The Palace Of Illusions Quotes

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Love comes like lightning, and disappears the same way. If you are lucky, it strikes you right. If not, you'll spend your life yearning for a man you can't have.
Chitra Banerjee Divakaruni (The Palace of Illusions)
I am buoyant and expansive and uncontainable--but I always was so, only I never knew it!
Chitra Banerjee Divakaruni (The Palace of Illusions)
Can't you ever be serious?' I said, mortified. 'It's difficult,' he said. 'There's so little in life that's worth it.
Chitra Banerjee Divakaruni (The Palace of Illusions)
Your childhood hunger is the one that never leaves you.
Chitra Banerjee Divakaruni (The Palace of Illusions)
Expectations are like hidden rocks in your path—all they do is trip you up.
Chitra Banerjee Divakaruni (The Palace of Illusions)
There was an unexpected freedom in finding out that one wasn't as important as one had always assumed!
Chitra Banerjee Divakaruni (The Palace of Illusions)
Aren't we all pawns in the hands of time, the greatest player of them all?
Chitra Banerjee Divakaruni (The Palace of Illusions)
The heart itself is beyond control. That is its power, and its weakness.
Chitra Banerjee Divakaruni (The Palace of Illusions)
Because ultimately only the witness -- and not the actors -- knows the truth (Vyasa to Draupadi)
Chitra Banerjee Divakaruni (The Palace of Illusions)
She who sows vengeance must reap its bloody fruit.
Chitra Banerjee Divakaruni (The Palace of Illusions)
A situation in itself,” he said, “is neither happy nor unhappy. It’s only your response to it that causes your sorrow.
Chitra Banerjee Divakaruni (The Palace of Illusions)
wait for a man to avenge your honor, and you’ll wait forever.
Chitra Banerjee Divakaruni (The Palace of Illusions)
A problem becomes a problem only if you believe it to be so. And often others see you as you see yourself.” I
Chitra Banerjee Divakaruni (The Palace of Illusions)
time is the great eraser, both of sorrow and of joy.
Chitra Banerjee Divakaruni (The Palace of Illusions)
Wisdom that isn't distilled in our own crucible can't help us.
Chitra Banerjee Divakaruni (The Palace of Illusions)
I saw something I hadn't realized before: words wasted energy. I would use my strength instead to nurture my belief that my life would unfurl uniquely.
Chitra Banerjee Divakaruni (The Palace of Illusions)
...this time I didn't launch into my usual tirade. Was it a memory of Krishna, the cool silence with which he countered disagreement, that stopped me? I saw something I hadn't realized before: words wasted energy.
Chitra Banerjee Divakaruni (The Palace of Illusions)
Above us our palace waits, the only one I've ever needed. Its walls are space, its floor is sky, its center everywhere. We rise; the shapes cluster around us in welcome, dissolving and forming again like fireflies in a summer evening.
Chitra Banerjee Divakaruni (The Palace of Illusions)
Doesn’t the imagination always exaggerate—or diminish—truth?
Chitra Banerjee Divakaruni (The Palace of Illusions)
But truth, when it’s being lived, is less glamorous than our imaginings.
Chitra Banerjee Divakaruni (The Palace of Illusions)
Distance is a great promoter of harmony:
Chitra Banerjee Divakaruni (The Palace of Illusions)
we cannot force ourselves to love—or to withhold it. At best, we can curb our actions. The heart itself is beyond control. That is its power, and its weakness.
Chitra Banerjee Divakaruni (The Palace of Illusions)
Even the wisest don't know what's hidden in the depths of their being
Chitra Banerjee Divakaruni (The Palace of Illusions)
Isn’t that what truth is? The force of a person’s believing seeps into those around him—into the very earth and air and water—until there’s nothing else.
Chitra Banerjee Divakaruni (The Palace of Illusions)
I broke the first rule, the unwritten one, meant not just for warriors but all of us: I took love and used it as a balm to soothe my ego.
Chitra Banerjee Divakaruni (The Palace of Illusions)
You could also call it waking,' Krishna continues. 'Or intermission, as one scene in a play ends and the next hasn't yet begun.
Chitra Banerjee Divakaruni (The Palace of Illusions)
Kitsch is the most pernicious of all prisons. The bars are covered with the gold of simplistic, unreal feelings, so that you take them for the pillars of a palace.
Pascal Mercier (Night Train to Lisbon)
I tried to hold on to this compassion, sensing its preciousness, but even as I reached to grasp it, it dissipated into wisps. No revelation can endure unless it is bolstered by a calm pure mind- and I'm afraid I didn't possess that.
Chitra Banerjee Divakaruni (The Palace of Illusions)
Can our actions change our destiny? Or are they like sand piled against the breakage in a dam, merely delaying the inevitable?
Chitra Banerjee Divakaruni (The Palace of Illusions)
The only reason I am inside the Palace of Illusions is that I am afraid of being declared insane. I know it is all fake. I know everyone is conspiring against me (everyone in this simulation). And I still can’t get out. It’s like a man speeding his bike towards the edge. He knows his future. Yet he can’t make a turn, for he has a stunt to perform for others to watch. This condition is subdued insanity. When you know you are not sane, yet have to act like everything is all right with the world you live in. It is insanity deferred. Insanity postponed. Only to haunt you all the time. An undercurrent. Not manifested in totality.
Abhaidev (The Meaninglessness of Meaning)
Ii would no longer waste time on regret. I would turn my face to the future and carve it into the shape I wanted. - Panchali
Chitra Banerjee Divakaruni (The Palace of Illusions)
Love. There’s no argument, no matter how strong, that can overcome that word.
Chitra Banerjee Divakaruni (The Palace of Illusions)
I thought that if lokas existed at all, good women would surely go to one where men were not allowed so that they could be finally free of male demands.
Chitra Banerjee Divakaruni (The Palace of Illusions)
A well-meaning man, Dhai Ma liked to say, is more dangerous because he believes in the rightness of what he does. Give me an honest rascal any day!
Chitra Banerjee Divakaruni (The Palace of Illusions)
But Krishna was a chameleon.
Chitra Banerjee Divakaruni (The Palace of Illusions)
For men, the softer emotions are always intertwined with power and pride. That was why Karna waited for me to plead with him though he could have stopped my suffering with a single world. That was why he turned on me when I refused to ask for his pity. That was why he incited Dussasan to an action that was against the code of honor by which he lived his life. He knew he would regret it—in his fierce smile there had already been a glint of pain. But was a woman's heart any purer, in the end? That was the final truth I learned. All this time I'd thought myself better than my father, better than all those men who inflicted harm on a thousand innocents in order to punish the one man who had wronged them. I'd thought myself above the cravings that drove him. But I, too, was tainted with them, vengeance encoded into my blood. When the moment came I couldn't resist it, no more than a dog can resist chewing a bone that, splintering, makes his mouth bleed. Already I was storing these lessons inside me. I would use them over the long years of exile to gain what I wanted, no matter what its price. But Krishna, the slippery one, the one who had offered me a different solace, Krishna with his disappointed eyes—what was the lesson he'd tried to teach?
Chitra Banerjee Divakaruni (The Palace of Illusions)
Were the stories we told each other true? Who knows? At the best of times, a story is a slippery thing. Perhaps that was why it changed with each telling. Or is that the nature of all stories, the reason for their power?
Chitra Banerjee Divakaruni (The Palace of Illusions)
The power of a man is like a bull’s charge, while the power of a woman moves aslant, like a serpent seeking its prey. Know the particular properties of your power. Unless you use it correctly, it won’t get you what you want.” His words perplexed me. Wasn’t power singular and simple? In the world that I knew, men just happened to have more of it. (I hoped to change this.)
Chitra Banerjee Divakaruni (The Palace of Illusions)
Just as we cast off worn clothes and wear new ones, when the time arrives, the soul casts off the body and finds a new one to work out its karma. Therefore the wise grieve neither for the living nor the dead.
Chitra Banerjee Divakaruni (The Palace of Illusions)
You will be remembered for causing the greatest war of your time.
Chitra Banerjee Divakaruni (The Palace of Illusions)
How pride had kept them from admitting their mistakes—and
Chitra Banerjee Divakaruni (The Palace of Illusions)
For isn't that what our homes are ultimately, our fantasies made corporeal, our secret selves exposed? The converse is also true: we grow to become that which we live within.
Chitra Banerjee Divakaruni (The Palace of Illusions)
his love was totally different from every other love in my life. Unlike them, it didn't expect me to behave in a certain way. It didn't change into displeasure or anger or even hatred if I didn't comply. It healed me.
Chitra Banerjee Divakaruni (The Palace of Illusions)
Your childhood hunger is the one that never leaves you. No matter how famous or powerful they became, my husbands would always long to be cherished. They would always yearn to feel worthy. If a person could make them feel that way, they’d bind themselves to him—or her—forever.
Chitra Banerjee Divakaruni (The Palace of Illusions)
The choice they made in the moment of my need changed something in our relationship. I no longer depended on them so completely in the future. And when I took care to guard myself from hurt, it was as much from them as from our enemies.
Chitra Banerjee Divakaruni (The Palace of Illusions)
It's a rare man—and an even rarer ruler—that can remain untouched by jealousy in the face of a peer's sudden prosperity.
Chitra Banerjee Divakaruni (The Palace of Illusions)
What is the most wondrous thing on earth? Each day countless humans enter the Temple of Death, yet the ones left behind continue to live as though they were immortal.
Chitra Banerjee Divakaruni (The Palace of Illusions)
why man found himself driven to wrongdoing in spite of good intentions, Krishna replied, Because of anger and desire, our two direst enemies.
Chitra Banerjee Divakaruni (The Palace of Illusions)
Try to remember that you are the instrument and I the doer. If you can hold on to this, no sin can touch you. Instrument,
Chitra Banerjee Divakaruni (The Palace of Illusions)
Expectations are like hidden rocks in your path—all they do is trip you up. .
Chitra Banerjee Divakaruni (The Palace of Illusions)
To see a loved one in pain is more wrenching than to bear that pain yourself.
Chitra Banerjee Divakaruni (The Palace of Illusions)
What did I learn that day in the sabha? All this time I'd believed in my power over my husbands. I'd believed that because they loved me they would do anything for me. But now I saw that though they did love me—as much perhaps as any man can love—there were other things they loved more. Their notions of honor, of loyalty toward each other, of reputation were more important to them than my suffering. They would avenge me later, yes, but only when they felt the circumstances would bring them heroic fame. A woman doesn't think that way. I would have thrown myself forward to save them if it had been in my power that day. I wouldn't have cared what anyone thought. The choice they made in the moment of my need changed something in our relationship. I no longer depended on them so completely in the future. And when I took care to guard myself from hurt, it was as much from them as from our enemies
Chitra Banerjee Divakaruni (The Palace of Illusions)
Oh! Happiness I am looking for you In the wilderness, In and around the palaces, In my possessions, in my wealth and splendor, I can see you far away, Like an illusion, I try to touch feel and smell but, Like a morichica you dance far away.
Debasish Mridha
Then I said to myself, "If the centuries are going by, mine will come too, and will pass, and after a time the last century of all will come, and then I shall understand." And I fixed my eyes on the ages that were coming and passing on; now I was calm and resolute, maybe even happy. Each age brought its share of light and shade, of apathy and struggle, of truth and error, and its parade of systems, of new ideas, of new illusions; in each of them the verdure of spring burst forth, grew yellow with age, and then, young once more, burst forth again. While life thus moved with the regularity of a calendar, history and civilization developed; and man, at first naked and unarmed, clothed and armed himself, built hut and palace, villages and hundred-gated Thebes, created science that scrutinizes and art that elevates, made himself an orator, a mechanic, a philosopher, ran all over the face of the globe, went down into the earth and up to the clouds, performing the mysterious work through which he satisfied the necessities of life and tried to forget his loneliness. My tired eyes finally saw the present age go by end, after it, future ages. The present age, as it approached, was agile, skillful, vibrant, proud, a little verbose, audacious, learned, but in the end it was as miserable as the earlier ones. And so it passed, and so passed the others, with the same speed and monotony.
Machado de Assis (Memórias póstumas de Brás Cubas)
The fates are cruel,” Bheeshma whispered, “and they’ve been crueler than usual to you. But the sins you committed in ignorance are not your fault.” “I’ll still have to pay for them,” Karna said. “Isn’t that how karma works? Look at what happened to Pandu, who killed a sage by accident, thinking him to be a wild deer. He had to bear the consequences of it for the rest of his life.
Chitra Banerjee Divakaruni (The Palace of Illusions)
The pleasures that arise from sense-objects are bound to end, and thus they are only sources of pain. Don’t get attached to them. And: When a man reaches a state where honor and dishonor are alike to him, then he is considered supreme. Strive to gain such a state.
Chitra Banerjee Divakaruni (The Palace of Illusions)
She taught me to close myself off from the sorrow of others so that I might survive
Chitra Banerjee Divakaruni (The Palace of Illusions)
the confidence of the untested.
Chitra Banerjee Divakaruni (The Palace of Illusions)
Isn't that what truth is? The force of a person's believing seeps into those around him- into the very earth and air and water- until there's nothing else.
Chitra Banerjee Divakaruni (The Palace of Illusions)
Is the desire for vengeance stronger than the longing to be loved? What evil magic does it possess to draw the human heart so powerfully to it?
Chitra Banerjee Divakaruni (The Palace of Illusions)
The moment when one loses the illusions and passions of youth often leaves regrets, but sometimes we hate the spell that deceived us. So it is that Armida burns and razes the palace where she was enchanted.
Nicolas Chamfort (Products of the Perfected Civilization: Selected Writings)
This is the nature of sorrow; often it fades with time, but once in a while it remains lodged below the surface of things, a stubborn thorn beneath a fingernail, making itself felt every time you brush against it. (How well I knew this, for random events would startle me into the memory of a pair of ancient eyes.)
Chitra Banerjee Divakaruni (The Palace of Illusions)
Thinking was torment; why not give up thinking, and drift and dream? But the misery of the world, she thought, forces me to think. Or was that a pose? Was she not seeing herself in the becoming attitude of the one who points to his bleeding heart? to whom the miseries of the world are misery, when in fact, she thought, I do not love my kind. Again she saw the ruby-splashed pavement, and faces mobbed at the door of the picture palace; apathetic, passive faces; the faces of people drugged with cheap pleasures; who had not even the courage to be themselves, but must dress up, imitate, pretend.
Virginia Woolf (The Years)
I shall never go back, I said to myself. A door had shut, the low door in the wall I had sought and found in Oxford; open it now and I should find no enchanted garden. I had come to the surface, into the light of common day and the fresh sea-air, after long captivity in the sunless coral palaces and waving forests of the ocean bed. I had left behind me – what? Youth? Adolescence? Romance? The conjuring stuff of these things, "the Young Magician's Compendium," that neat cabinet where the ebony wand had its place beside the delusive billiard balls, the penny that folded double and the feather flowers that could be drawn into a hollow candle. "I have left behind illusion," I said to myself. "Henceforth I live in a world of three dimensions — with the aid of my five senses." I have since learned that there is no such world; but then, as the car turned out of sight of the house, I thought it took no finding, but lay all about me at the end of the avenue.
Evelyn Waugh (Brideshead Revisited)
Did you ever think how monotonous your life would be if you could see all that was coming to you?
Chitra Banerjee Divakaruni (The Palace of Illusions)
Like many Indian children, I grew up on the vast, varied, and fascinating tales of the Mahabharat.
Chitra Banerjee Divakaruni (The Palace of Illusions)
expectations are like hidden rocks in your path, all they do is trip you up.
Chitra Banerjee Divakaruni (The Palace of Illusions)
A situation in itself,” he said, “is neither happy nor unhappy. It’s only your response to it that causes your sorrow. But
Chitra Banerjee Divakaruni (The Palace of Illusions)
And have you come to set me free finally, Govinda?” he asked. “Have I paid sufficiently for my theft?
Chitra Banerjee Divakaruni (The Palace of Illusions)
Love comes like lightning , and disappears the same way.. If you are lucky it strikes you right..
Chitra Banerjee Divakaruni (The Palace of Illusions)
What is it in us that carves negative impressions so deeply into our brains?
Chitra Banerjee Divakaruni (The Palace of Illusions)
And the mother, who through all the years of her hardship had never shed a tear, wept at his trust and her deception.
Chitra Banerjee Divakaruni (The Palace of Illusions)
Wait for a man to avenge your honour and you'll wait forever.
Chitra Banerjee Divakaruni (The Palace of Illusions)
Expectations are like hidden rocks in your path- all they do is trip you up.
Chitra Banerjee Divakaruni (The Palace of Illusions)
Isn't that what truth is? The force of a person's believing seeps into those around him— into the very earth and air and water—until there's nothing else.
Chitra Banerjee Divakaruni (The Palace of Illusions)
Just as you've deceived me, so will your mind deceive you. When you need the Brahmastra the most, you'll forget the mantra needed to call it up.
Chitra Banerjee Divakaruni (The Palace of Illusions)
Distance is a great promoter of harmony
Chitra Banerjee Divakaruni (The Palace of Illusions)
At what point does forbearance cease to be a virtue and become a weakness?)
Chitra Banerjee Divakaruni (The Palace of Illusions)
This disappearance, this annihilation is all a matter of appearances as seen through the eyes of the false self. The annihilation is only apparent, for the self being annihilated is itself only apparent. It is a self without God, that is, a self that can never exist. What is annihilated is our false self, our external self made absolute, the imposter, the mask (persona), the liar we think we are but are not. The annihilation therefore is not annihilation at all, for nothing real or genuine is annihilated. Rather, what is genuine is affirmed as our psychological, historical, social self and placed in its true relationship to God. All that is annihilated is the illusion of the self that cannot bear God's presence, save as an idol fabricated for the ego's own glorification. It is this "self" that is "annihilated" through God's merciful love. The annihilation is merciful for it, in fact, is the antithesis of annihilation. It is rather an obscure, inexplicable foretaste in faith of our final consummation as created persons. It is the mystery of the cross creatively at work in the foundations of consciousness, recreating our awareness that we might know God as he knows himself.
James Finley (Merton's Palace of Nowhere)
I heard the laments of the people of Hastinapur, their sorrow at losing us. But I no longer required their tears. It baffled me that as a younger women I'd thought that such a thing would make me happy.
Chitra Banerjee Divakaruni (The Palace of Illusions)
All through the history of the world, the virtuous have suffered for causes unseen. Learn from Nal and Damayanti to bear your misfortunes bravely. Like theirs, your evil times, too, will come to an end.
Chitra Banerjee Divakaruni (The Palace of Illusions)
And if I wasn't able to bar anger, or her insidious cousin, irritation, From my heart, at least some of the time I bit back the sharp comments that I had prided myself on dispensing so freely all these years.
Chitra Banerjee Divakaruni (The Palace of Illusions)
Just as we cast off worn clothes and wear new ones, when the time arrives, the soul casts off the body and finds a new one to work out its karma. Therefore the wise grieve neither for the living nor the dead. I
Chitra Banerjee Divakaruni (The Palace of Illusions)
No further use now for this language, this learning, this whole education through which I was taught to exert myself at the heart of the world. Mirage or mirror, a great enchantment glows in this darkness and leans against the door-jam of ravages in the classic pose assumed by death immediately after shedding her shroud. O my image of bone, here I am: let everything finally decompose in the palace of illusions and silence.
Louis Aragon (Paris Peasant)
Still, she was real; she had lived. She had been worshiped and adored by the people in the movie palaces. She had kissed the fish, and walked in the grounds of my hotel seventy years before: no time in England, but an eternity in Hollywood.
Neil Gaiman (Smoke and Mirrors: Short Fiction and Illusions)
On behalf of those you killed, imprisoned, tortured, you are not welcome, Erdogan! No, Erdogan, you’re not welcome in Algeria. We are a country which has already paid its price of blood and tears to those who wanted to impose their caliphate on us, those who put their ideas before our bodies, those who took our children hostage and who attempted to kill our hopes for a better future. The notorious family that claims to act in the name of the God and religion—you’re a member of it—you fund it, you support it, you desire to become its international leader. Islamism is your livelihood Islamism, which is your livelihood, is our misfortune. We will not forget about it, and you are a reminder of it today. You offer your shadow and your wings to those who work to make our country kneel down before your “Sublime Door.” You embody and represent what we loathe. You hate freedom, the free spirit. But you love parades. You use religion for business. You dream of a caliphate and hope to return to our lands. But you do it behind the closed doors, by supporting Islamist parties, by offering gifts through your companies, by infiltrating the life of the community, by controlling the mosques. These are the old methods of your “Muslim Brothers” in this country, who used to show us God’s Heaven with one hand while digging our graves with the other. No, Mr. Erdogan, you are not a man of help; you do not fight for freedom or principles; you do not defend the right of peoples to self-determination. You know only how to subject the Kurds to the fires of death; you know only how to subject your opponents to your dictatorship. You cry with the victims in the Middle East, yet sign contracts with their executioners. You do not dream of a dignified future for us, but of a caliphate for yourself. We are aware of your institutionalized persecution, your list of Turks to track down, your sinister prisons filled with the innocent, your dictatorial justice palaces, your insolence and boastful nature. You do not dream of a humanity that shares common values and principles, but are interested only in the remaking of the Ottoman Empire and its bloodthirsty warlords. Islam, for you, is a footstool; God is a business sign; modernity is an enemy; Palestine is a showcase; and local Islamists are your stunned courtesans. Humanity will not remember you with good deeds Humanity will remember you for your machinations, your secret coups d’état, and your manhunts. History will remember you for your bombings, your vengeful wars, and your inability to engage in constructive dialogue with others. The UN vote for Al-Quds is only an instrument in your service. Let us laugh at this with the Palestinians. We know that the Palestinian issue is your political capital, as it is for many others. You know well how to make a political fortune by exploiting others’ emotions. In Algeria, we suffered, and still suffer, from those who pretend to be God and act as takers and givers of life. They applaud your coming, but not us. You are the idol of Algerian Islamists and Populists, those who are unable to imagine a political structure beyond a caliphate for Muslim-majority societies. We aspire to become a country of freedom and dignity. This is not your ambition, nor your virtue. You are an illusion You have made beautiful Turkey an open prison and a bazaar for your business and loved ones. I hope that this beautiful nation rises above your ambitions. I hope that justice will be restored and flourish there once again, at least for those who have been imprisoned, tortured, bombed, and killed. You are an illusion, Erdogan—you know it and we know it. You play on the history of our humiliation, on our emotions, on our beliefs, and introduce yourself as a savior. However, you are a gravedigger, both for your own country and for your neighbors. Turkey is a political miracle, but it owes you nothing. The best thing you can do
Kamel Daoud
After so much imposture, so much fraud, it is comforting to contemplate a beggar. He, at least, neither lies nor lies to himself: his doctrine, if he has one, he embodies; work he dislikes, and he proves it; wanting to possess nothing, he cultivates his impoverishment, the condition of his freedom. His thought is resolved into his being and his being into his thought. He has nothing, he is himself, he endures: to live on a footing with eternity is to live from day to day, from hand to mouth. Thus, for him, other men are imprisoned in illusion. If he depends on them, he takes his revenge by studying them, a specialist in the underbelly of “noble” sentiments. His sloth, of a very rare quality, truly “delivers” him from a world of fools and dupes. About renunciation he knows more than many of your esoteric works. To be convinced of this, you need only walk out into the street … But you prefer the texts that teach mendicancy. Since no practical consequence accompanies your meditations, it will not be surprising that the merest bum is worth more than you … Can we conceive a Buddha faithful to his truths and to his palace? One is not “delivered-alive” and still a land-owner. I reject the generalization of the lie, I repudiate those who exhibit their so-called “salvation” and prop it with a doctrine which does not emanate from themselves. To unmask them, to knock them off the pedestal they have hoisted themselves on, to hold them up to scorn is a campaign no one should remain indifferent to. For at any price we must keep those who have too clear a conscience from living and dying in peace.
Emil M. Cioran (The Temptation to Exist)
There seemed never to be a moment when he was not haunted by the fear of being thought lacking by his British colleagues. And yet it seemed to be universally agreed that he was one of the most successful Indians of his generation, a model for his countrymen. Did this mean that one day all of India would become a shadow of what he had been? Millions of people trying to live their lives in conformity with incomprehensible rules? Better to be what Dolly had been: a woman who had no illusions about the nature of her condition; a prisoner who knew the exact dimensions of her cage and could look for contentment within those confines.
Amitav Ghosh (The Glass Palace)
What is more numerous than the grass? The thoughts that rise in the mind of man. Who is truly wealthy? That man to whom the agreeable and disagreeable, wealth and woe, past and future, are the same. What is the most wondrous thing on earth? Each day countless humans enter the Temple of Death, yet the ones left behind continue to live as though they were immortal.
Chitra Banerjee Divakaruni (The Palace of Illusions)
So... what's the trick?" At Loch's questioning look he sniffed. "You planning to run off under an illusion? Maybe your unicorn will fly you away? You've had an angle this whole time. I respect that. So... what's it going to be this time, young lady?" "The trick," Loch said, drawing her blade, "is that this time, the young lady kicks your ass." The first rays of dawn shimmered off their blades as steel met steel.
Patrick Weekes (The Palace Job (Rogues of the Republic, #1))
She laughed out loud. 'I can't teach you that,' she said. 'Love comes like lightning, and disappears the same way. If you're lucky, it strikes you right. If not, you'll spend your life yearning for a man you can't have. I advise you to forget about love, princess. Pleasure is simpler, and duty more important. Learn to be satisfied with them.' I should have believed her and modified my expectations. But I didn't. Deep in my stubborn heart I was convinced I deserved more.
Chitra Banerjee Divakaruni (The Palace of Illusions)
... woman’s highest purpose in life is to support the warriors in her life: her father, brother, husband, and sons. If they should be called to war, she must be happy that they have the opportunity to fulfill a heroic destiny. Instead of praying for their safe return, she must pray that they die with glory on the battlefield... I promised myself I’d never pray for their deaths. I’d teach them, instead, to be survivors. And why was a battle necessary at all? Surely there were other ways to glory, even for men? I’d teach them to search for those.
Chitra Banerjee Divakaruni (The Palace of Illusions)
When Franz returned to himself, he seemed still to be in a dream. He thought himself in a sepulchre, into which a ray of sunlight in pity scarcely penetrated. He stretched forth his hand, and touched stone; he rose to his seat, and found himself lying on his bournous in a bed of dry heather, very soft and odoriferous. The vision had fled; and as if the statues had been but shadows from the tomb, they had vanished at his waking. He advanced several paces towards the point whence the light came, and to all the excitement of his dream succeeded the calmness of reality. He found that he was in a grotto, went towards the opening, and through a kind of fanlight saw a blue sea and an azure sky. The air and water were shining in the beams of the morning sun; on the shore the sailors were sitting, chatting and laughing; and at ten yards from them the boat was at anchor, undulating gracefully on the water. There for some time he enjoyed the fresh breeze which played on his brow, and listened to the dash of the waves on the beach, that left against the rocks a lace of foam as white as silver. He was for some time without reflection or thought for the divine charm which is in the things of nature, specially after a fantastic dream; then gradually this view of the outer world, so calm, so pure, so grand, reminded him of the illusiveness of his vision, and once more awakened memory. He recalled his arrival on the island, his presentation to a smuggler chief, a subterranean palace full of splendor, an excellent supper, and a spoonful of hashish. It seemed, however, even in the very face of open day, that at least a year had elapsed since all these things had passed, so deep was the impression made in his mind by the dream, and so strong a hold had it taken of his imagination. Thus every now and then he saw in fancy amid the sailors, seated on a rock, or undulating in the vessel, one of the shadows which had shared his dream with looks and kisses. Otherwise, his head was perfectly clear, and his body refreshed; he was free from the slightest headache; on the contrary, he felt a certain degree of lightness, a faculty for absorbing the pure air, and enjoying the bright sunshine more vividly than ever.
Alexandre Dumas (The Count of Monte Cristo)
...I don't know, but I may have even been happy. Happy perhaps. Each century brought its portion of light and shadow, apathy and combat, truth and error, and its cortège of systems, new ideas, new illusions. In each of them the greenery of a springtime was bursting forth, and then would yellow, to be rejuvenated later on. So in that way life had the regularity of a calendar, history and civilization were being made, and man, naked and unarmed, armed himself and dressed; built hovel and palace, a crude village and Thebes of a Thousand Gates; created science that scrutinizes and art that elevates; made himself orator, mechanic, philosopher; covered the face of the globe; descended into the bowels of the Earth; climbed up to the sphere of the clouds, collaborating in that way in the mysterious work in which he mitigated the necessities of life and the melancholy of abandonment. My gaze, bored and distracted, finally saw the present century arrive, and behind it the future one, it came along agile, dexterous, vibrant, self-confident, a little diffuse, bold, knowledgeable, but in the end as miserable as the ones before, and so it passed...
Machado de Assis (Memórias póstumas de Brás Cubas)
Sixty-two years passed since that battle, I can remember it as if it was yesterday. It made me the king I am now, not with the power of swords, but with the power of words. Enemies invaded our land like black death until they reached our city. My father, the king, was preparing for the final battle; even women were given swords and asked to fight. It was a battle like no other battle; we fought like Titans not humans, and we crushed our enemies although they outnumbered us. ” The king is wounded ! The king is wounded ! ” shouted one of the soldiers . I rushed towards the source of the sound to find my father bleeding on the ground, I tried to take off his armor but he refused and asked me to get closer to him. He squeezed my arm with his old hand and said : “Don’t build your life on illusions, Don’t build your opinion on hypotheses, Don’t build your style on imitation, Don’t build your image on lies, Don’t build your respect on fear, Don’t build your dreams on others’ nightmares, Don’t build your friendships on benefits, Don’t build your heroism on foolish acts, Don’t build your kingdom on the backs of the poor, Don’t build your palace on the soft sands of injustice” Then he looked up to the sky and closed his eyes forever. He left me a kingdom in ruins, but left me the richest king.
Muhammad Nusair
Perhaps the smell of the balm had put me in a trance, for as I moved my hands back and forth, I thought I saw hanging in the night sky a great web, its glinting threads woven from our present nature and our past actions. Karna was caught in it, as was I. Others were enmeshed there, too: Kunti, my husbands, Bheeshma, even Duryodhan and Dussasan. If there was a way to escape the web, I couldn't see it. Our puny struggles only entangled us further. A strange compassion came upon me as I watched us twist and turn in the breeze. I tried to hold on to this compassion, sensing its preciousness, but even as I reached to grasp it, it dissipated into wisps. No revelation can endure unless it is bolstered by a calm, pure mind - and I'm afraid I didn't possess that.
Chitra Banerjee Divakaruni (The Palace of Illusions)
But I was in search of love in those days, and I went full of curiosity and the faint, unrecognized apprehension that here, at last, I should find that low door in the wall, which others, I knew, had found before me, which opened on an enclosed and enchanted garden, which was somewhere, not overlooked by any window, in the heart of that grey city.... (Book I, Ch. 1) I shall never go back, I said to myself. A door had shut, the low door in the wall I had sought and found in Oxford; open it now and I should find no enchanted garden. I had come to the surface, into the light of common day and the fresh sea-air, after long captivity in the sunless coral palaces and waving forests of the ocean bed. I had left behind me – what? Youth? Adolescence? Romance? The conjuring stuff of these things, "the Young Magician's Compendium," that neat cabinet where the ebony wand had its place beside the delusive billiard balls, the penny that folded double and the feather flowers that could be drawn into a hollow candle. "I have left behind illusion," I said to myself. "Henceforth I live in a world of three dimensions — with the aid of my five senses." I have since learned that there is no such world; but then, as the car turned out of sight of the house, I thought it took no finding, but lay all about me at the end of the avenue." (Book II, Ch. 1)
Evelyn Waugh (Brideshead Revisited)
But I was in search of love in those days, and I went full of curiosity and the faint, unrecognized apprehension that here, at last, I should find that low door in the wall, which others, I knew, had found before me, which opened on an enclosed and enchanted garden, which was somewhere, not overlooked by any window, in the heart of that grey city.... (Book I, Ch. 1) I shall never go back, I said to myself. A door had shut, the low door in the wall I had sought and found in Oxford; open it now and I should find no enchanted garden. I had come to the surface, into the light of common day and the fresh sea-air, after long captivity in the sunless coral palaces and waving forests of the ocean bed. I had left behind me – what? Youth? Adolescence? Romance? The conjuring stuff of these things, "the Young Magician's Compendium," that neat cabinet where the ebony wand had its place beside the delusive billiard balls, the penny that folded double and the feather flowers that could be drawn into a hollow candle. "I have left behind illusion," I said to myself. "Henceforth I live in a world of three dimensions — with the aid of my five senses." I have since learned that there is no such world; but then, as the car turned out of sight of the house, I thought it took no finding, but lay all about me at the end of the avenue." (Book II, Ch. 1)
Evelyn Waugh (Brideshead Revisited)
Now I myself, I cheerfully admit, feel that enormity in Kensington Gardens as something quite natural. I feel it so because I have been brought up, so to speak, under its shadow; and stared at the graven images of Raphael and Shakespeare almost before I knew their names; and long before I saw anything funny in their figures being carved, on a smaller scale, under the feet of Prince Albert. I even took a certain childish pleasure in the gilding of the canopy and spire, as if in the golden palace of what was, to Peter Pan and all children, something of a fairy garden. So do the Christians of Jerusalem take pleasure, and possibly a childish pleasure, in the gilding of a better palace, besides a nobler garden, ornamented with a somewhat worthier aim. But the point is that the people of Kensington, whatever they might think about the Holy Sepulchre, do not think anything at all about the Albert Memorial. They are quite unconscious of how strange a thing it is; and that simply because they are used to it. The religious groups in Jerusalem are also accustomed to their coloured background; and they are surely none the worse if they still feel rather more of the meaning of the colours. It may be said that they retain their childish illusion about their Albert Memorial. I confess I cannot manage to regard Palestine as a place where a special curse was laid on those who can become like little children. And I never could understand why such critics who agree that the kingdom of heaven is for children, should forbid it to be the only sort of kingdom that children would really like; a kingdom with real crowns of gold or even of tinsel. But that is another question, which I shall discuss in another place; the point is for the moment that such people would be quite as much surprised at the place of tinsel in our lives as we are at its place in theirs. If we are critical of the petty things they do to glorify great things, they would find quite as much to criticise (as in Kensington Gardens) in the great things we do to glorify petty things. And if we wonder at the way in which they seem to gild the lily, they would wonder quite as much at the way we gild the weed.
G.K. Chesterton (The New Jerusalem)
There are pieces to the puzzle missing,' Camas said. He was tugging his hair; his eyes glowed eerily in the red light from a stained-glass lamp. 'And pieces that don't yet fit. What, for instance, precipitates the shift from city to shadow city? Is it sorcery? Has it to do with the precarious state of affairs in the House of Greve? The powerless heir, the bastard who cannot act? What secrets are hidden within the secret palace? What is there to gain by anticipating and surviving the shift? Domina Pearl believes that it is possible, if one can remain aware during the transformation, to amass enormous knowledge and power. To rule the shadow city when it emerges, since no one else will remember the previous city, and who ruled then. All will be accepted as it is revealed. All of which is why I am so eager to speak with you. You live in Ombria's past, its ghosts and memories. How far back do you remember? Were you alive before the previous shift? How many transformations have there been? Many? One? None at all? How old are you?' The illusion of Faey inclined her head gracefully; Camas continued without listening for answers. Faey spoke then, her voice sliding within, beneath his words. 'What do you expect to gain form what you call the transformation?' Camas interrupted his own sentence with a word. 'Enlightenment. And the power that comes with an unbroken memory of the history of the city. Domina Pearl's knowledge of sorcery may not survive the transformation if she herself is not aware of the shift. I want to stay alive, be aware of the shift form city to shadow, and I will ally myself and my abilities to anyone powerful enough to maintain the integrity of existence, knowledge, memory and experience through the transformation.' 'Such as Domina Pearl?' the sorceress suggested. She kept her voice light, careless, but her eyes were very dark. 'Domina Pearl,' Camas agreed. 'Or you. Or perhaps even Ducon. He is another puzzle piece, I think. He is drawn to the hidden palace, and to the odd, unnoticed places in Ombria where the boundaries are visible between the city and its shadow. He draws them constantly.' 'So you would pledge your loyalty to him or betray him, depending on the moment?' 'Or her. Or you,' Camas answered, nodding briskly. Mag stared at him with wonder. 'Exactly. Depending on the moment.
Patricia A. McKillip (Ombria in Shadow)