This Is My Forte Quotes

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Amor, ch'al cor gentile ratto s'apprende prese costui de la bella persona che mi fu tolta; e 'l modo ancor m'offende. Amor, che a nullo amato amar perdona, Mi prese del costui piacer sì forte, Che, come vedi, ancor non m'abbandona..." "Love, which quickly arrests the gentle heart, Seized him with my beautiful form That was taken from me, in a manner which still grieves me. Love, which pardons no beloved from loving, took me so strongly with delight in him That, as you see, it still abandons me not...
Dante Alighieri (Inferno)
I long ago abandoned myself to a blind lust for the written word. Literature is my sandbox. In it I play, build my forts and castles, spend glorious time.
Rabih Alameddine (An Unnecessary Woman)
I don't play accurately--any one can play accurately--but I play with wonderful expression. As far as the piano is concerned, sentiment is my forte. I keep science for Life.
Oscar Wilde (The Importance of Being Earnest)
You have no idea how to comfort anyone, do you? (Astrid) In case you haven’t noticed, princess, social skills aren’t my forte. Hell, you’re lucky I’m housebroke. (Zarek)
Sherrilyn Kenyon (Dance with the Devil (Dark-Hunter, #3))
Saying no, I thought, that has always been my forte, and no wonder, given that the stupidity of the world is rivalled only by its ugliness.
Gilbert Adair (Love and Death on Long Island)
SEPTEMBER 1, 1939 I sit in one of the dives On Fifty-second Street Uncertain and afraid As the clever hopes expire Of a low dishonest decade: Waves of anger and fear Circulate over the bright And darkened lands of the earth, Obsessing our private lives; The unmentionable odour of death Offends the September night. Accurate scholarship can Unearth the whole offence From Luther until now That has driven a culture mad, Find what occurred at Linz, What huge imago made A psychopathic god: I and the public know What all schoolchildren learn, Those to whom evil is done Do evil in return. Exiled Thucydides knew All that a speech can say About Democracy, And what dictators do, The elderly rubbish they talk To an apathetic grave; Analysed all in his book, The enlightenment driven away, The habit-forming pain, Mismanagement and grief: We must suffer them all again. Into this neutral air Where blind skyscrapers use Their full height to proclaim The strength of Collective Man, Each language pours its vain Competitive excuse: But who can live for long In an euphoric dream; Out of the mirror they stare, Imperialism's face And the international wrong. Faces along the bar Cling to their average day: The lights must never go out, The music must always play, All the conventions conspire To make this fort assume The furniture of home; Lest we should see where we are, Lost in a haunted wood, Children afraid of the night Who have never been happy or good. The windiest militant trash Important Persons shout Is not so crude as our wish: What mad Nijinsky wrote About Diaghilev Is true of the normal heart; For the error bred in the bone Of each woman and each man Craves what it cannot have, Not universal love But to be loved alone. From the conservative dark Into the ethical life The dense commuters come, Repeating their morning vow; 'I will be true to the wife, I'll concentrate more on my work,' And helpless governors wake To resume their compulsory game: Who can release them now, Who can reach the dead, Who can speak for the dumb? All I have is a voice To undo the folded lie, The romantic lie in the brain Of the sensual man-in-the-street And the lie of Authority Whose buildings grope the sky: There is no such thing as the State And no one exists alone; Hunger allows no choice To the citizen or the police; We must love one another or die. Defenseless under the night Our world in stupor lies; Yet, dotted everywhere, Ironic points of light Flash out wherever the Just Exchange their messages: May I, composed like them Of Eros and of dust, Beleaguered by the same Negation and despair, Show an affirming flame.
W.H. Auden (Another Time)
I have long carried this load of griefs in the cage of my heart. Now I have given them to you. I hope you are strong enough to hold them.
Qais Akbar Omar (A Fort of Nine Towers: An Afghan Family Story)
People do not give it credence that a fourteen-year-old girl could leave home and go off in the wintertime to avenge her father's blood but it did not seem so strange then, although I will say it did not happen every day. I was just fourteen years of age when a coward going by the name Tom Chaney shot my father down in Fort Smith, Arkansas, and robbed him of his life and his horse and $150 in cash money plus two California gold pieces that he carried in his trouser band.
Charles Portis (True Grit)
And here, over the portals of my fort, I shall cut in the stone the word which is to be my beacon and my banner. The word which will not die should we all perish in battle. The word which can never die on this earth, for it is the heart of it and the meaning and the glory. The sacred word: EGO
Ayn Rand (Anthem)
Instead, I ask you with all my heart, come back to Matt's fort with us now! It's not because I like you - don't think that, whatever you do! But, my daughter does - I know that now - and perhaps I can learn too.
Astrid Lindgren (Ronia, the Robber's Daughter)
Action isn’t my forte. I’m an expert on contemplation and mild regret.
Robert Sheckley (Immortality, Inc.)
Adventure comes with no guarantees or promises. Risk and reward are conjoined twins—and that’s why my favorite piece of advice needs translation but no disclaimers: Fortes fortuna juvat. ‘Fortune favors the brave,’ the ancient Roman dramatist Terrence declared. In other words, there are many good reasons not to toss your life up in the air and see how it lands. Just don’t let fear be one of them.
Mary South
You were a stone wall, a fort in high, unreachable trees, an island, my own island, that no boat could reach.
Deb Caletti (The Story of Us)
Psychos and megalomaniacs are my forte, remember? They all wanna hang with me
Gini Koch (Alien in the Family (Katherine "Kitty" Katt, #3))
As your perspective of the world increases not only is the pain it inflicts on you less but also its meaning. Understanding the world requires you to take a certain distance from it. Things that are too small to see with the naked eye, such as molecules and atoms, we magnify. Things that are too large, such as cloud formations, river deltas, constellations, we reduce. At length we bring it within the scope of our senses and we stabilize it with fixer. When it has been fixed we call it knowledge. Throughout our childhood and teenage years, we strive to attain the correct distance to objects and phenomena. We read, we learn, we experience, we make adjustments. Then one day we reach the point where all the necessary distances have been set, all the necessary systems have been put in place. That is when time begins to pick up speed. It no longer meets any obstacles, everything is set, time races through our lives, the days pass by in a flash and before we know that is happening we are fort, fifty, sixty... Meaning requires content, content requires time, time requires resistance. Knowledge is distance, knowledge is stasis and the enemy of meaning. My picture of my father on that evening in 1976 is, in other words, twofold: on the one hand I see him as I saw him at that time, through the eyes of an eight-year-old: unpredictable and frightening; on the other hand, I see him as a peer through whose life time is blowing and unremittingly sweeping large chunks of meaning along with it.
Karl Ove Knausgård (Min kamp 1 (Min kamp, #1))
I long ago abandoned myself to a blind lust for the written word. Literature is my sandbox. In it I play, build my forts and castles, spend glorious time. It is the world outside that box that gives me trouble. I have adapted tamely, though not conventionally, to this visible world so I can retreat without much inconvenience into my inner world of books.
Rabih Alameddine (An Unnecessary Woman)
I know, i know. You're afraid of making mistakes. Don't be. Mistakes can be profited by. Man, when I was younger I shoved my ignorance in people's faces. They beat me with sticks. By the times I was fort my blunt instrument has been honed to a fine cutting point for me. If you hid your ignorance, no one will hit you and you'll never learn.
Ray Bradbury (Fahrenheit 451)
You’re like my blanket fort.” “I’ve been called worse things,” I tell her.
Christina Lauren (Dark Wild Night (Wild Seasons, #3))
In the future, when Joss Whedon and I are best friends and hanging out together in my tree fort, I hope Neil Gaiman comes over too.
Patrick Rothfuss
Colonel Mickelson looks like he could defend Fort Hamilton by himself if Staten Island ever declared war and invaded... If Jack Nicholson looked like this when he yelled that Tom Cruise couldn't handle the truth, Cruise would have said, "Yes, you're right, I'm sorry. My bad.
David Rosenfelt (Dog Tags (Andy Carpenter, #8))
How many demons and people are enslaved here? (Jericho) Define slavery. (Asmodeus) Kept against their will. (Jericho) Good definition. Counting me? (Asmodeus) Why not? (Jericho) Probably a couple of million…you know it’s really hard to count to a million, plus they’re always dying and new ones are coming in. I tried to count once, but it got really depressing so I stopped. The constant adding and subtracting. Not my forte, really. (Asmodeus)
Sherrilyn Kenyon (Dream Warrior (Dream-Hunter, #4; Dark-Hunter, #17))
I wanted to wrap that moment up in tissue paper and save it forever someplace near my heart, just so I could take it out and look at it when the world was too harsh. The beautiful drunk boy in the pillow fort in my living room telling me I was exquisite.
Christine Zolendz (Saving Grace (Mad World, #2))
Tant que je vive, mon cueur ne changera Pour nulle vivante, tant soit elle bonne ou sage Forte et puissante, riche de hault lignaige Mon chois est fait, aultrene se fera *** Long as I live, my heart will never vary For no one else, however fair or good Brave, resolute, or rich, of gentle blood My choice is made, and I will have no other.
Dorothy Dunnett (Checkmate (The Lymond Chronicles, #6))
Are you by any chance acquainted with the words 'steel toe'? Or do the words 'permanent dent' mean anything to you?" My locker door is not intimidated. "My grandfather was a vault at Fort Knox, and if you try to dent me with a kick you will only tear some ligament that will never mend.
David Klass (You Don't Know Me)
Please don’t hate you??!! I hate that I love you. Loving you made me waste a year of my life. Loving you made me be passionate about nothing but you. Loving you made me take risks I never would have otherwise. Loving you made me give it up to you. Loving you made me neglect my parents and Amy. Loving you made me not care that my grandma just died. Loving you made me turn out bitter and hopeless like her. Loving you made me hate myself for being dumped by you. Loving you made me deluded, irrational, inconsiderate, and a liar. And because I love you, you’re always going to haunt me. I’ll never be able to have another birthday without wondering how you’re celebrating yours. I’ll never be able to think another guy is more handsome, talented, intelligent, or worth loving than you, despite all your faults (and there are many). I’ll never be able to check my e-mail without praying I’ll find a message from you with the subject line I love you, Dom—please come back to me. Meanwhile, every corner of this city is laced with memories of us together, and I’ll never be able to leave the house without hoping and dreading that I’ll run into you. You stole Fort Myers from me, and I lived here first, you fucking thief. You actually may be one of my last thoughts when I die.
Daria Snadowsky (Anatomy of a Boyfriend (Anatomy, #1))
Char me the trunk of a redwood tree. Give me pages of white chalk cliffs to write upon. Magnify me thousands of times, and replace my trifling immodesties with a titanic megalomania — then might I write largely enough for our subjects.
Charles Fort (New Lands)
And I know I make the same mistakes every time. Bridges burn, I never learn. At least I did one thing right. I’m laughing with my lover, making forts under covers, trust him like a brother. - Call It What You Want
Taylor Swift
German is a much more precise language than English. Americans throw the word love around for everything: I love my wife! I love all my friends! I love rock music! I love the rain! I love comic books! I love peanut butter! The word you use to describe your feelings for your wife should not be the same word you use to describe your feelings for peanut butter. In German, there are a dozen different words that describe varying degrees of liking something a lot. Germans almost never use the word love, unless they mean a deep romantic love. I have never told my parents I love them, because it would sound melodramatic, inappropriate, and almost incestuous. In German, you tell your mother that you hold her very dear, not that you are in love with her.
Oliver Markus Malloy (Bad Choices Make Good Stories - The Heroin Scene in Fort Myers (How the Great American Opioid Epidemic of The 21st Century Began #2))
It isn't until I'm willing to let God be God that I can get any peace.
Erica Vetsch (My Heart Belongs in Fort Bliss, Texas: Priscilla’s Reveille)
Low down dirty ornery rotten skunk of a cussed mule-headed soldier! What's he want with my book anyway? And what kind of a way is that to write a congratulations? I am so mad I could walk clear to that fort and take him on single handed.
Nancy E. Turner (These Is My Words: The Diary of Sarah Agnes Prine, 1881-1901)
So Bodee is a friend, I say firmly, a best friend. My honesty with the girl surprises me. But Bodee is right where I love him, in the room down the hall up the stairs from mine. Dinner instead of a dinner date. A hand to hold instead of lips to kiss. He’s my fort, my sanctuary. And I won’t do anything to jeopardize this.
Courtney C. Stevens (Faking Normal (Faking Normal, #1))
If you like, you can all think of it as my gift to you. I never had much else to give. You can get on and play your own lives as you like, while I just keep moving. This story of it all can be another gift. I’ve made an arrangement with Adam. When I’ve finished, which is almost now, I’m going to put the bundle of papers in the garden of the Old Fort, before I move on. Adam’s going to get them and take them to his father. And if you read it and don’t believe it’s real, so much the better. It will make another safeguard against Them. But you wouldn’t believe how lonely you get.
Diana Wynne Jones (The Homeward Bounders)
Whenever Percy stopped by to see her, she was so lost in thought that the conversation went something like this: Percy: “Hey, how’s it going?” Annabeth: “Uh, no thanks.” Percy: “Okay…have you eaten anything today?” Annabeth: “I think Leo is on duty. Ask him.” Percy: “So, my hair is on fire.” Annabeth: “Okay. In a while.” She got like this sometimes. It was one of the challenges of dating an Athena girl. Still, Percy wondered what he had to do to get her attention. He was worried about her after her encounter with the spiders at Fort Sumter, and he didn’t know how to help her, especially if she shut him out.
Rick Riordan (The Mark of Athena (The Heroes of Olympus, #3))
Do you wonder that I avow this to you? Know, that in the course of your future life you will often find yourself elected the involuntary confidant of your acquaintances' secrets: people will instinctively find out, as I have done, that it is not your forte to tell of yourself, but to listen while others talk of themselves; they will feel, too, that you listen with no malevolent scorn of their indiscretion, but with a kind of innate sympathy; not the less comforting and encouraging because it is very unobtrusive in its manifestations." "How do you know? -- how can you guess all this, sir?" "I know it well; therefore I proceed almost as freely as if I were writing my thoughts in a diary.
Charlotte Brontë (Jane Eyre)
I open my arms wide and let the wind flow over me. I love the universe and the universe loves me. That’s the one-two punch right there, wanting to love and wanting to be loved. Everything else is pure idiocy—shiny fancy outfits, Geech-green Cadillacs, sixty-dollar haircuts, schlock radio, celebrity-rehab idiots, and most of all, the atomic vampires with their de-soul-inators, and flag-draped coffins. Goodbye to all that, I say. And goodbye to Mr. Asterhole and the Red Death of algebra and to the likes of Geech and Keeeevin. Goodbye to Mom’s rented tan and my sister’s chargecard boobs. Goodbye to Dad for the second and last time. Goodbye to black spells and jagged hangovers, divorces, and Fort Worth nightmares. To high school and Bob Lewis and once-upon-a-time Ricky. Goodbye to the future and the past and, most of all, to Aimee and Cassidy and all the other girls who came and went and came and went. Goodbye. Goodbye. I can’t feel you anymore. The night is almost too beautifully pure for my soul to contain. I walk with my arms spread open under the big fat moon. Heroic “weeds rise up from the cracks in the sidewalk, and the colored lights of the Hawaiian Breeze ignite the broken glass in the gutter. Goodbye, I say, goodbye, as I disappear little by little into the middle of the middle of my own spectacular now
Tim Tharp (The Spectacular Now)
Ronan,” said Declan. The word was loaded with additional meaning: I see you’ve only just come out of school and already your uniform looks like hell; nothing is shocking here. He gestured to the Volvo. “Join me in my office.” Ronan did not want to join him in his office. Ronan wanted to stop feeling like he had drunk battery acid. “What do you need with Ronan?” Gansey asked. His “Ronan” was loaded with additional meaning, too: Was this prearranged and tell me what is happening and do you need me to intervene? “Just a little family chat,” Declan said. Ronan looked at Gansey entreatingly. “Is it a family chat that could happen on the way to Fox Way?” Gansey asked, all polite power. “Because he and I were just headed over there.” Ordinarily, Declan would have stepped off at the slightest pressure from Gansey, but he said, “Oh, I can drop him off there after we’re done. Just a few minutes.” “Ronan!” Matthew reached his hand out the window towards Ronan. His ebullient “Ronan” was another version of please. Trapped. “Miseria fortes viros, Ronan,” Adam said. When he said “Ronan,” it meant: Ronan.
Maggie Stiefvater (The Raven King (The Raven Cycle, #4))
Is life worth living? Like everybody else, I have many times asked that question, usually deciding negatively, because I am most likely to ask myself whether life is worth living, at times when I am convinced it isn't. One day, in one of my frequent, and probably incurable, scientific moments, it occurred to me to find out. For a month, at the end of each day, I set down a plus sign, or a minus sign, indicating that, in my opinion, life had, or had not, been worth living, that day. At the end of the month, I totted up, and I can't say that I was altogether pleased to learn that the pluses had won the game. It is not dignified to be optimistic.
Charles Fort (Wild Talents)
Finally she turns, reaching for the door. "You're like my blanket fort." "I've been called worse things.
Christina Lauren (Dark Wild Night (Wild Seasons, #3))
You have Charcy. I have Fortaine. He stared at the words, written in familiar, unmistakable handwriting. I’ll receive you at my fort. *
C.S. Pacat (Kings Rising (Captive Prince, #3))
If piano is the opposite of forte, graceful chitchat with strangers is definitely my piano.
Ursula K. Le Guin (No Time To Spare: Thinking About What Matters)
It's my birthday, by the way, and as of 2:05 this morning (the time of my birth in the middle of a snow storm on the Fort Dix army base in New Jersey) I'm 52 years old. I decided to say that because there's such pressure in our culture for women...well, for everybody...to stay perpetually young. And that's never going to change if we (women especially) don't embrace, enjoy, and take pride in each and every age that we pass through. I'm not young, I'm half a century old, and grateful to have made it this far. And I have this to say to the young women coming on behind me: 52 feels pretty damn good!
Terri Windling
Honestly I’m glad. Cases where stupid people do stupid things are really more my forte. Like this guy.” He picked up a folder from the mess on his desk. “He updated his Facebook account from inside a house he was robbing. Classic Cliff McCormack material. I’ll leave the murderers to someone who knows what he’s doing.
Rob Thomas (The Thousand-Dollar Tan Line (Veronica Mars #1))
Susan's gotta poker, you know," it said, as if anxious to be helpful. WELL, WELL. INDEED. MY GOODNESS ME. "I fort-thought all of you knew that now. Larst-last week she picked up a bogey by its nose." Death tried to imagine this. He felt sure he'd heard the sentence wrong, but it didn't sound a whole lot better however he rearranged the words.
Terry Pratchett
You left the fort before daybreak, I was told," he said to Conan. "I had begun to fear that the Picts had caught you at last." "When they smoke my head the whole river will know," grunted Conan. "They'll hear Pictish women wailing their dead as far as Velitrium—I was on a lone scout. I couldn't sleep. I kept hearing drums talking across the river.
Robert E. Howard (The Complete Chronicles of Conan)
That house shimmered in my mind like some fairy fort that appeared for one day in a lifetime, tantalizing and charged, with those four cool figures for guardians and inside secrets too hazy to be named. My face was the one pass that would unbar the door. Whitethorn House was ready and waiting to whisk itself away to nothing, the instant I said no.
Tana French (The Likeness (Dublin Murder Squad, #2))
Are women literal creatures? I have to admit this is not my forte.
Alex Rosa (Emotionally Compromised)
...indistinctness is my forte...
J.M.W. Turner
For my part I consider the central idea pervading this struggle is the necessity that is upon us of proving that popular government is not an absurdity. We must settle this question now, whether in a free government the minority have the right to break up the government whenever they choose. If we fail it will go far to prove the incapacity of the people to govern themselves.
Shelby Foote (The Civil War, Vol. 1: Fort Sumter to Perryville)
Speechifying was never my forte – one on one I can generally figure out what I need to do to get someone moving in my direction, but pool enough of them together and the sheer mass of idiocy becomes immobile.
Daniel Polansky (Tomorrow, the Killing (Low Town, #2))
You think I ever expected to find a woman with so many of the things I wanted in a relationship? Your sexual nature, your spiritual outlook, your beauty, inside and out. And some things I didn't even realize I wanted until I started taking your class. Every week was the opportunity to learn something new about you, to see if it fit the mold. But most weeks what I learned broke it, and created an even better one." "Your going to take my breath away." "That's all right. You can have mine." ~Jon Forte to Rachael Madison
Joey W. Hill (Afterlife (Knights of the Board Room, #4))
Well, most people would have said `thank you' after they'd been given help, and then I would have responded to that with `you're welcome'. I figured we'd skip straight to my part since social graces aren't your forte.
Heather James (Fire (Elements of Power, #1))
They gazed at one another. It was a public goodbye, in full view of the men. Laurent extended his hand. He did it not, as a prince might, for Damen to kneel and kiss, but as a friend. There was acknowledgement in the gesture, and as Damen took his hand, in front of the men, Laurent held his gaze. Laurent said, ‘Take care of my fort, Commander.’ In
C.S. Pacat (Prince's Gambit (Captive Prince, #2))
The truth is rarely pure and never simple.  Modern life would be very tedious if it were either, and modern literature a complete impossibility! Jack.  That wouldn’t be at all a bad thing. Algernon.  Literary criticism is not your forte, my dear fellow.  Don’t try it.  You should leave that to people who haven’t been at a University.  They do it so well in the daily papers. 
Oscar Wilde
Kalkbrenner has made me an offer; that I should study with him for three years, and he will make something really - really out of me. I answered that I know how much I lack; but that I cannot exploit him, and three years is too much. But he has convinced me that I can play admirably when I am in the mood, and badly when I am not; a thing which never happens to him. After close examination he told me that I have no school; that I am on an excellent road, but can slip off the track. That after his death, or when he finally stops playing, there will be no representative of the great piano-forte school. That even if I wish it, I cannot build up a new school without knowing the old one; in a word : that I am not a perfected machine, and that this hampers the flow of my thoughts. That I have a mark in composition; that it would be a pity not to become what I have the promise of being...
Frédéric Chopin
My face flushed scarlet. I was a stranger in my own skin. I had ever felt this kind of anger in my life. Fort and confusion grew. Its sensation was an overwhelming concoction of hate. The only things I knew - the only things keeping me remotely calm- was the following litany. My name is Eleanora Ada Stone. I was moved from home to home for seventeen years. I am now living on this god-forsaken island in Maine. I was being kept from a world of secrets. I have abilities. I am not human. I do not know what I am.
Jes Dory (Isle (Isle #1))
The greatest regret of my military career was as Commanding General of the 1st Cavalry Division in Iraq in 2004-2005, he later wrote of the decision he made. I lost 169 soldiers during that year-long deployment. However, the monument we erected at Fort Hood, Texas, in memoriam lists 168 names. I approved the request of others not to include the name of the one soldier who committed suicide. I deeply regret my decision.
David Finkel (Thank You for Your Service)
But right now we’re in a place that mirrors the darkest days of our country’s history. On February 10, 2007, some 146 years after Fort Sumter surrendered and the American Civil War began, Barack Obama announced his first presidential campaign in Abraham Lincoln’s hometown of Springfield, Illinois. In that speech, Obama declared that, like Lincoln, he was out to “free a people” and “transform a nation.” Without question, we’re living in a nation more divided than any since Lincoln’s presidency, and we’ve entered a time and place that may be as dangerous as it was during the Lincoln years.
Michael Savage (Stop the Coming Civil War: My Savage Truth)
The truth is Fort Endeavor needs you.” Confused, she shifted in her seat, darting a look at him. “I need you,” he amended quietly. “Not just your services as scrivener. I need your goodness and gentleness and strength. Sometimes I think you’re the only one I can trust, even above my own officers.
Laura Frantz (The Colonel's Lady)
I’m trying to understand.” I opened my eyes. Explaining my moral code really wasn’t my forte. “Imagine you’re being chased by wolves. You’re running through the woods, no settlement in sight, and you come across a baby lying abandoned on the ground. Do you save the baby or do you leave him for the wolves?” I saw the hesitation in his dark eyes. “I’d leave the little bastard,” he declared, a bit too loudly. “Would slow the wolves down.” “You had a doubt.” He raised his hand but I shook my head. “I saw it. You had a doubt. You thought about it for a second. The same force that drove that doubt is what makes us fight.
Ilona Andrews (Magic Burns (Kate Daniels, #2))
Let's just run, huh?" Bob picked up the pace, hoping to tire his partner into silence. "That reminds me," Bernie puffed, "you know what you've told me is buried in the Fort Knox of my brain. The whole Gestapo couldn't get it out of me. But--" "But what?" "I'd really like to tell Nance. I mean husbands and wives shouldn't have secrets from each other." Bob did not respond. "Beckwith, I swear, Nancy's the soul of honour. The epitome of discretion. Besides, she'll notice I'm holding something out on her. I mean, God knows what she'll think it is." "She'd never guess," Bob said wryly. "That's just the point. Please, Beckwith, Nance'll be discreet. I swear on my clients' lives." The pressure was too great. "Okay, Bern," he sighed, "but not too many details, huh?" "Don't sweat. Just the essential wild fact--if you know what I mean." "Yeah. When will you tell her?" Three strides later Bernie answered sheepishly, "Last night.
Erich Segal (Man, Woman, and Child)
Slavery is so vile and miserable an Estate of Man, and so directly opposite to the generous Temper and Courage of our Nation; that 'tis hardly to be conceived, that an Englishman, much less a Gentleman, should plead for't.. And truly, I should have taken Sr. Rt: Filmer's "Patriarcha" as any other Treatise, which would perswade all Men, that they are Slaves, and ought to be so, for such another exercise of Wit, as was his who writ the Encomium (Praise) of Nero, rather than for a serious Discourse meant in earnest, had not the Gravity of the Title and Epistle, the Picture in the Front of the Book, and the Applause that followed it, required me to believe, that the Author and Publisher were both in earnest. I therefore took it into my hands with all the expectation and read it through with all the attention due to a Treaties, that made such a noise at its coming abroad and cannot but confess my self mightily surprised, that in a Book which was to provide Chains for all Mankind, I should find nothing but a Rope of Sand, useful perhaps to such, whose Skill and Business it is to raise a Dust, and would blind the People, the better to mislead them, but in truth is not of any force to draw those into Bondage, who have their Eyes open, and so much Sense about them as to consider, that Chains are but an Ill wearing, how much Care soever hath been taken to file and polish them.
John Locke (Second Treatise of Government (Hackett Classics))
Stephanie has walls around her that could rival Fort Knox. She’s determined not to let me in, but I’m going to do my damnedest to get inside.
Nina D'Angelo (Damaged (Outlaws, #1))
I’m no longer your concern.” “You’ve been my concern ever since you were six years old, come to fort up with me. You’re in my blood, Lael—a forever and endurin’ part of me!
Laura Frantz (The Frontiersman's Daughter)
Battling through poverty was not my forte, and I didn't have the inkling of eluding them.
Fernando Lachica (OFW Struggles Hopes and Dreams)
The blues don’t jump right on you. They come creeping. Shortly after my sixtieth I slipped into a depression like I hadn’t experienced since that dusty night in Texas thirty years earlier. It lasted for a year and a half and devastated me. When these moods hit me, usually few will notice—not Mr. Landau, no one I work with in the studio, not the band, never the audience, hopefully not the children—but Patti will observe a freight train bearing down, loaded with nitroglycerin and running quickly out of track. During these periods I can be cruel: I run, I dissemble, I dodge, I weave, I disappear, I return, I rarely apologize, and all the while Patti holds down the fort as I’m trying to burn it down. She stops me. She gets me to the doctors and says, “This man needs a pill.” I do. I’ve been on antidepressants for the last twelve to fifteen years of my life, and to a lesser degree but with the same effect they had for my father, they have given me a life I would not have been able to maintain without them. They work. I return to Earth, home and my family. The worst of my destructive behavior curtails itself and my humanity returns. I was crushed between sixty and sixty-two, good for a year and out again from sixty-three to sixty-four. Not a good record.
Bruce Springsteen (Born to Run)
I sent letters of enquiry to all persons whose names were given, and received not one reply. There are several ways of explaining. One is that it is probable that persons who have experiences such as those told of in this book, receive so many "crank letters" that they answer none. Dear me — once upon a time, I enjoyed a sense of amusement and superiority toward "cranks". And now here am I, a "crank", myself. Like most writers, I have the moralist somewhere in my composition, and here I warn — take care, oh, reader, with whom you are amused, unless you enjoy laughing at yourself.
Charles Fort (Wild Talents)
I desecrated my own house?” Chance snorted in disbelief. “Then swam out to Fort Sumter and played paint-by-numbers on the walls, all to make Benjamin Blue like me? Don’t flatter yourself, kid.” Ben’s eyes cut like diamonds. “You act like such a big shot. But you don’t fool me. Do you have any friends, Chance? Is there a single person who cares where you are right now?” “Ben!” I blurted, horrified. “That’s not—” “You’re one to talk.” Chance stepped closer to Ben and matched him glare for glare. “I’ve never betrayed my friends. Not like you, eh, Benjamin?” Ben’s whole body went still. “What did you say?” “Guys, guys!” Hi half rose, palms up. “There’s no need for anyone to get upset. I’ve got Go-Gurt in the mini-fridge. I know when I get hungry, my manners can—” “Shut up, Hi.” Ben and Chance, in unison.
Kathy Reichs (Terminal (Virals, #5))
I live in a time of fear and the fear is not of war or weather or death or poverty or terror. The fear is of life itself. The fear is of tomorrow, a time when things do not get better but become worse. This is the belief of my time. I do not share it. The numbers of people will rise, the pain of migration will grow, the seas will bark forth storms, the bombs will explode in the markets, and mouths fighting for a place at the table will grow, as will the shouting and shoving. That is a given. Once the given is accepted, fear is pointless. The fear comes from not accepting it, from turning aside one's head, from dreaming in the fort of one's home that such things cannot be. The fear comes from turning inward and seeking personal salvation. The bones must be properly buried, amends must be made. Also, the beasts must be acknowledged. And the weather faced, the winds and rains lashing the face, still, they must be faced. So too, the dry ground screaming for relief. There is an industry peddling solutions, and these solutions insist no one must really change, except perhaps a little, and without pain. This is the source of the fear, this refusal to accept the future that is already here. In the Old Testament, the laws insist we must not drink blood, that the flesh must be properly drained or we will be outcasts from the Lord. They say these rules were necessary for clean living in some earlier time. I swallow the blood, all the bloods. I am that outlaw, the one crossing borders. The earlier time is over.
Charles Bowden (Some of the Dead Are Still Breathing: Living in the Future)
The farmers, who rent out their house so they can stay afloat, and sleep all together in a studio, but spend their days off outside on a picnic blanket, living the lives they want to live. Drew and Melanie, with their two homes and their horses and their love story. And Rene, traveling across the world, painting temporary masterpieces. Even my uncle Pete has something good worked out with Melinda and his day trips and his best friend, my dad, who has a small nice house in San Francisco and a dozen neighborhood vendors who know him by name. All of these different ways of living. Even Sophie, with her baby in that apartment, with her record store job and her record collection. I imagine her twirling with her baby across her red carpet with Diana Ross crooning, the baby laughing, the two of them getting older in that apartment, eating meals on red vinyl chairs. Walt, too, as pathetic as his situation is, seems happy in his basement, providing entertainment to Fort Bragg's inner circle. All of them, in their own ways, manage to make their lives work.
Nina LaCour (The Disenchantments)
The parking lot is hidden by thickets of scrub and at a field's distance from the mission compound. Yes, you can imagine the solitude of the landscape; you can imagine the hardness of the life. Perhaps I was expecting too much. La Purísima reminds me of nothing so much as those churches the Soviet government used to ridicule by making of them shrines to history. La Purísima is Williamsburg and Sutter's Fort and worse. The state's [California's] insistence that here are matters only of fact is depressing, the triumph of history over memory.
Richard Rodríguez (Days of Obligation: An Argument With My Mexican Father)
One graduate student told me, “When the Apocalypse comes, you want to know an archaeologist, because we know how to make fire, catch food, and create hill forts,” and I promptly added her to my address book. Knows how to make hill forts—who can say when that will come in handy?
Marilyn Johnson (Lives in Ruins: Archaeologists and the Seductive Lure of Human Rubble)
I had used all except peach labels. I pasted the peach labels on peach cans, and then came to apricots. Well, aren't apricots peaches? And there are plums that are virtually apricots. I went on, either mischievously, or scientifically, pasting the peach labels on cans of plums, cherries, string beans, and succotash. I can't quite define my motive, because to this day it has not been decided whether I am a humourist or a scientist. I think that it was mischief, but, as we go along, there will come a more respectful recognition that also it was scientific procedure.
Charles Fort (Wild Talents)
Pan and the Cherries I RECOGNIZED him by his skips and hops, And by his hair I knew that he was Pan. Through sunny avenues he ran, And leapt for cherries to the red tree-tops. Upon his fleece were pearling water drops Like little silver stars. How pure he was! And this was when my spring was arched with blue. Now, seeing a cherry of a smoother gloss, He seized it, and bit the kernel from the pulp. I watched him with great joy ... I came anigh ... He spat the kernel straight into my eye. I ran to kill Pan with my knife! He stretched his arm out, swirled-- And the whole earth whirled! Let us adore Pan, god of all the world!
Paul Fort
Know, that in the course of your future life you will often find yourself elected the involuntary confidant of your acquaintances’ secrets: people will instinctively find out, as I have done, that it is not your forte to tell of yourself, but to listen while others talk of themselves; they will feel, too, that you listen with no malevolent scorn of their indiscretion, but with a kind of innate sympathy; not the less comforting and encouraging because it is very unobtrusive in its manifestations.” “How do you know?—how can you guess all this, sir?” “I know it well; therefore I proceed almost as freely as if I were writing my thoughts in a diary. 
Charlotte Brontë (Jane Eyre)
When I was a young girl, I studied Greek in school. It's a beautiful language and ever so many good things were written in it. When you speak Greek, it feels like a little bird flapping its wings on your tongue as fast as it can. This is why I sometimes put Greek words into my stories, even though not so many people speak Ancient Greek anymore. Anything beautiful deserves to be shared round, and anything I love goes into my stories for safekeeping. The word I love is Arete. It has a simple meaning and a complicated meaning. The simple one is: excellence. But if that were all, we'd just use Excellence and I wouldn't bring it up until we got to E. Arete means your own excellence. Your very own. A personal excellence that belongs to no one else, one that comes out of all the things that make you special and different. Arete means whatever you are best at, no matter what that is. You might think the Greeks only meant things like fighting with bronze swords or debating philosophy, but they didn't. They meant whatever you're best at. What makes you feel like you're doing the rightest thing in the world. And that might be fighting with bronze swords and it might mean debating philosophy—but it also might mean building machines, or drawing pictures, or playing the guitar, or acting in Shakespeare plays, or writing books, or making a home for people who need one, or listening so hard and so well that people tell you the things they really need to say even if they didn't mean to, or running faster than anyone else, or teaching people patiently and boldly, or even making pillow forts or marching in parades or baking bread. It could be lending out just the right library book to just the right person at just the right moment. It could be standing up to the powerful even if you don't feel very powerful yourself, even if you're lost and as far away from home as you can get. It could be loving someone with the same care and thoroughness that a Wyvern takes with alphabetizing. It could be anything in the world. And it isn't easy to figure out what that is. It's even harder to get that good at it, because nothing, not even being yourself, comes without practice. But your arete goes with you everywhere, just waiting for you to pay attention to it. You can't lose it. You can only find it. And that's my favorite thing that starts with A.
Catherynne M. Valente (The Girl Who Fell Beneath Fairyland and Led the Revels There (Fairyland, #2))
Last month, on a very windy day, I was returning from a lecture I had given to a group in Fort Washington. I was beginning to feel unwell. I was feeling increasing spasms in my legs and back and became anxious as I anticipated a difficult ride back to my office. Making matters worse, I knew I had to travel two of the most treacherous high-speed roads near Philadelphia – the four-lane Schuylkill Expressway and the six-lane Blue Route. You’ve been in my van, so you know how it’s been outfitted with everything I need to drive. But you probably don’t realize that I often drive more slowly than other people. That’s because I have difficulty with body control. I’m especially careful on windy days when the van can be buffeted by sudden gusts. And if I’m having problems with spasms or high blood pressure, I stay way over in the right hand lane and drive well below the speed limit. When I’m driving slowly, people behind me tend to get impatient. They speed up to my car, blow their horns, drive by, stare at me angrily, and show me how long their fingers can get. (I don't understand why some people are so proud of the length of their fingers, but there are many things I don't understand.) Those angry drivers add stress to what already is a stressful experience of driving. On this particular day, I was driving by myself. At first, I drove slowly along back roads. Whenever someone approached, I pulled over and let them pass. But as I neared the Blue Route, I became more frightened. I knew I would be hearing a lot of horns and seeing a lot of those long fingers. And then I did something I had never done in the twenty-four years that I have been driving my van. I decided to put on my flashers. I drove the Blue Route and the Schuylkyll Expressway at 35 miles per hour. Now…Guess what happened? Nothing! No horns and no fingers. But why? When I put on my flashers, I was saying to the other drivers, “I have a problem here – I am vulnerable and doing the best I can.” And everyone understood. Several times, in my rearview mirror I saw drivers who wanted to pass. They couldn’t get around me because of the stream of passing traffic. But instead of honking or tailgating, they waited for the other cars to pass, knowing the driver in front of them was in some way weak. Sam, there is something about vulnerability that elicits compassion. It is in our hard wiring. I see it every day when people help me by holding doors, pouring cream in my coffee, or assist me when I put on my coat. Sometimes I feel sad because from my wheelchair perspective, I see the best in people. But those who appear strong and invulnerably typically are not exposed to the kindness I see daily. Sometimes situations call for us to act strong and brave even when we don't feel that way. But those are a few and far between. More often, there is a better pay-off if you don't pretend you feel strong when you feel weak, or pretend that you are brave when you’re scared. I really believe the world might be a safer place if everyone who felt vulnerable wore flashers that said, “I have a problem and I’m doing the best I can. Please be patient!
Daniel Gottlieb (Letters to Sam: A Grandfather's Lessons on Love, Loss, and the Gifts of Life)
Jane started say­ing ‘Wel­come to be­ing in a re­la­tion­ship’ to me over and over again. I’d tell her about all the com­pro­mises I was mak­ing and how much Andy’s self-ab­sorp­tion could ir­ri­tate me and how I’d no­ticed that he’d stopped find­ing me sexy and started find­ing me sweet – that he used to grab my bum and kiss me, and now he kissed me on the head and pulled the zip­per of my jacket up and down in a cutesy way. ‘Wait till he stops find­ing you sweet,’ she said. ‘That’s a whole other phase.’ I told her about how much time was spent com­fort­ing him and buoy­ing him up and get­ting him out of low moods. How his emo­tions were al­ways more im­por­tant than mine – that when we had arguments, his feel­ings were dis­cussed as facts and mine were in­ter­ro­gated as fab­ri­ca­tions. ‘Jen,’ she said mat­ter-of-factly, ‘do you even want a boyfriend?’ I asked her if this was all stuff she put up with and she nod­ded. ‘Wel­come to be­ing in a re­la­tion­ship,’ she said. And I thought: I don’t want to be wel­come here. I don’t want to get com­fort­able here.
Dolly Alderton (Good Material)
It isn't the sort of argument Pointsman relishes either. But he glances sharply at this young anarchist in his red scarf. "Pavlov believed that the ideal, the end we all struggle toward in science, is the true mechanical explanation. He was realistic enough not to expect it in his lifetime. Or in several lifetimes more. But his hope was for a long chain of better and better approximations. His faith ultimately lay in a pure physiological basis for the life of the psyche. No effect without cause, and a clear train of linkages. "It's not my forte, of course," Mexico honestly wishing not to offend the man, but really, "but there's a feeling about that cause-and-effect may have been taken as far as it will go. That for science to carry on at all, it must look for a less narrow, a less . . . sterile set of assumptions. The next great breakthrough may come when we have the courage to junk cause-and-effect entirely, and strike off at some other angle." "No - not 'strike off.' Regress. You're 30 years old, man. There are no 'other angles.' There is only forward - into it – or backward.
Thomas Pynchon (Gravity’s Rainbow)
There was never any doubt that the local jury would return a guilty verdict. “In due time, gentlemen of the jury,” Seward concluded, “when I shall have paid the debt of nature, my remains will rest here in your midst, with those of my kindred and neighbors. It is very possible they may be unhonored, neglected, spurned! But, perhaps years hence, when the passion and excitement which now agitate this community shall have passed away, some wandering stranger, some lone exile, some Indian, some negro, may erect over them a humble stone, and thereon this epitaph, ‘He was Faithful!’ ” More than a century afterward, visitors to Seward’s grave at the Fort Hill Cemetery in Auburn would find those very words engraved on his tombstone.
Doris Kearns Goodwin (Team of Rivals: The Political Genius of Abraham Lincoln)
When I was a kid, summers were the most glorious time of life. Because my parents believed in hands-off, free-range parenting, I’d usually be out the door before ten and wouldn’t return until dinner. There were no cell phones to keep track of me and whenever my mom called a neighbor to ask where I was, the neighbor was often just as clueless as to her own child’s whereabouts. In fact, there was only one rule as far as I could tell: I had to be home at half past five, since my parents liked to eat dinner as a family. I can’t remember exactly how I used to spend those days. I have recollections in snapshot form: building forts or playing king of the hill on the high part of the jungle gym or chasing after a soccer ball while attempting to score. I remember playing in the woods, too. Back then, our home was surrounded by undeveloped land, and my friends and I would have dirt-clod wars or play capture the flag; when we got BB guns, we could spend hours shooting cans and occasionally shooting at each other. I spent hours exploring on my bicycle, and whole weeks would pass where I’d wake every morning with nothing scheduled at all. Of course, there were kids in the neighborhood who didn’t lead that sort of carefree existence. They would head off to camp or participate in summer leagues for various sports, but back then, kids like that were the minority. These days, kids are scheduled from morning to night because parents have demanded it, and London has been no exception. But how did it happen? And why? What changed the outlook of parents in my generation? Peer pressure? Living vicariously through a child’s success? Résumé building for college? Or was it simply fear that if their kids were allowed to discover the world on their own, nothing good would come of it? I don’t know. I am, however, of the opinion that something has been lost in the process: the simple joy of waking in the morning and having nothing whatsoever to do.
Nicholas Sparks (Two By Two)
Perched upon the stones of a bridge The soldiers had the eyes of ravens Their weapons hung black as talons Their eyes gloried in the smoke of murder To the shock of iron-heeled sticks I drew closer in the cripple’s bitter patience And before them I finally tottered Grasping to capture my elusive breath With the cockerel and swift of their knowing They watched and waited for me ‘I have come,’ said I, ‘from this road’s birth, I have come,’ said I, ‘seeking the best in us.’ The sergeant among them had red in his beard Glistening wet as he showed his teeth ‘There are few roads on this earth,’ said he, ‘that will lead you to the best in us, old one.’ ‘But you have seen all the tracks of men,’ said I ‘And where the mothers and children have fled Before your advance. Is there naught among them That you might set an old man upon?’ The surgeon among this rook had bones Under her vellum skin like a maker of limbs ‘Old one,’ said she, ‘I have dwelt In the heat of chests, among heart and lungs, And slid like a serpent between muscles, Swum the currents of slowing blood, And all these roads lead into the darkness Where the broken will at last rest. ‘Dare say I,’ she went on,‘there is no Place waiting inside where you might find In slithering exploration of mysteries All that you so boldly call the best in us.’ And then the man with shovel and pick, Who could raise fort and berm in a day Timbered of thought and measured in all things Set the gauge of his eyes upon the sun And said, ‘Look not in temples proud, Or in the palaces of the rich highborn, We have razed each in turn in our time To melt gold from icon and shrine And of all the treasures weeping in fire There was naught but the smile of greed And the thick power of possession. Know then this: all roads before you From the beginning of the ages past And those now upon us, yield no clue To the secret equations you seek, For each was built of bone and blood And the backs of the slave did bow To the laboured sentence of a life In chains of dire need and little worth. All that we build one day echoes hollow.’ ‘Where then, good soldiers, will I Ever find all that is best in us? If not in flesh or in temple bound Or wretched road of cobbled stone?’ ‘Could we answer you,’ said the sergeant, ‘This blood would cease its fatal flow, And my surgeon could seal wounds with a touch, All labours will ease before temple and road, Could we answer you,’ said the sergeant, ‘Crows might starve in our company And our talons we would cast in bogs For the gods to fight over as they will. But we have not found in all our years The best in us, until this very day.’ ‘How so?’ asked I, so lost now on the road, And said he, ‘Upon this bridge we sat Since the dawn’s bleak arrival, Our perch of despond so weary and worn, And you we watched, at first a speck Upon the strife-painted horizon So tortured in your tread as to soak our faces In the wonder of your will, yet on you came Upon two sticks so bowed in weight Seeking, say you, the best in us And now we have seen in your gift The best in us, and were treasures at hand We would set them humbly before you, A man without feet who walked a road.’ Now, soldiers with kind words are rare Enough, and I welcomed their regard As I moved among them, ’cross the bridge And onward to the long road beyond I travel seeking the best in us And one day it shall rise before me To bless this journey of mine, and this road I began upon long ago shall now end Where waits for all the best in us. ―Avas Didion Flicker Where Ravens Perch
Steven Erikson (The Crippled God (Malazan Book of the Fallen, #10))
Damen said, ‘You haven’t told him.’ ‘You don’t even deny it?’ said Jord. A harsh laugh, when Damen was silent. ‘You hated us so much, all this time? It wasn’t enough to invade, to take our land? You had to play this—sick game as well?’ Damen said, ‘If you tell him, I can’t serve him.’ ‘Tell him?’ said Jord. ‘Tell him the man he trusts has lied, and lied again, has deceived him into the worst humiliation?’ ‘I wouldn’t hurt him,’ said Damen, and heard the words drop like lead. ‘You killed his brother, then got him under you in bed.’ Put like that, it was monstrous. It’s not that way between us, he ought to have said, and didn’t, couldn’t. He felt hot, then cold. He thought of Laurent’s delicate, needling talk that froze into icy rebuff if Damen pushed at it, but if he didn’t—if he matched himself to its subtle pulses and undercurrents—continued, sweetly deepening, until he could only wonder if he knew, if they both knew, what they were doing. ‘I’m going to leave,’ he said. ‘I was always going to leave. I stayed only because—’ ‘That’s right, you’ll leave. I won’t allow you to wreck us. You’ll command us to Ravenel, you’ll say nothing to him, and when the fort is won, you’ll get on a horse and go. He’ll mourn your loss, and never know.’ It was what he had planned. It was what, from the beginning, he had planned. In his chest, the beats of his heart were like sword thrusts. ‘In the morning,’ said Damen. ‘I’ll give him the fort, and leave him in the morning. It’s what I promised.’ ‘You’re gone by the time the sun hits the middle of the sky, or I tell him,’ said Jord. ‘And what he did to you in the palace will seem like a lover’s kiss compared with what will happen to you then.’ Jord was loyal. Damen had always liked that about him, the steadfast nature that reminded him of home. Strewn around them was the end of the battle, victory marked by silence and churned grass. ‘He’ll know,’ Damen heard himself say. ‘When word of my return to Akielos reaches him. He’ll know. I wish you would tell him then that I—’ ‘You fill me with horror,’ said Jord. His hands were tight on his knife. Both his hands, now. ‘Captain,
C.S. Pacat (Captive Prince: Volume Two (Captive Prince, #2))
One of the most surprisingly controversial presidential decisions I made was to return the Crown of Saint Stephen to the people of Hungary. It was said to have been given by the Pope in the year 1000 to Stephen, the first king of Hungary, as a symbol of political and religious authority and was worn by more than fifty kings when they were vested with power. A distinctive feature was that the cross on top was bent. As Soviet troops invaded Hungary, toward the end of the Second World War, some Hungarians delivered to American troops the crown and other royal regalia, which were subsequently stored in Fort Knox alongside our nation’s gold. The Soviets still dominated Hungary when I announced my decision to return the crown. There was a furor among Hungarian-Americans and others, and I was denounced as accepting the subservience of the occupied nation. I considered the crown to be a symbol of the freedom and sovereignty of the Hungarian people. I returned it in January 1978, stipulating that the crown and insignia must be controlled by Hungarians, carefully protected, and made available for public display as soon as practicable. A duplicate of the crown was brought to The Carter Center as a gift for me in March 1998 and is on display in our presidential museum. Rosalynn and I led volunteers to build Habitat houses in Vác, Hungary, in 1996, and we were treated as honored guests of the government and escorted to the Hungarian National Museum to see the crown and the stream of citizens who were going past it, many of them reciting a prayer as they did so. We were told that more than 3 million people pay homage to the crown each year. A few years later it was moved to its permanent home, in the Hungarian Parliament Building.
Jimmy Carter (A Full Life: Reflections at Ninety)
While stationed in Fort Jackson, I experienced racial prejudice for the first time and came to the understanding that humans are not born with prejudice, but learn prejudice. Back home in South Dakota, I only knew one black American. The Scandinavians in my community treated him just like any other Swede; my family considered him a friend. My parents taught me, and I believed that all men are equal because God created all men in His image. One day during a week end furlough, I boarded a crowded city bus. As I walked down the aisle, I looked for an open seat. Looking towards the rear of the bus, I noticed three huge, young black men sitting on a bench in the back. I decided to squeeze onto the bench with them. As I sat down, a woman said in a very loud voice, "What is that white soldier doing in our part of the bus?" Neither my life experiences nor my education prepared me for what I experienced walking the streets of Fort Jackson. I saw water fountains for whites only, barbershops for blacks only, and separation for most aspects of Southern living. I discovered that the feelings of prejudice ran deeply amongst many of the people that we encountered. In fact, the blacks even trained separately from the whites during our military preparation, even though we all worked towards defending the United States of America.
Oliver Omanson (Prisoner of War Number 21860: The World War II Memoirs of Oliver Omanson)
You Can Fly But Your Body Can't My first seat was in first class between Penny and Belinda. Before I poured Rémy Martin down my throat and had to come see what the folks back here think of things. 316 'Cool out, you know, I didn't mean it, I don't really hate you,' I hear someone say. While, over the intercom, the pilot jabbers. He's explaining that some dysfunction, once we're on the ground, can be easily fixed with a pin. I don't know, at that point, how much any of us will care. Maybe I'm drunk, but seems like they could give the plane to the Arabs once we've all made our connecting flights. 317 The beer nuts just served to me in a cello packet are the most delicious food I've ever tasted in my life. Back at Dallas-Fort Worth I put an Otis Redding CD into my player and I doubt I'll ever have a reason to take it out. Through the window, trigonometry, under a silky pink sky.
Mary Robison (Why Did I Ever)
Asking a writer why they like to write {in the theoretical sense of the question} is like asking a person why they breathe. For me, writing is a natural reflex to the beauty, the events, and the people I see around me. As Anais Nin put it, "We write to taste life twice." I live and then I write. The one transfers to the other, for me, in a gentle, necessary way. As prosaic as it sounds, I believe I process by writing. Part of the way I deal with stressful situations, catty people, or great joy or great trials in my own life is by conjuring it onto paper in some way; a journal entry, a blog post, my writing notebook, or my latest story. While I am a fair conversationalist, my real forte is expressing myself in words on paper. If I leave it all chasing round my head like rabbits in a warren, I'm apt to become a bug-bear to live with and my family would not thank me. Some people need counselors. Some people need long, drawn-out phone-calls with a trusted friend. Some people need to go out for a run. I need to get away to a quiet, lonesome corner--preferably on the front steps at gloaming with the North Star trembling against the darkening blue. I need to set my pen fiercely against the page {for at such moments I must be writing--not typing.} and I need to convert the stress or excitement or happiness into something to be shared with another person. The beauty of the relationship between reading and writing is its give-and-take dynamic. For years I gathered and read every book in the near vicinity and absorbed tale upon tale, story upon story, adventures and sagas and dramas and classics. I fed my fancy, my tastes, and my ideas upon good books and thus those aspects of myself grew up to be none too shabby. When I began to employ my fancy, tastes, and ideas in writing my own books, the dawning of a strange and wonderful idea tinged the horizon of thought with blush-rose colors: If I persisted and worked hard and poured myself into the craft, I could create one of those books. One of the heart-books that foster a love of reading and even writing in another person somewhere. I could have a hand in forming another person's mind. A great responsibility and a great privilege that, and one I would love to be a party to. Books can change a person. I am a firm believer in that. I cannot tell you how many sentiments or noble ideas or parts of my own personality are woven from threads of things I've read over the years. I hoard quotations and shadows of quotations and general impressions of books like a tzar of Russia hoards his icy treasures. They make up a large part of who I am. I think it's worth saying again: books can change a person. For better or for worse. As a writer it's my two-edged gift to be able to slay or heal where I will. It's my responsibility to wield that weapon aright and do only good with my words. Or only purposeful cutting. I am not set against the surgeon's method of butchery--the nicking of a person's spirit, the rubbing in of a salty, stinging salve, and the ultimate healing-over of that wound that makes for a healthier person in the end. It's the bitter herbs that heal the best, so now and again you might be called upon to write something with more cayenne than honey about it. But the end must be good. We cannot let the Light fade from our words.
Rachel Heffington
This is the history of governments, - one man does something which is to bind another. A man who cannot be acquainted with me, taxes me; looking from afar at me, ordains that a part of my labour shall go to this or that whimsical end, not as I, but as he happens to fancy. Behold the consequence. Of all debts, men are least willing to pay the taxes. What a satire is this on government! Everywhere they think they get their money's worth, except for these. Hence, the less government we have, the better, - the fewer laws, and the less confided power. The antidote to this abuse of formal Government, is, the influence of private character, the growth of the Individual; the appearance of the principal to supersede the proxy; the appearance of the wise man, of whom the existing government, is, it must be owned, but a shabby imitation. That which all things tend to educe, which freedom, cultivation, intercourse, revolutions, go to form and deliver, is character; that is the end of nature, to reach unto this coronation of her king. To educate the wise man, the State exists; and with the appearance of the wise man, the State expires. The appearance of character makes the State unnecessary. The wise man is the State. He needs no army, fort, or navy, - he loves men too well; no bribe, or feast, or palace, to draw friends to him; no vantage ground, no favourable circumstance. He needs no library, for he has not done thinking; no church, for he is a prophet; no statute book, for he has the lawgiver; no money, for he is value; no road, for he is at home where he is; no experience, for the life of the creator shoots through him, and looks from his eyes. He has no personal friends, for he who has the spell to draw the prayer and piety of all men unto him, needs not husband and educate a few, to share with him a select and poetic life. His relation to men is angelic; his memory is myrrh to them; his presence, frankincense and flowers.
Ralph Waldo Emerson
Rea­sons Why I Loved Be­ing With Jen I love what a good friend you are. You’re re­ally en­gaged with the lives of the peo­ple you love. You or­ga­nize lovely ex­pe­ri­ences for them. You make an ef­fort with them, you’re pa­tient with them, even when they’re side­tracked by their chil­dren and can’t pri­or­i­tize you in the way you pri­or­i­tize them. You’ve got a gen­er­ous heart and it ex­tends to peo­ple you’ve never even met, whereas I think that ev­ery­one is out to get me. I used to say you were naive, but re­ally I was jeal­ous that you al­ways thought the best of peo­ple. You are a bit too anx­ious about be­ing seen to be a good per­son and you def­i­nitely go a bit over­board with your left-wing pol­i­tics to prove a point to ev­ery­one. But I know you re­ally do care. I know you’d sign pe­ti­tions and help peo­ple in need and vol­un­teer at the home­less shel­ter at Christ­mas even if no one knew about it. And that’s more than can be said for a lot of us. I love how quickly you read books and how ab­sorbed you get in a good story. I love watch­ing you lie on the sofa read­ing one from cover-to-cover. It’s like I’m in the room with you but you’re in a whole other gal­axy. I love that you’re al­ways try­ing to im­prove your­self. Whether it’s running marathons or set­ting your­self chal­lenges on an app to learn French or the fact you go to ther­apy ev­ery week. You work hard to be­come a bet­ter ver­sion of your­self. I think I prob­a­bly didn’t make my ad­mi­ra­tion for this known and in­stead it came off as ir­ri­ta­tion, which I don’t re­ally feel at all. I love how ded­i­cated you are to your fam­ily, even when they’re an­noy­ing you. Your loy­alty to them wound me up some­times, but it’s only be­cause I wish I came from a big fam­ily. I love that you al­ways know what to say in con­ver­sa­tion. You ask the right ques­tions and you know ex­actly when to talk and when to lis­ten. Ev­ery­one loves talk­ing to you be­cause you make ev­ery­one feel im­por­tant. I love your style. I know you think I prob­a­bly never no­ticed what you were wear­ing or how you did your hair, but I loved see­ing how you get ready, sit­ting in front of the full-length mir­ror in our bed­room while you did your make-up, even though there was a mir­ror on the dress­ing ta­ble. I love that you’re mad enough to swim in the English sea in No­vem­ber and that you’d pick up spi­ders in the bath with your bare hands. You’re brave in a way that I’m not. I love how free you are. You’re a very free per­son, and I never gave you the sat­is­fac­tion of say­ing it, which I should have done. No one knows it about you be­cause of your bor­ing, high-pres­sure job and your stuffy up­bring­ing, but I know what an ad­ven­turer you are un­der­neath all that. I love that you got drunk at Jack­son’s chris­ten­ing and you al­ways wanted to have one more drink at the pub and you never com­plained about get­ting up early to go to work with a hang­over. Other than Avi, you are the per­son I’ve had the most fun with in my life. And even though I gave you a hard time for al­ways try­ing to for al­ways try­ing to im­press your dad, I ac­tu­ally found it very adorable be­cause it made me see the child in you and the teenager in you, and if I could time-travel to any­where in his­tory, I swear, Jen, the only place I’d want to go is to the house where you grew up and hug you and tell you how beau­ti­ful and clever and funny you are. That you are spec­tac­u­lar even with­out all your sports trophies and mu­sic cer­tifi­cates and in­cred­i­ble grades and Ox­ford ac­cep­tance. I’m sorry that I loved you so much more than I liked my­self, that must have been a lot to carry. I’m sorry I didn’t take care of you the way you took care of me. And I’m sorry I didn’t take care of my­self, ei­ther. I need to work on it. I’m pleased that our break-up taught me that. I’m sorry I went so mental. I love you. I always will. I'm glad we met.
Dolly Alderton (Good Material)
We All Bleed Red We have a confirmed threat against the homeland and I for one am grateful for the Americans sitting in the Army conference room in Fort Stewart, Georgia. The display cubes and screens lets us see different locations, cities, departments of the armed forces. It also allows us to see three commonalities. (1) We are all different. I take such pleasure in seeing the diverse group we call the intelligence community. We are different races, nationalities, and ethnic groups. (2) This brings us to the second commonality…we are all Americans. Yes, we fuss, we have differences of opinions, but we are all Americans. (3) The third and most important commonality is the fact that we all bleed red. We are humankind. These are the bonds that unite us…bond us…make us better beings. I have not mentioned religion because my God allows me to respect other people’s belief. I just ask that as we work through this crisis that we hold dearly on to these three commonalities. The Director of National Intelligence
James M. Robinson
There are details about your life I really do not want to know about. You told me he taught you how to fight with weapons, but I guess I never…” “Put two and two together?” Katie grinned. “That’s not like you, detective Jules.” “I know. I guess I overlooked the gory details. Blood and guts have never been my forte. I like action. Give me Mission Impossible and CSI, but leave out the gruesome details.” They stopped upon reaching the entrance to the barn. “Roller skating disco lover turns FBI crime scene investigator. I think there’s a book waiting to be written for you.
Mary Abshire (Immortal Revenge (Legacy, #1))
We entered the Taj Mahal, the most romantic place on the planet, and possibly the most beautiful building on earth. We ate curry with our driver in a Delhi street café late at night and had the best chicken tikka I’ve ever tasted in an Agra restaurant. After the madness of Delhi, we were astonished that Agra could be even more mental. And we loved it. We marvelled at the architecture of the Red Fort, where Shah Jahan spent the last three years of his life, imprisoned and staring across at the Taj Mahal, the tomb of his favourite wife. We spent two days in a village constructed specifically for tiger safaris, although I didn’t see a tiger, my wife and son were more fortunate. We noticed in Mussoorie, 230 miles from the Tibetan border, evidence of Tibetan features in the faces of the Indians, and we paid just 770 rupees for the three of us to eat heartily in a Tibetan restaurant. Walking along the road accompanied by a cow became as common place as seeing a whole family of four without crash helmets on a motorcycle, a car going around a roundabout the wrong way, and cars approaching towards us on the wrong side of a duel carriageway. India has no traffic rules it seems.
Karl Wiggins (Wrong Planet - Searching for your Tribe)
I jerked my head up, my tie with Jack severed. 7 “You’re early,” I told the Magician as Matthew and I climbed down. “Wanted to avoid the midnight-hour traffic.” When Cyclops padded over hesitantly, Finn grumbled, “Free fort, sit where you want!” He situated his crutch over his lap. “So an Empress, a horse, and a wolf walk into a fort. . . .” “If this is a dirty joke, I’ll pass.” I’d missed the Magician’s humor. Tilting my head at him, I said, “You don’t look so good, Finn.” “I feel like a bucket of fuck, but I’ll be ready,” he assured me. “Right, Matto?” “Ready Magician!” “H to the Azey. That army blows Baggers.” “Somehow she dragged me back to the fort.” “Good thing I’m dying young,” Finn continued in a nonchalant tone, “or I’d be shit out of luck with this bum leg.” “Dying young?” He wasn’t kidding. “Made peace with it.” He shrugged. “Kind of think we all should.” Have you guys gotten snow here yet?” I thought I’d spied a single flake the night I’d left Aric. “Not looking forward to that. SoCal surfer boy here, remember? Just think: if the snow comes down like the rain has . . .” “Snowmageddon!” Matthew cried, cracking both of them up. “Yeah, Matto, that groundhog came out to check for nuclear winter. But then a Bagger ate him!
Kresley Cole (Dead of Winter (The Arcana Chronicles, #3))
I purposely used a pretty cocky, abrasive writing style in Sex and Crime, to stir up some drama. My confrontational style quickly became the talk of the scene. Some of the things I wrote were so inflammatory, people had to vent about it on online forums. So suddenly everyone in the scene was talking about Sex and Crime, just as I had hoped. I enjoyed playing the role of agitator, and people from competing hacking crews didn't even realize that the more they bitched about the things I wrote, the more credibility and notoriety they were adding to my scene mag. Thanks to all the positive as well as negative feedback I was getting, the things I wrote actually mattered. Suddenly I was the most important opinion maker in the scene.
Oliver Markus (Bad Choices Make Good Stories: The Heroin Scene in Fort Myers)
Life on a floating city must have been really dull if the idea of war sounded intriguing. Trollbella squinted and crossed her arms as she thought about it. “But still, an army in exchange for a broken heart seems like a pretty steep deal,” she said. Without missing a beat, Conner clutched his chest and fell to the deck in pain. “Oh my broken heart! It hurts so much! Oh the pain, the miserable pain!” he screamed. “Your heart is on the other side of your chest, Conner,” Alex whispered down at him and he quickly made the correction. Tears formed in Trollbella’s eyes at the sight of her Butterboy in pain she had caused him. “Oh no, Butterboy!” she said, and rushed to his side. “If my army will help ease your pain, then my army you shall have!” Conner quickly sat up, completely fine. “Thank goodness,” he said. “I really appreciate it! Now we need to gather up your army and fill them in on our plan as soon as possible.” Queen Trollbella got to her feet to address the rowers aboard her boat. “Take us to the army fort at once, troblins!” she ordered. “My Butterboy needs to speak with our army and start his healing process.” The troll and goblin rowers turned the boat completely around and headed in the direction of the army float. Alex gestured for Lester to follow the boat, and helped Conner to his feet. “Nice going,” she whispered in his ear. “Thanks,” Conner said, but his face fell into a pout. “What’s wrong?” she said. “We recruited the troblin army and it was easier than either of us expected!” “I know,” Conner said sadly. “I just can’t believe Trollbella picked that troll over me.
Chris Colfer (A Grimm Warning (The Land of Stories, #3))
A slave, Marcus Cato said, should be working when he is not sleeping. It does not matter whether his work in itself is good in itself—for slaves, at least. This sentiment still survives, and it has piled up mountains of useless drudgery. I believe that this instinct to perpetuate useless work is, at bottom, simply fear of the mob. The mob (the thought runs) are such low animals that they would be dangerous if they had leisure; it is safer to keep them too busy to think. A rich man who happens to be intellectually honest, if he is questioned about the improvement of working conditions, usually says something like this: "We know that poverty is unpleasant; in fact, since it is so remote, we rather enjoy harrowing ourselves with the thought of its unpleasantness. But don’t expect us to do anything about it. We are sorry fort you lower classes, just as we are sorry for a cat with the mange, of your condition. We feel that you are much safer as you are. The present state of affairs suits us, and we are not going to take the risk of setting you free, even by an extra hour a day. So, dear brothers, since evidently you must sweat to pay for our trips to Italy, sweat and be damned to you.” This is particularly the attitude of intelligent, cultivated people; one can read the substance if it in a hundred essays. Very few cultivated people have less than (say) four hundred pounds a year, and naturally they side with the rich, because they imagine that any liberty conceded to the poor is a threat to their own liberty. foreseeing some dismal Marxian Utopia as the alternative, the educated man prefers to keep things as they are. Possibly he does not like his fellow-rich very much, but he supposes that even the vulgarest of them are less inimical to his pleasures, more his kind of people, than the poor, and that he had better stand by them. It is this fear of a supposedly dangerous mob that makes nearly all intelligent people conservative in their opinions. Fear of the mob is a superstitious fear. It is based on the idea that there is some mysterious, fundamental difference between rich and poor, as though they were two different races, like negroes and white men. But in reality there is no such difference. The mass of the rich and the poor are differentiated by their incomes and nothings else, and the average millionaire is only the average dishwasher dressed in a new suit. Change places, and handy dandy, which is the justice, which is the thief? Everyone who has mixed on equal terms with the poor knows this quite well. But the trouble is that intelligent, cultivated people, the very people who might be expected to have liberal opinions, never do mix with the poor. For what do the majority of educated people know about poverty? In my copy of Villon’s poems the editor has actually thought it necessary to explain the line “Ne pain ne voyent qu'aux fenestres” by a footnote; so remote is even hunger from the educated man’s experience. From this ignorance a superstitious fear of the mob results quite naturally. The educated man pictures a horde of submen, wanting only a day’s liberty to loot his house, burn his books, and set him to work minding a machine or sweeping out a lavatory. “Anything,” he thinks, “any injustice, sooner than let that mob loose.
George Orwell (Down and Out in Paris and London)
TAKING LEAVE Of the unhindered motion in the million swirled and twisted grooves of the juniper driftwood lying in the sand; taking leave of each sapphire and amber thread and each iridescent bead of the swallowtail's wing and of the quick and clever needle of the seamstress in the dark cocoon that accomplished the stitching. Goodbye to the long pale hairs of the swaying grassflowers, so like, in grace and color and bearing, the nodding antennae of the green valley grasshopper clinging to its blade; and to the staircase shell of the butter-colored wendletrap and to the branches of the sourwood making their own staircase with each step upward they take and to the spiraling of the cobweb weaver twirling as it descends on its silk out of the shadows of the pitch pine. Taking leave of the sea of spring, that grey-green swell slowly rising, spreading, its heavy wisteria-scented surf filled with darting, gliding, whistling fish, a current of cries, an undertow of moans and buzzes, so pervasive and penetrating and alluring that the lungs adapt to the density. Determined not to slight the knotted rockweed or the beach plum or the white, blue-tipped petals of the five spot; determined not to overlook the pursed orange mouth of each maple leaf just appearing or the entire chorus of those open leaves in full summer forte. My whole life, a parting from the brazen coyote thistle and the reticent, tooth-ridged toad crab and the proud, preposterous sage grouse. And you mustn't believe that the cessation which occurs here now is more than illusory; the ritual of this leave-taking continues beyond these lines, in a whisper beside the window, below my breath by the river, without noise through the clearing at midnight, even in the dark, even in sleep, continues, out-of-notice, private, incessant.
Pattiann Rogers (Quickening Fields (Penguin Poets))
Et puis, le manque est arrivé, dans le moment où je m’y attendais le moins, il est arrivé alors que j’avais presque fini par croire à mon amnésie. C’est terrible, la morsure du manque. Ça frappe sans prévenir, l’attaque est sournoise tout d’abord, on ressent juste une vive douleur qui disparaît presque dans la foulée, c’est bref, fugace, ça nous plie en deux mais on se redresse aussitôt, on considère que l’attaque est passée, on n’est même pas capable de nommer cette effraction, et pourquoi on la nommerait, on n’a pas eu le temps de s’inquiéter, c’est parti si vite, on se sent déjà beaucoup mieux, on se sent même parfaitement bien, tout de même on garde un souvenir désagréable de cette fraction de seconde, on tente de chasser le souvenir, et on y réussit, la vie continue, le monde nous appelle, l’urgence commande. Et puis, ça revient, le jour d’après, l’attaque est plus longue ou plus violente, on ploie les genoux, on a un méchant rictus, on se dit : quelque chose est à l'œuvre à l’intérieur, on pense à ces transports au cerveau qui annoncent les tumeurs, qui sont le signal enfin visible de cancers généralisés jusque-là insoupçonnables, on éprouve une sale frayeur, un mauvais pressentiment. Et puis, le mal devient lancinant, il s’installe comme un intrus qu’on n’est pas capable de chasser, il est moins mordant et plus profond, on comprend qu’on ne s’en débarrassera pas, qu’on est foutu. Oui, un jour, le manque est arrivé. Le manque de lui. Au début, j’ai fait comme si je ne m’en rendais pas compte, le traitant par l’indifférence, par le mépris, je me savais plus fort que lui, j’étais en mesure de le dominer, de l’éliminer, c’était juste une question de volonté ou de temps, je n’étais pas le genre à me laisser abattre par quelque chose d’aussi ténu, d’aussi risible. Et puis, il m’a fallu me rendre à l’évidence : ce match, je n’étais pas en train de le gagner, j’allais peut-être même le perdre, et je ne possédais pas le moyen d’échapper à cette déroute et plus je luttais, plus je cédais du terrain ; plus je niais la réalité, plus elle me sautait au visage. Autant le reconnaître : j’étais dévoré par ça, le manque de lui.
Philippe Besson (Un homme accidentel)
POEM – MY AMAZING TRAVELS [My composition in my book Travel Memoirs with Pictures] My very first trip I still cannot believe Was planned and executed with such great ease. My father, an Inspector of Schools, was such a strict man, He gave in to my wishes when I told him of the plan. I got my first long vacation while working as a banker One of my co-workers wanted a travelling partner. She visited my father and discussed the matter Arrangements were made without any flutter. We travelled to New York, Toronto, London, and Germany, In each of those places, there was somebody, To guide and protect us and to take us wonderful places, It was a dream come true at our young ages. We even visited Holland, which was across the Border. To drive across from Germany was quite in order. Memories of great times continue to linger, I thank God for an understanding father. That trip in 1968 was the beginning of much more, I visited many countries afterward I am still in awe. Barbados, Tobago, St. Maarten, and Buffalo, Cirencester in the United Kingdom, Miami, and Orlando. I was accompanied by my husband on many trips. Sisters, nieces, children, grandchildren, and friends, travelled with me a bit. Puerto Rico, Los Angeles, New York, and Hialeah, Curacao, Caracas, Margarita, Virginia, and Anguilla. We sailed aboard the Creole Queen On the Mississippi in New Orleans We traversed the Rockies in Colorado And walked the streets in Cozumel, Mexico. We were thrilled to visit the Vatican in Rome, The Trevi Fountain and the Colosseum. To explore the countryside in Florence, And to sail on a Gondola in Venice. My fridge is decorated with magnets Souvenirs of all my visits London, Madrid, Bahamas, Coco Cay, Barcelona. And the Leaning Tower of Pisa How can I forget the Spanish Steps in Rome? Stratford upon Avon, where Shakespeare was born. CN Tower in Toronto so very high I thought the elevator would take me to the sky. Then there was El Poble and Toledo Noted for Spanish Gold We travelled on the Euro star. The scenery was beautiful to behold! I must not omit Cartagena in Columbia, Anaheim, Las Vegas, and Catalina, Key West, Tampa, Fort Lauderdale, and Pembroke Pines, Places I love to lime. Of course, I would like to make special mention, Of two exciting cruises with Royal Caribbean. Majesty of the Seas and Liberty of the Seas Two ships which grace the Seas. Last but not least and best of all We visited Paris in the fall. Cologne, Dusseldorf, and Berlin Amazing places, which made my head, spin. Copyright@BrendaMohammed
Brenda C. Mohammed (Travel Memoirs with Pictures)
I bind to myself today The strong virtue of the Invocation of the Trinity: I believe the Trinity in the Unity The Creator of the Universe. I bind to myself today The virtue of the Incarnation of Christ with His Baptism, The virtue of His crucifixion with His burial, The virtue of His Resurrection with His Ascension, The virtue of His coming on the Judgement Day. I bind to myself today The virtue of the love of seraphim, In the obedience of angels, In the hope of resurrection unto reward, In prayers of Patriarchs, In predictions of Prophets, In preaching of Apostles, In faith of Confessors, In purity of holy Virgins, In deeds of righteous men. I bind to myself today The power of Heaven, The light of the sun, The brightness of the moon, The splendour of fire, The flashing of lightning, The swiftness of wind, The depth of sea, The stability of earth, The compactness of rocks. I bind to myself today God's Power to guide me, God's Might to uphold me, God's Wisdom to teach me, God's Eye to watch over me, God's Ear to hear me, God's Word to give me speech, God's Hand to guide me, God's Way to lie before me, God's Shield to shelter me, God's Host to secure me, Against the snares of demons, Against the seductions of vices, Against the lusts of nature, Against everyone who meditates injury to me, Whether far or near, Whether few or with many. I invoke today all these virtues Against every hostile merciless power Which may assail my body and my soul, Against the incantations of false prophets, Against the black laws of heathenism, Against the false laws of heresy, Against the deceits of idolatry, Against the spells of women, and smiths, and druids, Against every knowledge that binds the soul of man. Christ, protect me today Against every poison, against burning, Against drowning, against death-wound, That I may receive abundant reward. Christ with me, Christ before me, Christ behind me, Christ within me, Christ beneath me, Christ above me, Christ at my right, Christ at my left, Christ in the fort, Christ in the chariot seat, Christ in the poop, Christ in the heart of everyone who thinks of me, Christ in the mouth of everyone who speaks to me, Christ in every eye that sees me, Christ in every ear that hears me. I bind to myself today The strong virtue of an invocation of the Trinity, I believe the Trinity in the Unity The Creator of the Universe.
H.W. Crocker III (Triumph: The Power and the Glory of the Catholic Church)
MY PROCESS I got bullied quite a bit as a kid, so I learned how to take a punch and how to put up a good fight. God used that. I am not afraid of spiritual “violence” or of facing spiritual fights. My Dad was drafted during Vietnam and I grew up an Army brat, moving around frequently. God used that. I am very spiritually mobile, adaptable, and flexible. My parents used to hand me a Bible and make me go look up what I did wrong. God used that, as well. I knew the Word before I knew the Lord, so studying Scripture is not intimidating to me. I was admitted into a learning enrichment program in junior high. They taught me critical thinking skills, logic, and Greek Mythology. God used that, too. In seventh grade I was in school band and choir. God used that. At 14, before I even got saved, a youth pastor at my parents’ church taught me to play guitar. God used that. My best buddies in school were a druggie, a Jewish kid, and an Irish soccer player. God used that. I broke my back my senior year and had to take theatre instead of wrestling. God used that. I used to sleep on the couch outside of the Dean’s office between classes. God used that. My parents sent me to a Christian college for a semester in hopes of getting me saved. God used that. I majored in art, advertising, astronomy, pre-med, and finally English. God used all of that. I made a woman I loved get an abortion. God used (and redeemed) that. I got my teaching certification. I got plugged into a group of sincere Christian young adults. I took courses for ministry credentials. I worked as an autism therapist. I taught emotionally disabled kids. And God used each of those things. I married a pastor’s daughter. God really used that. Are you getting the picture? San Antonio led me to Houston, Houston led me to El Paso, El Paso led me to Fort Leonard Wood, Fort Leonard Wood led me back to San Antonio, which led me to Austin, then to Kentucky, then to Belton, then to Maryland, to Pennsylvania, to Dallas, to Alabama, which led me to Fort Worth. With thousands of smaller journeys in between. The reason that I am able to do the things that I do today is because of the process that God walked me through yesterday. Our lives are cumulative. No day stands alone. Each builds upon the foundation of the last—just like a stairway, each layer bringing us closer to Him. God uses each experience, each lesson, each relationship, even our traumas and tragedies as steps in the process of becoming the people He made us to be. They are steps in the process of achieving the destinies that He has encoded into the weave of each of our lives. We are journeymen, finding the way home. What is the value of the journey? If the journey makes us who we are, then the journey is priceless.
Zach Neese (How to Worship a King: Prepare Your Heart. Prepare Your World. Prepare the Way)