“
The most courageous act is still to think for yourself. Aloud.
”
”
Coco Chanel
“
A friend is a person with whom I may be sincere. Before him I may think aloud. I am arrived at last in the presence of a man so real and equal, that I may drop even those undermost garments of dissimulation, courtesy, and second thought, which men never put off, and may deal with him with the simplicity and wholeness with which one chemical atom meets another.
”
”
Ralph Waldo Emerson (Essays, First Series)
“
Shut up, me,” Leo said aloud.
“What?” Piper asked.
“Nothing,” he said. “Long night. I think I’m hallucinating. It’s cool.”
Sitting in front, Leo couldn’t see their faces, but he assumed from their silence that his friends were not pleased to have a sleepless, hallucinating dragon driver.
“Just joking.” Leo decided it might be good to change the subject.
”
”
Rick Riordan (The Lost Hero (The Heroes of Olympus, #1))
“
OK," Josh said evenly, "I've seen men made of mud, I guess I can accept spying rats. Do they talk?" he wondered aloud.
Don't be ridiculous," Flamel snapped, "They're rats."
Josh really didn't think it was a ridiculous suggestion.
”
”
Michael Scott (The Alchemyst (The Secrets of the Immortal Nicholas Flamel, #1))
“
Finally he spoke the three simple words that no amount of bad art or bad faith can every quite cheapen. She repeated them, with exactly the same slight emphasis on the second word, as though she were the one to say them first. He had no religious belief, but it was impossible not to think of an invisible presence or witness in the room, and that these words spoken aloud were like signatures on an unseen contract.
”
”
Ian McEwan (Atonement)
“
Thinking aloud is a habit which is responsible for most of mankind's misery.
”
”
Benjamin Franklin
“
But my way of writing is rather to think aloud, and follow my own humours, than much to consider who is listening to me; and, if I stop to consider what is proper to be said to this or that person, I shall soon come to doubt whether any part at all is proper.
”
”
Thomas de Quincey (Confessions of an English Opium Eater)
“
The best kind of conversation is that which may be called thinking aloud.
”
”
William Hazlitt (Characteristics: In the Manner of Rochefoucault's Maxims (The Complete Works of William Hazlitt))
“
When the spent sun throws up its rays on cloud
And goes down burning into the gulf below,
No voice in nature is heard to cry aloud
At what has happened. Birds, at least must know
It is the change to darkness in the sky.
Murmuring something quiet in her breast,
One bird begins to close a faded eye;
Or overtaken too far from his nest,
Hurrying low above the grove, some waif
Swoops just in time to his remembered tree.
At most he thinks or twitters softly, 'Safe!
Now let the night be dark for all of me.
Let the night be too dark for me to see
Into the future. Let what will be, be.
”
”
Robert Frost
“
People sometimes pay with their lives for saying aloud what they think. In fact, one can even get killed for giving me information. I am not the only one in danger. I have examples that prove it.
”
”
Anna Politkovskaya
“
Okay.” Hai nodded, but his mind was somewhere else. “Hey. Do you think a life you can’t remember is still a good life?” The question sounded almost silly aloud. “I mean, like—” “Yes,” said Sony. “Why’s that?” “Because someone else will remember it.
”
”
Ocean Vuong (The Emperor of Gladness)
“
Empires have fallen like this, he thinks, but it only makes him want her more, makes him look at his hands and think, My god, what a waste of time doing anything else but holding her. What a waste, and then he says aloud, JesusfuckingChrist what have you done to me? And she says, Kiss me.
”
”
Olivie Blake (Alone With You in the Ether)
“
I've thought that perhaps that's why women are so often sad, once the child's born," she said meditatively, as though thinking aloud. "Ye think of them while ye talk, and you have a knowledge of them as they are inside ye, the way you think they are. And then they're born, and they're different - not the way ye thought of them inside, at all. And ye love them, o' course, and get to know them they way they are...but still, there's the thought of the child ye once talked to in your heart, and that child is gone. So I think it's the grievin' for the child unborn that ye feel, even as ye hold the born one in your arms.
”
”
Diana Gabaldon (Dragonfly in Amber (Outlander, #2))
“
Do you think they know what it means to love?" his projection-self mused aloud to him. "That it isn't the simple joy of fondness, I mean. In fact it's violent, destructive. It means to cut the heart out of your chest and give it to someone else.
”
”
Olivie Blake (The Atlas Paradox (The Atlas, #2))
“
I'm tired," she uttered complainingly.
"I know you are."
"You don't know anything about it. Why should you know? I never was so exhausted in my life. But it isn't unpleasant. A thousand emotions have swept through me to-night. I don't comprehend half on them. Don't mind what I'm saying; I am just thinking aloud.
”
”
Kate Chopin (The Awakening)
“
Visible mourning reminds us of death, which is construed as unnatural, a failure to manage the situation. “A single person is missing for you, and the whole world is empty,” Philippe Ariès wrote to the point of this aversion in Western Attitudes toward Death. “But one no longer has the right to say so aloud.
”
”
Joan Didion (The Year of Magical Thinking)
“
When was the last time someone read aloud to you? Probably when you were a child, and if you think back, you'll remember how safe you felt, tucked under the covers, or curled in someone's arms, as a story was spun around you like a web.
”
”
Jodi Picoult (The Storyteller)
“
King.
Christ my stomach rolls every time I think the word. When someone says it aloud I gag. If’ I’m supposed to be the Great Royal Hope for my country, we’re all well and truly fucked.
”
”
Emma Chase (Royally Matched (Royally, #2))
“
People like you should be stopped, Mr. Woodrow,' she mused aloud, with a puzzled shake of her wise head. 'You think you're solving the world's problems but actually you're the problem.
”
”
John le Carré
“
Strange now to think of you, gone without corsets & eyes, while I walk on
the sunny pavement of Greenwich Village.
downtown Manhattan, clear winter noon, and I've been up all night, talking,
talking, reading the Kaddish aloud, listening to Ray Charles blues
shout blind on the phonograph
”
”
Allen Ginsberg (Kaddish and Other Poems)
“
But I give you my word, in the entire book there is nothing that cannot be said aloud in mixed company. And there is, also, nothing that makes you a bit the wiser. I wonder--oh, what will you think of me--if those two statements do not verge upon the synonymous.
”
”
Dorothy Parker (Constant Reader: 2)
“
You know what?' said Vimes aloud. 'This is going to be the world's first democratically killed dragon. One man, one stab.'
Then you've got to stop them. You can't let them kill it!' said Lady Ramkin.
Vimes blinked at her.
Pardon?' he said.
It's wounded!'
Lady, that was the intention, wasn't it? Anyway, it's only stunned,' said Vimes.
I mean you can't let them kill it like this,' said Lady Ramkin insistently. 'Poor thing!'
What do you want to do, then?' demanded Vimes, his temper unravelling. 'Give it a strengthening dose of tar oil and a nice comfy basket in front of the stove?'
It's butchery!'
Suits me fine!'
But it's a dragon! It's just doing what a dragon does! It never would have come here if people had left it alone!'
Vimes thought: it was about to eat her, and she can still think like this. He hesitated. Perhaps that did give you the right to an opinion...
”
”
Terry Pratchett (Guards! Guards! (Discworld, #8))
“
I don’t think you’re aloud to be homeschooled if you don’t have a home.
”
”
Wendelin Van Draanen (Runaway)
“
These are the seductive voices of the night; the Sirens, too, sang that way. It would be doing them an injustice to think that they wanted to seduce; they knew they had claws and sterile wombs, and they lamented this aloud. They could not help it if their laments sounded so beautiful.
”
”
Franz Kafka
“
I WALK IN / I SEE YOU / I WATCH YOU / I SCAN YOU / I WAIT FOR YOU / I TICKLE YOU / I TEASE YOU / I SEARCH YOU / I BREATHE YOU / I TALK / I SMILE / I TOUCH YOUR HAIR / YOU ARE THE ONE / YOU ARE THE ONE WHO DID THIS TO ME / YOU ARE MY OWN / I SHOW YOU / I FEEL YOU / I ASK YOU / I DON’T ASK / I DON’T WAIT / I WON’T ASK YOU / I CAN’T TELL YOU / I LIE / I AM CRYING HARD / THERE WAS BLOOD / NO ONE TOLD ME / NO ONE KNEW / MY MOTHER KNOWS / I FORGET YOUR NAME / I DON’T THINK / I BURY MY HEAD / I BURY YOUR HEAD / I BURY YOU / MY FEVER / MY SKIN / I CANNOT BREATHE / I CANNOT EAT / I CANNOT WALK / I AM LOSING TIME / I AM LOSING TIME / I AM LOSING GROUND / I CANNOT STAND IT / I CRY / I CRY OUT / I BITE / I BITE YOUR LIP / I BREATHE YOUR BREATH / I PULSE / I PRAY / I PRAY ALOUD / I SMELL YOU ON MY SKIN / I SAY THE WORD / I SAY YOUR NAME / I COVER YOU / I SHELTER YOU / I RUN FROM YOU / I SLEEP BESIDE YOU / I SMELL YOU ON MY CLOTHES / I KEEP YOUR CLOTHES
”
”
Jenny Holzer
“
Say whatever is in your heart,” Violet said. Her lips
twisted wryly. “And if that doesn’t work, I suggest that
you take a book and knock him over the head with it.”
Hyacinth blinked, then blinked again. “I beg your pardon.”
“I didn’t say that,” Violet said quickly.
Hyacinth felt herself smile. “I’m rather certain you
did.”
“Do you think?” Violet murmured, concealing her own
smile with her teacup.
“A large book,” Hyacinth queried, “or small?”
“Large, I think, don’t you?”
Hyacinth nodded. “Have we The Complete Works of
Shakespeare in the library?”
Violet’s lips twitched. “I believe that we do.”
Something began to bubble in Hyacinth’s chest. Something
very close to laughter. And it felt so good to feel it
again.
“I love you, Mother,” she said, suddenly consumed by
the need to say it aloud. “I just wanted you to know that.”
“I know, darling,” Violet said, and her eyes were shining
brightly. “I love you, too.
”
”
Julia Quinn (It's in His Kiss (Bridgertons, #7))
“
I’m in love with that girl,” she said out loud in amazement, because she knew that this was a life-changing thing and life-changing things should be said aloud, should have a moment in time, and a place in the air, some molecular structure to make them real. I’m in love with that girl, she heard as it reverberated inside her head. And it was truth, she realised, as things are which you don’t think, but discover have always existed.
”
”
Paula Boock (Dare Truth or Promise)
“
And then everything went on very quietly for a fortnight, says Dr. Jordan. He is reading aloud from my confession.
Yes Sir, it did, I say. More or less quietly.
What is everything? How did it go on?
I beg your pardon, Sir?
What did you do everyday?
Oh, the usual, Sir, I say. I performed my duties.
You will forgive me, says Dr. Jordan. Of what did those duties consist?
I look at him. He is wearing a yellow cravat with small white squares, he is not making a joke. He really does not know. Men such as him do not have to clean up the messes they make, but we have to clean up our own messes, and theirs into the bargain. In that way they are like children, they do not have to think ahead, or worry about the consequences of what they do. But it's not their fault, it is only how they are brought up.
”
”
Margaret Atwood (Alias Grace)
“
You don't deserve it, he said aloud. Don't ever begin to think that you do.
”
”
Kent Haruf (Plainsong (Plainsong, #1))
“
Don't think, old man," he said aloud. "Sail on this course and take it when it comes.
”
”
Ernest Hemingway (The Old Man and the Sea)
“
I wonder what's the difference between ordinary councillors and privy councillors?" wondered the merchant aloud.
The assassin scowled at him. "I think," he said, "it is because you're expected to eat shit.
”
”
Terry Pratchett (Guards! Guards! (Discworld, #8; City Watch, #1))
“
Amazing Peace: A Christmas Poem
Thunder rumbles in the mountain passes
And lightning rattles the eaves of our houses.
Flood waters await us in our avenues.
Snow falls upon snow, falls upon snow to avalanche
Over unprotected villages.
The sky slips low and grey and threatening.
We question ourselves.
What have we done to so affront nature?
We worry God.
Are you there? Are you there really?
Does the covenant you made with us still hold?
Into this climate of fear and apprehension, Christmas enters,
Streaming lights of joy, ringing bells of hope
And singing carols of forgiveness high up in the bright air.
The world is encouraged to come away from rancor,
Come the way of friendship.
It is the Glad Season.
Thunder ebbs to silence and lightning sleeps quietly in the corner.
Flood waters recede into memory.
Snow becomes a yielding cushion to aid us
As we make our way to higher ground.
Hope is born again in the faces of children
It rides on the shoulders of our aged as they walk into their sunsets.
Hope spreads around the earth. Brightening all things,
Even hate which crouches breeding in dark corridors.
In our joy, we think we hear a whisper.
At first it is too soft. Then only half heard.
We listen carefully as it gathers strength.
We hear a sweetness.
The word is Peace.
It is loud now. It is louder.
Louder than the explosion of bombs.
We tremble at the sound. We are thrilled by its presence.
It is what we have hungered for.
Not just the absence of war. But, true Peace.
A harmony of spirit, a comfort of courtesies.
Security for our beloveds and their beloveds.
We clap hands and welcome the Peace of Christmas.
We beckon this good season to wait a while with us.
We, Baptist and Buddhist, Methodist and Muslim, say come.
Peace.
Come and fill us and our world with your majesty.
We, the Jew and the Jainist, the Catholic and the Confucian,
Implore you, to stay a while with us.
So we may learn by your shimmering light
How to look beyond complexion and see community.
It is Christmas time, a halting of hate time.
On this platform of peace, we can create a language
To translate ourselves to ourselves and to each other.
At this Holy Instant, we celebrate the Birth of Jesus Christ
Into the great religions of the world.
We jubilate the precious advent of trust.
We shout with glorious tongues at the coming of hope.
All the earth's tribes loosen their voices
To celebrate the promise of Peace.
We, Angels and Mortal's, Believers and Non-Believers,
Look heavenward and speak the word aloud.
Peace. We look at our world and speak the word aloud.
Peace. We look at each other, then into ourselves
And we say without shyness or apology or hesitation.
Peace, My Brother.
Peace, My Sister.
Peace, My Soul.
”
”
Maya Angelou (Amazing Peace: A Christmas Poem)
“
Ranna," she said aloud, touching the first, the smallest bell. Ranna the sleepbringer, the sweet, low sound that brought silence in its wake.
"Mosrael." The second bell, a harsh, rowdy bell. Mosrael was the waker, the bell Sabriel should never use, the bell whose sound was a seesaw, throwing the ringer further into Death, as it brought the listener into Life.
"Kibeth." Kibeth, the walker. A bell of several sounds, a difficult and contrary bell. It could give freedom of movement to one of the Dead, or walk them through the next gate. Many a necromancer had stumbled with Kibeth and walked where they would not.
"Dyrim." A musical bell, of clear and pretty tone. Dyrim was the voice that the Dead so often lost. But Dyrim could also still a tongue that moved too freely.
"Belgaer." Another tricksome bell, that sought to ring of its own accord. Belgaer was the thinking bell, the bell most necromancers scorned to use. It could restore independent thought, memory and all the patterns of a living person. Or, slipping in a careless hand, erase them.
"Saraneth." The deepest, lowest bell. The sound of strength. Saraneth was the binder, the bell that shackled the Dead to the wielder's will. And last, the largest bell, the one Sabriel's cold fingers found colder still, even in the leather case that kept it silent.
"Astarael, the Sorrowful," whispered Sabriel. Astarael was the banisher, the final bell. Properly rung, it cast everyone who heard it far into Death. Everyone, including the ringer.
”
”
Garth Nix (Sabriel (Abhorsen, #1))
“
A single person is missing for you, and the whole world is empty,” Philippe Ariès wrote to the point of this aversion in Western Attitudes toward Death. “But one no longer has the right to say so aloud.
”
”
Joan Didion (The Year of Magical Thinking)
“
It does not take long. Soon the fine galloping language, the gutless swooning full of sapless trees and dehydrated lusts begins to swim smooth and swift and peaceful. It is better than praying without having to bother to think aloud. It is like listening in a cathedral to a eunuch chanting in a language which he does not even need to not understand.
”
”
William Faulkner (Light in August)
“
The act of speaking our intentions aloud shifts them from wishful thinking into action.
”
”
Michael Thomas Sunnarborg (21 Days to Better Balance: Find More Balance in a Busy World)
“
No one will ever say, no matter how good a parent he or she was, “I think I spent too much time with my children when they were young.
”
”
Sarah Mackenzie (The Read-Aloud Family: Making Meaningful and Lasting Connections with Your Kids)
“
He was just thinking aloud, ruling out possibilities by releasing them into the air, like canaries in the coal mine of his mind.
”
”
John Connolly (The Reapers (Charlie Parker, #7))
“
We talk. Darlene worries aloud that her husband works with a lot of attractive young women; she herself is fourty. I tell her it´s not about age. "Little thing called character," I say, thinking, Accepting marital advice from me: the height of lunacy.
”
”
Suzanne Finnamore (Split: A Memoir of Divorce)
“
What he was now seeing was the street lonely, savage, and cool. That was it: cool; he was thinking, saying aloud to himself sometimes, “I better move. I better get away from here.”
But something held him, as the fatalist can always be held: by curiosity, pessimism, by sheer inertia.
”
”
William Faulkner (Light in August)
“
The sky spoke to me,” said Childermass. “If what I saw was true, then …” He paused.
“Then what?” asked Mr Norrell.
In his weakened state Childermass had been thinking aloud. He had meant to say that if what he had seen was true, then everything that Strange and Norrell had ever done was child’s-play and magic was a much stranger and more terrifying thing than any of them had thought of. Strange and Norrell had been merely throwing paper darts about a parlour, while real magic soared and swooped and twisted on great wings in a limitless sky far, far above them.
”
”
Susanna Clarke (Jonathan Strange & Mr Norrell)
“
You’re going to make your lip bleed, biting it like that,” he said.
“I’m feeling . . . kind of nervous.”
“I can see that. Would it help if I held your hand?”
I shook my head vigorously.
No, it would make things worse, you idiot! Quite apart from the fact that I’m at a total loss to understand the way you’re treating me now, anyway! Not to mention our relationship in general. What’s more, Mr. Whitman is looking at us like some kind of know-it-all squirrel!
I almost groaned aloud. Would I feel any better if I told him any of what I was thinking? I thought about doing just that for a moment, but I didn’t.
”
”
Kerstin Gier (Saphirblau (Edelstein-Trilogie, #2))
“
We all have those things, I think – those things we want too badly to speak about aloud for fear someone'll swoop in and tell us we're just dreaming, those things we hold close and fantasize about at night and swear to the world we don't care that much about.
”
”
Kelly Loy Gilbert (Picture Us in the Light)
“
The only thing I remember about him now is that he shaved his legs. I was surprised at how much I dug the shaved legs.
"Thanks for sharing," Jacob said.
I hadn't realized I'd been thinking aloud.
”
”
Tiffanie DeBartolo (God-Shaped Hole)
“
Aeduan.” She’d never said his name aloud. She was surprised by how easily it rolled off the tongue.
He looked back, his expression inscrutable as always. But laced with … with something. Hope, she found herself thinking, though she knew it was fanciful.
Aeduan was not the sort of man to ever hope.
”
”
Susan Dennard (Windwitch (The Witchlands, #2))
“
She was enfolded in the great wings of Mrs. Whatsit and she felt comfort and strength pouring through her. Mrs. Whatsit was not speaking aloud, and yet through the wings Meg understood words.
"My child, do not despair. Do you think we would have brought you here if there was no hope? We are asking you to do a difficult thing, but we are confident that you can do it. Your father needs help, he needs courage, and for his children he may be able to do what he cannot do for himself.
”
”
Madeleine L'Engle (A Wrinkle in Time (Time Quintet, #1))
“
Think of me, and I will answer,” he spoke to my mind. Then he pulled away, lingering against my mouth to say aloud, “Long for me, and I am right here with you.
”
”
C.C. Peñaranda (The Stars Are Dying (Nytefall, #1))
“
If the others heard me talking out loud they would think that I am crazy,' he said aloud. 'But since I am not crazy, I do not care.
”
”
Ernest Hemingway (The Old Man and the Sea)
“
Do you think Kinkade is Welland-Dowd?" she wondered
Chase burst into laughter so booming that every head on the street rotated, startled.
Oh,God. She'd just understood when she'd said it aloud.
Welland-Dowd.
Well-endowed.
”
”
Julie Anne Long (Since the Surrender (Pennyroyal Green, #3))
“
Go on philosophers--teach, enlighten, kindle, think aloud, speak up, run joyfully toward broad daylight, fraternize in the public squares, announce the glad tidings, lavish your alphabets, proclaim human rights, sing your Marseillaises, sow enthusiasms, tear off green branches from the oak trees. Make thought a whirlwind. This multitude can be sublimated. Let us learn to avail ourselves of this vast conflagration of principles and virtues, which occasionally sparkles, bursts, and shudders. These bare feet, these naked arms, these rags, these shades of ignorance, depths of despair, the gloom can be used for the conquest of the ideal. Look through the medium of the people, and you will discern the truth. This lowly sand that you trample underfoot, if you throw it into a furnace and let it melt and seethe, will become sparkling crystal; and thanks to such as this a Galileo and a Newton will discover the stars.
”
”
Victor Hugo (Les Misérables)
“
Nothing as singular or as important had happened since the day of his birth. She returned his gaze, struck by the sense of her own transformation, and overwhelmed by the beauty in a face which a lifetime's habit had taught her to ignore. She whispered his name with the deliberation of a child trying out the distinct sounds. When he replied with her name, it sounded like a new word - the syllables remained the same, the meaning was different. Finally he spoke the three simple words that no amount of bad art or bad faith can ever quite cheapen. She repeated them, with exactly the same emphasis on the second word, as if she had been the one to say them first. He had no religious belief, but it was impossible not to think of an invisible presence or witness in the room, and that these words spoken aloud were like signatures on an unseen contract
”
”
Ian McEwan (Atonement)
“
She was looking at Alec instead, watching him as he talked to Jace. There was a kinetic, almost feverish energy to him that hadn’t been there before. Something about Jace sharpened him, brought him into focus. If she were going to draw them together, she thought, she would make Jace a little blurry, while Alec stood out, all sharp, clear planes and angles. Jace was looking down as Alec spoke, smiling a little and tapping his water glass with a fingernail. She sensed he was thinking of other things. She felt a sudden flash of sympathy for Alec.
Jace couldn’t be an easy person to care about.
I was laughing at you because declarations of love amuse me, especially when unrequited. Jace looked up as the waitress passed. “Are we ever going to get any coffee?” he said aloud, interrupting Alec midsentence. Alec subsided, his energy fading.
”
”
Cassandra Clare (City of Bones (The Mortal Instruments, #1))
“
Before the Law stands a doorkeeper on guard. To this doorkeeper there comes a man from the country who begs for admittance to the Law. But the doorkeeper says that he cannot admit the man at the moment. The man, on reflection, asks if he will be allowed, then, to enter later. 'It is possible,' answers the doorkeeper, 'but not at this moment.' Since the door leading into the Law stands open as usual and the doorkeeper steps to one side, the man bends down to peer through the entrance. When the doorkeeper sees that, he laughs and says: 'If you are so strongly tempted, try to get in without my permission. But note that I am powerful. And I am only the lowest doorkeeper. From hall to hall keepers stand at every door, one more powerful than the other. Even the third of these has an aspect that even I cannot bear to look at.' These are difficulties which the man from the country has not expected to meet, the Law, he thinks, should be accessible to every man and at all times, but when he looks more closely at the doorkeeper in his furred robe, with his huge pointed nose and long, thin, Tartar beard, he decides that he had better wait until he gets permission to enter. The doorkeeper gives him a stool and lets him sit down at the side of the door. There he sits waiting for days and years. He makes many attempts to be allowed in and wearies the doorkeeper with his importunity. The doorkeeper often engages him in brief conversation, asking him about his home and about other matters, but the questions are put quite impersonally, as great men put questions, and always conclude with the statement that the man cannot be allowed to enter yet. The man, who has equipped himself with many things for his journey, parts with all he has, however valuable, in the hope of bribing the doorkeeper. The doorkeeper accepts it all, saying, however, as he takes each gift: 'I take this only to keep you from feeling that you have left something undone.' During all these long years the man watches the doorkeeper almost incessantly. He forgets about the other doorkeepers, and this one seems to him the only barrier between himself and the Law. In the first years he curses his evil fate aloud; later, as he grows old, he only mutters to himself. He grows childish, and since in his prolonged watch he has learned to know even the fleas in the doorkeeper's fur collar, he begs the very fleas to help him and to persuade the doorkeeper to change his mind. Finally his eyes grow dim and he does not know whether the world is really darkening around him or whether his eyes are only deceiving him. But in the darkness he can now perceive a radiance that streams immortally from the door of the Law. Now his life is drawing to a close. Before he dies, all that he has experienced during the whole time of his sojourn condenses in his mind into one question, which he has never yet put to the doorkeeper. He beckons the doorkeeper, since he can no longer raise his stiffening body. The doorkeeper has to bend far down to hear him, for the difference in size between them has increased very much to the man's disadvantage. 'What do you want to know now?' asks the doorkeeper, 'you are insatiable.' 'Everyone strives to attain the Law,' answers the man, 'how does it come about, then, that in all these years no one has come seeking admittance but me?' The doorkeeper perceives that the man is at the end of his strength and that his hearing is failing, so he bellows in his ear: 'No one but you could gain admittance through this door, since this door was intended only for you. I am now going to shut it.
”
”
Franz Kafka (The Trial)
“
if there’s one thing I learned this year, it’s that you rise up to the circumstances when they are presented to you. We are so much stronger than we think we are. But sometimes, we go through decades without having a reason to be tested. The thing about life is, it always hits us. No one leads a charmed life. Even the blond, gorgeous, picture-perfect, popular rich girl harbors secrets. Even the football captain. Even the rich mother of two who married her hot millionaire ex-student. The ballet prodigy. Everyone’s got a story, and we all have chapters we’d rather not read aloud.
”
”
L.J. Shen (Pretty Reckless (All Saints High, #1))
“
How impossible is it to say aloud that you want love? Not just love—I wanted proof of its existeince, that I deserved it. I cried thinking about it.
”
”
Larissa Pham (Pop Song: Adventures in Art & Intimacy)
“
If the others heard me talking out loud they would think that I am crazy," he said aloud.
”
”
Ernest Hemingway (The Old Man and the Sea)
“
Tell me,” he whispered. “Tell me what you refuse to say aloud. What you think every night before you go to sleep. Tell me the words you say in dreams, when no one can hear you.
”
”
Keri Lake (Nightshade (Nightshade, #1))
“
You loved him when he was alive and you loved him after. If you love him, it is not a sin to kill him. Or is it more? 'You think too much, old man' he said aloud.
”
”
Ernest Hemingway (The Old Man and the Sea)
“
Yet you cannot let go. Why? I can let go. I can let you drop so easily. That is because I do not see you as a person but rather an appliance that I switch on and off. I don’t need you for two months so I switch you off and put you away. You do not trouble my consciousness. Not once. So when I have subjected you to another bout of silent treatment and you are sat weeping into your glass of pinot grigio wondering aloud if I am thinking about you, I can help you with that. No I am not. You no longer exist to me. You never existed.
”
”
H.G. Tudor (Confessions of a Narcissist)
“
Best if you think of this room as a minefield. Tread carefully or get exploded, she advised Jared, and then said aloud, “Hideous brats! We have a guest. Conceal evidence of your crimes.
”
”
Sarah Rees Brennan (Unspoken (The Lynburn Legacy, #1))
“
It did not occur to them to refuse. They knew that if you find some person or creature in desperate need of help which you can supply you have a human duty to supply it, even if it could inconvenience or even hurt you to do so. This, after all, is how the greatest and best deeds in the world have been done, and though the children did not say this aloud, they knew it inside themselves without even thinking about it.
”
”
Mary Stewart (A Walk in Wolf Wood)
“
At breakfast, Babette read all our horoscopes aloud, using her storytelling voice. I tried not to listen when she got to mine, although I think I wanted to listen, I think I sought some clues.
”
”
Don DeLillo (White Noise)
“
To say that one need art, or politics, that incorporate ambiguity and contradiction is not to say that one then stops recognizing and condemning things as evil. However, it might stop one being so utterly convinced of the certainty of one's own solutions. There needs to be a strong understanding of fallibility and how the very act of certainty or authoritativeness can bring disasters.
”
”
William Kentridge (William Kentridge: Thinking Aloud (Kunstwissenschaftliche Bibliothek))
“
Down, down, down. Would the fall never come to an end! 'I wonder how many miles I've fallen by this time?' she said aloud. 'I must be getting somewhere near the centre of the earth. Let me see: that would be four thousand miles down, I think--
”
”
Lewis Carroll (Alice's Adventures in Wonderland (Alice's Adventures in Wonderland, #1))
“
I do not think I’ve been subtle about it, but I feel I should tell you that I like you, too.” Clarion couldn’t help laughing, even through the threat of tears constricting her throat. She leaned her forehead against his shoulder, if only to hide how much his words had affected her. She supposed she had known for quite some time how he felt, but to hear him admit it aloud . . . It made *this*— whatever it was— real: something she could lose.
”
”
Allison Saft (Wings of Starlight (Wings of Pixie Hollow, #1))
“
Most days I live awed by the world we have still, rather than mourning the worlds we have lost. The bandit mask of a cedar waxwing on a bare branch a few feet away; the clear bright sun of a frozen winter noon; the rise of Orion in the eastern evening sky-every day, every night, I give thanks for another chance to notice. I see beauty everywhere; so much beauty I often speak it aloud. So much beauty I often laugh, and my day is made.
Still if you wanted to, I think, you could feel sadness without end. I’m not even talking about hungry children or domestic violence or endless wars between supposedly grown men…but ‘you mustn’t be frightened if a sadness rises in front of you, larger than any you even seen,' said Rilke, 'you must realize that something is happening to you, that life has not forgotten you, that it holds you in it hand and will not let you fall.
”
”
Paul Bogard (The End of Night: Searching for Natural Darkness in an Age of Artificial Light)
“
There's a lot you can do with a name like Amelia.
You can play with it, sure, is what you think I'm going to say. Make it cute (Amy), or cuter (Millie), complaining (Meelie), or French, I guess, like the movie (Amélie).
You can step right into that name, is what I mean, and walk around. Swim with it or spill it on your shirt. Whisper it over like a sad, soft ache, or bark it out aloud like a mad, manic message: camellia, come heee-re, a-million, ah murder you, ye-eah.
”
”
Jaclyn Moriarty (The Ghosts of Ashbury High (Ashbury/Brookfield, #4))
“
They live like beasts, sweetie.
They slang, they bark, they rape.
They kill for a solar panel or the copper ring they find in the junk. They don’t think about art and culture or how the universe exists as the High Grades do.
They are lowly, earthly monsters …
Meera never speaks such words aloud, but Magic Mama told her once what the High Grades think of anyone unevolved, no matter if they’re outside the walls or inside them.
”
”
Misba (The High Auction (Wisdom Revolution, #1))
“
This is not a book about teaching a child how to read; it's about teaching a child to want to read. There's an education adage that goes, "What we teach children to love and desire will always outweigh what we make them learn." The fact is that some children learn to read sooner than others, while some learn better than others. There is a difference. For the parent who thinks that sooner is better, who has an eighteen-month-old child barking at flash cards, my response is: sooner is not better. Are the dinner guests who arrive an hour early better guests than those who arrive on time? Of course not.
”
”
Jim Trelease (The Read-Aloud Handbook)
“
And Ken said I can't marry you."
Jack felt his heart jump in his chest. He glanced at his sleeping brother. "Did he say why?"
"Yes." She kept her voice sober. "He said you have to ask me properly."
Relief made him weak. His pulse beat at his temples, throbbed in his neck. For one moment his fingers closed in her hair in a tight fist. "Properly? If I ask, you might say no, so I'm thinking we'll just start off right and I'll tell you and we'll get the thing done."
"Get the thing done?" Briony echoed.
Ken snorted aloud. "Jack, I'll take over watch and you get some sleep. I think you fried your brain up there on the roof."
"Pipe down over there." Jack said. "You're already stirring up trouble."
"Get the thing done?" Briony repeated slowly. "The thing being what exactly?"
"The ceremony. The paperwork. Whatever the hell it takes to make it legal."
Briony sat up and glared at him. "Take your 'it' and shove it, Jack."
"There's no need ti be getting upset, Briony. We can't exactly go around with a bunch of kids and not do whatever the hell it is one does to make it legal."
"Whatever the hell it takes to make what legal?"
He shrugged. "How the hell would I know? I've never done this before. Sleeping together I guess."
"So you are going to marry me so it's legal to sleep with me?"
"This isn't coming out right."
"You think?"
"Don't get upset, baby,. I don't understand why you're getting upset.
”
”
Christine Feehan (Conspiracy Game (GhostWalkers, #4))
“
Absolutely pathetic.”
I make a Jeopardy! buzzer sound. “Who is Joshua Templeman?”
“Lucinda flirting with couriers. Pathetic.”
Joshua is hammering away on his keyboard. He certainly is an impressive touch typist. I stroll past his desk and am gratified by his frustrated backspacing.
“I’m nice to him.”
“You? Nice?”
I’m surprised by how hurt I feel. “I’m lovely. Ask anyone.”
“Okay. Josh, is she lovely?” he asks himself aloud. “Hmm, let me think.”
He picks up his tin of mints, opens the lid, checks them, closes it, and looks at me. I open my mouth and lift my tongue like a mental patient at the medication window.
“She’s got a few lovely things about her, I suppose.”
I raise a finger and enunciate the words crisply: “Human resources.”
He sits up straighter but the corner of his mouth moves. I wish I could use my thumbs to pull his mouth into a huge deranged grin. As the police drag me out in handcuffs I’ll be screeching, Smile, goddamn you.
We need to get even, because it’s not fair. He’s gotten one of my smiles, and seen me smile at countless other people. I have never seen him smile, nor have I seen his face look anything but blank, bored, surly, suspicious, watchful, resentful. Occasionally he has another look on his face, after we’ve been arguing. His Serial Killer expression.
”
”
Sally Thorne (The Hating Game)
“
Come to the jacaranda tree at seven o'clock and you will hear something to your advantage. Destroy this note.'
No signature, no clue to the identity. Just what sort of heroine do you think I am? Phryne asked the air. Only a Gothic novel protagonist would receive that and say, 'Goodness, let me just slip into a low-cut white nightie and put on the highest heeled shoes I can find,' and, pausing only to burn the note, slip out of the hotel by a back exit and go forth to meet her doom in the den of the monster - to be rescued in the nick of time by the strong-jawed hero (he of the Byronic profile and the muscles rippling beneath the torn shirt). 'Oh, my dear,' Phryne spoke aloud as if to the letter-writer. 'You don't know a lot about me, do you?
”
”
Kerry Greenwood (Death Before Wicket (Phryne Fisher, #10))
“
As observers of totalitarianism such as Victor Klemperer noticed, truth dies in four modes, all of which we have just witnessed.
The first mode is the open hostility to verifiable reality, which takes the form of presenting inventions and lies as if they were facts. The president does this at a high rate and at a fast pace. One attempt during the 2016 campaign to track his utterances found that 78 percent of his factual claims were false. This proportion is so high that it makes the correct assertions seem like unintended oversights on the path toward total fiction. Demeaning the world as it is begins the creation of a fictional counterworld.
The second mode is shamanistic incantation. As Klemperer noted, the fascist style depends upon “endless repetition,” designed to make the fictional plausible and the criminal desirable. The systematic use of nicknames such as “Lyin’ Ted” and “Crooked Hillary” displaced certain character traits that might more appropriately have been affixed to the president himself. Yet through blunt repetition over Twitter, our president managed the transformation of individuals into stereotypes that people then spoke aloud. At rallies, the repeated chants of “Build that wall” and “Lock her up” did not describe anything that the president had specific plans to do, but their very grandiosity established a connection between him and his audience.
The next mode is magical thinking, or the open embrace of contradiction. The president’s campaign involved the promises of cutting taxes for everyone, eliminating the national debt, and increasing spending on both social policy and national defense. These promises mutually contradict. It is as if a farmer said he were taking an egg from the henhouse, boiling it whole and serving it to his wife, and also poaching it and serving it to his children, and then returning it to the hen unbroken, and then watching as the chick hatches.
Accepting untruth of this radical kind requires a blatant abandonment of reason. Klemperer’s descriptions of losing friends in Germany in 1933 over the issue of magical thinking ring eerily true today. One of his former students implored him to “abandon yourself to your feelings, and you must always focus on the Führer’s greatness, rather than on the discomfort you are feeling at present.” Twelve years later, after all the atrocities, and at the end of a war that Germany had clearly lost, an amputated soldier told Klemperer that Hitler “has never lied yet. I believe in Hitler.”
The final mode is misplaced faith. It involves the sort of self-deifying claims the president made when he said that “I alone can solve it” or “I am your voice.” When faith descends from heaven to earth in this way, no room remains for the small truths of our individual discernment and experience. What terrified Klemperer was the way that this transition seemed permanent. Once truth had become oracular rather than factual, evidence was irrelevant. At the end of the war a worker told Klemperer that “understanding is useless, you have to have faith. I believe in the Führer.
”
”
Timothy Snyder (On Tyranny: Twenty Lessons from the Twentieth Century)
“
There must be something in him, something fundamental, that disenchanted people. “Colorless Tsukuru Tazaki,” he said aloud. I basically have nothing to offer to others. If you think about it, I don’t even have anything to offer myself.
”
”
Haruki Murakami (Colorless Tsukuru Tazaki and His Years of Pilgrimage)
“
Mother Nature," he murdered half aloud and grinned, "we think of her as a benevolent old lady. Maybe instead she's the wantonest kind of whore.
”
”
Harold Sinclair (American Years)
“
I am growing old of course, but I am still in the early stages of disintegration, and regarded as just about cool enough by some fashionable young ppl to be permitted to think aloud.
”
”
Pete Townshend
“
You think you can vanish into thin air and it won't affect me?
Yes I would like he thinks to live in such a way that I could vanish into thin air at any time without affecting anyone and in fact I feel that for me this would constitute the perfect and perhaps the only acceptable life. At the same time I want desperately to be loved. Aloud he says: Whatever, I don't know.
”
”
Sally Rooney (Intermezzo)
“
She's in the Catskill," Shopie began, but Scathach reached over and pinched her hand. "Ouch!"
I just wanted to distract you," Scathach explained. "Don't even think about Black Annis. There are some names that should never be spoken aloud."
That like saying don't think of elephants, Josh said, "and then all you can think about is elephants."
Then let me give you something else to think about," Scathach said softly. "There are two police officers in the window staring at us. Don't look," she added urgently.
Too late. Josh turned to look and whatever crossed his face--shock, horror, guilt or fear--bought both officers racing into the cafe, one pulling his automatic from its holster, the other speaking urgently into his radio as he drew his baton.
”
”
Michael Scott
“
Her hand tightened around the handle of the serving spoon.
"Don't do it," he warned.
"Do what?"
"Throw the spoon."
"I wouldn't dream of it," she said tightly.
He laughed aloud. "Oh,yes you would. You're dreaming of it right now. You just wouldn't do it."
Sophie's hand was gripping the spoon so hard it shook.
Benedict was chuckling so hard his bed shook.
Sophie stood,still holding the spoon.
Benedict smiled. "Are you planning to take that with you?"
Remember your place, Sophie was screaming at herself. Remember your place.
"Whatever could you be thinking." Benedict mused, "to look so adorably ferocious? No,don't tell me," he added. "I'm sure it involves my untimely and painful demise."
Slowly and carefully, Sophie turned her back to him and put the spoon down on the table. She didn't want to risk any sudden movements. One false move and she knew she'd be hurling it at his head.
Benedict raised his brows approvingly. "That was very mature of you."
Sophie turned around slowly. "Are you this charming with everyone or only me?"
"Oh,only you." He grinned. "I shall have to make sure you take me up on my offer to find you employment with my mother.You do bring out the best in me, Miss Sophie Beckett."
"This is the best?" she asked with obvious disbelief.
"I'm afraid so.
”
”
Julia Quinn (An Offer From a Gentleman (Bridgertons, #3))
“
Oh, for heavens sake, she thought with droll exasperation, this certainly explains a lot. It's no wonder I haven't been able to keep my hands off the blasted man since the day I met him. He's an artifact! A Celtic one at that!
"Well, that's one way of thinking of me, lass," Dageus purred, his dark eyes gleaming with satisfaction.
"Tell me I didn't just say that aloud!" Chloe was horrified.
Silvan cleared his throat. "You did. He's an artifact.
”
”
Karen Marie Moning
“
P.C. Hodgell said - That which can be destroyed by the truth should be. Do not flinch from experiences that might destroy your beliefs. The thought you cannot think controls you more than thoughts you speak aloud. Submit yourself to ordeals and test yourself in fire. Relinquish the emotion which rests upon a mistaken belief, and seek to feel fully that emotion which fits the facts. If the iron approaches your face, and you believe it is hot, and it is cool, the Way opposes your fear. If the iron approaches your face, and you believe it is cool, and it is hot, the Way opposes your calm. Evaluate your beliefs first and then arrive at your emotions. Let yourself say - If the iron is hot, I desire to believe it is hot, and if it is cool, I desire to believe it is cool.
”
”
Eliezer Yudkowsky
“
So you intend to spend the remainder of your life whoring, drinking, wagering, and being as outrageous as you can manage?"
Bram shook himself. He made it a point to be serious as little as possible, and neither did he want to argue with two newly married men about the meruts of being leg-shackled."Please Phin," he said aloud. "I would never think so small. You know my ultimate goal is to lower the standards of morality enough that everything I do becomes acceptable.
”
”
Suzanne Enoch (Always a Scoundrel (Notorious Gentlemen, #3))
“
No parent/home/child/teacher/school has an all-round 100 percent wholeness. We all have limitations and problems. But I must never think it is all or nothing.
Perhaps I'd like to live in the country, but I don't. Well, maybe I can get the family to a park two times a week, and out to the country once every two weeks.
Maybe I have to send my child to a not-so-good school. Well, maybe we can read one or two good books together aloud. If you can't give them everything, give them something.
”
”
Susan Schaeffer Macaulay (For the Children's Sake)
“
Kossula was no longer on the porch with me. He was squatting about that fire in Dahomey. His face was twitching in abysmal pain. It was a horror mask. He had forgotten that I was there. He was thinking aloud and gazing into the dead faces in the smoke. His agony was so acute that he became inarticulate. He never noticed my preparation to leave him.
So I slipped away as quietly as possible and left him with his smoke pictures.
”
”
Zora Neale Hurston (Barracoon: The Story of the Last "Black Cargo")
“
Whitecloak Questioners assume you’re guilty before they start, and they have only one sentence for that kind of guilt. They don’t care about finding the truth; they think they know that already. All they go after with their hot irons and pincers is a confession. Best you remember some secrets are too dangerous for saying aloud, even when you think you know who hears.
”
”
Robert Jordan (The Eye of the World (The Wheel of Time, #1))
“
And then it came to me, like the first shocking glimpse of the sun's disk rising over the horizon, what it was I did want to do. It was so obvious that I wondered why I hadn't seen it before. I only had to say it aloud. Did I have the courage to do that? To reveal it in the open air? (...) 'I think,' I said, then stopped. 'I think maybe I want to go to the university.
”
”
Jacqueline Kelly (The Evolution of Calpurnia Tate (Calpurnia Tate, #1))
“
You can start training yourself in this Stoic practice of objective representation right now by writing down a description of an upsetting or problematic event in plain language. Phrase things as accurately as possible and view them from a more philosophical perspective, with studied indifference. Once you’ve mastered this art, take it a step further by following the example of Paconius Agrippinus and look for positive opportunities. Write how you could exercise strength of character and cope wisely with the situation. Ask yourself how someone you admire might cope with the same situation or what that person might advise you to do. Treat the event like a sparring partner in the gym, giving you an opportunity to strengthen your emotional resilience and coping skills. You might want to read your script aloud and review it several times or compose several versions until you’re satisfied it’s helped you change how you feel about events.
”
”
Donald J. Robertson (How to Think Like a Roman Emperor: The Stoic Philosophy of Marcus Aurelius)
“
They looked at each other in open hostility—she, leaning on her elbow in a flurry of frills and lace; he, sitting side-saddle on the edge of the bed. He was thinking ‘Who’s she to talk of any wrinkles I may have one day?’ and she ‘Why is he so ugly when he laughs?—he who’s the very picture of beauty!’ She thought for a moment, then finished aloud: “It’s because you look so ill-natured when you’re joking. You never laugh except unkindly—ᴀᴛ people, and that makes you ugly. You’re often ugly.
”
”
Colette (Chéri)
“
William: What are you looking for in a woman?
Reyes: I’ve found my angel, Danika. She’s all I need.
William: Really? That’s, like, weird to me. Men should need many girls. No one girl should be so important.
Reyes: How sad for you.
William: I’m not sad. You’re sad!
Reyes: Why are you so defensive about this?
William: Let’s move on. Favorite outfit?
Reyes: First, you said girls rather than women. Why is that, I wonder? Because you care about one girl in particular? Anyway, clothes are clothes. I don’t have any favorites.
William: Go to hell. I care about no one and I’m proud to admit that! Favorite moment in the series so far?
Reyes: The first time Danika looked at me with trust and acceptance in her eyes. I’m still reeling.
William: And just so you know, girl was a slip of the tongue. Now. Least favorite moment in the series?
Reyes: Every time I had to kill Maddox.
William: Really? That would have been my favorite. Anyway, hobbies?
Reyes: Do you really have to ask? Yes? Fine. Cutting myself. I’ve started to draw shapes. Like hearts.
William: You actually admitted that aloud. [snicker]
[..]
Reyes: Happy for the first time in what seems an eternity.
William: Not that you deserve it. Really, I didn’t say girl for any particular reason. So what do you think of the fact that your home has been invaded by women?
Reyes: As long as I have Danika, I don’t care who lives with us.
William: Who do you think is the smartest Lord?
Reyes: Me. Look who I picked to spend eternity with.
William: I think you’re the dumbest! Seriously, girl was meant to encompass everyone old enough to be bedded by me. Now, if you knew you only had twenty-four hours before the Hunters found Pandora’s box and killed you, what would you do in the time you had left to live?
Reyes: Not even death can keep me away from my angel. I would find a way to change such a fate. Again.
William: What kind of underwear are you wearing?
Note from William: Bastard flipped me off and left.
Final thoughts from William: Reyes’s thoughts about me and my slip of the tongue were ridiculous and unfounded!
”
”
Gena Showalter (Into the Dark (Lords of the Underworld, #0.5,3.5; Atlantis #4.5))
“
She looked so unbearably sad, and it wrecked him.
"You love someone else," she whispered.
Wait.... what?
It took him a moment to realize he hasn't said it aloud. Has she gone mad? "What are you talking about?"
"Billie Bridgerton. You're supposed to marry her. I don't think you remember, bu--"
"I'm not in love with Billie," he interrupted
”
”
Julia Quinn (The Girl with the Make-Believe Husband (Rokesbys, #2))
“
Before I merely daydreamed about Ralston. Now I find myself actually with him. Actually talking to him. Actually discovering the real Ralston. He is no longer a creature I invented. He is flesh and blood and…now I can’t help wondering…” She trailed off, unwilling to say what she was thinking. What if he were mine?
She did not have to say the words aloud; Anne heard them anyway. When Callie opened her eyes and met Anne’s gaze in the looking glass, she saw Anne’s response there. Ralston is not for you, Callie.
“I know, Anne,” Callie said quietly, as much to remind herself as to reassure her friend.
”
”
Sarah MacLean (Nine Rules to Break When Romancing a Rake (Love By Numbers, #1))
“
And are you thirsty,” she asked, “or were you merely being polite?”
“I am always polite,” he said with a wicked grin, “but I am thirsty as well.”
Kate took one look at that grin, lethally combined with those devastating green eyes, and nearly groaned. “You are a rake as well,” she said with a sigh.
Colin choked— on what, she did not know, but he choked nonetheless. “I beg your pardon?”
Kate’s face flushed as she realized with horror that she’d spoken aloud. “No, it is I who should beg your pardon. Please forgive me. That was unforgivably rude.”
“No, no,” he said quickly, looking terribly interested and not a little bit amused, “do continue.”
Kate swallowed. There was really no way to get out of it now. “I was merely—” She cleared her throat. “If I might be frank . . .”
He nodded, his sly grin telling her that he could not imagine her being anything but frank.
Kate cleared her throat yet again. Really, this was getting ridiculous. She was starting to sound as if she’d swallowed a toad. “It had occurred to me that you might be rather like your brother, that is all.”
“My brother?”
“The viscount,” she said, thinking it must be obvious.
“I have three brothers,” he explained.
“Oh.” Now she felt stupid. “I’m sorry.”
“I’m sorry, too,” he said with great feeling. “Most of the time they’re a dreadful nuisance.”
-Kate & Colin
”
”
Julia Quinn (The Viscount Who Loved Me (Bridgertons, #2))
“
He himself slept peacefully and snored aloud, yet my heart was sore for him, wicked as he was, to think on the dark perils that environed and the shameful gibbet that awaited him.
”
”
Robert Louis Stevenson (Treasure Island)
“
Sometimes words spoken are the ones you've been afraid to think, but once they're said aloud there's no way to make them disappear.
”
”
Alice Hoffman (Indigo (Water Tales, #2))
“
for it is a mistake to think that talking to one's self is not natural. Powerful emotions often speak aloud
”
”
Victor Hugo
“
The last thing you want first-graders thinking is that what they’re reading in first grade is as good as books are going to get!
”
”
Jim Trelease (The Read-Aloud Handbook)
“
The Hatter opened his eyes very wide on hearing this; but all he said was, "Why is a raven like a writing-desk?"
"Come, we shall have some fun now!", thought Alice. "I'm glad they've begun asking riddles - I believe I can guess that," she added aloud.
"Do you mean that you think you can find out the answer to it?" said the March Hare.
"Exactly so," said Alice.
"Then you should say what you mean," the March Hare went on.
"I do," Alice hastily replied; "At least - at least I mean what I say - that's the same thing, you know."
"Not the same thing a bit!" said the Hatter. "Why, you might just as well said that "I see what I eat" is the same thing as "I eat what I see"!".
"You might just as well say," added the March Hare, "that "I like what I get" is the same thing as "I get what I like"!".
"You might just as well say," added the Dormouse, which seemed to be talking in its sleep, "that "I breath when I sleep" is the same thing as "I sleep when I breath"!".
"It is the same thing with you," said the Hatter, and here the conversation dropped and the party sat silent for a minute, while Alice thought over all she could remember about ravens and writing-desks, which wasn't much.
”
”
Lewis Carroll (Alice's Adventures in Wonderland & Other Stories)
“
We read off the ancient Hebrew words, with no idea of what they might mean, and the congregation responds with more words that they don't understand either. We are gathered together on a Saturday morning to speak gibberish to each other, and you would think, in these godless times, that the experience would be empty, but somehow it isn't. The five of us, huddled together shoulder to shoulder over the bima, read the words aloud slowly, and the congregation, these old friends and acquaintances and strangers, all respond, and for reasons I can't begin to articulate, it feels like something is actually happening. It's got nothing to do with God or souls, just the palpable sense of goodwill and support emanating in waves from the pews around us, and I can't help but be moved by it. When we reach the end of the page, and the last "amen" has been said, I'm sorry that' it's over. I could stay up here a while longer. And as we step down to make our way back to the pews, a quick survey of the sadness in my family's wet eyes tells me that I'm not the only one who feels that way. I don't feel any closer to my father than I did before, but for a moment there I was comforted, and that's more than I expected.
”
”
Jonathan Tropper (This is Where I Leave You)
“
You think I'm with you out of guilt?"
"No, you ass. Of course not. I just mean—"
"You're a nut, MacAllister. I'm with you because I love you."
There it was, out. Three little words. Three of the most common words in the world, but string them together and they were more powerful than any warrant, any extradition papers, or even treaty. Stronger than any magical spell. Had he really never said them aloud to Taylor?
”
”
Josh Lanyon (Old Poison (Dangerous Ground, #2))
“
Fix in your mind the exact amount of money you desire. It is not sufficient merely to say, ‘I want plenty of money.’ Be definite as to the amount. (There is a psychological reason for definiteness which will be described in a subsequent chapter.) 2. Determine exactly what you intend to give in return for the money you desire. (There is no such reality as ‘something for nothing’.) 3. Establish a definite date when you intend to possess the money you desire. 4. Create a definite plan for carrying out your desire, and begin at once, whether you are ready or not, to put this plan into action. 5. Write out a clear, concise statement of the amount of money you intend to acquire. Name the time limit for its acquisition. State what you intend to give in return for the money, and describe clearly the plan through which you intend to accumulate it. 6. Read your written statement aloud, twice daily, once just before retiring at night, and once after rising in the morning. AS YOU READ, SEE AND FEEL AND BELIEVE YOURSELF ALREADY IN POSSESSION OF THE MONEY.
”
”
Napoleon Hill (Think and Grow Rich)
“
Reading Aloud to My Father
I chose the book haphazard
from the shelf, but with Nabokov's first
sentence I knew it wasn't the thing
to read to a dying man:
The cradle rocks above an abyss, it began,
and common sense tells us that our existence
is but a brief crack of light
between two eternities of darkness.
The words disturbed both of us immediately,
and I stopped. With music it was the same --
Chopin's Piano Concerto — he asked me
to turn it off. He ceased eating, and drank
little, while the tumors briskly appropriated
what was left of him.
But to return to the cradle rocking. I think
Nabokov had it wrong. This is the abyss.
That's why babies howl at birth,
and why the dying so often reach
for something only they can apprehend.
At the end they don't want their hands
to be under the covers, and if you should put
your hand on theirs in a tentative gesture
of solidarity, they'll pull the hand free;
and you must honor that desire,
and let them pull it free.
”
”
Jane Kenyon (Otherwise: New and Selected Poems)
“
You are weak, Savannah. I can feel it when our minds merge."
"Stay out of my mind. You certainly weren't invited." Her hands went to her hips. "And just for the record, your mind needs to be washed out with soap! Half the things you think we're going to do are never going to happen. I could never look at you again."
He laughed. Aloud.An actual, real laugh. It welled up unexpectedly and emerged low and husky, with genuine amusement. Gregori nearly leapt the distance between them and dragged her into his arms, grateful beyond imagining.
She flung a pillow at his head. "Go ahead and laugh, you arrogant jerk." She wished she had a two-by-four handy.
”
”
Christine Feehan (Dark Magic (Dark, #4))
“
sudden I stopped. I was out of breath. I asked myself, “What is this all about? What is the meaning of this ceaseless rush? This is ridiculous!” Then I declared independence, and said, “I do not care if I go to dinner. I do not care whether I make a talk. I do not have to go to this dinner and I do not have to make a speech.” So deliberately and slowly I walked back to my room and took my time about unlocking the door. I telephoned the man downstairs and said, “If you want to eat, go ahead. If you want to save a place for me, I will be down after a while, but I am not going to rush any more.” So I removed my coat, sat down, took off my shoes, put my feet up on the table, and just sat. Then I opened the Bible and very slowly read aloud the 121st Psalm, “I will lift up mine eyes unto the hills from whence cometh my help.” I closed the book and had a little talk with myself, saying, “Come on now, start living a slower and more relaxed life,” and then I affirmed, “God is here and His
”
”
Norman Vincent Peale (The Power of Positive Thinking)
“
I said something I’d been thinking for a long while, “This guy came into work. I thought he was attractive. I check out guys sometimes.” It came out fast because that was the first time I’d said it aloud. It felt like relief. And terror. Carter
”
”
T.J. Klune (Wolfsong (Green Creek, #1))
“
A song." I said aloud. "What?" "The whole time Adam and I were together, he never wrote a song for me." Vera looked like she was trying to think of an appropriate response to such a stupid desire. "He was a drummer. You hate it when drummers sing.
”
”
Tiffanie DeBartolo (How to Kill a Rock Star)
“
Proceed, philosophers, teach, enlighten, enkindle, think aloud, speak aloud, run joyously towards the bright daylight, fraternise in the public squares, announce the glad tidings, scatter plenteously your alphabets, proclaim human rights, sing your Marseillaises, sow enthusiasms, broadcast, tear off green branches from the oak trees. Make thought a whirlwind. This multitude can be sublimated. Let us learn to avail ourselves of this vast combustion of principles and virtues, which sparkles, crackles and thrills at certain periods. These bare feet, these naked arms, these rags, these shades of ignorance, these depths of abjectness, these abysses of gloom may be employed in the conquest of the ideal. Look through the medium of the people, and you shall discern the truth. This lowly sand which you trample beneath your feet, if you cast it into the furnace, and let it melt and seethe, shall become resplendent crystal, and by means of such as it a Galileo and a Newtown shall discover stars.
”
”
Victor Hugo (Les Misérables)
“
Do you think they know what it really means to love?” his projection-self mused aloud to him. “That it isn’t the simple joy of fondness, I mean. In fact it’s violent, destructive. It means to cut the heart out of your chest and give it to someone else.
”
”
Olivie Blake (The Atlas Paradox (The Atlas, #2))
“
As a physician, I was trained to deal with uncertainty as aggressively as I dealt with disease itself. The unknown was the enemy. Within this worldview, having a question feels like an emergency; it means that something is out of control and needs to be made known as rapidly, efficiently, and cost-effectively as possible. But death has taken me to the edge of certainty, to the place of questions.
After years of trading mystery for mastery, it was hard and even frightening to stop offering myself reasonable explanations for some of the things that I observed and that others told me, and simply take them as they are. "I don't know" had long been a statement of shame, of personal and professional failing. In all of my training I do not recall hearing it said aloud even once.
But as I listened to more and more people with life-threatening illnesses tell their stories, not knowing simply became a matter of integrity. Things happened. And the explanations I offered myself became increasingly hollow, like a child whistling in the dark. The truth was that very often I didn't know and couldn't explain, and finally, weighed down by the many, many instances of the mysterious which are such an integral part of illness and healing, I surrendered. It was a moment of awakening.
For the first time, I became curious about the things I had been unwilling to see before, more sensitive to inconsistencies I had glibly explained or successfully ignored, more willing to ask people questions and draw them out about stories I would have otherwise dismissed. What I have found in the end was that the life I had defended as a doctor as precious was also Holy.
I no longer feel that life is ordinary. Everyday life is filled with mystery. The things we know are only a small part of the things we cannot know but can only glimpse. Yet even the smallest of glimpses can sustain us.
Mystery seems to have the power to comfort, to offer hope, and to lend meaning in times of loss and pain. In surprising ways it is the mysterious that strengthens us at such times. I used to try to offer people certainty in times that were not at all certain and could not be made certain. I now just offer my companionship and share my sense of mystery, of the possible, of wonder. After twenty years of working with people with cancer, I find it possible to neither doubt nor accept the unprovable but simply to remain open and wait.
I accept that I may never know where truth lies in such matters. The most important questions don't seem to have ready answers. But the questions themselves have a healing power when they are shared. An answer is an invitation to stop thinking about something, to stop wondering. Life has no such stopping places, life is a process whose every event is connected to the moment that just went by. An unanswered question is a fine traveling companion. It sharpens your eye for the road.
”
”
Rachel Naomi Remen (Kitchen Table Wisdom: Stories that Heal)
“
My epic,” said Emily, diligently devouring plum cake, “is about a very beautiful high-born girl who was stolen away from her real parents when she was a baby and brought up in a woodcutter’s hut.” “One av the seven original plots in the world,” murmured Father Cassidy. “What?” “Nothing. Just a bad habit av thinking aloud. Go on.” “She had a lover of high degree but his family did not want him to marry her because she was only a woodcutter’s daughter—” “Another of the seven plots — excuse me.” “ — so they sent him away to the Holy Land on a crusade and word came back that he was killed and then Editha — her name was Editha — went into a convent—” Emily paused for a bite of plum cake and Father Cassidy took up the strain. “And now her lover comes back very much alive, though covered with Paynim scars, and the secret av her birth is discovered through the dying confession av the old nurse and the birthmark on her arm.” “How did you know?” gasped Emily in amazement. “Oh, I guessed it — I’m a good guesser.
”
”
L.M. Montgomery (The Complete Emily Starr Trilogy: Emily of New Moon / Emily Climbs . Emily's Quest)
“
if there’s one thing I learned this year, it’s that you rise up to the circumstances when they are presented to you. We are so much stronger than we think we are. But sometimes, we go through decades without having a reason to be tested. The thing about life is, it always hits us. No one leads a charmed life.
Everyone’s got a story, and we all have chapters we’d rather not read aloud.
”
”
L.J. Shen (Pretty Reckless (All Saints High, #1))
“
Complaining, whether silently or aloud, is a major man repellant. When you complain, you are arguing with what is: you’re saying life is not how you think it should be. This victimizes you and creates stress and anxiety in your body. And that stress has a negative impact on your appearance: premature aging, a worsening of acne or psoriasis, and, my personal favorite, an increase in cortisol, the stress hormone that causes an increase in abdominal fat.
That being said, men are attracted to more than looks in a woman. They are attracted to the way you make them feel. Women who are complaint-free make men feel good because they themselves feel good.
”
”
Marie Forleo (Make Every Man Want You: How to Be So Irresistible You'll Barely Keep from Dating Yourself!)
“
I lie in bed at night, after ending my prayers with the words "Ich danke dir für all das Gute und Liebe und Schöne" and I'm filled with joy. I think of going into hiding, my health and my whole being as das Gute; Peter's love (which is still so new and fragile and which neither of us dares to say aloud), the future, happiness and love as das Liebe; the world, nature and the tremendous beauty of everything, all that splendor, as das Schöne.
At such moments I don't think about all the misery, but about the beauty that still remains. This is where Mother and I differ greatly. Her advice in the face of melancholy is: "Think about all the suffering in the world and be thankful you're not part of it." My advice is: "Go outside, to the country, enjoy the sun and all nature has to offer. Go outside and try to recapture the happiness within yourself; think of all the beauty in yourself and in everything around you and be happy."
I don't think Mother's advice can be right, because what are you supposed to do if you become part of the suffering? You'd be completely lost. On the contrary, beauty remains, even in misfortune. If you just look for it, you discover more and more happiness and regain your balance. A person who's happy will make others happy; a person who has courage and faith will never die in misery!
”
”
Anne Frank (Anne Frank: The Diary of a Young Girl - Multiple Critical Perspectives)
“
He looked up. I had seen him bare-chested before, but this was the first time I had really noticed that he had no navel. His sarx—the warm gold of brass— was taught and seamless over slabs of muscle, limned by the dim light from the lamp.
“Paige,” he said, his tone questioning.
I realized I was staring like a gamal at him.
“Sorry,” I said, face warm. “You just don’t have—” I indicated my own abdomen. “But you wouldn’t, I suppose.”
Rephaim were not born. He had never been tethered to a womb, nor grown inside someone else. When he had first emerged, alone, he had looked exactly as he did now.
“You are curious about the other differences.” Arcturus closed his book. “There are none. Externally, at least.”
“But Rephaim don’t reproduce,” I said thinking aloud. “So you probably don’t have a—
”
”
Samantha Shannon (The Mask Falling (The Bone Season, #4))
“
In Loving Memory
Winifred Foster Jackson
Dear Wife
Dear Mother
1870--1948
“So,” said Tuck to himself. “Two years. She’s been gone two years.” He stood up and looked around, embarrassed, trying to clear the lump from his throat. But there was no one to see him. The cemetery was very quiet. In the branches of a willow behind him, a red-winged blackbird chirped. Tuck wiped his eyes hastily. Then he straightened his jacket again and drew up his hand in a brief salute. “Good girl,” he said aloud. And then he turned and left the cemetery, walking quickly.
Later, as he and Mae rolled out of Treegap, Mae said softly, without looking at him, “She’s gone?”
Tuck nodded. “She’s gone,” he answered.
There was a long moment of silence between them, and then Mae said, “Poor Jesse.”
“He knowed it, though,” said Tuck. “At least, he knowed she wasn’t coming. We all knowed that, long time ago.”
“Just the same,” said Mae. She sighed. And then she sat up a little straighter. “Well, where to now, Tuck? No need to come back here no more.”
“That’s so,” said Tuck. “Let’s just head on out this way. We’ll locate something.”
“All right,” said Mae. And then she put a hand on his arm and pointed. “Look out for that toad.”
Tuck had seen it, too. He reined in the horse and climbed down from the wagon. The toad was squatting in the middle of the road, quite unconcerned. In the other lane, a pickup truck rattled by, and against the breeze it made, the toad shut its eyes tightly. But it did not move. Tuck waited till the truck had passed, and then he picked up the toad and carried it to the weeds along the road’s edge. “Durn fool thing must think it’s going to live forever,” he said to Mae.
And soon they were rolling on again, leaving Treegap behind, and as they went, the tinkling little melody of a music box drifted out behind them and was lost at last far down the road.
”
”
Natalie Babbitt (Tuck Everlasting)
“
I even read aloud the part of the novel I had rewritten, which is about as low as a writer can get and much more dangerous for him than glacier skiing unroped before the full winter snowfall has set over the crevices.
When they said, 'It's great, Ernest. Truly, it's great. You cannot know the thing it has," I wagged my tail in pleasure and plunged into the fiesta concept of life to see if I could not bring some attractive stick back, instead of thinking, 'If these bastards like it what is wrong with it?' That was what I would think if I had been functioning as a professional although, if I had been functioning as a professional, I would never have read it to them.
”
”
Ernest Hemingway
“
She looked now at the drawing-room step. She saw, through William’s eyes, the shape of a woman, peaceful and silent, with downcast eyes. She sat musing, pondering (she was in grey that day, Lily thought). Her eyes were bent. She would never lift them. . . . [N]o, she thought, one could say nothing to nobody. The urgency of the moment always missed its mark. Words fluttered sideways and struck the object inches too low. Then one gave it up; then the idea sunk back again; then one became like most middle-aged people, cautious, furtive, with wrinkles between the eyes and a look of perpetual apprehension. For how could one express in words these emotions of the body? Express that emptiness there? (She was looking at the drawing-room steps; they looked extraordinarily empty.) It was one’s body feeling, not one’s mind. The physical sensations that went with the bare look of the steps had become suddenly extremely unpleasant. To want and not to have, sent all up her body a hardness, a hollowness, a strain. And then to want and not to have – to want and want – how that wrung the heart, and wrung again and again! Oh, Mrs. Ramsay! she called out silently, to that essence which sat by the boat, that abstract one made of her, that woman in grey, as if to abuse her for having gone, and then having gone, come back again. It had seemed so safe, thinking of her. Ghost, air, nothingness, a thing you could play with easily and safely at any time of day or night, she had been that, and then suddenly she put her hand out and wrung the heart thus. Suddenly, the empty drawing-room steps, the frill of the chair inside, the puppy tumbling on the terrace, the whole wave and whisper of the garden became like curves and arabesques flourishing round a centre of complete emptiness. . . . A curious notion came to her that he did after all hear the things she could not say. . . . She looked at her picture. That would have been his answer, presumably – how “you” and “I” and “she” pass and vanish; nothing stays; all changes; but not words, not paint. Yet it would be hung in the attics, she thought; it would be rolled up and flung under a sofa; yet even so, even of a picture like that, it was true. One might say, even of this scrawl, not of that actual picture, perhaps, but of what it attempted, that it “remained for ever,” she was going to say, or, for the words spoken sounded even to herself, too boastful, to hint, wordlessly; when, looking at the picture, she was surprised to find that she could not see it. Her eyes were full of a hot liquid (she did not think of tears at first) which, without disturbing the firmness of her lips, made the air thick, rolled down her cheeks. She had perfect control of herself – Oh, yes! – in every other way. Was she crying then for Mrs. Ramsay, without being aware of any unhappiness? She addressed old Mr. Carmichael again. What was it then? What did it mean? Could things thrust their hands up and grip one; could the blade cut; the fist grasp? Was there no safety? No learning by heart of the ways of the world? No guide, no shelter, but all was miracle, and leaping from the pinnacle of a tower into the air? Could it be, even for elderly people, that this was life? – startling, unexpected, unknown? For one moment she felt that if they both got up, here, now on the lawn, and demanded an explanation, why was it so short, why was it so inexplicable, said it with violence, as two fully equipped human beings from whom nothing should be hid might speak, then, beauty would roll itself up; the space would fill; those empty flourishes would form into shape; if they shouted loud enough Mrs. Ramsay would return. “Mrs. Ramsay!” she said aloud, “Mrs. Ramsay!” The tears ran down her face.
”
”
Virginia Woolf
“
The relations between us in those latter days were peculiar. He was a man of habits, narrow and concentrated habits, and I had become one of them. As an institution I was like the violin, the shag tobacco, the old black pipe, the index books, and others perhaps less excusable. When it was a case of active work and a comrade was needed upon whose nerve he could place some reliance, my role was obvious. But apart from this I had uses. I was a whetstone for his mind. I stimulated him. He liked to think aloud in my presence. His remarks could hardly be said to be made to me--many of them would have been as appropriately addressed to his bedstead--but none the less, having formed the habit, it had become in some way helpful that I should register and interject. If I irritated him by a certain methodical slowness in my mentality, that irritation served only to make his own flame-like intuitions and impressions flash up the more vividly and swiftly. Such was my humble role in our alliance.
”
”
Arthur Conan Doyle (Adventure of the Creeping Man)
“
Everyone sees bullshit, listens to it, and reads it, every single day. At the same time, each of us is guilty of generating it, thinking it, pondering it, and speaking it aloud. We are all morons from time to time, spouting nonsense as we go about our lives, without any real consequences.
”
”
Jean-François Marmion (The Psychology of Stupidity)
“
I’ve thought that perhaps that’s why women are so often sad, once the child’s born,” she said meditatively, as though thinking aloud. “Ye think of them while ye talk, and you have a knowledge of them as they are inside ye, the way you think they are. And then they’re born, and they’re different—not the way ye thought of them inside, at all. And ye love them, o’ course, and get to know them the way they are … but still, there’s the thought of the child ye once talked to in your heart, and that child is gone. So I think it’s the grievin’ for the child unborn that ye feel, even as ye hold the born one in your arms.” She dipped her head and kissed her daughter’s downy skull. “Yes,” I said. “Before … it’s all possibility. It might be a son, or a daughter. A plain child, a bonny one. And then it’s born, and all the things it might have been are gone, because now it is.
”
”
Diana Gabaldon (Dragonfly in Amber (Outlander, #2))
“
On the one hand, I have a neighbor who I'm fairly certain thinks I'm the devil, but on the other hand most of my gay or bi friends have never run into issues in the city."
Then again, most of his gay or bi friends could kill anyone who looked at them the wrong way. But he didn't say that aloud.
”
”
Santino Hassell (Fade (In the Company of Shadows, #4))
“
I realized aloud in the midst of saying it that even when we die we probably don't find out the answer as to why we were ever alive. Even the avowed atheist probably thinks that in death he'll get some answer. I mean God will be there, or there won't be anything at all.
'But that's just it,' I said, 'we don't make any discovery at that moment! We merely stop! We pass into nonexistence without ever knowing a thing.' I saw the universe, a vision of the sun, the planets, the stars, black night going on forever. And I began to laugh.
'Do you realize that! We'll never know why the hell any of it happened, not even when it's over!' I shouted at Nicolas, who was sitting back on the bed, nodding and drinking his wine out of a flagon. 'We're going to die and not even know. We'll never know, and all this meaninglessness will just go on and on and on. And we won't any longer be witness to it. We won't have even that little bit of power to give meaning to it in our minds. We'll just be gone, dead, dead, dead, without ever knowing!
”
”
Anne Rice (The Vampire Lestat (The Vampire Chronicles, #2))
“
Whenever I got those rejection letters, then, I would permit my ego to say aloud to whoever had signed it: “You think you can scare me off? I’ve got another eighty years to wear you down! There are people who haven’t even been born yet who are gonna reject me someday—that’s how long I plan to stick around.
”
”
Elizabeth Gilbert (Big Magic: Creative Living Beyond Fear)
“
Before she could think more on that interesting, different way of describing death, Rowan said, “You had no siblings.” She focused on her work as she let out the thinnest tendril of memory. “My mother, thanks to her Fae heritage, had a difficult time with the pregnancy. She stopped breathing during labor. They said it was my father’s will that kept her tethered to this world. I don’t know if she even could have conceived again after that. So, no siblings. But—” Gods, she should shut her mouth. “But I had a cousin. He was five years older than me, and we fought and loved each other like siblings.” Aedion. She hadn’t spoken that name aloud in ten years.
”
”
Sarah J. Maas (Heir of Fire (Throne of Glass, #3))
“
We head out into space, ready for anything, which is to say, for solitude, arduous work, self-sacrifice, and death. Out of modesty we don’t say it aloud, but from time to time we think about how magnificent we are. In the meantime—in the meantime, we’re not trying to conquer the universe; all we want is to expand Earth to its limits.
”
”
Stanisław Lem (Solaris)
“
All men die, Genghis. All. Think what it means for a moment. None of us are remembered for more than one or two generations." He raised a hand as Genghis opened his mouth to speak again. "Oh, I know we chant the names of great khans by the fireside and the Chin have libraries running back for thousands of years. What of it? Do you think it matters to the dead that their names are read aloud? They don’t care, Genghis. They are gone. The only thing that matters is what they did while they were alive.
”
”
Conn Iggulden (Bones of the Hills (Conqueror, #3))
“
Of course with you, but I can’t be a wife and mother and a scholar as well. It just isn’t possible, and I can’t deny you those things that you want.’ My voice faltered. I’d never said it aloud, never even articulated it in thought. ‘The life you offer is too much.’ ‘You think you have to choose?’ ‘Oh, Bastiaan, I know I have to choose.
”
”
Pip Williams (The Bookbinder of Jericho)
“
When I was a teenager in Boston, a man on the subway handed me a card printed with tiny pictures of hands spelling out the alphabet in sign language. I AM DEAF, said the card. You were supposed to give the man some money in exchange.
I have thought of that card ever since, during difficult times, mine or someone else's; surely when tragedy has struck you dumb, you should be given a stack of cards that explain it for you. When Pudding died, I wanted my stack. I still want it. My first child was stillborn, it would say on the front. It remains the hardest thing for me to explain, even now, or maybe I mean especially now - now that his death feels like a non sequitur. My first child was stillborn. I want people to know but I don't want to say it aloud. People don't like to hear it but I think they might not mind reading it on a card.
”
”
Elizabeth McCracken (An Exact Replica of a Figment of My Imagination)
“
Shaking his head he seems to hear himself saying aloud: I feel like maybe I still don’t accept it. The idea that my dad is gone. I don’t really get how it could be the case, if you see what I mean. I think I do, she says. Like he just sort of exited from time, and we all have to keep going, within time. Do you know what I mean? Quietly she says: In a way. He wipes at his nose, his eyes, and tries to swallow. I just feel like there were certain things left unfinished, he says. You know, that we didn’t talk about, or that I didn’t understand.
”
”
Sally Rooney (Intermezzo)
“
You were instructed, in the last of the six steps described in the chapter on Desire, to read ALOUD twice daily the WRITTEN statement of your DESIRE FOR MONEY, and to SEE AND FEEL yourself ALREADY in possession of the money! By following these instructions, you communicate the object of your DESIRE directly to your SUBCONSCIOUS mind in a spirit of absolute FAITH.
”
”
Napoleon Hill (Think and Grow Rich [Illustrated & Annotated])
“
I have said that in one respect my mind has changed during the last twenty or thirty years. Up to the age of thirty, or beyond it, poetry of many kinds, such as the works of Milton, Gray, Byron, Wordsworth, Coleridge, and Shelley, gave me great pleasure, and even as a schoolboy I took intense delight in Shakespeare, especially in the historical plays. I have also said that formerly pictures gave me considerable, and music very great delight. But now for many years I cannot endure to read a line of poetry: I have tried lately to read Shakespeare, and found it so intolerably dull that it nauseated me. I have also almost lost my taste for pictures or music. Music generally sets me thinking too energetically on what I have been at work on, instead of giving me pleasure. I retain some taste for fine scenery, but it does not cause me the exquisite delight which it formerly did. On the other hand, novels which are works of the imagination, though not of a very high order, have been for years a wonderful relief and pleasure to me, and I often bless all novelists. A surprising number have been read aloud to me, and I like all if moderately good, and if they do not end unhappily–against which a law ought to be passed. A novel, according to my taste, does not come into the first class unless it contains some person whom one can thoroughly love, and if a pretty woman all the better.
This curious and lamentable loss of the higher aesthetic tastes is all the odder, as books on history, biographies, and travels (independently of any scientific facts which they may contain), and essays on all sorts of subjects interest me as much as ever they did. My mind seems to have become a kind of machine for grinding general laws out of large collections of facts, but why this should have caused the atrophy of that part of the brain alone, on which the higher tastes depend, I cannot conceive. A man with a mind more highly organised or better constituted than mine, would not, I suppose, have thus suffered; and if I had to live my life again, I would have made a rule to read some poetry and listen to some music at least once every week; for perhaps the parts of my brain now atrophied would thus have been kept active through use. The loss of these tastes is a loss of happiness, and may possibly be injurious to the intellect, and more probably to the moral character, by enfeebling the emotional part of our nature.
”
”
Charles Darwin (Autobiography Life and Letters of Charles Darwin, Descent of Man A Naturalist's Voyage Round the World Coral Reefs Voyage of the Beagle Origin of Species Expression of Emotion in Man and Animals)
“
Of two quite lofty things, measure and moderation, it is best never to speak. A few know their force and significance, from the mysterious paths of inner experiences and conversions: they honor in them something quite godlike, and are afraid to speak aloud. All the rest hardly listen when they are spoken about, and think the subjects under discussion are tedium and mediocrity.
”
”
Friedrich Nietzsche
“
It is miracle enough to find that love lies in his grasp, that it can be spoken aloud, that he, so diffident, so slow, so thwarted by the poverty of his own beginnings, is able to put into words the fevers of his heart and at the same time offer up the endearments a woman needs to hear. The knowledge shocked him at first, how language flowed straight out of him like a river in flood, but once the words burst from his throat it was as though he had found his true tongue. He cannot imagine, thinking back, why he had believed himself incapable of passionate expression.
”
”
Carol Shields (The Stone Diaries)
“
One way to think of Christ’s intercession, then, is simply this: Jesus is praying for you right now. “It is a consoling thought,” wrote theologian Louis Berkhof, “that Christ is praying for us, even when we are negligent in our prayer life.”4 Our prayer life stinks most of the time. But what if you heard Jesus praying aloud for you in the next room? Few things would calm us more deeply.
”
”
Dane C. Ortlund (Gentle and Lowly: The Heart of Christ for Sinners and Sufferers)
“
Stay out of my mind.You certainly weren't invited." Her hands went to her hips. "And just for the record, your mind needs to be washed out with soap! Half the things you think we're going to do are never going to happen. I could never look at you again."
He laughed. Aloud. An actual, real laugh. It welled up unexpectedly and emerged low and husky, with genuine amusement. Gregori nearly leapt the distance between them and dragged her into his arms, grateful beyond imagining.
She flung a pillow at his head. "Go ahead and laugh, you arrogant jerk." She wished she had a two-by-four handy.
”
”
Christine Feehan (Dark Magic (Dark, #4))
“
And God is all in all. He is ever seeking to get down to us—to be the divine man to us. And we are ever saying, "That be far from thee, Lord!" We are careful, in our unbelief, over the divine dignity, of which he is too grand to think. Better pleasing to God, it needs little daring to say, is the audacity of Job, who, rushing into his presence, and flinging the door of his presence-chamber to the wall, like a troubled, it may be angry, but yet faithful child, calls aloud in the ear of him whose perfect Fatherhood he has yet to learn: "Am I a sea or a whale, that thou settest a watch over me?
”
”
George MacDonald (Unspoken Sermons, Series I., II., and III.)
“
The Jumblies
I
They went to sea in a Sieve, they did,
In a Sieve they went to sea:
In spite of all their friends could say,
On a winter's morn, on a stormy day,
In a Sieve they went to sea!
And when the Sieve turned round and round,
And every one cried, 'You'll all be drowned!'
They called aloud, 'Our Sieve ain't big,
But we don't care a button! we don't care a fig!
In a Sieve we'll go to sea!'
Far and few, far and few,
Are the lands where the Jumblies live;
Their heads are green, and their hands are blue,
And they went to sea in a Sieve.
II
They sailed away in a Sieve, they did,
In a Sieve they sailed so fast,
With only a beautiful pea-green veil
Tied with a riband by way of a sail,
To a small tobacco-pipe mast;
And every one said, who saw them go,
'O won't they be soon upset, you know!
For the sky is dark, and the voyage is long,
And happen what may, it's extremely wrong
In a Sieve to sail so fast!'
Far and few, far and few,
Are the lands where the Jumblies live;
Their heads are green, and their hands are blue,
And they went to sea in a Sieve.
III
The water it soon came in, it did,
The water it soon came in;
So to keep them dry, they wrapped their feet
In a pinky paper all folded neat,
And they fastened it down with a pin.
And they passed the night in a crockery-jar,
And each of them said, 'How wise we are!
Though the sky be dark, and the voyage be long,
Yet we never can think we were rash or wrong,
While round in our Sieve we spin!'
Far and few, far and few,
Are the lands where the Jumblies live;
Their heads are green, and their hands are blue,
And they went to sea in a Sieve.
IV
And all night long they sailed away;
And when the sun went down,
They whistled and warbled a moony song
To the echoing sound of a coppery gong,
In the shade of the mountains brown.
'O Timballo! How happy we are,
When we live in a Sieve and a crockery-jar,
And all night long in the moonlight pale,
We sail away with a pea-green sail,
In the shade of the mountains brown!'
Far and few, far and few,
Are the lands where the Jumblies live;
Their heads are green, and their hands are blue,
And they went to sea in a Sieve.
V
They sailed to the Western Sea, they did,
To a land all covered with trees,
And they bought an Owl, and a useful Cart,
And a pound of Rice, and a Cranberry Tart,
And a hive of silvery Bees.
And they bought a Pig, and some green Jack-daws,
And a lovely Monkey with lollipop paws,
And forty bottles of Ring-Bo-Ree,
And no end of Stilton Cheese.
Far and few, far and few,
Are the lands where the Jumblies live;
Their heads are green, and their hands are blue,
And they went to sea in a Sieve.
VI
And in twenty years they all came back,
In twenty years or more,
And every one said, 'How tall they've grown!
For they've been to the Lakes, and the Torrible Zone,
And the hills of the Chankly Bore!'
And they drank their health, and gave them a feast
Of dumplings made of beautiful yeast;
And every one said, 'If we only live,
We too will go to sea in a Sieve,---
To the hills of the Chankly Bore!'
Far and few, far and few,
Are the lands where the Jumblies live;
Their heads are green, and their hands are blue,
And they went to sea in a Sieve.
”
”
Edward Lear
“
Suppose a man is walking across a field. To the question "Who is that?" a Southerner would reply by saying something like "Wasn't his granddaddy the one whose dog and him got struck by lightning on the steel bridge? Mama's third cousin - dead before my time - found his railroad watch in that eight-pound catfish's stomach the next summer just above the dam. I think it was eight pounds. Big as Eunice's arm. The way he married for that new blue Cadillac automobile, reckon how come he's walking like he has on Sunday shoes, if that's who it is, and for sure it is." A Northerner would reply to the same question (only if directly asked, though, never volunteering), "That's Joe Smith." To which the Southerner might think (but be much too polite to say aloud), "They didn't ask his name, they asked who he is!
”
”
Mary Hood
“
You,” Gideon realized aloud, glaring at Nico. “You set up a ward against her without telling me, didn’t you?”
“What? That’s crazy,” Nico said blandly.
“Nico, you had no right—”
Immediately, he gave up the (very weak) game. “That’s ridiculous, of course I did—”
“—You can’t just interfere without telling me—”
“—I was going to tell you; in fact, I’m sure I already did! It’s not my fault if you didn’t read the minutes closely—”
“—for the last time, my mother is my problem, not yours—”
That, of course, was met with a growl of frustration from Nico. “Haven’t you figured out by now that I want your problems?” Nico demanded, half shouting it, and thankfully, Gideon’s mouth snapped shut. “Your pain is my problem, you idiot prince. You little motherfucker.” Nico rubbed his temple wearily as Gideon’s lips twisted up, half laughing. “Don’t laugh. Don’t…don’t look at me, stop it. Stop it—”
“What are these pet names, Nicky?”
“Shut up. I’m angry.”
“Why are you angry?”
“Because you seem to think for some stupid reason that you should be handling everything on your own—”
“—when really you should be handling it on your own, is that it?”
Touché. The bastard.
“Gideon, for fuck’s sake, I’m rich and extremely handsome,” Nico growled. “Do you think I have my own problems? No, I do not, so let me have yours. Put me to use, I beg you.”
Gideon rolled his eyes. “You are,” he said, and exhaled. “unbearable.
”
”
Olivie Blake (The Atlas Six (The Atlas, #1))
“
Stop fussing,” Legna admonished her, tapping her finger against Isabella’s absently energetic hand.
“I’m getting married in a few minutes, Legna, I think I’ve a right to fuss.” Isabella felt her heart turn over as she spoke aloud, listening to herself talk about her impending marriage.
“Well, brides are supposed to be blushing, as I understand it. At the moment you are no less than five shades of gray.” Legna continued with her interrupted weaving of more ribbons in Isabella’s hair. “And as much as it matches the silver of your dress, I think you would look better with a little natural color.” Legna reached to smooth down a portion of the shimmering silver fabric that draped off of the bride’s shoulders in a Grecian fashion. “You know,” she pressed, “there are only two nights in a year when Demons perform a joining ceremony. Samhain and Beltane. If you pass out tonight, you will have to wait until next spring.”
“Thanks for the bulletin. You’re too kind,” Isabella retorted dryly.
“Actually, purely out of kindness, I will tell you that your future husband is just shy of tossing his cookies himself, so you can take comfort in knowing he is just as nervous as you are.”
“Legna!” Bella laughed. “You’re a wretch!” She turned to look at the female Demon, briefly admiring how pretty she looked in her soft white chiffon gown. “And how would you know? You’re standing too close to me to be able to sense his emotions.”
“Because when I went to fetch the ribbons, he was seated next to Noah with his head between his knees.” Legna giggled. “I have never seen anything rattle Jacob before. I cannot help but find it amusing.
”
”
Jacquelyn Frank (Jacob (Nightwalkers, #1))
“
No one ever said aloud any of the kinds of things he was so constantly thinking, because no one in the parish, not Alice, not Lady Higgs, not anybody, ever seemed to see the things he saw. If they thought as he did, if they saw what he did, they never mentioned it; and to have things which are precious to one eternally unmentioned makes one, he had long discovered, lonely. These August nights, for instance—remarkably and unusually beautiful, warm and velvety as he had never known them, ushered in each evening by the most astonishing variety of splendid sunsets—nobody had said a single word about them. They might have been February ones, for all the notice they got. Sometimes he climbed up to the top of Burdon Down towards evening, and stood staring in amazement at what looked like heaven let loose in flames over England; but always he stood alone, always there was no one but himself up there, and no one afterwards, when he descended from his heights, seemed to be aware that anything unusual had been going on.
”
”
Elizabeth von Arnim (Father)
“
I’m not trying to get back to the place,” Dorian says. “I’m trying to get back to a person.” Admitting it aloud feels like an affirmation. “People change, too, you know.” “I do know,” Dorian says, nodding. He doesn’t want to think about it. He had always wanted to be in the place but he didn’t understand until he was finally there that the place was merely a way to get to the person and now he has lost them both.
”
”
Erin Morgenstern (The Starless Sea)
“
There was a table set out under a tree in front of the house, and the March Hare and the Hatter were having tea at it: a Dormouse was sitting between them, fast asleep, and the other two were using it as a cushion, resting their elbows on it, and talking over its head. 'Very uncomfortable for the Dormouse,' thought Alice; 'only, as it's asleep, I suppose it doesn't mind.' The table was a large one, but the three were all crowded together at one corner of it: 'No room! No room!' they cried out when they saw Alice coming. 'There's plenty of room!' said Alice indignantly, and she sat down in a large arm-chair at one end of the table. 'Have some wine,' the March Hare said in an encouraging tone. Alice looked all round the table, but there was nothing on it but tea. 'I don't see any wine,' she remarked. 'There isn't any,' said the March Hare. 'Then it wasn't very civil of you to offer it,' said Alice angrily. 'It wasn't very civil of you to sit down without being invited,' said the March Hare. 'I didn't know it was your table,' said Alice; 'it's laid for a great many more than three.' 'Your hair wants cutting,' said the Hatter. He had been looking at Alice for some time with great curiosity, and this was his first speech. 'You should learn not to make personal remarks,' Alice said with some severity; 'it's very rude.' The Hatter opened his eyes very wide on hearing this; but all he said was, 'Why is a raven like a writing-desk?' 'Come, we shall have some fun now!' thought Alice. 'I'm glad they've begun asking riddles.--I believe I can guess that,' she added aloud. 'Do you mean that you think you can find out the answer to it?' said the March Hare. 'Exactly so,' said Alice. 'Then you should say what you mean,' the March Hare went on. 'I do,' Alice hastily replied; 'at least--at least I mean what I say--that's the same thing, you know.' 'Not the same thing a bit!' said
”
”
Lewis Carroll (Alice's Adventures in Wonderland (Alice's Adventures in Wonderland, #1))
“
Ten's my favorite," he said and read it aloud-- like she didn't know what she'd written. "A wild, passionate, up-against-the-wall, forget-my-name love affair that makes me weak in the knees when I think about it-- but only a very short wild, passionate, up-against-the-wall, forget-my-name love affair because..." he paused, probably to control himself, before continuing... "I don't have the time or stamina to maintain that level of sexual activity, much less a relationship."
She moaned and closed her eyes.
"Pretty detailed," he said running a hand over his deliciously scruffy jaw to hide the smile she knew he was fighting.
”
”
Jill Shalvis (Chasing Christmas Eve (Heartbreaker Bay, #4))
“
It’s because she doesn’t have eyelashes,” Daisy said.
Iris turned to her with complete calm and said, “I hate you.”
“That’s a terrible thing to say, Daisy,” Honoria said, turning on
her with a stern expression. It was true that Iris was extraordinarily
pale, with the kind of strawberry blond hair that seemed to render
her lashes and brows almost invisible. But she’d always thought Iris
was absolutely gorgeous, almost ethereal-looking.
“If she didn’t have eyelashes, she’d be dead,” Sarah said.
Honoria turned to her, unable to believe the direction of the
conversation. Well, no, that was not completely accurate. She
believed it (unfortunately). She just didn’t understand it.
“Well, it’s true,” Sarah said defensively. “Or at the very least,
blind. Lashes keep all the dust from our eyes.”
“Why are we having this conversation?” Honoria wondered
aloud.
Daisy immediately answered, “It’s because Sarah said she
didn’t think Iris could look venomous, and then I said—"
“I know,” Honoria cut in, and then, when she realized Daisy still
had her mouth open, looking as if she was only waiting for the right
moment to complete her sentence, she said it again. “I know. It was
a hypothetical question.”
“It still had a perfectly valid answer,” Daisy said with a sniff.
”
”
Julia Quinn (Just Like Heaven (Smythe-Smith Quartet, #1))
“
You cannot look at me like that, piccola, or I am sure to go up in flames."
Desari allowed her fingers to tangle in his golden mane. "Thank you for thinking of my family when I could not." Her voice was a whisper of seduction, sliding over his hot skin. Just the sound of it made every muscle in his body clench.
Julian made another effort to breathe. Air.It was all around him, yet he couldn't seem to drag enough into his lungs. He took her hand in his and carried it to the warmth of his mouth. "We need to find a safe subject, cara mia, or I will not make it through these next few minutes."
Desaris soft laughter was like music in the wind. She perched on a large tree trunk that lay across the forest floor. The breeze tugged at her long hair so that it shifted around her like a veil, one moment hiding the temptation of bare, gleaming skin, the next revealing it. "A safe subject," she mused aloud. "What would that be?"
The air slammed out of his lungs once again at the sight of her. She looked so much a part of her surroundings. Wild. Sexy. Provocative. "You might try closing your shirt." His voice sounded hoarse and desperate even to his own ears.
”
”
Christine Feehan (Dark Challenge (Dark, #5))
“
Down, down, down. Would the fall never come to an end? “I wonder how many miles I’ve fallen by this time?” she said aloud. “I must be getting somewhere near the centre of the earth. Let me see: that would be four thousand miles down, I think—” (for, you see, Alice had learnt several things of this sort in her lessons in the school-room, and though this was not a very good opportunity for showing off her knowledge, as there was no one to listen to her, still it was good practice to say it over) “—yes, that’s about the right distance—but then I wonder what Latitude or Longitude I’ve got to?” (Alice had no idea what Latitude was, or Longitude either, but thought they were nice grand words to say.)
”
”
Lewis Carroll (Alice's Adventures in Wonderland / Through the Looking Glass)
“
Laughing,Savannah jumped from her precarious perch on the boulder into the safety of Gregori's arms.
He caught her,crushing her against his chest, sheer elation, exhilaration, rushing through his veins. To feel again was beyond his comprehension, to feel like this, to have such joy in him, was totally unbelievable. He whispered to her in the ancient language, words of love and commitment that he could not find a way to express in any other language. She was more than she could ever know to him; she was his life,the very air he breathed. You worry about the most ridiculous things, he said gruffly, burying his face for just a moment against her neck,inhaling her scent.
"Do I?" she asked aloud,her eyes dancing at him. "You're the one always concerned I'm going to do something wild."
"You do wild things," he answered complacently. "I never know what you are going to do next. It is a good thing I reside in your mind, ma petite, or I would have to be locked up in the nearest asylum."
Her lips brushed his chin, feathered along his jaw, then nibbled enticingly at the edge of his mouth. "I think you should be locked up.You're postively lethal to women."
"Not to women,only to you.
”
”
Christine Feehan (Dark Magic (Dark, #4))
“
The doors burst open, startling me awake. I nearly jumped out of bed. Tove groaned next to me, since I did this weird mind-slap thing whenever I woke up scared, and it always hit him the worst. I'd forgotten about it because it had been a few months since the last time it happened.
"Good morning, good morning, good morning," Loki chirped, wheeling in a table covered with silver domes.
"What are you doing?" I asked, squinting at him. He'd pulled up the shades. I was tired as hell, and I was not happy.
"I thought you two lovebirds would like breakfast," Loki said. "So I had the chef whip you up something fantastic." As he set up the table in the sitting area, he looked over at us. "Although you two are sleeping awfully far apart for newlyweds."
"Oh, my god." I groaned and pulled the covers over my head.
"You know, I think you're being a dick," Tove told him as he got out of bed. "But I'm starving. So I'm willing to overlook it. This time."
"A dick?" Loki pretended to be offended. "I'm merely worried about your health. If your bodies aren't used to strenuous activities, like a long night of lovemaking, you could waste away if you don't get plenty of protein and rehydrate. I'm concerned for you."
"Yes, we both believe that's why you're here," Tove said sarcastically and took a glass of orange juice that Loki had poured for him.
"What about you, Princess?" Loki's gaze cut to me as he filled another glass.
"I'm not hungry." I sighed and sat up.
"Oh, really?" Loki arched an eyebrow. "Does that mean that last night-"
"It means that last night is none of your business," I snapped.
I got up and hobbled over to Elora's satin robe, which had been left on a nearby chair. My feet and ankles ached from all the dancing I'd done the night before.
"Don't cover up on my account," Loki said as I put on the robe. "You don't have anything I haven't seen."
"Oh, I have plenty you haven't seen," I said and pulled the robe around me.
"You should get married more often," Loki teased. "It makes you feisty."
I rolled my eyes and went over to the table. Loki had set it all up, complete with a flower in a vase in the center, and he'd pulled off the domed lids to reveal a plentiful breakfast. I took a seat across from Tove, only to realize that Loki had pulled up a third chair for himself.
"What are you doing?" I asked.
"Well, I went to all the trouble of having someone prepare it, so I might as well eat it." Loki sat down and handed me a flute filled with orange liquid. "I made mimosas."
"Thanks," I said, and I exchanged a look with Tove to see if it was okay if Loki stayed.
"He's a dick," Tove said over a mouthful of food, and shrugged. "But I don't care."
In all honesty, I think we both preferred having Loki there. He was a buffer between the two of us so we didn't have to deal with any awkward morning-after conversations. And though I'd never admit it aloud, Loki made me laugh, and right now I needed a little levity in my life.
"So, how did everyone sleep last night?" Loki asked.
There was a quick knock at the bedroom doors, but they opened before I could answer. Finn strode inside, and my stomach dropped. He was the last person I'd expected to see. I didn't even think he would be here anymore. After the other night I assumed he'd left, especially when I didn't see him at the wedding.
"Princess, I'm sorry-" Finn started to say as he hurried in, but then he saw Loki and stopped abruptly.
"Finn?" I asked, stunned.
Finn looked appalled and pointed at Loki. "What are you doing here?"
"I'm drinking a mimosa." Loki leaned back in his chair. "What are you doing here?"
"What is he doing here?" Finn asked, turning his attention to me.
"Never mind him." I waved it off. "What's going on?"
"See, Finn, you should've told me when I asked," Loki said between sips of his drink.
”
”
Amanda Hocking (Ascend (Trylle, #3))
“
Most people love with a guarded heart, only if certain things happen or don’t happen, only to a point. If the person we love hurts us, betrays us, abandons us, disappoints us, if the person becomes hard to love, we often stop loving. We protect our delicate hearts. We close off, retreat, withhold, disconnect, and withdraw. We might even hate. Most people love conditionally. Most people are never asked to love with a whole and open heart. They only love partway. They get by. Autism was my gift to you. My autism didn’t let me hug and kiss you, it didn’t allow me to look into your eyes, it didn’t let me say aloud the words you so desperately wanted to hear with your ears. But you loved me anyway. You’re thinking, Of course I did. Anyone would have. This isn’t true. Loving me with a full and accepting heart, loving all of me, required you to grow. Despite your heartache and disappointment, your fears and frustration and sorrow, despite all I couldn’t show you in return, you loved me. You loved me unconditionally. You haven’t experienced this kind of love with Dad or your parents or your sister or anyone else before. But now, you know what unconditional love is. I know my death has hurt you, and you’ve needed time alone to heal. You’re ready now. You’ll still miss me. I miss you, too. But you’re ready. Take what you’ve learned and love someone again. Find someone to love and love without condition. This is why we’re all here.
”
”
Lisa Genova (Love Anthony)
“
[Joseph Bucklin Bishop said] "...The peculiarity about him is that he has what is essentially a boy's mind. What he thinks he says at once, says aloud. It is his distinguishing characteristic, and I don't know as he will ever outgrow it. But with it he has great qualities which make him an invaluable public servant--inflexible honesty, absolute fearlessness, and devotion to good government which amounts to religion. We must let him work his way, for nobody can induce him to change it.
”
”
Edmund Morris (The Rise of Theodore Roosevelt (Theodore Roosevelt, #1))
“
Neither day nor night is our master. And do you know what happens when a woman walks without fear?”
Teia shook her head, but there was a sudden longing deep in her that swelled so strong it paralyzed her tongue. Tell me. Tell me.
“She becomes.”
Becomes what? Teia didn’t say the words aloud, but he knew what she was thinking, for he answered:
“She becomes whatever she wills. Minus only one thing.” In the dark, he held up a finger, almost like he was scolding her.
Teia was silent now. The question was obvious, and now she didn’t want to ask it.
Sharp said, “She has one thing she can never be, never again. You know what it is, don’t you?”
The words came unbidden to her lips, from a place so dark no light had ever touched it: “A slave.
”
”
Brent Weeks (The Broken Eye (Lightbringer, #3))
“
Self-Confidence Formula First. I know that I have the ability to achieve the object of my Definite Purpose in life, therefore, I demand of myself persistent, continuous action toward its attainment, and I here and now promise to render such action. Second. I realize the dominating thoughts of my mind will eventually reproduce themselves in outward, physical action, and gradually transform themselves into physical reality, therefore, I will concentrate my thoughts for thirty minutes daily, upon the task of thinking of the person I intend to become, thereby creating in my mind a clear mental picture of that person. Third. I know through the principle of auto-suggestion, any desire that I persistently hold in my mind will eventually seek expression through some practical means of attaining the object back of it, therefore, I will devote ten minutes daily to demanding of myself the development of self-confidence. Fourth. I have clearly written down a description of my definite chief aim in life, and I will never stop trying, until I shall have developed sufficient self-confidence for its attainment. Fifth. I fully realize that no wealth or position can long endure, unless built upon truth and justice, therefore, I will engage in no transaction which does not benefit all whom it affects. I will succeed by attracting to myself the forces I wish to use, and the cooperation of other people. I will induce others to serve me, because of my willingness to serve others. I will eliminate hatred, envy, jealousy, selfishness, and cynicism, by developing love for all humanity, because I know that a negative attitude toward others can never bring me success. I will cause others to believe in me, because I will believe in them, and in myself. I will sign my name to this formula, commit it to memory, and repeat it aloud once a day, with full faith that it will gradually influence my thoughts and actions so that I will become a self-reliant, and successful person.
”
”
Napoleon Hill (Think and Grow Rich (Start Motivational Books))
“
I… that took a lot of guts, what you did today.”
“Can’t really pretend it didn’t happen anymore, right?” And being a better person doesn’t mean hiding from or lying about who I used to be.
“So much of what you talked about is shit that happens in school very day, Aria. The gossip, the text messages, the comments. People do it all the time. Everyone does it. I’ve done it. Doesn’t make it okay but… I can see how it spiralled out of control like that.”
I shrug. “I figured, if my story makes people stop and think about what their words could do to a person, then I should tell it right?”
“Right.” He nods slowly, his eyes roaming my face.
“I miss you,” I don’t mean to say it aloud, but it slips out anyway.
He offers me a sad smile. “I miss you, too, AJ.
”
”
K.A. Tucker (Be the Girl)
“
Sixteen years like living with a God damned invalid sixteen years every time you come in sitting there waiting just like you left him wave his stick at you, plump up his pillow cut a paragraph add a sentence hold his God damned hand little warm milk add a comma slip out for some air pack of cigarettes come back in right where you left him, eyes follow you around the room wave his God damned stick figure out what the hell he wants, plump the God damned pillow change bandage read aloud move a clause around wipe his chin new paragraph God damned eyes follow you out stay a week, stay a month whole God damned year think about something else, God damned friends asking how he’s coming along all expect him out any day don’t want bad news no news rather hear lies, big smile out any day now, walk down the street God damned sunshine begin to think maybe you’ll meet him maybe cleared things up got out by himself come back open the God damned door right there where you left him . . . —William Gaddis on writing a novel
”
”
William Gaddis (J R)
“
Come, we shall have some fun now!” thought Alice. “I’m glad they’ve begun asking riddles,—I believe I can guess that,” she added aloud. “Do you mean that you think you can find out the answer to it?” said the March Hare. “Exactly so,” said Alice. “Then you should say what you mean,” the March Hare went on. “I do,” Alice hastily replied; “at least—at least I mean what I say—that’s the same thing, you know.” “Not the same thing a bit!” said the Hatter. “Why, you might just as well say that ‘I see what I eat’ is the same thing as ‘I eat what I see’!
”
”
Lewis Carroll (Alice's Adventures in Wonderland and Through the Looking-Glass)
“
Not that parents are alone in their extreme behavior. That have more than enough company among school boards and high-ranking politicians who think if you "fix the schools, they'll fix the kids." So, in Gadsden, Alabama, school officials eliminated kindergarten nap time in 2003 so the children would have more test-prep time. Two hours away in Atlanta, school officials figured that if you eliminated recess, the kids will study more. And just in case those shifty teachers try to sneak it in, Atlanta started building schools without playgrounds. "We are intent on improving academic performance," said the superintendent. "You don't do that by having kids hanging on the monkey bars." Meanwhile, Georgia's governor wanted the state to give Mozart CDs to newborns because research showed Mozart improved babies' IQs (which later proved to be mythical research). Right behind him is Lincoln, Rhode Island, where they canceled the district spelling bee because only one child would win, leaving all others behind, thus violating the intent of No Child Left Behind--or, as they might say in Lincoln, no child gets ahead.
”
”
Jim Trelease (The Read-Aloud Handbook)
“
I said, somewhat confused, “What’s the problem?”
[Kristy] rolled her eyes. Beside her, Monica said, “Donneven.”
“Kristy.” Delia shook her head. “This isn’t the time or the place, okay?”
“The time or the place for what?” Caroline asked.
“There is never,” Kristy said adamantly, “a time or place for true love. It happens accidentally, in a heartbeat, in a single flashing, throbbing moment.”
“Throbbing?” my mother said, leaning forward and looking at me. “Who’s throbbing?”
“Macy and Wes,” Kristy told her.
“We are not,” I said indignantly.
“Kristy,” Delia said helplessly. “Please God I’m begging you, not now.”
“Wait a second, wait a second.” Caroline held her hands up. “Kristy. Explain.”
“Yes, Kristy,” my mother said, but she was looking at me. Not really mad as much as confused. Join the club, I thought. “Explain.”
Bert said, “This ought to be good.”
Kristy ignored him, tucking a piece of hair behind her ear. “Wes wants to be with Macy. And Macy, whether she’ll admit it or not, wants to be with Wes. And yet they’re not together, which is not only unjust, but really, when you think about it, tragical.”
“That’s not a word,” Bert pointed out.
“It is now,” she said. “How else can you explain a situation where Wes, a truly extraordinary boy, would be sent packing in favor of some brainiac loser…”
“Why,” I said, feeling embarrassed, “do we have to keep talking about this?”
“Because it’s tragical!” Kristy said….”I’ll tell you what it is. It’s wrong. You should be with Wes, Macy. The whole time you guys were hanging out, talking about how you were both with other people, it was so obvious to everyone. It was even obvious to Wes. You were the only one who couldn’t see it, just like you can’t see it now.”
“Mmm-hmm,” Monica said aloud.
”
”
Sarah Dessen (The Truth About Forever)
“
I don’t know which is worse, that you think you either have the power or the moral right to, in your words, cancel another human being, or that you think that normal, sensible people would play along with your idiocy? Cancelled! It’s actually offensive to the ear even hearing such a word spoken aloud. The … the … the …’ He struggled to complete his sentence, but with each utterance of the word the, the other occupants of the room sat forward a little, waiting to see where he went with it. ‘The … the … the insufferable arrogance,’ he spat out finally. ‘The unspeakable superciliousness! The grotesque sense of moral superiority!
”
”
John Boyne (The Echo Chamber)
“
You’re saying your mother engaged in unprotected sex outside her primary relationship?’
‘With some other student,’ replied Rosie. ‘While she was dating my’ – at this point Rosie raised her hands and made a downwards movement, twice, with the index and middle fingers of both hands – ‘father. My real dad’s a doctor. I just don’t know which one. Really, really pisses me off.’
I was fascinated by the hand movements and silent for a while as I tried to work them out. Were they a sign of distress at not knowing who her father was? If so, it was not one I was familiar with. And why had she chosen to punctuate her speech at that point … of course! Punctuation! ‘Quotation marks,’ I said aloud as the idea hit me.
‘What?’
‘You made quotation marks around “father” to draw attention to the fact that the word should not be interpreted in the usual way. Very clever.’
‘Well, there you go,’ she said. ‘And there I was thinking you were reflecting on my minor problem with my whole fucking life. And might have something intelligent to say.’
I corrected her. ‘It’s not a minor problem at all!’ I pointed my finger in the air to indicate an exclamation mark. ‘You should insist on being informed.’ I stabbed the same finger to indicate a full stop. This was quite fun.
”
”
Graeme Simsion (The Rosie Project (Don Tillman, #1))
“
As Trump marches on to the rhythm of near-daily twitter rants, daily outrages, and weekly embarrassments, it remains unimaginable—even if it is observable. To think that a madman could be running the world’s most powerful country, to think that the commander in chief would use twitter to mouth off about whose nuclear button is bigger or to call himself a ‘very stable genius’ verges on the impossible. This can’t be happening. This is happening – The thought pattern of nightmares and real-life disasters has become the constant routine of tens of millions of people. Every Trump tweet, televised statement, and headline causes a form of this reaction. If the word ‘unthinkable’ had literal meaning, this would be it: thinking about it makes the mind misfire; it makes one want to stop thinking. It brings to mind the psychiatrist Judith Herman’s definition of a related word: ‘certain violations of the social compact are too terrible to utter aloud,’ she once wrote. ‘This is the meaning of the word unspeakable.’ The Trump era is unimaginable, unthinkable, unspeakable. It is waging a daily assault on the public’s sense of sanity, decency, and cohesion. It makes us feel crazy, and the restrained tone of the media compounds this feeling by failing to acknowledge it.
”
”
Masha Gessen (Surviving Autocracy)
“
Steel tempered by fire,” she said aloud, without thinking.
“Am I?” he asked.
She smiled sadly. “Aren’t you?”
He let out a long, slow breath and some of the tension drained out of him. He looked at her quizzically. “You give me peace,” he said unexpectedly. “The only time I ever feel it is when I’m with you. God knows why, when you set me off like a bomb.”
She searched his eyes. “Tate, Senator Holden has a reason for what he did,” she told him seriously. “I don’t pretend to know what it is, but I know him. He’s not like some politicians who lie when the truth would suit better. He has integrity. He doesn’t hold grudges and he doesn’t backstab. You know that,” she added with conviction.
He scowled. “Yes, I do.” His narrow eyes searched hers. “What do you know, Cecily?”
“I know archaeology,” she replied.
He reached out and touched her firm little chin with hard fingers. “You’re keeping something from me,” he said in a low, deep tone. “I’m not sure why I sense that, but I do.”
“You think you know all about me,” she replied, trying to draw back. “Don’t…do that,” she muttered, reaching up to catch his hair-roughened wrist in her warm fingers.
His breath caught. “Fatal error, Cecily,” he said huskily, moving in, giving in to the hunger that had really brought him to her apartment at this hour of the night. “You shouldn’t have touched me…
”
”
Diana Palmer (Paper Rose (Hutton & Co. #2))
“
I picked him up and set him against the steering wheel, facing me, his feet on my thighs. The huge lament continued, wave on wave. It was a sound so large and pure I could almost listen to it, try consciously to apprehend it, as one sets up a mental register in a concert hall or theater. He was not sniveling or blubbering. He was crying out, saying nameless things in a way that touched me with its depth and richness. This was an ancient dirge all the more impressive for its resolute monotony. Ululation. I held him upright with a hand under each arm. As the crying continued, a curious shift developed in my thinking. I found that I did not necessarily wish him to stop. It might not be so terrible, I thought, to have to sit and listen to this a while longer. We looked at each other. Behind that dopey countenance, a complex intelligence operated. I held him with one hand, using the other to count his fingers inside the mittens, aloud, in German. The inconsolable crying went on. I let it wash over me, like rain in sheets. I entered it, in a sense. I let it fall and tumble across my face and chest. I began to think he had disappeared inside this wailing noise and if I could join him in his lost and suspended place we might together perform some reckless wonder of intelligibility. I let it break across my body. It might not be so terrible, I thought, to have to sit here for four more hours, with the motor running and the heater on, listening to this uniform lament. It might be good, it might be strangely soothing. I entered it, fell into it, letting it enfold and cover me. He cried with his eyes open, his eyes closed, his hands in his pockets, his mittens on and off. I sat there nodding sagely.
”
”
Don DeLillo (White Noise)
“
About his madmen Mr. Lecky was no more certain. He knew less than the little to be learned of the causes or even of the results of madness. Yet for practical purposes one can imagine all that is necessary. As long as maniacs walk like men, you must come close to them to penetrate so excellent a disguise. Once close, you have joined the true werewolf.
Pick for your companion a manic-depressive, afflicted by any of the various degrees of mania - chronic, acute, delirious. Usually more man than wolf, he will be instructive. His disorder lies in the very process of his thinking, rather than in the content of his thought. He cannot wait a minute for the satisfaction of his fleeting desires or the fulfillment of his innumerable schemes. Nor can he, for two minutes, be certain of his intention or constant in any plan or agreement. Presently you may hear his failing made manifest in the crazy concatenation of his thinking aloud, which psychiatrists call "flight of ideas." Exhausted suddenly by this
riotous expense of speech and spirit, he may subside in an apathy dangerous and morose, which you will be well advised not to disturb.
Let the man you meet be, instead, a paretic. He has taken a secret departure from your world. He dwells amidst choicest, most dispendious superlatives. In his arm he has the strength to lift ten elephants. He is already two hundred years old. He is more than nine feet high; his chest is of iron, his right leg is silver, his incomparable head is one whole ruby. Husband of a thousand wives, he has begotten on them ten thousand children. Nothing is mean about him; his urine is white wine; his faeces are always soft gold. However, despite his splendor and his extraordinary attainments, he cannot successfully pronounce the words: electricity, Methodist Episcopal, organization, third cavalry brigade. Avoid them. Infuriated by your demonstration of any accomplishment not his, he may suddenly kill you.
Now choose for your friend a paranoiac, and beware of the wolf! His back is to the wall, his implacable enemies are crowding on him. He gets no rest. He finds no starting hole to hide him. Ten times oftener than the Apostle, he has been, through the violence of the unswerving malice which pursues him, in perils of waters, in perils of robbers, in perils of his own countrymen, in perils by the heathen, in perils in the city, in perils in the wilderness, in perils in the sea, in perils among false brethren, in weariness and painfulness, in watchings often, in hunger and thirst, in fastings often, in cold and nakedness. Now that, face to face with him, you simulate innocence and come within his reach, what pity can you expect? You showed him none; he will certainly not show you any.
Lighten our darkness, we beseech thee, 0 Lord; and by thy great mercy defend us from all the perils and dangers of this night; for the love of thy only Son, our Saviour, Jesus Christ. Amen.
Mr. Lecky's maniacs lay in wait to slash a man's head half off, to perform some erotic atrocity of disembowelment on a woman. Here, they fed thoughtlessly on human flesh; there, wishing to play with him, they plucked the mangled Tybalt from his shroud. The beastly cunning of their approach, the fantastic capriciousness of their intention could not be very well met or provided for. In his makeshift fort everywhere encircled by darkness, Mr. Lecky did not care to meditate further on the subject.
”
”
James Gould Cozzens (Castaway)
“
So, tomorrow night. My house or yours?"
"Mine. I...want to show you something."
"Oh yes?” Will said hopefully, suggestively.
There was a smile in Taylor's voice, but he sounded absent. “Will?"
"Right here."
There was a pause. “When I was shot—"
Will's heart quickened; he wasn't even sure why. “Yeah?"
"It wasn't because of you...turning me down. It wasn't because my mind wasn't on the job."
"No?"
"No. I know—at least, I think I do—that you thought you were somehow to blame for me getting nailed. It wasn't anything to do with you.” He heard Taylor sigh. “It was when I saw how young they were. Kids. And I hesitated. I hesitated a couple of seconds too long. That's all."
Something inside Will relaxed, like the clutch of a child's hand on a balloon. The balloon went sailing free and happy.
(...)
He couldn't even explain why he felt so happy. “You think I'm with you out of guilt?"
"No, you ass. Of course not. I just mean—"
"You're a nut, MacAllister. I'm with you because I love you."
There it was, out. Three little words. Three of the most common words in the world, but string them together and they were more powerful than any warrant, any extradition papers, or even treaty. Stronger than any magical spell. Had he really never said them aloud to Taylor? Something in the ringing silence that followed made him think he maybe hadn't.
It was a relief when Taylor said, at last, in that irritable voice that always signified nerves or great emotion, “That's fine. I just thought you should know."
"I love you,” Will repeated firmly, having got the hang of it. “I'll see you tomorrow night, you lunatic."
"Love you,” Taylor said tersely and hung up.
Taylor stared at the receiver in its cradle and then got ready for bed.
”
”
Josh Lanyon (Old Poison (Dangerous Ground, #2))
“
One question I feel compelled to ask; Before they agreed to marry, did all the Cynster females behave as irrationally as Heather is?"
He glanced briefly up, but Richard didn't look up from the lure he was tying off as he unperturably replied, "Prickly at the best of times, then 'have-at-you' the instant you set a foot, nay, a toe, wrong?"
"Exactly."
"Then yes." Richard straightened, tipping his head as he examined his lure. "It seems to be a family failing, even when they're not Cynster-born."
Breckenridge humphed.
He was carefully placing the fresh hook into his clamp when Richard continued, "There seems to be this prevailing wisdom, not just over marrying for love, but what that actually equates to. They seem to all have it firmly in their heads that without some cast-iron assurance, preferably in the form of an open declaration from us, then no matter the reality of any love, that love won't be solid and strong."
Unwinding the vise to release his completed lure, Richard grimaced. "It's almost as if they think that unless we state our feelings out aloud, we won't know what they-our feelings-are." He snorted. "As if we somehow might not notice that our lives have suddenly shifted to revolve solely about them and their well-being."
Breckenridge grunted in masculine agreement.
"Sadly," Richard said, selecting another hook, "it appears futile to expect them to go against the familial grain.
”
”
Stephanie Laurens (Viscount Breckenridge to the Rescue (Cynster, #16; The Cynster Sisters Trilogy, #1))
“
The person, be it gentleman or lady, who has not pleasure in a good novel, must be intolerably stupid. I have read all Mrs. Radcliffe's works, and most of them with great pleasure. The Mysteries of Udolpho, when I had once begun it, I could not lay down again; I remember finishing it in two days—my hair standing on end the whole time."
"Yes," added Miss Tilney, "and I remember that you undertook to read it aloud to me, and that when I was called away for only five minutes to answer a note, instead of waiting for me, you took the volume into the Hermitage Walk, and I was obliged to stay till you had finished it."
"Thank you, Eleanor—a most honourable testimony. You see, Miss Morland, the injustice of your suspicions. Here was I, in my eagerness to get on, refusing to wait only five minutes for my sister, breaking the promise I had made of reading it aloud, and keeping her in suspense at a most interesting part, by running away with the volume, which, you are to observe, was her own, particularly her own. I am proud when I reflect on it, and I think it must establish me in your good opinion.
”
”
Jane Austen
“
No one should be alone in their old age, he thought. But it is unavoidable.
It was too good to last.
If there is a hurricane you always see the signs of it in the sky for days ahead, if you are at sea. They do not see it ashore because they do not know what to look for.
It is silly not to hope. Besides I believe it is a sin.
Do not think about sin, he thought. There are enough problems now without sin. Also, I have no understanding of it. … and I am not sure that I believe in it. Perhaps it was a sin to kill the fish. I suppose it was even though I did it to keep me alive and feed many people. But then everything is a sin. Do not think about sin. It is much too late for that and there are people who are paid to do it. Let them think about it. You were born to be a fisherman as the fish was born to be a fish.
....
You did not kill the fish only to keep alive and to sell for food, he thought. You killed him for pride and because you are a fisherman. You loved him when he was alive and you loved him after. If you love him, it is not a sin to kill him. Or is it more?
Everything kills everything else in some way. Fishing kills me exactly as it keeps me alive.
“Don’t think, old man,” he said aloud. “Sail on this course and take it when it comes. But I must think, he thought. Because it is all I have left.
It is easy when you are beaten, he thought. I never knew how easy it was. And what beat you, he thought. “Nothing,” he said aloud. “I went out too far.
”
”
Ernest Hemingway (The Old Man and the sea)
“
Duroy, who felt light hearted that evening, said with a smile: "You are gloomy to-day, dear master."
The poet replied: "I am always so, young man, so will you be in a few years. Life is a hill. As long as one is climbing up one looks towards the summit and is happy, but when one reaches the top one suddenly perceives the descent before one, and its bottom, which is death. One climbs up slowly, but one goes down quickly. At your age a man is happy. He hopes for many things, which, by the way, never come to pass. At mine, one no longer expects anything - but death."
Duroy began to laugh: "You make me shudder all over."
Norbert de Varenne went on: "No, you do not understand me now, but later on you will remember what I am saying to you at this moment. A day comes, and it comes early for many, when there is an end to mirth, for behind everything one looks at one sees death. You do not even understand the word. At your age it means nothing; at mine it is terrible. Yes, one understands it all at once, one does not know how or why, and then everything in life changes its aspect. For fifteen years I have felt death assail me as if I bore within me some gnawing beast. I have felt myself decaying little by little, month by month, hour by hour, like a house crumbling to ruin. Death has disfigured me so completely that I do not recognize myself. I have no longer anything about me of myself - of the fresh, strong man I was at thirty. I have seen death whiten my black hairs, and with what skillful and spiteful slowness. Death has taken my firm skin, my muscles, my teeth, my whole body of old, only leaving me a despairing soul, soon to be taken too. Every step brings me nearer to death, every movemebt, every breath hastens his odious work. To breathe, sleep, drink, eat, work, dream, everything we do is to die. To live, in short, is to die. Oh, you will realize this. If you stop and think for a moment you will understand. What do you expect? Love? A few more kisses and you will be impotent. Then money? For what? Women? Much fun that will be! In order to eat a lot and grow fat and lie awake at night suffering from gout? And after that? Glory? What use is that when it does not take the form of love? And after that? Death is always the end. I now see death so near that I often want to stretch my arms to push it back. It covers the earth and fills the universe. I see it everywhere. The insects crushed on the path, the falling leaves, the white hair in a friend's head, rend my heart and cry to me, 'Behold it!' It spoils for me all I do, all I see, all that I eat and drink, all that I love; the bright moonlight, the sunrise, the broad ocean, the noble rivers, and the soft summer evening air so sweet to breath."
He walked on slowly, dreaming aloud, almost forgetting that he had a listener: "And no one ever returns - never. The model of a statue may be preserved, but my body, my face, my thoughts, my desires will never reappear again. And yet millions of beings will be born with a nose, eyes, forehead, cheeks, and mouth like me, and also a soul like me, without my ever returning, without even anything recognizable of me appearing in these countless different beings. What can we cling to? What can we believe in? All religions are stupid, with their puerile morality and their egotistical promises, monstrously absurd. Death alone is certain."
"Think of that, young man. Think of it for days, and months and years, and life will seem different to you. Try to get away from all the things that shut you in. Make a superhuman effort to emerge alive from your own body, from your own interests, from your thoughts, from humanity in general, so that your eyes may be turned in the opposite direction. Then you understand how unimportant is the quarrel between Romanticism and Realism, or the Budget debates.
”
”
Guy de Maupassant
“
It's a fine day for a prayer. But then, most days are.'
'That's what you were doing? Praying?' At his nod, I asked, 'For what do you petition the gods?'
He raised his brows. 'Petition?'
'Isn't that what prayer is? Begging the gods to give you what you want?'
He laughed, his voice deep as a booming wind, but kinder. 'I suppose that is how some men pray. Not I. Not anymore.'
'What do you mean?'
'Oh, I think that children pray so, to find a lost doll or that Father will bring home a good haul of fish, or that no one will discover a forgotten chore. Children think they know what is best for themselves, and do not fear to ask the divine for it. But I have been a man for many years, and I should be shamed if I did not know better by now.'
I eased my back into a more comfortable position against the railing. I suppose if you are used to the swaying of a ship, it might be restful. My muscles constantly fought against it, and I was beginning to ache in every limb. 'So. How does a man pray, then?'
He looked on me with amusement, then levered himself down to sit beside me. 'Don't you know? How do you pray, then?'
'I don't.' And then I rethought, and laughed aloud. 'Unless I'm terrified. Then I suppose I pray as a child does. 'Get me out of this, and I'll never be so stupid again. Just let me live.'
He laughed with me. 'Well, it looks as if, so far, your prayers have been granted. And have you kept your promise to the divine?'
I shook my head, smiling ruefully. 'I'm afraid not. I just find a new direction to be foolish in.'
'Exactly. So do we all. Hence, I've learned I am not wise enough to ask the divine for anything.'
'So. How do you pray then, if you are not asking for something?'
'Ah. Well, prayer for me is more listening than asking. And, after all these years, I find I have but one prayer left. It has taken me a lifetime to find my prayer, and I think it is the same one that all men find, if they but ponder on it longer enough.
”
”
Robin Hobb (Fool's Fate (Tawny Man, #3))
“
The physician had asked the patient to read aloud a paragraph from the statutes of Trinity College, Dublin. ‘It shall be in the power of the College to examine or not examine every Licentiate, previous to his admission to a fellowship, as they shall think fit.’ What the patient actually read was: ‘An the bee-what in the tee-mother of the trothodoodoo, to majoram or that emidrate, eni eni krastei, mestreit to ketra totombreidei, to ra from treido a that kekritest.’ Marvellous! Philip said to himself as he copied down the last word. What style! What majestic beauty! The richness and sonority of the opening phrase! ‘An the bee-what in the tee-mother of the trothodoodoo.’ He repeated it to himself. ‘I shall print it on the title page of my next novel,’ he wrote in his notebook.
”
”
Aldous Huxley (Point Counter Point)
“
Does it hurt you or something? Can I ask you that?"
"Eye contact? No. Maybe it hurts for some people, but not for me. It's..." I've tried for years to put it into words. All the things I want to compare it to—music that's too loud, flavor that's too strong, images that flash too quickly—are different for other people, too, so it never feels quite right {...} "I can do it for, like, half a second. Anything longer is just too much. Too intense. It scrambles my brain."
It's intimate, I think, but don't say aloud.
"Right," he says slowly.
"Like a shock," I say, trying again. "Like a jolt that goes through me the second I make eye contact, or someone touches me when I don't expect it... like those things are suddenly so present, so loud and intrusive. It's so overwhelming I can't think right.
”
”
Corinne Duyvis (On the Edge of Gone)
“
People in grief think a great deal about self-pity. We worry it, dread it, scourge our thinking for signs of it. We fear that our actions will reveal the condition tellingly described as 'dwelling on it.' We understand the aversion most of us have to ‘dwilling on it.’ Visible mourning reminds us of death, which is construed as unnatural, a failure to manage the situation. ‘A single person is missing for you, and the whole world is empty,’ Philippe Aries wrote to the point of this aversion in Western Attitudes toward Death. ‘But one no longer has the right to say so aloud.’ We remind ourselves repeatedly that our own loss is nothing compared to the loss experienced (or, the even worse thought, not experienced) by he or she who died; this attempt at corrective thinking serves only to plunge us deeper into the self-regarding deep. (Why didn’t I see that, why am I so selfish.) The very language we use when we think about self-pity betrays the deep abhorrence in which we hold it: self-pity is feeling sorry for yourself, self0pity is thumb-sucking, self0pity is boo hoo poor me, self-pity is the condition in which those feeling sorry for themselves indulge, or even wallow. Self-pity remains both the most common and the most universally reviled of our character defects, its pestilential destructiveness accepted as given…In fact the grieving have urgent reasons, even an urgent need, to feel sorry for themselves. Husbands walk out, wives walk out, divorces happen, but these husbands and wives leave behind them webs of intact associations, however acrimonious. Only the survivors of a death are truly left alone.
”
”
Joan Didion (The Year of Magical Thinking)
“
She sat back again, a gentle loosening that made her straight spine seem effortless and restful. Again she did nothing. She simply sat across from me and unfurled herself. I felt her life brush up against me and flow around me. It was but the faintest touching, and had I not experienced both the Skill and the Wit, I do not think I would have sensed it. Cautiously, as softly as if I assayed a bridge made of cobweb, I overlay my senses on hers.
She quested. Not as I did, toward a specific beast, or to read what might be close by. I discarded the word I had always given to my sensing. Kettricken did not seek after anything with her Wit. It was as she said, simply a being, but it was being a part of the whole. She composed herself and considered all the ways the great web touched her, and was content. It was a delicate and tenuous thing and I marveled at it. For an instant I, too, relaxed. I breathed out. I opened myself, Wit wide to all. I discarded all caution, all worry that Burrich would sense me. I had never done anything to compare it with before. Kettricken's reaching was as delicate as droplets of dew sliding down a strand of spiderweb. I was like a dammed flood, suddenly released, to rush out to fill old channels to overflowing and to send fingers of water investigating the lowlands.
Let us hunt! The Wolf, joyfully.
In the stables, Burrich straightened from cleaning a hoof, to frown at no one. Sooty stamped in her stall. Molly shrugged away and shook out her hair. Across from me, Kettricken started and looked at me as if I had spoken aloud. A moment more I was held, seized from a thousand sides, stretched and expanded, illuminated pitilessly. I felt it all, not just the human folk with their comings and goings, but every pigeon that fluttered in the eaves, every mouse that crept unnoticed behind the wine kegs, every speck of life, that was not and never had been a speck, but had always been a node on the web of life. Nothing alone, nothing forsaken, nothing without meaning, nothing of no significance, and nothing of importance.
”
”
Robin Hobb (Royal Assassin (Farseer Trilogy, #2))
“
In late July, Boukreev obtained his copy of the Krakauer article . . . Boukreev and Adams listened as the article was read aloud. When Krakauer referred to him, Boukreev leaned forward, trying to understand the words and their meaning: 'Boukreev had returned to Camp IV at 4:30 p.m., before the brunt of the storm, having rushed down from the summit without waiting for clients--extremely questionable behavior for a guide.
Boukreev looked around the table, wondering if the people around him had heard the words as he had.
'Scott authorized my going down, to be ready to go back up. This was the plan. It worked. I don't understand why he would write this.'
As Krakauer's article continued, he implied that had Boukreev descended with clients, they might not have had the problems they did coming down, and that suggestion was devastating.
'I had no idea that the weather was a potential problem until I was well down the mountain. My concern, as was Scott's, was that the climbers' oxygen supplies were going to run out. I did the job Scott wanted me to do. If I had been farther up the mountain when the full force of the storm hit, I think it is likely I would have died with the clients. I honestly do. I am not a superman. In that weather, we all could possibly have died.
”
”
Anatoli Boukreev (The Climb: Tragic Ambitions on Everest)
“
Roger left the cricket stumps and they went into the drawing room. Grandpapa, at the first suggestion of reading aloud, had disappeared, taking Patch with him. Grandmama had cleared away the tea. She found her spectacles and the book. It was Black Beauty. Grandmama kept no modern children's books, and this made common ground for the three of them. She read the terrible chapter where the stable lad lets Beauty get overheated and gives him a cold drink and does not put on his blanket. The story was suited to the day. Even Roger listened entranced. And Deborah, watching her grandmother's calm face and hearing her careful voice reading the sentences, thought how strange it was that Grandmama could turn herself into Beauty with such ease. She was a horse, suffering there with pneumonia in the stable, being saved by the wise coachman.
After the reading, cricket was anticlimax, but Deborah must keep her bargain. She kept thinking of Black Beauty writing the book. It showed how good the story was, Grandmama said, because no child had ever yet questioned the practical side of it, or posed the picture of a horse with a pen in its hoof.
"A modern horse would have a typewriter," thought Deborah, and she began to bowl to Roger, smiling to herself as she did so because of the twentieth-century Beauty clacking with both hoofs at a machine. ("The Pool")
”
”
Daphne du Maurier (Echoes from the Macabre: Selected Stories)
“
This here is God, bragging on how he create the horse.” He cleared his throat and read aloud in a preacher voice. Who gives the horse its strength or clothes his mane with thunder? Who makes him spring like a locust? His splendid snort is terror. He churns up the earth, rejoicing in his power, And charges towards the clash of arms. He laughs at fear, afraid of nothing; He does not shy away from the sword. Over him rattles the quiver, the glittering spear and blade. In frenzy he devours the ground; He cannot stand still when the trumpet sounds. At the blast of the trumpet he snorts, “Hurrah!” And from afar he scents the fray, Hears the clamor of the captains, the battle cry. When he finished reading, he patted the page. “I think that’s mighty fine, don’t you?” Jarret ran the words through in his mind. “Clothes his mane with thunder,” he repeated softly. “That’s good. It makes you see the power in the neck. And the part about how he devours the ground, rejoicing in his strength. It feels just that way some time. But I don’t know about being afraid of nothing. Most horses I know are afraid of plenty.” “Well, the Scripture here is talking about war horses. I guess they’s trained to be brave.” “That ain’t it. A cavalry horse will charge a cannon because he don’t know the cannonball can kill him. All he wants is to stay close to the rest of the herd. Army just learned to use that fear they have, of being left behind.” “Well,
”
”
Geraldine Brooks (Horse)
“
Quote from Father Tim during a sermon given after the former priest was found after a suicide attempt.
" 'Father Talbot has charged me to tell you that he is deeply repentant for not serving you as God appointed him to do, and as you hoped and needed him to do.
'He wished very much to bring you this message himself, but he could not. He bids you goodbye with a love he confesses he never felt toward you...until this day. He asks--and I quote him--that you might find it in your hearts to forgive him his manifold sins against God and this parish.'
He felt the tears on his face before he knew he was weeping, and realized instinctively that he would have no control over the display. He could not effectively carry on, no even turn his face away or flee the pulpit. He was in the grip of a wild grief that paralyzed everything but itself.
He wept face forward, then, into the gale of those aghast at what was happening, wept for the wounds of any clergy gone out into a darkness of self-loathing and beguilement; for the loss and sorrow of those who could not believe, or who had once believed but lost all sense of shield and buckler and any notion of God's radical tenderness, for the ceaseless besettings of the flesh, for the worthless idols of his own and of others; for those sidetracked, stumped, frozen, flung away, for those both false and true, the just and the unjust, the quick and the dead.
He wept for himself, for the pain of the long years and the exquisite satisfactions of the faith, for the holiness of the mundane, for the thrashing exhaustions and the endless dyings and resurrectings that malign the soul incarnate.
It had come to this, a thing he had subtly feared for more than forty years--that he would weep before the many--and he saw that his wife would not try to talk him down from this precipice, she would trust him to come down himself without falling or leaping.
And people wept with him, most of them. Some turned away, and a few got up and left in a hurry, fearful of the swift and astounding movement of the Holy Spirit among them, and he, too, was afraid--of crying aloud in a kind of ancient howl and humiliating himself still further. But the cry burned out somewhere inside and he swallowed down what remained and the organ began to play, softly, piously. He wished it to be loud and gregarious, at the top of its lungs--Bach or Beethoven, and not the saccharine pipe that summoned the vagabond sins of thought, word, and deed to the altar, though come to think of it, the rail was the very place to be right now, at once, as he, they, all were desperate for the salve of the cup, the Bread of Heaven.
And then it was over. He reached into the pocket of his alb and wondered again how so many manage to make in this world without carrying a handkerchief. And he drew it out and wiped his eyes and blew his nose as he might at home, and said, 'Amen.'
And the people said, 'Amen.
”
”
Jan Karon
“
1. Fix in your mind the exact amount of money you desire. It is not sufficient merely to say, ‘I want plenty of money.’ Be definite as to the amount. (There is a psychological reason for definiteness which will be described in a subsequent chapter.) 2. Determine exactly what you intend to give in return for the money you desire. (There is no such reality as ‘something for nothing’.) 3. Establish a definite date when you intend to possess the money you desire. 4. Create a definite plan for carrying out your desire, and begin at once, whether you are ready or not, to put this plan into action. 5. Write out a clear, concise statement of the amount of money you intend to acquire. Name the time limit for its acquisition. State what you intend to give in return for the money, and describe clearly the plan through which you intend to accumulate it. 6. Read your written statement aloud, twice daily, once just before retiring at night, and once after rising in the morning. AS YOU READ, SEE AND FEEL AND BELIEVE YOURSELF ALREADY IN POSSESSION OF THE MONEY.
”
”
Napoleon Hill (Think and Grow Rich)
“
But that wouldn't be honest. That wouldn't be real. That would give you the idea that a life is a simple thing to tell, that it's obvious where to start--BIRTH--and even more obvious where to stop--DEATH. Fade from black to black.
I won't have it. I won't be one of the hundreds telling you that being alive flows like a story you write consciously, deliberately, full of linear narrative, foreshadowing, repetition, motifs. The emotional beats come down where they should, last as long as they should, end when they should, and that 'should' come from somewhere real and natural, not from the tyranny of the theatre, the utter hegemony of fiction. Why, isn't living easy? Isn't it grand? As easy as reading aloud.
No.
If I slice it all up and stitch it back together, you might not understand what I've been trying to say all my life: that any story is a lie cunningly told to hide the real world from the poor bastards who live in it. I can't. I can't tell you that lie...
If I fixed it so time goes the way you expect, you might come away thinking I know what the hell I'm doing.
”
”
Catherynne M. Valente (Radiance)
“
I can’t stop thinking about what we’ve been doing together. All the practicing. Can’t stop wondering why it’s me that keeps you human.”
My heart pounds heavier in my chest, but I shrug. “One of life’s mysteries,” I say.
I turn my attention back to the clothing in front of me, but his footsteps grow closer.
He stops before me, putting himself between me and the view of my clothes. Suddenly, any desire for sleep vanishes.
“I think you have an idea,” he says. “Why won’t you share it with me?”
“I don’t know why,” I whisper.
But it’s a lie. Such a lie.
“Why me?” he whispers back, so gently. So invitingly.
Unbidden, the truth rises to my mind.
Because you love me, I realize, but don’t say aloud. That’s why. That special relationship—the one more powerful than anything else. The most human thing there is. That’s what does it.
“Alosa?” he prompts.
“I have a—different relationship with you than I do anyone else.”
“Different,” he repeats, amused. “Different how?”
“You know.”
“I want to hear you say it.”
Maybe it’s the thrill of being able to stay myself while under the water. Maybe it’s the realization of why he is able to keep me human. Or the realization that whether or not I call it what it is, that relationship between us is there. I only need to choose whether or not I want it.
He’s been so open with me. If I want to take this jump with him, it’s my turn.
“I think you love me,” I say.
“I do.”
“And I think I love you.”
“You think?”
“I know.”
He steps even closer to me. One hand slides up my arm from my wrist to my shoulder. He grabs a strand of my hair and twirls it around one of his fingers before bringing it up to his lips.
“What are you thinking about right now?” he asks.
“Just you.
”
”
Tricia Levenseller (Daughter of the Siren Queen (Daughter of the Pirate King, #2))
“
She sorted through the clothes. “Do you mind wearing Emilio’s underwear?” She turned back to him with the two different styles that she’d found. “You’re about the same size. And they’re clean. They were wrapped in a paper package, like from a laundry service.”
Max gave her a look, because along with the very nice, very expensive pair of black silk boxers she’d pilfered from Emilio, she’d also borrowed one of his thongs.
“What?” Gina said. It was definitely a man-thong. It had all that extra room for various non-female body parts.
“Don’t be ridiculous.”
“I’m not,” she said, trying to play it as serious. “One, it’s been a while, maybe your tastes have changed. And two, these might actually be more comfortable, considering the placement of your bandage and—”
He took the boxers from her.
“Apparently I was wrong.” She turned away and started sorting through the pairs of pants and Bermuda shorts she’d grabbed, trying not to be too obvious about the fact that she was watching him out of the corner of her eye. To make sure he didn’t fall over.
Right.
After he got the boxers on, he took off the bathrobe and . . .
Okay, he definitely wasn’t as skinny as he’d been after his lengthy stint in the hospital. Emilio’s pants probably weren’t going to fit him, after all. Although, there was one pair that looked like they’d be nice and loose . . . There they were. The Kelly green Bermuda shorts.
Max gave her another one of those you’ve-got-to-be-kidding glances as he put the bathrobe over the back of another chair. “Do I really look as if I’ve ever worn shorts that color in my entire life?”
She tried not to smile. “I honestly don’t think you have much choice.” She let herself look at him. “You know, you could just go with the boxers. At least until your pants dry. You know what would really work with that, though? A bowtie.” She turned, as if to go back to the closet. “I’m sure Emilio has a tux. Judging from his other clothes, it’s probably polyester and chartreuse, but maybe the bowtie is—”
“Gina.” Max stopped her before she reached the door. He motioned for her to come back.
She held out the green shorts, but instead of taking them, he took her arm, pulled her close.
“I love you,” Max said, as if he were dispatching some terrible, dire news that somehow still managed to amuse him at least a little.
Gina had been hoping that he’d say it, praying even, but the fact that he’d managed to smile, even just a bit while he did, was a miracle.
And then, before her heart even had a chance to start beating again, he kissed her.
And oh, she was also beyond ready for that particular marvel, for the sweet softness of his mouth, for the solidness of his arms around her. There was more of him to hold her since he’d regained his fighting weight—and that was amazing, too. She skimmed her hands across the muscular smoothness of his back, his shoulders, as his kiss changed from tender to heated.
And, God. That was a miracle, too.
Except she couldn’t help but wonder about those words, wrenched from him, as if it cost him his soul to speak them aloud. Why tell her this right now?
Yes, she’d been waiting for years for him to say that he loved her, but . . .
Max laughed his surprise. “No. Why do you . . .?” He figured it out himself. “No, no, Gina, just . . . I should’ve said it before. I should have said it years ago, but I really should have said it, you know, instead of hi.” He laughed again, clearly disgusted with himself. “God, I’m an idiot. I mean, hi? I should have walked in and said, ‘Gina, I need you. I love you, don’t ever leave me again.’”
She stared at him. It was probably a good thing that he hadn’t said that at the time, because she might’ve fainted.
It was obvious that he wanted her to say something, but she was completely speechless.
”
”
Suzanne Brockmann (Breaking Point (Troubleshooters, #9))
“
Over at one side of the room, seated behind a small nondescript table beneath a small lamp, was a neat, black-haired major. Patient boredom was what his face chiefly revealed ... He asked my name ... Leafing through the pile on the right, the major found the paper which referred to me. He pulled it out and read it aloud to me in a bored patter. I understood I had been sentenced to eight years ... Could this really be my sentence - the turning point in my life? I would have liked to feel nervous, to experience this moment to the full, but I just couldn't ... The major had already pushed the sheet over to me, blank side facing up.
'No, I have to read it myself.'
'Do you really think I would deceive you?' the major objected lazily.
Was I really just supposed to sign and leave in silence? ... He had already nodded to the jailer at the door to get the next prisoner ready ... 'Right there.' The major showed me once again where to sign. I signed. I could simply not think of anything else to do.
'In that case, allow me to write an appeal right here. After all, the sentence is unjust.' ... There was nowhere to appeal to. There was no appeals jurisdiction above it, and no jurisdiction beneath it. It was subordinate only to the Minister of Internal Affairs, to Stalin, and to Satan.
”
”
Aleksandr Solzhenitsyn (The Gulag Archipelago 1918–1956 (Abridged))
“
You know, Lockie,’ she said aloud.
‘What?’
‘The thing about parents is . . . the thing about good parents — and I think your parents are pretty good . . .’
‘Yeah, Mum makes cakes, amazing cakes, and Dad takes me fishing even when there’s work to do. They’re good parents, my mum and dad. But . . . but they didn’t find me.’
‘I know, Lockie, but I promise they were looking. When we get you home they’ll tell you. I promise they were looking.’
‘I should have stayed by the stroller. Maybe they’re mad and that’s why they didn’t look. Maybe they know I’m a bad boy.’
‘You are not bad, Lockie,’ said Tina. She said the words slowly, patiently. ‘You are not bad and your parents sound like they’re pretty good parents. And you know . . . well, the thing about good parents is that they kind of love you no matter what.’
‘No matter what?’
‘Yeah, whatever happens, whatever you do, they still love you. Sometimes they shout when you do stuff they don’t like but they always love you.’
‘What if the stuff you do is really bad?’
‘They’ll still love you. That’s their job.’
‘No, I mean what if the stuff you did is really, really bad?’
‘It doesn’t matter, Lockie. You’re just a kid. Nothing you could do could be that bad.’
‘You don’t know what bad is,’ said Lockie, and then he repeated the words to himself. ‘You don’t know what bad is.
”
”
Nicole Trope (The Boy Under the Table)
“
The only sound to break the silence was that of Hagrid hiccupping from behind his handkerchief. Harry glanced at Hagrid, who had just risked his own life to save Harry’s—Hagrid, whom he loved, whom he trusted, who had once been tricked into giving Voldemort crucial information in exchange for a dragon’s egg. . . .
“No,” Harry said aloud, and they all looked at him, surprised: The firewhisky seemed to have amplified his voice. “I mean . . . if somebody made a mistake,” Harry went on, “and let something slip, I know they didn’t mean to do it. It’s not their fault,” he repeated, again a little louder than he would usually have spoken. “We’ve got to trust each other. I trust all of you, I don’t think anyone in this room would ever sell me to Voldemort.”
More silence followed his words. They were all looking at him; Harry felt a little hot again, and drank some more firewhisky for something to do. As he drank, he thought of Mad-Eye. Mad-Eye had always been scathing about Dumbledore’s willingness to trust people.
“Well said, Harry,” said Fred unexpectedly.
“Yeah, ’ear, ’ear,” said George, with half a glance at Fred, the corner of whose mouth twitched.
Lupin was wearing an odd expression as he looked at Harry. It was close to pitying.
“You think I’m a fool?” demanded Harry.
“No, I think you’re like James,” said Lupin, “who would have regarded it as the height of dishonor to mistrust his friends.
”
”
J.K. Rowling (Harry Potter and the Deathly Hallows (Harry Potter, #7))
“
Damn it, Jacob, I’m freezing my butt off.”
“I came as fast as I could, considering I thought it would be wise to walk the last few yards.”
Isabella whirled around, her smiling face lighting up the silvery night with more ease than the fullest of moons. She leapt up into his embrace, eagerly drinking in his body heat and affection.
“I can see it now. ‘Daddy, tell me about your wedding day.’ ‘Well, son,’” she mocked, deepening her voice to his timbre and reflecting his accent uncannily, “’The first words out of your mother’s mouth were I’m freezing my butt off!’”
“Very romantic, don’t you think?” he teased. “So, you think it will be a boy, then? Our first child?”
“Well, I’m fifty percent sure.”
“Wise odds. Come, little flower, I intend to marry you before the hour is up.” With that, he scooped her off her feet and carried her high against his chest. “Unfortunately, we are going to have to do this hike the hard way.”
“As Legna tells it, that’s what you’re supposed to do.”
“Yeah, well, I assure you a great many grooms have fudged that a little.” He reached to tuck her chilled face into the warm crook of his neck.
“Surely the guests would know. It takes longer to walk than it does to fly . . . or whatever . . . out of the woods.”
“This is true, little flower. But passing time in the solitude of the woods is not necessarily a difficult task for a man and woman about to be married.”
“Jacob!” she gasped, laughing.
“Some traditions are not necessarily publicized,” he teased.
“You people are outrageous.”
“Mmm, and if I had the ability to turn to dust right now, would you tell me no if I asked to . . . pass time with you?”
Isabella shivered, but it was the warmth of his whisper and intent, not the cold, that made her do so.
“Have I ever said no to you?”
“No, but now would be a good time to start, or we will be late to our own wedding,” he chuckled.
“How about no . . . for now?” she asked silkily, pressing her lips to the column on his neck beneath his long, loose hair.
His fingers flexed on her flesh, his arms drawing her tighter to himself. He tried to concentrate on where he was putting his feet.
“If that is going to be your response, Bella, then I suggest you stop teasing me with that wicked little mouth of yours before I trip and land us both in the dirt.”
“Okay,” she agreed, her tongue touching his pulse.
“Bella . . .”
“Jacob, I want to spend the entire night making love to you,” she murmured.
Jacob stopped in his tracks, taking a moment to catch his breath.
“Okay, why is it I always thought it was the groom who was supposed to be having lewd thoughts about the wedding night while the bride took the ceremony more seriously?”
“You started it,” she reminded him, laughing softly.
“I am begging you, Isabella, to allow me to leave these woods with a little of my dignity intact.” He sighed deeply, turning his head to brush his face over her hair. “It does not take much effort from you to turn me inside out and rouse my hunger for you. If there is much more of your wanton taunting, you will be flushed warm and rosy by the time we reach that altar, and our guests will not have to be Mind Demons in order to figure out why.”
“I’m sorry, you’re right.” She turned her face away from his neck.
Jacob resumed his ritual walk for all of thirty seconds before he stopped again.
“Bella . . .” he warned dangerously.
“I’m sorry! It just popped into my head!”
“What am I getting myself into?” he asked aloud, sighing dramatically as he resumed his pace.
“Well, in about an hour, I hope it will be me.
”
”
Jacquelyn Frank (Jacob (Nightwalkers, #1))
“
What is the most beautiful place you’ve ever seen?”
Dragging his gaze from the beauty of the gardens, Ian looked down at the beauty beside him. “Any place,” he said huskily, “were you are.”
He saw the becoming flush of embarrassed pleasure that pinkened her cheeks, but when she spoke her voice was rueful. “You don’t have to say such things to me, you know-I’ll keep our bargain.”
“I know you will,” he said, trying not to overwhelm her with avowals of love she wouldn’t yet believe. With a grin he added, “Besides, as it turned out after our bargaining session, I’m the one who’s governed by all the conditions, not you.”
Her sideways glance was filled with laughter. “You were much too lenient at times, you know. Toward the end I was asking for concessions just to see how far you’d go.”
Ian, who had been multiplying his fortune for the last four years by buying shipping and import-export companies, as well as sundry others, was regarded as an extremely tough negotiator. He heard her announcement with a smile of genuine surprise. “You gave me the impression that every single concession was of paramount importance to you, and that if I didn’t agree, you might call the whole thing off.”
She nodded with satisfaction. “I rather thought that was how I ought to do it. Why are you laughing?”
“Because,” he admitted, chuckling, “obviously I was not in my best form yesterday. In addition to completely misreading your feelings, I managed to buy a house on Promenade Street for which I will undoubtedly pay five times its worth.”
“Oh, I don’t think so,” she said, and, as if she was embarrassed and needed a way to avoid meeting his gaze, she reached up and pulled a leaf off an overhanging branch. In a voice of careful nonchalance, she explained, “In matters of bargaining, I believe in being reasonable, but my uncle would assuredly have tried to cheat you. He’s perfectly dreadful about money.”
Ian nodded, remembering the fortune Julius Cameron had gouged out of him in order to sign the betrothal agreement.
“And so,” she admitted, uneasily studying the azure-blue sky with feigned absorption, “I sent him a note after you left itemizing all the repairs that were needed at the house. I told him it was in poor condition and absolutely in need of complete redecoration.”
“And?”
“And I told him you would consider paying a fair price for the house, but not one shilling more, because it needed all that.”
“And?” Ian prodded.
“He has agreed to sell it for that figure.”
Ian’s mirth exploded in shouts of laughter. Snatching her into his arms, he waited until he could finally catch his breath, then he tipped her face up to his. “Elizabeth,” he said tenderly, “if you change your mind about marrying me, promise me you’ll never represent the opposition at the bargaining table. I swear to God, I’d be lost.” The temptation to kiss her was almost overwhelming, but the Townsende coach with its ducal crest was in the drive, and he had no idea where their chaperones might be. Elizabeth noticed the coach, too, and started toward the house.
"About the gowns," she said, stopping suddenly and looking up at him with an intensely earnest expression on her beautiful face. "I meant to thank you for your generosity as soon as you arrived, but I was so happy to-that is-" She realized she'd been about to blurt out that she was happy to see him, and she was so flustered by having admitted aloud what she hadn't admitted to herself that she completely lost her thought.
"Go on," Ian invited in a husky voice. "You were so happy to see me that you-"
"I forgot," she admitted lamely.
”
”
Judith McNaught (Almost Heaven (Sequels, #3))
“
Zachary had never accepted defeat before. He'd tolerated it in small doses, perhaps, always knowing that in the larger scheme of things, he would have what he wanted. But he'd never been truly vanquished, never known a real loss. Until this, the biggest loss of all. It made him feel vicious and a bit crazed. He wanted to kill someone. He wanted to weep. Most of all he wanted to laugh at himself for being a big sodding fool. In the nonsensical stories that Holly read aloud some evenings about Greeks and their amorous, carelessly cruel gods, mortals were always punished for reaching too high. Hubris, Holly had once explained. Too much prideful ambition. Zachary knew he had been guilty of hubris, and now he was paying the price. He should never have let himself want a woman who was clearly not meant for him. What tormented him the most was the suspicion that he might actually still be able to obtain her, if he bullied and tormented and bribed her into it. But he wouldn't do that to her, or to himself. He wanted her to love him as willingly and joyously as she had loved George. The very idea would have made most people laugh. It even amused him. What must Holly think when she compared him to her saintly husband? Zachary was a scoundrel, an opportunist, a rough-mannered scavenger—the definitive opposite of a gentleman. Clearly Ravenhill was the right choice, the only choice, if she wanted a life similar to the one she'd had with George.
”
”
Lisa Kleypas (Where Dreams Begin)
“
What's the trouble?" I said, knowing well what that trouble was.
"I've a notion in my head that would make the most splendid story that was ever written. Do let me write it out here. It's such a notion!"
There was no resisting the appeal. I set him a table; he hardly thanked me, but plunged into the work at once. For half an hour the pen scratched without stopping. Then Charlie sighed and tugged his hair. The scratching grew slower, there were more erasures, and at last ceased. The finest story in the world would not come forth.
"It looks such awful rot now," he said, mournfully. "And yet it seemed so good when I was thinking about it. What's wrong?"
I could not dishearten him by saying the truth. So I answered: "Perhaps you don't feel in the mood for writing."
"Yes I do--except when I look at this stuff. Ugh!"
"Read me what you've done," I said.
"He read, and it was wondrous bad, and he paused at all the specially turgid sentences, expecting a little approval; for he was proud of those sentences, as I knew he would be.
"It needs compression," I suggested, cautiously.
"I hate cutting my things down. I don't think you could alter a word here without spoiling the sense. It reads better aloud than when I was writing it."
"Charlie, you're suffering from an alarming disease afflicting a numerous class. Put the thing by, and tackle it again in a week."
"I want to do it at once. What do you think of it?"
"How can I judge from a half-written tale? Tell me the story as it lies in your head."
Charlie told, and in the telling there was everything that his ignorance had so carefully prevented from escaping into the written word. I looked at him, and wondering whether it were possible that he did not know the originality, the power of the notion that had come in his way? It was distinctly a Notion among notions. Men had been puffed up with pride by notions not a tithe as excellent and practicable. But Charlie babbled on serenely, interrupting the current of pure fancy with samples of horrible sentences that he purposed to use. I heard him out to the end. It would be folly to allow his idea to remain in his own inept hands, when I could do so much with it. Not all that could be done indeed; but, oh so much!
”
”
Rudyard Kipling
“
Tiffany’s basket was on the table. It had a present in it, of course. Everyone knew you took a small present along when you went visiting, but the person you were visiting was supposed to be surprised when you gave it to her, and say things like “Oooh, you shouldn’t have.”
“I brought you something,” said Tiffany, swinging the big black kettle onto the fire.
“You’ve got no call to be bringing me presents, I’m sure,” said Granny sternly.
“Yes, well,” said Tiffany, and left it at that.
She heard Granny lift the lid of the basket. There was a kitten in it.
“Her mother is Pinky, the Widow Cable’s cat,” said Tiffany, to fill the silence.
“You shouldn’t have,” growled the voice of Granny Weatherwax.
“It was no trouble.” Tiffany smiled at the fire.
“I can’t be havin’ with cats.”
“She’ll keep the mice down,” said Tiffany, still not turning around.
“Don’t have mice.”
Nothing for them to eat, thought Tiffany. Aloud, she said, “Mrs. Earwig’s got six big black cats.”
In the basket, the white kitten would be staring up at
Granny Weatherwax with the sad, shocked expression of all kittens.
You test me, I test you, Tiffany thought.
“I don’t know what I shall do with it, I’m sure. It’ll have to sleep in the goat shed,” said Granny Weatherwax. Most witches had goats.
[...]
When Tiffany left, later on, Granny Weatherwax said good-bye at the door and very carefully shut the kitten outside.
Tiffany went across the clearing to where she’d tied up Miss Treason’s broomstick. But she didn’t get on, not yet. She stepped back up against a holly bush, and
went quiet until she wasn’t there anymore, until everything about her said: I’m not here.
Everyone could see pictures in the fire and in clouds. You just turned that the other way around. You turned off that bit of yourself that said you were there. You dissolved. Anyone looking at you would find you very hard to see. Your face became a bit of leaf and shadow, your body a piece of tree and bush. The other person’s mind would fill in the gaps.
Looking like just another piece of holly bush, she watched the door. The wind had got up, warm but worrisome, shaking the yellow and red leaves off the
sycamore trees and whirring them around the clearing. The kitten tried to bat a few of them out of the air and then sat there, making sad little mewling noises.
Any minute now, Granny Weatherwax would think Tiffany had gone and would open the door and—
“Forgot something?” said Granny by her ear.
She was the bush.
“Er...it’s very sweet. I just thought you might, you know, grow to like it,” said Tiffany, but she was thinking: Well, she could have got here if she ran, but
why didn’t I see her? Can you run and hide at the same time?
“Never you mind about me, my girl,” said the witch. “You run along back to Miss Treason and give her my best wishes, right now. But”—and her voice softened a little—“that was good hiding you did just then. There’s many as would not have seen you. Why, I hardly heard your hair growin’!”
When Tiffany’s stick had left the clearing, and Granny Weatherwax had satisfied herself in other little ways that she had really gone, she went back inside, carefully ignoring the kitten again.
After a few minutes, the door creaked open a little. It may have been just a draft. The kitten trotted inside...
”
”
Terry Pratchett (Wintersmith (Discworld, #35; Tiffany Aching, #3))
“
In Fleury’s day, however, the grass was cut and the graves well cared for. Besides, as you might expect, he was fond of graveyards; he enjoyed brooding in them and letting his heart respond to the abbreviated biographies he found engraved in their stones . . . so eloquent, so succinct! All the same, once he had spent an hour or two pondering by his mother’s grave he decided to call it a day because, after all, one does not want to overdo the lurking in graveyards. This decision was not a very sudden one. From the age of sixteen when he had first become interested in books, much to the distress of his father, he had paid little heed to physical and sporting matters. He had been of a melancholy and listless cast of mind, the victim of the beauty and sadness of the universe. In the course of the last two or three years, however, he had noticed that his sombre and tubercular manner was no longer having quite the effect it had once had, particularly on young ladies. They no longer found his pallor so interesting, they tended to become impatient with his melancholy. The effect, or lack of it, that you have on the opposite sex is important because it tells you whether or not you are in touch with the spirit of the times, of which the opposite sex is invariably the custodian. The truth was that the tide of sensitivity to beauty, of gentleness and melancholy, had gradually ebbed leaving Fleury floundering on a sandbank. Young ladies these days were more interested in the qualities of Tennyson’s “great, broad-shouldered, genial Englishman” than they were in pallid poets, as Fleury was dimly beginning to perceive. Louise Dunstaple’s preference for romping with jolly officers which had dismayed him on the day of the picnic had by no means been the first rebuff of this kind. Even Miriam sometimes asked him aloud why he was looking “hangdog” when once she would have remained silent, thinking “soulful”. All
”
”
J.G. Farrell (The Siege of Krishnapur)
“
You are the lifemate of a senstive, modern male. Julian's lazy amusement warmed her further, confirming what she already suspected, that he often stayed a shadow in her mind.
How fortunate for me. Desari smiled at herself in the mirror. Her dark hair cascaded in waves down her back. There was a sparkle in her eyes. She knew Julian had made her feel more alive than she had ever been. Sensitive, modern men are so to my liking.
Men? I am certain I did not hear my lifemate use the word men.The plural.No man is allowed to be to your liking other than myself. He sounded stern, the fierce Carpathian male at his most menacing.
Desari laughed aloud. I suppose I can see your point, Julian, but really, it is so difficult to keep from noticing all of those handsome hunks in the audience.
Handsome hunks? His voice dropped low with the affront. They are more like lovesick fops. If they could feel the vibrations in the air, they would show sense and run for their lives. It is bad enough to read their fantasies and hear them talk their trash, cara,but it is altogether worse to hear that my woman is looking back. One smile at the wrong man, lifemate, and trouble will find the man quickly.
You sound jealous,she accused him, amusement curving her soft mouth.
The first rule for all women to know and never forget is that Carpathian makes do not share their lifemates. Your brother has much to answer for that this was not drilled into you since birth.It was his job to prepare you for my coming. It was said somewhere between jest and complaint.
Desari drew in her breath sharply, finding herself wavering between laughter and exasperation. My brother had no idea of your existence, you arrogant male. Besides, how could he possibly prepare me for your total ignorance of women? More likely, had he known you were coming to speak your ritual words, he would have been waiting to ambush you.I myself would have burrowed deep within the ground until you passed beyond my surroundings.
You would have burst from the ground staight into my arms,cara mia, and you know this to be true.
Now he was laughing, that smug, taunting, male amusement that should have set her teeth on edge but instead made her laugh. I think you are trying to find something to dictate to me about just so you do not lose your ability. Go away and practice this male art form on someone else.
You will be singing to me tonight, piccola,and to no other man.
You are a spoiled little boy,not a grown man.
Should I come show you what a grown man I am? His voice was suddenly low and warm, so sexy she felt a rush of answering heat. She could feel the brush of his fingers against her throat, trailing down the valley between her suddenly aching breasts.
Go away,Julian, she laughed in answer. I cannot have you getting me hot and bothered just now.
As long as I know you re hot and bothered for me, I will do as you request and go back to work.
I can only hope.
”
”
Christine Feehan (Dark Challenge (Dark, #5))
“
Self-Confidence Formula First. I know that I have the ability to achieve the object of my Definite Purpose in life, therefore, I DEMAND of myself persistent, continuous action toward its attainment, and I here and now promise to render such action. Second. I realize the dominating thoughts of my mind will eventually reproduce themselves in outward, physical action, and gradually transform themselves into physical reality, therefore, I will concentrate my thoughts for thirty minutes daily, upon the task of thinking of the person I intend to become, thereby creating in my mind a clear mental picture of that person. Third. I know through the principle of auto-suggestion, any desire that I persistently hold in my mind will eventually seek expression through some practical means of attaining the object back of it, therefore, I will devote ten minutes daily to demanding of myself the development of SELF-CONFIDENCE. Fourth. I have clearly written down a description of my DEFINITE CHIEF AIM in life, and I will never stop trying, until I shall have developed sufficient self-confidence for its attainment. Fifth. I fully realize that no wealth or position can long endure, unless built upon truth and justice, therefore, I will engage in no transaction which does not benefit all whom it affects. I will succeed by attracting to myself the forces I wish to use, and the cooperation of other people. I will induce others to serve me, because of my willingness to serve others. I will eliminate hatred, envy, jealousy, selfishness, and cynicism, by developing love for all humanity, because I know that a negative attitude toward others can never bring me success. I will cause others to believe in me, because I will believe in them, and in myself. I will sign my name to this formula, commit it to memory, and repeat it aloud once a day, with full FAITH that it will gradually influence my THOUGHTS and ACTIONS so that I will become a self-reliant, and successful person.
”
”
Napoleon Hill (Think And Grow Rich)
“
Eh? How 'bout that?" Bill nudged her. "Did I promise to show you love or did I promise to show you love?"
"Sure,they seem like they're in love." Luce shrugged. "But-"
"But what?Do you have any idea how painful that is? Look at that guy. He makes getting inked look like being caressed by a soft breeze."
Luce squirmed on the branch. "Is that the lesson here? Pain equals love?"
"You tell me," Bill said. "It may surprise you to hear this,but the ladies aren't exactly banging down Bill's door."
"I mean,if I tattooed Daniel's same on my body would that mean I loved him more than I already do?"
"It's a symbol,Luce." Bill let out a raspy sigh. "You're being too literal. Think about it this way: Daniel is the first good-looking boy LuLu has ever seen. Until he washed ashore a few months ago, this girl's whole world was her father and a few fat natives."
"She's Miranda," Luce said, remembering the love story from The Tempest, which she'd read in her tenth-grade Shakespeare seminar.
"How very civilized of you!" Bill pursed his lips with approval. "They are liek Ferdinand and Miranda: The handsome foreigner shipwrecks on her shores-"
"So,of course it was love at first sight for LuLu," Luce murmured. This was what she was afraid of: the same thoughtless,automatic love that had bothered her in Helston.
"Right," Bill said. "She didn't have a choice but to fall for him.But what's interesting here is Daniel. You see, he didn't have to teach her to craft a woven sail, or gain her father's trust by producing a season's worth of fish to cure,or exhibit C"-Bill pointed at the lovers on the beach-"agree to tattoo his whole body according to her local custom.It would have been enough if Daniel had just shown up.LuLu would have loved him anyway."
"He's doing it because-" Luce thought aloud. "Because he wants to earn her love.Because otherwise,he would just be taking advantage of their curse. Because no matter what kind of cycle they're bound to,his love for her is...true.
”
”
Lauren Kate (Passion (Fallen, #3))
“
Letter
You can see it already: chalks and ochers;
Country crossed with a thousand furrow-lines;
Ground-level rooftops hidden by the shrubbery;
Sporadic haystacks standing on the grass;
Smoky old rooftops tarnishing the landscape;
A river (not Cayster or Ganges, though:
A feeble Norman salt-infested watercourse);
On the right, to the north, bizarre terrain
All angular--you'd think a shovel did it.
So that's the foreground. An old chapel adds
Its antique spire, and gathers alongside it
A few gnarled elms with grumpy silhouettes;
Seemingly tired of all the frisky breezes,
They carp at every gust that stirs them up.
At one side of my house a big wheelbarrow
Is rusting; and before me lies the vast
Horizon, all its notches filled with ocean blue;
Cocks and hens spread their gildings, and converse
Beneath my window; and the rooftop attics,
Now and then, toss me songs in dialect.
In my lane dwells a patriarchal rope-maker;
The old man makes his wheel run loud, and goes
Retrograde, hemp wreathed tightly round the midriff.
I like these waters where the wild gale scuds;
All day the country tempts me to go strolling;
The little village urchins, book in hand,
Envy me, at the schoolmaster's (my lodging),
As a big schoolboy sneaking a day off.
The air is pure, the sky smiles; there's a constant
Soft noise of children spelling things aloud.
The waters flow; a linnet flies; and I say: "Thank you!
Thank you, Almighty God!"--So, then, I live:
Peacefully, hour by hour, with little fuss, I shed
My days, and think of you, my lady fair!
I hear the children chattering; and I see, at times,
Sailing across the high seas in its pride,
Over the gables of the tranquil village,
Some winged ship which is traveling far away,
Flying across the ocean, hounded by all the winds.
Lately it slept in port beside the quay.
Nothing has kept it from the jealous sea-surge:
No tears of relatives, nor fears of wives,
Nor reefs dimly reflected in the waters,
Nor importunity of sinister birds.
”
”
Victor Hugo
“
Did those “new gays” spinning about like giddy tops in discos care to know that dancing with someone of the same sex was punishable as “lewd conduct” then? Still, a club in Topanga Canyon boasted a system of warning lights. When they flashed, lesbians and gay men shifted—what a grand adventure!—and danced with each other, laughing at the officers’ disappointed faces! How much pleasure—and camaraderie, yes, real kinship—had managed to exist in exile. Did those arrogant young people know that, only years ago, you could be sentenced to life in prison for consensual sex with another man? A friend of his destroyed by shock therapy decreed by the courts. Another friend sobbing on the telephone before he slashed his wrists— Thomas's hands on his steering wheel had clenched in anger, anger he had felt then, anger he felt now. And all those pressures attempted to deplete you, and disallow— “—the yearnings of the heart,” he said aloud. Yet he and others of his generation had lived through those barbaric times—and survived—those who had survived—with style. Faced with those same outrages, what would these “new gays” have done? “Exactly as we did,” he answered himself. The wind had resurged, sweeping sheaths of dust across the City, pitching tumbleweeds from the desert into the streets, where they shattered, splintering into fragments that joined others and swept away. Now, they said, everything was fine, no more battles to fight. Oh, really? What about arrests that continued, muggings, bashings, murder, and hatred still spewing from pulpits, political platforms, and nightly from the mouths of so-called comedians? Didn't the “new gays” know—care!—that entrenched “sodomy” laws still existed, dormant, ready to spring on them, send them to prison? How could they think they had escaped the tensions when those pressures were part of the legacy of being gay? Didn't they see that they remained—as his generation and generations before his had been—the most openly despised? And where, today, was the kinship of exile?
”
”
John Rechy (The Coming of the Night (Rechy, John))
“
I can’t help thinking,” she confided when he finished answering her questions about women in India who covered their faces and hair in public, “that it is grossly unfair that I was born a female and so must never know such adventures, or see but a few of those places. Even if I were to journey there, I’d only be allowed to go where everything was as civilized as-as London!”
“There does seem to be a case of extreme disparity between the privileges accorded the sexes,” Ian agreed.
“Still, we each have our duty to perform,” she informed him with sham solemnity. “And there’s said to be great satisfaction in that.”
“How do you view your-er-duty?” he countered, responding to her teasing tone with a lazy white smile.
“That’s easy. It is a female’s duty to be a wife who is an asset to her husband in every way. It is a male’s duty to do whatever he wishes, whenever he wishes, so long as he is prepared to defend his country should the occasion demand it in his lifetime-which it very likely won’t. Men,” she informed him, “gain honor by sacrificing themselves on the field of battle while we sacrifice ourselves on the altar of matrimony.”
He laughed aloud then, and Elizabeth smiled back at him, enjoying herself hugely. “Which, when one considers it, only proves that our sacrifice is by far the greater and more noble.”
“How is that?” he asked, still chuckling.
“It’s perfectly obvious-battles last mere days or weeks, months at the very most. While matrimony lasts a lifetime! Which brings to mind something else I’ve often wondered about,” she continued gaily, giving full rein to her innermost thoughts.
“And that is?” he prompted, grinning, watching her as if he never wanted to stop.
“Why do you suppose, after all that, they call us the weaker sex?” Their laughing gazes held, and then Elizabeth realized how outrageous he must be finding some of her remarks. “I don’t usually go off on such tangents,” she said ruefully. “You must think I’m dreadfully ill-bred.”
“I think,” he softly said, “that you are magnificent.”
The husky sincerity in his deep voice snatched her breath away. She opened her mouth, thinking frantically for some light reply that could restore the easy camaraderie of a minute before, but instead of speaking she could only draw a long, shaky breath.
“And,” he continued quietly, “I think you know it.”
This was not, not the sort of foolish, flirtatious repartee she was accustomed to from her London beaux, and it terrified her as much as the sensual look in those golden eyes. Pressing imperceptibly back against the arm of the sofa, she told herself she was only overacting to what was nothing more than empty flattery. “I think,” she managed with a light laugh that stuck in her throat, “that you must find whatever female you’re with ‘magnificent.’”
“Why would you say a thing like that?”
Elizabeth shrugged. “Last night at supper, for one thing.” When he frowned at her as if she were speaking in a foreign language, she prodded, “You remember Lady Charise Dumont, our hostess, the same lovely brunette on whose every word you were hanging at supper last night?”
His frown became a grin. “Jealous?”
Elizabeth lifted her elegant little chin and shook her head. “No more than you were of Lord Howard.”
She felt a small bit of satisfaction as his amusement vanished. “The fellow who couldn’t seem to talk to you without touching your arm?” he inquired in a silky-soft voice. “That Lord Howard? As a matter of fact, my love, I spent most of my meal trying to decide whether I wanted to shove his nose under his right ear or his left.”
Startled, musical laughter erupted from her before she could stop it. “You did nothing of the sort,” she chuckled. “Besides, if you wouldn’t duel with Lord Everly when he called you a cheat, you certainly wouldn’t harm poor Lord Howard merely for touching my arm.”
“Wouldn’t I?” he asked softly. “Those are two very different issues.
”
”
Judith McNaught (Almost Heaven (Sequels, #3))
“
What did you say to them?”
“Told them I was Stan Shunpike. First person I could think of.”
“And they believed that?”
“They weren’t the brightest. One of them was definitely part troll, the smell off him…”
Ron glanced at Hermione, clearly hopeful she might soften at this small instance of humor, but her expression remained stony above her tightly knotted limbs.
“Anyway, they had a row about whether I was Stan or not. It was a bit pathetic to be honest, but there were still five of them and only one of me and they’d taken my wand. Then two of them got into a fight and while the others were distracted I managed to hit the one holding me in the stomach, grabbed his wand, Disarmed the bloke holding mine, and Disapparated. I didn’t do it so well, Splinched myself again”--Ron held up his right hand to show two missing fingernails; Hermione raised her eyebrows coldly--“and I came out miles from where you were. By the time I got back to that bit of riverbank where we’d been…you’d gone.”
“Gosh, what a gripping story,” Hermione said in the lofty voice she adopted when wishing to wound. “You must have been simply terrified. Meanwhile we went to Godric’s Hollow and, let’s think, what happened there, Harry? Oh yes, You-Know-Who’s snake turned up, it nearly killed both of us, and then You-Know-Who himself arrived and missed us by about a second.”
“What?” Ron said, gaping from her to Harry, but Hermione ignored him.
“Imagine losing fingernails, Harry! That really puts our sufferings into perspective, doesn’t it?”
“Hermione,” said Harry quietly, “Ron just saved my life.”
She appeared not to have heard him.
“One thing I would like to know, though,” she said, fixing her eyes on a spot a foot over Ron’s head. “How exactly did you find us tonight? That’s important. Once we know, we’ll be able to make sure we’re not visited by anyone else we don’t want to see.”
Ron glared at her, then pulled a small silver object from his jeans pocket.
“This.”
She had to look at Ron to see what he was showing them.
“The Deluminator?” she asked, so surprised she forgot to look cold and fierce.
“It doesn’t just turn the lights on and off,” said Ron. “I don’t know how it works or why it happened then and not any other time, because I’ve been wanting to come back ever since I left. But I was listening to the radio really early on Christmas morning and I heard…I heard you.”
He was looking at Hermione.
“You heard me on the radio?” she asked incredulously.
“No, I heard you coming out of my pocket. Your voice,” he held up the Deluminator again, “came out of this.”
“And what exactly did I say?” asked Hermione, her tone somewhere between skepticism and curiosity.
“My name. ‘Ron.’ And you said…something about a wand…”
Hermione turned a fiery shade of scarlet. Harry remembered: It had been the first time Ron’s name had been said aloud by either of them since the day he had left; Hermione had mentioned it when talking about repairing Harry’s wand.
”
”
J.K. Rowling (Harry Potter and the Deathly Hallows (Harry Potter, #7))
“
He stared at her in insolent silence, unable to believe the alluring, impulsive girl he remembered had become this coolly aloof, self-possessed young woman. Even with her dusty clothes and the smear of dirt on her cheek, Elizabeth Cameron was strikingly beautiful, but she’d changed so much that-except for the eyes-he scarcely recognized her. One thing hadn’t changed: She was still a schemer and a liar.
Straightening abruptly from his stance in the doorway, Ian walked forward. “I’ve had enough of this charade, Miss Cameron. No one invited you here, and you damn well know it.”
Blinded with wrath and humiliation, Elizabeth groped in her reticule and snatched out the handwritten letter her uncle had received inviting Elizabeth to join Ian there. Marching up to him, she slapped the invitation against his chest. Instinctively he caught it but didn’t open it.
“Explain that,” she commanded, backing away and then waiting.
“Another note, I’ll wager,” he drawled sarcastically, thinking of the night he’d gone to the greenhouse to meet her and recalling what a fool he’d been about her.
Elizabeth stood beside the table, determined to have the satisfaction of hearing his explanation before she left-not that anything he said could make her stay. When he showed no sign of opening it, she turned furiously to Jake, who was sorely disappointed that Ian was deliberately chasing off two females who could surely be persuaded to do the cooking if they stayed. “Make him read it aloud!” she ordered the startled Jake.
“Now, Ian,” Jake said, thinking of his empty stomach and the bleak future that lay ahead for it if the ladies went away, “why don’t you jes’ read that there little note, like the lady asked?”
When Ian Thornton ignored the older man’s suggestion, Elizabeth lost control of her temper. Without thinking what she was actually doing, she reached out and snatched the pistol off the table, primed it, cocked it, and leveled it at Ian Thornton’s broad chest. “Read that note!”
Jake, whose concern was still on his stomach, held up his hands as if the gun were pointed at him. “Ian, it could be a misunderstanding, you know, and it’s not nice to be rude to these ladies. Why don’t you read it, and then we’ll all sit down and have a nice”-he inclined his head meaningfully to the sack of provisions on the table-“supper.”
“I don’t need to read it,” Ian snapped. “The last time I read a note from Lady Cameron I met her in a greenhouse and got shot in the arm for my trouble.”
“Are you implying I invited you into that greenhouse?” Elizabeth scoffed furiously.
With an impatient sigh Ian said, “Since you’re obviously determined to enact a Cheltenham tragedy, let’s get it over with before you’re on your way.”
“Do you deny you sent me a note?” she snapped.
“Of course I deny it!”
“Then what were you doing in the greenhouse?” she shot back at him.
“I came in response to that nearly illegible note you sent me,” he said in a bored, insulting drawl. “May I suggest that in future you devote less of your time to theatrics and some of it to improving your handwriting?” His gaze shifted to the pistol. “Put the gun down before you hurt yourself.
”
”
Judith McNaught (Almost Heaven (Sequels, #3))
“
A long time ago Ian had told her he was half in love with her, yet now that they were betrothed he’d never spoken a word of it, had not even pretended. She wasn’t certain of his motives or his feelings; she wasn’t certain of her own, either. All she really knew was that the sight of his hard, handsome face with its chiseled features, and hold amber eyes never failed to make her entire being feel tense and alive. She knew he liked to kis her, and that she very much liked being kissed by him. Added to his other attractions was something else that drew her inexorably to him: From their very first meeting, Elizabeth had sensed that beneath his bland sophistication and rugged virility Ian Thornton had a depth that most people lacked. “It’s so hard to know,” she whispered, “how I ought to feel or what I ought to think. And I have the worst feeling it’s not going to matter what I know or what I think,” she added almost sadly, “because I am going to love him.” She opened her eyes and looked at Alex. “It’s happening, and I cannot stop it. It was happening two years ago, and I couldn’t stop it then, either. So you see,” she added with a sad little smile, “it would be so much nicer for me if you could love him just a little, too.”
Alex reached across the table and took Elizabeth’s hands in hers. “If you love him, then he must be the very best of men. I shall henceforth make it a point to see all his best qualities!” Alex hesitated, and then she hazarded the question: “Elizabeth, does he love you?”
Elizabeth shook her head. “He wants me, he says, and he wants children.”
Alex swallowed embarrassed laughter. “He what?”
“He wants me, and he wants children.”
A funny, knowing smile tugged at Alexandra’s lips. “You didn’t tell me he said the first part. I am much encouraged,” she teased while a rosy blush stole over her cheeks.
“I think I am, too,” Elizabeth admitted, drawing a swift, searching look from Alex.
“Elizabeth, this is scarcely the time to discuss this-in fact,” Alex added, her flush deepening. “I don’t think there is a really good time to discuss it-but has Lucinda explained to you how children are conceived?”
“Yes, of course,” Elizabeth said without hesitation.
“Good, because I would have been the logical one otherwise, and I still remember my reaction when I found out. It was not a pretty sight,” she laughed. “On the other hand, you were always much the wiser girl than I.”
“I don’t think so at all,” Elizabeth said, but she couldn’t imagine what there was, really, to blush about. Children, Lucinda had told her when she’d asked, were conceived when a husband kissed his wife in be. And it hurt the first time. Ian’s kisses were sometimes almost bruising, but they never actually hurt, and she enjoyed them terribly.
As if speaking her feelings aloud to Alexandra had somehow relieved her of the burden of trying to deal with them, Elizabeth was so joyously relaxed that she suspected Ian noticed it at once when the men joined them in the drawing room.
Ian did notice it; in fact, as they sat down to play a game of cards in accordance with Elizabeth’s cheery suggestion, he noticed there was a subtle but distinct softening in the attitudes of both ladies toward him.
”
”
Judith McNaught (Almost Heaven (Sequels, #3))
“
I’m going to sleep now,” she said in a strangled voice. “Alone,” she added, and his face whitened as if she had slapped him.
During his entire adult life Ian had relied almost as much on his intuition as on his intellect, and at that moment he didn’t want to believe in the explanation they were both offering. His wife did not want him in her bed; she recoiled from his touch; she had been away for two consecutive nights; and-more alarming than any of that-guilt and fear were written all over her pale face.
“Do you know what a man thinks,” he said in a calm voice that belied the pain streaking through him, “when his wife stays away at night and doesn’t want him in her bed when she does return?”
Elizabeth shook her head.
“He thinks,” Ian said dispassionately, “that perhaps someone else has been taking his place in it.”
Fury sent bright flags of color to her pale cheeks.
“You’re blushing, my dear,” Ian said in an awful voice.
“I am furious!” she countered, momentarily forgetting that she was confronting a madman.
His stunned look was replaced almost instantly by an expression of relief and then bafflement. “I apologize, Elizabeth.”
“Would you p-lease get out of here!” Elizabeth burst out in a final explosion of strength. “Just go away and let me rest. I told you I was tired. And I don’t see what right you have to be so upset! We had a bargain before we married-I was to be allowed to live my life without interference, and quizzing me like this is interference!” Her voice broke, and after another narrowed look he strode out of the room.
Numb with relief and pain, Elizabeth crawled back into bed and pulled the covers up under her chin, but not even their luxurious warmth could still the alternating chills and fever that quaked through her. Several minutes later a shadow crossed her bed, and she almost screamed with terror before she realized it was Ian, who had entered silently though the connecting door of their suite.
Since she’d gasped aloud when she saw him, it was useless to pretend she was sleeping. In silent dread she watched him walking toward her bed. Wordlessly he sat down beside her, and she realized there was a glass in his hand. He put it on the bedside table, then he reached behind her to prop up her pillows, leaving Elizabeth no choice but to sit up and lean back against them. “Drink this,” he instructed in a calm tone.
“What is it?” she asked suspiciously.
“It’s brandy. It will help you sleep.”
He watched while she sipped it, and when he spoke again there was a tender smile in his voice. “Since we’ve ruled out another man as the explanation for all this, I can only assume something has gone wrong at Havenhurst. Is that it?”
Elizabeth seized on that excuse as if it were manna from heaven. “Yes,” she whispered, nodding vigorously.
Leaning down, he pressed a kiss on her forehead and said teasingly, “Let me guess-you discovered the mill overcharged you?” Elizabeth thought she would die of the sweet torment when he continued tenderly teasing her about being thrifty. “Not the mill? Then it was the baker, and he refused to give you a better price for buying two loaves instead of one.”
Tears swelled behind her eyes, treacherously close to the surface, and Ian saw them. “That bad?” he joked.
”
”
Judith McNaught (Almost Heaven (Sequels, #3))