, and girls from town and nail them. I do not care how much it costs.

When in absence of a hammer, I had hit a nail with a brick as a child, I didn't know there was a huge lesson hidden in the act. Today, I realize resources are all within and without, only we fail to link them together and think of alternate uses.

Wood is an endlessly adaptive material. You can plane, chisel, saw, carve, sand, and bend it, and when the pieces are the shape you want you can use dovetail joints, tenpenny nails, pegs or glue; you can use lamination or inlay or marquetry; and then you can beautify it with French polish or plain linseed oil or subtle stains. And when you go to dinner at a friend's house, the candlelight will pick out the contours of grain and line, and when you take your seat you will be reminded that what you are sitting on grew from the dirt, stretched towards the sun, weathered rain and wind, and sheltered animals; it was not extruded by faceless machines lined on a cold cement floor and fed from metal vats. Wood reminds us where we come from.

Usually our minds are full of things that we are afraid will defile the purity of our actions. We have this impression of our minds being like a river and we feel like it's too polluted, we beat ourselves up over the fear that the mind pollution is going to spill over into our actions. This specific type of fear causes self-consciousness and self-doubt. The root of all this is the unawareness that we are, in reality, living and acting through our hearts and not through our minds. It is not from the mind that our bodies move and not through the mind that our hands choose who to touch, whom to hold onto and what to catch in midair. None of it is the mind. It is all the heart. And the heart cannot ever become polluted, not for a second. The heart can be torn, it can bleed, it can stop sometimes and it can even die. But it can never, it will never ever become polluted. You are your heart: the way you move, the way you love, the way you reach out to touch someone. By the contents of the heart the hands choose which threads to weave and which nails to hammer or to yank asunder. You need not fear. You are pure.

And the stars! Could anyone who had never seen stars possibly imagine what infinity is, when, most likely, the very concept of infinity first appeared among humans inspired, once upon a time, by the nocturnal vault of the heavens? Millions of shining lights, silver nails driven into a dome of dark blue velvet . .

Be honest with yourself. You were at your lowest and broken down. You were unsure and lost hope. You were hiding your fears until you showed them on your sleeve. You felt like everything and everyone was the hammer and you were the nail as they were beating down on you, and it was never-ending. Their empty threats had you scared and you were always running because your weakness was exposed. You were their prey. You didn’t know who to believe because of their mixed signals. You might not see it now, but you are stronger than you can ever imagine. You cannot become comfortable in your pain. You have to let the pain that you feel turn you into a rose without thorns. There are sixteen pieces on the chessboard. The king is the most important piece, but the difference is that the queen is the most powerful piece! You are a queen, you can maneuver around your opponents; they do not have the power over your life, your mind or soul. You might think you’ve been a prisoner, but that is your past’. Look in the now and work your way to how you want your future to be. Exercise your thoughts into a pattern of letting go, and think positively about more of what you want than what you do not want. Queen! You are a queen! As a matter of fact, you are the queen! Act as if you know it! You are powerful, determined, strong, and you can make the biggest and most extravagant move and put it into action. Lights, camera, strike a pose and own it! It is yours to own! Yes, you loved and loved so much. You also lost as well, but you lost hurt, pain, agony, and confusion. You’ve lost interest in wanting to know answers to unanswered questions. You’ve lost the willingness to give a shit about what others think. You’ve surrendered to being fine, that you cannot change the things you have no control over. You’ve lost a lot, but you’ve gained closure. You are now balanced, centered, focused, and filled with peace surrounding you in your heart, mind, body, and soul. Your pride was hurt, but you would rather walk alone and be more willing to give and learn more about the queen you are. You lost yourself in the process, but the more you learn about the new you, the more you will be so much in love with yourself. The more you learn about the new you, the more you will know your worth. The more you learn about the new you, the happier you are going to be, and this time around you will be smiling inside and out! The dots are now connecting. You feel alive! You know now that all is not lost. Now that you’ve cut the cord it is time to give your heart a second chance at loving yourself. Silence your mind. Take a deep breath and close your eyes. As you open your eyes, look at your reflection in the mirror. Aren’t you beautiful, Queen? Embrace who you are. Smile, laugh, welcome the new you and say, “My world is just now beginning.

Do you know what kind of a world we live in? We live in a world where, if a man came up with a sure cure for cancer, and if that man were found to be married to his sister, his neighbors would righteously burn down his house and all his notes. If a man built the most beautiful tower in the country, and that man later begins to believe that Satan should be worshipped, they’ll blow up his tower. I know a great and moving book written by a woman who later went quite crazy and wrote crazy books, and nobody will read her great one any more. I can name three kinds of mental therapy that could have changed the face of the earth, and in each case the men who found it went on to insane Institutes and so-called religions and made fools of themselves—dangerous fools at that—and now no one will look at their really great early discoveries. Great politicians have been prevented from being great statesmen because they were divorced. And I wasn’t going to have the Mensch machine stolen or buried or laughed at and forgotten just because I had long hair and played the lute. You know, it’s easy to have long hair and play the lute and be kind to people when everyone else around you is doing it. It’s a much harder thing to be the one who does it first, because then you have to pay a price, you get jeered at and they throw stones and shut you out.

Doing it all the time, whether or not we are in the mood, gives us ownership of our writing ability. It takes it out of the realm of conjuring where we stand on the rock of isolation, begging the winds for inspiration, and it makes it something as do-able as picking up a hammer and pounding a nail. Writing may be an art, but it is certainly a craft. It is a simple and workable thing that can be as steady and reliable as a chore—does that ruin the romance?

Gmorning from the longest hair on your head to the tiniest nail on your pinky toe from your longest scar to your achiest joints & everything in between Everything you got is perfect and not because it’s perfect but because it’s yours It’s yours yours yours Let’s go Gnight from your carefully nursed, unrequited crushes from cracked knuckles & cheering for winning home teams from your rituals to your whims & everything in between Everything you got is perfect & not because it’s perfect but because it’s yours It’s yours yours yours Rest up

Gabe watched, holding his breath as the figure slowly turned. The body moved in an almost unnatural way as it shifted and crawled slowly on all fours across the floor. When the candlelight at last fell on the figure, Gabe could make out the auburn hair of his beloved Sophie. Her hair was matted, greasy, and hung in her face. Gabe saw her shoulders were hollow looking and her skin was almost glowing white. Gabe caught sight of Sophie’s fingers, her knuckles were bloody, and her nails cracked and peeling. Instinctively, Gabe fell to his knees and crawled to Sophie. Without even giving it a thought, he grabbed her hands and pulled them closer to the light.

I have become comfortably numb.’ and I do not feel anymore. My dreams feel like real reality, and day-to-day life feels like I am not even there. My body is just like an empty shale that I am stuck in now, that seems to be cracking. My mind is still sprinting around the room. What to say, what not to say, what to do, what not to do. Do I look okay, does this uniform look good today, my hair looks like crap? AHH! Is it time to go home yet! My internal voice does not shut up; it runs fragmented thoughts constantly. Yet my exterior voice does not stand up for me, yet all those words have to make sense. So why say anything at all. Sometimes I jump five feet in the air when the voices come over the intercoms, and it screeches in my ears like Miss. Manco’s nails on the blackboard. The message sounds like it has no rhythm or conclusion. Just more shit my brain has to process.

Our time together is drawing short, my reader. Possibly you will view these pages of mine as a fragile treasure box, to be opened with the utmost care. Possibly you will tear them apart, or burn them: that often happens to words. Perhaps you’ll be a student of history, in which case I hope you’ll make something useful of me: a warts-and-all portrait, a definitive account of my life and times, suitably footnoted; though if you don’t accuse me of bad faith I will be astonished. Or, in fact, not astonished: I will be dead, and the dead are hard to astonish. I picture you as a young woman, bright, ambitious. You’ll be looking to make a niche for yourself in whatever dim, echoing caverns of academia may still exist by your time. I situate you at your desk, your hair tucked back behind your ears, your nail polish chipped—for nail polish will have returned, it always does. You’re frowning slightly, a habit that will increase as you age. I hover behind you, peering over your shoulder: your muse, your unseen inspiration, urging you on. You’ll labour over this manuscript of mine, reading and rereading, picking nits as you go, developing the fascinated but also bored hatred biographers so often come to feel for their subjects. How can I have behaved so badly, so cruelly, so stupidly? you will ask. You yourself would never have done such things! But you yourself will never have had to.

Living a life without prayer is like building a house without nails. - Unknown

His Body Was Nailed. Never His Spirit. Even in Death His Spirit Lives. Bless The Lord.

Well, then either you wait for a week, or you chase him down. We’re past the days of having to get dolled up for men.” Gran rolls her sleeves up and flexes her shiny new nails. “Get dolled up for yourself and go after what you want.

Two principles inspire much of the personal and social dealings of many a citizen in our land: “What can I get out of it?” and “Can I get away with it?” Evil is confused with good, and good is confused with evil. Revolting books against virtue are termed “courageous”; those against morality are advertised as “daring and forward-looking”; and those against God are called “progressive and epoch-making.” It has always been the characteristic of a generation in decay to paint the gates of Hell with the gold of Paradise. In a word, much of the so-called wisdom of our day is made up of that which once nailed our blessed Lord to the Cross.

Whenever you have a goal in mind and each wind blow stops you, you only build more nails in your path.

And you know what? I found out that Joe Leonard wasn't the only one who had a scar because of me. I found out that the person's name I had been taking in vain all those years had scars because of me - and not just one. He was nailed to a cross through His hands and feet. He didn't just get hurt for me, He died for me. He did that to pay for my sins, and He did it because He loved me.

his nails clicking

Whenever life hits me, I may bend like a nail but never break.

Cameron states in her quote that writers can control their writing abilities when they are in a good mood. It becomes something we can do as conveniently as picking up a hammer and pounding a nail instead of standing on a rock of isolation and begging the wind for inspiration. (Julia)

DREAMING CAN LOOK LIKE WAITING if I return with mud under my nails and dandelion fuzz stuck in my hair know that I have been outside growing dreams in the dirt waiting for His whisper in the wind

Live like a comet. An unstoppable rock through space. Travel with so great a speed that there is no time or desire for explanation. Live. Live without brakes," she said. His heart raced. Andrei shifted his gear to second. This was his key. The spine of an upstanding life was character. If all else was rid of, that was all a human had. The decisions in one’s own identity was like the wardrobe of the spirit, as discussed by Mars and Andrei. If a human being was fearless, she told him, they would act on all the things they desired. They would speak all the thoughts they were afraid to say. This pulled them closer to the sublime and away from obvious lands. Their life would gain access to moments of intimacy that were never far— only camouflaged. There was no one Andrei knew who lived like that. Not one. The comet was the most optimal way of life. Nothing could stop the person who decided to nail their foot on the gas. No interaction, rejection, weather, or obstacle of any kind would arrest them for too long. Everyone else had delays and was set back by their excuses. “Tea?” she asked. “Please.

I’m not going to let her go, Charlie, even if I have to nail her to a desk.’ ‘An innovative solution to our staffing difficulties, ma’am, and, simultaneously, a warning to the rest of us.’ Hay’s hand drifted towards her paper knife. ‘I’m so sorry, ma’am – did I say warning? Obviously, I meant inspiration.

You are beautiful like demolition. Just the thought of you draws my knuckles white. I don’t need a god. I have you and your beautiful mouth, your hands holding onto me, the nails leaving unfelt wounds, your hot breath on my neck. The taste of your saliva. The darkness is ours. The nights belong to us. Everything we do is secret. Nothing we do will ever be understood; we will be feared and kept well away from. It will be the stuff of legend, endless discussion and limitless inspiration for the brave of heart. — Henry Rollins, Solipsist (2.13.61; Sixth Printing edition, August 10, 1998)

If narratives like these are easy to overlook—or worse yet, to distort—then that is because our accustomed ways of hearing scripture often stop our ears to what is actually on the page. The old tape starts playing and we just let it run. This is one of the reasons why I remain a devoted student of the Bible: because what it says is so often not what I have been taught it says, or what I think it says, or what I want it to say. Scripture has its own voice—sometimes more terrible than wonderful—but it has never failed to reward my close attention, either with a fresh hearing or with the loud slamming of a door that tells me to come back later. Why persist? Because in a world where empires rise and fall, where legendary places of worship become museums, and where operating systems of all kinds have shorter and shorter life spans, the Bible offers me ballast that little else can. I turn to it the same way chemists turn to the periodic table or Supreme Court judges turn to the Constitution. It is my baseline in matters of faith—something far older than I am, with a great deal more experience in what it means to be both human and divine. There are times when I read the Bible literally—as when Moses complains about what a royal pain in the ass it is to be a religious leader, or when Jesus nails an inquisitor on his or her own iniquity—but on the whole I read it literarily, as the consummate work of divinely inspired human memory and imagination that I believe it is.

The Cross is where the flesh goes to die. Its hands can no longer reach for what it desires because they have been nailed to the Cross.

Kilsandra the Assassin grew roses. That was all she could work with. She convinced them to grow deadly poisons and sleeping powders in their pollen, and to carry messages along their stems so that she could eavesdrop on her enemies. She nailed up a few people in rose thickets with thorns as long as your arm. There are a couple kingdoms where they still won’t grow roses with a hundred yards of the palace or the army barracks, just because of her, and she died eighty years ago.

Kilsandra the Assassin grew roses. That was all she could work with. She convinced them to grow deadly poisons and sleeping powders in their pollen, and to carry messages along their stems so that she could eavesdrop on her enemies. She nailed up a few people in rose thickets with thorns as long as your arm. There are a couple kingdoms where they still won’t grow roses with a hundred yards of the palace or the army barracks, just because of her, and she died eighty years ago.

Yes, of course," she said, the words rushing out. "You're defending your country." She opened her mouth again, then bit her lip. "Go on," he said. "Ask what you wanted to ask. I don't bite." "Well, I suppose I just wondered whether you had... whether you had actually ever killed anyone." He laughed. "You know, you do seem much younger than sixteen," he said. "But in answer to your question- yes, I have. More than one." He stopped. There was a new, dark look in his eyes when he continued. "You can't imagine what it's like. The Libyan heat sticking to you, day in, day out. Nothing but sand and rock for miles. Not a bit of green. All day, crawling in the dust, shooting and being shot at. Men dying around you. You realize, when you see a person die, that there's nothing special about humans. We're just flesh and blood and organs, no different to the pig that have us this bacon. "So, all day, dust, death, everywhere. I went to sleep each night with dust in my mouth and the smell of blood in my nose. Even here- I'm still finding dust on me. Under my nails, in my hair, caked into the soles of my shoes. And I can still smell the blood. All so that some English girl, sitting pretty in her father's manor house, can ask me if I ever killed anyone.

Preamble The Klassik Era was a cultural and musical revolution that swept through Kenya and East Africa in the early 2010s. It was a time of bold experimentation, fearless expression, and unapologetic individuality that challenged the norms of mainstream music and culture. For the first time, young people from the ghettos and slums of Nairobi, Mombasa, and Kisumu could see themselves represented and celebrated in the music and arts scene, and their voices and stories were given a platform like never before. The Klassik Era was characterized by a fusion of different musical genres and styles, from hip-hop and reggae to dancehall and afro-pop, to create a sound that was uniquely Kenyan and African. It was a time when young artists and producers like Blame It On Don (DON SANTO), Kingpheezle, Jilly Beatz, Tonnie Tosh, Kenny Rush, and many others came together under Klassik Nation, a record label that would change the face of Kenyan music forever. The Klassik Era was also marked by a sense of community and camaraderie, with young people from all walks of life coming together to support each other's art and creativity. It was a time when collaborations and features were the norm, and when artists and producers worked together to create something new and exciting. But the Klassik Era was not without its challenges and controversies. It was a time when the Kenyan music industry was dominated by a few powerful players who controlled the airwaves and the mainstream narrative, and who were resistant to change and innovation. It was a time when artists and producers had to fight tooth and nail to get their music played on the radio and to gain recognition and respect from their peers. Despite these challenges, the Klassik Era left an indelible mark on the Kenyan music industry and on the cultural landscape of Africa. It was a time of creativity, passion, and rebellion that inspired a generation of young people to dream big and to believe that anything was possible. This book is a tribute to that era and to the artists and producers who made it all possible.

You are beautiful like demolition. Just the thought of you draws my knuckles white. I don’t need a god. I have you and your beautiful mouth, your hands holding onto me, the nails leaving unfelt wounds, your hot breath on my neck. The taste of your saliva. The darkness is ours. The nights belong to us. Everything we do is secret. Nothing we do will ever be understood; we will be feared and kept well away from. It will be the stuff of legend, endless discussion and limitless inspiration for the brave of heart. It’s you and me in this room, on this floor. Beyond life, beyond morality. We are gleaming animals painted in moonlit sweat glow. Our eyes turn to jewels and everything we do is an example of spontaneous perfection. I have been waiting all my life to be with you. My heart slams against my ribs when I think of the slaughtered nights I spent all over the world waiting to feel your touch. The time I annihilated while I waited like a man doing a life sentence. Now you’re here and everything we touch explodes, bursts into bloom or burns to ash. History atomizes and negates itself with our every shared breath. I need you like life needs life. I want you bad like a natural disaster. You are all I see. You are the only one I want to know. Henry Rollins

Even though inspirational quotes can nail it in a sentence or two, sometimes one needs to live the lesson to understand it. Okay,

Will we ever learn and truly see, when we continue turning a blind eye to those in despair, that are in badly need...we help assist darkness put nails in the coffin of humanity.

She's always scorned his squeamishness, citing the replacement of his vagina with a dick. Joon thinks that's invasion of a far more nail-biting nature. She has no idea. It was fucking heaven. He'd do it again a million times over. And it's one hell of a long way from chopping open your head for the sake of more tech.

But there is only one thing you need to nail: Create value by either being useful, or by giving people a good time. Find this one thing you will leave people with, whatever it might be.

It’s a blessing and a curse, being in this place of comfortable marital security. On one hand, you’ve got someone who will come right out and tell you if you have broccoli in your teeth or if you neglected to apply enough deodorant, somebody who will lie to you and tell you that you don’t need a face-lift and that he can see the triceps muscles you’ve been working diligently to unearth, somebody who’s seen you naked on numerous occasions without laughing or cringing or running screaming into the next room. On the other hand, you also have evenings out that look like this: [Sitting at a stoplight on the way to dinner.] ME: What are you doing? JOE: I’m trying to [yank] pull out [tug] this three-inch [rip] nose hair. Where did it come from, anyway? Damn it, I can’t get it. Hey, your fingers are smaller, and you have nails. Can you grab it? ME: You want me to pull your nose hair out? JOE: Well, I can’t sit there at dinner with it just hanging out like this. You didn’t notice it before we left? ME: I was very busy trying to squeeze into these Spanx, thank you very much. I think I have manicure scissors in the glove box. [Finds scissors, hands them to Joe. The light turns green.] JOE: Hold the wheel while I do this. ME: I don’t think this is such a great idea. [Joe sticking scissors tips up his nose and snipping randomly; Jenna gripping steering wheel with white knuckles.] JOE: Shit, I can’t see it without my cheaters. You do it. ME: Honey, I would rather not stick scissors up your nose while you’re driving. I’ll do it when we get to the restaurant. And, of course, I did, because it turned out Joe forgot his reading glasses* (which always makes for a fun and romantic game of “Wait, Read Me the Entrée Specials Again” at restaurants) so he simply couldn’t. “You’re going to write about this,” Joe accused me as I stashed my manicure scissors back in the glove box. “Are you kidding me?” I asked, offended. “Of course I’m going to write about this! This shit is comedy gold right here.” Like I said, the man knows me inside and out.

Now Now is the time… Now is the time – Make a change Now is the time – All is strange Now is the time – Start life anew Now is the time – Cannot stew Heartbreak, loss, pain, and challenges pale Now is the time – Sharp as a nail Now is the time – Take a chance Now is the time – Sing and dance Now is the time – Make a change Now is the time – engage Now is the time…

I admire the way the Bible defies anybody who wants to nail it on a preferred meaning. There are so many ways to interpret the Bible as there are different opinions about what a certain passage or verse really means. So anybody can go there and read a meaning into (eigesis) whatever passage or verse he wants to suit his inclinations. Proof that the Bible is inspired? It caters for all sorts of people and views.

Darline Martins, the Fall River, MA-based dynamo. From teen motherhood to thriving entrepreneur, Darline's journey is inspiring. Owner of Vanity Lab Med Spa and The Nail Files, she's conquered real estate and now mentors through Asset Sisters.

Passionate Crucifix by Maisie Aletha Smikle I came for the lame I came for the maim I came for the dame I came for all bearing no shame I was loved I was hated I was envied I was despised and chastised I healed the sick I resurrected the dead I gave you my body But yet you wanted my soul My soul you cannot have It belongs to my Father in Heaven The pain I bore I need no more You hit me...You beat me You arrested me without a charge You drove nails in my body And hang me tall for all to see Oh the cruelty you have done to me I bled from your lashes you inflicted I gave you water when you thirst But you gave me vinegar for my thirst Oh how my soul doth burst From the thorns you have stuck in my flesh My body ached from your infliction You have no affection I said Father let thy will be done I said angels do not come I ordered the order of all things I allowed you to crucify me You are ruthless mean and unkind I'd rather be with my Father in heaven A thousand angels I will not call Instead I will leave my ghost with you I do not want to be in the flesh among you Take my holy ghost if you please Leave it if you please The choice is yours to please I could have called a thousand angels But I would rather live with my heavenly Father I will see you in Heaven If my Father let you in I will not remain with you in the flesh anymore You are unkind ruthless and mean You hammered nails in my flesh like wood And cared not about the pain I withstood

A mountebank will appear to eat a sword; another will vomit coals or pebbles; one will drink wine and send it out again at his forehead; another will cut off his companion's head, and put it on again. You will think you see a chicken dragging a beam. The mountebank will swallow fire and vomit it forth, he will draw blood from fruit, he will send from his mouth strings of iron nails, he will put a sword on his stomach and press it strongly, and instead of running into him, it will bend back to the hilt; another will run a sword through his body without wounding himself; you will sometimes see a child without a head, then a head without a child, and all of them alive. That appears very wonderful; nevertheless, if it were known how all those things are done, people would only laugh, and be surprised that they could wonder at and admire such things.

People might think that there's no way to be loving about a murder, no wat to make it poetic, but James knew better than to think like that. Love was brutal. Violence was a lot like love. They walked hand in hand, two sides of the same coin, of the same coin— the same person. It was impulsive, reckless and a joined act. You couldn't be violent alone. Someone had to inspire it, feed it, nurture it. Not one without the other. Maybe it was a fucked up way to look at things, but it was what he knew to be true. A kiss could hurt as much as a punch. As a kick in the chest. As a knife to your side. He knew no love without teeth, without pointed nails. He had the scars on his heart to prove it.

Imagine that as soon as you stop, or give up, they begin to prepare your coffin, hammer, and nails, and measure the size. As soon as you run, they stop for a break and they leave the coffin alone. If you stop, or accidentally stumble, the coffin is ready for you, my friend

In the summer of 1961, Segal taught an adult painting class in New Brunswick. The class was encouraged to make use of odd and unlikely materials in assemblages, and one woman brought to class a box of surgeon's bandages. Segal took some home, with the intention of wrapping them around one of his chicken wire framworks. Then a thought occurred to him: why not dip the cloth bandages in plaster, and apply them directly to the body? Segal sat on a chair and instructed his wife to cover him in soaked bandages. The new technique led to a few anxious moments when the plaster began to harden, heat up, and contract, and the artist lost a good portion of his body hair in the course of frantically removing the casts. With great difficulty, he was able to reassemble the pieces into a complete figure which he then placed on a chair. Next Segal provided an environment for his plaster effigy. The chair was moved up to a table, to which was nailed an old window frame. The result, entitled Man Sitting at a Table, marked the discovery of a new sculptural technique and a turning point in the artist's career. Segal has never looked back.

This book was inspired by these words.” “The young man was a blacksmith in the village, a magnificent white charger horse was brought to him, and he was ordered to put iron shoes onto the horse's hooves. After doing this he took the horse for a ride in the open field, and thereby a Brook he met a fair maiden. He fell madly in love with her instantly, he claimed that he was a decorated knight, but she could see he was poor, and was a blacksmith. His black working hands betrayed him, but she never mentioned this to the young man. After talking, for about fifteen minutes, in perfect harmony and calm, their meeting was broken up when two ladies that were approached the maiden.” “The maiden took out her handkerchief and gave it to him, he took it without taking his eyes off of her. The maiden dashed off running towards the two women, assuring them that she was alright. That evening a guard came from the castle, took the white charger with the new horseshoes and left. The dashing young man got to work instantly. Making himself a beautiful sword like no other. He then made himself a silver shining armour, beautiful as any knight.” “The young man made wooden replicas of men in battle, and he would practice for hours, finding new ways of defeating the enemy. All of this because of a chance meeting in a field, and the handkerchief he kept pressed against his chest. The danger was looming and there was talk of an invasion, from another country. To preserve the dignity and the honour of the village and the castle that employed all the villagers. “ “The king asked for volunteers for the impending battle. The blacksmith went to the castle as one of the volunteers. He showed up on an old brown horse, that would not be able to stand the first charge in battle. Proudly he was dressed in his silver knight's armour, holding his handmade sword. One of the guards came and took away his horse, the young man looked on sadly as others around the courtyard mocked him. Another guard approached him with the white charger that he nailed the shoes to his hooves; “this will be your steed, the guard said and he helped him onto the horse. There was silence around the forecourt, he turned and rode with the knights out to meet the enemy.” “After five hours of battle, they had secured a brave victory. The young man performed above and beyond the call of duty. He was chosen to be knighted. As he entered the great hall in the castle, there were people on both sides of the hall as he walked up to the spot where he was to be knighted. Waiting patiently, to perform the ceremony of knighthood, was none other than the king himself, and next to him, his young daughter, a princess he met by chance in a field, after the ceremony of knighthood, the princess stepped forward and said, thank you for bringing my horse back to me, a young woman who overlooked his poverty, have him her white horse, and encouraged him with giving him her handkerchief, by speaking to him in a field with kindness, her father the king was rewarded with a knight of chivalry and virtue. All because of accidental meeting and events, that encouraged someone ready in life, to step forth, and take control of his dreams, as impossible, as they seemed at the time.

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knowing that I wanted to be a piano player, and knowing that practicing, of course, was just something piano players did, I turned my daily practice into a habit. Now, habits get a bad rap; we tend to think of things like biting our nails or smoking when we talk about them. But really, a habit is defined as “a settled or regular tendency or practice, especially one that is hard to give up.” Tooth brushing is a habit (for most of us). So is showing up to work on time. Those are some good habits. Habits can be good; say it with me. Once you’ve trained your brain to view practicing as a habit, the next step is finding the motivation to adopt that habit. The key to motivation, I’ve learned, is coupling your profound inspiration to a strong belief in yourself, and that’s not something even the best teacher is able to instill. It has to come from within. Building a strong core identity to drive your motivation requires first believing that you’ll eventually master the skill you’ve set out to learn—no matter how farfetched that might initially seem to yourself and others. Having the correct image of yourself is really key here; you have to think of yourself as the thing you want to be long before other people think of you as that. You may only have taken one trumpet lesson and sound horrible, but you still must think of yourself as a trumpet player in order for the habit to stick. You are whatever you do repeatedly. Practicing became such a constant in my day—and in such a natural, unforced way—that I hardly had to think about it. It had become, in other words, a habit.

The plot was discovered, however, before it ever came to fruition. The planters hanged twenty-three slaves, decapitated them, and nailed their heads to posts. They flogged thirty-one additional slaves and sent them to hard labor at Spanish outposts in Mexico, Florida, Puerto Rico, and Cuba. By the time of the Pointe Coupée uprising, the revolutionary fervor of the age had reached the River Road, inspiring the slaves to Jacobinism

The plot was discovered, however, before it ever came to fruition. The planters hanged twenty-three slaves, decapitated them, and nailed their heads to posts. They flogged thirty-one additional slaves and sent them to hard labor at Spanish outposts in Mexico, Florida, Puerto Rico, and Cuba. By the time of the Pointe Coupée uprising, the revolutionary fervor of the age had reached the River Road, inspiring the slaves to Jacobinism and an assertion of their rights to freedom.

Passionate Crucifix by Maisie Aletha Smikle I came for the lame I came for the maim I came for the dame I came for all bearing no shame I was loved I was hated I was envied I was despised and chastised I healed the sick I resurrected the dead I gave you my body But yet you wanted my soul My soul you cannot have It belongs to my Father in Heaven The pain I bore I need no more You hit me You beat me You drove nails in my body And hang me tall for all to see Oh the cruelty you have done to me I bled from your lashes you inflicted I gave you water when you thirst But you gave me vinegar for my thirst Oh how my soul doth burst From the thorns you have stuck in my flesh My body ached from your infliction You have no affection I said Father let thy will be done I said angels do not come I ordered the order of all things I allowed you to crucify me You are ruthless mean and unkind I'd rather be with my Father in heaven A thousand angels I will not call Instead I will leave my ghost with you I do not want to be in the flesh among you Take my holy ghost if you please Leave it if you please The choice is yours to please I could have called a thousand angels But I would rather live with my heavenly Father I will see you in Heaven If my Father let you in I will not remain with you in the flesh anymore You are unkind ruthless and mean You hammered nails in my flesh like wood And cared not about the pain I withstood

was on his third medical leave. “We’ve been working on this product for a while and I didn’t want to miss it,” he told the cheering crowd. Jobs closed the presentation with this observation: It’s technology married with liberal arts, married with the humanities, that yields us the result that makes our heart sing. In one sentence Steve Jobs captured the essence of what made him an inspiring storyteller. As it turns out Sculley had nailed it, too, when he said that Jobs was passionate about making a difference. Passion is everything and Jobs had plenty of it.

People are allowed to be screwed up. That's the most efficient realisation I have ever had. That people are allowed to be screwed up, to fall, and to hardly even make it at all. You're allowed that. Redemption is a part of life. You can be a train wreck today and a few months from now be an absolute winner in life. The problem is when you don't allow life to redeem yourself and others. It's a problem when you're severe and fatalistic. Let the river flow whichever way it may go! Let others die and come back to life again! Don't be hammering nails into coffins. Don't hammer nails into your own coffin, either.

Self-confidence is a very useful tool, but cockiness is like the hammer meant for the nail but destined for the thumb.

You can’t fill an empty bottle with it, you can’t wrap it up or put a bow on it, and you certainly can’t measure it. It has no weight, yet it can be as heavy as a mountain. It’s invisible, yet it can be as plain as the nose on your face. You won’t see it coming, yet it can hit you like a ton of bricks. It can knock you out. It can tickle you and make you laugh. It can move you to madness, and it can launch a thousand ships. It provokes you to do the craziest things. It can calm you, agitate you, motivate you, hurt you, and inspire you. No one knows where it comes from, why it is, or where it is going. You can’t force it, and you can’t ignore it. You can fight it tooth and nail, but odds are that it will be victorious. Sometimes it’s logical, and sometimes it makes no sense at all. I think we all experience it at one time or another. Some of us are much more susceptible to it than others. It makes us yearn, envy, hope, scheme, pity, and hate. Wise men and women will cherish it, and fools will take it for granted. Me? I don’t know if I’m a wise man or a fool—sometimes I’m one, and sometimes I’m the other. Sometimes I wish I’d never heard of it, and sometimes I believe I can’t live without it. Love,

4. Who cares if you can nail your performance once. I want you to be able to do it over and over, as you would on set when they move from the master shot to the medium shot to the close up and then do the same thing again in the turnaround. That would be impressive to me.  

Every year Tex, who loved inspirational sayings, would recite to the team his favorite proverb about the importance of learning the details: For want of a nail the shoe was lost. For want of a shoe the horse was lost. For want of a horse the rider was lost. For want of a rider the message was lost. For want of a message the battle was lost. For want of a battle the kingdom was lost. And all for the want of a horseshoe nail.

They should also write every day. They shouldn’t wait for inspiration. Carpenters don’t need inspiration to make a table. It’s their profession. If they waited for inspiration to hammer in a nail or sand a plank of wood, they’d never make anything.

If you understand what the phrase, "I'd rather be a hammer than a nail" means, and concur, then you are one out of a multitude and I congratulate you in the fullest sense of the sentiment.