Thirteen Ghosts Quotes

Not all ghosts haunt houses. Some try to live in your head.

Any big hotels have got scandals," he said. "Just like every big hotel has got a ghost. Why? Hell, people come and go. Sometimes one of em will pop off in his room, heart attack or stroke or something like that. Hotels are superstitious places. No thirteenth floor or room thirteen, no mirrors on the back of the door you come in through, stuff like that. [...]

If you are in the mountains alone for some time, many days at minimum, & it helps if you are fasting. The forest grows tired of its weariness towards you; it resumes its inner life and allows you to see it. Near dusk the faces in tree bark cease hiding, and stare out at you. The welcoming ones and also the malevolent, open in their curiosity. In your camp at night you are able to pick out a distinct word now and then from the muddled voices in creek water, sometimes an entire sentence of deep import. The ghosts of animals reveal themselves to you without prejudice to your humanity. You see them receding before you as you walk the trail their shapes beautiful and sad.

A piratical ghost story in thirteen ingenious but potentially disturbing rhyming couplets, originally conceived as a confection both to amuse and to entertain by Mr. Neil Gaiman, scrivener, and then doodled, elaborated upon, illustrated, and beaten soundly by Mr. Cris Grimly, etcher and illuminator, featuring two brave children, their diminutive but no less courageous gazelle, and a large number of extremely dangerous trolls, monsters, bugbears, creatures, and other such nastiness, many of which have perfectly disgusting eating habits and ought not, under any circumstances, to be encouraged.

Gonna be honest. A rich man suffering consequences sounds a lot less plausible to me than ghosts.

Wolfgang was thirteen in 1932 when the Nazis won huge gains in the German parliament; his father said not to worry, it was just politics. “My

The ghosts were never the problem

...the dead, being wiser than the living, know freedom is always better than revenge.

...every god serves a purpose and every faith fills a need.

Where science is a dignified waltz in three-quarter time, magic is an improvised saxophone solo: all gut checks and synchronicities.

Anomalies don’t mean ghosts. They’re simply things I can’t explain.

For science, the problem is simple. If a ghost is made of energy, it will constantly bleed its own essence as heat in accordance with the second law of thermodynamics. A sustained haunting would require a constant power flux.

She turned all her skills, all her power, manipulation, and control, to their only son, Julien. He was thirteen when his father died, devastated by the loss. Marie was determined that he, too, would become a diplomat, and return her to her rightful place at the tables of European power. Julien did as he was told. He studied in Paris, did well in school. And just as he neared the fulfillment of her dream, Julien, too, suddenly rebelled.

He walked steadily, feeling them behind him. His stride did not falter; he pretended they weren’t there. He pretended that all was well—that those hideous things knew nothing about what he had done earlier in the night. But each pumpkin he passed nearly leapt off its porch or railing or wooden chair, expanded and morphed and throbbed as if in a funhouse mirror, and joined the procession behind him. The wind picked up, suddenly and fiercely, and construction paper decorations adorning the houses that surrounded him flapped helplessly against their doors and windows. The man ducked against the cold wind, and from the pursuing army of the jack-o’-lanterns behind him. Cardboard skeletons with fastener joints and witches with shredded yarn hair and ghosts with cotton ball sheets and black crayon eyes escaped their thumbtacks and scotch tape and newspaper twine and they flashed and danced in his face. He brushed at them desperately with his hands, attempting to tear a hole through them and escape.

I remember a spring night in a school auditorium, during the rehearsal of a play. I am thirteen. I am weary of the farce, weary of the silliness of the cast, of our endless horseplay, mindlessness. A scene in which I have no part is being rehearsed; I stand in an open door at the rear of the dark and empty hall. A storm is under way. The door is on the lee of the building, and I step out under the overhang. The rain swirls and beats. Lightning reveals a familiar schoolyard in a ghostly light. I feel a sudden poignancy. Images strike my mind. The wind is the scream of a lost spirit, searching the earth and finding no good, recalling old bereavements, lashing the land with tears. Consciousness leaves my body, moves out in time and space. I undergo an expanding awareness of self, of separateness, of time flowing through me, bearing me on, knowing I have a chance, the one chance all of us have, the chance of a life, knowing a time will come when nothing lies ahead and everything lies behind, and hoping I can then look back and feel it well spent. How, in the light of fixed stars, should one live?

There.” Hannah got to her feet and surveyed the cleared space. Picking up a stick, she drew a lopsided circle in the dirt. She scratched a cross in the middle and laid thirteen target marbles on it--one in the center and three on each crossbar. Miggles she called them. Outside the circle, she drew two lines about a foot apart, took ten steps back, and drew another one. “Now,” she said. “We’ll lag to see who goes first.” I stared at Hannah, my face burning with embarrassment. “I don’t remember how to do that,” I mumbled. She ran her fingers through her hair and took a deep breath.

If there are thirteen ways of looking at a blackbird, there are as many ways of looking at a ghost. For Bobby Garcia, it’s a means of understanding science. For people like Richard Carradine and Craig Owens, ghost hunting is a way of unearthing history, of figuring out the past. For Lisa Strouss, who’s left the LA ghost-hunting community, it’s a means of understanding something about herself.

Some types of EMF can produce fear in people. They make you uneasy and feel like you’re being watched. In extreme cases, you wind up paranoid, crying your eyes out, and absolutely terrified. EMF can even make you hallucinate ghosts.

When I was thirteen, my parents and I drove to Disney World, fleeing a hurricane. The magic there was packaged, perfectly choreographed, frothy as the carbonated drinks that crackled on my tongue. It didn’t creep through the cracks and secret spaces of the world, like moss growing between broken slabs of concrete. That kind of magic didn’t ask for blood or tears. It simply was. So

The trick is, ghosts aren’t easy to talk to. If it was easy, they’d tap you on the shoulder while you’re making supper and ask you if you’d be willing to discuss their feelings about your house being built on their burial ground.

William pondered what his next discovery might be. He knew that readers were vexed by the possibility that their Bard might have been Catholic. There is, after all, that suspicious reference to Purgatory by the ghost of Hamlet’s father. In an era when anti-Catholic legislation was favorably viewed by many, such papist skullduggery was improper in a national literary hero. And so, on Christmas Day of 1794, William presented his nation with a fine gift—Shakespeare’s Profession of Faith, in which he disowns any Catholic sympathies. His father was awed by the import of this, so much so that he could no longer keep the discoveries secret. All holiday frivolity was to be set aside now. —

Ardie, like many of us, had caught perfectionism, an illness that we heard was more common in women by a factor of roughly twenty to one. To the best of our understanding, it was transferred through social media and the pages of glossy magazines that were displayed face-out in the checkout line and, once contracted at the age of twelve or thirteen, could be cured by no number of Jezebel think pieces or edgy rom-coms in which the leading lady boldly portrayed a train wreck or a bad mommy. For our children, we chased the gold standard of suburban contentment set by our own stay-at-home mothers, while simultaneously stepping into the shoes of our breadwinning fathers. And we made sure that everyone knew we were handling it all swimmingly by the way we wrote notes on napkins dutifully folded into our children’s lunch boxes and threw Halloween parties with Swiss cheese cut into the shapes of ghosts. Because honestly, if that wasn’t success, what was?

The creation of the triads goes back to the seven teenth century in China. There were one hundred thirteen monks in the Shaolin monastery, Buddhist monks, Manchu invaders attacked and killed all but five of the monks. Those remaining five monks created the secret societies with the goal of overthrowing the invaders. The triads were born. But over the centuries, they changed. They dropped politics and patriotism and became criminal organizations. Much like the Italian and Russian mafias, they engage in extortion and protection rackets. To honor the ghosts of the slaughtered monks, the extortion amounts are usually a multiple of one hundred eight.

Not all ghosts haunt houses. Some try to live in your head

So much of what made me Claire was a projection of genetics, chemicals, and environment. Take them all away, and what are you? Just a ghost.

Julian couldn't help the ghost of a smile. It was what you wanted to hear, wasn't it, from your children? That they knew they were loved? He remembered when he had been carrying Tavvy upstairs, once, when he'd been thirteen; he'd tripped and fallen, twisting his body around so that he would land on his back and head, not caring if he was hurt as long as Tavvy was all right. He'd cracked himself pretty hard on the head, too, but he'd sat upright fast, his mind rac-ing: Tavvy, my baby, is he okay? It was the first time he'd thought "my baby" and not "the baby.

Andrei rested on a bench directly in front of a grave that belonged to: 'A father, hard worker, and beloved friend.' He leaned back, resting in the cemetery, and with each second, his desire to know more about this man 'Yeah, he’s a father, hard worker, and beloved friend. Weren’t we all at some point? What’s his kink? The worst thing he’s done to a person? The greatest thing he’s good at?' he thought. That’s what Andrei wanted to know. Not titles the man himself would disapprove of. What good was a proper impression in a cemetery filled with thousands of proper impressions? One must be indecent. So Andrei closed his eyes and imagined the father who worked hard and was a beloved friend. Maybe his kink was that he needed to do it in public—in the restroom after a date or at church during mass. Maybe the worst thing he had ever done was work so hard for his family that he never once saw them. Maybe the best thing he was good at was giving gifts to his friends. Yes, that’s it. He never gave money or handed them gift cards, but instead gave his brothers exactly what filled them the most. One year, he gave a notebook to his buddy John with the same line written over and over in painful cursive. The line said: 'Happy Birthday, you get thirteen hours of my life' and repeated until you could see the traces of hand cramps squiggling for life on the forty-second page. 'What a good man,' imagined Andrei. 'Hell of a mate.

The Answer by Maisie Aletha Smikle What's the question They ain’t got none What's the answer There is but one The answer is quick The answer is fast The answer is the remedy The answer is the solution for the unask question What's the answer Tax it What's the answer Tax it There goes a ghost Is it walking? Yes Tax it There is a stone Formed from limestone Cost it and ahh... ahh.. Tax it Cost all rocks, stones and pebbles From North to South From East to West Not a grain of pebble must be left Rain snow or hail Any buyers Yes Tax it We want more We must store We must take Even the dirt Ocean front Ocean back Ocean side All sides Lake front Lake back Lake side Every side Beach side Beach back Beach front Beach rear we don't care Water back Water front Water side River side Gully side Any side Cost it We must tax it Oh look. .the desert The forest What's the cost For us it's nil For them it's a mil Tax on nil is a nil But a mil We shan't be still Ours is nil Theirs' is a mil It's a thrill Tax the ant on the mill So we can get our mil For we shan't get rich taxing nil The cost of land must never fall It must grow tree tall Or else We shan't be able to have a Ball Rocky smooth soggy or muddy If only we could tax the sea and ocean too Ahh...ahh.. .who owns it For us it's nil for them it's a mil We shall tax the animals and fishes too All that are kept in the zoo When the zoo is full Our pockets are full Enact a fee just to look at the zoo The circus cinema or fair To hunt or fish Whether you caught or miss Add a fee for every flush Number one or number two For every act you do We must make a buck or two Anyone who protests And put our pockets to the test We shall arrest For unlawful unrest We go to the moon but . What we really want is heaven To cost it And tax it Then we'd go Sailing on cloud nine Skiing on cloud ten Golfing on cloud eleven Foreclose on cloud twelve For the owner we can't find Aha Parachute off cloud thirteen Practice Yoga and Ballet on cloud fourteen On cloud fifteen we’d parade Impromptu Balls We’ll call a piece of land a Park So we can tax the trees and tax the plants We’ll tax all creation visible and invisible and call it a Tax Revolution

A strange stranger gave me—gave us—thirteen thousand dollars and told us to use our imaginations. To seek well: to be curious, to find what we can in the world, to be alive while we’re alive. I thought of that line in his obituary—” Lyle’s eyes glittered. “—​about regretting arriving at death’s doormat with full pockets. I felt he was saying—don’t hoard what you’ve been given, because you think it’s all you’re going to get. Be generous. And be generous now, because the future isn’t a destination. It’s an extension of how we choose to live today.

She stood in the doorway watching them with a look of immense responsibility. Before her serious gaze they became a boy you couldn’t trust and a ghost you could almost puff away: a piece of frightened air. She was very young—about thirteen—and at that age you are not afraid of many things, age and death, all the things which may turn up, snake-bite and fever and rats and a bad smell. Life hadn’t got at her yet: she had a false air of impregnability. But she had been reduced already, as it were, to the smallest terms—everything was there but on the thinnest lines. That was what the sun did to a child, reduced it to a framework. The gold bangle on the bony wrist was like a padlock on a canvas door a fist could break.

Somewhere between brute silence and last Sunday's Thirteen hundred thousand sermons; Somewhere between Calvin on Christ (God help us!) and the lizards; Somewhere between seeing and speaking, somewhere Between our soiled and greasy currency of words And the first star, the great moths fluttering About the ghosts of flowers, Lies the clear place where I, no longer I, Nevertheless remember Love's nightlong wisdom of the other shore; And, listening to the wind, remember too That other night, that first of widowhood, Sleepless, with death beside me in the dark. Mine, mine, all mine, mine inescapably! But I, no longer I, In this clear place between my thought and silence See all I had and long, anguish and joys, Glowing like gentians in the Alpine grass, Blue, unpossessed and open.

For two months and thirteen days, not one person I saw acknowledged me in any way. I wasn't allowed out. I had no access to the internet or a phone and no one even spoke in my presence. I existed as a ghost in my father's home, scavenging food from the kitchen at night once I managed to stomach it at all. It was...perhaps the worst punishment I have ever suffered at his hands. You cannot fully comprehend the loneliness of a little boy trapped and-