Those Tiny Little Feet Quotes

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Do you want to know the first time I ever saw you?" he said with his lips at my ear. I knew the story,but I nodded anyway, frantically. "Your family had just moved in. You were...how old were you,Becks?" I shrugged,and he ran his fingers over my head, calming me.He knew the answer. "You were eleven," he said. "I was twelve.I remember Joey Velasquez talking about the pretty new girl in the neighborhood.Actually his exact words were 'the hot chick.' But I didn't think a thing about it until I saw you at the baseball field. We were having practice at the park and your family showed up for a picnic.You had so much dark hair,and it was hiding your face.Remember?" I nodded. "I know what you're trying to do." He ignored me. "I had to see if Joey was right,about the hot chick part, and I kept trying to get a good look at your face, but you never looked over our way.I hit home run after home run trying to get your attention, but you couldn't be bothered with my record-shattering, supherhuman performance." I smiled,and breathed in slowly. I'd heard this story so many times before.The familiarity of it enveloped me with warmth. "So what did you do?" I asked, fully aware of the answer. "I did the only thing I could think of. I went up to the bat,lined my feet up in the direction of your head,and swung away." "Hitting the foulest foul ball anyone had ever seen," I continued the story. I felt him chuckle next to me. "Yep. I figured in order to return the ball,you'd have to get really close to me, because..." He waited for me to fill in the blank. "Because someone made the mistake of assuming I would throw like a girl," I said softly. He pressed his lips against my head before he went on. "Which,of course, was stupid of me to think. You stood right where you were and chucked the ball farther than I'd ever seen a girl, or even any guy,chuck it." "It was all those years of Bonnet Ball my parents forced on me." "The entire team went nuts. You gave a little tiny shrug, like it was no big deal, and sat back down with your family. Completely ignoring me again. So my plan totally backfired. Not only did you get the attention of every boy on the field-which was not my intention-but I got reamed by the coach, who couldn't understand why I suddenly decided to stand perpendicular to home plate.
Brodi Ashton (Everneath (Everneath, #1))
Yet there is no gainsaying but that it must have been somewhat sweeter in that dewy morning of creation, when it was young and fresh, when the feet of the tramping millions had not trodden its grass to dust, nor the din of the myriad cities chased the silence forever away. Life must have been noble and solemn to those free-footed, loose-robed fathers of the human race, walking hand in hand with God under the great sky. They lived in sunkissed tents amid the lowing herds. They took their simple wants from the loving hand of Nature. They toiled and talked and thought; and the great earth rolled around in stillness, not yet laden with trouble and wrong. Those days are past now. The quiet childhood of Humanity, spent in the far-off forest glades and by the murmuring rivers, is gone forever; and human life is deepening down to manhood amid tumult, doubt, and hope. Its age of restful peace is past. It has its work to finish and must hasten on. What that work may be—what this world's share is in the great design—we know not, though our unconscious hands are helping to accomplish it. Like the tiny coral insect working deep under the dark waters, we strive and struggle each for our own little ends, nor dream of the vast fabric we are building up for God.
Jerome K. Jerome (Idle Thoughts of an Idle Fellow)
It took hours, but all of a sudden as she was drawing the plug-in for a vacuum pump that felt as if it was radiating cold, although she didn't know how, Claire saw . . . something. It was like a flash of intuition, one of those moments that came to her sometimes when she thoughtabout higher-order physics problems. Not calculation, exactly, not logic. Instinct.She saw what he was doing, and for that one second, it was beautiful.Crazy, but in a beautiful kind of way. Like everything Myrnin did, it twisted the basicrules of physics, bent them and reshaped them until they became . . . something else. He's agenius, she thought. She'd always known that, but this . . . this was something else. Something beyond all his usual tinkering and weirdness. "It's going to work," she said. Her voice sounded odd. She carefully set the vacuum pumpin its place on the meticulously labeled canvas sheet. Myrnin, who was sitting in his armchair with his feet comfortably on a hassock, looked up. He was reading a book through tiny little square spectacles that might have once belonged to Benjamin Franklin. "Well, of course it's going to work," he said. "What did you expect? I do know what I'm doing." This from a man wearing clothing from the OMG No store, and his battered vampire-bunny slippers. He'd crossed his feet at the ankles on top of a footstool, and both the bunnies' red mouths were flapping open to reveal their sharp, pointy teeth. Claire grinned, suddenly full of enthusiasm for what she was doing. "I didn't expectanything else," she said. "When's lunch?
Rachel Caine (Ghost Town (The Morganville Vampires, #9))
Those clothes are Susie's,' my father said calmly when he reached him. Buckley looked down at my blackwatch dress that he held in his hand. My father stepped closer, took the dress from my brother, and then, without speaking, he gathered the rest of my clothes, which Buckley had piled on the lawn. As he turned in silence toward the house, hardly breathing, clutching my clothes to him, it sparked. I was the only one to see the colors. Just near Buckley's ears and on the tips of his cheeks and chin he was a little orange somehow, a little red. Why can't I use them?' he asked. It landed in my father's back like a fist. Why can't I use those clothes to stake my tomatoes?' My father turned around. He saw his son standing there, behind him the perfect plot of muddy, churned-up earth spotted with tiny seedlings. 'How can you ask me that question?' You have to choose. It's not fair,' my brother said. Buck?' My father held my clothes against his chest. I watched Buckley flare and light. Behind him was the sun of the goldenrod hedge, twice as tall as it had been at my death. I'm tired of it!' Buckley blared. 'Keesha's dad died and she's okay?' Is Keesha a girl at school?' Yes!' My father was frozen. He could feel the dew that had gathered on his bare ankles and feet, could feel the ground underneath him, cold and moist and stirring with possibility. I'm sorry. When did this happen?' That's not the point, Dad! You don't get it.' Buckley turned around on his heel and started stomping the tender tomato shoots with his foot. Buck, stop!' my father cried. My brother turned. You don't get it, Dad,' he said. I'm sorry,' my father said. These are Susie's clothes and I just... It may not make sense, but they're hers-something she wore.' ... You act like she was yours only!' Tell me what you want to say. What's this about your friend Keesha's dad?' Put the clothes down.' My father laid them gently on the ground. It isn't about Keesha's dad.' Tell me what it is about.' My father was now all immediacy. He went back to the place he had been after his knee surgery, coming up out of the druggie sleep of painkillers to see his then-five-year-old son sitting near him, waiting for his eyes to flicker open so he could say, 'Peek-a-boo, Daddy.' She's dead.' It never ceased to hurt. 'I know that.' But you don't act that way.' Keesha's dad died when she was six. Keesha said she barely even thinks of him.' She will,' my father said. But what about us?' Who?' Us, Dad. Me and Lindsey. Mom left becasue she couldn't take it.' Calm down, Buck,' my father said. He was being as generous as he could as the air from his lungs evaporated out into his chest. Then a little voice in him said, Let go, let go, let go. 'What?' my father said. I didn't say anything.' Let go. Let go. Let go. I'm sorry,' my father said. 'I'm not feeling very well.' His feet had grown unbelievably cold in the damp grass. His chest felt hollow, bugs flying around an excavated cavity. There was an echo in there, and it drummed up into his ears. Let go. My father dropped down to his knees. His arm began to tingle on and off as if it had fallen asleep. Pins and needles up and down. My brother rushed to him. Dad?' Son.' There was a quaver in his voice and a grasping outward toward my brother. I'll get Grandma.' And Buckley ran. My father whispered faintly as he lay on his side with his face twisted in the direction of my old clothes: 'You can never choose. I've loved all three of you.
Alice Sebold
isn’t it absolutely terrifyingly, shockingly amazing how words those tiny little sounds in this chemical-filled air those shapeless weird marks on stark white paper can make or break living breathing people stab them at heart without a single weapon push them off their strong firm feet take away the earth they used to stand on words; they’re powerlessly powerful so use yours well
Noor Unnahar (Yesterday I Was the Moon)
You don't even know me.” “I know that your feet and hands are always cold no matter the weather. I know that you prefer to wake up early on the weekends because you would rather take a nap in the afternoon than sleep in. I know you love sour candy and hate repeating yourself. I know you're always on time, and I know you're lying about hating country music. I know you.” “No, you don't. Those are all little things. Tiny things.” “The little things are the big things, Ada. They're the things all the big things are made of. I might not know you al the way, but I want to, and I'm just asking you to give me a chance to do that.
Lyla Sage (Swift and Saddled (Rebel Blue Ranch, #2))
THE ANTHEM OF HOPE Tiny footprints in mud, metal scraps among thistles Child who ambles barefooted through humanity’s war An Elderflower in mud, landmines hidden in bristles Blood clings to your feet, your wee hands stiff and sore You who walk among trenches, midst our filth and our gore Box of crayons in hand, your tears tumble like crystals Gentle, scared little boy, at the heel of Hope Valley, The grassy heel of Hope Valley. And the bombs fall-fall-fall Down the slopes of Hope Valley Bayonets cut-cut-cut Through the ranks of Hope Valley Napalm clouds burn-burn-burn All who fight in Hope Valley, All who fall in Hope Valley. Bullets fly past your shoulder, fireflies light the sky Child who digs through the trenches for his long sleeping father You plant a kiss on his forehead, and you whisper goodbye Vain corpses, brave soldiers, offered as cannon fodder Nothing is left but a wall; near its pallor you gather Crayon ready, you draw: the memory of a lie Kind, sad little boy, sketching your dream of Hope Valley Your little dream of Hope Valley. Missiles fly-fly-fly Over the fields of Hope Valley Carabines shoot-shoot-shoot The brave souls of Hope Valley And the tanks shell-shell-shell Those who toiled for Hope Valley, Those who died for Hope Valley. In the light of gunfire, the little child draws the valley Every trench is a creek; every bloodstain a flower No battlefield, but a garden with large fields ripe with barley Ideations of peace in his dark, final hour And so the child drew his future, on the wall of that tower Memories of times past; your tiny village lush alley Great, brave little boy, the future hope of Hope Valley The only hope of Hope Valley. And the grass grows-grows-grows On the knolls of Hope Valley Daffodils bloom-bloom-bloom Across the hills of Hope Valley The midday sun shines-shines-shines On the folk of Hope Valley On the dead of Hope Valley From his Aerodyne fleet The soldier faces the carnage Uttering words to the fallen He commends their great courage Across a wrecked, tower wall A child’s hand limns the valley And this drawing speaks volumes Words of hope, not of bally He wipes his tears and marvels The miracle of Hope Valley The only miracle of Hope Valley And the grass grows-grows-grows Midst all the dead of Hope Valley Daffodils bloom-bloom-bloom For all the dead of Hope Valley The evening sun sets-sets-sets On the miracle of Hope Valley The only miracle of Hope Valley (lyrics to "the Anthem of Hope", a fictional song featured in Louise Blackwick's Neon Science-Fiction novel "5 Stars".
Louise Blackwick (5 Stars)
It is true. I did fall asleep at the wheel. We nearly went right off a cliff down into a gorge. But there were extenuating circumstances.” Ian snickered. “Are you going to pull out the cry-baby card? He had a little bitty wound he forgot to tell us about, that’s how small it was. Ever since he fell asleep he’s been trying to make us believe that contributed.” “It wasn’t little. I have a scar. A knife fight.” Sam was righteous about it. “He barely nicked you,” Ian sneered. “A tiny little slice that looked like a paper cut.” Sam extended his arm to Azami so she could see the evidence of the two-inch line of white marring his darker skin. “I bled profusely. I was weak and we hadn’t slept in days.” “Profusely?” Ian echoed. “Ha! Two drops of blood is not profuse bleeding, Knight. We hadn’t slept in days, that much is true, but the rest . . .” He trailed off, shaking his head and rolling his eyes at Azami. Azami examined the barely there scar. The knife hadn’t inflicted much damage, and Sam knew she’d seen evidence of much worse wounds. “Had you been drinking?” she asked, her eyes wide with innocence. Those long lashes fanned her cheeks as she gaze at him until his heart tripped all over itself. Sam groaned. “Don’t listen to him. I wasn’t drinking, but once we were pretty much in the middle of a hurricane in the South Pacific on a rescue mission and Ian here decides he has to go into this bar . . .” “Oh, no.” Ian burst out laughing. “You’re not telling her that story.” “You did, man. He made us all go in there, with the dirtbag we’d rescued, by the way,” Sam told Azami. “We had to climb out the windows and get on the roof at one point when the place flooded. I swear ther was a crocodile as big as a house coming right at us. We were running for our lives, laughing and trying to keep that idiot Frenchman alive.” “You said to throw him to the crocs,” Ian reminded. “What was in the bar that you had to go in?” Azami asked, clearly puzzled. “Crocodiles,” Sam and Ian said simultaneously. They both burst out laughing. Azami shook her head. “You two could be crazy. Are you making these stories up?” “Ryland wishes we made them up,” Sam said. “Seriously, we’re sneaking past this bar right in the middle of an enemy-occupied village and there’s this sign on the bar that says swim with the crocs and if you survive, free drinks forever. The wind is howling and trees are bent almost double and we’re carrying the sack of shit . . . er . . . our prize because the dirtbag refuses to run even to save his own life—” “The man is seriously heavy,” Ian interrupted. “He was kidnapped and held for ransom for two years. I guess he decided to cook for his captors so they wouldn’t treat him bad. He tried to hide in the closet when we came for him. He didn’t want to go out in the rain.” “He was the biggest pain in the ass you could imagine,” Sam continued, laughing at the memory. “He squealed every time we slipped in the mud and went down.” “The river had flooded the village,” Sam added. “We were walking through a couple of feet of water. We’re all muddy and he’s wiggling and squeaking in a high-pitched voice and Ian spots this sign hanging on the bar.
Christine Feehan (Samurai Game (GhostWalkers, #10))
You watch. Someday you’re going to love those freckles.” “No I’m not.” Mr. John leapt through the air after that, feet flailing and his back arched too far away from his knees: his worst one yet. After both of our ankles got splashed again, Grandma Bramhall picked up my chin and said, “You are as beautiful as your mom was,” and then kissed my cheek with hers. I looked down at the mirrors in her sarong again, tiny little pieces of blue sky in them. “Thanks,” I said quietly. “You’re welcome,” Grandma Bramhall said squeezing my hand. “How was that?” Mr. John yelled, popping up and dog paddling toward us. I snuck a look at Grandma Bramhall. “A ten,” I said. “Yes!” Mr. John yelled, raising both fists this time and sinking back into the water. Grandma Bramhall and I had to suck in our cheeks not to laugh. “See how beautiful you are, Apron?
Jennifer Gooch Hummer (Girl Unmoored)
Before he could push me any further, I pressed him back. “I have to get to class,” I protested. “I can’t afford to miss lessons before my Elemental Trials.” “No, we wouldn’t want you to fail The Reckoning, would we?” Caleb teased, moving his mouth across my jaw and working really damn hard to keep me here. “I mean it,” I said on a laugh, pushing him back more firmly. Caleb pouted at me, refusing to step back while he kept me caged in with his body. “Come to Terra House tonight then,” he asked, his navy eyes sparkling with promises. “I won’t be going anywhere tonight, there’s a curfew, remember?” “Those rules don’t apply to me. Besides, I’ll keep you safe if you’re with me. You’ll just have to stay the whole night.” I rolled my eyes at him. “I can keep myself safe, thanks. But now I’m going to be late-” “If I run you to class will you come tonight?” he asked, his mouth slipping to my neck and sending shivers right through my spine. “If you get me there on time, I’ll consider it,” I replied. Caleb glanced at his watch then cursed, sweeping me into his arms before speeding back out of the tiny room. I managed not to shriek like a nine year old on a roller coaster, but I did cling onto his blazer like my life depended on it as the world shot past us in a blur so intense I couldn’t concentrate on a single thing. Caleb skidded to a halt right outside the Fire Arena locker rooms and placed me back on my feet before leaning close to speak in my ear. “One minute to spare. I’ll expect you tonight, sweetheart.” He pressed his mouth to mine and my heart leapt a little at the fact that he’d done so in plain sight. I had no intention of being marked as his in front of the whole school and I pulled back quickly, looking around to make sure no one had seen us. Luckily, we were already so close to being late that everyone else had already headed inside so I was spared the drama. “Don’t go getting ahead of yourself,” I warned as I headed into the girls’ locker room. “I only said I’d consider it.” The door swung closed between us and I bit down on a smile as I headed in to get changed. I almost considered refusing to wear the flame resistant outfit required for the class, but I decided that today wasn’t the day for me to have that argument with Professor Pyro. I’d just have to accept the fact that I wouldn’t have the same level of control over my fire magic as I would without it. But I’d keep practicing without the outfit until I was confident enough to prove her wrong. In the meantime I had to get through this class and hope she would just be pleased that I’d finally managed to get in a training session with Darius. The thought of the Dragon Shifter set me on edge. But I’d known I’d have to face him some time. Hopefully there would be enough going on in class to ensure that that time wouldn’t have to be now. (tory)
Caroline Peckham (The Reckoning (Zodiac Academy, #3))
Sonar A chiaroscuro shadow shifts By somersaults and torso lifts. “Why’s this boychik—or this meydel— Swimming in their mommy’s cradle? Can this funny lookin’ fish Be the granting of our wish? Those crisscrossed feet and tiny hand Be the baby that we planned?” The father’s doubts no longer come When his wife begins to hum, ‘Mary Had a Little Lamb’ As she scans the sonogram.
Beryl Dov
Have you even eaten, my lord?” “It appears I have not.” “Well, that much of the world’s injustices I can remedy,” she said as she rinsed their glasses. “If you’d like to go change out of those clothes, I can bring you up a tray in a few minutes.” “If you would just get me out of this damned cravat?” He went to stand near her at the sink, waiting while she dried her hands on a towel then nudged his chin up. “The cravat is still spotless,” she informed him, wiggling at the clasp on the stickpin, “though your beautiful shirt is a trifle dusty and wilted. Hold still.” She wiggled a little more but still couldn’t undo the tiny mechanism. “Let’s sit you back down at the table, my lord.” He obligingly sat on the long bench at the table, chin up. “That’s it,” she said, freeing the stickpin and peering at it. “You should have a jeweler look at this.” She set it on the table as her fingers went to the knot of his neckcloth. “There.” She loosened the knot until the ends were trailing around his neck, and a load of weariness abruptly intensified low down, in his gut, where sheer exhaustion could weight a man into immobility. He leaned in, his temple against her waist in a gesture reminiscent of when she tended his scalp wound. “Lord Westhaven?” Her hand came down to rest on his nape, then withdrew, then settled on him again. He knew he should move but didn’t until she stroked a hand over the back of his head. God in heaven, what was he about? And with his housekeeper, no less. He pushed to his feet and met her eyes. “Apologies, Mrs. Seaton. A tray would be appreciated.” Anna
Grace Burrowes (The Heir (Duke's Obsession, #1; Windham, #1))
Kahnawake August 1704 Temperature 75 degrees “It’s me! Mercy Carter! Oh, Mr. Williams! Do you have news?” She flung herself on top of him. Oh, his beautiful beard! The beard of a real father, not a pretend Indian father or a French church father. “My brothers,” she begged. “John and Sam and Benny. Have you seen them? Have you heard anything about them? Do you know what happened to the little ones? Daniel? Have you found Daniel?” Mercy had forgotten that she had taken off her tunic to go swimming. That Joseph did not even have on his breechclout. That Mercy wore earrings and Joseph had been tattooed on his upper arms. That they stank of bear. Mr. Williams did not recognize Joseph, and Mercy he knew only by the color of her hair. He was stupefied by the two naked slimy children trying to hug him. In ore horror than even Ruth would have mustered, he whispered, “Your parents would be weeping. What have the savages done to you? You are animals.” Despair and shock mottled Mr. Williams’s face. Mercy stumbled back from him. Her bear grease stained his clothing. “Mercy,” he said, turning away from her, “go cover yourself.” Shame covered her first. Red patches flamed on her cheeks. She ran back to the swimmers, fighting sobs. She was aware of her bare feet, hard as leather from no shoes. Savage feet. Dear Lord in Heaven, thought Mercy, Ruth is right. I have committed terrible sins. My parents would be weeping. She did not look at Snow Walker but yanked on the deerskin tunic. She had tanned the hide herself, and she and Nistenha had painted the rows of turtles around the neckline and Nistenha had tied tiny tinkling French bells into the fringe. But it was still just animal skin. To be wearing hides in front of Mr. Williams was not much better than being naked. Snow Walker burst out of the water. “The white man? Was he cruel? I will call Tannhahorens.” No! Tannhahorens would not let her speak to Mr. Williams. She would never find out about her brothers; never redeem herself in the minister’s eyes. Mercy calmed down with the discipline of living among Indians. Running had shown weakness. “Thank you, Snow Walker,” she said, striving to be gracious, “but he merely wanted me to be clothed like an English girl. There is no need to call Tannhahorens.” She walked back. On the jetty, Joseph stood with his eyes fixed on the river instead of on his minister. He had not fled like Mercy to cover himself. He was standing his ground. “They aren’t savages, Mr. Williams. And they aren’t just Indians. Those children over there are Abenaki, the boy fishing by the rocks is Pennacook, and my own family is Kahnawake Mohawk.” Tears sprang into Mr. Williams’s eyes. “What do you mean--your family?” he said. “Joseph, you do not have a family in this terrible place. You have a master. Do not confuse savages who happen to give you food with family.” Joseph’s face hardened. “They are my family. My father is Great Sky. My mother--” The minister lost his temper. “Your father is Martin Kellogg,” he shouted, “with whom I just dined in Montreal. You refer to some savage as your father? I am ashamed of you.” Under his tan, Joseph paled and his Indian calm left him. He was trembling. “My--my father? Alive? You saw him?” “Your father is a field hand for a French family in Montreal. He works hard, Joseph. He has no choice. But you have choices. Have you chosen to abandon your father?” Joseph swallowed and wet his lips. “No.” He could barely get the syllable out. Don’t cry, prayed Mercy. Be an eagle. She fixed her eyes upon him, giving him all her strength, but Mr. Williams continued to destroy whatever strength the thirteen-year-old possessed. “Your father prays for the day you and he will be ransomed, Joseph. All he thinks of is the moment he can gather his beloved family back under his own roof. Is that not also your prayer, Joseph?
Caroline B. Cooney (The Ransom of Mercy Carter)
Among these have been an unhealthy number of near-death moments, many of which I look back on now and wince. But I guess our training in life never really ends--and experience is always the best tutor of all. Then there are the most bizarre: like jet-skiing around Britain in aid of the UK lifeboats. Day after day, hour after hour, pounding the seas like little ants battling around the wild coast of Scotland and Irish Sea. (I developed a weird bulging muscle in my forearm that popped out and has stayed with me ever since after that one!) Or hosting the highest open-air dinner party, suspended under a high-altitude hot-air balloon, in support of the Duke of Edinburgh’s kids awards scheme. That mission also became a little hairy, rappelling down to this tiny metal table suspended fifty feet underneath the basket in minus forty degrees, some twenty-five thousand feet over the UK. Dressed in full naval mess kit, as required by the Guinness Book of World Records--along with having to eat three courses and toast the Queen, and breathing from small supplementary oxygen canisters--we almost tipped the table over in the early dawn, stratosphere dark. Everything froze, of course, but finally we achieved the mission and skydived off to earth--followed by plates of potatoes and duck à l-orange falling at terminal velocity. Or the time Charlie Mackesy and I rowed the Thames naked in a bathtub to raise funds for a friend’s new prosthetic legs. The list goes on and on, and I am proud to say, it continues. But I will tell all those stories properly some other place, some other time. They vary from the tough to the ridiculous, the dangerous to the embarrassing. But in this book I wanted to show my roots: the early, bigger missions that shaped me, and the even earlier, smaller moments that steered me.
Bear Grylls (Mud, Sweat and Tears)
Speaking of those children...."  He tried to turn his head within the curve of Juliet's arm so that he could look at Charlotte. "It appears that one of them ... is yours." "Yes, my daughter. She's just over six months." "Will you lift her up so I may see her? I adore children." Juliet hesitated, thinking that sleeping babes were best left alone. But it was not in her to deny the wishes of a man who might very well be dying. Carefully, she picked up the infant and held her so that Gareth could see her. Charlotte whimpered and opened her eyes. Immediately, the lines of pain about Gareth's mouth relaxed. Smiling weakly, he reached up and ran his fingers over one of the tiny fists, unaware that he was touching his own niece. A lump rose in Juliet's throat. It was not hard at all to imagine that he was Charles, reaching up to touch his daughter. Not hard at all. "You're just ... as pretty as your mama," he murmured. "A few more years ... and all the young bucks shall be after you ... like hounds to the fox."  To Juliet he said, "What is her name?" "Charlotte."  The baby was wide awake now and tugging at the lace of his sleeve. "Charlotte. Such a pretty name ... and where is your papa, little Charlie-girl? Should he ... not be here to ... protect you and your mama?" Juliet stiffened. His innocent words had slammed a fresh bolt of pain through her. Tight-lipped, she pried the lace from Charlotte's fist and cradled her close. Deprived of her amusement, the baby screwed up her face and began to wail at the top of her lungs while Juliet stared out the window, her mouth set and her hand clenched in a desperate bid to control her emotions. Gareth managed to make himself heard over Charlotte's angry screams. "I am sorry. I think I have offended you, somehow...." "No." "Then what is it?" "Her papa's dead." "Oh. I, ah ... I see."  He looked distressed, and remorse stole the brightness that Charlotte had brought to his eyes. "I am sorry, madam. I am forever saying the wrong thing, I fear." Charlotte was now crying harder, beating her fists and kicking her feet in protest. The blanket fell away. Juliet attempted to put it back. Charlotte screamed louder, her angry squalls filling the coach until Juliet felt like crying herself. She made a noise of helpless despair. "Here ... set her on your lap, beside my head," Lord Gareth said at last. "She can play with my cravat." "No, you're hurt." He smiled. "And your daughter is crying. Oblige me, and she will stop."  He stretched a hand toward the baby, offering his fingers, but she batted him away and continued to wail. "I'm told I have a way ... with children." With a sigh, Juliet did as he asked. Immediately, Charlotte quieted and fell to playing with his cravat.
Danelle Harmon (The Wild One (The de Montforte Brothers, #1))
Wolves avoid people whenever possible. The number of attacks by wolves on humans is low. Most of the ones people hear about are undocumented stories from ancient times. There have been two cases in North America where individuals were killed by a wolf pack, but there’s conflicting evidence on even these two. Wolves have an amazing lack of interest in attacking people. Moose On the Loose Sandy Sisti My relationship with a moose cow and her calf began on May 21 when I stopped to photograph the pair. The calf was less than one day old. The moose cow had ventured to a secluded area to give birth. Her little calf was born on a small island in the middle of the Shoshone River, just twelve miles outside of Yellowstone’s East Entrance. Choosing such an isolated place isn’t unusual, since moose often give birth on islands in an effort to keep their helpless calves safe for the first few days of their lives. Unfortunately the extremely warm weather in 2014 caused the mountain snows to melt rapidly, flooding parts of the Shoshone River. While watching the pair, I couldn’t help but notice that the rising water was swallowing up their tiny island. Only a few bare patches were left where the moose could bed down. At the same time the flooding was stranding the cow and her newborn calf. The young fellow could barely stand and when he was able to get to his feet a few times a day to nurse, it was obviously quite an effort. I worried that this drama would end badly, so on that very first day I vowed to myself that I wouldn’t spend any more time with the cow and her calf for fear of the heartbreak I would feel if tragedy struck. I stuck to my vow for four days, although I would always quickly glance over at the mother and calf each time I drove past. The pair was stuck on a small bit of land far from the opposite shore. I couldn’t imagine how the little calf could ever make it across the rushing floodwaters to freedom and to an area where his mother could graze. For those first few days, the calf didn’t move much. He spent most of his time sleeping alongside his mother or standing to nurse as the river continued to rise. When the calf was five days old, I was surprised to see him up and about as I drove past on my way home from Yellowstone. Although he wasn’t yet steady on his feet, he was able to follow his mother around their island as she grazed. I spent six hours watching the pair that day and from that moment on I knew I could no longer keep my vow to not get emotionally involved. I grew attached to the little family and became very concerned that the calf would never be able to safely swim across the river to the mainland. A friend of mine had already contacted Wyoming Game and Fish and informed them of the situation. He was told that nature must be allowed to run its course. So all I could do was watch and wait. By Day Six of the calf’s life the moose cow had eaten all of
Carolyn Jourdan (Dangerous Beauty: Encounters with Grizzlies and Bison in Yellowstone)
I unbuttoned the top of my shirt as I looked at the Tongue & Buckle. I wasn’t used to button-up shirts. I only owned two. The one I had on was new, a gift from my sister. Just thinking about her made my fingers worry nervously at the next button. The shirt was black, short-sleeved with tiny little skulls on the pocket. On the back, a Day of the Dead style Virgin Mary. Haley has a wicked sense of humor.   James didn’t insist on much, but he did insist on dressing up for meetings. Ridiculous, since one of the members had a hard time wearing pants. Wait, what was I thinking? James insisted on tons of things. I undid another button.   “You’re one away from a nice seventies look.” Sean put his feet up on the dash.   “I’d need chest hair for that. And gold chains.”   “True.” He leaned farther back into the passenger seat, if that was even possible. Sean, at least, never bitched about my Subaru. “You know, you’re going to have to go in eventually. And the longer you wait, the longer you’re in those clothes.”   I flicked a piece of lint off the black slacks James had dug up for me. He’d grunted at inspection. That grunt probably meant he’d be taking me shopping soon. Or it might have been directed at my Cons. You never knew. He needed to cut me some slack. My last job had been flipping burgers. You didn’t buy dress shoes for a job like that. With a job like that, you couldn’t even afford dress shoes. Or clothes. You couldn’t afford anything, really.   Sean looked over at the pub. “What did Groucho Marx say about being aware of any job that requires new clothes?”   “The quote is that we should ‘beware of all enterprises that require new clothes,’ and it’s Thoreau, not Groucho Marx.”   “Oooh, listen to you. ‘It’s Thoreau.’ Well, we didn’t all go to college for a quarter.”   “I went for a year, not a quarter, and shut up.
Lish McBride (Necromancing the Stone (Necromancer, #2))
Alcohol is a great aggregator: when you are drinking to excess, every problem seems to fall under that umbrella. When you stop drinking, all those little problems scatter, like knocking a container of your sister’s tiny glass beads off the arm of the couch. You can clean up that big clump of them pretty quickly but for the rest of your life, you will be finding them between the seat cushions, under the couch, stuck to your feet, sometimes even carrying them in to bed with you.
Mishka Shubaly (The Long Run)
Until this night, this awful night, he’d had a little joke about himself. He didn’t know who he was, or where he’d come from, but he knew what he liked. And what he liked was all around him-the flower stands on the corners, the big steel and glass buildings filled with milky evening light, the trees, of course, the grass beneath his feet. And the telephones-it didn’t matter. He liked to figure them out, master them, then crush them into tiny hard multicolored balls which he could then juggle or toss through plate glass windows when nobody was about. He liked piano music, the motion pictures, and the poems he found in books. He also liked the automobiles that burnt oil from the earth like lamps. And the great jet planes that flew on the same scientific principles, above the clouds. He always stopped and listened to the people laughing and talking up there when one of the people laughing and talking up there when one of the planes flew overhead. Driving was an extraordinary pleasure. In a silver Mercedes-Benz, he had sped on smooth empty roads from Rome to Florence to Venice in one night. He also liked television-the entire electric process of it, with tiny bits of lights. How soothing it was to have the company of the television, the intimacy with so many artfully painted faces speaking to you in friendship from the glowing screen. The rock and roll, he liked that too. He liked the music. He liked the Vampire Lestat singing “Requiem for the Marquise”. He didn’t pay attention to the words much. It was the melancholy and the dark undertone of drums and cymbals. Made him want to dance. He liked the giant yellow machines that dug into the earth late at night in the big cities with men in uniforms, crawling all over them; he liked the double-decker buses of London, and the people-the clever mortals everywhere-he liked, too, of course. He liked walking in Damascus during the evening, and seeing in sudden flashes of disconnected memory the city of the ancients. Romans, Greeks, Persians, Egyptians in these streets. He liked the libraries where he could find photographs of ancient monuments in big smooth good-smelling books. He took his own photographs of the new cities around him and sometimes he could put images on those pictures which came from his thoughts. For example, in his photograph of Rome there were Roman people in tunics and sandals superimposed upon the modern versions in their thick ungraceful clothes. Oh, yes, much to like around him always-the violin music of Bartók, little girls in snow white dresses coming out of the church at midnight having sung at the Christmas mass. He liked the blood of his victims too, of course. That went without saying. It was no part of his little joke. Death was not funny to him. He stalked his prey in silence; he didn’t want to know his victims. All a mortal had to do was speak to him and he was turned away. Not proper, as he saw it, to talk to these sweet, soft-eyed things and then gobble their blood, break their bones and lick the marrow, squeeze their limbs to dripping pulp. And that was the way he feasted now, so violently. He felt no great need for blood anymore; but he wanted it. And the desire overpowered him in all its ravening purity, quite apart from the thirst. He could have feasted upon three or four mortals a night.
Anne Rice (The Queen of the Damned (The Vampire Chronicles, #3))
They forget that those tiny little hands in the manger, those tiny little hands embraced by Simeon, those hands were made so that nails might be driven through them.  Those baby feet, not yet able to walk, they were made to walk up Golgotha to be nailed to the cross.  The head of baby Jesus was made so that someday wicked men would press down a crown of thorns into it, drawing his precious blood.  This baby’s soft tummy would someday be violently ripped open by a spear.  So many forget that the manger leads to the cross.  Jesus was born to die and when we speak about that, we find rejection by so many.  When we speak about why he had to die, when we speak about our sin and the wrath of God, people turn off and tune out.   When you see the Messiah in the big picture of our salvation, he is a divisive figure.  He divides people into two groups:  unbelievers and believers.  It was that way in his day and still is today.
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