Thousand Boy Kisses Quotes

We've searched our database for all the quotes and captions related to Thousand Boy Kisses. Here they are! All 100 of them:

Live hard, love harder. Chase dreams, seek adventures … capture moments. Live beautifully.
Tillie Cole (A Thousand Boy Kisses (NEW BONUS CONTENT))
kiss 1000 with Poppymin. When she returned home. My heart completely burst.
Tillie Cole (A Thousand Boy Kisses (A Thousand Boy Kisses, #1))
Why be miserable when you can be happy? It’s an obvious choice to me.
Tillie Cole (A Thousand Boy Kisses (NEW BONUS CONTENT))
When you’re near, my heart doesn’t sigh, it soars,
Tillie Cole (A Thousand Boy Kisses (NEW BONUS CONTENT))
You have the power to tear me to pieces, to wound me so deep and true that I'll never recover. What Rissa's death did to the boy I was? You have the ability to do a thousand times worse to the man I've become.
Nalini Singh (Kiss of Snow (Psy-Changeling, #10))
Why does it take a life ending to learn how to cherish each day? Why must we wait until we run out of time to start to accomplish all that we dreamed, when once we had all the time in the world? Why don’t we look at the person we love the most like it’s the last time we will ever see them? Because if we did, life would be so vibrant. Life would be so truly and completely lived.
Tillie Cole (A Thousand Boy Kisses (NEW BONUS CONTENT))
This isn’t the end. It’s just a little pause in our lives. And I’ll be watching over you, every single day. I’ll be in your heart. I’ll be in the blossom grove that we love so much, in the sun and the wind.
Tillie Cole (A Thousand Boy Kisses (NEW BONUS CONTENT))
because sometimes all we get are moments. There are no do-overs; whatever happens in a moment defines life—perhaps it is life.
Tillie Cole (A Thousand Boy Kisses (NEW BONUS CONTENT))
He kissed me until there was no part of me that didn’t know who it belonged to. He kissed me until my heart again fused with his—two halves of one whole.
Tillie Cole (A Thousand Boy Kisses (NEW BONUS CONTENT))
I think hearts beat a rhythm like a song. I think, that just like music, we’re drawn to a particular melody. I heard your heart’s song, and yours heard mine.
Tillie Cole (A Thousand Boy Kisses (A Thousand Boy Kisses, #1))
Maybe we’re like the cherry blossom, Rune. Like shooting stars. Maybe we loved too much too young and burned so bright that we had to fade out.” She pointed behind us, to the blossom grove. “Extreme beauty, quick death. We had this love long enough to teach us a lesson. To show us how capable of love we truly are.
Tillie Cole (A Thousand Boy Kisses (A Thousand Boy Kisses, #1))
Kiss eight hundred and nineteen was the kiss that changed it all. The kiss that proved that a long-haired brooding boy from Norway and a quirky girl from the Deep South could find a love to rival the greats.
Tillie Cole (A Thousand Boy Kisses (NEW BONUS CONTENT))
I didn’t need grand gestures or fairy tales; a normal life with the boy I loved would have always been enough.
Tillie Cole (A Thousand Boy Kisses (NEW BONUS CONTENT))
He explains, the times where there is only a single set of footprints were not when He walked beside them, but instead, when He carried them.
Tillie Cole (A Thousand Boy Kisses (NEW BONUS CONTENT))
For believers in true, epic, soul-shattering love. This one’s for you.  
Tillie Cole (A Thousand Boy Kisses (NEW BONUS CONTENT))
When you know that something is finite, it makes it that much more meaningful.
Tillie Cole (A Thousand Boy Kisses (A Thousand Boy Kisses, #1))
four hundred and thirty-four, with my Rune at the beach … when his love came home.
Tillie Cole (A Thousand Boy Kisses (NEW BONUS CONTENT))
She told me that the best and prettiest things never stay around for long. She said that a cherry blossom was too beautiful to last all year. It was more special because its life was short.
Tillie Cole (A Thousand Boy Kisses (A Thousand Boy Kisses, #1))
Because I love her. I love her more than I could ever explain. My single set of footprints in the sand.
Tillie Cole (A Thousand Boy Kisses (NEW BONUS CONTENT))
So please, light your lanterns and help my kisses reach my girl.” I
Tillie Cole (A Thousand Boy Kisses (NEW BONUS CONTENT))
I had no idea how to live a day without her next to me. How to breathe without her by my side.
Tillie Cole (A Thousand Boy Kisses (NEW BONUS CONTENT))
I have come to understand that death, for the sick, is not so hard to endure. For us, eventually, our pain ends, we go to a better place. But for those left behind, their pain only magnifies.” Poppy
Tillie Cole (A Thousand Boy Kisses (NEW BONUS CONTENT))
It’s like music,” she explained. “When I look at you, when you touch me, when I see your face … when we kiss, my heart plays a song. It sings that it needs you like I need air. It sings to me that I adore you. It sings that I’ve found its perfect missing part.
Tillie Cole (A Thousand Boy Kisses (NEW BONUS CONTENT))
love was simply the tenacity to make sure that the other half of your heart knew he, or she, was adored in every way.
Tillie Cole (A Thousand Boy Kisses (NEW BONUS CONTENT))
When I kissed Sam, I was so scared of erasing Matt. But now I know that I could never erase him. He'll always be a part of me - just in a different way. Like Sam, making smoothies on the beach two thousand miles away. Like Frankie, my voodoo magic butterfly finding her way back home in the dark. Like the stars, fading with the halo of the vanishing moon. Like the ocean, falling and whispering against the shore. Nothing ever really goes away - it just changes into something else. Something beautiful.
Sarah Ockler (Twenty Boy Summer)
We all have people who carry us through the worst of times, the saddest of times, the times that seem impossible to break free from. In
Tillie Cole (A Thousand Boy Kisses (NEW BONUS CONTENT))
I don’t think, in all my life, that I’ve ever seen two kids love each other so hard so young, and even harder as teens.
Tillie Cole (A Thousand Boy Kisses (NEW BONUS CONTENT))
A new adventure, Rune. To collect a thousand boy-kisses before I die, from my soulmate.
Tillie Cole (A Thousand Boy Kisses (NEW BONUS CONTENT))
She suddenly understood why she had let him kiss her in the diner, why she had wanted him at all. She wanted to control him. He was every arrogant boyfriend that had treated her mother badly. He was every boy that told her she was too freaky, who had laughed at her, or just wanted her to shut up and make out. He was a thousand times less real than Roiben.
Holly Black (Tithe (Modern Faerie Tales, #1))
I have no words right now … in either of my languages.
Tillie Cole (A Thousand Boy Kisses (NEW BONUS CONTENT))
I wish that people realized how this felt every day. Why does it take a life ending to learn how to cherish each day? Why must we wait until we run out of time to start to accomplish all that we dreamed, when once we had all the time in the world? Why don’t we look at the person we love the most like it’s the last time we will ever see them? Because if we did, life would be so vibrant. Life would be so truly and completely lived.
Tillie Cole (A Thousand Boy Kisses (A Thousand Boy Kisses, #1))
Poppy’s breathing hollowed and I leaned forward, knowing this was it. I pressed my forehead to hers, just one last time. Poppy lifted her soft hand to my hair. “I love you,” she whispered. “I love you too, Poppymin.” As I pulled back, Poppy looked into my eyes and said, “I’ll see you in your dreams.” Trying to hold back my emotions, I rasped back, “I’ll see you in my dreams.
Tillie Cole (A Thousand Boy Kisses (A Thousand Boy Kisses, #1))
Kiss eight hundred and nineteen was the kiss that changed it all.
Tillie Cole (A Thousand Boy Kisses (NEW BONUS CONTENT))
used to know a boy, a boy I loved with my whole heart, who lived for a single moment. Who told me that a single moment could change the world. It could change someone’s life. That one moment could make someone’s life, in that brief second, infinitely better or infinitely worse.
Tillie Cole (A Thousand Boy Kisses (NEW BONUS CONTENT))
they signaled my eternal gratitude to the boy sitting silently in the dark. The boy as gifted at photography as I was at music. He was my heart. The heart freely given to me as a child. The heart that made up one half of my own. The boy who, though breaking inside, loved me so deeply that he gave me this farewell. Gave me, in the present, the dream that my future never could. My soul mate who captured moments.
Tillie Cole (A Thousand Boy Kisses (NEW BONUS CONTENT))
I froze, then I asked, “You mean…?” “Yes, baby,” Poppy replied. “You’ve come home. You’ve come home to me.” A huge smile spread across my lips, and a flood of pure happiness washed over me. Unable to resist, I crashed my lips to Poppy’s waiting mouth. The minute I tasted her sweet taste on my lips, a deep peace filled me from within. Pulling back, I pressed my forehead to hers. “I get to stay here with you? Forever?” I asked, praying it was true. “Yes,” Poppy answered gently, and I could hear the complete serenity in her voice. “Our next adventure.” This was real. It was real.
Tillie Cole (A Thousand Boy Kisses (A Thousand Boy Kisses, #1))
An unrivaled beauty, limited in its life. A beauty so extreme in its grace that it can’t last. It stays to enrich our lives, then drifts away in the wind. Never forgotten. Because it reminds us we must live. That life is fragile, yet in that fragility, there is strength. There is love. There is purpose. It reminds us that life is short, that our breaths are numbered and our destiny is fixed, regardless of how hard we fight.
Tillie Cole (A Thousand Boy Kisses (NEW BONUS CONTENT))
For Jenn At 12 years old I started bleeding with the moon and beating up boys who dreamed of becoming astronauts. I fought with my knuckles white as stars, and left bruises the shape of Salem. There are things we know by heart, and things we don't. At 13 my friend Jen tried to teach me how to blow rings of smoke. I'd watch the nicotine rising from her lips like halos, but I could never make dying beautiful. The sky didn't fill with colors the night I convinced myself veins are kite strings you can only cut free. I suppose I love this life, in spite of my clenched fist. I open my palm and my lifelines look like branches from an Aspen tree, and there are songbirds perched on the tips of my fingers, and I wonder if Beethoven held his breath the first time his fingers touched the keys the same way a soldier holds his breath the first time his finger clicks the trigger. We all have different reasons for forgetting to breathe. But my lungs remember the day my mother took my hand and placed it on her belly and told me the symphony beneath was my baby sister's heartbeat. And I knew life would tremble like the first tear on a prison guard's hardened cheek, like a prayer on a dying man's lips, like a vet holding a full bottle of whisky like an empty gun in a war zone… just take me just take me Sometimes the scales themselves weigh far too much, the heaviness of forever balancing blue sky with red blood. We were all born on days when too many people died in terrible ways, but you still have to call it a birthday. You still have to fall for the prettiest girl on the playground at recess and hope she knows you can hit a baseball further than any boy in the whole third grade and I've been running for home through the windpipe of a man who sings while his hands playing washboard with a spoon on a street corner in New Orleans where every boarded up window is still painted with the words We're Coming Back like a promise to the ocean that we will always keep moving towards the music, the way Basquait slept in a cardboard box to be closer to the rain. Beauty, catch me on your tongue. Thunder, clap us open. The pupils in our eyes were not born to hide beneath their desks. Tonight lay us down to rest in the Arizona desert, then wake us washing the feet of pregnant women who climbed across the border with their bellies aimed towards the sun. I know a thousand things louder than a soldier's gun. I know the heartbeat of his mother. Don't cover your ears, Love. Don't cover your ears, Life. There is a boy writing poems in Central Park and as he writes he moves and his bones become the bars of Mandela's jail cell stretching apart, and there are men playing chess in the December cold who can't tell if the breath rising from the board is their opponents or their own, and there's a woman on the stairwell of the subway swearing she can hear Niagara Falls from her rooftop in Brooklyn, and I'm remembering how Niagara Falls is a city overrun with strip malls and traffic and vendors and one incredibly brave river that makes it all worth it. Ya'll, I know this world is far from perfect. I am not the type to mistake a streetlight for the moon. I know our wounds are deep as the Atlantic. But every ocean has a shoreline and every shoreline has a tide that is constantly returning to wake the songbirds in our hands, to wake the music in our bones, to place one fearless kiss on the mouth of that brave river that has to run through the center of our hearts to find its way home.
Andrea Gibson
I’m the girl who wakes up early to watch the sunrise. I’m the girl who wants to see the good in everyone, the one who is taken away by a song, inspired by art.” Turning to me, she smiled. “I’m that girl, Rune. The one who waits out the storm simply to catch a glimpse of a rainbow. Why be miserable when you can be happy? It’s an obvious choice to me.
Tillie Cole (A Thousand Boy Kisses (A Thousand Boy Kisses, #1))
isn’t our true home, girlie. This life … well, it’s just a great big adventure while we have it. An adventure to enjoy and love with all of our heart before we go on to the greatest adventure of all.
Tillie Cole (A Thousand Boy Kisses (NEW BONUS CONTENT))
This isn't the end. It's just a little pause in our lives. And I'll be watching over you, every single day. I'll be in your heart. I'll be in the blossom grove that we love so much, the sun and the wind.
Tillie Cole (A Thousand Boy Kisses (A Thousand Boy Kisses, #1))
My heart slammed into a new kind of beat, one that knew it had the love of its other half. It
Tillie Cole (A Thousand Boy Kisses (NEW BONUS CONTENT))
...life didn't always have to be so serious. That life was to be lived. That life was one great adventure, to be lived well and to the full.
Tillie Cole (A Thousand Boy Kisses (A Thousand Boy Kisses, #1))
My eyelids began to become heavy as I sat so contentedly in Rune’s arms. “Poppymin?” “Mm?” “Have I been enough for you too?” The gruff tone of Rune’s voice caused my heart to break, but I nodded softly. “More than anything,” I confirmed and, with a smile, added just for him, “You’ve been as special as special can be.
Tillie Cole (A Thousand Boy Kisses (A Thousand Boy Kisses, #1))
moonbeam hearts and sunshine smiles
Tillie Cole (A Thousand Boy Kisses (A Thousand Boy Kisses, #1))
Closing his eyes, Rune took my mouth in a kiss. And in this kiss I felt his outpouring of love. I felt a love, that at seventeen, I was blessed to have received. A love that knew no boundaries. The kind of love that inspires music that lasts through the ages. A love that should be felt and meant and treasured.
Tillie Cole (A Thousand Boy Kisses (NEW BONUS CONTENT))
What a horrible feeling that is, to know that if the disease [AIDS] had primarily affected PTA presidents, or priests, or white teenage girls, the epidemic would have been ended years earlier, and tens of thousands, if not hundreds of thousands of lives would have been saved.
David Levithan (Two Boys Kissing)
I think hearts beat a rhythm like a song. I think, that just like music, we’re drawn to a particular melody. I heard your heart’s song, and yours heard mine.” I
Tillie Cole (A Thousand Boy Kisses (NEW BONUS CONTENT))
Some people are only in our lives for a short time, but the mark they leave on us is a cherished tattoo.
Tillie Cole (A Thousand Broken Pieces (A Thousand Boy Kisses #2))
I’ll give you a thousand kisses, Poppymin. All of them. No one will kiss you ever, but me.
Tillie Cole (A Thousand Boy Kisses (NEW BONUS CONTENT))
Why don’t we look at the person we love the most like it’s the last time we will ever see them? Because if we did, life would be so vibrant. Life would be so truly and completely lived.
Tillie Cole (A Thousand Boy Kisses (NEW BONUS CONTENT))
Death is the best lesson in life. Death teaches us to live, for the short amount of time we are here. Death teaches us to live with all our heart and soul, day by day, minute by treasured minute.
Tillie Cole (A Thousand Broken Pieces (A Thousand Boy Kisses #2))
Holding the object of my addiction in my hands compromised everything I had sworn to fight against.
Tillie Cole (A Thousand Boy Kisses (NEW BONUS CONTENT))
There’s no coming back from this. I’ll never forgive you for taking me away from her. Never. We’re done.
Tillie Cole (A Thousand Boy Kisses (NEW BONUS CONTENT))
She still took my breath away with how beautiful she was. “Hei, Poppymin,” I said and sat on the edge of her bed. “Hey, baby,” she replied, her voice now barely above a whisper. I brought my hand to hers and pressed a kiss to her mouth. Poppy smiled and melted my heart. A loud gust of wind blew past the window, whistling against the glass. Poppy inhaled sharply. I turned to see what she was seeing. A mass of blossom petals went sailing in the wind. “They’re leaving…,” she said. I closed my eyes briefly. It was apt that Poppy left the same day that the cherry blossoms lost their petals too. They were guiding her soul home.
Tillie Cole (A Thousand Boy Kisses (A Thousand Boy Kisses, #1))
An unrivaled beauty, limited in its life. A beauty so extreme in its grace that it can’t last. It stays to enrich our lives, then drifts away in the wind. Never forgotten. Because it reminds us we must live. That life is fragile, yet in that fragility, there is strength. There is love. There is purpose. It reminds us that life is short, that our breaths are numbered and our destiny is fixed, regardless of how hard we fight. It reminds us not to waste a single second. Live hard, love harder. Chase dreams, seek adventures … capture moments. Live beautifully.
Tillie Cole (A Thousand Boy Kisses (NEW BONUS CONTENT))
Once upon a time, there was a boy. He lived in a village that no longer exists, on the edge of a field that no longer exists, where everything was discovered and everything was possible. A stick could be a sword. A pebble could be a diamond. A tree was a castle. Once upon a time, there was a boy who lived in a house across the field from a girl who no longer exists. They made up a thousand games. She was the Queen and he was the King. In the autumn light, her hair shone like a crown. They collected the world in small handfuls. When the sky grew dark, they parted with leaves in their hair. Once upon a time there was a boy who loved a girl, and her laughter was a question he wanted to spend his whole life answering. When they were ten he asked her to marry him. When they were eleven he kissed her for the first time. When they were thirteen they got into a fight and for three weeks they didn't talk. When they were fifteen she showed him the scar on her left breast. Their love was a secret they told no one. He promised her he would never love another girl as long as he lived. "What if I die?" she asked. "Even then," he said. For her sixteenth birthday, he gave her an English dictionary and together they learned the words. "What's this?" he'd ask, tracing his index finger around her ankle and she'd look it up. "And this?" he'd ask, kissing her elbow. "Elbow! What kind of word is that?" and then he'd lick it, making her giggle. "What about this," he asked, touching the soft skin behind her ear. "I don't know," she said, turning off the flashlight and rolling over, with a sigh, onto her back. When they were seventeen they made love for the first time, on a bed of straw in a shed. Later-when things happened that they could never have imagined-she wrote him a letter that said: When will you learn that there isn't a word for everything?
Nicole Krauss (The History of Love)
I have come to understand that death, for the sick, is not so hard to endure. For us, eventually, our pain ends, we go to a better place. But for those left behind, their pain only magnifies.
Tillie Cole (A Thousand Boy Kisses (NEW BONUS CONTENT))
I ran my finger down her cheek. “Poppymin, you have me. You’ll always have me.” I cleared the lump in my throat and added, “I might be different from the boy you knew, but I’m yours.” I smirked, without humor. “Forever always.
Tillie Cole (A Thousand Boy Kisses (NEW BONUS CONTENT))
If someone judges you for how long it’s taking you to move past a loved one’s death, be happy for them, because it means they’ve never experienced it.
Tillie Cole (A Thousand Broken Pieces (A Thousand Boy Kisses #2))
Forever always
Tillie Cole (A Thousand Boy Kisses (A Thousand Boy Kisses, #1))
Turning one more time to face the sun, my eyes dropped to the golden sand. And then my heart filled with such impossible light when I whispered, “Look, Rune. Look at your footprints in the sand.” Rune’s eyes left mine to observe the beach. His breath caught and his gaze came back to me. Lip quivering, I whispered, “You carried me. In my hardest times, when I couldn’t walk … you carried me through.” “Always,” Rune managed to reply hoarsely. “Forever always.
Tillie Cole (A Thousand Boy Kisses (A Thousand Boy Kisses, #1))
It’s the moment that reminds me that I’m lucky. Because in that moment I experienced the love my mamaw sent me on this adventure of a thousand boy-kisses to find. That moment when you know that you are loved so much, that you are the center of somebody’s world so wonderfully, that you lived … even if it was only for a short time.” Keeping
Tillie Cole (A Thousand Boy Kisses (NEW BONUS CONTENT))
Kiss eight hundred and nineteen was the kiss that changed it all. The kiss that proved that a long-haired brooding boy from Norway and a quirky girl from the Deep South could find a love to rival the greats. It showed that love was simply the tenacity to make sure that the other half of your heart knew he, or she, was adored in every way. In every minute of every day. That love was tenderness in its purest form. Rune
Tillie Cole (A Thousand Boy Kisses (NEW BONUS CONTENT))
Alton nodded. “But why did we have to wait for the cherry blossoms to come out first?” Taking a deep breath, I explained, “Because Poppymin was just like the cherry blossom, Alt. She only had a short life, like they do, but the beauty that she brought in that time will never ever be forgotten. Because nothing so beautiful can last forever. She was a blossom petal, a butterfly … a shooting star … she was perfect … her life was short … but she was mine.” I took in a breath and whispered finally, “Just as I was hers.
Tillie Cole (A Thousand Boy Kisses (A Thousand Boy Kisses, #1))
Men learn to regard rape as a moment in time; a discreet episode with a beginning, middle, and end. But for women, rape is thousands of moments that we fold into ourselves over a lifetime. Its' the day that you realize you can't walk to a friend's house anymore or the time when your aunt tells you to be nice because the boy was just 'stealing a kiss.' It's the evening you stop going to the corner store because, the night before, a stranger followed you home. It's the late hour that a father or stepfather or brother or uncle climbs into your bed. It's the time it takes you to write an email explaining that you're changing your major, even though you don't really want to, in order to avoid a particular professor. It's when you're racing to catch a bus, hear a person demand a blow job, and turn to see that it's a police officer. It's the second your teacher tells you to cover your shoulders because you'll 'distract the boys, and what will your male teachers do?' It's the minute you decide not to travel to a place you've always dreamed about visiting and are accused of being 'unadventurous.' It's the sting of knowing that exactly as the world starts expanding for most boys, it begins to shrink for you. All of this goes on all day, every day, without anyone really uttering the word rape in a way that grandfathers, fathers, brothers, uncles, teachers, and friends will hear it, let alone seriously reflect on what it means.
Soraya Chemaly (Rage Becomes Her: The Power of Women's Anger)
Poppy sighed, a peaceful smile gracing her face. Then Poppy closed her eyes, tilting her chin up for her final kiss, her hand squeezing mine. Lowering myself to her mouth, I pressed the softest, most meaningful kiss to her soft lips. Poppy breathed out through her nose, her sweet scent engulfing me … and she never breathed again. Reluctantly pulling back, I opened my eyes, now witnessing Poppy in eternal sleep. She was as beautiful now as ever she was in life.
Tillie Cole (A Thousand Boy Kisses (A Thousand Boy Kisses, #1))
a single moment could change the world. It could change someone’s life. That one moment could make someone’s life, in that brief second, infinitely better or infinitely worse.” He
Tillie Cole (A Thousand Boy Kisses (NEW BONUS CONTENT))
When I look at you, when you touch me, when I see your face...when we kiss, my heart plays a song. It sings that it needs you like I need air. It sings to me that I adore you. It sings that I've found its perfect missing part.
Tillie Cole (A Thousand Boy Kisses (A Thousand Boy Kisses, #1))
We all have people who carry us through the worst of times, the saddest of times, the times that seem impossible to break free from. In one way or another, whether it’s through the Lord or a loved one or both, when we feel like we can’t walk on anymore, someone swoops in to help us … someone carries us through.
Tillie Cole (A Thousand Boy Kisses (A Thousand Boy Kisses, #1))
Poppy took my hand and held it to her cheek. “I really believe that tales of loss don’t always have to be sad or sorrowful. I want mine to be remembered as a great adventure that I tried to live as best as I possibly could. Because how dare we waste a single breath? How dare we waste something so precious? Instead, we should strive for all those precious breaths to be taken in as many precious moments as we can squeeze into this short time on Earth. That’s the message I want to leave behind. And what a beautiful legacy to leave for those I love.
Tillie Cole (A Thousand Boy Kisses (A Thousand Boy Kisses, #1))
Poppymin?” “Yes, baby?” I replied. “Have you been happy? Have you…” He cleared his throat. “Have you loved your life?” Answering with one hundred percent honesty, I said, “I’ve loved my life. Everything. And I’ve loved you. As clichéd as this sounds, it was always enough. You were always the best part of my every day. You were the reason for my every smile.” I closed my eyes and replayed our lives in my mind. I remembered the times I hugged him and he hugged me harder. I remembered how I kissed him and he kissed me deeper. And best of all, I remembered how I would love him and he would always strive to love me more. “Yes, Rune,” I said with complete certainty. “I’ve loved my life.
Tillie Cole (A Thousand Boy Kisses (A Thousand Boy Kisses, #1))
Mamaw also said that the best things in life die quickly, like the cherry blossom. Because something so beautiful can never last forever, shouldn’t last forever. It stays for a brief moment in time to remind us how precious life is, before fading away just as quickly as it came. She said that it teaches you more in its short life than anything that is forever by your side.
Tillie Cole
Why does it take a life ending to learn how to cherish each day? Why must we wait until we run out of time to start to accomplish all that we dreamed,when once we had all the time in the world? Why don't we look at the person we love the most like it's the last time we will ever see them? Because if we did,life would be so vibrant.Life would be so truly and completely lived.
Tillie Cole (A Thousand Boy Kisses (A Thousand Boy Kisses, #1))
Pawpaw’s kisses. His sweet boy-kisses. All the memories of all the boy-kisses you ever got from him. You told me they’re the most favorite memories you have. Not money, not things, but the kisses you got from Pawpaw—because they were all special and made you smile, made you feel loved, because he was your soulmate. Your forever always.
Tillie Cole (A Thousand Boy Kisses (NEW BONUS CONTENT))
I kissed her again, slow and soft. Poppy’s eyes remained closed afterward, then as a blush spread on her beautiful dimpled cheeks, she whispered, “A forever kiss with my Rune … in our blossom grove … when he finally came home.” She smiled. I smiled. Then she added, “… and my heart almost burst.
Tillie Cole (A Thousand Boy Kisses (A Thousand Boy Kisses, #1))
Because nothing so perfect can last an eternity, can it? Like shooting stars. We see the usual stars above us every single night. Most people take them for granted, even forget they are there. But if a person sees a shooting star, they remember that moment forever, they even make a wish at its presence.
Tallie Cole
love was simply the tenacity to make sure that the other half of your heart knew he, or she, was adored in every way. In every minute of every day.
Tillie Cole (A Thousand Boy Kisses (NEW BONUS CONTENT))
Poppymin’. He said, his voice deeper-hard and strong.’ Poppymin! It means my poppy. For infinity, forever and always. You’re MY poppy.
Tillie Cole (A Thousand Boy Kisses (A Thousand Boy Kisses, #1))
Rune was showing me to whom I belonged. He was giving me no other choice but to submit to him, to give myself back to him after withdrawing for too many years. Rune’s
Tillie Cole (A Thousand Boy Kisses (NEW BONUS CONTENT))
Rune Kristiansen was way too handsome to scowl. A face that beautiful should forever wear a smile. “Go
Tillie Cole (A Thousand Boy Kisses (NEW BONUS CONTENT))
Kiss eight hundred and nineteen was the kiss that changed it all. The kiss that proved that a long-haired brooding boy from Norway and a quirky girl from the Deep South could find a love to rival the greats. It showed that love was simply the tenacity to make sure that the other half of your heart knew he, or she, was adored in every way. In every minute of every day. That love was tenderness in its purest form.
Tillie Cole (A Thousand Boy Kisses (NEW BONUS CONTENT))
You may feel you’ll lose half of your heart when I go, but that doesn’t give you permission to live half of a life. And half your heart will not be gone. Because I’ll always be walking beside you. I’ll always be holding your hand. I’m woven into the fabric of who you are—just as you will always be attached to my soul. You’ll love and laugh and explore … for both of us.
Tillie Cole (A Thousand Boy Kisses (NEW BONUS CONTENT))
Eddie saw great things and near misses. Albert Einstein as a child, not quite struck by a run-away milk-wagon as he crossed a street. A teenage boy named Albert Schweitzer getting out of a bathtub and not quite stepping on the cake of soap lying beside the pulled plug. A Nazi Oberleutnant burning a piece of paper with the date and place of the D-Day Invasion written on it. He saw a man who intended to poison the entire water supply of Denver die of a heart attack in a roadside rest-stop on I-80 in Iowa with a bag of McDonald’s French fries on his lap. He saw a terrorist wired up with explosives suddenly turn away from a crowded restaurant in a city that might have been Jerusalem. The terrorist had been transfixed by nothing more than the sky, and the thought that it arced above the just and unjust alike. He saw four men rescue a little boy from a monster whose entire head seemed to consist of a single eye. But more important than any of these was the vast, accretive weight of small things, from planes which hadn’t crashed to men and women who had come to the correct place at the perfect time and thus founded generations. He saw kisses exchanged in doorways and wallets returned and men who had come to a splitting of the way and chosen the right fork. He saw a thousand random meetings that weren’t random, ten thousand right decisions, a hundred thousand right answers, a million acts of unacknowledged kindness. He saw the old people of River Crossing and Roland kneeling in the dust for Aunt Talitha’s blessing; again heard her giving it freely and gladly. Heard her telling him to lay the cross she had given him at the foot of the Dark Tower and speak the name of Talitha Unwin at the far end of the earth. He saw the Tower itself in the burning folds of the rose and for a moment understood its purpose: how it distributed its lines of force to all the worlds that were and held them steady in time’s great helix. For every brick that landed on the ground instead of some little kid’s head, for every tornado that missed the trailer park, for every missile that didn’t fly, for every hand stayed from violence, there was the Tower. And the quiet, singing voice of the rose. The song that promised all might be well, all might be well, that all manner of things might be well.
Stephen King (Wolves of the Calla (The Dark Tower, #5))
I didn’t know why, but capturing moments fascinated me. Maybe it was because sometimes all we get are moments. There are no do-overs; whatever happens in a moment defines life—perhaps it is life. But capturing a moment on film keeps that moment alive, forever. To me, photography was magic.
Tillie Cole (A Thousand Boy Kisses (A Thousand Boy Kisses, #1))
And then when it’s time for you to come home too, it’ll be me who greets you. And there’ll be no worry or fear or pain. Just love.” I sighed happily. “Imagine that, Rune. A place where there’s no pain or hurt.” I closed my eyes and smiled. “When I think about it that way, I’m not so scared anymore.
Tillie Cole (A Thousand Boy Kisses (NEW BONUS CONTENT))
Fatima went back to her tent, and, when daylight came, she went out to do the chores she had done for years. But everything had changed. The boy was no longer at the oasis, and the oasis would never again have the same meaning it had had only yesterday. It would no longer be a place with fifty thousand palm trees and three hundred wells, where the pilgrims arrived, relieved at the end of their long journeys. From that day on, the oasis would be an empty place for her. From that day on, it was the desert that would be important. She would look to it everyday, and would try to guess which star the boy was following in search of his treasure. She would have to send her kisses on the wind, hoping that the wind would touch the boy's face, and would tell him that she was alive. That she was waiting for him, a woman awaiting a courageous man in search of his treasure. From that day on, the desert would represent only one thing to her: the hope for his return.
Paulo Coelho (The Alchemist)
I’m going home.” “But you are home,” I countered. “No”—Mamaw shook her head—“this isn’t our true home, girlie. This life … well, it’s just a great big adventure while we have it. An adventure to enjoy and love with all of our heart before we go on to the greatest adventure of all.” My
Tillie Cole (A Thousand Boy Kisses (NEW BONUS CONTENT))
Then it hit me. Poppy, Poppymin, she was the cherry blossom. She was my cherry blossom. An unrivaled beauty, limited in its life. A beauty so extreme in its grace that it can't last. It stays to enrich our lives, then drifts away in the wind. Never forgotten. Because it reminds us we must live. That life is fragile, yet in that fragility, there is strength. There is love. There is purpose. It reminds us that life is short, that our breaths are numbered and our destiny is fixed, regardless of how hard we fight. It reminds us that life is short, that our breaths are numbered and our destiny is fixed, regardless of how hard we fight. It reminds us not to waste a single second. Live hard, love harder. Chase dreams, seek adventures … capture moments. Live beautifully.
Tillie Cole (A Thousand Boy Kisses (A Thousand Boy Kisses, #1))
Stupid arbitrary shit means the president of the United States can wait six years before even saying the disease’s name. Stupid arbitrary shit means it will take a movie star to die and a hemophiliac teenager to die before ordinary people start to mobilize, start to feel that the disease needs to be stopped. Tens of thousands of people will die before drugs are made and drugs are approved. What a horrible feeling that is, to know that if the disease had primarily affected PTA presidents, or priests, or white teenage girls, the epidemic would have been ended years earlier, and tens of thousands, if not hundreds of thousands, of lives would have been saved. We did not choose our identity, but we were chosen to die by it.
David Levithan (Two Boys Kissing)
I wish, Rune,” Poppy said, causing me to glance up, “I wish that people realized how this felt every day. Why does it take a life ending to learn how to cherish each day? Why must we wait until we run out of time to start to accomplish all that we dreamed, when once we had all the time in the world? Why don’t we look at the person we love the most like it’s the last time we will ever see them? Because if we did, life would be so vibrant. Life would be so truly and completely lived.
Tillie Cole (A Thousand Boy Kisses (A Thousand Boy Kisses, #1))
I brought you here tonight to remind you of when we were happy. When we were inseparable, best friends and more. But— [...] “What?” I asked. “Please, tell me. I promise I’m okay.” [...] “But what if this is the last time we ever get to do this?” [...] “Then we had tonight. We’ve had this memory. We’ve had this cherished moment.” [...] “I used to know a boy, a boy I loved with my whole heart, who lived for a single moment. Who told me that a single moment could change the world. It could change someone’s life. That one moment could make someone’s life, in that brief second, infinitely better or infinitely worse.” [...] “This, tonight, being at this creek with you again, … it has made my life infinitely better. This moment, given to me by you, I will remember always. I will take it with me to … wherever I go.
Tillie Cole (A Thousand Boy Kisses (A Thousand Boy Kisses, #1))
Do you realize how deeply I feel about you?” I slowly shook my head, needing her to tell me. She placed my hand over her heart and her hand over mine. I felt its steady beat under my palm, the steady beat that got faster as my eyes locked on hers. “It’s like music,” she explained. “When I look at you, when you touch me, when I see your face … when we kiss, my heart plays a song. It sings that it needs you like I need air. It sings to me that I adore you. It sings that I’ve found its perfect missing part.
Tillie Cole (A Thousand Boy Kisses (A Thousand Boy Kisses, #1))
Stupid arbitrary shit means it will take a movie star to die and a hemophiliac teenager to die before ordinary people start to mobilize, start to feel that the disease needs to be stopped. Tens of thousands of people will die before drugs are made and drugs are approved. What a horrible feeling that is, to know that if the disease had primarily affected PTA presidents, or priests, or white teenage girls, the epidemic would have been ended years earlier, and tens of thousands, if not hundreds of thousands, of lives would have been saved
David Levithan (Two Boys Kissing)
Poppy shifted where she sat, then asked curiously, “Have you ever regretted never finding someone else to love, Rune? Have you ever regretted, in all this time, never kissing anyone else but me? Never loving anyone else? Never filling the jar I gave you?” “No,” I replied honestly. “And I have loved, baby. I love my family. I love my work. I love my friends and all the people that I’ve met on my adventures. I have a good and happy life, Poppymin. And I love, and I have loved with a full heart … you, baby. I’ve never stopped loving you. You were enough to last a lifetime.” I sighed. “And my jar was filled … it was filled along with yours. There were no more kisses to be collected.” Turning Poppy’s face to look at me, my hand under her chin, I said, “These lips are yours, Poppymin. I promised them to you years ago; nothing’s changed.” Poppy’s face broke into a contented smile and she whispered, “Just as these lips are yours, Rune. They were always yours and yours alone.
Tillie Cole (A Thousand Boy Kisses (A Thousand Boy Kisses, #1))
The children in my dreams speak in Gujarati turn their trusting faces to the sun say to me care for us nurture us in my dreams I shudder and I run. I am six in a playground of white children Darkie, sing us an Indian song! Eight in a roomful of elders all mock my broken Gujarati English girl! Twelve, I tunnel into books forge an armor of English words. Eighteen, shaved head combat boots - shamed by masis in white saris neon judgments singe my western head. Mother tongue. Matrubhasha tongue of the mother I murder in myself. Through the years I watch Gujarati swell the swaggering egos of men mirror them over and over at twice their natural size. Through the years I watch Gujarati dissolve bones and teeth of women, break them on anvils of duty and service, burn them to skeletal ash. Words that don't exist in Gujarati : Self-expression. Individual. Lesbian. English rises in my throat rapier flashed at yuppie boys who claim their people “civilized” mine. Thunderbolt hurled at cab drivers yelling Dirty black bastard! Force-field against teenage hoods hissing F****ing Paki bitch! Their tongue - or mine? Have I become the enemy? Listen: my father speaks Urdu language of dancing peacocks rosewater fountains even its curses are beautiful. He speaks Hindi suave and melodic earthy Punjabi salty rich as saag paneer coastal Kiswahili laced with Arabic, he speaks Gujarati solid ancestral pride. Five languages five different worlds yet English shrinks him down before white men who think their flat cold spiky words make the only reality. Words that don't exist in English: Najjar Garba Arati. If we cannot name it does it exist? When we lose language does culture die? What happens to a tongue of milk-heavy cows, earthen pots jingling anklets, temple bells, when its children grow up in Silicon Valley to become programmers? Then there's American: Kin'uh get some service? Dontcha have ice? Not: May I have please? Ben, mane madhath karso? Tafadhali nipe rafiki Donnez-moi, s'il vous plait Puedo tener….. Hello, I said can I get some service?! Like, where's the line for Ay-mericans in this goddamn airport? Words that atomized two hundred thousand Iraqis: Didja see how we kicked some major ass in the Gulf? Lit up Bagdad like the fourth a' July! Whupped those sand-niggers into a parking lot! The children in my dreams speak in Gujarati bright as butter succulent cherries sounds I can paint on the air with my breath dance through like a Sufi mystic words I can weep and howl and devour words I can kiss and taste and dream this tongue I take back.
Shailja Patel (Migritude)
Without screaming or weeping these people undressed, stood around in family groups, kissed each other, said farewells and waited for a sign from another S.S. man, who stood near the pit, also with a whip in his hand. During the fifteen minutes that I stood near the pit I heard no complaint or plea for mercy… An old woman with snow-white hair was holding a one-year-old child in her arms and singing to it and tickling it. The child was cooing with delight. The parents were looking on with tears in their eyes. The father was holding the hand of a boy about 10 years old and speaking to him softly; the boy was fighting his tears. The father pointed to the sky, stroked his head and seemed to explain something to him. At that moment the S.S. man at the pit shouted something to his comrade. The latter counted off about twenty persons and instructed them to go behind the earth mound… I well remember a girl, slim and with black hair, who, as she passed close to me, pointed to herself and said: “twenty-three years old.” I walked around the mound and found myself confronted by a tremendous grave. People were closely wedged together and lying on top of each other so that only their heads were visible. Nearly all had blood running over their shoulders from their heads. Some of the people were still moving. Some were lifting their arms and turning their heads to show that they were still alive. The pit was already two-thirds full. I estimated that it contained about a thousand people. I looked for the man who did the shooting. He was an S.S. man, who sat at the edge of the narrow end of the pit, his feet dangling into the pit. He had a tommy gun on his knees and was smoking a cigarette. The people, completely naked, went down some steps and clambered over the heads of the people lying there to the place to which the S.S. man directed them. They lay down in front of the dead or wounded people; some caressed those who were still alive and spoke to them in a low voice. Then I heard a series of shots. I looked into the pit and saw that the bodies were twitching or the heads lying already motionless on top of the bodies that lay beneath them. Blood was running from their necks. The next batch was approaching already. They went down into the pit, lined themselves up against the previous victims and were shot. And so it went, batch after batch. The next morning the German engineer returned to the site. I saw about thirty naked people lying near the pit. Some of them were still alive… Later the Jews still alive were ordered to throw the corpses into the pit. Then they themselves had to lie down in this to be shot in the neck… I swear before God that this is the absolute truth.47
William L. Shirer (The Rise and Fall of the Third Reich: A History of Nazi Germany)
I was backed against the sink; Emile was close, warm, his eyes glittering, his mouth sensuous and lovely. "You," I said deliberately, "don't give a damn about me except physically." Any boy would deny that; any gallant boy; any gallant lier. But Emile shook me, his voice was urgent, "You know, you shouldn't have said that. You know? You know? The truth always hurts." (Even clichés can come in handy.) He grinned, "Don't be bitter; I'm not. Come away from the sink, and watch." He stepped back, drawing me toward him, slapping my stomach away, he kissed me long and sweetly. At last he let go. "There," he said with a quiet smile. "The truth doesn't always hurt, does it?" And so we left. It was pouring rain. In the car he put his arm around me, his head against mine, and we watched the streetlights coming at us, blurred and fluid in the watery dark. As we ran up the walk in the rain, as he came in and had a drink of water, as he kissed me goodnight, I knew that something in me wanted him, for what I'm not sure: He drinks, he smokes, he's Catholic, he runs around with one girl after another, and yet... I wanted him. "I don't have to tell you it's been nice," I said at the door. "It's been marvelous," he smiled. "I'll call you. Take care." And he was gone. So the rain comes down hard outside my room, and like Eddie Cohen," I say, "... fifteen thousand years - - - of what? We're still nothing but animals." Somewhere, in his room, Emile lies, about to sleep, listening to the rain. God only knows what he's thinking.
Sylvia Plath (The Unabridged Journals of Sylvia Plath)
Mamaw also said that the best things in life die quickly, like the cherry blossom. Because something so beautiful can never last forever, shouldn’t last forever. It stays for a brief moment in time to remind us how precious life is, before fading away just as quickly as it came. She said that it teaches you more in its short life than anything that is forever by your side.” My throat began to close at the pain in her voice. She looked up at me. “Because nothing so perfect can last an eternity, can it? Like shooting stars. We see the usual stars above us every single night. Most people take them for granted, even forget they are there. But if a person sees a shooting star, they remember that moment forever, they even make a wish at its presence.” She took in a deep breath. “It shoots by so quickly that people savor the short time they have with it.” I felt a teardrop fall on our joined hands. I was confused, unsure why she was talking about such sad things. “Because something so completely perfect and special is destined to fade. Eventually, it has to blow away into the wind.” Poppy held up the cherry blossom that was still in her hand. “Like this flower.” She threw it into the air, just as a gust of wind came. The strong bluster carried the petals into the sky and away above the trees. It disappeared from our sight. “Poppy—” I went to speak, but she cut me off. “Maybe we’re like the cherry blossom, Rune. Like shooting stars. Maybe we loved too much too young and burned so bright that we had to fade out.” She pointed behind us, to the blossom grove. “Extreme beauty, quick death. We had this love long enough to teach us a lesson. To show us how capable of love we truly are.
Tillie Cole (A Thousand Boy Kisses (A Thousand Boy Kisses, #1))
I beg your pardon, Mrs. Graham - but you get on too fast. I have not yet said that a boy should be taught to rush into the snares of life, - or even wilfully to seek temptation for the sake of exercising his virtue by overcoming it; - I only say that it is better to arm and strengthen your hero, than to disarm and enfeeble the foe; - and if you were to rear an oak sapling in a hothouse, tending it carefully night and day, and shielding it from every breath of wind, you could not expect it to become a hardy tree, like that which has grown up on the mountain-side, exposed to all the action of the elements, and not even sheltered from the shock of the tempest.' 'Granted; - but would you use the same argument with regard to a girl?' 'Certainly not.' 'No; you would have her to be tenderly and delicately nurtured, like a hot-house plant - taught to cling to others for direction and support, and guarded, as much as possible, from the very knowledge of evil. But will you be so good as to inform me why you make this distinction? Is it that you think she has no virtue?' 'Assuredly not.' 'Well, but you affirm that virtue is only elicited by temptation; - and you think that a woman cannot be too little exposed to temptation, or too little acquainted with vice, or anything connected therewith. It must be either that you think she is essentially so vicious, or so feeble-minded, that she cannot withstand temptation, - and though she may be pure and innocent as long as she is kept in ignorance and restraint, yet, being destitute of real virtue, to teach her how to sin is at once to make her a sinner, and the greater her knowledge, the wider her liberty, the deeper will be her depravity, - whereas, in the nobler sex, there is a natural tendency to goodness, guarded by a superior fortitude, which, the more it is exercised by trials and dangers, is only the further developed - ' 'Heaven forbid that I should think so!' I interrupted her at last." 'Well, then, it must be that you think they are both weak and prone to err, and the slightest error, the merest shadow of pollution, will ruin the one, while the character of the other will be strengthened and embellished - his education properly finished by a little practical acquaintance with forbidden things. Such experience, to him (to use a trite simile), will be like the storm to the oak, which, though it may scatter the leaves, and snap the smaller branches, serves but to rivet the roots, and to harden and condense the fibres of the tree. You would have us encourage our sons to prove all things by their own experience, while our daughters must not even profit by the experience of others. Now I would have both so to benefit by the experience of others, and the precepts of a higher authority, that they should know beforehand to refuse the evil and choose the good, and require no experimental proofs to teach them the evil of transgression. I would not send a poor girl into the world, unarmed against her foes, and ignorant of the snares that beset her path; nor would I watch and guard her, till, deprived of self-respect and self-reliance, she lost the power or the will to watch and guard herself; - and as for my son - if I thought he would grow up to be what you call a man of the world - one that has "seen life," and glories in his experience, even though he should so far profit by it as to sober down, at length, into a useful and respected member of society - I would rather that he died to-morrow! - rather a thousand times!' she earnestly repeated, pressing her darling to her side and kissing his forehead with intense affection. He had already left his new companion, and been standing for some time beside his mother's knee, looking up into her face, and listening in silent wonder to her incomprehensible discourse. Anne Bronte, "The Tenant of Wildfell Hall" (24,25)
Anne Brontë