“
A guy and a girl can be just friends, but at one point or another, they will fall for each other...Maybe temporarily, maybe at the wrong time, maybe too late, or maybe forever
”
”
Dave Matthews Band
“
They turned to Angel. "We will call you Little One," the leader said, obviously deciding to dispense with the whole confusing name thing.
"Okay," said Angel agreeably. "I'll call you Guy in a White Lab Coat." He frowned.
"That can be his Indian name," I suggested.
”
”
James Patterson (Saving the World and Other Extreme Sports (Maximum Ride, #3))
“
Things were rough all over, but it was better that way. That way you could tell the other guy was human too.
”
”
S.E. Hinton (The Outsiders)
“
Alec looked down at the shattered pieces in disbelief. “You BROKE my PHONE.”
Jace shrugged. “Guys don’t let other guys keep calling other guys. Okay, that came out wrong. Friends don’t let friends keep calling their exes and hanging up. Seriously. You have to stop.”
Alec looked furious. “So you broke my brand new phone? Thanks a lot.”
Jace smiled serenely and lay back on the grass. “You’re welcome.
”
”
Cassandra Clare (City of Heavenly Fire (The Mortal Instruments, #6))
“
Let’s start with this statistic: You are delicious. Be brave, my sweet. I know you can get lonely. I know you can crave companionship and sex and love so badly that it physically hurts. But I truly believe that the only way you can find out that there’s something better out there is to first believe there’s something better out there. What other choice is there?
”
”
Greg Behrendt (He's Just Not That Into You)
“
It'll be impossible to protect Brittany for the rest of her life from all the other guys who want to be near her, to see her as I've seen her. Touch her as I've touch her. Man, I never want to let her go.
”
”
Simone Elkeles (Perfect Chemistry (Perfect Chemistry, #1))
“
Dad, she's just going to freak. And probably come here and get me, and then you guys will start yelling at each other, and I'll have to act out by wearing lots of eyeliner and doing the drugs
”
”
Rachel Hawkins (Demonglass (Hex Hall, #2))
“
Guy don't need no sense to be a nice fella. Seems to me sometimes it jus' works the other way around. Take a real smart guy and he ain't hardly ever a nice fella.
”
”
John Steinbeck (Of Mice and Men)
“
Okay," I said. "Just a normal afternoon and two normal people."
She nodded. "And so...hypothetically, if these to people likes each other, what would it take to get the stupid guy to kiss the girl, huh?"
"Oh..." I felt like one of Apollo's sacred cows-slow, dumb, and bright red. "Um...
”
”
Rick Riordan (The Last Olympian (Percy Jackson and the Olympians, #5))
“
Because I can't help doing it," he said with a shrug. "And hey, if I keep loving you, maybe you'll eventually crack and love me too. Hell, I'm pretty sure you're already half in love with me."
"I am not! And everything you just said is ridiculous. That's terrible logic."
Adrian returned to his crossword puzzle. "Well, you can think what you want, so long as you remember-no matter how ordinary things seem between us-I'm still here, still in love with you, and care about you more than any other guy, evil or otherwise, ever will."
"I don't think you're evil."
"See? Things are already looking promising.
”
”
Richelle Mead (The Indigo Spell (Bloodlines, #3))
“
Don't you want the guy who'll forget about all the other things in his life before he forgets about you?
”
”
Greg Behrendt (He's Just Not That Into You: The No-Excuses Truth to Understanding Guys)
“
I waited patiently - years - for the pendulum to swing the other way, for men to start reading Jane Austen, learn how to knit, pretend to love cosmos, organize scrapbook parties, and make out with each other while we leer. And then we'd say, Yeah, he's a Cool Guy.
”
”
Gillian Flynn (Gone Girl)
“
Wow Kelsey!" Kishan whistled. "I'm going to have to beat the other guys of with a stick!
”
”
Colleen Houck (Tiger's Curse (The Tiger Saga, #1))
“
What's going on?" Newt asked, looking back and forth between Thomas and Aris. "Why're you guys looking at each other like you just fell in love?
”
”
James Dashner (The Scorch Trials (The Maze Runner, #2))
“
Well, you can think what you want, so long as you remember - no matter how ordinary things seem between us - I'm still here, still in love with you, and care about you more than any other guy, evil or otherwise, ever will.
”
”
Richelle Mead (The Indigo Spell (Bloodlines, #3))
“
I didn't think he was a robot...but I did wonder if his emotions had been designed out of him. Of course, with a guy, how could I tell? Ha ha!
”
”
James Patterson (Saving the World and Other Extreme Sports (Maximum Ride, #3))
“
Will put his hand on Nico's shoulder. "Nico, we need to have another talk about your people skills."
"Hey, I'm just stating the obvious. If this is Apollo, and he dies, we're all in trouble."
Will turned to me. "I apologize for my boyfriend."
Nico rolled his eyes. "Could you not―"
"Would you prefer special guy?" Will asked. "Or significant other?"
"Significant annoyance, in your case," Nico grumbled
”
”
Rick Riordan (The Hidden Oracle (The Trials of Apollo, #1))
“
When you find a guy who calls you beautiful instead of hot, who calls you back when you hang up on him, who will stand in front of you when other’s cast stones, or will stay awake just to watch you sleep, who wants to show you off to the world when you are in sweats, who will hold your hand when your sick, who thinks your pretty without makeup, the one who turns to his friends and say, ‘that’s her’, the one that would bear your rejection because losing you means losing his will to live, who kisses you when you screw up, watches the stars and names one for you and will hold and rock that baby for hours so you can sleep…..you marry him all over again.
”
”
Shannon L. Alder
“
Some guy hit my fender the other day, and I said unto him, 'Be fruitful, and multiply'. But not in those words.
”
”
Woody Allen
“
Hey, he's awesome. A little unstable, but awesome. We got along great." Adrian opened the door to the building we were seeking. "And he's a badass in his way too. I mean, any other guy who wore scarves like that? He'd be laughed out of this school. Not Abe. He'd beat someone almost as badly as you would. In fact..." Adrian's voice turned nervous. I gave him a surprised look.
"In fact what?"
"Well...Abe said he liked me. But he also made it clear what he'd do to me if I ever hurt you or did anything bad." Adrian grimaced. "In fact, he described what he'd do in very graphic detail. Then, just like that, he switched to some random, happy topic. I like the guy, but he's scary.
”
”
Richelle Mead (Spirit Bound (Vampire Academy, #5))
“
I know part of what turns me on so hard, makes me so violent with lust, is that he's dangerous. I fell for the bad guy. I'm crazy about the one who's trouble. The alpha that doesn't play well with others and doesn't take orders from anyone.
”
”
Karen Marie Moning (Shadowfever (Fever, #5))
“
[...]you don’t have to be Sun freakin Tzu to know that real fighting isn’t about killing or even hurting the other guy, it’s about scaring him enough to call it a day.
”
”
Max Brooks (World War Z: An Oral History of the Zombie War)
“
Lo: “How much did it hurt?”
Ryke: “Did what hurt?”
Lo: “Watching her with other guys.”
Ryke: “It felt like someone was drowning me in fucking salt water and lighting me on fire.
”
”
Krista Ritchie (Hothouse Flower (Calloway Sisters #2))
“
Luke, you have to know, it won’t be like the other guys. If it’s you, it’ll be worse.” My voice went softer, lower, barely a whisper. “If this goes bad, it’ll destroy me.
”
”
Kristen Ashley (Rock Chick Revenge (Rock Chick, #5))
“
I couldn't claim that I was smarter than sixty-five other guys--but the average of sixty-five other guys, certainly!
”
”
Richard P. Feynman (Surely You're Joking, Mr. Feynman!: Adventures of a Curious Character)
“
The kiss itself is immortal. It travels from lip to lip, century to century, from age to age. Men and women garner these kisses, offer them to others and then die in turn.
”
”
Guy de Maupassant (The Complete Short Stories of Guy de Maupassant, Part One)
“
Just repeat this phrase whenever you feel the urge to jump some other guy’s bones.”
His mouth brushes my ear. “Loren Hale fucks better.
”
”
Krista Ritchie (Addicted to You (Addicted, #1))
“
It starts so young, and I'm angry about that. The garbage we're taught. About love, about what's "romantic." Look at so many of the so-called romantic figures in books and movies. Do we ever stop and think how many of them would cause serious and drastic unhappiness after The End? Why are sick and dangerous personality types so often shown a passionate and tragic and something to be longed for when those are the very ones you should run for your life from? Think about it. Heathcliff. Romeo. Don Juan. Jay Gatsby. Rochester. Mr. Darcy. From the rigid control freak in The Sound of Music to all the bad boys some woman goes running to the airport to catch in the last minute of every romantic comedy. She should let him leave. Your time is so valuable, and look at these guys--depressive and moody and violent and immature and self-centered. And what about the big daddy of them all, Prince Charming? What was his secret life? We dont know anything about him, other then he looks good and comes to the rescue.
”
”
Deb Caletti (The Secret Life of Prince Charming)
“
If you approach a negotiation thinking the other guy thinks like you, you are wrong. That's not empathy, that's a projection.
”
”
Chris Voss (Never Split the Difference: Negotiating As If Your Life Depended On It)
“
Rembrandt painted portraits, The Karate Kid painted fences, and I paint my toenails. But I’m not a snob, I still consider those other two guys to be artists.
”
”
Jarod Kintz (Who Moved My Choose?: An Amazing Way to Deal With Change by Deciding to Let Indecision Into Your Life)
“
Ain’t many guys travel around together,” he mused. “I don’t know why. Maybe ever’body in the whole damn world is scared of each other.
”
”
John Steinbeck (Of Mice and Men)
“
I know how you guys feel about us. I'm not stupid, and believe me, I've tried to get you out of my head. But there isn't enough liquor or art or any other distraction in the world to do it. I had to stop going to Wolfe's because it was too hard being that close to you, even if it was all just pretend fighting. I couldn't stand the touching. It was agonizing because it meant something to me-and I knew it meant nothing to you. I kept telling myself to stay away altogether, and then I'd find excuses… like the car… anything to be around you again.
”
”
Richelle Mead (The Golden Lily (Bloodlines, #2))
“
Guys don't let other guys keep calling other guys. Okay that came out wrong.
”
”
Cassandra Clare (City of Heavenly Fire (The Mortal Instruments, #6))
“
Who's the other kid in the photo?' he asked. 'The sandy-haired guy.'
Annabeth's expression tightened. Touchy subject.
'That's Luke,' she said. 'He's dead now.
”
”
Rick Riordan (The Lost Hero (The Heroes of Olympus, #1))
“
Abe held my gaze a bit longer and then broke into an easy smile. ʺOf course, of course. This is a family gathering. A celebration. And look: hereʹs our newest member.ʺ
Dimitri had joined us and wore black and white like my mother and me. He stood beside me, conspicuously not touching. ʺMr. Mazur,ʺ he said formally, nodding a greeting to both of them. ʺGuardian Hathaway.ʺ
Dimitri was seven years older than me, but right then, facing my parents, he looked like he was sixteen and about to pick me up for a date.
ʺAh, Belikov,ʺ said Abe, shaking Dimitriʹs hand. ʺIʹd been hoping weʹd run into each other. Iʹd really like to get to know you better. Maybe we can set aside some time to talk, learn more about life, love, et cetera. Do you like to hunt? You seem like a hunting man. Thatʹs what we should do sometime. I know a great spot in the woods. Far, far away. We could make a day of it. Iʹve certainly got a lot of questions Iʹd like to ask you. A lot of things Iʹd like to tell you too.ʺ
I shot a panicked look at my mother, silently begging her to stop this. Abe had spent a good deal of time talking to Adrian when we dated, explaining in vivid and gruesome detail exactly how Abe expected his daughter to be treated. I did not want Abe taking Dimitri off alone into the wilderness, especially if firearms were involved.
ʺActually,ʺ said my mom casually. ʺIʹd like to come along. I also have a number of questions—especially about when you two were back at St. Vladimirʹs.ʺ
ʺDonʹt you guys have somewhere to be?ʺ I asked hastily. ʺWeʹre about to start.ʺ
That, at least, was true. Nearly everyone was in formation, and the crowd was quieting. ʺOf course,ʺ said Abe. To my astonishment, he brushed a kiss over my forehead before stepping away. ʺIʹm glad youʹre back.ʺ Then, with a wink, he said to Dimitri:
ʺLooking forward to our chat.ʺ
ʺRun,ʺ I said when they were gone. ʺIf you slip out now, maybe they wonʹt notice. Go back to Siberia."
"Actually," said Dimitri, "I'm pretty sure Abe would notice. Don't worry, Roza. I'm not afraid. I'll take whatever heat they give me over being with you. It's worth it.
”
”
Richelle Mead (Last Sacrifice (Vampire Academy, #6))
“
Mom, I have to go. I think this Matt character is here."
"Are you sure it's him?"
Julie peered into the car as the window lowered. "I see a maniacal-looking guy with brightly-colored candy in one hand, and he's waving a sickle in the other. Oh! He's beckoning me to the car. This must be my ride.
”
”
Jessica Park (Flat-Out Love (Flat-Out Love, #1))
“
The Beatles were just four guys that loved each other. That's all they'll ever be.
”
”
Ringo Starr
“
Ah, Evie,” she heard him say softly, “I must have a heart, after all…because right now it aches like the devil.”
“Only your heart?” she asked ingenuously, making him laugh.
He lowered her to the bed, his eyes sparkling wickedly. “Also a few other things,” he conceded. “And as my wife, it’s your duty to ease all my aches.
”
”
Lisa Kleypas (Devil in Winter (Wallflowers, #3))
“
For those ladies out there who are listening, let me give you some free advice: If a guy who you just met at a club calls you baby, sweetheart, angel, or any other generic endearment? Don’t make the mistake of thinking he’s so into you, he’s already thinking up pet names.
It’s because he can’t or doesn’t care to remember your actual name.
”
”
Emma Chase (Tangled (Tangled, #1))
“
The top two movies at the box office this weekend were 'High School Musical 3' and 'Saw V.'
One movie features gruesome onscreen torture that is difficult to watch and the other is about a guy with a saw.
”
”
Conan O'Brien
“
Watching those guys pummel each other so no one would suspect them of being weak was too much for me. Their reputations were more important than their faces.
”
”
Jay Asher (Thirteen Reasons Why)
“
I don't feel that way anymore," Nico muttered. "I mean... I gave up on Percy. I was young and impressionable, and I- I don't..."
His voice cracked, and Jason could tell the guy was about to get teary-eyed. Whether Nico had really given up on Percy or not, Jason couldn't imagine what it had been like for Nico all those years, keeping a secret that would've been unthinkable to share in the 1940s, denying who he was, feeling completely alone- even more isolated than other demigods.
"Nico," he said gently, "I've seen a lot of brave things. But what you did? That was maybe the bravest.
”
”
Rick Riordan (The House of Hades (The Heroes of Olympus, #4))
“
Jack grabbed Phil's arm to teleport back to Romatech.
Phil muttered a curse. "If you say one word about this to the other guys, I will stake you in your sleep."
"Don't worry, sweetheart. If they find out about this, I'll stake myself.
”
”
Kerrelyn Sparks (Secret Life of a Vampire (Love at Stake, #6))
“
You can forget that other people carry pieces of your own story around in their heads. I've always thought--put together all those random pieces form everyone who's ever known you from your parents to the guy who once sat next to you on a bus, and you'd probably see a fuller version of your life than you even did while living it.
”
”
Deb Caletti (Stay)
“
The world is like a ride in an amusement park, and when you choose to go on it you think it's real because that's how powerful our minds are. The ride goes up and down, around and around, it has thrills and chills, and it's very brightly colored, and it's very loud, and it's fun for a while. Many people have been on the ride a long time, and they begin to wonder, "Hey, is this real, or is this just a ride?" And other people have remembered, and they come back to us and say, "Hey, don't worry; don't be afraid, ever, because this is just a ride." And we … kill those people. "Shut him up! I've got a lot invested in this ride, shut him up! Look at my furrows of worry, look at my big bank account, and my family. This has to be real." It's just a ride. But we always kill the good guys who try and tell us that, you ever notice that? And let the demons run amok … But it doesn't matter, because it's just a ride. And we can change it any time we want. It's only a choice. No effort, no work, no job, no savings of money. Just a simple choice, right now, between fear and love. The eyes of fear want you to put bigger locks on your doors, buy guns, close yourself off. The eyes of love instead see all of us as one. Here's what we can do to change the world, right now, to a better ride. Take all that money we spend on weapons and defenses each year and instead spend it feeding and clothing and educating the poor of the world, which it would pay for many times over, not one human being excluded, and we could explore space, together, both inner and outer, forever, in peace.
”
”
Bill Hicks
“
I've been here for you all along. I've listened to you cry about other guys, I rescue you, take care of you when you're sick, hug you when you're sad, tell you you're beautiful when you look terrible.” He looks me straight in the eyes and is dead serious when he says, “Princess, I've always been the one.
”
”
Jillian Dodd (That Boy (That Boy, #1))
“
I’m still here, still in love with you, and care about you more than any other guy ever will." -Adrian-
”
”
Richelle Mead (The Indigo Spell (Bloodlines, #3))
“
You may be the only guy my age I've ever met who knows what bergamot is, much less
that it's in Earl Grey
tea."
"Yes, well," Jace said, with a supercilious look, "I'm not like other guys. Besides," he
added, flipping a book
off the shelf, "at the Institute we have to take classes in basic medicinal uses for plants. It's
required."
"I figured all your classes were stuff like Slaughter 101 and Beheading for Beginners."
Jace flipped a page. "Very funny, Fray.
”
”
Cassandra Clare (City of Bones (The Mortal Instruments, #1))
“
Yeah, but damn!" Kate said, fanning herself with her hand. "When I was your age all of the guys were trying to prove how anti-establishment they were by out-uglying each other. I so got robbed!
”
”
Josephine Angelini (Starcrossed (Starcrossed, #1))
“
Don't go alone," Lend said, his voice tight with concern.
"I'll take Jack."
"Oh, wonderful, take the other psychotic guy in your life to go find the first one.
”
”
Kiersten White (Endlessly (Paranormalcy, #3))
“
The guys were totally skuzzy, grinning horribly, showing holes where teeth should be.
“Boys, God doesn’t like you,” Fang intoned behind them.
Whaaat? I thought, dumbfounded.
“Wha!” they said, whirling.
At that moment, Fang snapped out his huge wings and shone the penlight under his chin so it raked his cheekbones and eyes. My mouth dropped open. He looked like the angel of death.
His dark wings filled the hallway almost to the ceiling, and he moved them up and down. “God doesn’t like bad people,” he said, using a really weird, deep voice.
“What the heck?” one of the squatters murmured shallowly, his mouth slack, his eyes bugging out of his head.
I whipped my own wings open. Fun, anyway.
“This was a test,” I said, using my best spooky voice. “And guess what? You both failed.”
The bums stopped dead, looks of horror and amazement on their faces.
Then Fang growled, “Rowr!” He stepped forward, sweeping his wings up and down: the avenging demon. I almost cracked up.
“Rowr!” I said myself, shaking my wings out.
“Ahhhhh!” the guys yelled, backpedaling fast. Unfortunately, they were standing at the top of the staircase. They fell awkwardly, trying to grab each other, and rolled down two flights like lumpy bags of potatoes, shrieking the whole way.
Fang and I slapped each other a quick high five—and we were out of there, jack.
”
”
James Patterson (School's Out—Forever (Maximum Ride, #2))
“
The moon will never lie to anyone. Be like the moon. No one hates the moon or wants to kill it. The moon does not take antidepressants and never gets sent to prison. The moon never shot a guy in the face and ran away. The moon has been around a long time and has never tried to rip anyone off. The moon does not care who you want to touch or what color you are. The moon treats everyone the same. The moon never tries to get in on the guest list or use your name to impress others. Be like the moon. When others insult or belittle in an attempt to elevate themselves, the moon sits passively and watches, never lowering itself to anything that weak. The moon is beautiful and bright. It needs no makeup to look beautiful. The moon never shoves clouds out of its way so it can be seen. The moon needs not fame or money to be powerful. The moon never asks you to go to war to defend it. Be like the moon.
”
”
Henry Rollins (Solipsist)
“
That's the big mistake a lot of people make when they wonder how soldiers can put their lives on the line day after day or how they can fight for something they may not believe in. Not everyone does. I've worked with soldiers on all sides of the political spectrum; I've met some who hated the army and others who wanted to make it a career. I've met geniuses and idiots, but when all is said and done,we do what we do for one another. For friendship. Not for country, not for patriotism, not because we're programmed killing machines, but because of the guy next to you. You fight for your friend, to keep him alive, and he fights for you, and everything about the army is built on this simple premise.
”
”
Nicholas Sparks (Dear John)
“
I'd sooner wear white shoes in February, drink unsweetened tea, and eat Miracle Whip instead of Duke's than utter the words 'you guys'.
”
”
Celia Rivenbark (Bless Your Heart, Tramp: And Other Southern Endearments)
“
Very slowly, using only two fingers, Annabeth drew her dagger. Instead of dropping it, she tossed it as far as she could into the water.
Octavian made a squeaking sound. “What was that for? I didn’t say toss it! That could’ve been evidence. Or spoils of war!”
Annabeth tried for a dumb-blonde smile, like: Oh, silly me. Nobody who knew her would have been fooled. But Octavian seemed to buy it. He huffed in exasperation.
“You other two…” He pointed his blade at Hazel and Piper. “Put your weapons on the dock. No funny bus—”
All around the Romans, Charleston Harbor erupted like a Las Vegas fountain putting on a show. When the wall of seawater subsided, the three Romans were in the bay, spluttering and frantically trying to stay afloat in their armor. Percy stood on the dock, holding Annabeth’s dagger.
“You dropped this,” he said, totally poker-faced.
Annabeth threw her arms around him. “I love you!”
“Guys,” Hazel interrupted. She had a little smile on her face. “We need to hurry.
”
”
Rick Riordan (The Mark of Athena (The Heroes of Olympus, #3))
“
Every great character, Iz, be it on page or screen, is multidimensional. The good guys aren't all good, the bad guys aren't all bad, and any character wholly one or the other shouldn't exist at all. Remember this when I describe the antics that follow, for though I am not a villain, I am not immune to villainy.
”
”
David Arnold (Mosquitoland)
“
I don't want to hear about the endless struggles to keep sex exciting, or the work it takes to plan a date night. I want to hear that you guys watch every episode of The Bachelorette together in secret shame, or that one got the other hooked on Breaking Bad and if either watches it without the other, they're dead meat. I want to see you guys high-five each other like teammates on a recreational softball team you both do for fun.
”
”
Mindy Kaling (Is Everyone Hanging Out Without Me? (And Other Concerns))
“
Thorne glared at him. "Whatever, Doctor. It's just, when Cress thought she was in love with me, she was actually in love with this other guy she'd made up in her head, who was brave and selfless and stuff. I mean, he was a real catch, so who could blame her? Even I liked that guy. I kind of wish I was that guy." He shrugged.
"Are you so sure you're not?
”
”
Marissa Meyer (Winter (The Lunar Chronicles, #4))
“
Jenna and Archer shared a look. “-Why would we need to ‘stay in touch’?” Jenna asked. “-Well, because…Look, I can’t ask you guys to stay at Hex Hall for a whole other year. Jenna, you have Vix, and Archer, you have…Actually, what DO you have?” “-You,” he said firmly. “And a whole bunch of holy knights who want to kill me.
”
”
Rachel Hawkins (Spell Bound (Hex Hall, #3))
“
That's why people don't ever think to blame the Socs and are always ready to jump on us. We look hoody and they look decent. It could be just the other way around - half of the hoods I know are pretty decent guys underneath all that grease, and from what I've heard, a lot of Socs are just cold-blooded mean - but people usually go by looks.
”
”
S.E. Hinton (The Outsiders)
“
Here was a boy who liked flaws, who saw them not as failings but as strengths. Who knew such a person could exist, or what would have happened if we'd found each other under different circumstances? Maybe in a perfect world. But not in this one.
”
”
Sarah Dessen (The Truth About Forever)
“
If I'm going to spend the whole night waiting for you guys to stop flirting and shoot each other, I want to at least be entertained.
”
”
Dan Wells (Partials (Partials Sequence, #1))
“
Kope!” the other guy yeled. “What the frick?! You got some cheetah blood in you or what?”“Seriously!” insisted Blake. “How did you run so fast?”
“I am African.” Without taking his eyes from mine, Kopano eased himself off me, and I sat up.
”
”
Wendy Higgins
“
Some guys touch the girls they love. Others touch the girls they use. The worst touch girls they hurt.
”
”
Katie McGarry (Dare You To (Pushing the Limits, #2))
“
She realized for the first time that two people can never reach each others deepest feelings and instincts, that they spend their lives side by side, linked it may be, but not mingled, and that each one's inmost being must go through life eternally alone.
”
”
Guy de Maupassant (A Woman's Life and Other Stories)
“
She wanted to tell him she'd never pick any of those other three billion guys, because he was all she wanted. He was her freak, and she'd love him forever.
”
”
Trinity Faegen (The Redemption of Ajax (The Mephisto Covenant, #1))
“
Some guys step on a rake in the dark, and get mad and go punch somebody. Others step on a rake in the dark and fall down laughing at themselves. I know which kind of guy I'd rather be. So do my friends.
”
”
Spider Robinson (Callahan's Crosstime Saloon (Callahan's, #1))
“
Well, well. If it isn't the princess."
My body tensed and I frowned when I saw him approaching. Narrowing my eyes, I plastered on a fake smile. "I almost didn't recognize you without a tramp attached to you."
Drew and the other guy snickered.
Leaning into my ear he harshly whispered, "Would you like to change that? I'm not up to my limit tonight yet."
Gah, why did he have to be so hot? My body was practically humming with how close he was. I leaned away and replied with the most innocent expression on my face, "Oh I'm sorry, but I don't have any STDs, I'm not your type.
”
”
Molly McAdams (Taking Chances (Taking Chances, #1))
“
I can't blame her. but
wonder why she's here with
me? where are the other
guys? how can you be
lucky? having someone the
others have abandoned?
”
”
Charles Bukowski
“
As much as he was different from other guys, he still had that stupid male pride thing.
”
”
Kelly Creagh (Nevermore (Nevermore, #1))
“
Nico,” I said at last, “shouldn’t you be sitting at the Hades table?”
He shrugged. “Technically, yes. But if I sit alone at my table, strange things happen. Cracks open in the floor. Zombies crawl out and start roaming around. It’s a mood disorder. I can’t control it. That’s what I told Chiron.”
“And is it true?” I asked.
Nico smiled thinly. “I have a note from my doctor.”
Will raised his hand. “I’m his doctor.”
“Chiron decided it wasn’t worth arguing about,” Nico said. “As long as I sit at a table with other people, like…oh, these guys for instance…the zombies stay away. Everybody’s happier.”
Will nodded serenely. “It’s the strangest thing. Not that Nico would ever misuse his powers to get what he wants.”
“Of course not,” Nico agreed.
”
”
Rick Riordan (The Hidden Oracle (The Trials of Apollo, #1))
“
It was a Sunday morning, a perfect day for fishing. I had asked several other guys, but knew they all had their own plans. To everyone else, it was just another day of fishing.
”
”
Behcet Kaya (Murder on the Naval Base)
“
Did you read the part that says, 'Your hair is like a flock of goats'? How romantic is that? Or that other line, 'Your neck is like the tower of David.' Oh, now, that sounds real attractive! If some guy tried those lines on me, I'm sure I'd fall instantly in love with him.
”
”
Robin Jones Gunn (As You Wish (Christy and Todd: College Years #2))
“
My model for business is The Beatles. They were four guys who kept each other kind of negative tendencies in check. They balanced each other and the total was greater than the sum of the parts. That's how I see business: great things in business are never done by one person, they're done by a team of people.
”
”
Steve Jobs
“
It is not the genius at the top giving directions that makes people great. It is great people that make the guy at the top look like a genius.
”
”
Simon Sinek (Leaders Eat Last: Why Some Teams Pull Together and Others Don't)
“
The Brigands charged in with their weapons drawn.
"Who are you?" Young Bertie asked.
"We're the bad guys!" their leader announced.
"What are you going to do?"
"Plunder and pillage!" one of them yelled.
The others immediately shoved him. "Not in front of the kid, Ralph! Fer cryin' out loud..."
"Oh, yeah. Sorry! We're here to take your candy!
”
”
Lisa Mantchev (Eyes Like Stars (Théâtre Illuminata, #1))
“
This should tell you everything you need to know about guys. They only go after what they know they can get. We girls, on the other hand, aim really high. We take a leap...
”
”
Adriana Trigiani (Viola in Reel Life (Viola #1))
“
Bullshit, Ari. You have the harder rule to follow? Buffalo shit. Coyote shit. All you have to do is be loyal to the most brilliant guy you've ever met—which is like walking barefoot through the park. I, on the other hand, have to refrain from kissing the greatest guy in the universe—which is like walking barefoot on hot coals.
”
”
Benjamin Alire Sáenz (Aristotle and Dante Discover the Secrets of the Universe (Aristotle and Dante, #1))
“
George's voice became deeper. He repeated his words rhythmically as though he had said them many times before. 'Guys like us, that work on ranches, are the loneliest guys in the world. They got no family. They don't belong no place. They come to a ranch an' work up a stake, and the first thing you know they're poundin' their tail on some other ranch. They ain't got nothing to look ahead to.
”
”
John Steinbeck (Of Mice and Men)
“
We mistake sex for romance. Guys are taught that pushing a girl up against a wall is romance. Sex is easy; you can do it with anyone, yourself, with batteries. Romance is when someone you like walks into a room and they take your breath away. Romance is when two people are dancing and they fit together perfectly. Romance is when two people are walking next to each other and all of a sudden they find themselves holding hands, and they don’t know how that happened
”
”
John C. Moffi
“
Drehy,” Kaladin said, “you are literally courting a man.”
“So?” Drehy said.
“Yeah, what are you saying, Kal?” Skar snapped.
“Nothing! I just thought Drehy might empathize….”
“That’s hardly fair,” Drehy said.
“Yeah,” Lopen added. “Drehy likes other guys. That’s like … he wants to be even less around women than the rest of us. It’s the opposite of feminine. He is you could say extra manly.
”
”
Brandon Sanderson (Oathbringer (The Stormlight Archive, #3))
“
Like so many others my story begins with that same old line…. ‘So anyway, there was this guy….’ Until one day…. there wasn’t.
And nothing was ever the same after that….
”
”
Ranata Suzuki
“
Human girls always take love for granted. They want things to be wild and carefree all the time. And when it gets too comfortable or requires a little work, they just toss it off. I’d give anything to be loved by a guy like Jay. But I suppose the grass is always greener on the other side, right?
”
”
Wendy Higgins (Sweet Peril (Sweet, #2))
“
There is a muse, but he’s not going to come fluttering down into your writing room and scatter creative fairy-dust all over your typewriter or computer. He lives in the ground. He’s a basement kind of guy. You have to descend to his level, and once you get down there you have to furnish an apartment for him to live in. You have to do all the grunt labor, in other words, while the muse sits and smokes cigars and admires his bowling trophies and pretends to ignore you. Do you think it’s fair? I think it’s fair. He may not be much to look at, that muse-guy, and he may not be much of a conversationalist, but he’s got inspiration. It’s right that you should do all the work and burn all the mid-night oil, because the guy with the cigar and the little wings has got a bag of magic. There’s stuff in there that can change your life. Believe me, I know.
”
”
Stephen King (On Writing: A Memoir of the Craft)
“
You’re my favorite subject, Love. I’ll start with your eyes. I fell in love with those first. One look was like a punch to the guy. You have these ageless eyes on such a young face. I just knew that you had seen bad things, and from the start, I knew that you could understand pain. Understand feeling hopeless and helpless and alone. I fell in love with your eyes first because I looked into their depths and saw the other half of my soul.
”
”
R.K. Lilley (Grounded (Up in the Air, #3))
“
Girls can be so petty and jealous. I swear they're worse than guys sometimes. Except they're all quiet about it. They sugarcoat it or else they talk behind each other's backs. It's seriously twisted.
”
”
Melody Carlson (The Jerk Magnet (Life at Kingston High, #1))
“
What would my first sergeant do if he came across me and another girl getting it on? He'd want pictures. He'd want to join in. He'd want me and this other girl to double-team him right then and there. On the other hand, since most heterosexual men are homophobic and sexist, most straight guys figure gay men will treat them the way they themselves treat women- that is, like sex objects. And this freaks them the fuck out.
”
”
Kayla Williams (Love My Rifle More than You: Young and Female in the U.S. Army)
“
I'm the kind of guy who puts other people first. Particularly if there’s danger up ahead. Now I’m not saying I’m any more cowardly than the next man, unless that next man is any other man besides my clone.
”
”
Jarod Kintz (This Book is Not for Sale)
“
I knew you were all smitten and shit, but fuck, you really do love this guy." The smirk in Darren's voice was obvious. And annoying. "Aw, come on, admit it - you feel like Cinderella, don't you?"
"No, Darren, I don't. And do you know why?"
"No sugar, tell me why."
"Because I'm a man. I've got a big fat one and I like to fuck other guys." Darren was laughing over the phone now, and it made Reece grin. "And Ben isn't a prince, he's a cop. A big, sexy cop who fucks like a machine. He's a man. I'm a man. We're men." He nodded sharply. "Now fuck off. I'm arranging flowers.
”
”
L.A. Gilbert (Witness)
“
Are you guys getting to know each other pretty well? I'm sure it's a little bit awkward at first.'
'Yeah,' I said. 'I'd say we're getting to know each other *really* well. Wouldn't you, Nathan?'
He kicked me under the table and mouthed, *Not funny*.
”
”
Kody Keplinger (A Midsummer's Nightmare (Hamilton High, #3))
“
You shook his hand?" Adrian asked incredulously
…
“With all that red-hot passion, it’s a wonder you guys can stay away from each other
”
”
Richelle Mead (The Golden Lily (Bloodlines, #2))
“
I didn't like seeing you with him" he says. "I don't think I'd like seeing you with any other guy....beside me.
”
”
Simone Elkeles (Chain Reaction (Perfect Chemistry, #3))
“
The first moment I saw him, the night people clamored over each other to step out of his way, I was frightened. The guy with earrings and tattoos and an energy radiating danger. Now-inside and out-all I see is beauty.
”
”
Katie McGarry (Crash into You (Pushing the Limits, #3))
“
The Odd Couple. Is this that one where the one guy is a mess and the other is a neat freak?”
“Yes, it is.”
“And you are?”
“A mess.” Then he looked at the book in my hands. “Oh, you mean in the play? I’m the neat freak. Felix.
”
”
Kasie West (The Fill-In Boyfriend)
“
You know how when a guy and girl really like each other in a book, they talk about a spark between them? With Nox there is no spark. No. He bypassed the spark. When Nox touches me, there’s nothing less than the whistling, shrieking explosions of fireworks. Big ones. The ones they save till the end of the show.
”
”
Belle Aurora (Willing Captive)
“
I’ll give you this, Spartan. You sure can kiss. Feel free to lay one on me anytime you want to."
“Well, I do aim to please,” he drawled. “You should see what I can do with my hands. And other parts of my body.”
I rolled my eyes. “Seriously? You’ve been cut open like a fish, there’s a psycho-killer Reaper after us, and you’re still hitting me up for sex?”
Logan shrugged, but the devilish light didn’t fade from his gaze. “Hey, you can’t blame a guy for trying.
”
”
Jennifer Estep (Kiss of Frost (Mythos Academy, #2))
“
Here are a few important principles to remember with regard to the giving and receiving between males and females. When a male demands, a female reacts; she doesn’t respond. When a male gives, a female responds. When a male commits, a female submits. Nothing is more precious to a female than a committed male. Nothing is no more depressing to a female than an uncommitted male. Here’s the secret, guys: If you want a submitted female, be a committed male. It’s that simple. When a male abuses, a female refuses. Whenever a man abuses a woman, she refuses to respond. When a male shares, a female cares. If you find a man who is willing to share with the woman in his life, you will find a woman who is willing to care for her man. When a male leads, a female follows. When a man carries out his God-given responsibility for leadership, a woman responds by following his lead. Leadership does not mean being bossy, always telling others what to do. No, leadership means going ahead, not putting others in the front. Good leaders lead by example, not by decree. Jesus led by example, and so did Moses, Peter, Paul, and all the other great leaders in the Bible. Leading by example means doing ourselves the things we wish others to do.
”
”
Myles Munroe (The Purpose and Power of Love & Marriage)
“
No matter how close, you are always too far
My eyes are drawn everywhere you are.
I’m tired of the way we both pretend Tired of always wanting and never giving in
I can feel it in my skin, see it in your grin
We’re more. We always have been.
Think of everything we’ve missed.
Every touch and every kiss.
Because we both insist.
Resist.
Hold your breath and close your eyes Distract yourself with other guys
It’s no surprise, your defeated sighs
Aren’t you tired of the lies?
Think of everything we’ve missed.
Every touch and every kiss.
Because we both insist.
Resist.
No matter how close, you are always too far
My eyes are drawn everywhere you are.
I’m done. I won’t ignore. I won’t pretend or resist.
I want more.
”
”
Cora Carmack (Losing It (Losing It, #1))
“
Without realizing it, we fill important places in each other’s lives. It’s that way with the guy at the corner grocery, the mechanic at the local garage, the family doctor, teachers, neighbors, coworkers. Good people who are always “there,” who can be relied upon in small, important ways. People who teach us, bless us, encourage us, support us, uplift us in the dailiness of life. We never tell them. I don’t know why, but we don’t.
And, of course, we fill that role ourselves. There are those who depend in us, watch us, learn from us, take from us. And we never know.
You may never have proof of your importance, but you are more important than you think. There are always those who couldn’t do without you. The rub is that you don’t always know who.
”
”
Robert Fulghum (All I Really Need to Know I Learned in Kindergarten)
“
Brittany Ellis, I'm goin' to prove to you I'm the guy you believed in ten months ago, and I'm gonna be the successful man you dreamed I could be. My plan is to ask you to marry me four years from now, the day we graduate."'And I guarantee you a lifetime of fun, probably one with no lack of fightin', for you are one passionate mamacita . . . but I definitely look forward to some great make-up sessions. Maybe one day we can even go back to Fairfield and help make it the place my dad always hoped it would be. You, me, and Shelley. And any other Fuentes or Ellis family member who wants to be a part of our lives. We'll be one big, crazy Mexican-American family. What do you think? Mujer, you own my soul.
”
”
Simone Elkeles (Perfect Chemistry (Perfect Chemistry, #1))
“
In general, people are not drawn to perfection in others. People are drawn to shared interests, shared problems, and an individual's life energy.
Humans connect with humans. Hiding one's humanity and trying to project an image of perfection makes a person vague, slippery, lifeless, and uninteresting.
”
”
Robert Glover (No More Mr. Nice Guy: A Proven Plan for Getting What You Want in Love, Sex, and Life)
“
You can say a lot of bad things about Tiny Cooper. I know, because I have said them. But for a guy who knows absolutely nothing about how to conduct his own relationships, Tiny Cooper is kind of brilliant when it comes to dealing with other people's heartbreak. Tiny is like some gigantic sponge soaking up the pain of lost love everywhere he goes.
”
”
John Green (Will Grayson, Will Grayson)
“
I don't know how love works, Dovie. I don't know how to be anything other than this, but I know the only thing that gives me hope is the idea of you and me. I know I'm not the ideal, not the dream guy, but no one will ever fight for you the way I will. I promise you that you will always have the best parts of me I have to give.
”
”
Jay Crownover (Better When He's Bad (Welcome to the Point, #1))
“
Hot damn. Cue the violins and happy cartoon bunnies. I was in the middle of a Disney moment. Because this guy was gorgeous. And we were standing so close to each other. If he hadn't been holding onto a barely contained rage directed at yours truly, it could have almost been construed as romantic.
”
”
A. Meredith Walters (Find You in the Dark (Find You in the Dark, #1))
“
Her eyes narrowed, and then her hand snaked out again. I forced myself to stand still and let her feel me up, because seriously, she didn't appear like she was going to stop until she did. She cupped my cheek and placed her other hand below my breasts, between my rips.
"Umm..." I was really starting to feel wigged out. "I really hope this has a point, because half the guys are staring at us like they're hoping we're going to make-out."
Aiden coughed.
”
”
Jennifer L. Armentrout (Sentinel (Covenant, #5))
“
Few things are more beautiful to me than a bunch of thuggish, heavily tattooed line cooks moving around each other like ballerinas on a busy Saturday night. Seeing two guys who'd just as soon cut each other's throats in their off hours moving in unison with grace and ease can be as uplifting as any chemical stimulant or organized religion.
”
”
Anthony Bourdain
“
My most recent faith struggle is not one of intellect. I don’t really do that anymore. Sooner or later you just figure out there are some guys who don’t believe in God and they can prove He doesn't exist, and there are some other guys who do believe in God and they can prove He does exist, and the argument stopped being about God a long time ago and now it’s about who is smarter, and honestly I don’t care.
”
”
Donald Miller
“
Almost every time i saw you, you were with him. But one day, you walked up to the building alone. I was holding the door for several girls in front of you, and i waited for you to catch up. When you reached me, you look pleased, and a little surprised. Unlike the others, you didn't expect the door to be held for you by some random guy. You smiled up at me and said, 'Thank you.' That was the last straw. I prayed you 'd never come to a session, and not with him. I didn't want you to know i was the tutor.
”
”
Tammara Webber (Easy (Contours of the Heart, #1))
“
Van Houten,
I’m a good person but a shitty writer. You’re a shitty person but a good writer. We’d make a good team. I don’t want to ask you any favors, but if you have time – and from what I saw, you have plenty – I was wondering if you could write a eulogy for Hazel. I’ve got notes and everything, but if you could just make it into a coherent whole or whatever? Or even just tell me what I should say differently.
Here’s the thing about Hazel: Almost everyone is obsessed with leaving a mark upon the world. Bequeathing a legacy. Outlasting death. We all want to be remembered. I do, too. That’s what bothers me most, is being another unremembered casualty in the ancient and inglorious war against disease.
I want to leave a mark.
But Van Houten: The marks humans leave are too often scars. You build a hideous minimall or start a coup or try to become a rock star and you think, “They’ll remember me now,” but (a) they don’t remember you, and (b) all you leave behind are more scars. Your coup becomes a dictatorship. Your minimall becomes a lesion.
(Okay, maybe I’m not such a shitty writer. But I can’t pull my ideas together, Van Houten. My thoughts are stars I can’t fathom into constellations.)
We are like a bunch of dogs squirting on fire hydrants. We poison the groundwater with our toxic piss, marking everything MINE in a ridiculous attempt to survive our deaths. I can’t stop pissing on fire hydrants. I know it’s silly and useless – epically useless in my current state – but I am an animal like any other.
Hazel is different. She walks lightly, old man. She walks lightly upon the earth. Hazel knows the truth: We’re as likely to hurt the universe as we are to help it, and we’re not likely to do either.
People will say it’s sad that she leaves a lesser scar, that fewer remember her, that she was loved deeply but not widely. But it’s not sad, Van Houten. It’s triumphant. It’s heroic. Isn’t that the real heroism? Like the doctors say: First, do no harm.
The real heroes anyway aren’t the people doing things; the real heroes are the people NOTICING things, paying attention. The guy who invented the smallpox vaccine didn’t actually invented anything. He just noticed that people with cowpox didn’t get smallpox.
After my PET scan lit up, I snuck into the ICU and saw her while she was unconscious. I just walked in behind a nurse with a badge and I got to sit next to her for like ten minutes before I got caught. I really thought she was going to die, too. It was brutal: the incessant mechanized haranguing of intensive care. She had this dark cancer water dripping out of her chest. Eyes closed. Intubated. But her hand was still her hand, still warm and the nails painted this almost black dark blue and I just held her hand and tried to imagine the world without us and for about one second I was a good enough person to hope she died so she would never know that I was going, too. But then I wanted more time so we could fall in love. I got my wish, I suppose. I left my scar.
A nurse guy came in and told me I had to leave, that visitors weren’t allowed, and I asked if she was doing okay, and the guy said, “She’s still taking on water.” A desert blessing, an ocean curse.
What else? She is so beautiful. You don’t get tired of looking at her. You never worry if she is smarter than you: You know she is. She is funny without ever being mean. I love her. I am so lucky to love her, Van Houten. You don’t get to choose if you get hurt in this world, old man, but you do have some say in who hurts you. I like my choices. I hope she likes hers.
”
”
John Green (The Fault in Our Stars)
“
That’s why I’m here, I’m here for two reasons. To entertain you with stories of my life so , you know, you can find them entertaining. But then maybe compare them to your own lives and not feel so alone with the issues that you go with, go through. And think, “Wow, I’m scared of going to my first day of work, but there is a guy called Dan who actually sold an axe to a child”. And the other half of it is me kind of like articulating my own profound observations on the universe, which is really just an excuse to give myself a therapy. Apparently other people enjoy watching it too wow
”
”
Daniel Howell
“
Don't be an asshole"
Rhage summed up the regurgitation with two words: "Kettle.Black."
Fucking hell. "Did you guys plan that out?"
"Yeah and if you don't fight us"- Hollywood bit down on the grape Tootsie Pop-"we'll do it again- only with the dance moves this time"
"Spare me."
"Fine.Unless you agree to home it,we WILL rock the dance moves." To prove the point ,the moron linked his palms behind his head and started doing something obscene with his hips. Which was backed up by a series of,"Uh-huh,uh-huh,ohhhh, yeeeeeeah,who's your daddy..."
The others looked at Rhage like he'd grown a horn in the middle of his forehead. Nothing unusual there. And Tohr knew that, in spite of this ridiculous diversion,if he didn't cave,the lot of them would crawl so far up his ass,he'd be coughing up shitkickers.
Rhage wheeled around,shoved out his butt,and started slapping his moneymaker like it was bread dough.
"For the love of the Virgin Scribe,"Z muttered "put us out of this misery, and go the fuck home"
Someone else chimed in, "You know, I never thought there were advantages to being blind..."
"Or deaf"
"Or mute," somebody added
”
”
J.R. Ward (Lover Reborn (Black Dagger Brotherhood, #10))
“
It's offense you maybe can't live with because it opens up a crack inside your thinking, and if you look down into it you see there are evil things down there, and they have little yellow eyes that don't blink, and there's a stink down there in that dark and after a while you think maybe there's a whole other universe where a square moon rises in the sky, and the stars laugh in cold voices, and some of the triangles have four sides, and some have five, and some have five raised to the fifth power of sides. In this universe there might grow roses which sing. Everything leads to everything, he would have told them if he could. Go to your church and listen to your stories about Jesus walking on the water, but if I saw a guy doing that I'd scream and scream and scream. Because it wouldn't look like a miracle to me. It would look like an offense.
”
”
Stephen King (It)
“
Guys like him, the ones who grip the Bible so tight they leave fingernail grooves, they're the ones who are the most scared of their dark side. Always going too far the other way, fighting for the Lord, often just because it gives them an excuse to fight.
”
”
David Wong
“
I guess what I’m trying to say is, you just can’t tell who you’re going to end up with. You might spend your whole life dreaming about one type of person, only to find happiness with somebody completely different. Someone you figured you had nothing in common with just might turn out to be your dream guy. And you know he’s your dream guy because you become a better person. He brings out all these great things in you that you never knew or believed were there. And if you’re really lucky you do the same for him. It makes it even more incredible that people find each other, considering most of them are looking in the wrong places to begin with.
”
”
Kristin Walker (A Match Made in High School)
“
Straight guys only feel three ways about girls . . . First, either they love you, and they show it by writing a song about you, like Gabriel, and asking you out, and everything is nice and fun like it should be. Second, they love you, but they’re scared of their passion for you because it’s so strong, like your boy Christopher, so they stuff it way, way down and ignore you, or do stupid things like make fun of you because they don’t know how to express it any other way, because they’re immature little babies and are too shy to, say, write a song about you. Or third, there’s something wrong with them, and they start out nice and loving and then turn around and do stupid things like sleep with other girls behind your back, like Justin Bay. But we’ll never figure out what went wrong with them, and neither will they, so it’s not worth thinking about. Okay? That’s it. The end.”
Lulu Collins
”
”
Meg Cabot (Airhead (Airhead, #1))
“
The visitor from outer space made a serious study of Christianity, to learn, if he could, why Christians found it so easy to be cruel. He concluded that at least part of the trouble was slipshod storytelling in the New Testament. He supposed that the intent of the Gospels was to teach people, among other things, to be merciful, even to the lowest of the low.
But the Gospels actually taught this:
Before you kill somebody, make absolutely sure he isn’t well connected. So it goes.
The flaw in the Christ stories, said the visitor from outer space, was that Christ, who didn’t look like much, was actually the Son of the Most Powerful Being in the Universe. Readers understood that, so, when they came to the crucifixion, they naturally thought, and Rosewater read out loud again:
Oh, boy–they sure picked the wrong guy to lynch _that_ time!
And that thought had a brother: “There are right people to lynch.” Who? People not well connected. So it goes.
The visitor from outer space made a gift to the Earth of a new Gospel. In it, Jesus really was a nobody, and a pain in the neck to a lot of people with better connections than he had. He still got to say all the lovely and puzzling things he said in the other Gospels.
So the people amused themselves one day by nailing him to a cross and planting the cross in the ground. There couldn’t possibly be any repercussions, the lynchers thought. The reader would have to think that, too, since the new Gospel hammered home again and again what a nobody Jesus was.
And then, just before the nobody died, the heavens opened up, and there was thunder and lightning. The voice of God came crashing down. He told the people that he was adopting the bum as his son, giving him the full powers and privileges of The Son of the Creator of the Universe throughout all eternity. God said this: From this moment on, He will punish horribly anybody who torments a bum who has no connections.
”
”
Kurt Vonnegut Jr. (Slaughterhouse-Five)
“
There are two races on earth. Those who need others, who are distracted, occupied and refreshed by others, who are worried, exhausted and unnerved by solitude as by the ascension of a terrible glacier or the crossing of a desert; and those, on the other hand, who are wearied, bored, embarrassed, utterly fatigued by others, while isolation calms them, and the detachment and imaginative activity of their minds bathes them in peace.
”
”
Guy de Maupassant (88 Short Stories)
“
I've traveled all over the world for the Institute, but I never dreamed I'd meet someone like you."
"Strong?"
A chuckle escaped her. "Yes."
"Handsome?"
"Of course."
"Sharp of wit and skilled with a sword?"
"Absolutely." An other chuckle. "But I mean a man… friend… guy. Oh, I don't know what to call you!"
He savored her amusement—and her earnest words. "Just call me yours. That is all I want to be."
(Ashlyn and Maddox)
”
”
Gena Showalter (The Darkest Night (Lords of the Underworld, #1))
“
In fiction, I searched for my favorite authors, women I have trusted to reassure me than not all teenage guys are total ditwads, that the archetype of the noble cute hero who devotes himself to the girl he loves has not gone the way of the rotary phone. That all I had to do was be myself (smart, hardworking, funny) and be patient and kind and he and I would find each other.
As Bea would say, this why they call it fiction.
”
”
Sarah Strohmeyer (Smart Girls Get What They Want)
“
God's grace is not defined as God being forgiving to us even though we sin. Grace is when God is a source of wholeness, which makes up for my failings. My failings hurt me and others and even the planet, and God's grace to me is that my brokenness is not the final word ... it's that God makes beautiful things out of even my own shit. Grace isn't about God creating humans and flawed beings and then acting all hurt when we inevitably fail and then stepping in like the hero to grant us grace - like saying, "Oh, it's OK, I'll be the good guy and forgive you." It's God saying, "I love the world too much to let your sin define you and be the final word. I am a God who makes all things new.
”
”
Nadia Bolz-Weber (Pastrix: The Cranky, Beautiful Faith of a Sinner & Saint)
“
She decided to be honest. “You”—she pointed at Dee-Ann—“kill at the slightest provocation. I hit for no other reason than I feel like it. And MacDermot is rude and abrasive.” Cella put her arms around each woman’s shoulders and hugged them in tight. “Oh, my God! I just realized. I love you guys!”
“You’re touchin’ me,” Dee-Ann complained.
“Yeah, but at least this time it’s not ’cause I’m hitting you.
”
”
Shelly Laurenston (Big Bad Beast (Pride, #6))
“
Some people majored in English to prepare for law school. Others became journalists. The smartest guy in the honors program, Adam Vogel, a child of academics, was planning on getting a Ph.D. and becoming an academic himself. That left a large contingent of people majoring in English by default. Because they weren't left-brained enough for science, because history was too try, philosophy too difficult, geology too petroleum-oriented, and math too mathematical - because they weren't musical, artistic, financially motivated, or really all that smart, these people were pursuing university degrees doing something no different from what they'd done in first grade: reading stories. English was what people who didn't know what to major in majored in.
”
”
Jeffrey Eugenides (The Marriage Plot)
“
Rule number one of anime," Simon said. He sat propped up against a pile of pillows at the foot of his bed, a bag of potato chips in one hand and the TV remote in the other. He was wearing a black T-shirt that said I BLOGGED YOUR MOM and a pair of jeans with a hole ripped in one knee. "Never screw with a blind monk."
"I know," Clary said, taking a potato chip and dunking it into the can of dip balanced on the TV tray between them. "For some reason they're always way better fighters than monks who can see." She peered at the screen. "Are those guys dancing?"
"That's not dancing. They're trying to kill each other. This is the guy who's the mortal enemy of the other guy, remember? He killed his dad. Why would they be dancing?
”
”
Cassandra Clare (City of Ashes (The Mortal Instruments, #2))
“
I’m sorry I ever asked you guys to be friends. You don’t have to be friends. You don’t even have to like each other. Forget I said anything.”
Warner drops his crossed arms.
Kenji raises his eyebrows.
“I promise,” I say. “No more forced hangout sessions. No more spending time alone without me. Okay?”
“You swear?” Kenji says.
“I swear.”
“Thank God,” Warner says.
“Same, bro. Same.”
And I roll my eyes, irritated. This is the first thing they’ve managed to agree on in over a week: their mutual hatred of my hopes for their friendship.
”
”
Tahereh Mafi (Restore Me (Shatter Me, #4))
“
A man is just a woman's strategy for making other women. Not that your father wasn't a nice guy and all, but... there's something missing in them, even the nice ones. It's like they're permanently absent-minded, like they can't quite remember who they are. They look at the sky too much. They lose touch with their feet. They aren't a patch on a woman except they're better at fixing cars and playing football, just what we need for the improvement of the human race, right?
”
”
Margaret Atwood (The Handmaid’s Tale (The Handmaid's Tale, #1))
“
There is nothing more alone than being in a car at night in the rain. I was in the car. And I was glad of it. Between one point on the map and another point on the map, there was the being alone in the car in the rain. They say you are not you except in terms of relation to other people. If there weren't any other people there wouldn't be any you because what you do which is what you are, only has meaning in relation to other people. That is a very comforting thought when you are in the car in the rain at night alone, for then you aren't you, and not being you or anything, you can really lie back and get some rest. It is a vacation from being you. There is only the flow of the motor under your foot spinning that frail thread of sound out of its metal guy like a spider, that filament, that nexus, which isn't really there, between the you which you have just left in one place and the you which you will be where you get to the other place.
”
”
Robert Penn Warren (All the King's Men)
“
Di ko alam kung paano ie-explain, pero, para sa akin, ang bag ng babae ay simbolo ng kanyang daigdig. The mere fact na nag-decide ang babae na yun ang laman at bigat ng bag niya, 'yun ang personal nyang mundo. Kaya niya dinala yun kasi yun ang kaya nyang dalhin. Anytime, anywhere. Nadadala niya yun from point A to point B. Pero kapag nakakita na ng lalake, dapat lalake na ang magpatuloy ng pagdadala from point B to point C? Kapag umalis ba ang babae mula sa kanyang bahay, aware siya na may lalakeng magbibitbit ng bag niya? I don't think so. Even without the guy, dadalhin pa rin naman ng babae yun kahit saan siya magpunta. Kaya ako, hinahayaan ko lang bitbitin ng babae ang kanyang bag. Gusto kong sabihin sa kanya na with or without me, or each other, tuloy lang ang pagbibitbit ng mundo, ng kani-kaniyang daigdig.
”
”
Eros S. Atalia (It's Not That Complicated: Bakit Hindi pa Sasakupin ng mga Alien ang Daigdig sa 2012)
“
Half of them kept repeating my name, trying to get it right, while the other half laughed.
But they were harmless. Fun drunks make a nice addition to any party: Not looking to fight. Not looking to score. Just looking to get drunk and laugh.
I remember those guys. Like the mascots of the party.
"Clay! Whatcha doon here? Bah-ha-ha-ha!
”
”
Jay Asher (Thirteen Reasons Why)
“
Xavier leaned forward. "Sarcasm aside, you don't need a guy like that, Elena. Maybe you think you do - only female werewolf and all that - but hell, I've seen what you can do - tied to a chair, up against a male werewolf. You can do that, you don't need some fucking psychopath like Clayton Danvers-"
He stopped, noticing my gaze.
"He's standing right behind me, isn't he?" Xavier muttered.
"Uh-huh."
Xaview tilted his head back, saw Clay, and disappeared. He reappeared on the opposite bench, pressed up against me. I looked over at him, eyebrow raised. He swore under his breath and teleported to the far end of the other bench. Then he stood and turned to Clay.
"You must be-"
"The fucking psychopath," Clay said.
"Er, right, but I meant that in the most respectful way. Believe me, I have the utmost regard for, uh..."
"Raging lunatics," I said.
Xavier shot me a glare.
"Oh sit down," I said. "He didn't bring his chain saw.
”
”
Kelley Armstrong
“
Where is the stupid bus? And why did my dad have to be so big on mass transit, anyhow? Why couldn't I I own a car, like practically every other senior? But no, i had to 'share the ride' to save the environment. When I'm abducted by the menacing guy under the tree, Dad will probably insist my face only appear on recycled milk cartons....
”
”
Beth Fantaskey
“
Marc’s hand tightened visibly around Kevin’s fingers, his digits going white. Again. Both men clenched their jaws, Kevin in pain, and Marc in an obvious effort to control his temper and keep from breaking Kevin’s hand. Off. Why couldn’t guys find a more original way to test each other’s manly prowess? Arm wrestling might have been more subtle. Or maybe comparing the length of their…canines.
”
”
Rachel Vincent (Rogue (Shifters, #2))
“
CUSTOMER: Which was the first Harry Potter book?
BOOKSELLER: The Philosopher’s Stone.
CUSTOMER: And the second?
BOOKSELLER: The Chamber of Secrets.
CUSTOMER: I’l take The Chamber of Secrets. I don’t want The Philosopher’s Stone.
BOOKSELLER: Have you already read that one?
CUSTOMER: No, but with series of books I always find they take a while to really get going. I don’t want to waste my time with the useless introductory stuff at the beginning.
BOOKSELLER: The story in Harry Potter actually starts right away. Personally, I do recommend that you start with the first book – and it’s very good.
CUSTOMER: Are you working on commission?
BOOKSELLER: No.
CUSTOMER: Right. How many books are there in total?
BOOKSELLER: Seven.
CUSTOMER: Exactly. I’m not going to waste my money on the first book when there are so many others to buy. I’l take the second one.
BOOKSELLER: . . . If you’re sure.
(One week later, the customer returns)
BOOKSELLER: Hi, did you want to buy a copy of The Prisoner of Azkaban?
CUSTOMER: What’s that?
BOOKSELLER: It’s the book after The Chamber of Secrets.
CUSTOMER: Oh, no, definitely not. I found that book far too confusing. I ask you, how on earth are children supposed to understand it if I can’t? I mean, who the heck is that Voldemort guy anyway? No. I’m not going to bother with the rest.
BOOKSELLER: . . .
”
”
Jen Campbell (Weird Things Customers Say in Bookshops)
“
There's something beautifully friendly and elevating about a bunch of guys playing music together. This wonderful little world that is unassailable. It's really teamwork, one guy supporting the others, and it's all for one purpose, and there's no flies in the ointment, for a while. And nobody conducting, it's all up to you. It's really jazz__that's the big secret. Rock and roll ain't nothing but jazz with a hard backbeat.
”
”
Keith Richards (Life)
“
Give a man a fish, and you feed him for a day.
Teach a man to fish, and you feed him for a lifetime.
Steal a fish from one guy and give it to another--and keep doing that on a daily basis--and you'll make the first guy pissed off, but you'll make the second guy lazy and dependent on you. Then you can tell the second guy that the first guy is greedy for wanting to keep the fish he caught. Then the second guy will cheer for you to steal more fish. Then you can prohibit anyone from fishing without getting permission from you. Then you can expand the racket, stealing fish from more people and buying the loyalty of others. Then you can get the recipients of the stolen fish to act as your hired thugs. Then you can ... well, you know the rest.
”
”
Larken Rose
“
Nope.' He sat back. 'Just been there, done that. Done that getting hauled to the police station thing because of it, too.I appreciate your quest and everything, but I have to draw the line somewhere.'
'Wait,' I said, holding up my hand. 'My quest?'
He turned to look at me. We were at a red light, no other cars were anywhere in sight. 'Yeah,' he said. 'You know, like in Lord of the Rings, or Star Wars. You're searching for something you lost or need. It's a quest.'
I just looked at him.
'Maybe it's a guy thing,' he said. 'Fine, don't call it a quest. Call it chicken salad, I don't care. My point is, I'm in, but within reason. That's all I'm saying.
”
”
Sarah Dessen (Along for the Ride)
“
Even at the time—twenty years old—I said to myself: better to go hungry, to go to prison, to be a tramp, than to sit at an office desk ten hours a day. There is no particular daring in this vow, but I have not broken it and shall not do so. The wisdom of my grandfathers sat in my head: we are born for the pleasure of work, fighting, love, we are born for that and nothing else. (Guy de Maupassant)
”
”
Isaac Babel (Red Cavalry and Other Stories)
“
Channing, come back here.”
“No,” she tossed off over her shoulder.
“I’m warnin’ you, girl, you don’t want to make me mad.”
“Tough shit, tough guy. Suck it up and walk it off.”
People around them stopped and stared, nudged each other and chuckled, giving Colby a wide berth.
“Last chance,” he yelled.
Channing flipped him the bird without turning around. In fact, she ran away from him like her boot heels were smoking.
He was going to paddle that sassy little ass but good.
”
”
Lorelei James (Long Hard Ride (Rough Riders, #1))
“
I don't hate too many guys. What I may do, I may hate them for a little while, like this guy Stradlater I knew at Pencey, and this other boy, Robert Ackley. I hate them once in a while—I admit it—but it doesn't last too long, is what I mean. After a while, if I didn't see them, if they didn't come in the room, or if I didn't see them in the dining room for a couple of meals, I sort of missed them. I mean I sort of missed them.
”
”
J.D. Salinger (The Catcher in the Rye)
“
Let me inform you of something," he says in a low voice. "The moment my lips touch yours, it will be your first kiss. Because if you've never felt anything when someone's kissed you, then no one's ever really kissed you. Not the way I plan on kissing you."
He drops his hands and keeps his eyes locked on mine while he backs up to the stove.
He turns around to tend to the pasta like he didn't just ruin me for any other guy for the rest of my life.
I can't feel my legs, so I do the only thing I can. I slide down the refrigerator until my butt meets the floor and I inhale.
”
”
Colleen Hoover (Hopeless (Hopeless, #1))
“
This is a little awkward," I said, "but my mother just ran over the rabbit."
"Ran over?"
"As in roadkill. We're not sure what to do about it."
"Where are you?"
"Giovichinni's, buying lunch meat."
"And the rabbit?"
"Gone. He was with two other guys. They scooped him up off the road and drove away with him."
There was a long silence on the phone. "I'm fucking speechless," Morelli finally said.
”
”
Janet Evanovich (Hard Eight (Stephanie Plum, #8))
“
fuck
she pulled her dress off
over her head
and I saw the panties
indented somewhat into the
crotch.
it's only human.
now we've got to do it.
I've got to do it
after all that bluff.
it's like a party--
two trapped
idiots.
under the sheets
after I have snapped
off the light
her panties are still
on. she expects an
opening performance.
I can't blame her. but
wonder why she's here with
me? where are the other
guys? how can you be
lucky? having someone the
others have abandoned?
we didn't have to do it
yet we had to do it.
it was something like
establishing new credibility
with the income tax
man. I get the panties
off. I decide not to tongue her. even then
I'm thinking about
after it's over.
we'll sleep together
tonight
trying to fit ourselves
inside the wallpaper.
I try, fail,
notice the hair on her
head
mostly notice the hair
on her
head
and a glimpse of
nostrils
piglike
I try it again.
”
”
Charles Bukowski (Love Is a Dog from Hell)
“
What's the first sign of a lurking, hidden expectation you didn't know you had? Pain! People don't do what we want, things don't happen quickly enough, the weather doesn't cooperate, our bodies don't cooperate. Why are these moments so painful? Because our minds are focused on a static, unchanging, me-centric picture while the dynamic unfolding of a broader life continues around us. There is nothing wrong with expectations per se, as it's appropriate to set goals and work, properly, towards their fruition. But the instant we feel pain over life not going "my way," our expectations have clearly taken an improper turn. Any moment you feel resistance or pain, look for -- and then let go of -- the hidden expectation. Practice giving yourself over to what "you" don't want. Let the line at the store be long. Let the other person interrupt you. Let the nervousness make you shake. Be where your body is, not where your mind is trying to take you.
”
”
Guy Finley
“
Of course a lot of guys were ashamed. Somebody said let's go out and fight for liberty and so they went out and got killed without ever once thinking of liberty. And what kind of liberty were they fighting for anyway? How much liberty and whose kind of liberty? Were they fighting for the liberty of eating free ice cream cones all their lives or for the liberty of robbing anybody they pleased whenever they wanted to or what? You tell a man he can't rob and you take away some of his liberty. You've got to. What the hell does liberty mean anyhow? It's a word like house or table or any other word. Only it's a special kind of word. A guy says house and he can point to a house to prove it. But a guy says come on let's fight for liberty and he can't show you liberty. He can't prove the thing he's talking about so how in the hell can he be telling you to fight for it? No sir anybody who went out and got into the front line trenches to fight for liberty was a goddamn fool and the guy who got him there was a liar.
”
”
Dalton Trumbo (Johnny Got His Gun)
“
There was a rich old guy named John Donnelly who must have donated a bunch of money. He had forgotten his member card one day, and when I tried to explain that it was a four-dollar fee to enter without a card, he went batshit. "Don't you know who I am, goddammit?" I had never seen him before. "Do you know who I am?" I wanted to say. "Then how could I know who you are? We don't know each other.
”
”
Tina Fey (Bossypants)
“
I think Jesus is saying, Look, you guys are running around like monkeys trying to get people to clap, but people are fallen, they are separated from God, so they have no idea what is good or bad, worthy to be judged or set free, beautiful or ugly to begin with. Why not get your glory from God? Why not accept your feelings of redemption because of His pleasure in you, not the fickle and empty favor of man? And only then will you know who you are, and only then will you have true, uninhibited relationships with others.
”
”
Donald Miller (Searching for God Knows What)
“
Let me walk you to your room," Logan offered in a helpful voice. "You, me, and the Gypsy girl could have our own bonfire tonight."
Daphne and I stared at each other. I rolled my eyes while Daphne sniffed.
"Oh, please," she scoffed. "Like I need a guy to protect me. I'm a Valkyrie, remember? I could pick you up and break your back over my knee, Spartan. Like you were a piñata."
"Kinky," Logan said, smiling at her. "I like it."
She snorted. "Save the smarmy charm for Gwen. We all know that she's the one you're really trying to impress anyway."
We did? Because I hadn't gotten that message at all.
”
”
Jennifer Estep (Touch of Frost (Mythos Academy, #1))
“
I have an immoderate passion for water; for the sea, though so vast, so restless, so beyond one's comprehension; for rivers, beautiful, yet fugitive and elusive; but especially for marshes, teeming with all that mysterious life of the creatures that haunt them. A marsh is a whole world within a world, a different world, with a life of its own, with its own permanent denizens, its passing visitors, its voices, its sounds, its own strange mystery.
”
”
Guy de Maupassant (The House of Madame Tellier and Other Stories (32 stories))
“
Has the old man lost his freaking mind? Would I ask him to share something he’s worked his ass
off for? Would he let someone else drive his 1962 cherry Mustang convertible? Would he open his
bedroom door and let some other guy screw his wife?
Okay, that was too far. I take it back—considering his wife is my mother. Forget I ever referred
to my mother and screwing in the same sentence. That’s just…wrong. On so many levels.
But for the love of God, tell me you see my point.
”
”
Emma Chase (Tangled (Tangled, #1))
“
Ayden and Blake stared each other down.
"Oh. My. God," Luna blurted from Ayden's back seat. "It's a love triangle."
We all looked at her like she'd sprouted an alien from her head. "it's just like in a book. Two guys after one girl and-"
I groaned. "That's ridiculous, Luna, this is not a love triangle."
"Says the girl in the middle of a love triangle. Luna ignored my protests and prattled on. "Not one Hexy Boy but two. I've got to call Danica. Oooo," she squealed and clapped her hands,"We could have teams. Team Ayden and Team Blake. With T-shirt and buttons and-"
"I could make a website," Lucian offered.
"No!" My voice pitched with panic. "No teams. No shirts. No-"
"I'll get you some headshots," Blake said, turning his profile towards Luna and Lucian. "I've been told the left is my best side. What do you think?"
"Aurora's right," Ayden said. "This is buts. Blake you can follow us-"
"Dude, you know no one would pick Team Ayden. You're just jealous."
"That's not true. My team would be way bigger than yours."
"Dare to dream, little man, dare to dream."
"Care to make a wager on it?"
"Absolutely."
"Fine. How about-"
"You two shut up!" I shoved myself out of the car.
”
”
A. Kirk (Demons at Deadnight (Divinicus Nex Chronicles, #1))
“
There's this book," Jared said. "And in this book a guy said that he would rather touch someones hand if she was dead than another girl who was alive. It's creepy. I know that." He was staring off into space, as if at some private nightmare. "Nothing matters in comparison. Nobody is real but her. So it feels sometimes as if nothing else matters at all, including other people. She wouldn't like that. Other people SHOULD matter."
***
So he loved Kami.
”
”
Sarah Rees Brennan (Untold (The Lynburn Legacy, #2))
“
what love looks like
what does love look like the therapist asks
one week after the breakup
and i’m not sure how to answer her question
except for the fact that i thought love
looked so much like you
that’s when it hit me
and i realized how naive i had been
to place an idea so beautiful on the image of a person
as if anybody on this entire earth
could encompass all love represented
as if this emotion seven billion people tremble for
would look like a five foot eleven
medium-sized brown-skinned guy
who likes eating frozen pizza for breakfast
what does love look like the therapist asks again
this time interrupting my thoughts midsentence
and at this point i’m about to get up
and walk right out the door
except i paid too much money for this hour
so instead i take a piercing look at her
the way you look at someone
when you’re about to hand it to them
lips pursed tightly preparing to launch into conversation
eyes digging deeply into theirs
searching for all the weak spots
they have hidden somewhere
hair being tucked behind the ears
as if you have to physically prepare for a conversation
on the philosophies or rather disappointments
of what love looks like
well i tell her
i don’t think love is him anymore
if love was him
he would be here wouldn’t he
if he was the one for me
wouldn’t he be the one sitting across from me
if love was him it would have been simple
i don’t think love is him anymore i repeat
i think love never was
i think i just wanted something
was ready to give myself to something
i believed was bigger than myself
and when i saw someone
who probably fit the part
i made it very much my intention
to make him my counterpart
and i lost myself to him
he took and he took
wrapped me in the word special
until i was so convinced he had eyes only to see me
hands only to feel me
a body only to be with me
oh how he emptied me
how does that make you feel
interrupts the therapist
well i said
it kind of makes me feel like shit
maybe we’re looking at it wrong
we think it’s something to search for out there
something meant to crash into us
on our way out of an elevator
or slip into our chair at a cafe somewhere
appear at the end of an aisle at the bookstore
looking the right amount of sexy and intellectual
but i think love starts here
everything else is just desire and projection
of all our wants needs and fantasies
but those externalities could never work out
if we didn’t turn inward and learn
how to love ourselves in order to love other people
love does not look like a person
love is our actions
love is giving all we can
even if it’s just the bigger slice of cake
love is understanding
we have the power to hurt one another
but we are going to do everything in our power
to make sure we don’t
love is figuring out all the kind sweetness we deserve
and when someone shows up
saying they will provide it as you do
but their actions seem to break you
rather than build you
love is knowing who to choose
”
”
Rupi Kaur (the sun and her flowers)
“
Sometimes I do. Sometimes I look at him...and I remember how it was when I kissed him and felt that love. It makes me want that back. I want to feel it again. I want to return to it. Other times though...other times, I'm so scared. I listen to these guys...and to Jerome...and then the doubts gnaw at me. I can't get them out of my head. We've been sleeping together, you know. Literally. It hasn't been a problem so far, but sometimes I lie awake watching him, thinking this can't last. The longer it does...I feel like...like I'm standing on a high wire, with Seth at one end and me at the other. We're trying to reach each other, but one misstep, one breeze, one side-glance, and I'll fall over the edge. And keep falling and falling."
Carter leaned toward me and brushed the hair away from the side of my face. "Don't look down then," he whispered.
”
”
Richelle Mead (Succubus on Top (Georgina Kincaid, #2))
“
But then in middle school science, Mr. Martinez asked who among us had ever fantasized about living in the clouds, and everyone raised their hand. Then Mr. Martinez told us that up in the clouds the wind blew one hundred and fifty miles an hour and the temperature was thirty below zero and there was no oxygen and we’d all die within seconds.”
“Sounds like a nice guy.”
“He specialized in the murder of dreams, Hazel Grace.let me tell you. You think volcanoes are awesome? Tell that to the ten thousand screaming corpses at Pompeii. You still secretly believe that there is an element of magic to this world? It’s all just soulless molecules bouncing against each other randomly. Do you worry about who will take care of you if your parents die? As well you should, because they will be worm food in the fullness of time.
”
”
John Green (The Fault in Our Stars)
“
Ferret took out a folded scrap of paper and passed it to him.
'My guy Ben doesn't know where the other club is, but the girls are being shipped in from here, a rehab centre in Newtonville.'
'What's this other place called?' Tazeem asked as he slipped the scrap of paper into his pocket.
'The place is just known as The Club. But the behind-the-scenes bit that only the real big spenders get to see, there's no official name, 'cause officially it doesn't exist, that's know as The Zombie Room.
”
”
R.D. Ronald (The Zombie Room)
“
Cracking his knuckles, Cary dramatically prepared to open his fortune cookie. “Let’s see. Will I be rich? Famous? About to
meet Mr. or Ms. Tall, Dark, and Tasty? Traveling to distant lands? What’d you guys get?”
“Mine’s lame,” I said. “In the end all things will be known. Duh. I didn’t need a fortune to figure that out.”
Gideon opened his and read, “Prosperity will knock on your door soon.”
I snorted.
Cary shot me a look. “I know, right? You snatched someone else’s cookie, Cross.”
“He better not be anywhere near someone else’s cookie,” I said dryly.
Reaching over, Gideon plucked half of mine out of my fingers. “Don’t worry, angel. Your cookie is the only one I want.”
He popped it in his mouth with a wink.
“Gag,” Cary muttered. “Get a room.” He cracked his fortune with a flourish, and then scowled. “What the fuck?”
I leaned forward. “What’s it say?”
“Confucius say,” Gideon ad-libbed, “man with hand in pocket feel cocky all day.”
Cary threw half his cookie at Gideon, who caught it deftly and grinned.
“Give me that.” I snatched the fortune out from between Cary’s fingers and read it. Then laughed.
“Fuck you, Eva.”
“Well?” Gideon prodded.
“Pick another cookie.”
Gideon smiled. “Pwned by a fortune.”
Cary threw the other half of his cookie.
”
”
Sylvia Day (Bared to You (Crossfire, #1))
“
Why doesn't it bother her? Seriously, it doesn't. She's not putting on a front. She's in a serious relationship with a guy who has sex with other women for a living, and it doesn't matter to her."
"I married a cop." Roarke smiled at her. "We all have our levels of acceptance. He was an LC when they met, just as she was a doctor, and one who often works in dangerous areas of the city."
She shot him the same easy smile. "So...if I'd been an LC when we met, you wouldn't have any problem with me banging other guys. Professionally."
"None at all, as I'd kick your ass and murder all of them. But that's my level of acceptance.
”
”
J.D. Robb (Strangers in Death (In Death, #26))
“
I don't mean to be like some old guy from the olden days who says, "I walked thirty miles to school every morning, so you kids should too." That's a statement born of envy and resentment. What I'm saying is something quite different. What I'm saying is that by having very little, I had it good. Children need a sense of pulling their own weight, of contributing to the family in some way, and some sense of the family's interdependence. They take pride in knowing that they're contributing. They learn responsibility and discipline through meaningful work. The values developed within a family that operates on those principles then extend to the society at large. By not being quite so indulged and "protected" from reality by overflowing abundance, children see the bonds that connect them to others.
”
”
Sidney Poitier (The Measure of a Man: A Spiritual Autobiography)
“
I draw a line down the middle of a chalkboard, sketching a male symbol on one side and a female symbol on the other. Then I ask just the men: What steps do you guys take, on a daily basis, to prevent yourselves from being sexually assaulted? At first there is a kind of awkward silence as the men try to figure out if they've been asked a trick question. The silence gives way to a smattering of nervous laughter. Occasionally, a young a guy will raise his hand and say, 'I stay out of prison.' This is typically followed by another moment of laughter, before someone finally raises his hand and soberly states, 'Nothing. I don't think about it.' Then I ask women the same question. What steps do you take on a daily basis to prevent yourselves from being sexually assaulted? Women throughout the audience immediately start raising their hands. As the men sit in stunned silence, the women recount safety precautions they take as part of their daily routine. Here are some of their answers: Hold my keys as a potential weapon. Look in the back seat of the car before getting in. Carry a cell phone. Don't go jogging at night. Lock all the windows when I sleep, even on hot summer nights. Be careful not to drink too much. Don't put my drink down and come back to it; make sure I see it being poured. Own a big dog. Carry Mace or pepper spray. Have an unlisted phone number. Have a man's voice on my answering machine. Park in well-lit areas. Don't use parking garages. Don't get on elevators with only one man, or with a group of men. Vary my route home from work. Watch what I wear. Don't use highway rest areas. Use a home alarm system. Don't wear headphones when jogging. Avoid forests or wooded areas, even in the daytime. Don't take a first-floor apartment. Go out in groups. Own a firearm. Meet men on first dates in public places. Make sure to have a car or cab fare. Don't make eye contact with men on the street. Make assertive eye contact with men on the street.
”
”
Jackson Katz (The Macho Paradox: Why Some Men Hurt Women and How All Men Can Help (How to End Domestic Violence, Mental and Emotional Abuse, and Sexual Harassment))
“
So let me help you out. My favorite color is-hell, I don't know. I've never cared enough to think about it. My favorite movie is-what else-ZOMBIELAND. But not because the good guys win in the end, though that's a plus, but because Emma Stone is hot."
I snorted. He was SUCH a guy.
"My favorite band is-"
"Let me guess," I interjected. "White Zombie? Slayer?"
"Red. And no, not just because I want zombies to bleed.What about you? Who do you like? Because honestly, I'm surprised you know White Z and Slayer."
"I like Red,too, but I'm partial to Skillet. Used to listen to them with my sister. But why wouldn't I know the other bands?"
"You look so angelic."
"And do you think angels are hot?" I asked primly, trying to play it cool so that I wouldn't reveal what a mess I was on the inside. All this time, he'd wanted to get to know me and date me. What craziness!
"The hottest.
”
”
Gena Showalter (Alice in Zombieland (White Rabbit Chronicles, #1))
“
Of course it's jealousy," said Adrian nonchalantly. "What do you expect? The former love of your life comes back—from the dead, no less. That's not something I'm really excited about. But I don't blame you for feeling confused."
"I told you before—"
"I know, I know." Adrian didn't sound particularly upset. In fact, there was a surprisingly patient tone in his voice. "I know you said him coming back wouldn't affect things between us. But saying one thing before it happens and then actually having that thing happen are two different things."
"What are you getting at?" I asked, kind of confused.
"I want you, Rose." He squeezed my hand more tightly. "I've always wanted you. I want to be with you. I'd like to be like other guys and say I want to take care of you too, but...well. When it comes down to it, you'd probably be the one taking care of me."
I laughed in spite of myself. "Some days I think you're in more danger from yourself than anyone else. You smell like cigarettes, you know."
"Hey, I have never, ever said I was perfect. And you're wrong. You're probably the most dangerous thing in my life.
”
”
Richelle Mead (Spirit Bound (Vampire Academy, #5))
“
They were not asked to adhere to the same rules. If there were countless guidelines women had to follow; cover your drink, stick close to others, don't wear short skirts. Their behaviour was the constant, while we were the variable expected to change. When did it become our job to do all the preventing and managing? And if houses existed where many girls got hurt, shouldn't we hold guys to a higher standard instead of reprimanding the girl? Why was passing out considered more reprehensible than fingering the passed out person?
”
”
Chanel Miller (Know My Name)
“
It was wintertime. I was starving to death trying to be a writer in New York. I hadn't eaten for three or four days. So, I finally said, "I'm gonna have a big bag of popcorn." And God, I hadn't tasted food for so long, it was so good. Each kernel, you know, each one was like a steak! I chewed and it would just drop into my poor stomach. My stomach would say, "THANK YOU THANK YOU THANK YOU!" I was in heaven, just walking along, and two guys happened by, and one said to the other, "Jesus Christ!" The other one said, "What was it?" "Did you see that guy eating popcorn? God, it was awful!" And so I couldn't enjoy the rest of the popcorn. I thought; what do you mean, "it was awful?" I'm in heaven here. I guess I was kinda dirty. They can always tell a fucked-up guy.
”
”
Charles Bukowski
“
Go out with me tomorow night," Perry went on. "Let me prove to you that I'm the guy you want."
"I...I guess I coul go out tomorrow night," Miranda sounded shocked and a little swept off her feet.
Then, from the corner of her eyes. Kylie saw something move at the office window. When she looked back, she spotted Burnett and Holiday standing there high-fiving each other. No doubt Burnett was listening to the coversation and sharing the details with Holiday.
Perry nodded, stepped closer, and then pressed a quick kiss on Miranda's cheek. It had to be the most romantic thing Kylie had ever seen.
..."What?" Miranda asked. "You're happy my date [with Todd] wasn't exciting?"
"No," Kylie said. "Let's just say we're more excited about tomorrow night's date."
A bright smile lit up Miranda's face. "Me too. Can you believ Perry did that? I mean, he was so..."
"Romantic," Kylie said.
"Hot," Della added.
"Sweet," Miranda whispered. "I couldn't stop thinkibng about him all night."
And that was the best news Kylie had gotten all day.
”
”
C.C. Hunter (Taken at Dusk (Shadow Falls, #3))
“
I want to retain my own identity. Therefore the thing I’m most anxious to avoid is any kind of work that can be considered ‘interesting’ in its own right. I want something that can’t possibly touch me. I want some big, swollen corporation that’s been bumbling along making money in its sleep for a hundred years, where they have to hire eight guys for every one job because none of them can be expected to care about whatever boring thing it is that they are supposed to be doing. I want to go into that kind of place and say, Look. You can have my body and my nice college-boy smile for so many hours a day, in exchange for so many dollars, and beyond that we’ll leave each other strictly alone.
”
”
Richard Yates (Revolutionary Road)
“
If Bailey had been born without MD, he wouldn't be Bailey. The Bailey who is smart and sensitive, and seems to understand so many things we don't. You might have looked right past Bailey if he'd grown up healthy, wrestling on his dad's team, acting like every other guy you've ever known. A big part of the reason Bailey is so special is because life has sculpted him into something amazing . . . maybe not on the outside, but on the inside. On the inside, Bailey looks like Michelangelo's David. And when I look at him, and when you look at him, that's what we see.
”
”
Amy Harmon (Making Faces)
“
Here's the thing about Hazel: Almost everyone is obsessed with leaving a mark upon the world. Bequeathing a legacy. Outlasting death. We all want to be remembered. I do, too. That's what bothers me most, is being another unremembered casualty in the ancient and inglorious war against disease.
I want to leave a mark.
But Van Houten: The marks humans leave are too often scars. You build a hideous minimall or start a coup or try to become a rock star and you think, "They'll remember me now," but (a) they don't remember you, and (b) all you leave behind are more scars. Your coup becomes a dictatorship. Your minimall becomes a lesion.
...
We are like a bunch of dogs squirting on fire hydrants. We poison the groundwater with our toxic piss, marking everything MINE in a ridiculous attempt to survive our deaths. I can't stop pissing on fire hydrants. I know it's silly and useless--epically useless in my current state--but I am an animal like any other.
Hazel is different. She walks lightly, old man. She walks lightly upon the earth. Hazel knows the truth: We're as likely to hurt the universe as we are to help it, and we're not likely to do either.
People will say it's sad that she leaves a lesser scar, that fewer remember her, that she was loved deeply but not widely. But it's not sad, Van Houten. It's triumphant. It's heroic. Isn't that the real heroism? Like the doctors say: First, do no harm.
The real heroes anyway aren't the people doing things; the real heroes are the people NOTICING things, paying attention. The guy who invented the smallpox vaccine didn't actually invent anything. He just noticed that people with cowpox didn't get smallpox.
...
But then I wanted more time so we could fall in love. I got my wish, I suppose. I left my scar.
...
What else? She is so beautiful. You don't get tired of looking at her. You never worry if she is smarter than you: You know she is. She is funny without ever being mean. I love her. I am so lucky to love her, Van Houten. You don't get to choose if you get hurt in this world, old man, but you do have some say in who hurts you. I like my choices. I hope she likes hers.
”
”
John Green (The Fault in Our Stars)
“
I'd never really been very close to other people. I was pretty much a loner. I'd played baseball and done the Cub Scout thing, tried the Boy Scout thing -- but I always kept my distance from the other boys. I never ever felt like I was part of their world.
Boys. I watched them. Studied them.
In the end, I didn't find most of the guys that surrounded me very interesting. In fact, I was pretty disgusted,
Maybe I was a little superior. But I don't think I was superior. I just didn't understand how to talk to them, how to be myself around them. Being around other guys didn't make me feel smarter. Being around other guys made me feel stupid and inadequate. It was like they were all part of this club and I wasn't a member.
”
”
Benjamin Alire Sáenz (Aristotle and Dante Discover the Secrets of the Universe (Aristotle and Dante, #1))
“
For the past few years, I've been on a quest for a good old-fashioned date, the kind where the guy calls, makes the plans, picks you up in a car that's not his dad's or his other girlfriend's, and takes you somewhere that shows he put thought into what you might like, not what he might get off on like the latest how-many-naked-boobs-can-we-cram-into-this-movie-to-disguise-the-complete-lack-of-plot movie. I'm looking for the kind of date that starts with good conversation , has a sweet and satisfying middle, and ends with long, slow kisses and the dreamy feeling that you're walking on clouds.
”
”
Karen Marie Moning (Bloodfever (Fever, #2))
“
Where's your fiancé?" Trevor asks casually. I stiffen slightly, and Trevor steps back a little. "Well," I breathe. "Um, we sort of broke up."
Trevor's eyes widen a fraction, an eyebrow raising in surprise. He stops dancing, but none of the other couples seem to notice, too caught up in being in love. "Why?" Trevor whispers, still holding my hand, his arm still around me.
My hearts thumps harder, slower, each beat waiting for my answer as I stare into Trevor's eyes. I open my mouth to give some answer, some casual it-didn't-work-out kind of thing. But instead, I hear myself say something else entirely.
"Because he wasn't you.
”
”
Kristan Higgins (Just One of the Guys)
“
My, my," he said, looking the note over. "If only students would write this much in their essays. One of you has considerably worse writing than the other, so forgive me if I get anything wrong here." He cleared his throat."'So, I saw J last night,' begins the person with bad handwriting, to which the response is,'What happened,' followed by no fewer than five question marks. Understandable, since sometimes one—let alone four—just won't get the point across, eh?" The class laughed, and I noticed Mia throwing me a particularly mean smile. "The first speaker responds:'What do you think happened? We hooked up in one of the empty lounges.'“
Mr. Nagy glanced up after hearing some more giggles in the room. His British accent only added to the hilarity.
"May I assume by this reaction that the use of 'hook up' pertains to the more recent, shall we say,carnal application of the term than the tamer one I grew up with?”
More snickers ensued. Straightening up, I said boldly, "Yes, sir, Mr. Nagy. That would be correct, sir."
A number of people in the class laughed outright.
"Thank you for that confirmation, Miss Hathaway. Now, where was I? Ah yes, the other speaker then asks,'How was it?' The response is,'Good,' punctuated with a smiley face to confirm said adjective. Well. I suppose kudos are in order for the mysterious J, hmmm?'So, like, how far did you guys go?' Uh, ladies," said Mr. Nagy, "I do hope this doesn't surpass a PG rating.'Not very.We got caught.'And again, we are shown the severity of the situation, this time through the use of a not-smiling face.'What happened?' 'Dimitri showed up. He threw Jesse out and then bitched me out.'“
The class lost it, both from hearing Mr. Nagy say "bitched" and from finally getting some participants named.
"Why, Mr.Zeklos, are you the aforementioned J? The one who earned a smiley face from the sloppy writer?
”
”
Richelle Mead (Vampire Academy (Vampire Academy, #1))
“
He pulled back, barely a fraction, but I knew he was hurt. Why was it so easy to do that these days? For both of us. He wouldn't want to talk about something, and I'de be hurt. Or I wouldn't want to talk about something, and he'd be hurt. Or he'd invite me along with the guys, and I'd analyze every nuance of his voice and expression, worrying that he really didn't want me along, was only being polite. Or, like the other night, I'd want to comfort him, but would be worried about how he might misinterpret that.
It never used to be like this. Maybe that's just part of having a close friend of the opposite sex. As a kid, you don't think anything about it. Then you're a teenager, and you can't help but think about it.
”
”
Kelley Armstrong (The Gathering (Darkness Rising, #1))
“
I think it is easy to imagine there are easier paths,’ she said, realising something for the first time. ‘But maybe there are no easy paths. There are just paths. In one life, I might be married. In another, I might be working in a shop. I might have said yes to this cute guy who asked me out for a coffee. In another I might be researching glaciers in the Arctic Circle. In another, I might be an Olympic swimming champion. Who knows? Every second of every day we are entering a new universe. And we spend so much time wishing our lives were different, comparing ourselves to other people and to other versions of ourselves, when really most lives contain degrees of good and degrees of bad.
”
”
Matt Haig (The Midnight Library)
“
You need to come with us right now," one of the queen's guards said. "If you resist, we'll take you by force."
"Leave him alone!" I yelled, looking from face to face. That angry darkness exploded within me. How could they still not believe? Why were they still coming after him? "He hasn't done anything! Why can't you guys accept that he's really a dhampir now?"
The man who'd spoken arched an eyebrow. "I wasn't talking to him."
"You're...you're here for me?" I asked. I tried to think of any new spectacles I might have caused recently. I considered the crazy idea that the queen had found out I'd spent the night with Adrian and was pissed off about it. That was hardly enough to send the palace guard for me, though...or was it? Had I really gone too far with my antics?
"What for?" demanded Dimitri. That tall, wonderful bod of his—the one that could be so sensual sometimes—was filled with tension and menace now.
The man kept his gaze on me, ignoring Dimitri. "Don't make me repeat myself: Come with us quietly, or we will make you." The glimmer of handcuffs showed in his hands.
My eyes went wide. "That's crazy! I'm not going anywhere until you tel me how the hell this—"
That was the point at which they apparently decided I wasn't coming quietly. Two of the royal guardians lunged for me, and even though we technically worked for the same side, my instincts kicked in. I didn't understand anything here except that I would not be dragged away like some kind of master criminal. I shoved the chair I'd been sitting in earlier at the one of the guardians and aimed a punch at the other. It was a sloppy throw, made worse because he was taller than me. That height difference allowed me to dodge his next grab, and when I kicked hard at his legs, a grunt told me I'd hit home.
[...]
Meanwhile, other guardians were joining the fray. Although I got a couple of good punches in, I knew the numbers were too overwhelming. One guardian caught hold of my arm and began trying to put the cuffs on me. He stopped when another set of hands grabbed me from the other side and jerked me away.
Dimitri.
"Don't touch her," he growled.
There was a note in his voice that would have scared me if it had been directed toward me. He shoved me behind him, putting his body protectively in front of mine with my back to the table. Guardians came at us from all directions, and Dimitri began dispatching them with the same deadly grace that had once made people call him a god. [...] The queen's guards might have been the best of the best, but Dimitri...well, my former lover and instructor was in a category all his own. His fighting skills were beyond anyone else's, and he was using them all in defense me.
"Stay back," he ordered me. "They aren't laying a hand on you.
”
”
Richelle Mead (Spirit Bound (Vampire Academy, #5))
“
We know about bad guys, what they do, and often, who they are. The politicians have chosen to send us into battle, and that's our trade. We do what's necessary. And in my view, once those politicians have elected to send us out to do what 99.9 percent of the country would be terrified to undertake, they should get the hell out of the way and stay there.
This entire business of modern war crimes, as identified by the liberal wings of politics and the media, began in Iraq and has been running downhill ever since. Everyone's got to have his little hands in it, blathering on about the public's right to know.
Well, the view of most Navy SEALs, the public does not have that right to know, not if it means placing our lives in unnecessary peril because someone in Washington is driving himself mad worrying about the human rights of some cold-hearted terrorist fanatic who would kill us as soon as look at us, as well as any other American at whom he could point that wonky old AK of his.
”
”
Marcus Luttrell (Lone Survivor: The Eyewitness Account of Operation Redwing and the Lost Heroes of SEAL Team 10)
“
We'd already talked in the stacks, and I knew you were different from any other girl I'd met. And you told me that your parents were dead, and I thought that you were so . . . lost and vulnerable. So when I saw you in the physics lab . . . and I saw you try and take care of someone that you thought who had been through what you'd been through; could be that . . . well, generous, and thoughtfull . . ." Guy said.
"But you hardly knew me." said Willow
"I know . . . I didn't know that we'd even talk again, or that if we did, if we'd get along, or maybe you were seeing someone else . . . I just knew that the way you tried to protect someone's life that, especially given your situation . . . I just . . . I though that you had to be the most special girl I would ever meet . . .
”
”
Julia Hoban (Willow)
“
Sam frowns at me, suddenly serious. "You know, I thought--for most of the first year we lived together--that you were going to kill me."
That makes me nearly spit out beer, I laugh so hard.
"No, look--living with you, it's like knowing there's a loaded gun on the other side of the room. You're like this leopard who's pretending to be a house cat."
That only makes me laugh harder.
"Shut up," he says. "You might do normal stuff, but a leopard can drink milk or fall off things like a house cat. It's obvious you're not--not like the rest of us. I'll look over at you, and you'll be flexing your claws, or I don't know, eating a freshly killed antelope."
"Oh," I say. It's a ridiculous metaphor, but the hilarity has gone out of me. I thought I did a good job of fitting in--maybe not perfect, but not as bad as Sam makes it sound.
"It's like Audrey," he says, stabbing the air with a finger clearly well on his way to inebriated and full of determination to make me understand his theory. "You acted like she went out with you because you did this good job of being a nice guy."
"I am a nice guy."
I try to be.
Sam snorts. "She liked you because you scared her. And then you scared her too much.
”
”
Holly Black (Red Glove (Curse Workers, #2))
“
To make matters worse, everyone she talks to has a different opinion about the nature of his problem and what she should do about it. Her clergyperson may tell her, “Love heals all difficulties. Give him your heart fully, and he will find the spirit of God.” Her therapist speaks a different language, saying, “He triggers strong reactions in you because he reminds you of your father, and you set things off in him because of his relationship with his mother. You each need to work on not pushing each other’s buttons.” A recovering alcoholic friend tells her, “He’s a rage addict. He controls you because he is terrified of his own fears. You need to get him into a twelve-step program.” Her brother may say to her, “He’s a good guy. I know he loses his temper with you sometimes—he does have a short fuse—but you’re no prize yourself with that mouth of yours. You two need to work it out, for the good of the children.” And then, to crown her increasing confusion, she may hear from her mother, or her child’s schoolteacher, or her best friend: “He’s mean and crazy, and he’ll never change. All he wants is to hurt you. Leave him now before he does something even worse.” All of these people are trying to help, and they are all talking about the same abuser. But he looks different from each angle of view.
”
”
Lundy Bancroft (Why Does He Do That? Inside the Minds of Angry and Controlling Men)
“
Dear Anyone: This is a letter from one anyone to another anyone, no names required, because nobody really knows anyway. Names don't make a hell of a lot of difference. The world is made up entirely of strangers. Millions and millions of them. Everyone is a stranger to everyone else. Sometimes we think we know other people, especially those we supposedly are close to, but if we really knew them, why are we so often surprised by the shit they do? Like, parents are always surprised by what their kids will do. They raise them from the time they are babies, spend each and every day with them, think they're these goddamn fucking angels, and then one day the cops come to the door and say hey, guess what parents? Your kid just bashed some other kid's head in with a baseball bat. Or you're the kid, and you think things are pretty fucking OK, and then one day this guy who's supposed to be your dad says so long, have a nice life. And you think, what the fuck is this? So years later, your mom ends up living with another guy, and he seems OK, but you think, when's it coming? That's what life is. Life is always asking yourself, when's it coming? Because if it hasn't come for a long time, you know you're fucking due. All the best, Anyone.
”
”
Linwood Barclay (No Time for Goodbye (No Time For Goodbye, #1))
“
It’s just… I wish it was easier, for me, you know?” I make a special point not to look at her. “I wish it was someone else who was chosen for this. Someone competent. If only I didn’t stop that robbery. I wish I didn’t have to go through with it all.” It comes gushing out, with words like spilled milk. “And I wish it was me with you and not that other guy. I wish it was my own skin touching with yours…”
And there you have it.
Stupidity in its purest form.
“Oh, Ed.” Audrey looks away. “Oh, Ed.”
Our feet dangle.
I watch them, and I watch the jeans on Audrey’s legs.
We only sit there now.
Audrey and me.
And discomfort.
Squeezed in, between us.
She soon says, “You’re my best friend, Ed.”
“I know.”
You can kill a man with those words.
No gun.
No bullets.
Just words and a girl.
”
”
Markus Zusak (I Am the Messenger)
“
Do women feel anything more keenly than curiosity? No, they will go to any lengths to find out, to know,to feel, what they have always dreamed of! Once their excited curiosity has been aroused, women will stoop to anything, commit any folly, take any risks. They stop at nothing. I am speaking of women who are real women, who operate on three different levels. Superficially cool and rational, they have three secret compartments: the first is constantly full of womanly fret and anxiety; the second is a sort of innocent guile, like the fearsome sophistry of the self-righteous; and the last is filled with an engaging dishonesty, a charming deviousness, a consummate duplicity, with all those perverse qualities in fact that can drive a foolish, unwary love to suicide, but which by others may be judged quite delightful.
”
”
Guy de Maupassant
“
I moved quickly, putting myself between the two of them. "Stop it!" I shouted. "I have way too much to worry about right now to also have to pull you two off each other. Jeesh, talk about immature." Both guys kept glaring at each other over my head. "I said, stop it!" And I smacked their chests. That made them blink and shift their attention to me. Now it was my turn to do the glaring. "You know, you two are ridiculous with your puffing up and your testosterone and crap. I mean, I could summon the elements and kick both of your butts."
Heath shuffled his feet and looked embarrassed. Then he grinned at me, like a cute little boy whose mommy had just yelled at him. "Sorry, Zo. I forget you have some major mojo going on.
”
”
Kristin Cast (Hunted (House of Night, #5))
“
What's your name?" I ask.
I don't need to know. In fact, don't want to know. Giving him a name makes it sound like we're somehow on the same side, which we can never be. It's like acknowledging that we could become friends. But that's not possible. It's pointless to make friends with your executioner.
"Raffe."
I only asked him his name to distract him from thinking about having to use his feet instead of his wings. But now that I know his name, it feels right. "Rah-fie," I repeat slowly. "I like the sound of that."
His eyes soften as though he smiles even though his expression doesn't change from his stony look. For some reason, it makes my face heat up.
I clear my throat to break the tension. "Raffe sounds like Raw Feet. Coincidence?" That gets a smile out of him. When he smiles, he really does look like someone you'd want to get to know. Some otherworldly handsome guy a girl could dream about.
Only he's not a guy. And he's too otherworldly. Not to mention that this girl is beyond dreaming about anything other than food, shelter, and the safety of her family.
”
”
Susan Ee (Angelfall (Penryn & the End of Days, #1))
“
Julie marched over to Matt. She stood in front of him and crossed her arms. “Lift up your sweatshirt.”
Matt rolled his eyes. “God, you really know how to turn a guy on.”
Julie didn’t budge. “If I was trying to turn you on, I could do better than that. Now, lift up your sweatshirt.”
Matt looked up at her and tried to look serious. “Julie, I’m completely offended that you have so little faith in my honesty. I thought at this point in our friendship that you would at least—”
“Get up.” Julie leaned over and shut his laptop. “Get up!” she said again.
“You’re being ridiculous,” Matt said laughing, but he stood up. “I trust you implicitly, and it wouldn’t kill you to show me the same respect.”
“Show me!”
Matt sidestepped the chair and took a few steps backward. “You have quite the attitude today. Suspicious and mean.”
Julie took a step forward, causing Matt to continue backing away. “Lift up your shirt.”
“Look, I appreciate an aggressive woman, but this is really getting weird.”
Julie grabbed his sweatshirt by the waist cuff and lifted it up with one hand, as she pulled down his T-shirt with the other. Matt put his hands over hers, lightly protesting, but she refused to let go. “Aha!” She squinted at his shirt.
“OK, I don’t even know what this is, but it’s definitely geeky.
”
”
Jessica Park (Flat-Out Love (Flat-Out Love, #1))
“
So, like I said, these are a bunch of really sweet guys, but you wouldn't want to share a Galaxy with them, not if they're just gonna keep at it, not if they're not gonna learn to relax a little. I mean it's just gonna be continual nervous time, isn't it, right? Pow, pow, pow, when are they next coming at us? Peaceful coexistence is just right out, right? Get me some water somebody, thank you."
He sat back and sipped reflectively.
OK," he said, "hear me, hear me. It's, like, these guys, you know, are entitled to their own view of the Universe. And according to their view, which the Universe forced on them, right, they did right. Sounds crazy, but I think you'll agree. They believe in ..."
He consulted a piece of paper which he found in the back pocket of his Judicial jeans.
They believe in `peace, justice, morality, culture, sport, family life, and the obliteration of all other life forms'.
”
”
Douglas Adams (The Hitchhiker's Guide to the Galaxy: Tertiary Phase (Hitchhiker's Guide: Radio Play, #3))
“
Ah, Belikov," said Abe, shaking Dimitri's hand. "I'd been hoping we'd run into each other. I'd really like to get to know you better. Maybe we can set aside some time to talk, learn more about life, love, et cetera. Do you like to hunt? You seem like a hunting man. That's what we should do sometime. I know a great spot in the woods. Far, far away. We could make a day of it. I've certainly got a lot of question to ask you. A lot of things I'd like to tell you."
I shot a panicked look at my mother, silently begging her to stop this. Abe had spent a good deal of time talking to Adrian when we dated, explaining in vivid and gruesome detail exactly how Abe expected his daughter to be treated. I did not want Abe taking Dimitri off alone into the wilderness, especially if firearms were involved.
"Actually," said my mum casually."I'd like to come along. I also have a number of questions-especially about when you two were back at St. Vladimir's."
"Don't you guys have somewhere to be?" I asked hastily. "We're about to start."
That, at least, was true. Nearly everyone was in formation, and the crowd was quieting. "of course," said Abe. To my astonishment, he brushed a kiss over my forehead before stepping away. "I'm glad you're back." Then, with a wink, he said to Dimitri:"Looking forward to our chat."
"Run," I said when they were gone. "If you slip out now, maybe they won't notice. Go back to Siberia.
”
”
Richelle Mead (Last Sacrifice (Vampire Academy, #6))
“
My least favorite form of street harassment is when a guy asks why I’m not smiling. It’s related to that: Women aren’t allowed to be quiet or stoic or shy—or, hell, just in a bad mood—without being criticized. Women are bitchy and frigid if we don’t seem accessible at all times, for the most part to men. We’re supposed to be perpetually friendly. Who wants to live up to that? And seriously, when was the last time you heard a quiet woman described as “deep”?
Men who are serious are just that—serious. Think laconic cowboys and Clint Eastwood-style movie heroes. Strong and silent is a desirable personality trait for men—women, not so much. Because where silence in men is seen as strength, silence in women (if not seen as bitchy) is seen as weakness—she’s shy, a wallflower.
”
”
Jessica Valenti (He's a Stud, She's a Slut, and 49 Other Double Standards Every Woman Should Know)
“
One evening Milarepa returned to his cave after gathering firewood, only to find it filled with demons. They were cooking his food, reading his books, sleeping in his bed. They had taken over the joint. He knew about nonduality of self and other, but he still didn’t quite know how to get these guys out of his cave. Even though he had the sense that they were just a projection of his own mind—all the unwanted parts of himself—he didn’t know how to get rid of them. So first he taught them the dharma. He sat on this seat that was higher than they were and said things to them about how we are all one. He talked about compassion and shunyata and how poison is medicine. Nothing happened. The demons were still there. Then he lost his patience and got angry and ran at them. They just laughed at him. Finally, he gave up and just sat down on the floor, saying, “I’m not going away and it looks like you’re not either, so let’s just live here together.” At that point, all of them left except one. Milarepa said, “Oh, this one is particularly vicious.” (We all know that one. Sometimes we have lots of them like that. Sometimes we feel that’s all we’ve got.) He didn’t know what to do, so he surrendered himself even further. He walked over and put himself right into the mouth of the demon and said, “Just eat me up if you want to.” Then that demon left too.
”
”
Pema Chödrön (Start Where You Are: A Guide to Compassionate Living)
“
It was The Gospel From Outer Space, by Kilgore Trout. It was about a visitor from outer space...[who] made a serious study of Christianity, to learn, if he could, why Christians found it so easy to be cruel. He concluded that at least part of the trouble was slipshod storytelling in the New Testament. He supposed that the intent of the Gospels was to teach people, among other things, to be merciful, even to the lowest of the low. But the Gospels actually taught this: Before you kill somebody, make absolutely sure he isn't well connected. So it goes. The flaw in the Christ stories, said the visitor from outer space, was that Christ, who didn't look like much, was actually the Son of the Most Powerful Being in the Universe. Readers understood that, so, when they came to the crucifixion, they naturally thought...: "Oh, boy - they sure picked the wrong guy to lynch that time!" And that thought had a brother: "There are right people to lynch." Who? People not well connected. So it goes.
”
”
Kurt Vonnegut Jr.
“
It's cool in the basement, so I pull the blanket up to my chest. Caleb slides in beside me, and I feel his bare legs against mine. "You're shivering," he says, his voice a low whisper.
"I'm a little cold... and a little nervous."
"Don't be nervous, Maggie. It's juste me."
It's the real Caleb, without the tough facade. I'm glad it's completely dark now and he can't see my trembling fingers as they move up to his beautiful face. "I know."
He pulls me closer. I rest my head in the crook of his arm and am more content than ever.
"Maggie ?"
"Yeah ?"
"Thanks."
"For what ?"
"For making me feel alive again."
I drape my arm across his chest, the warmth of his skin melting into mine. I want to remember this night forever, because we'll probably never get another chance to hold each other like this again. It makes me want to do more than just sleep in his arms. I try and relax, to slow my own erratic heartbeat as I wrap my right leg, the one that wasn't severely damaged in the accident, around him. It's a definite hint that I'm ready to do more than just lie in his arms.
He moans in response. "Maggie, you're treading into dangerous territory. I'm trying to be a good, honorable guy here."
" I know. But I'm not asking you to be one."
"You sure you know what you're getting into ?"
"Nope. I've got no clue." I start kissing and feeling my way across his broad chest.
"You're killing me", he says, his hands slowly reaching for me and urging me up so we're face to face.
”
”
Simone Elkeles (Return to Paradise (Leaving Paradise, #2))
“
The problem with a lot of people who read only literary fiction is that they assume fantasy is just books about orcs and goblins and dragons and wizards and bullshit. And to be fair, a lot of fantasy is about that stuff.
The problem with people in fantasy is they believe that literary fiction is just stories about a guy drinking tea and staring out the window at the rain while he thinks about his mother. And the truth is a lot of literary fiction is just that. Like, kind of pointless, angsty, emo, masturbatory bullshit.
However, we should not be judged by our lowest common denominators. And also you should not fall prey to the fallacious thinking that literary fiction is literary and all other genres are genre. Literary fiction is a genre, and I will fight to the death anyone who denies this very self-evident truth.
So, is there a lot of fantasy that is raw shit out there? Absolutely, absolutely, it’s popcorn reading at best. But you can’t deny that a lot of lit fic is also shit. 85% of everything in the world is shit. We judge by the best. And there is some truly excellent fantasy out there. For example, Midsummer Night’s Dream; Hamlet with the ghost; Macbeth, ghosts and witches; I’m also fond of the Odyessey; Most of the Pentateuch in the Old Testament, Gargantua and Pantagruel.
Honestly, fantasy existed before lit fic, and if you deny those roots you’re pruning yourself so closely that you can’t help but wither and die.
”
”
Patrick Rothfuss
“
I took in a deep breath, and smoke twisted around my head as I let it slip through my teeth. “Do you know what my favorite show was when I was a little kid?”
The look again. “I would have no idea.”
“Doctor Who. British sci-fi show.”
“I am familiar with it. Christopher Eccleston, David Tennant, and Matt—“
“No,” I said. “The new show’s great, but I grew up on the old one. The low-budget, rubber monster show with Tom Baker and Peter Davison. I watched it on PBS all the time as a kid.”
I looked out at the dark ruins of Hollywood, at the stumbling shadows dotting the streets as far as you could see. The only other living person within half a mile was standing behind me, her eyes boring into my head.
“The Doctor didn’t have super-powers or weapons or anything like that. He was just a really smart guy who always tried to do the right thing. To help people, no matter what. That struck me when I was a kid. The idea that no matter how cold and callous and heartless the world seemed, there was somebody out there who just wanted to make life better. Not better for worlds or countries in some vague way. Just better for people trying to live their lives, even if they didn’t know about him.”
I turned back to her and tapped my chest. “That’s what this suit’s always been about. Not scaring people like you or Gorgon do. Not some sort of pseudo-sexual roleplay or repressed emotions. I wear this thing, all these bright colors, because I want people to know someone’s trying to make their lives better. I want to give them hope.
”
”
Peter Clines (Ex-Heroes (Ex-Heroes, #1))
“
Courage is a hard thing to figure. You can have courage based on a dumb idea or mistake, but you're not supposed to question adults, or your coach or your teacher, because they make the rules. Maybe they know best, but maybe they don't. It all depends on who you are, where you come from. Didn't at least one of the six hundred guys think about giving up, and joining with the other side? I mean, valley of death that's pretty salty stuff. That's why courage it's tricky. Should you always do what others tell you to do? Sometimes you might not even know why you're doing something. I mean any fool can have courage. But honor, that's the real reason for you either do something or you don't. It's who you are and maybe who you want to be. If you die trying for something important, then you have both honor and courage, and that's pretty good. I think that's what the writer was saying, that you should hope for courage and try for honor. And maybe even pray that the people telling you what to do have some, too.
”
”
Michael Lewis (The Blind Side: Evolution of a Game)
“
As I grow in age, I value women who are over forty most of all. Here are just a few reasons why: A woman over forty will never wake you in the middle of the night to ask, “What are you thinking?” She doesn’t care what you think.
If a woman over forty doesn’t want to watch the game, she doesn’t sit around whining about it. She does something she wants to do. And, it’s usually something more interesting.
A woman over forty knows herself well enough to be assured in who she is, what she is, what she wants and from whom. Few women past the age of forty give a hoot what you might think about her or what she’s doing.
Women over forty are dignified. They seldom have a screaming match with you at the opera or in the middle of an expensive restaurant. Of course, if you deserve it, they won’t hesitate to shoot you, if they think they can get away with it.
Older women are generous with praise, often undeserved. They know what it’s like to be unappreciated.
A woman over forty has the self-assurance to introduce you to her women friends. A younger woman with a man will often ignore even her best friend because she doesn’t trust the guy with other women. Women over forty couldn’t care less if you’re attracted to her friends because she knows her friends won’t betray her.
Women get psychic as they age. You never have to confess your sins to a woman over forty. They always know.
A woman over forty looks good wearing bright red lipstick. This is not true of younger women. Once you get past a wrinkle or two, a woman over forty is far sexier than her younger counterpart.
Older women are forthright and honest. They’ll tell you right off if you are a jerk, if you are acting like one! You don’t ever have to wonder where you stand with her.
Yes, we praise women over forty for a multitude of reasons. Unfortunately, it’s not reciprocal. For every stunning, smart, well-coiffed hot woman of forty-plus, there is a bald, paunchy relic in yellow pants making a fool of himself with some twenty-two-year-old waitress.
Ladies, I apologize.
For all those men who say, “Why buy the cow when you can get the milk for free,” here’s an update for you. Now 80 percent of women are against marriage, why? Because women realize it’s not worth buying an entire pig, just to get a little sausage.
”
”
Andy Rooney
“
In 1965, a psychologist named Martin Seligman started shocking dogs.
He was trying to expand on the research of Pavlov--the guy who could make dogs salivate when they heard a bell ring. Seligman wanted to head in the other direction, and when he rang his bell, instead of providing food, he zapped the dogs with electricity. To keep them still, he restrained them in a harness during the experiment. After they were conditioned, he put these dogs in a big box with a little fence dividing it into two halves. He figured if the dog rang the bell, it would hop over the fence to escape, but it didn't. It just sat there and braced itself. They decided to try shocking the dog after the bell. The dog still just sat there and took it. When they put a dog in the box that had never been shocked before or had previously been allowed to escape and tried to zap it--it jumped the fence.
You are just like these dogs.
If, over the course of your life, you have experienced crushing defeat or pummeling abuse or loss of control, you convince yourself over time that there is no escape, and if escape is offered, you will not act--you become a nihilist who trusts futility above optimism.
Studies of the clinically depressed show that they often give in to defeat and stop trying. . .
Any extended period of negative emotions can lead to you giving in to despair and accepting your fate. If you remain alone for a long time, you will decide loneliness is a fact of life and pass up opportunities to hang out with people. The loss of control in any situation can lead to this state. . .
Choices, even small ones, can hold back the crushing weight of helplessness, but you can't stop there. You must fight back your behavior and learn to fail with pride. Failing often is the only way to ever get the things you want out of life. Besides death, your destiny is not inescapable.
”
”
David McRaney (You Are Not So Smart)
“
Peter pushed off from the roof and stalked a few feet away, his back to her. “Please tell me this is all some kind of a sick joke.”
“It’s the truth. All of it. That’s why hunters are after me.”
“How did they find out?” Peter asked, swiveling toward her now.
“I think Beck ratted me out. I went to his house this morning and told him what had happened. He was furious, Peter. I’ve never seen anyone that angry.”
“Duh! Now there’s a surprise,” her friend replied sarcastically. “I saw the way he looked at you at your dad’s funeral. Of course he’d be mad. You’re about the only one on the planet who doesn’t realize how he feels about you.”
“He never said anything,” she retorted.
“Hey, we guys don’t blurt out that kind of stuff,” he replied. “It’s against the man code. Beck may never have said how he felt, but everything he did for you should have been a big clue. I mean, come on, how slow are you?”
She glowered at her friend. “I figured he was doing it because of my father.”
“Maybe, but the guy is really into you, Riley.”
“No way. If he’d liked me, he wouldn’t have blown me off and—”
“Ancient history, girl!” he countered. “You were, what, fifteen? Your dad would have torn him apart if he’d touched you. Beck had no other choice.”
“He didn’t have to be so mean.”
“God, will you listen to yourself?” Peter retorted.
“You have no idea how much he hurt me,” she shot back.
“Give it up, will you? You’re my best friend, but you can be a real self-centered asshat sometimes.
”
”
Jana Oliver (Forgiven (The Demon Trappers, #3))
“
O: You’re quite a writer. You’ve a gift for language, you’re a deft hand at plotting, and your books seem to have an enormous amount of attention to detail put into them. You’re so good you could write anything. Why write fantasy?
Pratchett: I had a decent lunch, and I’m feeling quite amiable. That’s why you’re still alive. I think you’d have to explain to me why you’ve asked that question.
O: It’s a rather ghettoized genre.
P: This is true. I cannot speak for the US, where I merely sort of sell okay. But in the UK I think every book— I think I’ve done twenty in the series— since the fourth book, every one has been one the top ten national bestsellers, either as hardcover or paperback, and quite often as both. Twelve or thirteen have been number one. I’ve done six juveniles, all of those have nevertheless crossed over to the adult bestseller list. On one occasion I had the adult best seller, the paperback best-seller in a different title, and a third book on the juvenile bestseller list. Now tell me again that this is a ghettoized genre.
O: It’s certainly regarded as less than serious fiction.
P: (Sighs) Without a shadow of a doubt, the first fiction ever recounted was fantasy. Guys sitting around the campfire— Was it you who wrote the review? I thought I recognized it— Guys sitting around the campfire telling each other stories about the gods who made lightning, and stuff like that. They did not tell one another literary stories. They did not complain about difficulties of male menopause while being a junior lecturer on some midwestern college campus. Fantasy is without a shadow of a doubt the ur-literature, the spring from which all other literature has flown. Up to a few hundred years ago no one would have disagreed with this, because most stories were, in some sense, fantasy. Back in the middle ages, people wouldn’t have thought twice about bringing in Death as a character who would have a role to play in the story. Echoes of this can be seen in Pilgrim’s Progress, for example, which hark back to a much earlier type of storytelling. The epic of Gilgamesh is one of the earliest works of literature, and by the standard we would apply now— a big muscular guys with swords and certain godlike connections— That’s fantasy. The national literature of Finland, the Kalevala. Beowulf in England. I cannot pronounce Bahaghvad-Gita but the Indian one, you know what I mean. The national literature, the one that underpins everything else, is by the standards that we apply now, a work of fantasy.
Now I don’t know what you’d consider the national literature of America, but if the words Moby Dick are inching their way towards this conversation, whatever else it was, it was also a work of fantasy. Fantasy is kind of a plasma in which other things can be carried. I don’t think this is a ghetto. This is, fantasy is, almost a sea in which other genres swim. Now it may be that there has developed in the last couple of hundred years a subset of fantasy which merely uses a different icongraphy, and that is, if you like, the serious literature, the Booker Prize contender. Fantasy can be serious literature. Fantasy has often been serious literature. You have to fairly dense to think that Gulliver’s Travels is only a story about a guy having a real fun time among big people and little people and horses and stuff like that. What the book was about was something else. Fantasy can carry quite a serious burden, and so can humor. So what you’re saying is, strip away the trolls and the dwarves and things and put everyone into modern dress, get them to agonize a bit, mention Virginia Woolf a few times, and there! Hey! I’ve got a serious novel. But you don’t actually have to do that.
(Pauses) That was a bloody good answer, though I say it myself.
”
”
Terry Pratchett
“
Some things in life are bad
They can really make you mad
Other things just make you swear and curse.
When you're chewing on life's gristle
Don't grumble, give a whistle
And this'll help things turn out for the best...
And...always look on the bright side of life...
Always look on the light side of life...
If life seems jolly rotten
There's something you've forgotten
And that's to laugh and smile and dance and sing.
When you're feeling in the dumps
Don't be silly chumps
Just purse your lips and whistle - that's the thing.
And...always look on the bright side of life...
Always look on the light side of life...
For life is quite absurd
And death's the final word
You must always face the curtain with a bow.
Forget about your sin - give the audience a grin
Enjoy it - it's your last chance anyhow.
So always look on the bright side of death
Just before you draw your terminal breath
Life's a piece of shit
When you look at it
Life's a laugh and death's a joke, it's true.
You'll see it's all a show
Keep 'em laughing as you go
Just remember that the last laugh is on you.
And always look on the bright side of life...
Always look on the right side of life...
(Come on guys, cheer up!)
Always look on the bright side of life...
Always look on the bright side of life...
(Worse things happen at sea, you know.)
Always look on the bright side of life...
(I mean - what have you got to lose?)
(You know, you come from nothing - you're going back to nothing.
What have you lost? Nothing!)
Always look on the right side of life...
”
”
Eric Idle
“
POCKET-SIZED FEMINISM
The only other girl at the party
is ranting about feminism. The audience:
a sea of rape jokes and snapbacks
and styrofoam cups and me. They gawk
at her mouth like it is a drain
clogged with too many opinions.
I shoot her an empathetic glance
and say nothing. This house is for
wallpaper women. What good
is wallpaper that speaks?
I want to stand up, but if I do,
whose coffee table silence
will these boys rest their feet on?
I want to stand up, but if I do,
what if someone takes my spot?
I want to stand up, but if I do,
what if everyone notices I’ve been
sitting this whole time? I am guilty
of keeping my feminism in my pocket
until it is convenient not to, like at poetry
slams or my women’s studies class.
There are days I want people to like me
more than I want to change the world.
There are days I forget we had to invent
nail polish to change color in drugged
drinks and apps to virtually walk us home
at night and mace disguised as lipstick.
Once, I told a boy I was powerful
and he told me to mind my own business.
Once, a boy accused me of practicing
misandry. You think you can take
over the world? And I said No,
I just want to see it. I just need
to know it is there for someone.
Once, my dad informed me sexism
is dead and reminded me to always
carry pepper spray in the same breath.
We accept this state of constant fear
as just another part of being a girl.
We text each other when we get home
safe and it does not occur to us that our
guy friends do not have to do the same.
You could saw a woman in half
and it would be called a magic trick.
That’s why you invited us here,
isn’t it? Because there is no show
without a beautiful assistant?
We are surrounded by boys who hang up
our naked posters and fantasize
about choking us and watch movies
we get murdered in. We are the daughters
of men who warned us about the news
and the missing girls on the milk carton
and the sharp edge of the world.
They begged us to be careful. To be safe.
Then told our brothers to go out and play.
”
”
Blythe Baird
“
EDMUND
*Then with alcoholic talkativeness
You've just told me some high spots in your memories. Want to hear mine? They're all connected with the sea. Here's one. When I was on the Squarehead square rigger, bound for Buenos Aires. Full moon in the Trades. The old hooker driving fourteen knots. I lay on the bowsprit, facing astern, with the water foaming into spume under me, the masts with every sail white in the moonlight, towering high above me. I became drunk with the beauty and signing rhythm of it, and for a moment I lost myself -- actually lost my life. I was set free! I dissolved in the sea, became white sails and flying spray, became beauty and rhythm, became moonlight and the ship and the high dim-starred sky! I belonged, without past or future, within peace and unity and a wild joy, within something greater than my own life, or the life of Man, to Life itself! To God, if you want to put it that way. Then another time, on the American Line, when I was lookout on the crow's nest in the dawn watch. A calm sea, that time. Only a lazy ground swell and a slow drowsy roll of the ship. The passengers asleep and none of the crew in sight. No sound of man. Black smoke pouring from the funnels behind and beneath me. Dreaming, not keeping looking, feeling alone, and above, and apart, watching the dawn creep like a painted dream over the sky and sea which slept together. Then the moment of ecstatic freedom came. the peace, the end of the quest, the last harbor, the joy of belonging to a fulfillment beyond men's lousy, pitiful, greedy fears and hopes and dreams! And several other times in my life, when I was swimming far out, or lying alone on a beach, I have had the same experience. Became the sun, the hot sand, green seaweed anchored to a rock, swaying in the tide. Like a saint's vision of beatitude. Like a veil of things as they seem drawn back by an unseen hand. For a second you see -- and seeing the secret, are the secret. For a second there is meaning! Then the hand lets the veil fall and you are alone, lost in the fog again, and you stumble on toward nowhere, for no good reason!
*He grins wryly.
It was a great mistake, my being born a man, I would have been much more successful as a sea gull or a fish. As it is, I will always be a stranger who never feels at home, who does not really want and is not really wanted, who can never belong, who must always be a a little in love with death!
TYRONE
*Stares at him -- impressed.
Yes, there's the makings of a poet in you all right.
*Then protesting uneasily.
But that's morbid craziness about not being wanted and loving death.
EDMUND
*Sardonically
The *makings of a poet. No, I'm afraid I'm like the guy who is always panhandling for a smoke. He hasn't even got the makings. He's got only the habit. I couldn't touch what I tried to tell you just now. I just stammered. That's the best I'll ever do, I mean, if I live. Well, it will be faithful realism, at least. Stammering is the native eloquence of us fog people.
”
”
Eugene O'Neill (Long Day's Journey into Night)
“
With a deliberate shrug, he stepped free of the hold on his shoulder. “Tell me something, boys,” he drawled. “Do you wear that leather to turn each other on? I mean, is it a dick thing with you all?” Butch got slammed so hard against the door that his back teeth rattled.
The model shoved his perfect face into Butch’s. “I’d watch your mouth, if I were you.”
“Why bother, when you’re keeping an eye on it for me? You gonna kiss me now?”
A growl like none Butch had ever heard came out of the guy.
“Okay, okay.” The one who seemed the most normal came forward. “Back off, Rhage. Hey, come on. Let’s relax.”
It took a minute before the model let go.
“That’s right. We’re cool,” Mr. Normal muttered, clapping his buddy on the back before looking at Butch. “Do yourself a favor and shut the hell up.”
Butch shrugged. “Blondie’s dying to get his hands on me. I can’t help it.”
The guy launched back at Butch, and Mr. Normal rolled his eyes, letting his friend go this time. The fist that came sailing at jaw level snapped Butch’s head to one side. As the pain hit, Butch let his own rage fly. The fear for Beth, the pent-up hatred of these lowlifes, the frustration about his job, all of it came out of him. He tackled the bigger man, taking him down onto the floor. The guy was momentarily surprised, as if he hadn’t expected Butch’s speed or strength, and Butch took advantage of the hesitation. He clocked Blondie in the mouth as payback and then grabbed the guy’s throat. One second later, Butch was flat on his back with the man sitting on his chest like a parked car. The guy took Butch’s face into his hand and squeezed, crunching the features together. It was nearly impossible to breathe, and Butch panted shallowly.
“Maybe I’ll find your wife,” the guy said, “and do her a couple of times. How’s that sound?"
“Don’t have one.”
“Then I’m coming after your girlfriend.”
Butch dragged in some air. “Got no woman.”
“So if the chicks won’t do you, what makes you think I’d want to?”
“Was hoping to piss you off.”
“Now why’d you want to do that?” Blondie asked.
“If I attacked first”—Butch hauled more breath into his lungs—“your boys wouldn’t have let us fight.
Would’ve killed me first. Before I had a chance at you.”
Blondie loosened his grip a little and laughed as he stripped Butch of his wallet, keys, and cell phone.
“You know, I kind of like this big dummy,” the guy drawled.
Someone cleared a throat. Rather officiously.
Blondie leaped to his feet, and Butch rolled over, gasping. When he looked up, he was convinced he was hallucinating. Standing in the hall was a little old man dressed in livery. Holding a silver tray.
“Pardon me, gentlemen. Dinner will be served in about fifteen minutes.”
“Hey, are those the spinach crepes I like so much?” Blondie said, going for the tray.
“Yes, Sire.”
“Hot damn.”
The other men clustered around the butler, taking what he offered. Along with cocktail napkins. Like they didn’t want to drop anything on the floor. What the hell was this?
“Might I ask a favor?” the butler said.
Mr. Normal nodded with vigor. “Bring out another tray of these and we’ll kill anything you want for you.”
Yeah, guess the guy wasn’t really normal. Just relatively so.
The butler smiled as if touched. “If you’re going to bloody the human, would you be good enough to do it in the backyard?”
“No problem.” Mr. Normal popped another crepe in his mouth. “Damn, Rhage, you’re right. These are awesome.
”
”
J.R. Ward (Dark Lover (Black Dagger Brotherhood, #1))