β
It is a truth universally acknowledged, that a single man in possession of a good fortune, must be in want of a wife.
β
β
Jane Austen (Pride and Prejudice)
β
Don't you think it's better to be extremely happy for a short while, even if you lose it, than to be just okay for your whole life?
β
β
Audrey Niffenegger (The Time Traveler's Wife)
β
Iβve been fighting to be who I am all my life. Whatβs the point of being who I am, if I canβt have the person who was worth all the fighting for?
β
β
Stephanie Lennox (I Don't Remember You)
β
Love the world and yourself in it, move through it as though it offers no resistance, as though the world is your natural element.
β
β
Audrey Niffenegger (The Time Traveler's Wife)
β
I won't ever leave you, even though you're always leaving me.
β
β
Audrey Niffenegger (The Time Traveler's Wife)
β
What a kid I got, I told him about the birds and the bees and he told me about the butcher and my wife.
β
β
Rodney Dangerfield
β
And Lot's wife, of course, was told not to look back where all those people and their homes had been. But she did look back, and I love her for that, because it was so human. So she was turned into a pillar of salt. So it goes.
β
β
Kurt Vonnegut Jr. (Slaughterhouse-Five)
β
It's hard being left behind. (...) It's hard to be the one who stays.
β
β
Audrey Niffenegger (The Time Traveler's Wife)
β
Chance is the first step you take, luck is what comes afterward.
β
β
Amy Tan (The Kitchen God's Wife)
β
Moral indignation is jealousy with a halo.
β
β
H.G. Wells (The Wife of Sir Isaac Harman)
β
Itβs dark now and I am very tired. I love you, always. Time is nothing.
β
β
Audrey Niffenegger (The Time Traveler's Wife)
β
By all means marry; if you get a good wife, youβll become happy; if you get a bad one, youβll become a philosopher.
β
β
Socrates
β
When you kill a man, you steal a life. You steal his wife's right to a husband, rob his children of a father. When you tell a lie, you steal someone's right to the truth. When you cheat, you steal the right to fairness.
β
β
Khaled Hosseini (The Kite Runner)
β
There comes a time in your life when you have to choose to turn the page, write another book or simply close it.
β
β
Shannon L. Alder
β
I found myself thinking about President William McKinley, the third American president to be assassinated. He lived for several days after he was shot, and towards the end, his wife started crying and screaming, "I want to go too! I want to go too!" And with his last measure of strength, McKinley turned to her and spoke his last words: "We are all going.
β
β
John Green (Looking for Alaska)
β
Name one hero who was happy."
I considered. Heracles went mad and killed his family; Theseus lost his bride and father; Jason's children and new wife were murdered by his old; Bellerophon killed the Chimera but was crippled by the fall from Pegasus' back.
"You can't." He was sitting up now, leaning forward.
"I can't."
"I know. They never let you be famous AND happy." He lifted an eyebrow. "I'll tell you a secret."
"Tell me." I loved it when he was like this.
"I'm going to be the first." He took my palm and held it to his. "Swear it."
"Why me?"
"Because you're the reason. Swear it."
"I swear it," I said, lost in the high color of his cheeks, the flame in his eyes.
"I swear it," he echoed.
We sat like that a moment, hands touching. He grinned.
"I feel like I could eat the world raw.
β
β
Madeline Miller (The Song of Achilles)
β
Why is love intensified by absence?
β
β
Audrey Niffenegger (The Time Traveler's Wife)
β
Time is priceless, but itβs Free. You can't own it, you can use it. You can spend it. But you can't keep it. Once you've lost it you can never get it back.
β
β
Audrey Niffenegger (The Time Traveler's Wife)
β
The greatest hazard of all, losing oneβs self, can occur very quietly in the world, as if it were nothing at all. No other loss can occur so quietly; any other loss - an arm, a leg, five dollars, a wife, etc. - is sure to be noticed.
β
β
SΓΈren Kierkegaard (The Sickness Unto Death: A Christian Psychological Exposition for Upbuilding and Awakening)
β
Sleep is my lover now, my forgetting, my opiate, my oblivion.
β
β
Audrey Niffenegger (The Time Traveler's Wife)
β
I have too many fantasies to be a housewife.... I guess I am a fantasy.
β
β
Marilyn Monroe
β
Wherever you find a great man, you will find a great mother or a great wife standing behind him -- or so they used to say. It would be interesting to know how many great women have had great fathers and husbands behind them.
β
β
Dorothy L. Sayers (Gaudy Night (Lord Peter Wimsey, #12))
β
Give me your honest opinion. I don't want truth with a veil onβI like naked ladies naked.
β
β
Christina Stead (Miss Herbert (the suburban wife) (A Harvest/HBJ book))
β
We laugh and laugh, and nothing can ever be sad, no one can be lost, or dead, or far away: right now we are here, and nothing can mar our perfection, or steal the joy of this perfect moment.
β
β
Audrey Niffenegger (The Time Traveler's Wife)
β
Some people claim that marriage interferes with romance. There's no doubt about it. Anytime you have a romance, your wife is bound to interfere.
β
β
Groucho Marx
β
Maybe I'm dreaming you. Maybe you're dreaming me; maybe we only exist in each other's dreams and every morning when we wake up we forget all about each other.
β
β
Audrey Niffenegger (The Time Traveler's Wife)
β
Someone told me the delightful story of the crusader who put a chastity belt on his wife and gave the key to his best friend for safekeeping, in case of his death. He had ridden only a few miles away when his friend, riding hard, caught up with him, saying 'You gave me the wrong key!
β
β
AnaΓ―s Nin
β
That sounds terrific, thought Cary, just you, your comatose wife your shell-shocked son, and your daughter who hates your guts. Not to mention that your two kids may be in love with each other. Yeah, that sounds like a perfect family reunion.
β
β
Cassandra Clare (City of Bones (The Mortal Instruments, #1))
β
Where is Aelin.
Where is my wife?
β
β
Sarah J. Maas (Empire of Storms (Throne of Glass, #5))
β
Girlfriend is such a stupid word. I couldn't stand calling her that. So, we had to get married, so I could call her 'wife.
β
β
Gayle Forman (If I Stay (If I Stay, #1))
β
A woman should be able to kiss a man beautifully and romantically without any desire to be either his wife or his mistress.
β
β
F. Scott Fitzgerald (The Beautiful and Damned)
β
If you meet a woman of whatever complexion who sails her life with strength and grace and assurance, talk to her! And what you will find is that there has been a suffering, that at some time she has left herself for hanging dead.
β
β
Sena Jeter Naslund (Ahab's Wife, or The Star-Gazer)
β
She is my mate. And my spy,' I said too quietly. 'And she is the High Lady of the Night Court.'
'What?' Mor whsipered.
I caressed a mental finger down that bond now hidden deep, deep within us, and said, 'If they had removed her other glove, they would have seen a second tatoo on her right arm. The twin to the other. Inked last night, when we crept out, found a priestess, and I swore her in as my High Lady.' (...) 'Not consort, not wife. Feyre is High Lady of the Night Court.' My equal in every way; she would wear my crown, sit on a throne beside mine. Never sidelined, never designated to breeding and parties and child rearing. My queen.
β
β
Sarah J. Maas (A Court of Mist and Fury (A Court of Thorns and Roses, #2))
β
I never understood why Clark Kent was so hell bent on keeping Lois Lane in the dark.
β
β
Audrey Niffenegger (The Time Traveler's Wife)
β
Biting's excellent. It's like kissing - only there is a winner.
β
β
Neil Gaiman
β
I'm sorry. I didn't know you were coming or I'd have cleaned up a little more. My life, I mean, not just the apartment.
β
β
Audrey Niffenegger (The Time Traveler's Wife)
β
There is nothing more admirable than when two people who see eye to eye keep house as man and wife, confounding their enemies and delighting their friends.
β
β
Homer (The Odyssey)
β
I wanted someone to love who would stay: stay and be there, always.
β
β
Audrey Niffenegger (The Time Traveler's Wife)
β
Sweets to the sweet, farewell! I hoped thou shouldst have been my Hamletβs wife; I thought thy bride-bed to have decked, sweet maid, And not have strewed thy grave.
β
β
William Shakespeare (Hamlet)
β
Love's about finding the one person who makes your heart complete. Who makes you a better person than you ever dreamed you could be. Its about looking in the eyes of your wife and knowing all the way to your bones that she's simply the best person you've ever known.
β
β
Julia Quinn (The Viscount Who Loved Me (Bridgertons, #2))
β
There is one thing more exasperating than a wife who can cook and won't, and that's a wife who can't cook and will.
β
β
Robert Frost
β
When a woman marries again, it is because she detested her first husband. When a man marries again, it is because he adored his first wife. Women try their luck; men risk theirs.
β
β
Oscar Wilde (The Picture of Dorian Gray)
β
I go to sleep alone, and wake up alone. I take walks. I work until I'm tired. I watch the wind play with the trash that's been under the snow all winter. Everything seems simple until you think about it. Why is love intensified by abscence?
β
β
Audrey Niffenegger (The Time Traveler's Wife)
β
Think for a minute, darling: in fairy tales it's always the children who have the fine adventures. The mothers have to stay at home and wait for the children to fly in the window.
β
β
Audrey Niffenegger (The Time Traveler's Wife)
β
Tightening his embrace around his wife and little Theo, he vowed, "I will do everything in my power to continue being worthy of the faith you have in me.
β
β
Therisa Peimer (Taming Flame)
β
This is my room,β he points out, affronted. βAnd thatβs my wife.β
βSo you keep telling everyone,β the Bomb says. βBut I am going to take out her stitches, and I donβt think you want to watch that.β
βOh, I donβt know,β I say. βMaybe heβd like to hear me scream.β
βI would,β Cardan says, standing. βAnd perhaps one day I will.
β
β
Holly Black (The Queen of Nothing (The Folk of the Air, #3))
β
How is Oberon these days? Still being henpecked by that basilisk of a wife?"
"Don't insult the basilisk...
β
β
Julie Kagawa (The Iron Daughter (The Iron Fey, #2))
β
If a man has lost a leg or an eye, he knows he has lost a leg or an eye; but if he has lost a selfβhimselfβhe cannot know it, because he is no longer there to know it.
β
β
Oliver Sacks (The Man Who Mistook His Wife for a Hat and Other Clinical Tales)
β
I smiled to fight the tears. "Fifty bucks says you'll be thanking me for this when you meet your future wife."
Travis's eyebrow pulled together as his face fell. "That's an easy bet. The only woman I'd ever wanna marry just broke my heart.
β
β
Jamie McGuire (Beautiful Disaster (Beautiful, #1))
β
Then you shouldn't have thrown her away when she was your wife. Now she ain't. Now she's somethin' to me and I don't let men I don't like get close to her and I gotta tell you man, I do not like you.
β
β
Kristen Ashley (Sweet Dreams (Colorado Mountain, #2))
β
Chaos is more freedom; in fact, total freedom. But no meaning. I want to be free to act, and I also want my actions to mean something.
β
β
Audrey Niffenegger (The Time Traveler's Wife)
β
Medicine is my lawful wife, and literature is my mistress. When I get fed up with one, I spend the night with the other
β
β
Anton Chekhov
β
No one you love is ever truly lost.
β
β
Ernest Hemingway
β
But you make me happy. It's living up to being happy that's the difficult part.
β
β
Audrey Niffenegger (The Time Traveler's Wife)
β
Fiction was invented the day Jonah arrived home and told his wife that he was three days late because he had been swallowed by a whale..
β
β
Gabriel GarcΓa MΓ‘rquez
β
Each suburban wife struggles with it alone. As she made the beds, shopped for groceries, matched slipcover material, ate peanut butter sandwiches with her children, chauffeured Cub Scouts and Brownies, lay beside her husband at night- she was afraid to ask even of herself the silent question-- 'Is this all?
β
β
Betty Friedan (The Feminine Mystique)
β
Night gathers, and now my watch begins. It shall not end until my death. I shall take no wife, hold no lands, father no children. I shall wear no crowns and win no glory. I shall live and die at my post. I am the sword in the darkness. I am the watcher on the walls. I am the fire that burns against cold, the light that brings the dawn, the horn that wakes the sleepers, the shield that guards the realms of men. I pledge my life and honor to the Night's Watch, for this night and all the nights to come.
β
β
George R.R. Martin
β
I read my eyes out and can't read half enough...the more one reads the more one sees we have to read.
β
β
John Adams (Letters of John Adams, Addressed to His Wife)
β
Right now we are here, and nothing can mar our perfection, or steal the joy of this perfect moment.
β
β
Audrey Niffenegger (The Time Traveler's Wife)
β
The best thing a girl can be is a good wife and mother. It is a girl's highest calling. I hope I am ready.
β
β
Nancy E. Turner
β
No matter what happens, please remember that I love you, hridaya patni. Promise me that you'll remember."
"It's a pet name our father used to call our mother. It means...wife of my heart.
β
β
Colleen Houck (Tiger's Quest (The Tiger Saga, #2))
β
I am suddenly comsumed by nostalgia for the little girl who was me, who loved the fields and believed in God, who spent winter days home sick from school reading Nancy Drew and sucking menthol cough drops, who could keep a secret.
β
β
Audrey Niffenegger (The Time Traveler's Wife)
β
I know what it is to live entirely for and with what I love best on earth. I hold myself supremely blest -- blest beyond what language can express; because I am my husband's life as fully as he is mine.
β
β
Charlotte BrontΓ« (Jane Eyre)
β
Do you ever miss him?
Every day. Every minute.
Every minute, she says.
Yes, it's that way, isn't it?
β
β
Audrey Niffenegger (The Time Traveler's Wife)
β
There is no spectacle on earth more appealing than that of a beautiful woman in the act of cooking dinner for someone she loves.
β
β
Thomas Wolfe
β
You are my wife. Iβm supposed to be the one who protects you from the monsters. Iβm not supposed to be one.
β
β
Colleen Hoover (It Ends with Us (It Ends with Us #1))
β
Freddie experienced the sort of abysmal soul-sadness which afflicts one of Tolstoy's Russian peasants when, after putting in a heavy day's work strangling his father, beating his wife, and dropping the baby into the city's reservoir, he turns to the cupboards, only to find the vodka bottle empty.
β
β
P.G. Wodehouse (The Best of Wodehouse: An Anthology)
β
Charlotte, darling," Henry said to his wife, who was staring at him in gape-mouthed horror. Jessamine, beside her, was wide eyed. "Sorry I'm late. You know, I think I might nearly have the Sensor working-"
Will interrupted. "Henry," he said, "You're on fire. You do know that don't you?
β
β
Cassandra Clare (Clockwork Angel (The Infernal Devices, #1))
β
I wish for a moment that time would lift me out of this day, and into some more benign one. But then I feel guilty for wanting to avoid the sadness; dead people need us to remember them, even if it eats us, even if all we can do is say "I'm sorry" until it is as meaningless air.
β
β
Audrey Niffenegger (The Time Traveler's Wife)
β
there is only one sin, only one. And that is theft. Every other sin is a variation of theft. When you kill a man, you steal a life... you steal his wife's right to a husband, rob his children of a ather. When you tell a lie, you steal someone's right to the truth. When you cheat, you steal the right to fairness... there is no act more wretched than stealing.
β
β
Khaled Hosseini (The Kite Runner)
β
I'm living under water. Everything seems slow and far away. I know there's a world up there, a sunlit quick world where time runs like dry sand through an hourglass, but down here, where I am, air and sound and time and feeling are thick and dense.
β
β
Audrey Niffenegger (The Time Traveler's Wife)
β
But now, for the first time, I see you are a man like me. I thought of your hand-grenades, of your bayonet, of your rifle; now I see your wife and your face and our fellowship. Forgive me, comrade. We always see it too late. Why do they never tell us that you are poor devils like us, that your mothers are just as anxious as ours, and that we have the same fear of death, and the same dying and the same agony--Forgive me, comrade; how could you be my enemy?
β
β
Erich Maria Remarque (All Quiet on the Western Front)
β
Nobody listens anymore. I can't talk to the walls because they're yelling at me, I can't talk to my wife; she listens to the walls. I just want someone to hear what I have to say. And maybe if I talk long enough it'll make sense. And I want you to teach me to understand what I read.
β
β
Ray Bradbury (Fahrenheit 451)
β
Bono met his wife in high school," Park says.
"So did Jerry Lee Lewis," Eleanor answers.
"Iβm not kidding," he says.
"You should be," she says, "weβre sixteen."
"What about Romeo and Juliet?"
"Shallow, confused," then dead.
"I love you, Park says.
"Wherefore art thou," Eleanor answers.
"Iβm not kidding," he says.
"You should be.
β
β
Rainbow Rowell (Eleanor & Park)
β
Long ago, men went to sea, and women waited for them, standing on the edge of the water, scanning the horizon for the tiny ship. Now I wait for Henry. He vanishes unwillingly, without warning. I wait for him. Each moment that I wait feels like a year, an eternity. Each moment is as slow and transparent as glass. Through each moment I can see infinite moments lined up, waiting. Why has he gone where I cannot follow?
β
β
Audrey Niffenegger (The Time Traveler's Wife)
β
That same night, I wrote my first short story. It took me thirty minutes. It was a dark little tale about a man who found a magic cup and learned that if he wept into the cup, his tears turned into pearls. But even though he had always been poor, he was a happy man and rarely shed a tear. So he found ways to make himself sad so that his tears could make him rich. As the pearls piled up, so did his greed grow. The story ended with the man sitting on a mountain of pearls, knife in hand, weeping helplessly into the cup with his beloved wife's slain body in his arms.
β
β
Khaled Hosseini (The Kite Runner)
β
The Doctor: Sorry, do you have a name?
Idris: Seven hundred years and finally he asks.
The Doctor: But what do I call you?
Idris: I think you call me... Sexy?
The Doctor: [embarrassed] Only when we're alone.
Idris: We are alone.
The Doctor: Oh. Come on then, Sexy.
β
β
Neil Gaiman
β
Clap her in chains," says Randalin.
Never have I so wished there was a way for me to show I was telling the truth. But there isn't. No oath of mine carries any weight.
I feel a guard's hand close on my arm. Then Cardan's voice comes.
"Do not touch her."
A terrible silence follows. I wait for him to pronounce judgement on me. Whatever he commands will be done. His power is absolute. I don't even have the strength to fight back.
"Whatever can you mean?" Randalin says. "She's-"
"She is my wife," Cardan says, his voice carrying over the crowd.
"The rightful High Queen of Elfhame. And most definitely not in exile.
β
β
Holly Black (The Queen of Nothing (The Folk of the Air, #3))
β
I understand my parents quite well. They think of a wife as a manβs luxury, which he can afford only when he is making a comfortable living. I have a low opinion of this view of the relationship between man and wife, because it makes the wife and the prostitute distinguishable only insofar as the former is able to secure a lifelong contract from the man because of her more favourable social rank .Β .Β . Which
β
β
Robyn Arianrhod (Young Einstein: And the story of E=mcΒ² (Kindle Single))
β
The science of government it is my duty to study, more than all other sciences; the arts of legislation and administration and negotiation ought to take the place of, indeed exclude, in a manner, all other arts. I must study politics and war, that our sons may have liberty to study mathematics and philosophy. Our sons ought to study mathematics and philosophy, geography, natural history and naval architecture, navigation, commerce and agriculture in order to give their children a right to study painting, poetry, music, architecture, statuary, tapestry and porcelain.
β
β
John Adams (Letters of John Adams, Addressed to His Wife)
β
On our wedding night," she said, "I will cut out your tongue and swallow it. Then both tongues that spoke our marriage vows will belong to me, and I will be wed only to myself. You will most likely choke to death on your own blood, which will be unfortunate, but I will be both husband and wife and therefore not a widow to be pitied.
β
β
Kiersten White (And I Darken (The Conqueror's Saga, #1))
β
Every time we make the decision to love someone, we open ourselves to great suffering, because those we most love cause us not only great joy but also great pain. The greatest pain comes from leaving. When the child leaves home, when the husband or wife leaves for a long period of time or for good, when the beloved friend departs to another country or dies β¦ the pain of the leaving can tear us apart.
Still, if we want to avoid the suffering of leaving, we will never experience the joy of loving. And love is stronger than fear, life stronger than death, hope stronger than despair. We have to trust that the risk of loving is always worth taking.
β
β
Henri J.M. Nouwen
β
As a matter of fact it wouldnβt be safe to tell any man the truth about his wife! Funnily enough, Iβd trust most women with the truth about their husbands. Women can accept the fact that a man is a rotter, a swindler, a drug taker, a confirmed liar, and a general swine, without batting an eyelash, and without its impairing their affection for the brute in the least. Women are wonderful realists.
β
β
Agatha Christie (Murder in Mesopotamia (Hercule Poirot, #14))
β
The king lifted a hand to her cheek and kissed her. It was not a kiss between strangers, not even a kiss between a bride and groom. It was a kiss between a man and his wife, and when it was over, the king closed his eyes and rested his forehead in the hollow of the queen's shoulder, like a man seeking respite, like a man reaching home at the end of the day.
β
β
Megan Whalen Turner (The King of Attolia (The Queen's Thief, #3))
β
The useless sentries in the watchtower are now all half in love with you,β he lied. βOne said he wanted to marry you.β
A low snarl. He yielded a foot but held eye contact with her as he grinned. βBut you know what I told them? I said that they didn't stand a chance in hell. Because I am going to marry you,β he promised her. βOne day. I am going to marry you. I'll be generous and let you pick when, even if it's ten years from now. Or twenty. But one day, you are going to be my wife.β
He shrugged. βPrincess Lysandra Ashryver sounds nice, doesn't it?
β
β
Sarah J. Maas (Empire of Storms (Throne of Glass, #5))
β
And because she was young, and so damn clever and amusing and wonderful, wherever she made her home, there would be some man who would fall in love with her and who would make her his wife, and that would be the worst truth of all. It had snuck up on him, this pain and terror and rage at the thought of anyone else with her. Every look, every word from her... he didn't even know when it had started.
β
β
Sarah J. Maas (Crown of Midnight (Throne of Glass, #2))
β
may i feel said he
(i'll squeal said she
just once said he)
it's fun said she
(may i touch said he
how much said she
a lot said he)
why not said she
(let's go said he
not too far said she
what's too far said he
where you are said she)
may i stay said he
(which way said she
like this said he
if you kiss said she
may i move said he
is it love said she)
if you're willing said he
(but you're killing said she
but it's life said he
but your wife said she
now said he)
ow said she
(tiptop said he
don't stop said she
oh no said he)
go slow said she
(cccome?said he
ummm said she)
you're divine!said he
(you are Mine said she)
β
β
E.E. Cummings
β
Language is my whore, my mistress, my wife, my pen-friend, my check-out girl. Language is a complimentary moist lemon-scented cleansing square or handy freshen-up wipette. Language is the breath of God, the dew on a fresh apple, it's the soft rain of dust that falls into a shaft of morning sun when you pull from an old bookshelf a forgotten volume of erotic diaries; language is the faint scent of urine on a pair of boxer shorts, it's a half-remembered childhood birthday party, a creak on the stair, a spluttering match held to a frosted pane, the warm wet, trusting touch of a leaking nappy, the hulk of a charred Panzer, the underside of a granite boulder, the first downy growth on the upper lip of a Mediterranean girl, cobwebs long since overrun by an old Wellington boot.
β
β
Stephen Fry
β
Talent must be a fanatical mistress. She's beautiful; when you're with her, people watch you, they notice. But she bangs on your door at odd hours, and she disappears for long stretches, and she has no patience for the rest of your existence; your wife, your children, your friends. She is the most thrilling evening of your week, but some day she will leave you for good. One night, after she's been gone for years, you will see her on the arm of a younger man, and she will pretend not to recognize you.
β
β
David Benioff (City of Thieves)
β
Marry me, Kiara,β he blurts out in front of everyone.
βWhy?β she asks, challenging him.
βBecause I love you,β he says, walking up to her and bending down on one knee while he takes her hand in his, βand I want to go to sleep with you every night and wake up seeinβ your face every morninβ, I want you to be the mother of my children, I want to fix cars with you and eat your crappy tofu tacos that you think are Mexican. I want to climb mountains with you and be challenged by you, I want to argue with you just so we can have crazy hot makeup sex. Marry me, because without you Iβd be six feet under β¦ and because I love your family like theyβre my own β¦ and because youβre my best friend and I want to grow old with you.β He starts tearing up, and itβs shocking because Iβve never seen him cry. βMarry me, Kiara Westford, because when I got shot the only thing I was thinkinβ about was cominβ back here and makinβ you my wife. Say yes, chica.
β
β
Simone Elkeles (Chain Reaction (Perfect Chemistry, #3))
β
If only it were possible to love without injury β fidelity isnβt enough: I had been faithful to Anne and yet I had injured her. The hurt is in the act of possession: we are too small in mind and body to possess another person without pride or to be possessed without humiliation. In a way I was glad that my wife had struck out at me again β I had forgotten her pain for too long, and this was the only kind of recompense I could give her. Unfortunately the innocent are always involved in any conflict. Always, everywhere, there is some voice crying from a tower.
β
β
Graham Greene
β
How dreadful are the curses which Mohammedanism lays on its votaries! Besides the fanatical frenzy, which is as dangerous in a man as hydrophobia in a dog, there is this fearful fatalistic apathy. The effects are apparent in many countries. Improvident habits, slovenly systems of agriculture, sluggish methods of commerce, and insecurity of property exist wherever the followers of the Prophet rule or live. A degraded sensualism deprives this life of its grace and refinement; the next of its dignity and sanctity. The fact that in Mohammedan law every woman must belong to some man as his absolute property β either as a child, a wife, or a concubine β must delay the final extinction of slavery until the faith of Islam has ceased to be a great power among men. Thousands become the brave and loyal soldiers of the faith: all know how to die but the influence of the religion paralyses the social development of those who follow it. No stronger retrograde force exists in the world. Far from being moribund, Mohammedanism is a militant and proselytizing faith. It has already spread throughout Central Africa, raising fearless warriors at every step; and were it not that Christianity is sheltered in the strong arms of science, the science against which it had vainly struggled, the civilisation of modern Europe might fall, as fell the civilisation of ancient Rome.
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Winston S. Churchill (The River War)
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It is important for a husband to understand that his words have tremendous power in his wifeβs life. He needs to bless her with words. Sheβs given her life to love and care for him, to partner with him, to create a family together, to nurture his children. If he is always finding fault in something sheβs doing, always putting her down, he will reap horrendous problems in his marriage and in his life. Moreover, many women today are depressed and feel emotionally abused because their husbands do not bless them with their words. One of the leading causes of emotional breakdowns among married women is the fact that women do not feel valued. One of the main reasons for that deficiency is because husbands are willfully or unwittingly withholding the words of approval women so desperately desire. If you want to see God do wonders in your marriage, start praising your spouse. Start appreciating and encouraging her. Every single day, a husband should tell his wife, βI love you. I appreciate you. Youβre the best thing that ever happened to me.β A wife should do the same for her husband. Your relationship would improve immensely if youβd simply start speaking kind, positive words, blessing your spouse instead of cursing him or her.
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Joel Osteen (Your Best Life Now: 7 Steps to Living at Your Full Potential)
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My wife and I just don't have the same feelings for each other we used to have. I guess I just don't love her anymore and she doesn't love me. What can i do?"
"The feeling isn't there anymore?" I asked.
"That's right," he reaffirmed. "And we have three children we're really concerned about. What do you suggest?"
"love her," I replied.
"I told you, the feeling just isn't there anymore."
"Love her."
"You don't understand. the feeling of love just isn't there."
"Then love her. If the feeling isn't there, that's a good reason to love her."
"But how do you love when you don't love?"
"My friend , love is a verb. Love - the feeling - is a fruit of love, the verb. So love her. Serve her. Sacrifice. Listen to her. Empathize. Appreciate. Affirm her. Are you willing to do that?
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Stephen R. Covey (The 7 Habits of Highly Effective People: Powerful Lessons in Personal Change)
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Then out spake brave Horatius,
The Captain of the gate:
βTo every man upon this earth
Death cometh soon or late.
And how can man die better
Than facing fearful odds,
For the ashes of his fathers,
And the temples of his Gods,
βAnd for the tender mother
Who dandled him to rest,
And for the wife who nurses
His baby at her breast,
And for the holy maidens
Who feed the eternal flame,
To save them from false Sextus
That wrought the deed of shame?
βHew down the bridge, Sir Consul,
With all the speed ye may;
I, with two more to help me,
Will hold the foe in play.
In yon strait path a thousand
May well be stopped by three.
Now who will stand on either hand,
And keep the bridge with me?
Then out spake Spurius Lartius;
A Ramnian proud was he:
βLo, I will stand at thy right hand,
And keep the bridge with thee.β
And out spake strong Herminius;
Of Titian blood was he:
βI will abide on thy left side,
And keep the bridge with thee.β
βHoratius,β quoth the Consul,
βAs thou sayest, so let it be.β
And straight against that great array
Forth went the dauntless Three.
For Romans in Romeβs quarrel
Spared neither land nor gold,
Nor son nor wife, nor limb nor life,
In the brave days of old.
Then none was for a party;
Then all were for the state;
Then the great man helped the poor,
And the poor man loved the great:
Then lands were fairly portioned;
Then spoils were fairly sold:
The Romans were like brothers
In the brave days of old.
Now Roman is to Roman
More hateful than a foe,
And the Tribunes beard the high,
And the Fathers grind the low.
As we wax hot in faction,
In battle we wax cold:
Wherefore men fight not as they fought
In the brave days of old.
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Thomas Babington Macaulay (Horatius)
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What is a woman's place in this modern world? Jasnah Kholin's words read. I rebel against this question, though so many of my peers ask it. The inherent bias in the inquiry seems invisible to so many of them. They consider themselves progressive because they are willing to challenge many of the assumptions of the past.
They ignore the greater assumption--that a 'place' for women must be defined and set forth to begin with. Half of the population must somehow be reduced to the role arrived at by a single conversation. No matter how broad that role is, it will be--by-nature--a reduction from the infinite variety that is womanhood.
I say that there is no role for women--there is, instead, a role for each woman, and she must make it for herself. For some, it will be the role of scholar; for others, it will be the role of wife. For others, it will be both. For yet others, it will be neither.
Do not mistake me in assuming I value one woman's role above another. My point is not to stratify our society--we have done that far to well already--my point is to diversify our discourse.
A woman's strength should not be in her role, whatever she chooses it to be, but in the power to choose that role. It is amazing to me that I even have to make this point, as I see it as the very foundation of our conversation.
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Brandon Sanderson (Words of Radiance (The Stormlight Archive, #2))
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You may have noticed that the books you really love are bound together by a secret thread. You know very well what is the common quality that makes you love them, though you cannot put it into words: but most of your friends do not see it at all, and often wonder why, liking this, you should also like that. Again, you have stood before some landscape, which seems to embody what you have been looking for all your life; and then turned to the friend at your side who appears to be seeing what you saw -- but at the first words a gulf yawns between you, and you realise that this landscape means something totally different to him, that he is pursuing an alien vision and cares nothing for the ineffable suggestion by which you are transported. Even in your hobbies, has there not always been some secret attraction which the others are curiously ignorant of -- something, not to be identified with, but always on the verge of breaking through, the smell of cut wood in the workshop or the clap-clap of water against the boat's side? Are not all lifelong friendships born at the moment when at last you meet another human being who has some inkling (but faint and uncertain even in the best) of that something which you were born desiring, and which, beneath the flux of other desires and in all the momentary silences between the louder passions, night and day, year by year, from childhood to old age, you are looking for, watching for, listening for? You have never had it. All the things that have ever deeply possessed your soul have been but hints of it -- tantalising glimpses, promises never quite fulfilled, echoes that died away just as they caught your ear. But if it should really become manifest -- if there ever came an echo that did not die away but swelled into the sound itself -- you would know it. Beyond all possibility of doubt you would say "Here at last is the thing I was made for". We cannot tell each other about it. It is the secret signature of each soul, the incommunicable and unappeasable want, the thing we desired before we met our wives or made our friends or chose our work, and which we shall still desire on our deathbeds, when the mind no longer knows wife or friend or work. While we are, this is. If we lose this, we lose all.
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C.S. Lewis (The Problem of Pain)
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Closing The Cycle
One always has to know when a stage comes to an end. If we insist on staying longer than the necessary time, we lose the happiness and the meaning of the other stages we have to go through. Closing cycles, shutting doors, ending chapters - whatever name we give it, what matters is to leave in the past the moments of life that have finished.
Did you lose your job? Has a loving relationship come to an end? Did you leave your parents' house? Gone to live abroad? Has a long-lasting friendship ended all of a sudden?
You can spend a long time wondering why this has happened. You can tell yourself you won't take another step until you find out why certain things that were so important and so solid in your life have turned into dust, just like that. But such an attitude will be awfully stressing for everyone involved: your parents, your husband or wife, your friends, your children, your sister, everyone will be finishing chapters, turning over new leaves, getting on with life, and they will all feel bad seeing you at a standstill.
None of us can be in the present and the past at the same time, not even when we try to understand the things that happen to us. What has passed will not return: we cannot for ever be children, late adolescents, sons that feel guilt or rancor towards our parents, lovers who day and night relive an affair with someone who has gone away and has not the least intention of coming back.
Things pass, and the best we can do is to let them really go away. That is why it is so important (however painful it may be!) to destroy souvenirs, move, give lots of things away to orphanages, sell or donate the books you have at home. Everything in this visible world is a manifestation of the invisible world, of what is going on in our hearts - and getting rid of certain memories also means making some room for other memories to take their place.
Let things go. Release them. Detach yourself from them. Nobody plays this life with marked cards, so sometimes we win and sometimes we lose. Do not expect anything in return, do not expect your efforts to be appreciated, your genius to be discovered, your love to be understood. Stop turning on your emotional television to watch the same program over and over again, the one that shows how much you suffered from a certain loss: that is only poisoning you, nothing else.
Nothing is more dangerous than not accepting love relationships that are broken off, work that is promised but there is no starting date, decisions that are always put off waiting for the "ideal moment." Before a new chapter is begun, the old one has to be finished: tell yourself that what has passed will never come back. Remember that there was a time when you could live without that thing or that person - nothing is irreplaceable, a habit is not a need. This may sound so obvious, it may even be difficult, but it is very important.
Closing cycles. Not because of pride, incapacity or arrogance, but simply because that no longer fits your life. Shut the door, change the record, clean the house, shake off the dust. Stop being who you were, and change into who you are.
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Paulo Coelho
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SEPTEMBER 1, 1939
I sit in one of the dives
On Fifty-second Street
Uncertain and afraid
As the clever hopes expire
Of a low dishonest decade:
Waves of anger and fear
Circulate over the bright
And darkened lands of the earth,
Obsessing our private lives;
The unmentionable odour of death
Offends the September night.
Accurate scholarship can
Unearth the whole offence
From Luther until now
That has driven a culture mad,
Find what occurred at Linz,
What huge imago made
A psychopathic god:
I and the public know
What all schoolchildren learn,
Those to whom evil is done
Do evil in return.
Exiled Thucydides knew
All that a speech can say
About Democracy,
And what dictators do,
The elderly rubbish they talk
To an apathetic grave;
Analysed all in his book,
The enlightenment driven away,
The habit-forming pain,
Mismanagement and grief:
We must suffer them all again.
Into this neutral air
Where blind skyscrapers use
Their full height to proclaim
The strength of Collective Man,
Each language pours its vain
Competitive excuse:
But who can live for long
In an euphoric dream;
Out of the mirror they stare,
Imperialism's face
And the international wrong.
Faces along the bar
Cling to their average day:
The lights must never go out,
The music must always play,
All the conventions conspire
To make this fort assume
The furniture of home;
Lest we should see where we are,
Lost in a haunted wood,
Children afraid of the night
Who have never been happy or good.
The windiest militant trash
Important Persons shout
Is not so crude as our wish:
What mad Nijinsky wrote
About Diaghilev
Is true of the normal heart;
For the error bred in the bone
Of each woman and each man
Craves what it cannot have,
Not universal love
But to be loved alone.
From the conservative dark
Into the ethical life
The dense commuters come,
Repeating their morning vow;
'I will be true to the wife,
I'll concentrate more on my work,'
And helpless governors wake
To resume their compulsory game:
Who can release them now,
Who can reach the dead,
Who can speak for the dumb?
All I have is a voice
To undo the folded lie,
The romantic lie in the brain
Of the sensual man-in-the-street
And the lie of Authority
Whose buildings grope the sky:
There is no such thing as the State
And no one exists alone;
Hunger allows no choice
To the citizen or the police;
We must love one another or die.
Defenseless under the night
Our world in stupor lies;
Yet, dotted everywhere,
Ironic points of light
Flash out wherever the Just
Exchange their messages:
May I, composed like them
Of Eros and of dust,
Beleaguered by the same
Negation and despair,
Show an affirming flame.
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W.H. Auden (Another Time)
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Soon after the completion of his college course, his whole nature was kindled into one intense and passionate effervescence of romantic passion. His hour came,βthe hour that comes only once; his star rose in the horizon,βthat star that rises so often in vain, to be remembered only as a thing of dreams; and it rose for him in vain. To drop the figure,βhe saw and won the love of a high-minded and beautiful woman, in one of the northern states, and they were affianced. He returned south to make arrangements for their marriage, when, most unexpectedly, his letters were returned to him by mail, with a short note from her guardian, stating to him that ere this reached him the lady would be the wife of another. Stung to madness, he vainly hoped, as many another has done, to fling the whole thing from his heart by one desperate effort. Too proud to supplicate or seek explanation, he threw himself at once into a whirl of fashionable society, and in a fortnight from the time of the fatal letter was the accepted lover of the reigning belle of the season; and as soon as arrangements could be made, he became the husband of a fine figure, a pair of bright dark eyes, and a hundred thousand dollars; and, of course, everybody thought him a happy fellow.
The married couple were enjoying their honeymoon, and entertaining a brilliant circle of friends in their splendid villa, near Lake Pontchartrain, when, one day, a letter was brought to him in that well-remembered writing. It was handed to him while he was in full tide of gay and successful conversation, in a whole room-full of company. He turned deadly pale when he saw the writing, but still preserved his composure, and finished the playful warfare of badinage which he was at the moment carrying on with a lady opposite; and, a short time after, was missed from the circle. In his room,alone, he opened and read the letter, now worse than idle and useless to be read. It was from her, giving a long account of a persecution to which she had been exposed by her guardian's family, to lead her to unite herself with their son: and she related how, for a long time, his letters had ceased to arrive; how she had written time and again, till she became weary and doubtful; how her health had failed under her anxieties, and how, at last, she had discovered the whole fraud which had been practised on them both. The letter ended with expressions of hope and thankfulness, and professions of undying affection, which were more bitter than death to the unhappy young man. He wrote to her immediately:
I have received yours,βbut too late. I believed all I heard. I was desperate. I am married, and all is over. Only forget,βit is all that remains for either of us."
And thus ended the whole romance and ideal of life for Augustine St. Clare. But the real remained,βthe real, like the flat, bare, oozy tide-mud, when the blue sparkling wave, with all its company of gliding boats and white-winged ships, its music of oars and chiming waters, has gone down, and there it lies, flat, slimy, bare,βexceedingly real.
Of course, in a novel, people's hearts break, and they die, and that is the end of it; and in a story this is very convenient. But in real life we do not die when all that makes life bright dies to us.
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Harriet Beecher Stowe (Uncle Tomβs Cabin)