“
You buy furniture. You tell yourself, this is the last sofa I will ever need in my life. Buy the sofa, then for a couple years you're satisfied that no matter what goes wrong, at least you've got your sofa issue handled. Then the right set of dishes. Then the perfect bed. The drapes. The rug. Then you're trapped in your lovely nest, and the things you used to own, now they own you.
”
”
Chuck Palahniuk (Fight Club)
“
From the antique Persian rugs covering the gleaming hardwood floors to the molded tin ceilings and ornate chandeliers, the house was a showstopper. Throughout its long life, no one had allowed this home to fall into disrepair. Every detail of the wainscoting, every pocket door, every window, floor tile, and bathtub was original to the house.
”
”
Kirsten Fullmer (Trouble on Main Street (Sugar Mountain, #1))
“
An orange on the table
Your dress on the rug
And you in my bed
Sweet present of the present
Cool of night
Warmth of my life
”
”
Jacques Prévert
“
In a dog's life, some plaster would fall, some cushions would open, some rugs would shred. Like any relationship, this one had its costs. They were costs we came to accept and balance against the joy and amusement and protection and companionship he gave us.
”
”
John Grogan (Marley and Me: Life and Love With the World’s Worst Dog)
“
..in that moment i realize how much i love the little everyday routines of my life..the details that are my life's special pattern, like how in handwoven rugs what really makes them unique are the tiny flaws in the stitching, little gaps and jumps and stutters that can never be reproduced.
so many things become beautiful when you really look.
”
”
Lauren Oliver (Before I Fall)
“
The details that are my life's special pattern, like how in handwoven rugs what really makes them unique are the tiny flaws in the stitching, little gaps and jumps and stutters that can never be reproduced.
”
”
Lauren Oliver (Before I Fall)
“
Cost to clean deeply soiled rugs: $200.
Cost to replace shiny, black, stack-heeled, pilgrim-toed boots: $185.
Cost to fix every single delicious table and chair leg in the house: $490.
Life with two shelter dogs: fucking priceless.
”
”
Jen Lancaster (Bitter Is the New Black: Confessions of a Condescending, Egomaniacal, Self-Centered Smartass, Or, Why You Should Never Carry A Prada Bag to the Unemployment Office)
“
No one expects the rug to be yanked out from underneath them; life-changing events usually don’t announce themselves. While instinct and intuition can help provide some warning signs, they can do little to prepare you for the feeling of rootlessness that follows when fate flips your world upside down. Anger, confusion, sadness, and frustration are shaken up together inside you like a snow globe. It takes years for the emotional dust to settle as you do your best to see through the storm.
”
”
Slash (Slash)
“
You can’t know this right now, but…
your ragged, rugged honesty…
your crazy, passionate, naked vulnerability…
your trusting plunge into the unknown of Life at every turn…
your journey of love and healing…
these change your world, the world of those around you and the world as a whole.
Someday you’ll know how important you are.
”
”
Jacob Nordby
“
For our path in life...is stony and rugged now, and it rests with us to smooth it. We must fight our way onward. We must be brave. There are obstacles to be met, and we must meet, and crush them!
”
”
Charles Dickens (David Copperfield)
“
It seems more than a little patronizing for Westerners to lament the loss of the good old days when life in the Khumbu was so much simpler and more picturesque. Most of the people who live in this rugged country seem to have no desire to be severed from the modern world or the untidy flow of human progress. The last thing Sherpas want is to be preserved as specimens in an anthropological museum.
”
”
Jon Krakauer (Into Thin Air: A Personal Account of the Mt. Everest Disaster)
“
This is as close as I get to life on the edge: a milky tea and a near-white rug.
”
”
Emily Henry (Funny Story)
“
There is nothing I like better than conversing with aged men. For I regard them as travelers who have gone a journey which I too may have to go, and of whom I ought to inquire whether the way is smooth and easy or rugged and difficult. Is life harder toward the end, or what report do you give it?
”
”
Plato
“
Max himself was sitting on the rug, wearing a sailor suit with elaborate navy ribbons to match his hair, tightly embracing Chairman Meow.
“You are my meow friend,” he told the Chairman solemnly, squeezing him.
“Meow,” Chairman Meow protested. He’d lived a life of torment since Max learned to walk.
”
”
Cassandra Clare (The Land I Lost (Ghosts of the Shadow Market, #7))
“
If your faith rests in your idea of how God is supposed to answer your prayers, your idea of heaven here on earth or pie in the sky or whatever, then that kind of faith is very shaky and is bound to be demolished when the storms of life hit it. But if your faith rests on the character of Him who is the eternal I AM, then that kind of faith is rugged and will endure.
”
”
Elisabeth Elliot (Suffering Is Never for Nothing)
“
How do people do this? When the rug is pulled out from under the life the thought they would have forever, how do they pretend it's not seismic? That the roof hasn't fallen in and they're trapped under a concrete beam?
”
”
Kennedy Ryan (Before I Let Go (Skyland, #1))
“
Be honest. This applies to every area of your life. Sketchiness is not an attractive trait. No more trying to cover up your baggage, sweeping things under the rug, withholding truth, blatant lying, or even telling seemingly ‘harmless’ white lies or half-truths – release the need to lie completely! Start NOW.
”
”
Alaric Hutchinson (Living Peace: Essential Teachings For Enriching Life)
“
Swirling like water against rugged rocks, time goes around and around
”
”
Denis Thériault (Peculiar Life of a Lonely Postman)
“
Because if there's one thing in life I can count on, it's that eventually, no matter how freaking nice that rug is under your feet, someone always pulls it out from under you eventually.
”
”
J.A. Huss (Tragic (Rook and Ronin, #1))
“
Simon Cameron: “I loved my brother, as only the poor and lonely can love those with whom they have toiled and struggled up the rugged hill of life’s success—but he died bravely in the discharge of his duty.
”
”
Doris Kearns Goodwin (Team of Rivals: The Political Genius of Abraham Lincoln)
“
Part of her wanted simply to sit and stare out of the window, at the lawn, flaky with sodden leaves, and the branches with yellow leaves, or few, or none, she thought, taking pleasure at least in Shakespeare’s rhythm, but also feeling old. She took pleasure, too, in the inert solidity of glass panes and polished furniture and rows of ordered books around her, and the magic trees of life woven in glowing colours on the rugs at her feet.
”
”
A.S. Byatt (The Children's Book)
“
For chrissake folks what is this life if full of care we have no time to stand and stare? Take off your shoes for a while, unzip your fly, piss hearty, dig your toes in the hot sand, feel that raw and rugged earth, split a couple of big toenails, draw blood! Why not?
”
”
Edward Abbey (Desert Solitaire)
“
Lead, Kindly Light, amidst th'encircling gloom,
Lead Thou me on!
The night is dark, and I am far from home,
Lead Thou me on!
Keep Thou my feet; I do not ask to see
The distant scene; one step enough for me.
I was not ever thus, nor prayed that Thou
Shouldst lead me on;
I loved to choose and see my path; but now
Lead Thou me on!
I loved the garish day, and, spite of fears,
Pride ruled my will. Remember not past years!
So long Thy power hath blest me, sure it still
Will lead me on.
O’er moor and fen, o’er crag and torrent, till
The night is gone,
And with the morn those angel faces smile,
Which I have loved long since, and lost awhile!
Meantime, along the narrow rugged path,
Thyself hast trod,
Lead, Saviour, lead me home in childlike faith,
Home to my God.
To rest forever after earthly strife
In the calm light of everlasting life.
”
”
John Henry Newman
“
No map to help us find the tranquil flat lands, clearings calm, fields without mean fences. Rolling down the other side of life our compass is the sureness of ourselves. Time may make us rugged, ragged round the edges, but know and understand that love is still the safest place to land.
”
”
Rod McKuen
“
A friend who is a high-level executive, intimidating to many, recently promoted a courageous employee who walked into his office with a large bucket of sand and poured it on the rug. “What the hell are you doing?” demanded my friend. The
”
”
Susan Scott (Fierce Conversations: Achieving Success at Work and in Life One Conversation at a Time)
“
Who was there to soothe him as life’s rug was snatched from under his sleeping feet?
”
”
Markus Zusak (The Book Thief)
“
The details that are life's special pattern, like how in handwoven rugs what really makes them unique are the tiny flaws in the stitching, little gaps and jumps and stutters that can never be reproduced. so many things become beautiful when you really look.
”
”
Lauren Oliver (Before I Fall)
“
People always said things like, “Everything will work out,” or, “That won’t happen.” But what about when things didn’t work out? Or when the unthinkable did happen? You had to walk around with the knowledge that life could sweep the rug out from under you at any moment. It could, because it had.
”
”
Mia Sheridan (Where the Blame Lies)
“
Anything you don’t want to deal with can always be written off as being “in the past” and ignored, but in doing so, you sweep it under a rug where it doesn't go away with time – it becomes time itself, and takes on the illusion of life as we think we know it.
”
”
A.J. Darkholme (Rise of the Morningstar (The Morningstar Chronicles, #1))
“
You had a fucking friend who needed you. What the hell was that, Jocelyn?"
He shook his head slowly. "Don't," he whispered hoarsely, dipping his head so our noses were almost touching. "Don't do this. Not now. Whatever shit your spinning in that head of yours, stop. She needs you, babe." He shallowed hard, his eyes glimmering in the streetlights. "I need you."
I felt that familiar choking in the bottom of my throat. "I didn't ask you to need me," I whispered back.
I saw it. The hurt flickered across his face before he quickly banked it. Abruptly, he let go of me. "Fine. I don't have time for your multitude of emotional issues. I have a wee sister who may or may not have brain cancer, and she needs me, even if you don't. But I'll tell you something Jocelyn," he stepped forward, point a finger in my face, his own hardened with anger, "If you don't see her through this, you'll hate yourself for the rest of your life. You can pretend you don't give a shit about me, but you can't pretend Ellie means nothing to you. I've seen you. Do you hear me?" He hissed, his hot breath blowing across my face, his words cutting though my soul. "You love her. You can't sweep that under the rug because it's easier to pretend she means nothing to you than it is to bear the thought of losing her. She deserves better than that.
”
”
Samantha Young (On Dublin Street (On Dublin Street, #1))
“
daughters-in-law, notice the beauty of the rug that your mother-in-law spent a lifetime weaving. Remember that her pattern is mostly firmly established-no need to suggest improvements. Be kinder than necessary, being mindful that the piece of art it took her a lifetime to weave-her masterpiece-she gave to you to keep you warm at night.
”
”
Glennon Doyle Melton (Carry On, Warrior: The Power of Embracing Your Messy, Beautiful Life)
“
I realized that loving people, depending on them, NEEDING them, is just too dangerous. Love is just a way to set you up for a bad fall. It's the rug they pull out from under you at the very moment you decide that everything's going to be fine. We're all so ephemeral. So fragile. And life's so unpredictable.
”
”
Dean Koontz (Darkfall)
“
Dont keep sweeping your troubles under the rug for someday you'll trip over it.
”
”
Taylor Wapaha
“
Beware of those that fall at your feet, they may be reaching for the corner of the rug.
”
”
Blanche Barton (The Secret Life of a Satanist: The Authorized Biography of Anton Szandor LaVey)
“
In a dog’s life, some plaster would fall, some cushions would open, some rugs would shred. Like any relationship, this one had its costs. They were costs we came to accept and balance against the joy and amusement and protection and companionship he gave us. We could have bought a small yacht with what we spent on our dog and all the things he destroyed. Then again, how many yachts wait by the door all day for your return? How many live for the moment they can climb in your lap or ride down the hill with you on a toboggan, licking your face?
”
”
John Grogan (Marley & Me: Life and Love with the World's Worst Dog)
“
I mean, why would someone do this?! Why do people fall in love if it means there is a chance of feeling this way? What the fuck is wrong with humans?! HUMANS ARE FUCKING SICK AND TWISTED! I mean, I get it—it feels good, you know? Being in love, being happy.” Her body trembled as the tears fell faster than she could take breaths. “But when that magical rug is ripped out from under you, it takes all the happy and good feelings with it. And your heart? It just breaks. It breaks and it’s unapologetic. It shatters into a million pieces, leaving you numb, blankly staring at the pieces because all your free will, all the common sense you once had in your life is gone. You gave up everything for this bullshit thing called love, and now you’re just destroyed.
”
”
Brittainy C. Cherry (The Air He Breathes (Elements, #1))
“
The prideful, rational mind, comfortable with its certainty, enamoured of its own brilliance, is easily tempted to ignore error, and to sweep dirt under the rug. Literary, existential philosophers, beginning with Søren Kierkegaard, conceived of this mode of Being as “inauthentic.” An inauthentic person continues to perceive and act in ways his own experience has demonstrated false. He does not speak with his own voice.
”
”
Jordan B. Peterson (12 Rules for Life: An Antidote to Chaos)
“
Reading these stories, it's tempting to think that
the arts to be learned are those of tracking, hunting,
navigating, skills of survival and escape. Even in the
everyday world of the present, an anxiety to survive
manifests itself in cars and clothes for far more rugged
occasions than those at hand, as though to express some
sense of the toughness of things and of readiness to face
them. But the real difficulties, the real arts of survival,
seem to lie in more subtle realms. There, what's called
for is a kind of resilience of the psyche, a readiness to
deal with what comes next. These captives lay out in a
stark and dramatic way what goes on in every life: the
transitions whereby you cease to be who you were. Seldom
is it as dramatic, but nevertheless, something of
this journey between the near and the far goes on in
every life. Sometimes an old photograph, an old friend,
an old letter will remind you that you are not who you
once were, for the person who dwelt among them, valued
this, chose that, wrote thus, no longer exists. Without
noticing it you have traversed a great distance; the
strange has become familiar and the familiar if not
strange at least awkward or uncomfortable, an outgrown
garment. And some people travel far more than
others. There are those who receive as birthright an adequate
or at least unquestioned sense of self and those
who set out to reinvent themselves, for survival or for
satisfaction, and travel far. Some people inherit values
and practices as a house they inhabit; some of us have to
burn down that house, find our own ground, build from scratch, even as a psychological metamorphosis.
”
”
Rebecca Solnit (A Field Guide to Getting Lost)
“
Anarchism alone stresses the importance of the individual, his possibilities and needs in a free society. Instead of telling him that he must fall down and worship before institutions, live and die for abstractions, break his heart and stunt his life for taboos, Anarchism insists that the center of gravity in society is the individual--that he must think for himself, act freely, and live fully. The aim of Anarchism is that every individual in the world shall be able to do so. If he is to develop freely and fully, he must be relieved from the interference and oppression of others. Freedom is, therefore, the cornerstone of the Anarchist philosophy. Of course, this has nothing in common with a much boasted "rugged individualism." Such predatory individualism is really flabby, not rugged. At the least danger to its safety it runs to cover of the state and wails for protection of armies, navies, or whatever devices for strangulation it has at its command. Their "rugged individualism" is simply one of the many pretenses the ruling class makes to unbridled business and political extortion.
”
”
Emma Goldman (Red Emma Speaks: An Emma Goldman Reader (Contemporary Studies in Philosophy and the Human Sciences))
“
Rural life in the winter months was rugged: snow-blurred and alcohol-fueled, violent and fast.
”
”
John Irving (Last Night in Twisted River)
“
The key to happiness is under the doorstep rug.
”
”
Ljupka Cvetanova (The New Land)
“
Here is my room, in the yellow lamplight and the space heater rumbling: Indian rug red as Cochise's blood, a desk with seven mystic drawers, a chair covered in material as velvety blue-black as Batman's cape, an aquarium holding tiny fish so pale you could see their hearts beat, the aforementioned dresser covered with decals from Revell model airplane kits, a bed with a quilt sewn by a relative of Jefferson Davis's, a closet, and the shelves, oh, yes, the shelves. The troves of treasure. On those shelves are stacks of me: hundreds of comic books- Justice League, Flash, Green Lantern, Batman, the Spirit, Blackhawk, Sgt. Rock and Easy Company, Aquaman, and the Fantastic Four... The shelves go on for miles and miles. My collection of marbles gleams in a mason jar. My dried cicada waits to sing again in the summer. My Duncan yo-yo that whistles except the string is broken and Dad's got to fix it.
”
”
Robert McCammon (Boy's Life)
“
fight. Life had effectively pulled the rug, the flooring, and the fucking planet from under my feet.
Winters, Pepper (2014-03-06). Destroyed (p. 3). Pepper Winters. Kindle Edition.
”
”
Pepper Winters (Destroyed)
“
My heart clutched - it was one of those moments when you feel time is a rug that's been yanked out from under you; everything around you has changed so gradually that it is only all at one you look up and realize how different your life has become.
”
”
Curtis Sittenfeld (American Wife)
“
All this is the carpet of life. You are sitting on it. Each of those knots represents one plant or animal. They, and the air we breathe, the water we drink, and our groceries are not manufactured. They are produced by what we call nature. This rug represents that nature. If something happens in Asia or Africa and a cheetah disappears, that is one knot from the carpet. If you understand that, you’ll realize that we are living on a very limited number of species and resources, on which our life depends.” In
”
”
Alan Weisman (Countdown: Our Last, Best Hope for a Future on Earth?)
“
As time went by, I realized that the particular place I'd chose was less important than the fact that I'd chosen a place and focused my life around it. Although the island has taken on great significance for me, it's no more inherently beautiful or meaningful than any other place on earth. What makes a place special is the way it buries itself inside the heart, not whether it's flat or rugged, rich or austere. wet or arid, gentle or harsh, warm or cold, wild or tame. Every place, like every person, is elevated by the love and respect shown toward it, and by the way in which its bounty is received.
”
”
Richard Nelson (The Island Within)
“
Tonight, he'd looked broken. She'd been afraid to touch him, as if one brush of skin would send him shattering into a million pieces. But then she had, and he'd clung to her as if he'd been afraid to let go. Some people might see it as weakness, but she didn't. She knew how it felt to have life yank the rug out from under you. She knew what it meant to need someone to hold you, to share the weight of the world for a minute. For a second. She would have held him all night. And then her father had shown up to act like Detective Dickhead. As usual.
”
”
Brigid Kemmerer (Sacrifice (Elemental, #5))
“
Who can escape when in your grip,
When your dark eyes confront one?
I do not wish to flee when you seize me,
I never shall believe that you only destroy.
I know that you must course through everyone's life
and nothing earthbound stays untouched by you,
Though life without you would be beautiful!
And yet, it is worthwhile to experience you.
Indeed, you are not a night's phantom;
You come to remind the spirit of its strength:
It's the battle that has made the greatest persons great
-on rugged roads towards the goal.
For that, and happiness and joy,
give me only one thing;
pain which lends true greatness.
So, come and let us wrestle breast to breast;
do come, even if it means life or death.
Do come and lip into the heart's deepest interior
and rummage through the depths of life.
Take away dream's illusion and joy;
take away things not worth one's unlimited strivings.
You are not mankind's final conqueror.
Although we expose our breast to your blows
and although we collapse in death,
you are the pedestal for our soul's greatness.
”
”
Lou Andreas-Salomé
“
Never stop having doubts. If you ever do, it will be because you’ve stopped moving forward, and at that point, God will step in and pull the rug out from under your feet, because that is His way of controlling His chosen ones, by making sure they always follow their appointed path to the end. If, for any reason, we stop, whether out of complacency, laziness, or out of a mistaken belief that we know enough, He forces us on.
”
”
Paulo Coelho (Brida)
“
Must be I find you
tough and lusty as the life,
all toil and tempo,
finesse and plain fight,
with values so old they startle me.
Must be I think of you
as I do the rugged flowers
that prove themselves over and over in the spring,
that elsewhere might perish,
but here master the earth,
bloom into gangly lives of high color,
and inhale the sun, knowing the land
better than the land does.
Hardy, savvy,
they will outlive us all.
”
”
Diane Ackerman
“
A friend who is a high-level executive, intimidating to many, recently promoted a courageous employee who walked into his office with a large bucket of sand and poured it on the rug. “What the hell are you doing?” demanded my friend. The employee replied, “I just figured I’d make it easier for you to bury your head in the sand on the topic I keep bringing up and you keep avoiding.” You
”
”
Susan Scott (Fierce Conversations: Achieving Success at Work and in Life One Conversation at a Time)
“
The very idea that you can somehow make your life alright by attaining primitive material goals – whether it’s getting the ideal relationship, the ideal job, a beautiful Berber rug or forty quids’ worth of smack – the underlying idea, ‘if I could just get X, Y, Z, I would be okay’, is consistent and it is quite wrong.
”
”
Russell Brand (Recovery: Freedom From Our Addictions)
“
HIDEOUS! Sorry, Mom, but vomit green is NOT my colour. And that dress is impossible to walk in! It’s so tight around my legs that it looks like a giant fish tail. While the other bridesmaids walked gracefully to the “Wedding March” song, I flopped my way down the aisle like a human-sized catfish or something! Those rug burns were pure agony! It was getting late and I was running out of time! The last thing I wanted to do was to traumatise Brandon by showing up at the dance looking like a MUTANT FISH GIRL or something. Right now I’m SO frustrated that I’m seriously considering just NOT going to the dance. Why is my life so hopelessly CRUDDY?!
”
”
Rachel Renée Russell (Dork Diaries: Holiday Heartbreak)
“
Those children are right," he would have said. "They stole nothing from you, my dear. These things don't belong to you here, you now. They belonged to her, that other you, so long ago."
Oh, thought Mrs. Bentley. And then, as though an ancient phonograph record had been set hissing under a steel needle, she remembered a conversation she had once had with Mr. Bentley--Mr. Bentley, so prim, a pink carnation in his whisk-broomed lapel, saying, "My dear, you never will understand time, will you? You've always trying to be the things you were, instead of the person you are tonight. Why do you save those ticket stubs and theater programs? They'll only hurt you later. Throw them away, my dear."
But Mrs. Bentley had stubbornly kept them.
"It won't work," Mr. Bentley continued, sipping his tea. "No matter how hard you try to be what you once were, you can only be what you are here and now. Time hypnotizes. When you're nine, you think you've always been nine years old and will always be. When you're thirty, it seems you've always been balanced there on that bright rim of middle life. And then when you turn seventy, you are always and forever seventy. You're in the present, you're trapped in a young now or an old now, but there is no other now to be seen."
It had been one of the few, but gentle, disputes of their quiet marriage. He had never approved of her bric-a-brackery. "Be what you are, bury what you are not," he had said. "Ticket stubs are trickery. Saving things is a magic trick, with mirrors."
If he were alive tonight, what would he say?
"You're saving cocoons." That's what he'd say. "Corsets, in a way, you can never fit again. So why save them? You can't really prove you were ever young. Pictures? No, they lie. You're not the picture."
"Affidavits?"
No, my dear, you are not the dates, or the ink, or the paper. You're not these trunks of junk and dust. You're only you, here, now--the present you."
Mrs. Bentley nodded at the memory, breathing easier.
"Yes, I see. I see."
The gold-feruled cane lay silently on the moonlit rug.
"In the morning," she said to it, "I will do something final about this, and settle down to being only me, and nobody else from any other year. Yes, that's what I'll do."
She slept . . .
”
”
Ray Bradbury (Dandelion Wine)
“
To think that this is my twentieth birthday, and that I've left my teens behind me forever," said Anne, who was curled up on the hearth-rug with Rusty in her lap, to Aunt Jamesina who was reading in her pet chair. They were alone in the living room. Stella and Priscilla had gone to a committee meeting and Phil was upstairs adorning herself for a party.
"I suppose you feel kind of sorry," said Aunt Jamesina. "The teens are such a nice part of life. I'm glad I've never gone out of them myself."
Anne laughed.
"You never will, Aunty. You'll be eighteen when you should be a hundred. Yes, I'm sorry, and a little dissatisfied as well. Miss Stacy told me long ago that by the time I was twenty my character would be formed, for good or evil. I don't feel that it's what it should be. It's full of flaws."
"So's everybody's," said Aunt Jamesina cheerfully. "Mine's cracked in a hundred places. Your Miss Stacy likely meant that when you are twenty your character would have got its permanent bent in one direction or 'tother, and would go on developing in that line. Don't worry over it, Anne. Do your duty by God and your neighbor and yourself, and have a good time. That's my philosophy and it's always worked pretty well.
”
”
L.M. Montgomery (Anne of the Island (Anne of Green Gables, #3))
“
Life had effectively pulled the rug, the flooring, and the fucking planet from under my feet.
Winters, Pepper (2014-03-06). Destroyed (p. 3). Pepper Winters. Kindle Edition.
”
”
Pepper Winters
“
The vessel is in port. He has got the prize he has been trying for all his life. The bird has come in at last. There it is with its head on his shoulder, billing and cooing close up to his heart, with soft outstretched fluttering wings. This is what he has asked for every day and hour for eighteen years. This is what he pined after. Here it is—the summit, the end—the last page of the third volume. Good-bye, colonel—God bless you, honest William!—Farewell, dear Amelia—Grow green again, tender little parasite, round the rugged old oak to which you cling!
”
”
William Makepeace Thackeray (Vanity Fair)
“
I see you are in a dilemma, and one of a peculiar and difficult nature. Two paths lie before you; you conscientiously wish to choose the right one, even though it be the most steep, straight, and rugged; but you do not know which is the right one; you cannot decide whether duty and religion command you to go out into the cold and friendless world, and there to earn your living by governess drudgery, or whether they enjoin your continued stay with your aged mother, neglecting, for the present, every prospect of independency for yourself, and putting up with the daily inconvenience, sometimes even with privations. I can well imagine, that it is next to impossible for you to decide for yourself in this matter, so I will decide it for you.
At least, I will tell you what is my earnest conviction on the subject; I will show you candidly how the question strikes me. The right path is that which necessitates the greatest sacrifice of self-interest -- which implies the greatest good to others; and this path, steadily followed, will lead, I believe, in time, to prosperity and to happiness; though it may seem, at the outset, to tend quite in a contrary direction. Your mother is both old and infirm; old and infirm people have but few resources of happiness -- fewer almost than the comparatively young and healthy can conceive; to deprive them of one of these is cruel. If your mother is more composed when you are with her, stay with her. If she would be unhappy in case you left her, stay with her. It will not apparently, as far as short-sighted humanity can see, be for your advantage to remain at XXX, nor will you be praised and admired for remaining at home to comfort your mother; yet, probably, your own conscience will approve, and if it does, stay with her. I recommend you to do what I am trying to do myself.
[Quoted from a letter to a friend, referenced in the last chapter of Vol 1. "The Life of Charlotte Bronte" by Elizabeth Gaskell ]
”
”
Charlotte Brontë
“
Life is full of so many false starts and abrupt finishes and unexpected detours. Just when you think you have it all figured out, something new comes along and rips the rug out from under you.
”
”
Nikki Sixx (This Is Gonna Hurt: Music, Photography, And Life Through The Distorted Lens Of Nikki Sixx)
“
The marks life leaves on everything it touches transform perfection into wholeness. Older, wiser cultures choose to claim this wholeness in the things that they create. In Japan, Zen gardeners purposefully leave a fat dandelion in the midst of the exquisite, ritually precise patterns of the meditation garden. In Iran, even the most skilled of rug weavers includes an intentional error, the “Persian Flaw,” in the magnificence of a Tabriz or Qashqai carpet…and Native Americans wove a broken bead, the “spirit bead,” into every beaded masterpiece. Nothing that has a soul is perfect. When life weaves a spirit bead into your very fabric, you may stumble upon a wholeness greater than you had dreamed possible before.
”
”
Rachel Naomi Remen (My Grandfather's Blessings : Stories of Strength, Refuge, and Belonging)
“
It [folk music] exceeded all human understanding, and if it called out to you, you could disappear and be sucked into it. I felt right at home in this mythical realm made up not with individuals so much as archetypes, vividly drawn archetypes of humanity, metaphysical in shape, each rugged soul filled with natural knowing and inner wisdom. Each demanding a degree of respect. I could believe in the full spectrum of it and sing about it. It was so real, so more true to life than life itself. It was life magnified.
”
”
Bob Dylan (Chronicles, Volume One)
“
Wildflowers are breathtaking and rugged. They grow magnificently free, abundant and undisciplined by nature, completely in flow with the current of life, innocent and unruly, and at ease in their fully expanded state.
”
”
Kris Franken (Wildhearted Purpose: Embrace Your Unique Calling & the Unmapped Path of Authenticity)
“
Do you want any breakfast, Sam?” my mom asks. I never eat breakfast at home, but my mom still asks me every day—when she catches me before I duck out, anyway—and in that moment I realize how much I love the little everyday routines of my life: the fact that she always asks, the fact that I always say no because there’s a sesame bagel waiting for me in Lindsay’s car, the fact that we always listen to “No More Drama” as we pull into the parking lot. The fact that my mom always cooks spaghetti and meatballs on Sunday, and the fact that once a month my dad takes over the kitchen and makes his “special stew” which is just hot-dog pieces and baked beans and lots of extra ketchup and molasses, and I would never admit to liking it, but it’s actually one of my favorite meals. The details that are my life’s special pattern, like how in handwoven rugs what really makes them unique are the tiny flaws in the stitching, little gaps and jumps and stutters that can never be reproduced.
”
”
Lauren Oliver (Before I Fall)
“
Wasn't this rugged business of taking your life apart, looking at all of it and admitting and remembering and reminding yourself of all the bad - wasn't the big result of it your getting to be honest?
"Exactly that," said Ferguson.
”
”
Paul de Kruif (A Man Against Insanity: The Birth of Drug Therapy in a Northern Michigan Asylum)
“
As I worked I continued to be a bit terrified in the back of my mind that it would be awful in the end, a big mishmash of nothing in particular, and there I would be, having wasted a whole week of my life destroying things I wanted to keep.
But I should have trusted the long history of women who've come before me making rag rugs from everything that wasn't nailed down because it wasn't like that at all. Instead it was like a big, incredible tapestry that just happened to--if you could decipher it--tell a million little stories from my life. I could look at it and see my old lace slip and the girls' party dresses and my high school rainbow tie-dyes, the Irish kilt and the Halloween clown pants and so many, many other things. It was all in there somewhere.
I felt like the miller's daughter in the fairy tale, the one who stays up all night spinning straw into gold. But who needs yellow metal, anyway? The was way better.
”
”
Eve O. Schaub (Year of No Clutter)
“
Sometimes you meet your partner too soon, but love persuades you to leap, trusting that he’ll catch you. Life is real and it’s right now. Life is fireflies in your palm, gleaming gold, and then setting them free. In the best moments, life is fireworks. Sometimes life is having the rug pulled out from under you and the one you love helping you up. But most of all, life is what happens when you open the door and let beauty in, even if it doesn’t fit according to your plans.
”
”
Ann Aguirre (I Want It That Way (2B Trilogy #1))
“
Leon at once envied the calm of the tomb, and one evening he had even made his will, asking to be buried in that beautiful rug with velvet stripes he had received from her. For this was how they would have wished to be, each setting up an ideal to which they were now adapting their past life. Besides, speech is a rolling-mill that always thins out the sentiment.
”
”
Gustave Flaubert (Madame Bovary)
“
In our nation’s popular culture, country life in the 1800s has often been portrayed as an idyllic experience, one that cultivated such quintessentially American values as self-reliance, rugged independence, a reverence for the land, a belief in the importance of hard work and self-sacrifice, and a willingness to fight when necessary for home, family, and community.
”
”
Harold Schechter (The Pirate)
“
You buy furniture. You tell yourself, this is the last sofa I will ever need in my life. Buy the sofa, then for a couple years you’re satisfied that no matter what goes wrong, at least you’ve got your sofa issue handled. Then the right set of dishes. Then the perfect bed. The drapes. The rug. Then you’re trapped in your lovely nest, and the things you used to own, now they own you.
”
”
Chuck Palahniuk (Fight Club)
“
I’d like to run away, to flee from what I know, from what is mine, from what I love. I want to set off, not for some impossible Indies or for the great islands that lie far to the south of all other lands, but for anywhere, be it village or desert, that has the virtue of not being here. What I want is not to see these faces, this daily round of days. I want a rest from, to be other than, my habitual pretending. I want to feel the approach of sleep as if it were a promise of life, not rest. A hut by the sea, even a cave on a rugged mountain ledge, would be enough. Unfortunately, my will alone cannot give me that.
Slavery is the only law of life, there is no other, because this law must be obeyed; there is no possible rebellion against it or refuge from it. Some are born slaves, some become slaves, some have slavery thrust upon them. The cowardly love we all have of freedom -which if it were given to us we would all repudiate as being too new and strange –is the irrefutable proof of how our slavery weighs upon us.
”
”
Fernando Pessoa (The Book of Disquiet)
“
Julia had accepted a job far away from her sisters and home. That collection of weeks had pulled her life out from under her like a rug. Julia had devoted herself to not losing control of her circumstances like that ever again, and she hadn’t, until recently.
”
”
Ann Napolitano (Hello Beautiful)
“
Shams of Tabriz
Befuddled believer! If every Ramadan one fasts in the name of God and every Eid one sacrifices a sheep or a goat as an atonement for his sins, if all his life one strives to make pilgrimage to Mecca and five times a day kneels on a prayer rug but at the same time has no room for love in his heart, what is the use of all this trouble? Faith is only a word if there is no love at its center, so flaccid and lifeless, vague and hollow -- not anything you could truly feel.
Pity the fool who thinks the boundaries of his mortal mind are the boundaries of God the Almighty. Pity the ignorant who assume they can negotiate and settle debts with God. Do such people think God is a grocer who attempts to weigh our virtues and wrongdoings on two separate scales? Is He a clerk meticulously writing down our sins in His accounting book so as to make us pay Him back someday? Is this their notion of Oneness?
”
”
Elif Shafak (The Forty Rules of Love)
“
The best answer I’ve heard came in a sermon given by an elderly priest many years ago. He was traveling in the Middle East and was overwhelmed by the majesty of the Persian rugs he saw. Those gorgeous creations so skillfully woven into such beautiful designs. One day he was in a shop where those rugs were on display. He walked behind one that was hanging on hooks from the ceiling. Looking at it from behind, he was shocked to behold a confusing array of threads that led nowhere. Such beauty on one side, total disharmony on the other, but both part of the same plan. It was then that the message became clear to him. In this life we see only the back side of the rug. We don’t know how or why our unspeakable hardships are part of a beautiful design. That is why having faith is so important.
”
”
Mary Higgins Clark (I've Got My Eyes on You)
“
The vessel is in port. He has got the prize he has been trying for all his life. The bird has come in at last. There it is with its head on his shoulder, billing and cooing close up to his heart, with soft outstretched fluttering wings. This is what he has asked for every day and hour for eighteen years. This is what he pined after. Here it is-the summit, the end-the last page. Good-bye Colonel. God bless you, honest William! Farewell, dear Amelia. Grow green again, tender little parasite, round the rugged old oak to which you cling!
”
”
William Makepeace Thackeray (Vanity Fair)
“
I think it was the Earthrise that really kind of got everybody in the solar plexus … We were looking back at our planet, the place where we evolved. Our Earth was quite colorful, pretty and delicate compared to the very rough, rugged, beat-up, even boring lunar surface. I think it struck everybody that here we’d come 240,000 miles to see the Moon and it was the Earth that was really worth looking at. At
”
”
Julian Barnes (Levels of Life)
“
Everyone and their TV commercial wants you to believe that the key to a good life is a nicer job, or a more rugged car, or a prettier girlfriend, or a hot tub with an inflatable pool for the kids. The world is constantly telling you that the path to a better life is more, more, more—buy more, own more, make more, fuck more, be more. You are constantly bombarded with messages to give a fuck about everything, all the time. Give a fuck about a new TV. Give a fuck about having a better vacation than your coworkers. Give a fuck about buying that new lawn ornament. Give a fuck about having the right kind of selfie stick. Why? My guess: because giving a fuck about more stuff is good for business.
”
”
Mark Manson (The Subtle Art of Not Giving a F*ck: A Counterintuitive Approach to Living a Good Life)
“
The general public have a warped view of the speed at which an investigation proceeds. They like to imagine tense conversations going on behind the venetian blinds and unshaven, but ruggedly handsome, detectives working themselves with single-minded devotion into the bottle and marital breakdown. The truth is that at the end of the day, unless you've generated some sort of lead, you go home and get on with the important things in life - like drinking and sleeping, and if you're lucky, a relationship with the gender and sexual orientation of your choice.
”
”
Ben Aaronovitch (Moon Over Soho (Rivers of London, #2))
“
If nothing else, they died fast and they were warm. The boy from the plane, I thought. The one with the teddy bear. Where was Rudy's confort? Where was someone to alleviate this robbery of his life? Who was there to soothe him as life's rug was snatched from under his sleeping feet?
”
”
Markus Zusak (The Book Thief)
“
If there is anything important I learned through my accident in high school and losing the only future I planned for, it’s that everything works out better if I just live in the now and work
with what I’ve got. No sense in relying on something I don’t officially have in my hands at that moment. Life pulls the rug out from under us all the time, so if I can just be happy with what I have at this exact moment, I’ll live a healthier life.
”
”
Sarah Adams (The Cheat Sheet (The Cheat Sheet, #1))
“
Major General Anders later reflected: I think it was the Earthrise that really kind of got everybody in the solar plexus … We were looking back at our planet, the place where we evolved. Our Earth was quite colorful, pretty and delicate compared to the very rough, rugged, beat-up, even boring lunar surface. I think it struck everybody that here we’d come 240,000 miles to see the Moon and it was the Earth that was really worth looking at.
”
”
Julian Barnes (Levels of Life)
“
Bad things can happen, terrible things. You can lose the people you love the most; you can lose homes, cars, antiques, hand-knotted silk rugs that cost five figures; you can discover that the very life you’re living is a terrific lie. And despite this, despite all this, the sun will continue to rise.
”
”
Elin Hilderbrand (Troubles in Paradise (Paradise, #3))
“
Then the long nights, that were also days, in the hospital. And the long blanks, that were also nights. Needles, and angled glass rods to suck water through. Needles, and curious enamel wedges slid under your middle. Needles, and - needles and needles and needles. Like swarms of persistent mosquitoes with unbreakable drills. The way a pincushion feels, if it could feel. Or the target of a porcupine. Or a case of not just momentary but permanently endured static electricity after you scuff across a woolen rug and then put your finger on a light switch. Even food was a needle - a jab into a vein...
("For The Rest Of Her Life")
”
”
Cornell Woolrich (Angels of Darkness)
“
they Whatever can make life truly happy is absolutely good in its own right because it cannot be warped into evil From whence then comes error In that while all men wish for a happy life they mistake the means for the thing itself and while they fancy themselves in pursuit of it they are flying from it for when the sum of happiness consists in solid tranquillity and an unembarrassed confidence therein they are ever collecting causes of disquiet and not only carry burthens but drag them painfully along through the rugged and deceitful path of life so that they still withdraw themselves from the good effect proposed the more pains they take the more business they have upon their hands instead of advancing they are retrograde and as it happens in a labyrinth their very speed puzzles and confounds them
”
”
Seneca (Letters from a Stoic)
“
I kept wishing with real regret that I were capable of living in such continued simplicity. But I am not. Sometimes I honestly want to live in a plain room with a narrow bed, a chair, a table. But then I would need a bookcase. I would see a poster I must put on the wall. I would pick up a shell here, a bowl or vase there, another poster, enough books for two bookcases, a soft rug someone might give me--and where would the first plainness be? I cannot fight too hard against it, but I regret it.
”
”
M.F.K. Fisher (Sister Age)
“
I read these biographies all the time about these successful people and one of the patterns that I've discovered, and what I've discovered in myself and all of my friends who have become very successful, has been the fact that they say "Yes" to a lot of commitments.
If you just have this one goal, then that one thing may get shoved under the rug and procrastinated on. But if you say yes to a lot of things; if you almost overcommit, then you probably won't get all of the things you've committed to complete. But you'll get a good portion of them. The 80% that you DO get done will still be more than that one person who said no to a lot of things. The busiest people get the most things done.
”
”
David Tian
“
To look at Montmorency you would imagine that he was an angel sent upon the earth, for some reason withheld from mankind, in the shape of a small fox-terrier. There is a sort of Oh-what-a-wicked-world-this-is-and-how-I-wish-I-could-do-something-to-make-it-better-and-nobler expression about Montmorency that has been known to bring the tears into the eyes of pious old ladies and gentlemen. When first he came to live at my expense, I never thought I should be able to get him to stop long. I used to sit down and look at him, as he sat on the rug and looked up at me, and think: “Oh, that dog will never live. He will be snatched up to the bright skies in a chariot, that is what will happen to him.” But, when I had paid for about a dozen chickens that he had killed; and had dragged him, growling and kicking, by the scruff of his neck, out of a hundred and fourteen street fights; and had had a dead cat brought round for my inspection by an irate female, who called me a murderer; and had been summoned by the man next door but one for having a ferocious dog at large, that had kept him pinned up in his own tool-shed, afraid to venture his nose outside the door for over two hours on a cold night; and had learned that the gardener, unknown to myself, had won thirty shillings by backing him to kill rats against time, then I began to think that maybe they’d let him remain on earth for a bit longer, after all. To hang about a stable, and collect a gang of the most disreputable dogs to be found in the town, and lead them out to march round the slums to fight other disreputable dogs, is Montmorency’s idea of “life;” and so, as I before observed, he gave to the suggestion of inns, and pubs., and hotels his most emphatic approbation.
”
”
Jerome K. Jerome (Three Men in a Boat: To Say Nothing of the Dog)
“
But life has a way of pulling the rug out from under you just when you need it least, which is what they like to call growing, I guess, but as far as I'm concerned you can have it. It seems like everything they call growing up has to jerk your guts out and just about wreck you and I've never been able to understand why that's supposed to be good for you.
”
”
Gary Paulsen (The Foxman)
“
happiness equals reality minus expectations, and suffering equals pain times resistance.
”
”
Brad Stulberg (Master of Change: How to Excel When Everything Is Changing, Including You; Embracing Life’s Instability with Rugged Flexibility—a Practical Model for Resilience)
“
I love my prayer rug. . . . because it helped me remember that the earth is the creation of God and sacred the same all over.
”
”
Yann Martel (Life of Pi)
“
I was never happier than on the nights we stayed home, lying on the living room rug. We talked about classes and poetry and politics and sex. Neither of us were in love with the Iowa Writers' Workshop, but it didn't really matter because we had no place else to go. What we had was the little home we made together, our life in the ugly green duplex. We lived next door to a single mother named Nancy Tate who was generous in all matters. She would drive us to the grocery store and give us menthol cigarettes and come over late at night after her son was asleep to sit in our kitchen and drink wine and talk about Hegel and Marx. Iowa City in the eighties was never going to be Paris in the twenties, but we gave it our best shot.
”
”
Ann Patchett (Truth & Beauty)
“
Alas! this is not what I thought life was.
I knew that there were crimes and evil men,
Misery and hate; nor did I hope to pass
Untouched by suffering, through the rugged glen.
In mine own heart I saw as in a glass
The hearts of others ... And when
I went among my kind, with triple brass
Of calm endurance my weak breast I armed,
To bear scorn, fear, and hate, a woeful mass!
”
”
Percy Bysshe Shelley (The Complete Poems)
“
-Prayer In My Life-
Every person has his own ideas of the act of praying for God's guidance, tolerance and mercy to fulfill his duties and responsibilities. My own concept of prayer is not a plea for special favors, nor as a quick palliation for wrongs knowingly committed. A prayer, it seems to me, implies a promise as well as a request; at the highest level, prayer not only is supplication for strength and guidance, but also becomes an affirmation of life and thus a reverent praise of God.
Deeds rather than words express my concept of the part religion should play in everyday life. I have watched constantly that in our movie work the highest moral and spiritual standards are upheld, whether it deals with fable or with stories of living action. This religious concern for the form and content of our films goes back 40 years to the rugged financial period in Kansas City when I was struggling to establish a film company and produce animated fairy tales. Thus, whatever success I have had in bringing clean, informative entertainment to people of all ages, I attribute in great part to my Congregational upbringing and lifelong habit of prayer.
To me, today at age 61, all prayer by the humble or highly placed has one thing in common: supplication for strength and inspiration to carry on the best impulses which should bind us together for a better world. Without such inspiration we would rapidly deteriorate and finally perish. But in our troubled times, the right of men to think and worship as their conscience dictates is being sorely pressed. We can retain these privileges only by being constantly on guard in fighting off any encroachment on these precepts. To retreat from any of the principles handed down by our forefathers, who shed their blood for the ideals we all embrace, would be a complete victory for those who would destroy liberty and justice for the individual.
”
”
Walt Disney Company
“
My home is rugged and flawed. It sits on the hill overlooking the ocean, half brick, half wood. It used to be white stone and brown wood, but today Papa is painting it blue to match the sky.
”
”
Kereen Getten (When Life Gives You Mangos)
“
I tried to imagine what it would be like if Constantin were my husband.
It would mean getting up at seven and cooking him eggs and bacon and toast and coffee and dawdling about in my nightgown and curlers after he’d left for work to wash up the dirty plates and make the bed, and then when he came home after a lively, fascinating day he’d expect a big dinner, and I’d spend the evening washing up even more dirty plates till I fell into bed, utterly exhausted.
This seemed a dreary and wasted life for a girl with fifteen years of straight A’s, but I knew that’s what marriage was like, because cook and clean and wash was just what Buddy Willard’s mother did from morning till night, and she was the wife of a university professor and had been a private school teacher herself.
Once when I visited Buddy I found Mrs Willard braiding a rug out of strips of wool from Mr Willard’s old suits. She’d spent weeks on that rug, and I had admired the tweedy browns and greens and blues patterning the braid, but after Mrs Willard was through, instead of hanging the rug on the wall the way I would have done, she put it down in place of her kitchen mat, and in a few days it was soiled and dull and indistinguishable from any mat you could buy for under a dollar in the Five and Ten.
And I knew that in spite of all the roses and kisses and restaurant dinners a man showered on a woman before he married her, what he secretly wanted when the wedding service ended was for her to flatten out underneath his feet like Mrs Willard’s kitchen mat.
”
”
Sylvia Plath (The Bell Jar)
“
He lay in bed with one of his sisters. She must have kicked him or muscled her way into the majority of the bed because he was on the very edge with his arm around her. The boy slept. His candlelit hair ignited the bed, and I picked him both and Bettina up with their souls still in the blanket. If nothing else, they died fast and they were warm. The boy from the plane, I thought. The one with the teddy bear. Where was Rudy's comfort? Where was someone to alleviate this robbery of his life? Who was there to soothe him as life's rug was snatched from under his sleeping feet?
”
”
Markus Zusak (The Book Thief)
“
I seek him in the landscape of home, in the breeze brushing over rows of crops. I seek him in the seasons of planting and harvesting. A rugged man of the earth, he breathed life into this farm.
”
”
Brenda Sutton Rose
“
Lord, to live as a rugged individualist is not your will for me, and it leaves me vulnerable. Change my heart and strengthen the church so we, your people, can truly be members of one another. Amen.
”
”
Timothy J. Keller (God's Wisdom for Navigating Life: A Year of Daily Devotions in the Book of Proverbs)
“
It seems more than a little patronizing for Westerners to lament the loss of the good old days when life in the Khumbu was so much simpler and more picturesque. Most of the people who live in this rugged country seem to have no desire to be severed from the modern world or the untidy flow of human progress. The last thing Sherpas want is to be preserved as specimens in an anthropological museum.
”
”
Jon Krakauer (Into Thin Air)
“
We are afraid of truth, afraid of fortune, afraid of death, and afraid of each other. Our age yields no great and perfect persons. We want men and women who shall renovate life and our social state, but we see that most natures are insolvent, cannot satisfy their own wants, have an ambition out of all proportion to their practical force, and do lean and beg day and night continually. Our housekeeping is mendicant, our arts, our occupations, our marriages, our religion, we have not chosen, but society has chosen for us. We are parlour soldiers. We shun the rugged battle of fate, where strength is born.
”
”
Ralph Waldo Emerson (Self-Reliance: An Excerpt from Collected Essays, First Series)
“
It little profits that an idle king,
By this still hearth, among these barren crags,
Matched with an aged wife, I mete and dole
Unequal laws unto a savage race,
That hoard, and sleep, and feed, and know not me.
I cannot rest from travel; I will drink
life to the lees. All times I have enjoyed
Greatly, have suffered greatly, both with those
that loved me, and alone; on shore, and when
Through scudding drifts the rainy Hyades
Vexed the dim sea. I am become a name;
For always roaming with a hungry heart
Much have I seen and known---cities of men
And manners, climates, councils, governments,
Myself not least, but honored of them all---
And drunk delight of battle with my peers,
Far on the ringing plains of windy Troy.
I am part of all that I have met;
Yet all experience is an arch wherethrough
Gleams that untraveled world whose margin fades
Forever and forever when I move.
How dull it is to pause, to make an end.
To rust unburnished, not to shine in use!
As though to breathe were life! Life piled on life
Were all too little, and of one to me
Little remains; but every hour is saved
From that eternal silence, something more,
A bringer of new things; and vile it were
For some three suns to store and hoard myself,
And this gray spirit yearning in desire
To follow knowledge like a sinking star,
Beyond the utmost bound of human thought.
This is my son, my own Telemachus,
To whom I leave the scepter and the isle---
Well-loved of me, discerning to fulfill
This labor, by slow prudence to make mild
A rugged people, and through soft degrees
Subdue them to the useful and the good.
Most blameless is he, centered in the sphere
Of common duties, decent not to fail
In offices of tenderness, and pay
Meet adoration to my household gods,
When I am gone. He works his work, I mine.
There lies the port; the vessel puffs her sail;
There gloom the dark, broad seas. My mariners,
Souls that have toiled, and wrought, and thought with me---
That ever with a frolic welcome took
The thunder and the sunshine, and opposed
Free hearts, free foreheads---you and I are old;
Old age hath yet his honor and his toil.
Death closes all; but something ere the end,
Some work of noble note, may yet be done,
Not unbecoming men that strove with gods.
The lights begin to twinkle from the rocks;
The long day wanes; the slow moon climbs; the deep
Moans round with many voices. Come, my friends.
'Tis not too late to seek a newer world.
Push off, and sitting well in order smite
the sounding furrows; for my purpose holds
To sail beyond the sunset, and the baths
Of all the western stars, until I die.
It may be that the gulfs will wash us down;
It may be that we shall touch the Happy Isles,
And see the great Achilles, whom we knew.
Though much is taken, much abides; and though
We are not now that strength which in old days
Moved earth and heaven, that which we are, we are---
One equal temper of heroic hearts,
Made weak by time and fate, but strong in will
To strive, to seek, to find, and not to yield.
”
”
Alfred Tennyson
“
Looking at it from behind, he was shocked to behold a confusing array of threads that led nowhere. Such beauty on one side, total disharmony on the other, but both part of the same plan. It was then that the message became clear to him. In this life we see only the back side of the rug. We don’t know how or why our unspeakable hardships are part of a beautiful design. That is why having faith is so important.
”
”
Mary Higgins Clark (I've Got My Eyes on You)
“
The rugged fallow ground under her feet seemed to her to be a symbol of faith — faith that winter would come and pass — the spring sun and rain would burst the seeds of wheat — and another summer would see the golden fields of waving grain. If she did not live to see them, they would be there just the same; and so life and nature had faith in its promise. That strange whisper was to Lenore the whisper of God.
”
”
Zane Grey (The Desert of Wheat)
“
When the rug is pulled out from under the life they thought they would have forever, how do they pretend it’s not seismic? That the roof hasn’t fallen in and they’re trapped under a concrete beam? How do you breathe
”
”
Kennedy Ryan (Before I Let Go (Skyland, #1))
“
My body is tired as worn out rug, but my brain (if i had) is always full of curiosity, jumping around for seeking new funs. If they could learn how to be cooperative each others, my life could be way easier... sigh*
”
”
Hiroko Sakai
“
I shirk not. I long for work. I pant for a life full of striving. I am no coward, to shrink before the rugged rush of the storm, nor even quail before the awful shadow of the Veil. But hearken, O Death! Is not this my life hard enough,—is not that dull land that stretches its sneering web about me cold enough,—is not all the world beyond these four little walls pitiless enough, but that thou must needs enter here,—thou, O Death?
”
”
W.E.B. Du Bois (The Souls of Black Folk)
“
rooms full of sheepskin rugs and life-size cement sheep that I recognized as the work of Medusa. There were collections of sheep T-shirts; large tubs of lanolin cream; and wooly coats, socks, and hats with ram’s horns.
”
”
Rick Riordan (The Sea of Monsters (Percy Jackson and the Olympians, #2))
“
Notwithstanding his occasional illusions of omnipotence, the narcissist depends on others to validate his self-esteem. He cannot live without an admiring audience. His apparent freedom from family ties and institutional constraints does not free him to stand alone or to glory in his individuality. On the contrary, it contributes to his insecurity, which he can overcome only by seeing his “grandiose self” reflected in the attentions of others, or by attaching himself to those who radiate celebrity, power, and charisma. For the narcissist, the world is a mirror, whereas the rugged individualist saw it as an empty wilderness to be shaped to his own design.
”
”
Christopher Lasch (The Culture of Narcissism: American Life in An Age of Diminishing Expectations)
“
We cleave our way through the mountains until the interstate dips into a wide basin brimming with blue sky, broken by dusty roads and rocky saddles strung out along the southern horizon. This is our first real glimpse of the famous big-sky country to come, and I couldn't care less. For all its grandeur, the landscape does not move me. And why should it? The sky may be big, it may be blue and limitless and full of promise, but it's also really far away. Really, it's just an illusion. I've been wasting my time. We've all been wasting our time. What good is all this grandeur if it's impermanent, what good all of this promise if it's only fleeting? Who wants to live in a world where suffering is the only thing that lasts, a place where every single thing that ever meant the world to you can be stripped away in an instant? And it will be stripped away, so don't fool yourself. If you're lucky, your life will erode slowly with the ruinous effects of time or recede like the glaciers that carved this land, and you will be left alone to sift through the detritus. If you are unlucky, your world will be snatched out from beneath you like a rug, and you'll be left with nowhere to stand and nothing to stand on. Either way, you're screwed. So why bother? Why grunt and sweat and weep your way through the myriad obstacles, why love, dream, care, when you're only inviting disaster? I'm done answering the call of whippoorwills, the call of smiling faces and fireplaces and cozy rooms. You won't find me building any more nests among the rose blooms. Too many thorns.
”
”
Jonathan Evison (The Revised Fundamentals of Caregiving)
“
He had always admired his colleagues in the life and earth sciences who could hit the road on short notice with a fully stocked backpack and live rugged adventuresome lives in exotic locales. But he had admired them from a distance.
”
”
Neal Stephenson (Seveneves)
“
You should pay it for the rest of your life!” I say. “For making me believe in myself like that and then pulling the rug out from under me. For giving up on me when things were at their hardest. I never gave up on this. Ever. And you did!
”
”
Taylor Jenkins Reid (Carrie Soto Is Back)
“
When people dream something as a child, it doesn’t always come true. But my childhood dream of what kind of man I would marry and spend the rest of my life with did come true.
I always knew my husband would be tall, dark, and handsome, but he also had to have a rugged look, as if he’d just walked out of the wilderness. He had to love the outdoors and be able to survive there if needed. I also wanted him to be able to take command of any situation when needed.
I wanted him to be a leader but with a sense of humor, too. I wanted him to work and make a living. I wanted him to be a man’s man, but with gentleness and love for me and his children, and be ready to defend us at all times. More than anything else, I wanted to feel loved and protected.
What I didn’t know when I found the man who filled my dreams was that I had found a diamond in the rough. It would take a lifetime to perfect that diamond on the long journey of life.
Phil and I have had many good years, some hard years, a few sad years, and a lot of struggling years to get where we are now. God put us in each other’s paths. It has always been a wonderful ride for me.
I have a husband who is my best buddy and friend, my lover, my Christian brother, my champion, and the person who will always be there through thick and thin.
There is no greater love than your love for God, but right under that is your love for your husband, your partner in life. One of the greatest tragedies I see is people not putting every effort into the foundation of their marriage. My grandmother told me that it’s one man and one woman for life and that your marriage is worth fighting for. We had a few hard and bumpy years, but prayer, patience, and some suffering and hope-plus remembering an old lady’s words-were what got me through the difficult times. We have given it our all for our marriage and family, and my dreams did come true. Phil is and will always be my hero!
”
”
Phil Robertson (Happy, Happy, Happy: My Life and Legacy as the Duck Commander)
“
When Your Small Form Tumbled into Me"
I lay sprawled like a big-game rug across the bed:
Belly down, legs wishbone-wide. It was winter.
Workaday. Your father swung his feet to the floor.
The kids upstairs dragged something back and forth
On shrieking wheels. I was empty, blown-through
By whatever swells, swirling, and then breaks
Night after night upon that room. You must have watched
For what felt like forever, wanting to be
What we passed back and forth between us like fire.
Wanting weight, desiring desire, dying
To descend into flesh, fault, the brief ecstasy of being.
From what dream of world did you wriggle free?
What soared — and what grieved — when you aimed your will
At the yes of my body alive like that on the sheets?
”
”
Tracy K. Smith (Life on Mars: Poems)
“
As the prospect gradually revealed itself and disclosed the scene over which the wind had wandered in the dark, like my memory over my life, I had a pleasure in discovering the unknown objects that had been around me in my sleep. At first they were faintly discernible in the mist, and above them the later stars still glimmered. That pale interval over, the picture began to enlarge and fill up so fast that at every new peep I could have found enough to look at for an hour. Imperceptibly my candles became the only incongruous part of the morning, the dark places in my room all melted away, and the day shone bright upon a cheerful landscape, prominent in which the old Abbey Church, with its massive tower, threw a softer train of shadow on the view than seemed compatible with its rugged character.
”
”
Charles Dickens (Bleak House)
“
She had thought, instinctively, that Victoria had a remarkably beautiful face. The face showed an alert awareness of life: her lips- full, overblown like clown-lips liable to laugh at the slightest provocation. She thought that her features were not chiseled but almost rugged, handsome, like a colloquial swear-word or a Vermeer peasant-girl, and a knock out at that. An overdone face, like one having two chins, two noses, that was big and abundantly cheerful but at the same time, there was a peculiarly puffy look about those eyes.’
('Left from Dhakeshwari')
”
”
Kunal Sen
“
And how easy it was to leave this life, after all - this life that could feel so present and permanent that departing from it must seem to require a tear into a different dimension. There the bunch of them were, young hopefuls, decorating their annually purged dorm rooms with postcards and prints and favorite photographs of friends, filling them with hot pots and dried flowers, throw rugs and stereos. Houseplants, a lamp, maybe some furniture brought up by encouraging parents. They nested there like miniature grownups. As if this provisional student life - with its brushfire friendships and drink-addled intimacies, its gorging on knowledge and blind sexual indulgences - could possibly last. As if it were a home, of any kind at all: someplace to gather one's sense of self. Flannery had never felt for a minute that these months of shared living took place on anything other than quicksand, and it had given this whole year (these scant seven or eight months, into which an aging decade or so had been condensed) a sliding, wavery feel. She came from earthquake country and knew the dangers of building on landfill. That was, it seemed to Flannery, the best description of this willed group project of freshman year: construction on landfill. A collective confusion of impressions and tendencies, mostly castoffs with a few keepers. What was there to count on in any of it? What structure would remain, founded on that?
”
”
Sylvia Brownrigg (Pages for You (Pages for You, #1))
“
We talk of wild animals; but man is the only wild animal. It is man that has broken out. All other animals are tame animals; following the rugged respectability of the tribe or type. All other animals are domestic animals; man alone is ever undomestic, either as a profligate or a monk.
”
”
Christopher Watkin (Biblical Critical Theory: How the Bible's Unfolding Story Makes Sense of Modern Life and Culture)
“
Sardar Harbans Singh passed away peacefully in a wicker rocking-chair in a Srinigar garden of spring flowers and honeybees with his favourite tartan rug across his knees and his beloved son, Yuvraj the exporter of handicrafts, by his side, and when he stopped breathing the bees stopped buzzing and the air silenced its whispers and Yuvraj understood that the story of the world he had known all his life was coming to an end, and that what followed would follow as it had to, but it would unquestionably be less graceful, less courteous and less civilized than what had gone.
”
”
Salman Rushdie (Shalimar the Clown)
“
Somehow, all the talk about tenure and anthropology had given her visions of a thick-walled, libraried adobe, the kind of place that was covered with kilim rugs and fertility sculptures. The white stucco in front of her looked only slightly more substantial than a roadside weigh station.
”
”
Mira Jacob (The Sleepwalker's Guide to Dancing)
“
For the same uprush of fancy which had shown him with all the force of mathematical demonstration that life had no meaning, brought with it another idea; and that was why Cronshaw, he imagined, had given him the Persian rug. As the weaver elaborated his pattern for no end but the pleasure of his aesthetic sense, so might a man live his life, or if one was forced to believe that his actions were outside his choosing, so might a man look at his life, that it made a pattern. There was as little need to do this as there was use. It was merely something he did for his own pleasure.
”
”
W. Somerset Maugham (Of Human Bondage)
“
Bagpipe Music'
It's no go the merrygoround, it's no go the rickshaw,
All we want is a limousine and a ticket for the peepshow.
Their knickers are made of crêpe-de-chine, their shoes are made of python,
Their halls are lined with tiger rugs and their walls with heads of bison.
John MacDonald found a corpse, put it under the sofa,
Waited till it came to life and hit it with a poker,
Sold its eyes for souvenirs, sold its blood for whiskey,
Kept its bones for dumb-bells to use when he was fifty.
It's no go the Yogi-Man, it's no go Blavatsky,
All we want is a bank balance and a bit of skirt in a taxi.
Annie MacDougall went to milk, caught her foot in the heather,
Woke to hear a dance record playing of Old Vienna.
It's no go your maidenheads, it's no go your culture,
All we want is a Dunlop tyre and the devil mend the puncture.
The Laird o' Phelps spent Hogmanay declaring he was sober,
Counted his feet to prove the fact and found he had one foot over.
Mrs Carmichael had her fifth, looked at the job with repulsion,
Said to the midwife 'Take it away; I'm through with overproduction'.
It's no go the gossip column, it's no go the Ceilidh,
All we want is a mother's help and a sugar-stick for the baby.
Willie Murray cut his thumb, couldn't count the damage,
Took the hide of an Ayrshire cow and used it for a bandage.
His brother caught three hundred cran when the seas were lavish,
Threw the bleeders back in the sea and went upon the parish.
It's no go the Herring Board, it's no go the Bible,
All we want is a packet of fags when our hands are idle.
It's no go the picture palace, it's no go the stadium,
It's no go the country cot with a pot of pink geraniums,
It's no go the Government grants, it's no go the elections,
Sit on your arse for fifty years and hang your hat on a pension.
It's no go my honey love, it's no go my poppet;
Work your hands from day to day, the winds will blow the profit.
The glass is falling hour by hour, the glass will fall for ever,
But if you break the bloody glass you won't hold up the weather.
”
”
Louis MacNeice
“
She had come out of her first illness alive with new hopes, expecting so much, yet deprived of any subsistence except Dick, bringing up children she could only pretend gently to love, guided orphans. The people she liked, rebels mostly, disturbed her and were bad for her--she sought in them the vitality that had made them independent or creative or rugged, sought in vain--for their secrets were buried deep in childhood struggles they had forgotten. They were more interested in Nicole's exterior harmony and charm, the other face of her illness. She led a lonely life owning Dick who did not want to be owned.
”
”
F. Scott Fitzgerald (Tender Is the Night)
“
Statements made by distant church bells remind me it is Sunday. Today the sky has become cloudy. I have been watching the clouds and it occurs to me that I have never done this in my life before, simply sit and watch clouds. As a child I would have been far too anxious to ‘waste time’ in this way. And my mother would have stopped me. As I write this I am sitting on my plot of grass behind the house where I have put a chair, cushions, rugs. It is evening. Thick lumpy slate-blue clouds, their bulges lit up to a lighter blue, move slowly across a sky of muddy and yet brilliant gold, a sort of dulled gilt effect. At the horizon there is a light glittering slightly jagged silver line, like modern jewellery. Beneath it the sea is a live choppy lyrical goldeny-brown, jumping with white flecks. The air is warm. Another happy day. (‘Whatever will you do down there?’ they asked.)
In a quiet surreptitious way I am feeling very pleased with myself.
”
”
Iris Murdoch (The Sea, the Sea)
“
Suddenly, the bus stopped in the midst of a vast desert. In a moment everyone got off. Was this an emergency? No, not at all. The passengers carefully unrolled their prayer rugs on the sand and faced the direction of the Holy City of Mecca, performing their Namaz, or offering of prostrations and salutations to Allah and his Prophet Mohammed. Every few hours this ritual was repeated with no consideration of where we were. The religion of these tribal people was their life. They were not mullahs, priests, yogis, or monks, but ordinary family people. Yet in all situations and places it impressed me how their devotion to Allah took priority.
”
”
Radhanath Swami (The Journey Home: Autobiography of an American Swami)
“
Almost all of Mr. Cobb’s function—aside from lighting cigarettes for me, and pausing respectfully when my husband spoke—seemed to consist of taking objects which actually existed in almost square feet, and translating them into cubic feet—rugs had to be rolled, books had to be boxed, pictures had to be put into packing cases.
”
”
Shirley Jackson (The Magic of Shirley Jackson)
“
As far as Stephen could see they were tolerably shipshape already. The bare little rooms had been sanded and scrubbed; various neat lockers economized space; a complication of white cordage in the corner showed that a hanging chair, that most comfortable of seats, was being made; and hammocks lashed up with seven perfectly even turns and covered with a rug formed a not inelegant sofa. Jack Aubrey had spent most of his naval life in quarters very much more confined than this; he had also a good deal of experience of French and American prisons, to say nothing of English sponging houses, and it would have been a hard gaol indeed that found him at a loss.
”
”
Patrick O'Brian (The Reverse of the Medal (Aubrey & Maturin, #11))
“
The mind is full of monstrous, hybrid, unmanageable emotions. That the age of the earth is 3,000,000,000 years; that human life lasts but a second; that the capacity of the human mind is nevertheless boundless; that life is infinitely beautiful yet repulsive; that one's fellow creatures are adorable but disgusting; that science and religion have between them destroyed belief; that all bonds of union seem broken, yet some control must exist—it is in this atmosphere of doubt and conflict that writers have now to create, and the fine fabric of a lyric is no more fitted to contain this point of view than a rose leaf to envelop the rugged immensity of a rock.
”
”
Virginia Woolf (Selected Essays)
“
Although, to restless and ardent minds, morning may be the fitting season for exertion and activity, it is not always at that time that hope is strongest or the spirit most sanguine and buoyant. In trying and doubtful positions, youth, custom, a steady contemplation of the difficulties which surround us, and a familiarity with them, imperceptibly diminish our apprehensions and beget comparative indifference, if not a vague and reckless confidence in some relief, the means or nature of which we care not to foresee. But when we come, fresh, upon such things in the morning, with that dark and silent gap between us and yesterday; with every link in the brittle chain of hope, to rivet afresh; our hot enthusiasm subdued, and cool calm reason substituted in its stead; doubt and misgiving revive. As the traveller sees farthest by day, and becomes aware of rugged mountains and trackless plains which the friendly darkness had shrouded from his sight and mind together, so, the wayfarer in the toilsome path of human life sees, with each returning sun, some new obstacle to surmount, some new height to be attained. Distances stretch out before him which, last night, were scarcely taken into account, and the light which gilds all nature with its cheerful beams, seems but to shine upon the weary obstacles that yet lie strewn between him and the grave.
”
”
Charles Dickens (Nicholas Nickleby)
“
He found it puzzling that so many rural people were hostile to, even terrified of, the place where they lived. It wasn't just that hard-working country folk had no time for the precious concerns of the effete urban environmentalists, what amazed Rice was how you could spend your whole life physically immersed in a particular ecological system and yet remain blinded to it by superstition, tradition, prejudice. Out west, it was ranchers' holy war on predators and their veneration of Indo-European domestic animals they husbanded on land too dry to support them. Here in the Appalachians, you saw rugged country men who refused to walk in the woods all summer because they were scared of snakes.
”
”
James A. McLaughlin (Bearskin)
“
The assassin had crammed a note of white ream paper, into the mouth of Fajil Sajid Bhotto. It was written in black ink, and revealed the hate harbored by the killer, and a list of reasons.
But the police never leaked the contents, and kept everything closed and tight, and after all these years the murder evidence remained swept under the rug.
— Direct Object Formula
”
”
Stephen Deck (Land of the Story Tellers: 24 Stories and 7 Poems)
“
You buy furniture. You tell yourself, this is the last sofa I will ever need in my life. Buy the sofa, the for a couple of years you're satisfied that no matter what goes wrong, at least you've got your sofa issue handled. Then the right set of dishes. Then the perfect bed. The drapes. The rug.
Then you're trapped in your lovely nest, and the things you used to own, now they own you.
”
”
Chuck Palahniuk (Fight Club)
“
The United States is also losing the rugged pioneering spirit that once defined it. In 1850, Herman Melville boasted that “we are the pioneers of the world, the advance-guard, sent on through the wilderness of untried things, to break a new path in the New World.”7 Today many of the descendants of these pioneers are too terrified of tripping up to set foot on any new path. The problem starts with school. In 2013, a school district in Maryland banned, among other things, pushing children on swings, bringing homemade food into school, and distributing birthday invitations on school grounds.8 It continues in college, where professors have provided their charges with “safe spaces” and “trigger warnings.” It extends to every aspect of daily life. McDonald’s prints warning signs on its cups of coffee pointing out that “this liquid may be hot.” Winston Churchill once said to his fellow countrymen, “We have not journeyed across the centuries, across the oceans, across the mountains, across the prairies, because we are made of sugar candy.”9 Today, thanks to a malign combination of litigation, regulation, and pedagogical fashion, sugar-candy people are everywhere.
”
”
Alan Greenspan (Capitalism in America: An Economic History of the United States)
“
He grew up and later lived with an insatiable wanderlust. He always carried a rug with him and used to say, "My home is where my rug is"; he spent the better part of his life among tribes so wild that, after shaking hands, he always had to count his fingers. Only illness provided some sort of island of peace in his life. As soon as he fell ill, he would forget every other language save his own.
”
”
Milorad Pavić (Dictionary of the Khazars)
“
The fasces was broken, but Nero remained alive and intact. Had all this been for nothing, then? At least he wasn’t gloating any more. Instead, the emperor sobbed in despair. ‘What have you done? Don’t you see?’ Only then did he begin to crumble. His fingers disintegrated. His toga frayed into smoke. A glittery cloud plumed from his mouth and nose, as if he were exhaling his life force along with his final breaths. Worst of all – this glitter didn’t simply vanish. It poured downward, seeping into the Persian rug, worming into cracks between the floor tiles, almost as if Nero were being pulled – clawed and dragged – into the depths, piece by piece. ‘You’ve given him victory,’ he whimpered. ‘You’ve –’ The last of his mortal form dissolved and soaked through the floor. Everyone in the room
”
”
Rick Riordan (The Tower of Nero (The Trials of Apollo, #5))
“
The trouble was, he realized with dread, when your heart finally stopped beating in your chest, everything that you wished you’d said but hadn’t, all the missing pieces of yourself that you had yet to give, all the failures you had stuffed under the rug in the guise of life being so very busy . . . that stopped, too. The mid-stride step, never to be completed, was the worst regret anyone could have.
”
”
J.R. Ward (The Beast (Black Dagger Brotherhood, #14))
“
Thinking of Cronshaw, Philip remembered the Persian rug which he had given him, telling him that it offered an answer to his question upon the meaning of life; and suddenly the answer occurred to him: he chuckled: now that he had it, it was like one of the puzzles which you worry over till you are shown the solution and then cannot imagine how it could ever have escaped you. The
answer was obvious. Life had no meaning. On the earth, satellite of a star speeding through space, living things had arisen under the influence of conditions which were part of the planet’s history; and as there had been a beginning of life upon it so, under the influence of other conditions,
there would be an end: man, no more significant than other forms of life, had come notas the climax of creation
but as a physical reaction to the environment.
- Of Human Bondage -
”
”
W. Somerset Maugham
“
Both Calvin and Hobbes are sitting on a carpet, a "magic carpet." They're riding in the sky, among the clouds.
CALVIN:
Hey, let's fly into the city and buzz Dad's office.
CALVIN:
Ha! Won't he be surprised whenhe sees US out his 20th-floor window.
HOBBES:
What if he's mad that we took the hallway rug?
CALVIN:
What's to get mad about?" We wiped our feet first.
HOBBES:
Yeah, but all this city mileage may hurt the resale value.
”
”
Bill Watterson
“
But the great fact in life, the always possible escape from dullness, was the lake. The sun rose out of it, the day began there; it was like an open door that nobody could shut. The land and all its dreariness could never close in on you. You had only to look at the lake, and you knew you would soon be free. it was the first thing one saw in the morning, across the rugged cow pasture studded with shaggy pines, and it ran through the days like the weather, not a thing thought about, but a part of consciousness itself. When the ice chunks came in of a winter morning, crumbly and white, throwing off gold and rose-coloured reflections from a copper-coloured sun behind grey clouds, he didn't observe the detail or know what is was that made him happy; but now, forty years later, he could recall all its aspects perfectly. They had made pictures in him when he was un-willing and unconscious, when his eyes were merely wide open.
”
”
Willa Cather (The Professor's House)
“
There’s a groundlessness in life after loss, as if somebody is pulling the rug out from under you again and again. It’s hard to find anything stable and secure to stand on, and when you do, there’s always the fear that it’s going to be taken away. Know that this sense of not having legs to stand on is completely normal and is a very real sensation brought on by loss. It’s not pleasant by any means—in fact, it can be downright terrifying—but it is an expected part of grief.
”
”
Shelby Forsythia (Your Grief, Your Way: A Year of Practical Guidance and Comfort After Loss)
“
A Palestinian village whose feudal owner sold it for a kiss through a pane of glass..."
Nothing remained of Sireen after the auction apart from you, little prayer rug, because a mother slyly stole you and wrapped up her son who'd been sentenced to cold and weaning - and later to sorrow and longing.
It's said there was a village, a very small village, on the border between sun's gate and earth. It's said that the village was twice sold - once for a measure of oil and once for a kiss through a pane of glass.
The buyers and sellers rejoiced at its sale, the year the submarine was sunk, in our twentieth century.
And in Sireen - the buyers went over the contract - were white-washed houses, lovers, and trees, folk poets, peasants, and children. (But there was no school - and neither tanks nor prisons.) The threshing floors, the colour of golden wine, and the graveyard were a vault meant for life and death, and the vault was sold!
People say that there was a village, but Sireen became an earthquake, imprisoned by an amulet as it turned into a banquet - in which the virgins' infants were cooked in their mothers' milk so soldiers and ministers might eat along with civilisation!
"And the axe is laid at the root of the tree..." And once again at the root of the tree, as one dear brother denies another and existence. Officer of the orbits... attend, O knight of death, but don't give in - death is behind us and also before us. Knight of death, attend, there is no time to retreat - darkness crowds us and now has turned into a rancid butter, and the forest too is full, the serpents of blood have slithered away and the beaker of our ablution has been sold to a tourist from California! There is no time now for ablution. People say there was a village, but Sireen became an earthquake, imprisoned by an amulet as it turned into a banquet - in which the virgins' infants were cooked in their mothers' milk so soldiers and ministers might eat, along with civilisation!
”
”
Samih Al-Qasim (Sadder than Water: New and Selected Poems)
“
The other thing Lenny loved was the smell of a book. If you held it up to your nose, you could smell it, like it had an energy all of its very own. You didn’t get that much with things anymore – most things were fake. Fake chairs, tables, rugs, pictures, fake flowers – Lenny had noticed that, how much wasn’t real. That was one of the things he loved about Miss Julie’s house – she had it full of old furniture – things someone had made by hand, old things built to last, put together with love.
”
”
Laura McVeigh, Lenny
“
while people go on chatting about a million and one things
I mostly sit and observe with ascended understandings
as they bring up the topic of death and of a person dying
I listen quietly while often accidentally smiling
at the absurdity of anybody ever believing in death
I don't mean to be insensitive towards a body's last breath
a higher Reality laid bare, bodily expiration is of no account
with this revelation incalculable life fears we surmount
the Sage is notorious for finding strange things funny
giggling at horrors and ridiculous events not so sunny
sometimes a straight face is merely for show
but spy the glint in his eye about a truth you don’t know
an unfounded assumption is that we only live once
not a Mystic throughout history has avowed this occurrence
Christian ones may not have mentioned being reborn again
they also didn't deny it—their teaching was kept plain
just as the Buddha intentionally avoided the God concept
ultimately not essential, under the rug reincarnation is swept
”
”
Jarett Sabirsh (Love All-Knowing: An Epic Spiritual Poem)
“
Like most people, when I look back, the family house is held in time, or rather it is now outside of time, because it exists so clearly and it does not change, and it can only be entered through a door in the mind.
I like it that pre-industrial societies, and religious cultures still, now, distinguish between two kinds of time – linear time, that is also cyclical because history repeats itself, even as it seems to progress, and real time, which is not subject to the clock or the calendar, and is where the soul used to live. This real time is reversible and redeemable. It is why, in religious rites of all kinds, something that happened once is re-enacted – Passover, Christmas, Easter, or, in the pagan record, Midsummer and the dying of the god. As we participate in the ritual, we step outside of linear time and enter real time.
Time is only truly locked when we live in a mechanised world. Then we turn into clock-watchers and time-servers. Like the rest of life, time becomes uniform and standardised.
When I left home at sixteen I bought a small rug. It was my roll-up world. Whatever room, whatever temporary place I had, I unrolled the rug. It was a map of myself. Invisible to others, but held in the rug, were all the places I had stayed – for a few weeks, for a few months. On the first night anywhere new I liked to lie in bed and look at the rug to remind myself that I had what I needed even though what I had was so little.
Sometimes you have to live in precarious and temporary places. Unsuitable places. Wrong places. Sometimes the safe place won’t help you.
Why did I leave home when I was sixteen? It was one of those important choices that will change the rest of your life. When I look back it feels like I was at the borders of common sense, and the sensible thing to do would have been to keep quiet, keep going, learn to lie better and leave later.
I have noticed that doing the sensible thing is only a good idea when the decision is quite small. For the life-changing things, you must risk it.
And here is the shock – when you risk it, when you do the right thing, when you arrive at the borders of common sense and cross into unknown territory, leaving behind you all the familiar smells and lights, then you do not experience great joy and huge energy.
You are unhappy. Things get worse.
It is a time of mourning. Loss. Fear. We bullet ourselves through with questions. And then we feel shot and wounded.
And then all the cowards come out and say, ‘See, I told you so.’
In fact, they told you nothing.
”
”
Jeanette Winterson
“
For all of you out there, visible & invisible. Closeted or out & proud. Femme & Masc & every glorious stripe on the rainbow in between.
You incandescent queens, deliciously undefinable androgynous souls, chivalrous butches, tomboy dykes, drop-dead yet still invisible femmes. You with your flare, your flamboyance, your rugged individuality, your glorious diversity, your insistence on being seen, your quiet but steady presence in the places that matter. You, the cliche and every unexpected exception. The world’s stereotypes brought to blazing life & you who smashes the boxes & changes the paradigms & refuses to be painted into place. You, who knows that queer looks, speaks, sounds & moves through this world in a million different ways. You, the grieving. You the dancing. You, the proud & the humble & the defiant & the free.
Whatever label you choose & define for yourself.
Whatever identity feels like home to you.
However you have come to know & name yourself & your good, good, love.
You are my family.
I see you.
”
”
Jeanette LeBlanc
“
Nevertheless he thinks: Soon they will be women, and that recognition runs through him like a needle. They will demand brassieres and then reject them, blaming both needs on him. They will criticize his clothes, his job, his turn of phrase. They’ll leave home to live with surly, scrofulous young men; or they’ll marry dentists and go in for white rugs and hanging sculptures made of wool. Either way they will judge him. Motherless, childless, he sits at the kitchen table, the solitary wanderer, under the cold red stars.
”
”
Margaret Atwood (Life Before Man)
“
Cynthia Dusel-Bacon, by all accounts a rugged thirty-one-year-old geologist, was conducting a land survey in the Alaskan bush in 1977 when she saw an aggressive black bear beelining toward her. Dusel-Bacon waved her arms and shouted, right up until the moment the bear knocked her down, after which she decided to play dead so the bear wouldn’t see her as a threat. That was a consequential error in judgment, experts said afterward, because the 170-pound bear likely never saw her as a threat. It was just hungry. When she stopped resisting, it dragged her into the trees and began to eat her alive. Even as some parts of her body disappeared down the throat of the bear, other parts of her body, quite heroically, accessed a communication device and alerted a partner in the area as to her emergency. Other geologists arrived in a helicopter and scared the bear off in time to save her life. The never-say-die Dusel-Bacon went on to post instructional YouTube videos in which she demonstrates how to chop carrots, wash dishes, and get dressed with two prosthetic arms.
”
”
Matthew Hongoltz-Hetling (A Libertarian Walks Into a Bear: The Utopian Plot to Liberate an American Town (And Some Bears))
“
Yes, we are raw. Yes, we are in the dark belly of a whale. Yes, we ache. Who can be Jesus' "little sunbeam" at such a time? Would Jesus even want such a thing? He is after much more than happiness in our lives. He is after a sustaining joy and he will give us that joy by giving us himself, whether through the small gifts of life that bring us gladness or through the dark night of suffering. Sweeping affliction under the rug of our heart, therefore, is simple denial, an act of cowardice, and act of ungratefulness. We must dare to look it square in the eyes.
”
”
Ben Palpant (A Small Cup of Light: A Drink in the Desert)
“
You haven’t been in love yet, have you? Your world is still contained, small and intense, and every change to the status quo feels like a rug is being pulled from under your feet. It knocks the air from you. I can see it on your face. When you’re older, you’ll experience these things with more distance and forgiveness. They won’t be earth-shattering in the same way. They won’t be a matter of life or death. Right now you want it all to go away. I’ve been there, shutting my eyes and blocking my ears. This feeling will lessen over time, as will the immediacy of your emotions.
”
”
Sanaë Lemoine (The Margot Affair)
“
I was eager to try these delicacies, and was thrilled when Bugnard instructed me on where to buy a proper haunch of venison and how to prepare it. I picked a good-looking piece, then marinated it in red wine, aromatic vegetables, and herbs, and hung the lot for several days in a big bag out the kitchen window. When I judged it ready, by smell, I roasted it for a good long while. The venison made a splendid dinner, with a rich, deep, gamy-tasting sauce, and for days afterward Paul and I feasted on its very special cold meat. When the deer had given us its all, I offered the big leg-bone structure to Minette. “Would you like to try this, poussiequette?” I asked her, laying the platter on the floor. She approached tentatively and sniffed. Then the wild-game signals must have hit her central nervous system, for she suddenly arched her back and, with hair standing on end, let out a snarling groowwwwllll! She lunged at the bone and, grabbing it with her sharp teeth, dragged it out onto the living-room rug—luckily a well-worn Oriental—where she chewed at it for a good hour before stalking off. (Even in such intense circumstances, she rarely laid paw on bone, preferring to use her teeth.)
”
”
Julia Child (My Life in France)
“
What do you say to a girl who becomes familiar with heartache before she’s legal enough to drink? What are words to a girl who is used to getting hurt by everyone claiming to care? All these young souls drowning in sadness before knowing how to swim. Trying to navigate this rugged terrain called life. Sadly, heartbreak arrives earlier than it should, but if there’s anything that I know for sure it is that the heartache transforms the broken girl into a powerful woman. I just wish the pain didn’t start so young. I just wish you had more time to comprehend what it means to be happy and maybe one day you will.
”
”
R.H. Sin (Empty Bottles Full of Stories)
“
I realized, listening to the silences that fell sometimes in my interview groups, that there are things that are sayable and unsayable about motherhood today. It is permissable, for example, to talk a lot about guilt, but not a lot about ambition. You can talk a lot about sex (or its lack) but not about the feelings that are keeping women from sleeping with their husbands. You can talk about society's lack of "appreciation" of mother's and the need for more social validation -- but not about policy that might actually make life better. You cannot really challenge the American culture of rugged individualism.
”
”
Judith Warner (Perfect Madness: Motherhood in the Age of Anxiety)
“
The initial disappointment for the misogynist usually occurs early in the relationship. However, because there is so much excitement and romance going on, the moment of flare-up is easily swept under the rug. If there is a sense of shock for the woman, it is only a small sour note in a symphony of good feelings. The early indications of the misogynist's quick temper are sporadic. The explosions don't become a way of life until some kind of commitment has been made. This can be a verbal commitment, moving in together, an engagement, or a marriage. Then, once he's sure he "has" her, the situation changes rapidly.
”
”
Susan Forward (Men Who Hate Women and the Women Who Love Them: When Loving Hurts and You Don't Know Why)
“
It's No Use Raising A Shout"
It’s no use raising a shout.
No, Honey, you can cut that right out.
I don’t want any more hugs;
Make me some fresh tea, fetch me some rugs.
Here am I, here are you:But what does it mean?
What are we going to do?
A long time ago I told my mother
I was leaving home to find another:
I never answered her letter
But I never found a better.
Here am I, here are you:
But what does it mean? What are we going to do?
It wasn’t always like this?
Perhaps it wasn’t, but it is.
Put the car away; when life fails,
What’s the good of going to Wales?
Here am I, here are you:
But what does it mean? What are we going to do?
In my spine there was a base;
And I knew the general’s face:
But they’ve severed all the wires,
And I can’t tell what the general desires.
Here am I, here are you:
But what does it mean? What are we going to do?
In my veins there is a wish,
And a memory of fish:
When I lie crying on the floor,
It says, ‘You’ve often done this before.’
Here am I, here are you:
But what does it mean? What are we going to do?
A bird used to visit this shore:
It isn’t going to come anymore.
I’ve come a long way to prove
No land, no water, and no love.
Here am I, here are you:
But what does it mean? What are we going to do?
”
”
W.H. Auden
“
It would take me all night to tell about Old Bull Lee; let's just say now, he was a teacher, and it may be said that he had every right to teach because he spent all his time learning; and the things he learned were what he considered to be and called "the facts of life," which he learned, not only out of necessity but because he wanted to. He dragged his long, thin body around the entire United States and most of Europe and North Africa in his time, only to see what was going on.... there are pictures of him with the international cocaine set of the thirties — gangs with wild hair, leaning on one another, there are other pictures of him in a Panama hat, surveying the streets of Algiers.... He was an exterminator in Chicago, a bartender in New York, a summons-server in Newark. In Paris he sat at cafe tables, watching the sullen French faces go by. In Athens he looked up from his ouzo at what he called the ugliest people in the world. In Istanbul he threaded his way through crowds of opium addicts and rug-sellers, looking for the facts. In Chicago he planned to hold up a Turkish bath, hesitated just for two minutes too long for a drink, and, wound up with two dollars and had to make a run for it. He did all these things merely for the experience....
”
”
Jack Kerouac
“
I’ll not wheesht! Those children get no fun at all, they’re shut up in the attics from one year’s end to another — it’s a wonder to me if their mother knows them by sight. I wouldn’t be them for a good deal.” Janet rose as she spoke and flounced out of the room, adding as a parting shot, “The dog has a better life; he’s allowed to lie on the hearth-rug anyway.” An uncomfortable silence followed Janet’s departure for there was too much truth in what she said for her audience to treat it lightly. Mrs. Duff and Nannie and Mr. Gray had all thought the same — in their inmost hearts — though they were too loyal to breathe a word of it.
”
”
D.E. Stevenson (Amberwell (Ayrton Family #1))
“
Since the settlement area of the Kurds spans the present territories of Arabs, Persians and Turks, the Kurdish question necessarily concerns most of the region. A solution in one part of Kurdistan also affects other parts of Kurdistan and neighbouring countries. Conversely, the destructive approach of actors in one country may have negative effects on potential solutions to the Kurdish question in other countries. The rugged Kurdish landscape is practically made for armed struggle, and the Kurds have been fighting colonisation or conquest by foreign powers since time immemorial. Resistance has become part of their life and culture.
”
”
Abdullah Öcalan (The Political Thought of Abdullah Öcalan: Kurdistan, Woman's Revolution and Democratic Confederalism)
“
Contemplate for a moment hiking up a wild and rugged mountain. The mountain itself is a challenge, as well as the experience of beauty and danger. To reach the top, a person must persevere. The higher one goes up the mountain the more one can see of the landscape around. There is, in seeing an expansive view, a natural delight and exhilaration that anyone who makes the effort feels. This natural delight corresponds to the spiritual joy of gaining a higher perception of life. Mountains correspond to heaven. The delight of gaining an elevated view on a mountain is the reflection (correspondence) of spiritually gaining wisdom in one’s soul.
”
”
Steve Sanchez (Rethinking Redemption)
“
By this time, midway through winter,
I had become entirely fascinated with my spiritual melodrama.
Then it stopped.
Days passed, months passed and I saw nothing.
I continued to peer and glance, sitting on the rug in front of my sofa
in the curtainless morning
with my nerves open to the air like something skinned.
I saw nothing.
Outside the window spring storms came and went.
April snow folded its huge white paws over doors and porches.
I watched a chunk of it lean over the roof and break off
and fall and I thought,
How slow! as it glided soundlessly past,
but still—nothing. No nudes.
No Thou.
A great icicle formed on the railing of my balcony
so I drew up close to the window and tried peering through the icicle,
hoping to trick myself into some interior vision,
but all I saw
was the man and woman in the room across the street
making their bed and laughing.
I stopped watching.
I forgot about Nudes.
I lived my life,
which felt like a switched-off TV.
Something had gone through me and out and I could not own it.
'No need now to tremble for the hard frost and the keen wind.
Emily does not feel them,'
wrote Charlotte the day after burying her sister.
Emily had shaken free.
A soul can do that.
Whether it goes to join Thou and sit on the porch for all eternity
enjoying jokes and kisses and beautiful cold spring evenings,
you and I will never know. But I can tell you what I saw.
Nude #13 arrived when I was not watching for it.
It came at night.
Very much like Nude #1.
And yet utterly different.
I saw a high hill and on it a form shaped against hard air.
It could have been just a pole with some old cloth attached,
but as I came closer
I saw it was a human body
trying to stand against winds so terrible that the flesh was blowing off the bones.
And there was no pain.
The wind
was cleansing the bones.
They stood forth silver and necessary.
It was not my body, not a woman’s body, it was the body of us all.
It walked out of the light.
”
”
Anne Carson (Glass, Irony and God)
“
I am going to describe her life from the inside outward, from its core, the house as well, rooms in which life was gathered, rooms in which the morning sunlight, the floors spread with Oriental rugs that had been her mother-in-law’s, apricot, rough and tan, rugs which though worn seemed to drink the sun, to collect its warmth; books, potpourris, cushions in colors of Matisse, objects glistening like evidence, many which might had they been possessed by ancient people, have been placed in the tombs for another life: clear crystal dice, pieces of staghorn, amber beads, boxes, sculptures, wooden balls, magazines in which were photographs of women to whom she compared herself.
”
”
James Salter (Light Years)
“
She had thought so much about this baby, of its welfare, its soul, its morals, its probable defects. But, like most unmarried people, she had only thought of it as a word - just as the healthy man only thinks of the word death, not of death itself. The real thing, lying asleep on a dirty rug, disconcerted her. It did not stand for a principle any longer. It was so much flesh and blood, so many inches and ounces of life - a glorious, unquestionable fact, which a man and another woman had given to the world. You could talk to it; in time it would answer you; in time it would not answer you unless it chose, but would secrete, within the compass of its body, thoughts and wonderful passions of its own.
”
”
E.M. Forster
“
Maybe! That’s the moral of many, many stories. Chaos emerges in a household, bit by bit. Mutual unhappiness and resentment pile up. Everything untidy is swept under the rug, where the dragon feasts on the crumbs. But no one says anything, as the shared society and negotiated order of the household reveals itself as inadequate, or disintegrates, in the face of the unexpected and threatening. Everybody whistles in the dark, instead. Communication would require admission of terrible emotions: resentment, terror, loneliness, despair, jealousy, frustration, hatred, boredom. Moment by moment, it’s easier to keep the peace. But in the background, in Billy Bixbee’s house, and in all that are like it, the dragon grows. One day it bursts forth, in a form that no one can ignore. It lifts the very household from its foundations. Then it’s an affair, or a decades-long custody dispute of ruinous economic and psychological proportions. Then it’s the concentrated version of the acrimony that could have been spread out, tolerably, issue by issue, over the years of the pseudo-paradise of the marriage. Every one of the three hundred thousand unrevealed issues, which have been lied about, avoided, rationalized away, hidden like an army of skeletons in some great horrific closet, bursts forth like Noah’s flood, drowning everything. There’s no ark, because no one built one, even though everyone felt the storm gathering.
”
”
Jordan B. Peterson (12 Rules for Life: An Antidote to Chaos)
“
This was my picture, and I wanted to become part of it too, to sleep there with the others on the shore, but they would not let me. I had to go away and live my life. I had no business to remain there lost in a dream. I had to break my mind away from it, I had to cover it, sadly, reverently, hide it in the shadowed untouched places of my memory. I would never forget. I would never permit my picture to become dusty and worn. After all that had been and all that was to come, I should still see it, the rugged cliffs, the little lighthouse standing beyond the razor edge of the Pointe du Raz, the broken Romanie desolate, alone, and lastly, beautiful and forlorn, the sleeping figures in the Baie des Trépassés.
”
”
Daphne du Maurier (I'll Never Be Young Again)
“
I walk across the park to her flat. It is over-heated and there is a great deal of pink. This used not to unnerve me. Now when I step into the bathroom I recoil.
Pink bath, pink basin, pink toilet, pink bidet, pink tiles, pink wallpaper, pink rug. Brushes, soap, tooth brush, silk flowers, toilet paper: all pink. Even the little foot-operated waste-bin is pale pink. I know this little waste-bin well. Every time I sleep here I wonder what I am doing with my time and hers. She is sixteen years younger than I am. She is not the woman with whom I want to share my life. But, having begun, what we have continues. She wants it to, and I go along with it, through lust and loneliness, I suppose; and laziness, and lack of focus.
”
”
Vikram Seth (An Equal Music)
“
Why do people fall in love if it means there is a chance of feeling this way? What the fuck is wrong with humans?! HUMANS ARE FUCKING SICK AND TWISTED! I mean, I get it—it feels good, you know? Being in love, being happy.” Her body trembled as the tears fell faster than she could take breaths. “But when that magical rug is ripped out from under you, it takes all the happy and good feelings with it. And your heart? It just breaks. It breaks and it’s unapologetic. It shatters into a million pieces, leaving you numb, blankly staring at the pieces because all your free will, all the common sense you once had in your life is gone. You gave up everything for this bullshit thing called love, and now you’re just destroyed.” I
”
”
Brittainy C. Cherry (The Air He Breathes (Elements, #1))
“
The claim of fine tuning is subjective. As I stated before, no measurement in physics is perfect. The amount of precision we demand can be increased or decreased at our whim. We could have an approximate measurement that has a huge margin of error and call it finely-tuned if we so desire. Theists, in particular, have a lot of such desire. They so badly want God to be an indispensable part of our universe's creation, so they see finely-tuned constants.
They also tend to sweep under the rug the following fact: the vast majority of our universe is hostile to life, and they fail to consider that another hand in the proverbial deck might yield a better universe than ours, one teaming with life on every planet throughout the cosmos.
”
”
G.M. Jackson (Debunking Darwin's God: A Case Against BioLogos and Theistic Evolution)
“
On Monday morning, she called me into her bedroom. Her dark hair was tousled, her light robe very feminine against the soft blue of her bed. Her eyes were full of mischief. “Oh, Mr. West,” she whispered in her beguiling child’s voice. “I’ve gotten myself into something. Can you help me get out of it?” “What can I do?” I asked, wondering who was next in line to be fired. “I’ve invited someone to stay here,” she said, “but now we’ve changed our minds.” She cast a glance in the direction of the President’s bedroom. “Could you help us cook up something so we can get out of having her as a houseguest?” Without waiting for a reply, she rushed on, her request becoming a command in mid-breath. “Would you fix up the Queen’s Room and the Lincoln Room so that it looks like we’re still decorating them, and I’ll show her that our guest rooms are not available.” Her eyes twinkled, imagining the elaborate deception. “The guest rooms will be redecorated immediately,” I said, and almost clicked my heels. I called Bonner Arrington in the carpenter’s shop. “Bring drop-cloths up to the Queen’s Room and Lincoln Bedroom. Roll up the rugs and cover the draperies and chandeliers, and all the furniture,” I instructed. “Oh yes, and bring a stepladder.” I called the paint shop. “I need six paint buckets each for the Queen’s Room and the Lincoln Room. Two of the buckets in each room should be empty—off-white—and I need four or five dirty brushes.” I met the crews on the second floor. “Now proceed to make these two rooms look as if they’re being redecorated,” I directed. “You mean you don’t want us to paint?” said the painters. “No,” I said. “Just make it look as if you are.” The crew had a good time, even though they didn’t know what it was all about. As I brought in the finishing touches, ashtrays filled with cigarette butts, Bonner shook his head. “Mr. West, all I can say is that this place has finally got to you,” he said. That evening the President and Mrs. Kennedy entertained a Princess for dinner upstairs in the President’s Dining Room. Before dinner, though, President Kennedy strolled down to the East Hall with his wife’s guest. He pointed out the bedraped Queen’s Room. “… And you see, this is where you would have spent the night if Jackie hadn’t been redecorating again,” he told the unsuspecting lady. The next morning, Mrs. Kennedy phoned me. “Mr. West, you outdid yourself,” she exclaimed. “The President almost broke up when he saw those ashtrays.
”
”
J.B. West (Upstairs at the White House: My Life with the First Ladies)
“
Anyone looking back at the log later, trying to piece together a mystery, would find nothing but times and dry entries. It was a lazy Sunday. What made it meaningful were not the facts or details, but the imperceptibles. Inner life. The smell of the beach grass and the feel of sand on a bathroom floor when changing out of a swimsuit. The heat of American summer. Line ten of the log read simply: 10:22 Condor ate second breakfast. It couldn’t capture the perfect toasting of the onion bagel or the saltiness of the fish in contrast with the thickness of cream cheese. It was time lost in a book—a journey of imagination, transportation—which to others simply looks like sitting or lying stomach-down on the rug in front of a summertime fire, legs bent at the knees, up ninety degrees, kicking absently, feet languid in the air.
”
”
Noah Hawley (Before the Fall)
“
Thank you to Steve Iwanski and Turnrow Books for this fantastic review of THE RESURRECTION OF JOAN ASHBY!!
Cherise Wolas' debut novel is a narrative tour-de-force. Never mind the admirable boldness of kicking it off with excerpts from (fictional) Joan Ashby's Pulitzer and National Book Award-winning story collections -- Wolas proceeds to delicately peel back the onion layers on Ashby's decades of retreat from the public eye. Like Lauren Groff in FATES AND FURIES, Wolas triumphs in depicting the mounting humiliations of domestic life like a psychological thriller. You know we're headed for the inevitable rug pull - and yet when it comes it still leaves you reeling. Forget about Joan Ashby; it's Cherise Wolas who will leave us waiting breathlessly for the next masterpiece.
—Steve Iwanski from Turnrow Books, Greenwood, MS
”
”
Cherise Wolas
“
Yet this religious outcast, this man who was thought to be in a state of perpetual uncleanliness, had gotten his hands on a sacred scroll and found a passage from the prophet Isaiah that resonated profoundly with his own experience: He was led like a sheep to the slaughter, and as a lamb before its shearer is silent, so he did not open his mouth. In his humiliation he was deprived of justice. Who can speak of his descendants? For his life was taken from the earth. ACTS 8:32–33 When Philip heard the eunuch reading these words aloud, he approached the chariot and asked if the eunuch understood them. “How can I unless someone guides me?” the eunuch replied. Philip climbed into the chariot, and as it rumbled through the wilderness, told the eunuch about Jesus—about how when God became one of us, God suffered too. Overcome, the eunuch looked out at the rugged landscape that surrounded them and shouted, “Look, here is water! What is to prevent me from being baptized?” We don’t know how long that question, brimming with such childlike joy it wrenches the heart, hung vulnerable as a drop of water in the desert air. At another time in his life, Philip might have pointed to the eunuch’s ethnicity, or his anatomy, or his inability to gain access to the ceremonial baths that made a person clean. But instead, with no additional conversation between the travelers, the chariot lumbered to a halt and Philip baptized the eunuch in the first body of water the two could find. It might have been a river, or it might have been a puddle in the road. Philip got out of God’s way. He remembered that what makes the gospel offensive isn’t who it keeps out, but who it lets in.
”
”
Rachel Held Evans (Searching for Sunday: Loving, Leaving, and Finding the Church)
“
I close my eyes and hear wind rushing through palm trees again. And then laughter. The scene is foggy at first, and then it comes into sharp focus. I am standing in a kitchen. It's one of those big, well-appointed spaces you see in magazines, but this one is well loved, not just staged. A cake bakes in the oven. Carrot. There are matches and a box of birthday candles at the ready by the stove. Stan Getz's smoky-sweet saxophone filters from a speaker somewhere nearby. I'm stirring a pot of marinara sauce; a bit has splattered onto the marble countertop, but I don't care. I take a sip of wine and sway to the music. A little girl giggles on the sofa. I don't see her face, just her blond ponytail. And then warm, strong arms around my waist as he presses his body against me. I breathe in the scent of rugged spice, fresh cotton, and love.
”
”
Sarah Jio (All the Flowers in Paris)
“
He just wanted a walk- and a few books. It had been an age since he'd even had free time to read, let alone do so for pleasure.
But there she was.
His mate.
She was nothing like Jesminda.
Jesminda had been all laughter and mischief, too wild and free to be contained by the country life that she'd been born into. She had teased him, taunted him- seduced him so thoroughly that he hadn't wanted anything but her. She'd seen him not as a High Lord's seventh son, but as a male. Had loved him without question, without hesitation. She had chosen him.
Elain had been... thrown at him.
He glanced toward the tea service spread on a low-lying table nearby. 'I'm going to assume that one of those cups belongs to your sister.' Indeed, there was a discarded book in the viper's usual chair. Cauldron help the male who wound up shackled to her.
'Do you mind if I held myself to the other?'
He tried to sound casual- comfortable. Even as his heart raced and raced, so swift he thought he might vomit on the very expensive, very old carpet. From Sangravah, if the patterns and rich dyes were any indication.
Rhysand was many things, but he certainly had good taste.
The entire place had been decorated with thought and elegance, with a penchant for comfort over stuffiness.
He didn't want to admit he liked it. Didn't want to admit he found the city beautiful.
That the circle of people who now claimed to be Feyre's new family... It was what, long ago, he'd once thought life at Tamlin's court would be.
An ache like a blow to the chest went through him, but he crossed the rug. Forced his hands to be steady while he poured himself a cup of tea and sat in the chair opposite Nesta's vacated one.
'There's a plate of biscuits. Would you like one?'
He didn't expect her to answer, and he gave himself all of one more minute before he'd rise from this chair and leave, hopefully avoiding Nesta's return.
But sunlight on gold caught his eye- and Elain slowly turned from her vigil at the window.
He had not seen her entire face since that day in Hybern.
Then, it had been drawn and terrified, then utterly blank and numb, her hair plastered to her head, her lips blue with cold and shock.
Looking at her now...
She was pale, yes. The vacancy still glazing her features.
But he couldn't breathe as she faced him fully.
She was the most beautiful female he'd ever seen.
Betrayal, queasy and oily, slid through his veins. He'd said the same to Jesminda once.
But even as shame washed through him, the words, the sense chanted, Mine. You are mine, and I am yours. Mate.
”
”
Sarah J. Maas (A Court of Wings and Ruin (A Court of Thorns and Roses, #3))
“
Jane doesn't watch very much television. She used to watch it more. She used to watch comedy series, in the evenings, and when she was a student at university she would watch afternoon soaps about hospitals and rich people, as a way of procrastinating. For a while, not so long ago, she would watch the evening news, taking in the disasters with her feet tucked up on the Chesterfield, a throw rug over her legs, drinking a hot milk and rum to relax before bed. It was all a form of escape.
But what you can see on the television, at whatever time of day, is edging too close to her own life; though in her life, nothing stays put in those tidy compartments, comedy here, seedy romance and sentimental tears there, accidents and violent deaths in thirty-second clips they call bites, as if they were chocolate bars. In her life, everything is mixed together.
”
”
Margaret Atwood (Wilderness Tips)
“
After we've stuffed ourselves, we scatter around the living room, falling into a comfortable quiet.
The living room is a majestic place - I mean, it is massive - with vaulted log ceilings and old wood floors covered in wide woven rugs. Along one long wall, the fire crackles and snaps, heating the room to just below too warm. It's wood from town and nothing smells like it. I want to find a candle of this, incense, room spray. I want every living room in every house I live in for the rest of time to smell like the Hollis cabin does on December evenings.
The hearth is expansive; when we were about seven, our chore was sweeping out the fireplace at the end of the holiday, Theo and I could almost stand up inside it. The flames actually roar to life. Even once they mellow into a rumbling, crackling simmer, the blaze still feels like a living, breathing creature in here with us.
”
”
Christina Lauren (In a Holidaze)
“
As already suggested, when the individual first learns who it is that he must now accept a his own, he is likely, at the very least, to feel some ambivalence; for these others will not only be patently stigmatized, and thus not like the normal person he knows himself to be, but ma also have other attributes with which he finds it difficult to associate himself. What may end up as a freemasonry may begin with a shudder. A newly blind girl on a visit to The Lighthouse [probably the Chicago Lighthouse, one of the oldest social service agencies in Chicago serving the blind or visually impaired] directly from leaving the hospital provides an illustration:
„My questions about a guide dog were politely turned aside. Another sighted worker took me in tow to show me around. We visited the Braille library; the classrooms; the clubrooms where the blind members of the music and dramatic groups meet; the recreation hall where on festive occasion the blind play together; the cafeteria, where all the blind gather to eat together; the huge workshops where the blind earn a subsistence income by making mops and brooms, weaving rugs, caning chairs. As we moved from room to room, I could hear the shuffling of feet, the muted voices, the tap-tap-tapping of canes. Here was the safe, segregated world of the sightless — a completely different world, I was assured by the social worker, from the one I had just left….
I was expected to join this world. To give up my profession and to earn my living making mops. The Lighthouse would be happy to teach me how to make mops. I was to spend the rest of my life making mops with other blind people, eating with other blind people, dancing with other blind people. I became nauseated with fear, as the picture grew in my mind. Never had I come upon such destructive segregation.“ (p.37)
”
”
Erving Goffman (Stigma: Notes on the Management of Spoiled Identity)
“
What can I tell them? Sealed in their metallic shells like molluscs on wheels, how can I pry the people free? The auto as tin can, the park ranger as opener. Look here, I want to say, for godsake folks get out of them there machines, take off those fucking sunglasses and unpeel both eyeballs, look around; throw away those goddamned idiotic cameras! For chrissake folks what is this life if full of care we have no time to stand and stare? eh? Take off your shoes for a while, unzip your fly, piss hearty, dig your toes in the hot sand, feel that raw and rugged earth, split a couple of big toenails, draw blood! Why not? Jesus Christ, lady, roll that window down! You can't see the desert if you can't smell it. Dusty? Of course it's dusty—this is Utah! But it's good dust, good red Utahn dust, rich in iron, rich in irony. Turn that motor off. Get out of that peice of iron and stretch your varicose veins, take off your brassiere and get some hot sun on your old wrinkled dugs! You sir, squinting at the map with your radiator boiling over and your fuel pump vapor-locked, crawl out of that shiny hunk of GM junk and take a walk—yes, leave the old lady and those squawling brats behind for a while, turn your back on them and take a long quiet walk straight into the canyons, get lost for a while, come back when you damn well feel like it, it'll do you and her and them a world of good. Give the kids a break too, let them out of the car, let them go scrambling over rocks hunting for rattlesnakes and scorpions and anthills—yes sir, let them out, turn them loose; how dare you imprison little children in your goddamned upholstered horseless hearse? Yes sir, yes madam, I entreat you, get out of those motorized wheelchairs, get off your foam rubber backsides, stand up straight like men! like women! like human beings! and walk—walk—WALK upon your sweet and blessed land!
”
”
Edward Abbey
“
This may surprise you, but Elijah, the towering mighty prophet of Israel, the man who spoke for God, Israel’s prophet of prophets, was also just an inadequate, scared little Jewish boy. Nothing about him made him great, not his rugged good looks, his great intellect, or his heroic courage. On his own, he was flawed, petty and a coward. The Bible says that he was a person “just like us.” Why then, would we look at Elijah’s life and hold it up as an example of living a life of power? Precisely because he was just like you and me. Today, centuries later, religious leaders herald Elijah as the Martin Luther of old-time Israel, crediting him with turning the hearts of the people from the corrupt state-sponsored religion back to the worship of the one true God. If Elijah was a person no different than you and me, and if he did it, then why can’t we? Is it possible that God can use us to turn the hearts of the people of our generation back to God?
”
”
Bob Saffrin (Elijah, Steps to a life of power)
“
In love, aside from sipping the wine of timelessness, nothing else exists.
There is no reason for living except for giving one's life.
I say, "First I know you, then I die."
He says, "For the one who knows Me, there is no dying."
It is raining outside and Akbar sits at the desk in the library, reading to Meena Begum, who is lying on a rug and looking up at the glass dome.
"So, jaan, love is to forget yourself," he says as he shuts the volume.
Meena Begum props herself up on her shoulder and turns to him. "Tell me, have you forgot yourself?" she asks.
"Entirely," he says.
"Why?"
"Because we were made for each other before we even met. Our souls found each other on the plains of heaven. I knew it when I saw you."
"Did you not say you fell ill and tried to forget me?"
Akbar smiles. "A foolish effort to fight fate."
Meena Begum's eyes laugh up at him. "You know I do not believe in such things as fate, sir."
"Perhaps you need to read more poetry.
”
”
Shubnum Khan (The Djinn Waits a Hundred Years)
“
He had coldly and calculatingly looked at her as he regarded any attractive woman, and he had decided, almost without emotion, that she would make him an ideal wife...
Once that decision made, violent possessiveness followed. His desire for her had grown, stimulated by her own resistance and the barrier of respectability and convention which, for him, had been both new and tantalizing.
He had believed that she needed him, his strength and his protection, and he had been pleased and triumphant, but not surprised, when he had forced her to reveal that need, for he wanted her helpless and dependent upon him.
But now, lying there in the army camp...Curt realized his own need, his own complete, dependency upon her for happiness. He, like Oregon, rugged and violent, had to have the beauty and delicacy and fineness of a woman-and it had to be Kitty. That was the strange thing about it, he considered; the realization, for the first time in his life, that one woman, and only one, would do.
”
”
Mildred Masterson McNeilly (Each Bright River)
“
Therefore they spent such time as I was housekeeping, eating or sleeping, alone in the greenhouse, and I had to manage as best I could when, after these intervals, I went back to them, not to be knocked over by their joyful welcome. Gradually, however, things settled down. The secret of peace with puppies, I discovered—up to then I had had only ready-made dogs (except Bijou, who doesn’t count), and had everything to learn,—is to give them a great deal of exercise, and a great deal of food. They should be gorged; regularly. Then they will sleep for hours—quite long enough, I found, in Ingo and Ivo’s case, for me to deal justly with Mr. Anstruther, against whom I had been feeling rather a grudge. This, then, was the line I took; and presently a new rug was able safely to be put in the greenhouse, and while they lay on it, stupefied by well-being, lost to the world, a relaxed heap of paws and ears and tails, with two tightly-filled bellies to point the moral, I got on, once again, with Fräulein Schmidt.
”
”
Elizabeth von Arnim (All The Dogs Of My Life)
“
Hey…you okay?” Marlboro Man repeated.
My heart fluttered in horror. I wanted to jump out of the bathroom window, scale down the trellis, and hightail it out of there, forgetting I’d ever met any of these people. Only there wasn’t a trellis. And outside the window, down below, were 150 wedding guests. And I was sweating enough for all of them combined.
I was naked and alone, enduring the flop sweat attack of my life. It figured. It was usually the times I felt and looked my absolute best when I wound up being humbled in some colossally bizarre way. There was the time I traveled to my godmother’s son’s senior prom in a distant city and partied for an hour before realizing the back of my dress was stuck inside my panty hose. And the time I entered the after-party for my final Nutcracker performance and tripped on a rug, falling on one of the guest performers and knocking an older lady’s wineglass out of her frail arms. You’d think I would have come to expect this kind of humiliation on occasions when it seemed like everything should be going my way.
”
”
Ree Drummond (The Pioneer Woman: Black Heels to Tractor Wheels)
“
Marriage is a very serious undertaking, after all. We are talking here about embarking upon a life together,” he says, attempting a smile. “Teaming up, you know? And so on. We are talking about nothing less than love, my dear! The universal lifeblood. Eternal, undying love!” His attention is back on the invisible thing in the middle distance. The creature tears up a little. “Ah, but love itself is not enough.” He sighs. “So fragile! So fleeting if left untended. I’m sure you’d agree, my dear, that we must never take this love of ours for granted?” The creature does agree. “It must be nurtured. Cultivated. Tell me, do you feel the same way?” It does. A single, rust colored tear carves out a path over the rugged and somewhat jaundiced terrain of its cheek. “And with what shall we nurture it, my dear? Hm? How to give it the strength it will need to thrive?” It doesn’t know. A belch from its lips releases a cloud of gas that makes Seiler’s vision blur. He takes a moment to steady himself. “With trust, my dear! We must have complete trust in one another!
”
”
Guillermo Stitch (Lake of Urine: A Love Story)
“
We continually remember before our God and Father your work produced by faith, your labor prompted by love, and your endurance inspired by hope in our LORD Jesus Christ. 1 THESSALONIANS 1:3 OCTOBER 9 To be a true optimist, you have to be rugged and tough in mind. An optimist is a person who believes in a good outcome even when he can’t yet see it. He is a person who believes in a greater day when there is yet no evidence of it. He is one who believes in his own future when he can’t see much possibility in it. A lot of people live under a cloud. But up above the clouds, the sun is always shining. Down here, on the surface of the earth, groping around in the shadows under a low ceiling, a person may not feel optimistic. But you ought to begin to practice optimism. Send up into the mass of dark clouds bright, powerful optimistic thoughts, a bright optimistic faith. By so doing, you can actually dissipate the clouds and have an entirely different life. Constantly send up into the overcast sky that is blanketing your mind bright thoughts of faith, love, hope, thoughts of God, thoughts about the greatness of life.
”
”
Norman Vincent Peale (Positive Living Day by Day)
“
But now, in a new century and a different time, that great middle class is on the ropes. All across the country, people are worried—worried and angry. They are angry because they bust their tails and their income barely budges. Angry because their budget is stretched to the breaking point by housing and health care. Angry because the cost of sending their kid to day care or college is out of sight. People are angry because trade deals seem to be building jobs and opportunities for workers in other parts of the world, while leaving abandoned factories here at home. Angry because young people are getting destroyed by student loans, working people are deep in debt, and seniors can’t make their Social Security checks cover their basic living expenses. Angry because we can’t even count on the fundamentals—roads, bridges, safe water, reliable power—from our government. Angry because we’re afraid that our children’s chances for a better life won’t be as good as our own. People are angry, and they are right to be angry. Because this hard-won, ruggedly built, infinitely precious democracy of ours has been hijacked. Today
”
”
Elizabeth Warren (This Fight Is Our Fight: The Battle to Save America's Middle Class)
“
Not so Mr. Edgar: he grew pale with pure annoyance: a feeling that reached its climax when his lady rose, and stepping across the rug, seized Heathcliff’s hands again, and laughed like one beside herself. ‘I shall think it a dream to-morrow!’ she cried. ‘I shall not be able to believe that I have seen, and touched, and spoken to you once more. And yet, cruel Heathcliff! you don’t deserve this welcome. To be absent and silent for three years, and never to think of me!’ ‘A little more than you have thought of me,’ he murmured. ‘I heard of your marriage, Cathy, not long since; and, while waiting in the yard below, I meditated this plan—just to have one glimpse of your face, a stare of surprise, perhaps, and pretended pleasure; afterwards settle my score with Hindley; and then prevent the law by doing execution on myself. Your welcome has put these ideas out of my mind; but beware of meeting me with another aspect next time! Nay, you’ll not drive me off again. You were really sorry for me, were you? Well, there was cause. I’ve fought through a bitter life since I last heard your voice; and you must forgive me, for I struggled only for you!
”
”
Emily Brontë (Wuthering Heights)
“
Carter stretched his arm out and relaxed into the softness of his own bed a moment before a scream three inches from his ear frightened him out of a few years of his life.
He was up, fumbling for matches as the scream came again, echoing off the walls. It didn’t occur to him that he was totally nude until after the match flickered to light.
Bailee stared at him with huge frightened eyes, and he stared back until the match burned his finger.
They were in blackness once more. Silence. He listened. She didn’t even breathe.
“I’m sorry,” he finally managed to stammer as he reached for his clothes only to find them gone from the peg where they were kept.
He stumbled over what might be a rug where no rug had ever been before and opened the top drawer of his dresser. Lace and silk greeted his touch, not cotton as he’d expected.
He pulled open the second drawer. The same.
At the third drawer he decided he must have somehow crossed through the wrong passage. This wasn’t his home. Nothing was in the right place.
Trousers flew from nowhere and slapped him across the face. ”Thank you,” he mumbled as he untangled them from around his neck.
“You’re welcome,” came a whisper from the blackness.
”
”
Jodi Thomas (The Texan's Wager (Wife Lottery, #1))
“
But I feel the exact opposite. I feel like it’s taken decades to get here. “You told me I was supposed to be the greatest player in the history of tennis. You said it since the day I was born! You told me it was all I was ever meant to be! And then one day I wasn’t anymore. You weren’t even sure that I could beat her!” I say. “Are we talking about Stepanova?” he says. “I asked you if you thought I could get the number one ranking over her, and you said, ‘I don’t know.’ ” “And you’ve never forgiven me for it,” he says. “I’m paying that price even today.” “You should pay it for the rest of your life!” I say. “For making me believe in myself like that and then pulling the rug out from under me. For giving up on me when things were at their hardest. I never gave up on this. Ever. And you did!” “Carrie, you asked me if I thought you could take number one from Paulina. And I said I didn’t know. Because I didn’t. I don’t know what the future holds. And I can’t promise the world is going to always turn out the way you want it to. “I owed you that honesty, I thought. So you could assess better—how to grow, how to widen your perspective. It felt like it was time for that. But you didn’t want to do that then, and you don’t want to do that now. “I’ve messed up a lot as your father, and I take responsibility for that. But this one, I’m sorry, only you can solve it. You have to make peace with not being a perfect player,” he said. “That is giving up. I won’t do it,” I said. My father shakes his head. “You have to find a way to be right with who you actually are, to face what life is really like. I expected you to figure that out by now. But you haven’t. And if you don’t, I can’t see how you ever get past this…this moment. You have accomplished so much, but you are instead so focused on keeping it, rather than going out and finding something else in the world.” He walks toward the door. “Everything we achieve is ephemeral. We have it, and then the next second it’s gone. You had that record, and you may lose that record. Or you may defend it now and lose it in two years all over again. I wish you’d accept that.” I shake my head and try to look at him. “I can’t.” “Well,” he says. “It kills me that I cannot fix that for you, hija. But I can’t. Nobody else can.” And then, as if the door were the lightest thing in the world, he opens it and walks right through, leaving me there alone.
”
”
Taylor Jenkins Reid (Carrie Soto Is Back)
“
There is, perhaps, no class of men on the face of the earth, says Captain Bonneville, who lead a life of more continued exertion, peril, and excitement, and who are more enamored of their occupations, than the free trappers of the West. No tail, no danger, no privation can turn the trapper from his pursuit. His passionate excitement at times resembles mania. In vain may the most vigilant and cruel savages best his path, in vain may rocks and precipices and wintry torrents oppose his progress, let but a single track of a beaver meet his eye, and he forgets all the dangers and defies all difficulties. At times, he may be seen with his traps on his shoulder, buffeting his way across rapid streams, amidst floating blocks of ice: at other times, he is to be found with his traps swung on his back clambering the most rugged mountains, scaling or descending the most frightful precipices, searching, by routes inaccessible to the horse, and never before trodden by white man, for springs and lakes unknown to his comrades, and where he may meet with his favorite game. Such is the mountaineer, the hardy trapper of the West, and such, as we have slightly sketched it, is the wild, Robin Hood kind of life, with all its strange and motley populace, now existing in full vigor among the Rocky Mountains.
”
”
Washington Irving
“
I stood on the rug and warmed my hands, which were rather cold with sitting at a distance from the drawing-room fire. I felt now as composed as ever I did in my life: there was nothing indeed in the gipsy’s appearance to trouble one’s calm. She shut her book and slowly looked up; her hat-brim partially shaded her face, yet I could see, as she raised it, that it was a strange one. It looked all brown and black: elf-locks bristled out from beneath a white band which passed under her chin, and came half over her cheeks, or rather jaws: her eye confronted me at once, with a bold and direct gaze. “Well, and you want your fortune told?” she said, in a voice as decided as her glance, as harsh as her features. “I don’t care about it, mother; you may please yourself: but I ought to warn you, I have no faith.” “It’s like your impudence to say so: I expected it of you; I heard it in your step as you crossed the threshold.” “Did you? You’ve a quick ear.” “I have; and a quick eye and a quick brain.” “You need them all in your trade.” “I do; especially when I’ve customers like you to deal with. Why don’t you tremble?” “I’m not cold.” “Why don’t you turn pale?” “I am not sick.” “Why don’t you consult my art?” “I’m not silly.” The old crone “nichered” a laugh under her bonnet and bandage; she then drew out a short black pipe, and lighting it began to smoke.
”
”
Charlotte Brontë (Jane Eyre: The Original 1847 Unabridged and Complete Edition (Charlotte Brontë Classics))
“
I suspect, however, that the thing that confuses you about Ian is that he’s half Scot. In many ways he’s more Scot than English, which accounts for what you’re calling a ruthless streak. He’ll do what he pleases, when he pleases, and the devil fly with the consequences. He always has. He doesn’t care what anyone thinks of him or of what he does.”
Pausing, Jordan glanced meaningfully at the couple who’d paused to look at a shrubbery on the front lawn. Ian was listening to Elizabeth intently, an expression of tenderness on his rugged face. “The other night, however, he cared very much what people thought of your lovely friend. In fact, I don’t like to think what he might have done had anyone actually dared to openly insult her in front of him. You’re right when you aren’t deceived by Ian’s civilized veneer. Beneath that he’s a Scot, and he has a temper to go with it, though he usually keeps it in check.”
“I don’t think you’re reassuring me,” Alex said shakily.
“I should be. He’s committed himself completely to her. That commitment is so deep that he even reconciled with his grandfather and then appeared with him in public, which I know was because of Elizabeth.”
“What on earth makes you think that?”
“For one thing, when I saw Ian at the Blackmore he had no plans for the evening until he discovered what Elizabeth was going to do at the Willingtons’. The next I knew, he was walking into that ball with his grandfather at his side. And that, my love, is what we call a show of strength.”
She looked impressed by his powers of deduction, and Jordan grinned. “Don’t admire me too much. I also asked him. So you see, you’re worrying needlessly,” he finished reassuringly. “Scots are a fiercely loyal lot, and Ian will protect her with his life.”
“He certainly didn’t protect her with his life two years ago, when she was ruined.”
Sighing, Jordan looked out the window. “After the Willingtons’ ball he told me a little of what happened that long-ago weekend. He didn’t tell me much-Ian is a very private man-but reading between the lines, I’m guessing that he fell like a rock for her and then got the idea she was playing games with him.”
“Would that have been so terrible?” Alexandra asked, her full sympathy still with Elizabeth.
Jordan smiled ruefully at her. “There’s one thing Scots are besides loyal.”
“What is that?”
“Unforgiving,” he said flatly. “They expect the same loyalty as they give. Moreover, if you betray their loyalty, you’re dead to them. Nothing you do or say will change their heart. That’s why their feuds last from generation to generation.”
“Barbaric,” Alexandra said with a shiver of alarm.
“Perhaps it is. But then let’s not forget Ian is also half English, and we are very civilized.” Leaning down, Jordan nipped her ear. “Except in bed.
”
”
Judith McNaught (Almost Heaven (Sequels, #3))
“
Eyes closed, she imagined the butterflies soaring over the petals, riding the tail of the breeze. She imagined a fairy leading their dance, her wings shimmering in the sun.
Then one of the butterflies seemed to come alive in her mind, like a character on the silver screen. Twirling in the sunlight that spilled through the window.
She was pale blue, laced with gold, and Libby could see her, inside and out, every detail on her slender body, every color on her wardrobe of wings.
Libby released her legs and sprung down onto the rug on her floor. Under her bed was a box with her old sketchbook and colored pencils. She hadn't wanted to draw in a long time. She'd only wanted to be among the flowers and butterflies.
But if she couldn't be with her friends, perhaps she could entertain them in her room.
The sketchbook in hand, she hopped back on the bed and began drawing the blue butterfly who'd twirled in the lamplight, but her butterfly looked so dull on the paper. Nothing like the butterfly she'd seen moments before.
She- Libby Doyle- was a creator, and her creation begged her for more.
Rushing to the bathroom, she filled a paper cup with water. In her parents' bedroom were tubes of special paint. And a brush. Mummy once told her she'd kept the paints to remember her father- Libby's granddad- but what better way to remember him than to use his paints to birth another life?
'Life.' She wanted to breathe light and color and life into her friends.
”
”
Melanie Dobson (Shadows of Ladenbrooke Manor)
“
The unification of our understanding of life with our understanding of matter and energy was the greatest scientific achievement of the second half of the twentieth century. One of its many consequences was to pull the rug out from under social scientists like Kroeber and Lowie who had invoked the “sound scientific method” of placing the living and nonliving in parallel universes. We now know that cells did not always come from other cells and that the emergence of life did not create a second world where before there was just one. Cells evolved from simpler replicating molecules, a nonliving part of the physical world, and may be understood as collections of molecular machinery—fantastically complicated machinery, of course, but machinery nonetheless. This leaves one wall standing in the landscape of knowledge, the one that twentieth-century social scientists guarded so jealously. It divides matter from mind, the material from the spiritual, the physical from the mental, biology from culture, nature from society, and the sciences from the social sciences, humanities, and arts. The division was built into each of the doctrines of the official theory: the blank slate given by biology versus the contents inscribed by experience and culture, the nobility of the savage in the state of nature versus the corruption of social institutions, the machine following inescapable laws versus the ghost that is free to choose and to improve the human condition. But this wall, too, is falling.
”
”
Steven Pinker (The Blank Slate: The Modern Denial of Human Nature)
“
William was only one year old, and his mother was proud of him, he was so pretty... He was a joy to her, the twining wisps of hair clustering round his head. Mrs Morel lay listening, one Sunday morning, to the chatter of the two. Then she dozed off. When she came downstairs... seated in his armchair, against the chimney piece, sat Morel, rather timid: and standing between his legs, the child - cropped like a sheep, with such an odd round poll - looking wondering at her: and on a newspaper spread out upon the hearth rug, a myriad of crescent-shaped curls, like the petals of a marigold scattered in the reddening firelight.
Mrs Morel stood still. It was her first baby. She went very white, and was unable to speak.
"What dost think on 'im?" Morel laughed uneasily.
She gripped her two fists, lifted them, and came forward. Morel shrank back...
Her lip trembled, her face broke, and, snatching up the child, she buried her face in his shoulder and cried painfully. She was one of those women who cannot cry: whom it hurts as it hurts a man. It was like the ripping something out of her, her sobbing...
She went about her work with closed mouth and very quiet... She spoke to him civilly, and never alluded to what he had done. But he felt something final had happened.
...But she knew, and Morel knew, that that act had caused something momentous to take place in her soul. She remembered that scene all her life, as one in which she had suffered the most intensely.
This act of masculine clumsiness was a spear through the side of her love for Morel.
”
”
D.H. Lawrence (Sons and Lovers)
“
There is a persistent theory, held by those who prate most steadily about "the American way of life" that the average American is a rugged individualist to whom the whole conception of "leadership" is something foreign and distasteful—and this theory would certainly seem to be in accord with our national tradition of lawlessness and disrespect for authority. But it is not entirely consistent with the facts. We Americans are inveterate hero worshipers, to a far greater extent than are the British and the French. We like to personalize our loyalties, our causes. In our political or business or labor organizations, we are comforted by the knowledge that at the top is a Big Boss whom we are free to revere or to hate and upon whom we can depend for quick decisions when the going gets tough. The same is true of our Boy Scout troops and our criminal gangs. It is most conspicuously true of our passion for competitive sport. We are trained from childhood to look to the coach for authority in emergencies. The masterminding coach who can send in substitutes with instructions whenever he feels like it—or even send in an entirely new team—is a purely American phenomenon. In British football the team must play through the game with the same eleven men with which it started and with no orders from the sidelines; if a man is injured and forced to leave the field the team goes on playing with only ten men. In British sport, there are no Knute Rocknes or Connie Macks, whereas in American sport the mastermind is considered as an essential in the relentless pursuit of superiority.
”
”
Robert E. Sherwood (Roosevelt and Hopkins: An Intimate History)
“
Simonton finds that on average, creative geniuses weren’t qualitatively better in their fields than their peers. They simply produced a greater volume of work, which gave them more variation and a higher chance of originality. “The odds of producing an influential or successful idea,” Simonton notes, are “a positive function of the total number of ideas generated.” Consider Shakespeare: we’re most familiar with a small number of his classics, forgetting that in the span of two decades, he produced 37 plays and 154 sonnets. Simonton tracked the popularity of Shakespeare’s plays, measuring how often they’re performed and how widely they’re praised by experts and critics. In the same five-year window that Shakespeare produced three of his five most popular works—Macbeth, King Lear, and Othello—he also churned out the comparatively average Timon of Athens and All’s Well That Ends Well, both of which rank among the worst of his plays and have been consistently slammed for unpolished prose and incomplete plot and character development. In every field, even the most eminent creators typically produce a large quantity of work that’s technically sound but considered unremarkable by experts and audiences. When the London Philharmonic Orchestra chose the 50 greatest pieces of classical music, the list included six pieces by Mozart, five by Beethoven, and three by Bach. To generate a handful of masterworks, Mozart composed more than 600 pieces before his death at thirty-five, Beethoven produced 650 in his lifetime, and Bach wrote over a thousand. In a study of over 15,000 classical music compositions, the more pieces a composer produced in a given five-year window, the greater the spike in the odds of a hit. Picasso’s oeuvre includes more than 1,800 paintings, 1,200 sculptures, 2,800 ceramics, and 12,000 drawings, not to mention prints, rugs, and tapestries—only a fraction of which have garnered acclaim. In poetry, when we recite Maya Angelou’s classic poem “Still I Rise,” we tend to forget that she wrote 165 others; we remember her moving memoir I Know Why the Caged Bird Sings and pay less attention to her other 6 autobiographies. In science, Einstein wrote papers on general and special relativity that transformed physics, but many of his 248 publications had minimal impact. If you want to be original, “the most important possible thing you could do,” says Ira Glass, the producer of This American Life and the podcast Serial, “is do a lot of work. Do a huge volume of work.” Across fields, Simonton reports that the most prolific people not only have the highest originality; they also generate their most original output during the periods in which they produce the largest volume.* Between the ages of thirty and thirty-five, Edison pioneered the lightbulb, the phonograph, and the carbon telephone. But during that period, he filed well over one hundred patents for other inventions as diverse as stencil pens, a fruit preservation technique, and a way of using magnets to mine iron ore—and designed a creepy talking doll. “Those periods in which the most minor products appear tend to be the same periods in which the most major works appear,” Simonton notes. Edison’s “1,093 patents notwithstanding, the number of truly superlative creative achievements can probably be counted on the fingers of one hand.
”
”
Adam M. Grant (Originals: How Non-Conformists Move the World)
“
That New Year I was invited to stay with one of my old school buddies, Sam Sykes, at his house on the far northwestern coast of Sutherland, in Scotland.
It is as wild and rugged a place as anywhere on earth, and I love it there.
It also happens to boast one of my favorite mountains in the world, Ben Loyal, a pinnacle of rock and steep heather that overlooks a spectacular estuary. So I did not need much encouraging to go up to Sam’s and climb.
This time up there, I was to meet the lady who would change my life forever; and I was woefully ill-prepared for the occasion.
I headed up north primarily to train and climb. Sam told me he had some other friends coming up for New Year. I would like them, he assured me.
Great. As long as they don’t distract me from training, I thought to myself. I had never felt more distant from falling in love. I was a man on a mission. Everest was only two months away.
Falling in love was way off my radar.
One of Sam’s friends was this young girl called Shara. As gentle as a lamb, beautiful and funny--and she seemed to look at me so warmly.
There was something about this girl. She just seemed to shine in all she did. And I was totally smitten, at once.
All I seemed to want to do was hang out with her, drink tea, chat, and go for nice walks.
I tried to fight the feeling by loading up my backpack with rocks and heavy books, then going off climbing on my own. But all I could think about was this beautiful blond girl who laughed in the most adorable way at how ridiculous it was to carry Shakespeare up a mountain.
I could sense already that this was going to be a massive distraction, but somehow, at the same time, nothing else seemed to matter. I found myself wanting to be with this girl all the time.
”
”
Bear Grylls (Mud, Sweat and Tears)
“
It makes you worry about what people think about who you married, or if your new house you bought is less expensive than the last one you bought, or that your husband may have a roving eye.” Amanda felt a sudden twinge of sympathy, and ruthlessly tried to quell it. She really didn’t want to feel it for the mayor at all. “Doesn’t excuse her bad behavior, I know, but thought it would help for you to hear a bit about her. My Dad says she used to be really well-liked in town. She didn’t always push people around like this.” Amanda thought about that, trying to imagine the mayor as a carefree bride, hopeful for her future. It wasn’t easy. She needed some time to think about it. Maybe the mayor changed because she thought she had to change, or because she was afraid what would happen to her world if she didn’t. Maybe she was just trying to survive. Amanda subdued any twinges of compassion as she furiously cleaned in the corner between the wall and the massive bed. Yes, people change, she thought, but that doesn’t give anyone the right to treat other people like garbage. Just because she had a bad life doesn’t mean she can act like she rules everyone else. She saw the corner of the torn envelope the moment she flipped back the corner of the rug. She picked it up and was just going to toss it into the small garbage can she was dragging with her through the room, when her eyes caught some writing on the outside. YOU HAVE TWO HOURS Big dark letters, written in an angry scrawl across the front. Amanda’s blood ran cold. This wasn’t a piece of mail carelessly left. This was something that had been deliberately hidden, and that was much more personal and angry. She glanced sideways at James, who was busy ripping down the heavy velvet curtains, a cloud of dust poofing around his head. It took only a moment for Amanda to fold the envelope in half and stuff it into her pocket. She patted it hard to ensure there’d be no telltale bulge, and pulled the
”
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Carolyn L. Dean (Bed, Breakfast, & Bones (Ravenwood Cove Mystery, #1))
“
One night, Kevin and I were at a pool hall where we saw a guy playing pool by himself; this guy looked like a hustler. He asked me if I wanted to play for twenty dollars.
“I’ll tell you what,” I told him. “You can play my buddy Kevin. If you win two out of three games, I’ll give you twenty dollars. If he wins, you have to leave with us and go to a Bible study.”
The guy looked at me like I was nuts. He walked around the pool table a few times, pondering my offer. I took a twenty-dollar bill out and placed it on the table.
“Okay,” he said. “Let’s do it.”
What he didn’t know was that Kevin is quite the player and that I don’t make bets with eternal consequences on the line unless I know we’re going to win! Of course, my buddy Kevin beat him. In fact, Kevin broke and ran the table in two straight games. The other guy never even took a shot! To my surprise, the guy followed through on his bet, although he didn’t seem too happy about it. As we walked to my truck to leave, he threw a full can of beer across the road and declared he was ready for a change in his life anyway. I thought that was a powerful statement since he didn’t even know what we were going to share with him. He knew how we rolled, despite our presence in such a rugged place. We studied the Bible with him for several hours and baptized him the same night. What I didn’t know was that the guy was sentenced to prison for an earlier crime the very next day! I wouldn’t see him again until he showed up unannounced with his Bible in hand at my house on Christmas Day a couple of years later.
“Hey, I just got out of jail,” he told me.
“Did they let you out or did you escape?” I asked him.
“I was released,” he said.
He then tearfully thanked me for sharing with him and let me know that was the best thing that could have happened to him before the two years of prison. Obviously, neither one of us believed our encounter had been an accident. He came to our church a couple of times over the next few months, and I continued to study with him. After a while, though, he quit coming around and I lost track of him.
”
”
Jase Robertson (Good Call: Reflections on Faith, Family, and Fowl)
“
Hey…you okay?” Marlboro Man repeated.
My heart fluttered in horror. I wanted to jump out of the bathroom window, scale down the trellis, and hightail it out of there, forgetting I’d ever met any of these people. Only there wasn’t a trellis. And outside the window, down below, were 150 wedding guests. And I was sweating enough for all of them combined.
I was naked and alone, enduring the flop sweat attack of my life. It figured. It was usually the times I felt and looked my absolute best when I wound up being humbled in some colossally bizarre way. There was the time I traveled to my godmother’s son’s senior prom in a distant city and partied for an hour before realizing the back of my dress was stuck inside my panty hose. And the time I entered the after-party for my final Nutcracker performance and tripped on a rug, falling on one of the guest performers and knocking an older lady’s wineglass out of her frail arms. You’d think I would have come to expect this kind of humiliation on occasions when it seemed like everything should be going my way.
“You need anything?” Marlboro Man continued. A drop of sweat trickled down my upper lip.
“Oh, no…I’m fine!” I answered. “I’ll be right out! You go on back to the party!” Go on, now. Run along. Please. I beg you.
“I’ll be out here,” he replied. Dammit. I heard his boots travel a few steps down the hall and stop. I had to get dressed; this was getting ridiculous. Then, as I stuck my big toe into the drenched leg of my panty hose, I heard what I recognized as Marlboro Man’s brother Tim’s voice.
“What’s she doing in there?” Tim whispered loudly, placing particularly uncomfortable emphasis on “doing.” I closed my eyes and prayed fervently. Lord, please take me now. I no longer want to be here. I want to be in Heaven with you, where there’s zero humidity and people aren’t punished for their poor fabric choices.
“I’m not sure,” Marlboro Man answered. The geyser began spraying again.
I had no choice but to surge on, to get dressed, to face the music in all my drippy, salty glory. It was better than staying in the upstairs bathroom of his grandmother’s house all night. God forbid Marlboro Man or Tim start to think I had some kind of feminine problem, or even worse, constipation or diarrhea! I’d sooner move to another country and never return than to have them think such thoughts about me.
”
”
Ree Drummond (The Pioneer Woman: Black Heels to Tractor Wheels)
“
Miraculously, thirty minutes later I found Marlboro Man’s brother’s house. As I pulled up, I saw Marlboro Man’s familiar white pickup parked next to a very large, imposing semi. He and his brother were sitting inside the cab.
Looking up and smiling, Marlboro Man motioned for me to join them. I waved, getting out of my car and obnoxiously taking my purse with me. To add insult to injury, I pressed the button on my keyless entry to lock my doors and turn on my car alarm, not realizing how out of place the dreadful chirp! chirp! must have sounded amidst all the bucolic silence. As I made my way toward the monster truck to meet my new love’s only brother, I reflected that not only had I never in my life been inside the cab of a semi, but also I wasn’t sure I’d ever been within a hundred feet of one. My armpits were suddenly clammy and moist, my body trembling nervously at the prospect of not only meeting Tim but also climbing into a vehicle nine times the size of my Toyota Camry, which, at the time, was the largest car I’d ever owned. I was nervous. What would I do in there?
Marlboro Man opened the passenger door, and I grabbed the large handlebar on the side of the cab, hoisting myself up onto the spiked metal steps of the semi. “Come on in,” he said as he ushered me into the cab. Tim was in the driver’s seat. “Ree, this is my brother, Tim.”
Tim was handsome. Rugged. Slightly dusty, as if he’d just finished working. I could see a slight resemblance to Marlboro Man, a familiar twinkle in his eye. Tim extended his hand, leaving the other on the steering wheel of what I would learn was a brand-spanking-new cattle truck, just hours old. “So, how do you like this vehicle?” Tim asked, smiling widely. He looked like a kid in a candy shop.
“It’s nice,” I replied, looking around the cab. There were lots of gauges. Lots of controls. I wanted to crawl into the back and see what the sleeping quarters were like, and whether there was a TV. Or a Jacuzzi.
“Want to take it for a spin?” Tim asked.
I wanted to appear capable, strong, prepared for anything. “Sure!” I responded, shrugging my shoulders. I got ready to take the wheel.
Marlboro Man chuckled, and Tim remained in his seat, saying, “Oh, maybe you’d better not. You might break a fingernail.” I looked down at my fresh manicure. It was nice of him to notice. “Plus,” he continued, “I don’t think you’d be able to shift gears.” Was he making fun of me? My armpits were drenched. Thank God I’d work black that night.
After ten more minutes of slightly uncomfortable small talk, Marlboro Man saved my by announcing, “Well, I think we’ll head out, Slim.”
“Okay, Slim,” Tim replied. “Nice meeting you, Ree.” He flashed his nice, familiar smile. He was definitely cute. He was definitely Marlboro Man’s brother.
But he was nothing like the real thing.
”
”
Ree Drummond (The Pioneer Woman: Black Heels to Tractor Wheels)
“
And by his side rode loathsome Gluttony,
Deformed creature, on a filthie swyne,
His belly was vp-blowne with luxury,
And eke with fatnesse swollen were his eyne,
And like a Crane his necke was long and fyne,
With which he swallowd vp excessiue feast;
For want whereof poore people oft did pyne;
And all the way, most like a brutish beast,
He spued vp his gorge, that all did him deteast.
In greene vine leaues he was right fitly clad;
For other clothes he could not weare for heat,
And on his head an yuie girland had,
From vnder which fast trickled downe the sweat:
Still as he rode, he somewhat still did eat,
And in his hand did beare a bouzing can,
“Of which he supt so oft, that on his seat
His dronken corse he scarse vpholden can,
In shape and life more like a monster, then a man.
Vnfit he was for any worldly thing,
And eke vnhable once to stirre or go,
Not meet to be of counsell to a king,
Whose mind in meat and drinke was drowned so,
That from his friend he seldome knew his fo:
Full of diseases was his carcas blew,
And a dry dropsie through his flesh did flow
And next to him rode lustfull Lechery,
Vpon a bearded Goat, whose rugged haire,
And whally eyes (the signe of gelosy,)
Was like the person selfe, whom he did beare:
Who rough, and blacke, and filthy did appeare,
Vnseemely man to please faire Ladies eye;
Yet he of Ladies oft was loued deare,
When fairer faces were bid standen by:
O who does know the bent of womens fantasy?
In a greene gowne he clothed was full faire,
Which vnderneath did hide his filthinesse,
And in his hand a burning hart he bare,
Full of vaine follies, and new fanglenesse:
For he was false, and fraught with ficklenesse,
And learned had to loue with secret lookes,
And well could daunce, and sing with ruefulnesse,
And fortunes tell, and read in louing bookes,
And thousand other wayes, to bait his fleshly hookes.
And greedy Auarice by him did ride,
Vpon a Camell loaden all with gold;
Two iron coffers hong on either side,
With precious mettall full, as they might hold,
And in his lap an heape of coine he told;
For of his wicked pelfe his God he made,
And vnto hell him selfe for money sold;
Accursed vsurie was all his trade,
And right and wrong ylike in equall ballaunce waide.
His life was nigh vnto deaths doore yplast,
And tired-bare cote, and cobled shoes he ware,
Ne scarse good morsell all his life did tast,
But both from backe and belly still did spare,
To fill his bags, and richesse to compare;
Yet chylde ne kinsman liuing had he none
To leaue them to; but thorough daily care
To get, and nightly feare to lose his owne,
He led a wretched life vnto himselfe vnknowne.
And next to him malicious Enuie rode,
Vpon a rauenous wolfe, and still did chaw
Betweene his cankred teeth a venemous tode,
That all the poison ran about his chaw;
But inwardly he chawed his owne maw
At neighbours wealth, that made him euer sad
For death it was, when any good he saw,
And wept, that cause of weeping none he had
But when he heard of harme, he wexed wondrous glad.
And him beside rides fierce reuenging Wrath,
Vpon a Lion, loth for to be led;
And in his hand a burning brond he hath,
The which he brandisheth about his hed;
His eyes did hurle forth sparkles fiery red,
And stared sterne on all, that him beheld,
As ashes pale of hew and seeming ded;
And on his dagger still his hand he held,
Trembling through hasty rage, when choler in him sweld.
”
”
Edmund Spenser (The Faerie Queene)
“
… The most important contribution you can make now is taking pride in your treasured home state. Because nobody else is. Study and cherish her history, even if you have to do it on your own time. I did. Don’t know what they’re teaching today, but when I was a kid, American history was the exact same every year: Christopher Columbus, Plymouth Rock, Pilgrims, Thomas Paine, John Hancock, Sons of Liberty, tea party. I’m thinking, ‘Okay, we have to start somewhere— we’ll get to Florida soon enough.’…Boston Massacre, Crispus Attucks, Paul Revere, the North Church, ‘Redcoats are coming,’ one if by land, two if by sea, three makes a crowd, and I’m sitting in a tiny desk, rolling my eyes at the ceiling. Hello! Did we order the wrong books? Were these supposed to go to Massachusetts?…Then things showed hope, moving south now: Washington crosses the Delaware, down through original colonies, Carolinas, Georgia. Finally! Here we go! Florida’s next! Wait. What’s this? No more pages in the book. School’s out? Then I had to wait all summer, and the first day back the next grade: Christopher Columbus, Plymouth Rock…Know who the first modern Floridians were? Seminoles! Only unconquered group in the country! These are your peeps, the rugged stock you come from. Not genetically descended, but bound by geographical experience like a subtropical Ellis Island. Because who’s really from Florida? Not the flamingos, or even the Seminoles for that matter. They arrived when the government began rounding up tribes, but the Seminoles said, ‘Naw, we prefer waterfront,’ and the white man chased them but got freaked out in the Everglades and let ’em have slot machines…I see you glancing over at the cupcakes and ice cream, so I’ll limit my remaining remarks to distilled wisdom: “Respect your parents. And respect them even more after you find out they were wrong about a bunch of stuff. Their love and hard work got you to the point where you could realize this. “Don’t make fun of people who are different. Unless they have more money and influence. Then you must. “If someone isn’t kind to animals, ignore anything they have to say. “Your best teachers are sacrificing their comfort to ensure yours; show gratitude. Your worst are jealous of your future; rub it in. “Don’t talk to strangers, don’t play with matches, don’t eat the yellow snow, don’t pull your uncle’s finger. “Skip down the street when you’re happy. It’s one of those carefree little things we lose as we get older. If you skip as an adult, people talk, but I don’t mind. “Don’t follow the leader. “Don’t try to be different—that will make you different. “Don’t try to be popular. If you’re already popular, you’ve peaked too soon. “Always walk away from a fight. Then ambush. “Read everything. Doubt everything. Appreciate everything. “When you’re feeling down, make a silly noise. “Go fly a kite—seriously. “Always say ‘thank you,’ don’t forget to floss, put the lime in the coconut. “Each new year of school, look for the kid nobody’s talking to— and talk to him. “Look forward to the wonderment of growing up, raising a family and driving by the gas station where the popular kids now work. “Cherish freedom of religion: Protect it from religion. “Remember that a smile is your umbrella. It’s also your sixteen-in-one reversible ratchet set. “ ‘I am rubber, you are glue’ carries no weight in a knife fight. “Hang on to your dreams with everything you’ve got. Because the best life is when your dreams come true. The second-best is when they don’t but you never stop chasing them. So never let the authority jade your youthful enthusiasm. Stay excited about dinosaurs, keep looking up at the stars, become an archaeologist, classical pianist, police officer or veterinarian. And, above all else, question everything I’ve just said. Now get out there, class of 2020, and take back our state!
”
”
Tim Dorsey (Gator A-Go-Go (Serge Storms Mystery, #12))