Thousand Splendid Suns Mariam Quotes

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Learn this now and learn it well. Like a compass facing north, a man’s accusing finger always finds a woman. Always. You remember that, Mariam.
Khaled Hosseini (A Thousand Splendid Suns)
And the past held only this wisdom: that love was a damaging mistake, and its accomplice, hope, a treacherous illusion. And whenever those twin poisonous flowers began to sprout in the parched land of that field, Mariam uprooted them. She uprooted them and ditched them before they took hold.
Khaled Hosseini (A Thousand Splendid Suns)
Though there were moments of beauty, Mariam knew for the most part that life had been unkind to her.
Khaled Hosseini (A Thousand Splendid Suns)
Mariam lay on the couch, hands tucked between her knees, watched the whirlpool of snow twisting and spinning outside the window. She remembered Nana saying once that each snowflake was a sigh heaved by an aggrieved woman somewhere in the world. That all the sighs drifted up the sky, gathered into clouds, then broke into tiny pieces that fell silently on the people below. As a reminder of how people like us suffer, she'd said. How quietly we endure all that falls upon us.
Khaled Hosseini (A Thousand Splendid Suns)
Look at me, Mariam.' Reluctantly, Mariam did. Nana said, 'Learn this now and learn it well, my daughter: Like a compass needle that points north, a man's accusing finger always finds a woman. Always. You remember that, Mariam.
Khaled Hosseini (A Thousand Splendid Suns)
She wished she could visit Mariam's grave, to sit with her awhile, leave a flower or two. But she sees now that it doesn't matter. Mariam is never very far.... Mariam is in her own heart, where she shines with the bursting radiance of a thousand suns.
Khaled Hosseini (A Thousand Splendid Suns)
Laila watches Mariam glue strands of yarn onto her doll's head. In a few years, this little girl will be a woman who will make small demands on life, who will never burden others, who will never let on that she too had sorrows, disappointments, dreams that have been ridiculed. A woman who will be like a rock in a riverbed, enduring without complaint, her grace not sullied but shaped by the turbulence that washes over her. Already Laila sees something behind this young girl's eyes, something deep in her core, that neither Rasheed nor the Taliban will be able to break. something as hard and unyielding as a block of limestone. Something that, in the end, will be her undoing and Laila's salvation. The little girl looks up. Puts the doll down. Smiles.
Khaled Hosseini (A Thousand Splendid Suns)
Mariam always held her breath as she watched him go. She held her breath and, in her head, counted seconds. She pretended that for each second that she didn't breathe God would grant her another day with Jalil.
Khaled Hosseini (A Thousand Splendid Suns)
Though there had been moments of beauty in it, Mariam knew that life for most part has been unkind to her. But as she walked the final twenty paces, she could not help but wish for more of it.
Khaled Hosseini (A Thousand Splendid Suns)
I’ll die if you go. The Jinn will come, and I’ll have one of my fits. You’ll see, I’ll swallow my tongue and die. Don’t leave me, Mariam jo. Please stay. I’ll die if you go.
Khaled Hosseini (A Thousand Splendid Suns)
I’m all you have in this world Mariam, and when I’m gone you’ll have nothing. You ARE nothing!
Khaled Hosseini (A Thousand Splendid Suns)
But Mariam hardly noticed, hardly cared...the future did not matter. And the past held only this wisdom: that Love was a damaging mistake and its accomplice, Hope, a treacherous illusion.
Khaled Hosseini (A Thousand Splendid Suns)
But Laila has decided that she will not be crippled by resentment. Mariam wouldn’t want it that way. ‘What’s the sense?’ she would say with a smile both innocent and wise. ‘What good is it, Laila jo?’ And so Laila has resigned herself to moving on. For her own sake, for Tariq’s, for her children’s. And for Mariam, who still visits Laila in her dreams, who is never more than a breath or two below her consciousness. Laila has moved on. Because in the end she knows that’s all she can do. That and hope.
Khaled Hosseini (A Thousand Splendid Suns)
Though there had been moments of beauty in it Mariam knew that life for most part had been unkind to her. But as she walked the final twenty paces, she could not help but wish for more of it. She wished she could see Laila again, wished to hear the clangor of her laugh, to sit with her once more for a pot of chai and leftover halwa under a starlit sky. She mourned that she would never see Aziza grow up, would not see the beautiful young woman that she would one day become, would not get to paint her hands with henna and toss noqul candy at her wedding. She would never play with Aziza's children. She would have liked that very much , to be old and play with Aziza's children. Mariam wished for so much in those final moments. Yet as she closed her eyes, it was not regret any longer but a sensation of abundant peace that washed over her. She thought of her entry into this world, the harami child of a lowly villager, an unintended thing, a pitiable, regrettable accident. A weed. And yet she was leaving the world as a woman who had loved and been loved back. She was leaving it as a friend, a companion, a guardian. A mother. A person of consequence at last. No. It was not so bad , Mariam thought, that she should die this way. Not so bad. This was a legitimate end to a life of illegitimate beginnings.
Khaled Hosseini (A Thousand Splendid Suns)
Mariam saw now the sacrifices a mother made. Decency was but one. 
Khaled Hosseini (A Thousand Splendid Suns)
At times, he didn't understand the meaning of the Koran's words. But he said he liked the enhancing sounds the Arabic words made as they rolled off his tongue. He said they comforted him, eased his heart. "They'll comfort you to . Mariam jo," he said. "You can summon then in your time of your need, and they won't fail you. God's words will never betray you, my girl.
Khaled Hosseini (A Thousand Splendid Suns)
...Mariam is in Laila's own heart, where she shines with the bursting radiance of a thousand suns.
Khaled Hosseini (A Thousand Splendid Suns)
Mariam knew that life for the most part had been unkind to her. But as she walked the final twenty paces, she could not help but wish for more of it.
Khaled Hosseini (A Thousand Splendid Suns)
... I have dreams of you too, Mariam jo. I miss you. I miss the sound of your voice, your laughter. I miss reading to you, and all those times we fished together. Do you remember all those times we fished together? You were a good daughter, Mariam jo, and I cannot ever think of you without feeling shame and regret. Regret… When it comes to you, Mariam jo, I have oceans of it. I regret that I did not see you the day you came to Herat. I regret that I did not open the door and take you in. I regret that I did not make you a daughter to me, that I let you live in that place for all those years. And for what? Fear of losing face? Of staining my so-called good name? How little those things matter to me now after all the loss, all the terrible things I have seen in this cursed war. But now, of course, it is too late. Perhaps that is just punishment for those who have been heartless, to understand only when nothing can be undone. Now all I can do is say that you were a good daughter, Mariam jo, and that I never deserved you. Now all I can do is ask for your forgiveness. So forgive me, Mariam jo. Forgive me, forgive me. Forgive me...
Khaled Hosseini (A Thousand Splendid Suns)
When Aziza first spotted Mariam in the morning, her eyes always sprang open, and she began mewling and squirming in her mother's grip. She thrust her arms toward Mariam, demanding to be held, her tiny hands opening and closing urgently, on her face a look of both adoration and quivering anxiety... "Why have you pinned your little heart to an old, ugly hag like me?" Mariam would murmur into Aziza's hair... "What have I got to give you?" But Aziza only muttered contentedly and dug her face in deeper. And when she did that, Mariam swooned. Her eyes watered. Her heart took flight. And she marveled at how, after all these years of rattling loose, she had found in this little creature the first true connection in her life of false, failed connections.
Khaled Hosseini (A Thousand Splendid Suns)
She understood then what Nana meant, that a harami was an unwanted thing; that she, Mariam, was an illegitimate person who would never have legitimate claim to the things other people had, things such as love, family, home, acceptance.
Khaled Hosseini (A Thousand Splendid Suns)
That summer, Titanic fever gripped Kabul. People smuggled pirated copies of the film from Pakistan- sometimes in their underwear. After curfew, everyone locked their doors, turned out the lights, turned down the volume, and reaped tears for Jack and Rose and the passengers of the doomed ship. If there was electrical power, Mariam, Laila, and the children watched it too. A dozen times or more, they unearthed the TV from behind the tool-shed, late at night, with the lights out and quilts pinned over the windows. At the Kabul River, vendors moved into the parched riverbed. Soon, from the river's sunbaked hollows, it was possible to buy Titanic carpets, and Titanic cloth, from bolts arranged in wheelbarrows. There was Titanic deodorant, Titanic toothpaste, Titanic perfume, Titanic pakora, even Titanic burqas. A particularly persistent beggar began calling himself "Titanic Beggar." "Titanic City" was born. It's the song, they said. No, the sea. The luxury. The ship. It's the sex, they whispered. Leo, said Aziza sheepishly. It's all about Leo. "Everybody wants Jack," Laila said to Mariam. "That's what it is. Everybody wants Jack to rescue them from disaster. But there is no Jack. Jack is not coming back. Jack is dead.
Khaled Hosseini (A Thousand Splendid Suns)
Laila imagines she sees little Mariam there in the hut as a woman who will be like a rock in a riverbed, enduring without complaint, her grace not sullied but SHAPED by by the turbulence that washes over her.
Khaled Hosseini (A Thousand Splendid Suns)
For an hour or two every Thursday, when Jalil came to see her, all smiles and gifts and endearments, Mariam felt deserving of all the beauty and bounty that life had to give. And, for this, Mariam loved Jalil.
Khaled Hosseini (A Thousand Splendid Suns)
Mariam wished for so much in those final moments. Yet as she closed her eyes, it was not regret any longer but a sensation of abundant peace that washed over her. She thought of her entry into this world, the harami child of a lowly villager, an unintended thing, a pitiable, regrettable accident. A weed. And yet she was leaving the world as a woman who had loved and been loved back. She was leaving it as a friend, a companion, a guardian. A mother. A person of consequence at last. No. It was not so bad, Mariam thought, that she should die this way. Not so bad. This was a legitimate end to a life of illegitimate belongings
Khaled Hosseini (A Thousand Splendid Suns)
And yet she was leaving the world as a woman who had loved and been loved back. She was leaving it as a friend, a companion, a guardian. A mother. A person of consequence at last. No. It was not so bad, Mariam thought, that she would die this way. Now so bad. This was a legitimate end to a life of legitimate beginnings.
Khaled Hosseini (A Thousand Splendid Suns)
Mariam saw now the sacrifices a mother made. Decency was but one...Mariam wished she's been a better daughter to Nana. She wished she's understood then what she understood now about motherhood.
Khaled Hosseini (A Thousand Splendid Suns)
Like a compass needle that points north, a man’s accusing finger always finds a woman. Always. You remember that, Mariam.
Khaled Hosseini (A Thousand Splendid Suns)
There, the future did not matter. And the past held only this wisdom: that love was a damaging mistake, and its accomplice, hope, a treacherous illusion. And whenever those twin poisonous flowers began to sprout in the parched land of that field, Mariam uprooted them. She uprooted them and ditched them before they took hold.
Khaled Hosseini (A Thousand Splendid Suns)
Mariam wished for so much in those final moments. Yet as she closed her eyes, it was not regret any longer but a sensation of abundant peace that washed over her. She thought of her entry into this world, the harami child of a lowly villager, an unintended thing, a pitiable, regrettable accident. A weed. And yet she was leaving the world as a woman who had loved and been loved back. She was leaving it as a friend, a companion, a guardian. A mother. A person of consequence at last. No. It was not so bad, Mariam thought, that she should die this way. Not so bad. This was a legitimate end to a life of illegitimate beginnings. Mariam's final thoughts were a few words from the Koran, which she muttered under her breath. He has created the heavens and the earth with the truth; He makes the night cover the day and makes the day overtake the night, and He has made the sun and the moon subservient; each one runs on to an assigned term; now surely He is the Mighty, the Great Forgiver. "Kneel," the Talib said. O my Lord! Forgive and have mercy, for you are the best of the merciful ones. "Kneel here, hamshira. And look down." One last time, Mariam did as she was told.
Khaled Hosseini (A Thousand Splendid Suns)
Mariam longed to place a ruler on a page and draw important-looking lines
Khaled Hosseini (A Thousand Splendid Suns)
Nana said, “Learn this now and learn it well, my daughter: Like a compass needle that points north, a man’s accusing finger always finds a woman. Always. You remember that, Mariam.
Khaled Hosseini (A Thousand Splendid Suns (Bloomsbury Publishing))
Mariam wondered how so many women could suffer the same miserable luck, to have married, all of them, such dreadful men.
Khaled Hosseini (A Thousand Splendid Suns (Bloomsbury Publishing))
Titanic city" was born. It's the song, they said. No, the sea, the luxury, the ship. It's the sex, they whispered. Leo, said Aziza sheepishly. It's all about Leo. "Everybody wants Jack," Laila said to Mariam. That's what it is. Everybody wants Jack to rescue them from disaster.
Khaled Hosseini (A Thousand Splendid Suns)
that love was a damaging mistake, and its accomplice, hope, a treacherous illusion. And whenever those twin poisonous flowers began to sprout in the parched land of that field, Mariam uprooted them. She uprooted them and ditched them before they took hold.
Khaled Hosseini (A Thousand Splendid Suns (Bloomsbury Publishing))
Mariam saw now the sacrifices a mother made. Decency was but one. She thought ruefully of Nana, of the sacrifices that she too had made. Nana, who could have given her away, or tossed her in a ditch somewhere and run. But she hadn't. Instead, Nana had endured the shame of bearing a harami, had shaped her life around the thankless task of raising Mariam and, in her own way, of loving her. And, in the end, Mariam had chosen Jalil over her. As she fought her way with impudent resolve to the front of the melee, Mariam wished she had been a better daughter to Nana. She wished she'd understood then what she understood now about motherhood.
Khaled Hosseini (A Thousand Splendid Suns)
She wished she could visit Mariam's grave, to sit with her awhile, leave a flower or two. But Laila sees now that it doesn't matter. Mariam is never very far. She is here, in these walls they've repainted, in the trees they've planted, in the blankets that keep the children warm, in these pillows and books and pencils.
Khaled Hosseini (A Thousand Splendid Suns)
It was the way Nana uttered the word - not so much saying it as spitting it at her - that made Mariam feel the full sting of it.
Khaled Hosseini (A Thousand Splendid Suns)
One last time, Mariam did as she was told.
Khaled Hosseini (A Thousand Splendid Suns)
She waited until he had left the kolba, before snickering and saying, "'The children of strangers get ice cream. What do you get, Mariam? Stories of ice cream'" (Hosseini 6).
Khaled Hosseini (A Thousand Splendid Suns)
‎Laila was shocked at how easily she'd come unhinged, but, the truth was, part of her had liked it, had liked how it felt to scream at Mariam, to curse her, to have a target at which to focus all her simmering anger, her grief.
Khaled Hosseini (A Thousand Splendid Suns)
What was it about a season's first snowfall, Mariam wondered, that was so entrancing? Was it the chance to see something as yet unsoiled, untrodden? To catch the fleeting grace of a new season, a lovely beginning, before it was trampled and corrupted?
Khaled Hosseini (A Thousand Splendid Suns)
She said this in a pragmatic, almost indifferent, tone, and Mariam understood that this was a woman far past outrage. Here was a woman, she thought, who had understood that she was lucky to even be working, that there was always something, something else, that they could take away.
Khaled Hosseini (A Thousand Splendid Suns)
Though there had been moments of beauty in it Mariam knew that life for most part had been unkind to her. But as she walked the final twenty paces,she could not help but wish for more of it. She wished she could see Laila again , wished to hear the clangor of her laugh,... Mariam wished for so much in those final moments. Yet as she closed her eyes , it was not regret any longer but a sensation of abundant peace that wshed over her. She thought of her entry into this world , the harami child of a lowly villager , an unintended thing , a pitiable , regrettable accident. A weed , And yet she was leaving the wolrd as a woman who had loved and been loved back. She was leaving it as a friend , a companion , a guardian. A mother. A person of consequence at last. No. It was no so bad , Mariam thought , that she should die this way. Not so bad. This was a legitimate end to a life of illegitimate beginnings.
Khaled Hosseini (A Thousand Splendid Suns)
Mariam kept her eyes to the ground, on her shadow, on her executioner's shadow trailing her. Though there had been moments of beauty in it, Mariam knew that life for the most part had been unkind to her. But as she walked the final twenty paces, she could not help but wish for more of it. She wished she could she Leila again, wished to hear the clangour of her laugh, ... Mariam wished for so much in those final moments. Yet as she closed her eyes, it was not regret any longer but a sensation of abundant peace that washed over her. She thought of her entry into this world, the harami child of a lowly villager, an unintended thing, a pitiable, regrettable accident. A weed. And yet she was leaving the world as a woman who has loved and been loved back. She was leaving it as a friend, a companion, a guardian. A mother. A person of consequence at last. This was a legitimate end to a life of illegitimate beginnings." --A Thousand Splendid Suns
Khaled Hosseini
Seasons had come and gone; presidents in Kabul had been inaugurated and murdered; an empire had been defeated; old wars had ended and new ones had broken out. But Mariam had hardly noticed, hardly cared. She had passed these years in a distant corner of her mind. A dry, barren field, out beyond wish and lament, beyond dream and disillusionment. There, the future did not matter. And the past held only this wisdom: that love was a damaging mistake, and its accomplice, hope, a treacherous illusion. And whenever those twin poisonous flowers began to sprout in the parched land of that field, Mariam uprooted them. She uprooted them and ditched them before they took hold. But somehow, over these last months, Laila and Aziza - a harami like herself, as it turned out - had become extensions of her, and now, without them, the life Mariam had tolerated for so long suddenly seemed intolerable. We're leaving this spring, Aziza and I. Come with us, Mariam.
Khaled Hosseini (A Thousand Splendid Suns)
In the mirror, Mariam had her first glimpse of Rasheed: the big, square, ruddy face; the crooked nose; the flushed cheeks that gave the impression of sly cheerfulness; the watery, bloodshot eyes; the crowded teeth, the front two pushed together like a gables roof; the impossible low hairline, barely two fingers widths above the bushy eyebrows; the wall of thick, coarse, salt-and-pepper hair. Their gazes met briefly in the glass and slid away. This is the face of my husband, Mariam thought.
Khaled Hosseini (A Thousand Splendid Suns)
When Aziza first spotted Mariam in the morning, her eyes always sprang open, and she began mewling and squirming in her mother's grip. She thrust her arms toward Mariam, demanding to be held, her tiny hands opening and closing urgently, on her face a look of both adoration and quivering anxiety. "What a scene you're making," Laila would say, releasing her to crawl toward Mariam. "What a scene! Calm down. Khala Mariam isn't going anywhere. There she is, your aunt. See? Go on, now." As soon as she was in Mariam's arms, Aziza's thumb shot into her mouth and she buried her face in Mariam's neck. Mariam bounced her stiffly, a half-bewildered, half-grateful smile on her lips. Mariam had never before been wanted like this. Love had never been declared to her so guilelessly, so unreservedly. Aziza made Mariam want to weep. "Why have you pinned your little heart to an old, ugly hag like me?" Mariam would murmur into Aziza's hair. "Huh? I am nobody, don't you see? A dehati. What have I got to give you?" But Aziza only muttered contentedly and dug her face in deeper. And when she did that, Mariam swooned. Her eyes watered. Her heart took flight. And she marvelled at how, after all these years of rattling loose, she had found in this little creature the first true connection in her life of false, failed connections.
Khaled Hosseini (A Thousand Splendid Suns)
When they first came back to Kabul, it distressed Laila that she didn’t know where the Taliban had buried Mariam. She wished she could visit Mariam’s grave, to sit with her awhile, leave a flower or two. But Laila sees now that it doesn’t matter. Mariam is never very far. She is here, in these walls they’ve repainted, in the trees they’ve planted, in the blankets that keep the children warm, in these pillows and books and pencils. She is in the children’s laughter. She is in the verses Aziza recites and in the prayers she mutters when she bows westward. But, mostly, Mariam is in Laila’s own heart, where she shines with the bursting radiance of a thousand suns.
Khaled Hosseini (A Thousand Splendid Suns)
I don't know if you have children of your own, Mariamjo, but if you do I pray that God look after them and spare you the grief that I have known. I still dream of them. I still dream of my dead children. I have dreams of you too, Mariam jo. Imiss you. I miss the sound of your voice, your laughter. I miss reading to you, and all those times we fished together. Do you remember all those times we fished together? You were a good daughter, Mariam jo, and I cannot ever think of you without feeling shame and regret. Regret… When it comes to you, Mariamjo, I have oceans of it. I regret that I did not see you the day you came to Herat. I regret that I did not open the door and take you in. I regret that I did not make you a daughter to me, that l let you live in that place for all those years. And for what? Fear of losing face? Of staining my so called good name? How little those things matter to me now after all the loss, all the terrible things I have seen in this cursed war. But now, of course, it is too late. Perhaps this is just punishment for those who have been heartless, to understand only when nothing can be undone. Now all I can do is say that you were a good daughter, Mariamjo, and that I never deserved you. Now all I can do is ask for your forgiveness. So forgive me, Mariamjo. Forgive me. Forgive me. Forgive me.
Khaled Hosseini (A Thousand Splendid Suns)
Though there had been moments of beauty in it, Mariam knew that life for the most part had been unkind to her. But as she walked the final twenty paces, she could not help but wish for more of it. She wished she could see Laila again, wished to hear the clamour of her laugh, to sit with her once more for a pot of chai and left over halwa under a starlit sky. She mourned that she would never see Aziza grow up, would not see the beautiful young woman that she would one day become, would not get to paint her hands with henna and toss noqul candy at her wedding. She would never play with Aziza's children. She would have liked that very much, to be old and play with Aziza's children. Near the goalpost, the man behind her asked her to stop. Mariam did. Through the crisscrossing grid of the burqa, she saw his shadow arms lift his shadow Kalashnikov. Mariam wished for so much in those final moments. Yet as she closed her eyes, it was not regret any longer but a sensation of abundant peace that washed over her. She thought of her entry into this world, the harami child of a lowly villager, an unintended thing, a pitiable, regrettable accident. A weed. And yet she was leaving the world as a woman who had loved and been loved back. She was leaving it as a friend, a companion, a guardian. A mother. A person of consequence at last. No. It was not so bad, Mariam thought, that she should die this way. Not so bad. This was a legitimate end to a life of illegitimate beginnings. Mariam's final thoughts were a few words from the Koran, which she muttered under her breath. He has created the heavens and the earth with the truth; He makes the night cover the day and makes the day overtake the night, and He has made the sun and the moon subservient; each one runs on to an assigned term; now surely He is the Mighty, the Great Forgiver. "Kneel," the Talib said O my Lord! Forgive and have mercy, for you are the best of the merciful ones. "Kneel here, hamshira and look down." One last time, Mariam did as she was told.
Khaled Hosseini (A Thousand Splendid Suns)
— Aprenda isso de uma vez por todas, filha: assim como uma bússola precisa apontar para o norte, assim também o dedo acusador de um homem sempre uma mulher à sua frente. Sempre. Nunca se esqueça disso, Mariam.
Khaled Hosseini (A Thousand Splendid Suns)
There were times when, like a word on the tip of her tongue, Mariam's face eluded her. But now, in this place, it's easy to summon Mariam behind the lids of her eyes.
Khaled Hosseini (A Thousand Splendid Suns)
As soon as she was in Mariam's arm, Aziza's thumb shot into her mouth and she buried her face in Mariam's neck. Mariam bounced her stiffly, a half-bewildered, half-grateful smile on her lips. Mariam had never before been wanted like this. Love had never been declared to her so guilelessly, so unreservedly.
Khaled Hosseini (A Thousand Splendid Suns)
And so Mariam raised the shovel high, raised it as high as she could, arching it so it touched the small of her back. She turned it so the sharp edge was vertical, and, as she did, it occurred to her that this was the first time she was deciding the course of her own life. And, with that, Mariam brought down the shovel. This time, she gave it everything she had.
Khaled Hosseini (A Thousand Splendid Suns)
Mariam's final thoughts were a few words from the Koran, which she muttered under her breath. He has created the heavens and the earth with the truth; He makes the night cover the day and makes the day overtake the night, and He has made the sun and the moon subservient; each one runs on to an assigned term; now surely He is the Mighty, the Great Forgiver. "Kneel," the Talib said. O my Lord! Forgive and have mercy, for you are the best of the merciful ones. "Kneel here, hamshira. And look down." One last time, Mariam did as she was told.
Khaled Hosseini (A Thousand Splendid Suns)
Good-bye, Mariam.” And, with that, unaware that she is weeping,
Khaled Hosseini (A Thousand Splendid Suns)
Mariam SEPTEMBER 1997
Khaled Hosseini (A Thousand Splendid Suns)
But somehow, over these last months, Laila and Aziza—a harami like herself, as it turned out—had become extensions of her, and now, without them, the life Mariam had tolerated for so long suddenly seemed intolerable.
Khaled Hosseini (A Thousand Splendid Suns)
But Mariam’s grief wasn’t aimless or unspecific. Mariam grieved for this baby, this particular child, who had made her so happy for a while. Some days,
Khaled Hosseini (A Thousand Splendid Suns)
Mariam leżała na sofie, z dłońmi wciśniętymi między kolana, i patrzyła na wirujące za oknem płatki śniegu. Przypomniała sobie Nanę, która powiedziała kiedyś, że każdy płatek śniegu jest westchnieniem pokrzywdzonej gdzieś w świecie kobiety. Że wszystkie westchnienia wznoszą się ku niebu, łączą w chmury, a potem rozpadają na małe fragmenciki, które w ciszy spadają na ludzi w dole. "Aby przypomnieć, jak bardzo cierpią takie kobiety jak my - powiedziała. - Jak spokojnie znosimy wszystko, co na nas spada".
Khaled Hosseini (A Thousand Splendid Suns)
In Pakistan, it was difficult sometimes to remember the details of Mariam’s face. There were times when, like a word on the tip of her tongue, Mariam’s face eluded her. But now, here in this place, it’s easy to summon Mariam behind the lids of her eyes: the soft radiance of her gaze, the long chin, the coarsened skin of her neck, the tight-lipped smile. Here, Laila can lay her cheek on the softness of Mariam’s lap again, can feel Mariam swaying back and forth, reciting verses from the Koran, can feel the words vibrating down Mariam’s body, to her knees, and into her own ears.
Khaled Hosseini (A Thousand Splendid Suns)
Laila watches Mariam glue strands of yarn onto her doll’s head. In a few years, this little girl will be a woman who will make small demands on life, who will never burden others, who will never let on that she too has had sorrows, disappointments, dreams that have been ridiculed. A woman who will be like a rock in a riverbed, enduring without complaint, her grace not sullied but shaped by the turbulence that washes over her. Already Laila sees something behind this young girl’s eyes, something deep in her core, that neither Rasheed nor the Taliban will be able to break. Something as hard and unyielding as a block of limestone. Something that, in the end, will be her undoing and Laila’s salvation.
Khaled Hosseini (A Thousand Splendid Suns)
Your father has known so much sorrow since we last spoke, Mariam jo. Your stepmother Afsoon was killed on the first day of the 1979 uprising. A stray bullet killed your sister Niloufar that same day. I can still see her, my little Niloufar, doing headstands to impress guests. Your brother Farhad joined the jihad in 1980. The Soviets killed him in 1982, just outside of Helmand. I never got to see his body. I don’t know if you have children of your own, Mariam jo, but if you do I pray that God look after them and spare you the grief that I have known. I still dream of them. I still dream of my dead children.
Khaled Hosseini (A Thousand Splendid Suns)
have dreams of you too, Mariam jo. I miss you. I miss the sound of your voice, your laughter. I miss reading to you, and all those times we fished together. Do you remember all those times we fished together? You were a good daughter,
Khaled Hosseini (A Thousand Splendid Suns)
regret that I did not make you a daughter to me, that I let you live in that place for all those years. And for what? Fear of losing face? Of staining my so-called good name? How little those things matter to me now after all the loss, all the terrible things I have seen in this cursed war. But now, of course, it is too late. Perhaps this is just punishment for those who have been heartless, to understand only when nothing can be undone. Now all I can do is say that you were a good daughter, Mariam jo, and that I never deserved you. Now all I can do is ask for your forgiveness. So forgive me, Mariam jo. Forgive me. Forgive me. Forgive me.
Khaled Hosseini (A Thousand Splendid Suns)
prayers, Laila knows, are Aziza’s way of clinging to Mariam,
Khaled Hosseini (A Thousand Splendid Suns)
But, mostly, Mariam is in Laila's own heart, where she shines with the bursting radiance of a thousand suns.
Khaled Hosseini (A Thousand Splendid Suns)
A man’s heart is a wretched, wretched thing, Mariam.
Khaled Hosseini (A Thousand Splendid Suns)
Like a compass facing north, a man's accusing finger always finds a woman. Always. You remember that, Mariam.
Khaled Hosseini (A Thousand Splendid Suns)
Then what can I do? God, in His wisdom, has given us each weaknesses, and foremost among my many is that I am powerless to refuse you, Mariam jo,
Khaled Hosseini (A Thousand Splendid Suns)
It’s our lot in life, Mariam. Women like us. We endure. It’s all we have.
Khaled Hosseini (A Thousand Splendid Suns)
But Mariam did not believe that Jalil would drop her. She believed that she would always land safely into her father’s clean, well-manicured hands.
Khaled Hosseini (A Thousand Splendid Suns)
But I’ve seen nine-year-old girls given to men twenty years older than your suitor, Mariam.
Khaled Hosseini (A Thousand Splendid Suns)
Jalil never called Mariam this name. Jalil said she was his little flower.
Khaled Hosseini (A Thousand Splendid Suns)
It did not occur to young Mariam to ponder the unfairness of apologizing for the manner of her own birth.
Khaled Hosseini (A Thousand Splendid Suns)
Mariam could not bring herself to allow it. “I used to worship you,” she said. Jalil stopped in midsentence.
Khaled Hosseini (A Thousand Splendid Suns)
had liked how it felt to scream at Mariam, to curse at her, to have a target at which to focus all her simmering anger, her grief.
Khaled Hosseini (A Thousand Splendid Suns (Bloomsbury Publishing))
He asked my father to safeguard it for Mariam until she came to claim it.
Khaled Hosseini (A Thousand Splendid Suns (Bloomsbury Publishing))
You were a good daughter, Mariam jo, and I cannot ever think of you without feeling shame and regret. Regret . . . When it comes to you, Mariam jo, I have oceans of it.
Khaled Hosseini (A Thousand Splendid Suns (Bloomsbury Publishing))
you were a good daughter, Mariam jo, and that I never deserved you. Now all I can do is ask for your forgiveness. So forgive me,
Khaled Hosseini (A Thousand Splendid Suns (Bloomsbury Publishing))
Laila has decided that she will not be crippled by resentment. Mariam wouldn’t want it that way. What’s the sense?
Khaled Hosseini (A Thousand Splendid Suns (Bloomsbury Publishing))
Laila sees now that it doesn’t matter. Mariam is never very far. She is here,
Khaled Hosseini (A Thousand Splendid Suns (Bloomsbury Publishing))
But, mostly, Mariam is in Laila’s own heart, where she shines with the bursting radiance of a thousand suns.
Khaled Hosseini (A Thousand Splendid Suns (Bloomsbury Publishing))
But after four years of marriage, Marian saw clearly how much a woman could tolerate when she was afraid. And Mariam was afraid.
Khaled Hosseini (A Thousand Splendid Suns)
in this fleeting, wordless exchange with Mariam, Laila knew that they were not enemies any longer.
Khaled Hosseini (A Thousand Splendid Suns (Bloomsbury Publishing))
Mariam had never before been wanted like this. Love had never been declared to her so guilelessly, so unreservedly
Khaled Hosseini (A Thousand Splendid Suns (Bloomsbury Publishing))
Laila and Aziza—a harami like herself, as it turned out—had become extensions of her, and now, without them, the life Mariam had tolerated for so long suddenly seemed intolerable.
Khaled Hosseini (A Thousand Splendid Suns (Bloomsbury Publishing))
Mariam knew that she and Laila had become one and the same being to him, equally wretched, equally deserving of his distrust, his disdain and disregard.
Khaled Hosseini (A Thousand Splendid Suns (Bloomsbury Publishing))
He’s been dead for almost twenty years,” Laila said to Mariam. “Isn’t dying once enough?
Khaled Hosseini (A Thousand Splendid Suns (Bloomsbury Publishing))
Mariam saw now the sacrifices a mother made.
Khaled Hosseini (A Thousand Splendid Suns (Bloomsbury Publishing))
Mariam understood that this was a woman far past outrage.
Khaled Hosseini (A Thousand Splendid Suns (Bloomsbury Publishing))
I married a pari, and now I’m saddled with a hag. You’re turning into Mariam.
Khaled Hosseini (A Thousand Splendid Suns (Bloomsbury Publishing))
how their gazes had slid across the glass and met, his indifferent, hers docile, conceding, almost apologetic. Apologetic. Mariam saw now in those same eyes what a fool she had been.
Khaled Hosseini (A Thousand Splendid Suns (Bloomsbury Publishing))
all Laila could do was surrender and sob like a child overwhelmed by an adult’s unassailable logic. All she could do was roll herself up and bury her face one last time in the welcoming warmth of Mariam’s lap.
Khaled Hosseini (A Thousand Splendid Suns (Bloomsbury Publishing))
Mariam gained some notoriety among them, became a kind of celebrity
Khaled Hosseini (A Thousand Splendid Suns (Bloomsbury Publishing))
But she did not look up to see whether they were shaking with disapproval or charity, with reproach or pity. Mariam blinded herself to them all.
Khaled Hosseini (A Thousand Splendid Suns (Bloomsbury Publishing))
Though there had been moments of beauty in it, Mariam knew that life for the most part had been unkind to her.
Khaled Hosseini (A Thousand Splendid Suns (Bloomsbury Publishing))
Though there had been moments of beauty in it, Mariam knew that life for the most part had been unkind to her. But as she walked the final twenty paces, she could not help but wish for more of it.
Khaled Hosseini (A Thousand Splendid Suns (Bloomsbury Publishing))
Mariam set about cleaning up the mess, marveling at how energetically lazy men could be.
Khaled Hosseini (A Thousand Splendid Suns (Bloomsbury Publishing))