Plane Window View Quotes

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On the plane leaving Tokyo I’m sitting alone in back twisting the knobs on Etch-A-Sketch and Roger is next to me singing “Over the Rainbow” straight into my ear, things changing, falling apart, fading, another year, a few more moves, a hard person who doesn’t give a fuck, a boredom so monumental it humbles, arrangements so fleeting made by people you don’t even know that it requires you to lose any sense of reality you might have once acquired, expectations so unreasonable you become superstitious about ever matching them. Roger offers me a joint and I take a drag and stare out the window and I relax for a moment when the lights of Tokyo, which I never realized is an island, vanish from view but this feeling only lasts a moment because Roger is telling me that other lights in other cities, in other countries, on other planets, are coming into view soon.
Bret Easton Ellis (The Informers)
I just love all this,' Walt says. 'The sights, the smells, making the effort and pushing yourself and getting something that's really hard to get. I'll fly on a plane and people will look out the window at thirty thousand feet and say, 'Isn't this view good enough for you?' And I say no, it's not good enough. I didn't earn it. In the mountains, I earn it.
Mark Obmascik (Halfway to Heaven: My White-knuckled--and Knuckleheaded--Quest for the Rocky Mountain High)
Whether you fly infrequently or travel by plane several times a month, take a few minutes appreciating being 30 thousand feet above the earth. Enjoy the spectacular window views.
Timi Nadela (Get To The Top)
For Delta blueman Robert Johnson and his contemporaries, the train was the eternal metaphor for the travelling life, and it still holds true today. There is no travel like it. Train lines carve through all facets of a nation. While buses stick to major highways and planes reduce the unfolding of lives to a bird's eye view, trains putter through the domains of the rich and the poor, the desperate and the idle, rural and urban, isolated and cluttered. Through train windows you see realities rarely visible in the landscaped tourist areas. Those frames hold the untended jungle of a nation's truth. Despite my shredded emotions, there was still no feeling like dragging all your worldly possessions onto a carriage, alone and anonymous, to set off into the unknown; where any and all varieties of adventures await, where you might meet a new best friend, where the love of your life could be hiding in a dingy cafe. The clatter of the tracks is the sound of liberation.
Patrick O'Neil (Sideways Travels with Kafka, Hunter S. and Kerouac)
Steve drove us to the airstrip at the ranger station. One of the young rangers there immediately began to bend his ear about a wildlife issue. I took Robert off to pee on a bush before we had to get on the plane. It was just a tiny little prop plane and there would be no restroom until we got to Cairns. When we came back, all the general talk meant that there wasn’t much time left for us to say good-bye. Bindi pressed a note into Steve’s hand and said, “Don’t read this until we’re gone.” I gave Steve a big hug and a kiss. Then I kissed him again. I wanted to warn him to be careful about diving. It was my same old fear and discomfort with all his underwater adventures. A few days earlier, as Steve stepped off a dinghy, his boot had gotten tangled in a rope. “Watch out for that rope,” I said. He shot me a look that said, I’ve just caught forty-nine crocodiles in three weeks, and you’re thinking I’m going to fall over a rope? I laughed sheepishly. It seemed absurd to caution Steve about being careful. Steve was his usual enthusiastic self as we climbed into the plane. We knew we would see each other in less than two weeks. I would head back to the zoo, get some work done, and leave for Tasmania. Steve would do his filming trip. Then we would all be together again. We had arrived at a remarkable place in our relationship. Our trip to Lakefield had been one of the most special months of my entire life. The kids had a great time. We were all in the same place together, not only physically, but emotionally, mentally, and spiritually. We were all there. The pilot fired up the plane. Robert had a seat belt on and couldn’t see out the window. I couldn’t lift him up without unbuckling him, so he wasn’t able to see his daddy waving good-bye. But Bindi had a clear view of Steve, who had parked his Ute just outside the gable markers and was standing on top of it, legs wide apart, a big smile on his face, waving his hands over his head. I could see Bindi’s note in one of his hands. He had read it and was acknowledging it to Bindi. She waved frantically out the window. As the plane picked up speed, we swept past him and then we were into the sky.
Terri Irwin (Steve & Me)
Steve was his usual enthusiastic self as we climbed into the plane. We knew we would see each other in less than two weeks. I would head back to the zoo, get some work done, and leave for Tasmania. Steve would do his filming trip. Then we would all be together again. We had arrived at a remarkable place in our relationship. Our trip to Lakefield had been one of the most special months of my entire life. The kids had a great time. We were all in the same place together, not only physically, but emotionally, mentally, and spiritually. We were all there. The pilot fired up the plane. Robert had a seat belt on and couldn’t see out the window. I couldn’t lift him up without unbuckling him, so he wasn’t able to see his daddy waving good-bye. But Bindi had a clear view of Steve, who had parked his Ute just outside the gable markers and was standing on top of it, legs wide apart, a big smile on his face, waving his hands over his head. I could see Bindi’s note in one of his hands. He had read it and was acknowledging it to Bindi. She waved frantically out the window. As the plane picked up speed, we swept past him and then we were into the sky.
Terri Irwin (Steve & Me)
The jet roared on. After a while Frank gestured out the window. “We’re having beautiful flying weather, Joe. Just look at Cape Cutlass down there.” Below them, the cape spread out in bright sunlight. Not a cloud blocked their view. They could see every turn and twist of the coast, every cove and inlet, for miles in either direction. The landscape zipped past beneath the wing tips as the plane streaked north. Joe
Franklin W. Dixon (Mystery of the Flying Express (Hardy Boys, #20))
It’s like the very first time you take off in a plane . . . you’re speeding down the runway, exhilarated when you’re caught by air, and ascending. Minutes later, you’re so stunned you’re flying through the clouds, taking part in an experience so incredible it’s almost impossible to believe. As that initial buzz runs through you, you stare out the window and get your first good look at the landscape, only to see it’s littered with lines that act as borders. So, you start reasoning with yourself that land itself is owned and measured, but you never once expected to see it and how unnatural it looks. The view of the lines kills the vibe entirely, the impact so jarring it destroys the idea of flying for you.
Kate Stewart (One Last Rainy Day: The Legacy of a Prince (Ravenhood Legacy, #1))
Nature, never a flat plane, has always more folds and faces still hidden from human view. The world is a prism, not a window. Wherever we look, we find new refractions.
Zoë Schlanger (The Light Eaters: How the Unseen World of Plant Intelligence Offers a New Understanding of Life on Earth)
So saying, she managed to straighten- which left her facing the house, looking directly at the blank bow windows of the downstairs parlor. With the storm darkening the skies, the windows were reflective. They reflected the image of a man standing directly behind her. With a gasp, Patience whirled. Her gaze collided with the man's- his eyes were hard, crystalline gray, pale in the weak light. They were focused, intently, on her, their expression one she couldn't fathom. He stood no more than three feet away, large, elegant and oddly forbidding. In the instant her brain registered those facts, Patience felt her heels sink, and sink- into the soft soil of the flower bed. The edge crumbled beneath her feet. Her eyes flew wide- her lips formed a helpless "Oh." Arms flailing, she started to topple back- The man reacted so swiftly his movement was a blur- he gripped her upper arms and hauled her forward. She landed against him, breast to chest, hips to hard thighs. The breath was knocked out of her, leaving her gasping, mentally as well as physically. Hard hands held her upright, long fingers iron shackles about her arms. His chest was a wall of rock against her breasts; the rest of his body, the long thighs that held them braced, felt as resilient as tensile steel. She was helpless. Utterly, completely, and absolutely helpless. Patience looked up and met the stranger's hooded gaze. As she watched, his grey eyes darkened. The expression they contained- intensely concentrated- sent a most peculiar thrill through her. She blinked; her gaze fell- to the man's lips. Long, thin yet beautifully proportioned, they'd been sculpted with a view to fascination. They certainly fascinated her; she couldn't drag her gaze away. The mesmerizing contours shifted, almost imperceptibly softening; her own lips tingled. She swallowed, and dragged in a desperately needed breath. Her breasts rose, shifting against the stranger's coat, pressing more definitely against his chest. Sensation streaked through her, from unexpectedly tight nipples all the way to her toes. She caught another breath and tensed- but couldn't stop the quiver that raced through her. The stranger's lips thinned; the austere planes of his face hardened. His fingers tightened about her arms. To Patience's stunned amazement, he lifted her- easily- and carefully set her down two feet away.
Stephanie Laurens (A Rake's Vow (Cynster, #2))
These islands and the seventy or so other Tuamotus host about 15,000 inhabitants now, who in addition to some French speak their own discrete branch of the Polynesian language, Pa‘umotu. There are pearl farms, resorts, and local communities sustained by the traditional resources of reef and garden, all pressed between the lagoon’s green lens and the open ocean. I have yet to visit very many of these places, but in this aspect they recall to me the words of the author Mark Vanhoenacker—a pilot who writes elegantly of unwalked landscapes sensed instead by overflight. It is a notion he credits to the Alaskans, who may cross broad reaches of their trackless state from above, borne aloft in tiny planes to their own personal corners of the wilderness. I feel this way about the Tuamotus, which for now are like the rings of Saturn passing in the window of my spaceship—unexplored but captivating, if not entirely inviting in their presence.
Elliot Rappaport (Reading the Glass: A Captain's View of Weather, Water, and Life on Ships)
Moderate Republicans like Rockefeller supported the national consensus toward advancing civil rights by promoting national legislation to protect the vote, employment, housing and other elements of the American promise denied to blacks. They sought to contain Communism, not eradicate it, and they had faith that the government could be a force for good if it were circumscribed and run efficiently. They believed in experts and belittled the Goldwater approach, which held that complex problems could be solved merely by the application of common sense. It was not a plus to the Rockefeller camp that Goldwater had publicly admitted, “You know, I haven’t got a really first-class brain.”174 Politically, moderates believed that these positions would also preserve the Republican Party in a changing America. Conservatives wanted to restrict government from meddling in private enterprise and the free exercise of liberty. They thought bipartisanship and compromise were leading to collectivism and fiscal irresponsibility. On national security, Goldwater and his allies felt Eisenhower had been barely fighting the communists, and that the Soviets were gobbling up territory across the globe. At one point, Goldwater appeared to muse about dropping a low-yield nuclear bomb on the Chinese supply lines in Vietnam, though it may have been more a press misunderstanding than his actual view.175 Conservatives believed that by promoting these ideas, they were not just saving a party, they were rescuing the American experiment. Politically, they saw in Goldwater a chance to break the stranglehold of the Eastern moneyed interests. If a candidate could raise money and build an organization without being beholden to the Eastern power brokers, then such a candidate could finally represent the interests of authentic Americans, the silent majority that made the country an exceptional one. Goldwater looked like the leader of a party that was moving west. His head seemed fashioned from sandstone. An Air Force pilot, his skin was taut, as though he’d always left the window open on his plane. He would not be mistaken for an East Coast banker. The likely nominee disagreed most violently with moderates over the issue of federal protections for the rights of black Americans. In June, a month before the convention, the Senate had voted on the Civil Rights Act. Twenty-seven of thirty-three Republicans voted for the legislation. Goldwater was one of the six who did not, arguing that the law was unconstitutional. “The structure of the federal system, with its fifty separate state units, has long permitted this nation to nourish local differences, even local cultures,” said Goldwater. Though Goldwater had voted for previous civil rights legislation and had founded the Arizona Air National Guard as a racially integrated unit, moderates rejected his reasoning. They said it was a disguise to cover his political appeal to anxious white voters whom he needed to win the primaries. He was courting not just Southern whites but whites in the North and the Midwest who were worried about the speed of change in America and competition from newly empowered blacks.
John Dickerson (Whistlestop: My Favorite Stories from Presidential Campaign History)
Sometimes I just stare out the window. It's unbelievable how lovely just two plane trees, a slice of sky, and the facade of the building across the street can be. A narrow view like that has birds, insects, rays of sunlight, shadows, gusts of wind, paper flying about, human faces and backs, butterflies, drops of water, rivulets, clouds, airplanes, vapor trails. Also, love stories, quarrels, solitary travels, escapes, reunions. Impossible to put down all the ideas that come to mind looking at those good things — ideas that before I realize it have become the signs that aggravate the teachers.
Giacomo Sartori (Bug)
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