β
I couldnβt explain it, not even to myself, but books gave me an unflinching sense of stability and groundedness. That because words survived, somehow I would too.
β
β
Evie Woods (The Lost Bookshop)
β
Lost is not a hopeless place to be. It is a place of patience, of waiting. Lost does not mean gone for ever. Lost is a bridge between worlds, where the pain of our past can be transformed into power. You have always held the key to this special place, but now you are ready to unlock the door.
β
β
Evie Woods (The Lost Bookshop)
β
An angry man was dominant. An angry woman, on the other hand, must have lost her grip on sanity.
β
β
Evie Woods (The Lost Bookshop)
β
The thing about books,β she said, βis that they help you to imagine a life bigger and better than you could ever dream of.
β
β
Evie Woods (The Lost Bookshop)
β
In a place called lost, strange things are found.
β
β
Evie Gaughan (The Lost Bookshop)
β
Well, this is a story about books."
About books?"
About accursed books, about a man who wrote them, about a character who broke out of the pages of anovel so that he could burn it, about a betrayal and a lost friendship. It's a story of love, of hatred, and of the dreams that live in the shadow of the wind."
You talk like the jacket blurb of a Victorian novel, Daniel."
That's probably because I work in a bookshop and I've seen too many. But this is a true story.
β
β
Carlos Ruiz ZafΓ³n (The Shadow of the Wind (The Cemetery of Forgotten Books, #1))
β
Listen to me, Martha β if youβre not scared, then youβre not living.
β
β
Evie Woods (The Lost Bookshop)
β
To carry them within us - that is our task. We carry them all inside us, all our dead and shattered loves. Only they make us whole. If we begin to forget or cast aside those we've lost, then...then we are no longer present either.
β
β
Nina George (The Little Paris Bookshop)
β
No one is coming to save you. People donβt suddenly change, say theyβre sorry and begin to treat you with respect. They are a jumble of hurt and pain and they will take it out on whomever they can.
β
β
Evie Woods (The Lost Bookshop)
β
Some things are meant to be flawed. Therein lies beauty.
β
β
Evie Woods (The Lost Bookshop)
β
it didnβt matter whether the decision you made was right or wrong, as long as you made it. Thatβs what moved you along in life.
β
β
Evie Woods (The Lost Bookshop)
β
He made me laugh without meaning to. In fact, that was how he seemed to exist in the world. Just making it better, without meaning to.
β
β
Evie Woods (The Lost Bookshop)
β
People call me eccentric, but then I call them boring, so itβs all relative.
β
β
Evie Woods (The Lost Bookshop)
β
itβs better to keep your mouth shut and look stupid, rather than open it and remove all doubt.
β
β
Evie Woods (The Lost Bookshop)
β
I couldnβt explain it, not even to myself, but books gave me an unflinching sense of stability and groundedness.
β
β
Evie Woods (The Lost Bookshop)
β
Fear transforms your body like an inept sculptor does a perfect block of stone...It's just that you're chipped away at from within, and no one sees how many splinters and layers have been taken off you. You become ever thinner and more brittle inside, until eve the slightest emotion bowls you over. One hug, and you think you're going to shatter and be lost.
β
β
Nina George (The Little Paris Bookshop)
β
ON THE RETURN OF A BOOK
LENT TO A FRIEND
I GIVE humble and hearty thanks for the safe return of this book which having endured the perils of my friend's bookcase, and the bookcases of my friend's friends, now returns to me in reasonably good condition.
I GIVE humble and hearty thanks that my friend did not see fit to give this book to his infant as a plaything, nor use it as an ash-tray for his burning cigar, nor as a teething-ring for his mastiff.
WHEN I lent this book I deemed it as lost: I was resigned to the bitterness of the long parting: I never thought to look upon its pages again.
BUT NOW that my book is come back to me, I rejoice and am exceeding glad! Bring hither the fatted morocco and let us rebind the volume and set it on the shelf of honour: for this my book was lent, and is returned again.
PRESENTLY, therefore, I may return some of the books that I myself have borrowed.
β
β
Christopher Morley (The Haunted Bookshop (Parnassus, #2))
β
Hopeβ is the thing with feathers β That perches in the soul β And sings the tune without the words β And never stops β at all β
β
β
Evie Woods (The Lost Bookshop)
β
Youβll never be happy with what you want until you
can be happy with what youβve got.
β
β
Susan Wiggs (The Lost and Found Bookshop (Bella Vista Chronicles, #3))
β
If you tilt your head,β he told me once, βyou can hear the older books whispering their secrets.
β
β
Evie Woods (The Lost Bookshop)
β
What you seek is seeking you.
β
β
Evie Woods (The Lost Bookshop)
β
there was a young woman who came to the library, miles away from her true home. She read a story about a girl who had come to a fork in the road and was so afraid of making the wrong decision that she stayed where she was, huddled in the hollow of a tree. After several days, an old woman came along and told her a riddle. She asked, βWhat is something you create, even if you do nothing?β The answer was a choice. Choosing not to do something was still a choice.
β
β
Evie Woods (The Lost Bookshop)
β
I wanted to write what I want to read. Stories of people who find their own pace and direction, of people who believe in others and wait by their side as they go through difficult times, lost in worry. Stories of those who support others, who celebrate small efforts and resolve in a society that puts people β and everything about them β down once they take a fall. Stories that bring comfort, providing a pat on the shoulder for those whoβve lost the joy in life, having pushed themselves too hard to do well.
β
β
Hwang Bo-Reum (Welcome to the Hyunam-dong Bookshop)
β
Just then, I felt something I hadnβt experienced in a long time. It was like my heart was smiling.
β
β
Evie Woods (The Lost Bookshop)
β
books help you to imagine a life bigger and better than you could ever dream of.
β
β
Evie Woods (The Lost Bookshop)
β
every hardship in life was a key to some greater understanding, and it was up to you if you chose to use it to unlock the future or bolt the door.
β
β
Evie Woods (The Lost Bookshop)
β
Good enough for whom? For people who are trapped in a life that is not of their own making? Surely you can see that they merely want you to be trapped with them, so they will feel less alone in their emptiness. Be careful, Martha, youβll become blind to your own value if you keep looking through the eyes of the bourgeoisie!
β
β
Evie Woods (The Lost Bookshop)
β
The familiar feeling of excitement and curiosity I always had looking in the window of a bookshop pricked my skin. Donβt buy anything, I warned myself, as I craned my neck to look inside.
β
β
Evie Woods (The Lost Bookshop)
β
Archie says books are our best lovers and our most provoking friends.
β
β
Stephanie Butland (Lost For Words)
β
Do not fear death, but rather the unlived life. You donβt have to live forever, you just have to live. βTuck Everlasting
β
β
Susan Wiggs (The Lost and Found Bookshop)
β
Listenβare you breathing just a little, and calling it a life?
β
β
Susan Wiggs (The Lost and Found Bookshop)
β
Stupid, stupid woman. Intimacy is only one string on the bow. The instrument still plays the music.
β
β
Evie Woods (The Lost Bookshop)
β
In order for something to exist, you must first believe in it. Invite your heart to see what your eyes cannot. Follow your path and bring your heart to see what your eyes cannot. Follow your path . . .
β
β
Evie Woods (The Lost Bookshop)
β
..."books were alive in a special way. Between the covers, characters are living their lives, enacting their dramas, falling in and out of love...Even sitting closed on a shelf, a book had a life of its own. When someone opened the book, that was when the magic happened.
β
β
Susan Wiggs (The Lost and Found Bookshop (Bella Vista Chronicles, #3))
β
Like following a knitting pattern, I could see that everything was linked, but I had no idea how or why or what the end result would be.
β
β
Evie Woods (The Lost Bookshop)
β
Iβve always believed thereβs something magical about a book. A bundle of paper and ink that can change your life.
β
β
Susan Wiggs (The Lost and Found Bookshop)
β
I learned something in that moment; youβre on your own in this world. No one is coming to save you. People donβt suddenly change, say theyβre sorry and begin to treat you with respect. They are a jumble of hurt and pain and they will take it out on whomever they can. I had to save myself.
β
β
Evie Woods (The Lost Bookshop)
β
Iβve never known or understood what it really means to love or be loved. Iβm not going to blame my past, but we all have one and it follows us around like a prison, always keeping us from the person we truly wish to be.
β
β
Evie Woods (The Lost Bookshop)
β
And above all, watch with glittering eyes the whole world around you because the greatest secrets are always hidden in the most unlikely places. Those who donβt believe in magic will never find it.
β
β
Susan Wiggs (The Lost and Found Bookshop)
β
They were outliers; they no longer cared for the kind of society that would not accept them. Instead, they inhabited a world of artists and free spirits who chose the vicissitudes of a nonconforming life over the comforts and security of the status quo.
β
β
Evie Woods (The Lost Bookshop)
β
Sanary says that you have to travel south by water to find answers to your dreams. He says too that you find yourself again there, but only if you get lost on the wayβcompletely lost. Through love. Through longing. Through fear. Down south they listen to the sea in order to understand that laughing and crying sound the same, and that the soul sometimes needs to cry to be happy.
β
β
Nina George (The Little Paris Bookshop)
β
I would have to give up one or the other, happiness or hope.
β
β
Evie Woods (The Lost Bookshop)
β
. . . you have to trust your will end up exactly where you were meat to be.
β
β
Evie Woods (The Lost Bookshop)
β
Wouldn't you be spooked? If you were in my position - oh, never mind, you wouldn't be in my position.
β
β
Stephanie Butland (The Lost for Words Bookshop)
β
My really smart mom used to say there'd be things in life I don't like, but's that no reason to stop liking life.
β
β
Susan Wiggs (The Lost and Found Bookshop (Bella Vista Chronicles, #3))
β
It means that one sees clearly only with the heart.
β
β
Evie Woods (The Lost Bookshop)
β
He always said that books were more than words on paper; they were portals to other places, other lives.
β
β
Evie Woods (The Lost Bookshop)
β
She asked, βWhat is something you create, even if you do nothing?β The answer was a choice. Choosing not to do something was still a choice. I was choosing not to register for college because I was too scared. What I hadnβt realised was that I was actively choosing to stay stuck where I was, which scared me even more.
β
β
Evie Woods (The Lost Bookshop)
β
My husband claims I have an unhealthy obsession with secondhand bookshops. That I spend too much time daydreaming altogether. But either you intrinsically understand the attraction of searching for hidden treasure amongst rows of dusty shelves or you don't; it's a passion, bordering on a spiritual illness, which cannot be explained to the unaffected.
True, they're not for the faint of heart. Wild and chaotic, capricious and frustrating, there are certain physical laws that govern secondhand bookstores and like gravity, they're pretty much nonnegotiable. Paperback editions of D. H. Lawrence must constitute no less than 55 percent of all stock in any shop. Natural law also dictates that the remaining 45 percent consist of at least two shelves worth of literary criticism on Paradise Lost and there should always be an entire room in the basement devoted to military history which, by sheer coincidence, will be haunted by a man in his seventies. (Personal studies prove it's the same man. No matter how quickly you move from one bookshop to the next, he's always there. He's forgotten something about the war that no book can contain, but like a figure in Greek mythology, is doomed to spend his days wandering from basement room to basement room, searching through memoirs of the best/worst days of his life.)
Modern booksellers can't really compare with these eccentric charms. They keep regular hours, have central heating, and are staffed by freshly scrubbed young people in black T-shirts. They're devoid of both basement rooms and fallen Greek heroes in smelly tweeds. You'll find no dogs or cats curled up next to ancient space heathers like familiars nor the intoxicating smell of mold and mildew that could emanate equally from the unevenly stacked volumes or from the owner himself. People visit Waterstone's and leave. But secondhand bookshops have pilgrims. The words out of print are a call to arms for those who seek a Holy Grail made of paper and ink.
β
β
Kathleen Tessaro (Elegance)
β
A fresh eddy of sadness washed over Natalie, and she shuddered with emotional pain. When would the tears stop? When would the pain subside? It wasnβt like a headache or illness that could be cured by swallowing a pill. No, this ache of missing and regret felt like a constant, incurable condition.
β
β
Susan Wiggs (The Lost and Found Bookshop)
β
All this time, we had kept our distance from one another. I suddenly realised that, at least for my part, it was purely out of fear of losing another person that I loved.
β
β
Evie Woods (The Lost Bookshop)
β
ear. βListen, we have our health, and a roof over our heads, food to eat, and books to read. Weβre doing okay, kiddo.
β
β
Susan Wiggs (The Lost and Found Bookshop)
β
When tragedy strikes, I must remember to breathe until I get to the fun part again.
β
β
Susan Wiggs (The Lost and Found Bookshop)
β
Christmas at the bookshop is the best.
β
β
Anna James (Tilly and the Lost Fairy Tales (Pages & Co., #2))
β
. . . you were always enough Martha. It's just the people around you were too wrapped up in their own pain to see it.
β
β
Evie Woods (The Lost Bookshop)
β
If you say something enough times, it becomes true.
β
β
Evie Woods (The Lost Bookshop)
β
youβll become blind to your own value if you keep looking through the eyes of the bourgeoisie!
β
β
Evie Woods (The Lost Bookshop)
β
Before you set out on a journey of revenge, you must dig two graves,
β
β
Evie Woods (The Lost Bookshop)
β
Thatβs the allure of books β itβs not just the story between the covers, but the story of where they came from, who owned them.
β
β
Evie Woods (The Lost Bookshop)
β
Tell me, what is it you plan to do with your one wild and precious life?
β
β
Susan Wiggs (The Lost and Found Bookshop)
β
A book, too, can be a starΒ .Β .Β . a living fire to lighten the darkness, leading out into the expanding universe. βMadeleine LβEngle
β
β
Susan Wiggs (The Lost and Found Bookshop)
β
was gone, suddenly and irretrievably, like a zephyr shooting into the night sky, leaving a trail of moonlit particles that swirled in brief, unspeakable beauty, and then faded into nothing.
β
β
Susan Wiggs (The Lost and Found Bookshop)
β
book A Place Called Lost the author believed that every hardship in life was a key to some greater understanding, and it was up to you if you chose to use it to unlock the future or bolt the door.
β
β
Evie Woods (The Lost Bookshop)
β
Lost is not a hopeless place to be. It is a place of patience, of waiting. Lost does not mean gone for ever. Lost is a bridge between worlds, where the pain of our past can be transformed into power.
β
β
Evie Woods (The Lost Bookshop)
β
A new person had joined our family and, without saying as much, we all seemed to be united in the conviction that her experience would be better than our own. We would become better people for her. The process had already started. Perhaps this was why people referred to new life as a miracle, because it had the power to change everything.
β
β
Evie Woods (The Lost Bookshop)
β
Some bookstores are organized, more gallery than shop. Some are sterile, reserved for only the new and untouched.
But not this one.
This shop is a labyrinth of stacks and shelves, texts stacked two, even three deep, leather beside paper beside board. Her favorite kind of store, one thatβs easy to get lost in.
β
β
Victoria Schwab (The Invisible Life of Addie LaRue)
β
When she stepped into the shop that evening, she felt an emptiness so vast that she almost couldnβt breathe. Everything had drained out of her. βItβs exhausting, isnβt it?β asked Grandy. βA sadness like this. Itβs physically exhausting.
β
β
Susan Wiggs (The Lost and Found Bookshop)
β
A strange lightness enveloped her as she drove to her apartment, past the shady village green, the trendy shops and cafΓ©s and galleries and tasting rooms. Her favorite spot in town was the White Rabbit Bookstore with a sign over the door----FEED YOUR HEAD.
β
β
Susan Wiggs (The Lost and Found Bookshop (Bella Vista Chronicles, #3))
β
We all have crap parts and good parts inside, but when you meet someone who makes you realise that it's all okay, you think, what in God's name did I do to deserve it? All of my life I've been searching for hidden treasure, fortunes outside myself. But Martha, she found them in me. I'm not perfect, by any means, but I know I want to spend the rest of my life making her smile. So I'm damned if I will let her go without a fight.
β
β
Evie Woods (The Lost Bookshop)
β
I wanted to write a novel evoking the mood of Kamome Diner and Little Forest. A space we can escape to, a refuge from the intensity of daily life where we canβt even pause to take a breather. A space to shelter us from the harsh criticisms whipping us to do more, to go faster. A space to snuggle comfortably for a day. A day without something siphoning our energy, a day to replenish whatβs lost. A day we begin with anticipation and end with satisfaction. A day where we grow, and from growth sprouts hope. A day spent having meaningful conversations with good people. Most importantly, a day where we feel good, and our heart beats strongly. I wanted to write about such a day, and the people within it.
β
β
Hwang Bo-Reum (Welcome to the Hyunam-dong Bookshop)
β
I donβt just love her for how she makes me feel, I love her because when she came into my life it was like the lights came on.
β
β
Evie Woods (The Lost Bookshop)
β
Dull was okay. I knew how to deal with dull. But when youβve had a taste of magic, itβs hard to be satisfied with the ordinary again.
β
β
Evie Woods (The Lost Bookshop)
β
Lost the author believed that every hardship in life was a key to some greater understanding, and it was up to you if you chose to use it to unlock
β
β
Evie Woods (The Lost Bookshop)
β
I was choosing not to register for college because I was too scared. What I hadnβt realised was that I was actively choosing to stay stuck where I was, which scared me even more.
β
β
Evie Woods (The Lost Bookshop)
β
Were we all preconditioned to love certain things? A moment in childhood, lost to memory but indebily marked on our souls?
β
β
Evie Woods (The Lost Bookshop)
β
We had only spoken for a matter of moments, but I was certain that she was the most intriguing woman I'd ever met.
β
β
Evie Woods (The Lost Bookshop)
β
He wasn't to know it, but I had fallen in love with him like falling down a flight of stairs, and it hurt every bit as much.
β
β
Evie Woods (The Lost Bookshop)
β
To me, the promise of finding what I did not know I was looking for was the lure of the game.
β
β
Evie Woods (The Lost Bookshop)
β
In some silly way, I thought that the words would bring him back.
β
β
Evie Woods (The Lost Bookshop)
β
Jane, in her letters to me, had encouraged the romance: βWhat was the point in flitting off to France if not to take a lover!
β
β
Evie Woods (The Lost Bookshop)
β
The details were fed to me like bread soaked in milk given to a Victorian invalid. A little at a time. Gentle, soft. Like that made a difference.
β
β
Stephanie Butland (The Lost for Words Bookshop)
β
how would you live your life differently if you could start over, what would you do who would you be, where would you go, what would you embrace?
β
β
Susan Wiggs
β
the best ideas are big ideas that come straight from your gut, not your head. Ideas that give you big feelings.
β
β
Susan Wiggs (The Lost and Found Bookshop (Bella Vista Chronicles, #3))
β
The best thing for being sad,β replied Merlyn, beginning to puff and blow, βis to learn something. That is the only thing that never fails.
β
β
Susan Wiggs (The Lost and Found Bookshop)
β
Natalie reminded herself to savor the deep, rich wine and the glorious colors of the gathering sunset. She had a good life. A good job. A good friend.
β
β
Susan Wiggs (The Lost and Found Bookshop)
β
I just . . . I built him up in my mind so much.β βToo much reading.β βIn my head, he was this kind of lost romantic hero.β βHe canβt get lost, he drives a train.
β
β
Jenny Colgan (The Bookshop on the Corner)
β
Now they were as strangers; nay, worse than strangers, for they could never become acquainted. It was a perpetual estrangement.
β
β
Evie Woods (The Lost Bookshop)
β
Grief is a constant companion,
β
β
Evie Woods (The Lost Bookshop)
β
Yes,β he said, βthe stories are breathing.
β
β
Evie Woods (The Lost Bookshop)
β
No alcoholic enjoys drinking,β he said, as though reading my thoughts. βItβs all you think about from the moment you open your eyes, but itβs like swallowing poison.
β
β
Evie Woods (The Lost Bookshop)
β
Youβre a grown woman with a brain in your head, two good arms for carrying books and two strong legs to get you where you need to go.
β
β
Evie Woods (The Lost Bookshop)
β
Sometimes you have to let the right book find you
β
β
Susan Wiggs (The Lost and Found Bookshop (Bella Vista Chronicles, #3))
β
Do not fear death, but rather the unlived life. You donβt have to live forever, you just have to live.
β
β
Susan Wiggs (The Lost and Found Bookshop)
β
When she was very small, her mother used to tell her that books were alive in a special way. Between the covers, characters were living their lives, enacting their dramas, falling in and out of love, finding trouble, working out their problems. Even sitting closed on a shelf, a book had a life of its own. When someone opened the book, that was when the magic happened.
β
β
Susan Wiggs (The Lost and Found Bookshop (Bella Vista Chronicles, #3))
β
being a woman was akin to a performance, with its cues and lines that had to be learned. I knew how I was supposed to act and what I was supposed to say, I just wasnβt exactly sure if I wanted to.
β
β
Evie Woods (The Lost Bookshop)
β
I knew I didn't deserve better, but somewhere inside, I still hoped. That's what was making me miserable: the hoping. I realised then that I would have to give up one or the other, happiness or hope.
β
β
Evie Woods (The Lost Bookshop)
β
Unlike men, books were easy. They filled you with all the emotions in the worldβjoy, dread, fear, hurt, gratificationβand then they came to an end. People were different. Unpredictable. Impossible to manage.
β
β
Susan Wiggs (The Lost and Found Bookshop)
β
You may all think youβre walking around exercising your free will in every situation, but youβre not. Youβre constantly influenced by what your heart wants, what your head wants and how you want the world to see you.
β
β
Evie Woods (The Lost Bookshop)
β
you're not just a pickpocket with fast hands." Rieker's eyes locked on hers. "I found a girl caring for other orphans like a mother. A girl who'd befriended an old bookshop keeper who had lost his only daughter. A girl who can read and is helping others learn to read." His voice softened. "And a girl so beautiful at times, you take my breath away.
β
β
Kiki Hamilton
β
This is a place of mystery, JuliΓ‘n, a sanctuary. Every book, every volume you see here, has a soul. The soul of the person who wrote it and of those who read it and lived and dreamed with it. Every time a book changes hands, every time someone runs his eyes down its pages, its spirit grows and strengthens. This place was already ancient when my father brought me here for the first time, many years ago. Perhaps as old as the city itself. Nobody knows for certain how long it has existed, or who created it. . . . When a library disappears, or a bookshop closes down, when a book is consigned to oblivion, those of us who know this place, its guardians, make sure that it gets here. In this place, books no longer remembered by anyone, books that are lost in time, live forever, waiting for the day when they will reach a new readerβs hands. . . . in truth books have no owner. Every book you see here has been somebodyβs best friend. Now they only have us . . .
β
β
Carlos Ruiz ZafΓ³n (El laberinto de los espΓritus (El cementerio de los libros olvidados, #4))
β
She took down The Once and Future King and found a marked passage: βThe best thing for being sad,β replied Merlyn, beginning to puff and blow, βis to learn something. That is the only thing that never fails.β βThere you have it,β Natalie said to the cat. βMy plan for the day.
β
β
Susan Wiggs (The Lost and Found Bookshop)
β
Heaven forfend, Martha! Conformity is a death sentence. No, my dear, you must embrace what makes you stand out. Thatβs what they despise. Itβs the circle of hell in this life β blaming children for being who they are, because we were blamed and our parents before us. If youβre not harming anyone, why try to change who you are?
β
β
Evie Woods (The Lost Bookshop)
β
One thing I was realizing from seeing Rob was that, if you don't talk about your past, and you work in a bookshop, then your topics of conversation are basically 1. Books I've read and liked and why. 2. Books I've read and not liked and why. 3. Books I want to read, but haven't yet, and why. 4. Books I have decided not to read and why.
β
β
Stephanie Butland (Lost For Words)
β
I spoke about wings. You just flew.
β
β
Evie Woods (The Lost Bookshop)
β
Hopeβ is the thing with feathers β That perches in the soul β And sings the tune without the words β And never stops β at all
β
β
Evie Woods (The Lost Bookshop)
β
All I know is that I feel so angry with myself all the time. Like Iβll never be good enough for them, so why even try?
β
β
Evie Woods (The Lost Bookshop)
β
thing about books,β she said, βis that they help you to imagine a life bigger and better than you could ever dream of.
β
β
Evie Woods (The Lost Bookshop)
β
That line from the book. It said that you have to trust you will end up exactly where youβre meant to be.
β
β
Evie Woods (The Lost Bookshop)
β
A good story always begins with tea.
β
β
Evie Woods (The Lost Bookshop)
β
I was immediately soothed by that breathing sound I had heard since I was a child: the stories settling between the pages.
β
β
Evie Woods (The Lost Bookshop)
β
I felt drunk with recklessness, spending the little money I had on another book.
β
β
Evie Woods (The Lost Bookshop)
β
It appeared to me that men in particular seem to need a war to find meaning in what they already have.
β
β
Evie Woods (The Lost Bookshop)
β
You make me β valid. You
β
β
Stephanie Butland (The Lost for Words Bookshop)
β
began imagining all of the adventures that lay ahead, without a practical thought as to how I would survive alone in a foreign country.
β
β
Evie Woods (The Lost Bookshop)
β
I had hardly left England's shores and already I was succumbing to the charms of a foreign accent like some ingΓ©nue. I had to get a hold of myself.
β
β
Evie Woods (The Lost Bookshop)
β
They say love is blind and for me it was truer than for most.
β
β
Evie Woods (The Lost Bookshop)
β
Listen to me, Martha - if you're not scared, then you're not living.
β
β
Evie Woods (The Lost Bookshop)
β
that it didnβt matter whether the decision you made was right or wrong, as long as you made it. Thatβs what moved you along in life.
β
β
Evie Woods (The Lost Bookshop)
β
You're a grown woman with a brain in your head, two good arms for carrying books and two strong legs to get you where you need to go.
β
β
Evie Woods (The Lost Bookshop)
β
His clever wife believed that love trumped all, and together they built a shop of memories and dreams from the mysterious Italian library.
β
β
Evie Woods (The Lost Bookshop)
β
I see her in my dreams,β he said. βEvery night.
β
β
Susan Wiggs (The Lost and Found Bookshop)
β
As I walked away I had the clear sense that my life was like a play of two parts and the audience were just polishing off their drinks in the lobby, returning for the second act.
β
β
Evie Woods (The Lost Bookshop)
β
Itβs only in somethingβs absence that you realise how much space it takes up.
β
β
Evie Woods (The Lost Bookshop)
β
My entire life focused down to this point β like adjusting the lens of a microscope to find the one thing that matters most. Love.
β
β
Evie Woods (The Lost Bookshop)
β
I knew. People you loved could hurt you and there was nothing you could do about it.
β
β
Evie Woods (The Lost Bookshop)
β
I smiled. Only she could make breaking my heart sound so charming. I had to respect her wishes.
β
β
Evie Woods (The Lost Bookshop)
β
Conformity is a death sentence. No, my dear, you must embrace what makes you stand out.
β
β
Evie Woods (The Lost Bookshop)
β
Ibegan to read the book at night. There was something sacred about those quiet, dark hours that made it feel special.
β
β
Evie Woods (The Lost Bookshop)
β
You have to understand, old houses have their quirks. Some things are meant to be flawed. Therein lies beauty.
β
β
Evie Woods (The Lost Bookshop)
β
books were more than words on paper; they were portals to other places, other lives.
β
β
Evie Woods (The Lost Bookshop)
β
found are things strange lost called place a In
β
β
Evie Woods (The Lost Bookshop)
β
Grief is a constant companion, is it not?
β
β
Evie Woods (The Lost Bookshop)
β
Now they were as strangers; nay, worse than strangers, for they could never become acquainted.
β
β
Evie Woods (The Lost Bookshop)
β
Reliance is something that happens without you noticing it.
β
β
Evie Woods (The Lost Bookshop)
β
Why was marriage always seen as the key to happiness?
β
β
Evie Woods (The Lost Bookshop)
β
I realised then that I would have to give up one or the other, happiness or hope.
β
β
Evie Woods (The Lost Bookshop)
β
Do not fear death, but rather the unlived life.
β
β
Susan Wiggs (The Lost and Found Bookshop)
β
Try to be conspicuously accurate in everything, pictures as well as text. Truth is not only stranger than fiction, it is more interesting. -William Randolph Hearst
β
β
Susan Wiggs (The Lost and Found Bookshop (Bella Vista Chronicles, #3))
β
How would you live your life differently if you could start over, what would you do, who would you be, where would you go, what would you embrace?
β
β
Susan Wiggs (The Lost and Found Bookshop)
β
used to say youβll never be happy with what you want until you can be happy with what youβve got,β Cleo
β
β
Susan Wiggs (The Lost and Found Bookshop)
β
Seeing him amid the yellow leaves and berry-colored hips of the spent roses, and the fading hollyhocks gone to seed along the garden wall, filled her heart.
β
β
Susan Wiggs (The Lost and Found Bookshop (Bella Vista Chronicles, #3))
β
Autumn was San Francisco's summer. The days were bright and warm, scented with drying leaves and fading flowers and the ever-present salt air.
β
β
Susan Wiggs (The Lost and Found Bookshop (Bella Vista Chronicles, #3))
β
Youβre never alone when youβre reading a book,
β
β
Susan Wiggs (The Lost and Found Bookshop)
β
We donβt see things as they are, we see them as we are.
β
β
Susan Wiggs (The Lost and Found Bookshop)
β
What the hell was that, Angela Lansbury?β I whisper-shouted.
β
β
Evie Woods (The Lost Bookshop)
β
A Place Called Lost the author believed that every hardship in life was a key to some greater understanding, and it was up to you
β
β
Evie Woods (The Lost Bookshop)
β
An angry man was dominant. An angry woman, on the other hand, must have lost her grip on sanity.
β
β
Evie Woods
β
Good enough for whom? For people who are trapped in a life that is not of their own making? Surely you can see that they merely want you to be trapped with them
β
β
Evie Woods (The Lost Bookshop)
β
A book is never what it seems. I think my father had hoped my love of books would instil an interest in my schooling, but if anything, it only fuelled my loathing for the classroom.
β
β
Evie Woods (The Lost Bookshop)
β
But itβs the natureβno, the dutyβof a child to grow up and leave you. Doesnβt seem fair, does it? The person you love most in the world is destined to leave you and break your heart.
β
β
Susan Wiggs (The Lost and Found Bookshop)
β
I had five dolls, each decreasing in size, all made to perfectly fit inside the largest one. It was exactly how I felt: a fully formed woman, but the little girl inside was still there.
β
β
Evie Woods (The Lost Bookshop)
β
Madame Bowdenβs words returned to me. If youβre not scared, youβre not living. Up to now, I had never associated fear with anything positive. But maybe there were different kinds of fear.
β
β
Evie Woods (The Lost Bookshop)
β
It had been a heaven of a place to grow up: seagulls, beach, and nooks and crannies; the feeling, when the town was full of tourists, that you were lucky because this place was your home.
β
β
Stephanie Butland (The Lost for Words Bookshop)
β
You know that frustrating feeling of losing the page in your book? You didn't want to go too far ahead and spoil the surprise, and you didn't want to go too far back, so you kind of stagnated and started from a page that didn't seem quite right, but you read it a few times just to convince yourself... That was how I felt about my life. A little lost, I guess you could say.
β
β
Rebecca Raisin (The Bookshop on the Corner (The Bookshop, #1; The Gingerbread Cafe, #2.5))
β
What if, what if, what if β¦ The thoughts were endless. Where had the feeling of strength from the other night disappeared to? Why did my life always feel like two steps forward and three back?
β
β
Evie Woods (The Lost Bookshop)
β
Thatβs the allure of books β itβs not just the story between the covers, but the story of where they came from, who owned them. A book is so much more than a delivery vehicle for its contents,
β
β
Evie Woods (The Lost Bookshop)
β
This is a place of mystery, Daniel, a sanctuary. Every book, every volume you see here, has a soul. The soul of the person who wrote it and of those who read it and lived and dreamed with it. Every time a book changes hands, every time someone runs his eyes down its pages, its spirit grows and strengthens. This place was already ancient when my father brought me here for the first time, many years ago. Perhaps as old as the city itself. Nobody knows for certain how long it has existed, or who created it. I will tell you what my father told me, though. When a library disappears, or a bookshop closes down, when a book is consigned to oblivion, those of us who know this place, its guardians, make sure that it gets here. In this place, books no longer remembered by anyone, books that are lost in time, live forever, waiting for the day when they will reach a new reader's hands. In the shop we buy and sell them, but in truth books have no owner. Every book you here has been somebody's best friend. Now they only have us, Daniel. Do you think you'll be able to keep
such a secret?' My gaze was lost in the immensity of the place and its
sorcery of light. I nodded, and my father smiled.
β
β
Carlos Ruiz ZafΓ³n (The Shadow of the Wind (The Cemetery of Forgotten Books, #1))
β
He always said that books were more than words on paper; they were portals to other places, other lives. I fell in love with books and the vast worlds they held inside, and I owed it all to my father.
β
β
Evie Woods (The Lost Bookshop)
β
A collection of Russian matryoshka dolls painted brightly in red and blue peeked out at me expectantly from one of the shelves. I couldnβt resist opening one, revealing a smaller doll inside. I opened that too, on and on until I had five dolls, each decreasing in size, all made to perfectly fit inside the largest one. It was exactly how I felt: a fully formed woman, but the little girl inside was still there.
β
β
Evie Woods (The Lost Bookshop)
β
Thatβs the allure of books β itβs not just the story between the covers, but the story of where they came from, who owned them. A book is so much more than a delivery vehicle for its contents,β he continued,
β
β
Evie Woods (The Lost Bookshop)
β
The moon garden of the mansion was famous, having been designed with night-blooming flowers lining the pathways and hillocks of the landscape. They stepped through open doors, went down the wide stone steps, and were greeted by the heady perfume of late-blooming autumn flowers. The pale blossoms were lit from below, setting a mood of mystery. A fountain of natural stone rose up out of a pond surrounded by terra-cotta sculptures.
β
β
Susan Wiggs (The Lost and Found Bookshop (Bella Vista Chronicles, #3))
β
I'm heading over to visit Tess for some tea and sympathy."
"I don't like tea," Ollie said. "What's sympathy taste like?"
Natalie laughed and ruffled his hair, then got back in the car. "Like a melted marshmallow with chocolate sauce.
β
β
Susan Wiggs (The Lost and Found Bookshop (Bella Vista Chronicles, #3))
β
Thatβs the allure of books β itβs not just the story between the covers, but the story of where they came from, who owned them. A book is so much more than a delivery vehicle for its contents,β he continued, hands gesticulating wildly.
β
β
Evie Woods (The Lost Bookshop)
β
I had my pride, after all. Was he just telling me what he thought I wanted to hear? The human heart does not weigh these cold facts. It sees hope in the impossible, love where perhaps there is only desire. It acts without rhyme or reason.
β
β
Evie Woods (The Lost Bookshop)
β
Evelyn watched Lady Violet glide towards them, clusters of people parting and then closing up behind her, like shoals of fish. If it wasnβt for her dress β as bright as blood β she mightβve lost her. Instead she watched her approach in glimmers of red...
β
β
Sophie Austin (The Lamplighterβs Bookshop)
β
Whilst some of the women were simply anxious or depressed, I was now living with women suffering all types of physical and mental disability and not only that, was considered to be one of them. That has a profound impact on oneβs sense of self; of what is true.
β
β
Evie Woods (The Lost Bookshop)
β
He did. He researched her. Someone told him that she had a special interest in John Milton. It did not take long to discover the century to which this man belonged. A third-year literature student in Beardβs college who owed him a favor (for procuring tickets to a Cream concert) gave him an hour on Milton, what to read, what to think. He read βComusβ and was astounded by its silliness. He read through βLycidas,β βSamson Agonistes,β and βIl Penserosoββ stilted and rather prissy in parts, he thought. He fared better with βParadise Lostβ and, like many before him, preferred Satanβs party to Godβs. He, Beard, that is, memorized passages that appeared to him intelligent and especially sonorous. He read a biography, and four essays that he had been told were pivotal. The reading took him one long week. He came close to being thrown out of an antiquarian bookshop in the Turl when he casually asked for a first edition of βParadise Lost.β He tracked down a kindly tutor who knew about buying old books and confided to him that he wanted to impress a girl with a certain kind of present, and was directed to a bookshop in Covent Garden where he spent half a termβs money on an eighteenth-century edition of βAreopagitica.β When he speed-read it on the train back to Oxford, one of the pages cracked in two. He repaired it with Sellotape.
β
β
Ian McEwan (Solar)
β
Iβd forgotten how nerve-wracking it could be, asking someone if they wanted to hang out with you. As youngsters, we do it all the time, making new friends. But when you get older, it feels as though there is so much more on the line β the rejection is so much harder to take.
β
β
Evie Gaughan (The Lost Bookshop)
β
The Alchemist's Bookshop and Tea Emporium like every good bookstore that has ever existed, is home to the book nerds, the weirdos, the mistrustful, the lost souls, the misunderstood, the curious, and the introverts looking for a quiet place to people for a very limited time.
β
β
Avery Flynn (Witcha Gonna Do? (Witchington #1))
β
should have told you every day what a wonderful young woman you were. I sometimes feel like I wasnβt fully present, you know? Just going through the motions. Thatβs what happens when you keep a part of yourself hidden. Anyway, I wanted to tell you now so youβd know, you were always enough, Martha.
β
β
Evie Woods (The Lost Bookshop)
β
All I know is that I feel so angry with myself all the time. Like Iβll never be good enough for them, so why even try?β βGood enough for whom? For people who are trapped in a life that is not of their own making? Surely you can see that they merely want you to be trapped with them, so they will feel less alone in their emptiness.
β
β
Evie Woods (The Lost Bookshop)
β
Love, in retrospect, makes one look utterly foolish. To make such sweeping plans based on nothing more than a feeling β a bunch of chemicals, to be technical about it β seemed nonsensical in the harsh light of day. But there was no denying that I had felt more alive and awake in those weeks with Martha than I had done in my entire life.
β
β
Evie Woods (The Lost Bookshop)
β
Loving or not loving should be like coffee or tea; people should be allowed to decide. How else are we to get over all our dead and the women we've lost?" Cunco whispered dejectedly.
"Maybe we shouldn't."
"You think so? Not get over it. but...then? What then? What task do the departed want us to do?"
That was the question that Jean Perdu had been unable to answer for all these years.
Until now. Now he knew.
"To carry them within usβthat is our task. We carry them all inside us, all our dead and shattered loves. Only they make us whole. If we begin to forget or cast aside those we've lost, then...then we are no longer present either. "
Jean looked at the Allier River, glittering in the moonlight.
"All the love, all the dead, all the people we've known. They are the rivers that feed our sea of souls. If we refuse to remember them, that sea will dry up too."
He felt an overwhelming inner thirst to seize life with both hands before time sped past even faster. He didn't want to die of thirst, he wanted to be as wide and free as the seaβfull and deep. He longed for friends. He wanted to love. He wanted to feel the marks that Manon had left inside him. He still wanted to feel her coursing through him, mingling with him. Manon had changed him foreverβwhy deny it? That was how he had become the man whom Catherine had allowed to approach her.
Jean Perdu suddenly realized that Catherine could never taken Mann's place. She took her own place. No worse, no better, simply different.
He longed to show Catherine the full expanse of his sea!
β
β
Nina George (The Little Paris Bookshop)
β
Isabel is looking at several collections of research journals. 'She would understand the issues if she chose to open one of the volumes, but she knew that there were conversations within which she would never have the time to participate in. And that, of course, was the problem with any large collection of books, whether in a library or a bookshop: one might feel intimidated by the fact that there was simply too many to read and not know where to start.
β
β
Alexander McCall Smith (The Lost Art of Gratitude (Isabel Dalhousie, #6))
β
Senor sempere and I were friends for almost forty years, and in all that time we spoke about God and the mysteries of life on only one occasion. Almost nobody knows this, but Sempere had not set foot in a church since the funeral of his wife Diana, to whose side we bring him today so that they might lie next to one another forever. Perhaps for that reason people assumed he was an atheist, but he was truly a man of faith. He believed in his friends, in the truth of things and in something to which he didn't dare put a name or a face because he said as priests that was our job. Senor Sempere believed we are all a part of something, and that when we leave this world our memories and our desires are not lost, but go on to become the memories and desires of those who take our place. He didn't know whether we created God in our own image or whether God created us without quite knowing what he was doing. He believed that God, or whatever brought us here, lives in each of our deeds, in each of our words, and manifests himself in all those things that show us to be more than mere figures of clay. Senor Sempere believed that God lives, to a smaller or greater extent, in books, and that is why he devoted his life to sharing them, to protecting them and to making sure their pages, like our memories and our desires are never lost. He believed, and made me believe it too, that as long as there is one person left in the world who is capable of reading them and experiencing them, a small piece of God, or of life, will remain. I know that my friend would not have liked us to say our farewells to him with prayer and hymns. I know that it would have been enough for him to realsie that his friends, many of whom have come here today to say goodbye, will never forget him. I have no doubt that the Lord, even though old Sempere was not expecting it, will recieve our dear friend at his side, and I know that he will live forever in the hearts of all those who are here today, all those who have discovered the magic of books thanks to him, and all those who, without even knowing him, will one day go through the door of his little bookshop where, as he liked to say, the story has only just begun. May you rest in peace, Sempere, dear friend, and may God give us all the opportunity to honour your memory and feel grateful for the priviledge of having known you.
β
β
Carlos Ruiz ZafΓ³n
β
Blythe's favorite shelf near the coffee area. She'd labeled it W.O.W. (WORDS OF WISDOM) and it was stocked with her perennial favorites with bookmarked passages.
Natalie used to love browsing that shelf. A book would never betray you or change its mind or make you feel stupid. She took down The Once and Future King and found a marked passage: "The best thing for being sad," replied Merlyn, beginning to puff and blow, "is to learn something. That is the only thing that never fails."
β
β
Susan Wiggs (The Lost and Found Bookshop (Bella Vista Chronicles, #3))
β
If you like cool, funny entertainment, you might like this one. It's a first novel by a local author." She handed him a copy of Practical Demonkeeping. "A very different kind of buddy novel. I thought it was hilarious."
"You're reading me like a book." The guy shook his head as if embarrassed by his own lame joke. Then he looked over at Blythe. Natalie saw his gaze move swiftly over her mother's red V-neck sweater and short skirt. "How can you tell that's exactly what would make me happy?" he asked.
Oh boy. He was flirting. Guys did that a lot with her mom. She was super pretty, and Natalie knew it wasn't only because Mom was her mom and all kids thought their moms were pretty. Even her snottiest friends like Kayla said Blythe looked like a model. Like Julia Roberts. Plus, her mom had a knack for dressing cool and being social---she could talk to anyone and make them like her.
Also, she had a superpower, which was on full display right now. She had the ability to see a person for the first time and almost instantly know what book to recommend. She was really smart and had also read every book ever written, or so it seemed to Natalie. She could talk to high school kids about Ivanhoe and Silas Marner. She ran a mystery discussion group. She could tell people the exact day the new Mary Higgins Clark novel would come out. She knew which kids would only ever read Goosebumps books, no matter what, and she knew which kids would try something else, like Edward Eager or Philip Pullman.
Sometimes people didn't know anything about the book they were searching for except "It's blue with gold page edges" and her mom would somehow figure it out.
β
β
Susan Wiggs (The Lost and Found Bookshop (Bella Vista Chronicles, #3))
β
Cleo was like those little bluebirds of happiness in Cinderella, flitting around until Natalie had been transformed into a princess. A fraudulent one, to be sure, but a princess nonetheless.
The silk dress from her mother's closet had been transformed into a couture masterpiece by the sartorial skills of Cleo's talented aunt. The sheath now fit like an extremely flattering glove. Its color, and the bright handwork accents, echoed the colors of the precious vase---jade green, turquoise, marigold, and fuchsia with veins of cobalt blue. She paired it with the gold-heeled sandals, the vintage watch, and a gold snake belt borrowed from Cleo.
β
β
Susan Wiggs (The Lost and Found Bookshop (Bella Vista Chronicles, #3))
β
Books were alive in a special way. Between the covers, characters were living their lives, enacting their dramas, falling in and out of love, finding trouble, working out their problems. Even sitting closed on a shelf, a book had a life of its own. When someone opened a book, that was when the magic happened.
The bookshop cat, curled into a marmalade-colored ball.
The sun shone with the kind of golden clarity that made people fall in love with San Francisco autumn.
The way you spend your day is the way you spend your life.
Unlike men, books were easy. They filled you with all the emotions in the world - joy, dread, fear, hurt, gratification - and then they came to an end. People were different. Unpredictable. Impossible to manage.
β
β
Susan Wiggs (The Lost and Found Bookshop (Bella Vista Chronicles, #3))
β
Every book, every volume you see here, has a soul. The soul of the person who wrote it and of those who read it and lived and dreamed with it. Every time a book changes hands, every time someone runs his eyes down its pages, its spirit grows and strengthens. This place was already ancient when my father brought me here for the first time, many years ago. Perhaps as old as the city itself. Nobody knows for certain how long it has existed, or who created it. I will tell you what my father told me, though. When a library disappears, or a bookshop closes down, when a book is consigned to oblivion, those of us who know this place, its guardians, make sure that it gets here. In this place, books no longer remembered by anyone, books that are lost in time, live forever, waiting for the day when they will reach a new readerβs hands. In the shop we buy and sell them, but in truth books have no owner. Every book you see here has been somebodyβs best friend.
β
β
Carlos Ruiz ZafΓ³n (The Shadow of the Wind (The Cemetery of Forgotten Books, #1))
β
And so it went in Bustleburgh. The city that had set out to destroy stories had been transformed into a haven for books of all kinds. And as the population read more stories, the city itself began to change. At first the changes were small: a few sprites hovering over the dusky river, or a falling star on the horizon. But then more changes came. The Wassail lost its murky darkness and shone clear once more. The eyes of the gargoyles shifted as one passed beneath them. Birds sang in three-part chorus. Mirrors reflected strange visions. Old, neglected wells started granting wishes. More than a few house pets took to uttering prophecies. As the city changed, so did the way people saw it: Old maids became crones, and naughty children became imps; the strongest men were hailed as giants and the fairest ladies called enchantresses. The once-level roads shifted and settled into twisting alleyways full of long shadows and narrow corridors - every one of them eventually leading to a small bookshop in the heart of the town.
β
β
Jonathan Auxier (Sophie Quire and the Last Storyguard (Peter Nimble, #2))
β
Between the covers, characters were living their lives, enacting their dramas, falling in and out of love, finding trouble, working out their problems. Even sitting closed on a shelf, a book had a life of its own. When someone opened the book, that was when the magic happened.
β
β
Susan Wiggs (The Lost and Found Bookshop)
β
Para um pai, querer coisas para os seus filhos nΓ£o Γ© a parte mais difΓcil - explicou ele.Β - a parte mais difΓcil Γ© convencer vocΓͺs a acreditar. VocΓͺ precisa acreditar na possibilidade
β
β
Susan Wiggs (The Lost and Found Bookshop (Bella Vista Chronicles, #3))
β
Catherine, today Max understood that a novel is like a garden where the reader must spend time in order to bloom. I feel strangely paternal when I look at Max. Regards, Perduto.
Catherine, for three seconds when I woke up this morning I had the insight that you are a sculptor of souls, a woman who tames fear. Your hands are turning a stone back into a man. John Lost, menhir.
Catherine, rivers are not like the sea. The sea demands, while rivers give. here we are, stocking up on contentment, peace, melancholia and the glass-smooth calm of evening that rounds off the day in gray-blue tones. I have kept the sea horse you fashioned out of bread, the one with the peppercorn eyes. It desperately needs a companion. In the humble opinion of Jeanno P.
β
β
Nina George (The Little Paris Bookshop)
β
There is an old saying, Before you set out on a journey of revenge, you must dig two graves,β said a womanβs voice, deepened by time and wisdom, yet unmistakably that of my old friend Jane.
β
β
Evie Woods (The Lost Bookshop)
Evie Woods (The Lost Bookshop)
Evie Woods (The Lost Bookshop)
β
I wanted to show you that anything is possible.β He stepped out of the way of a group of American students, noisily making their way past. Then he stepped back a little closer to me, so I could feel his breath. βAfter that day in the library, I could see you wanted to belong. And I just wanted to show you that you do.β I stopped hearing the people around us, barely even noticed them filing past. No one had ever seen me the way he just had. And even if they did, they certainly didnβt do
β
β
Evie Woods (The Lost Bookshop)
β
Yet it struck me that being a woman was akin to a performance, with its cues and lines that had to be learned. I knew how I was supposed to act and what I was supposed to say, I just wasnβt exactly sure if I wanted to.
β
β
Evie Woods (The Lost Bookshop)
β
Before you set out on a journey of revenge you should dig two graves, an old saying repeated by Jane
β
β
Evie Woods
β
Before you set out on a journey of revenge you must first dig two graves. Confucius
Jane
β
β
Evie Woods (The Lost Bookshop)
β
the author believed that every hardship in life was a key to some greater understanding, and it was up to you if you chose to use it to unlock the future or bolt the door.
β
β
Evie Woods (The Lost Bookshop)
β
A Place Called Lost,β I whispered to myself.
β
β
Evie Woods (The Lost Bookshop)
β
Fear transforms your body like an inept sculptor does a perfect block of stone... It's just that you're chipped away at from within and no one sees how many splinters and layers have been taken off you. You become even thinner and more brittle inside until even the slightest emotion bowls you over. One hug and you think you are going to shatter and be lost.
β
β
Nina George (The Little Paris Bookshop)
β
hardship in life was a key to some greater understanding, and it was up to you if you chose to use it to unlock the future or bolt the door.
β
β
Evie Woods (The Lost Bookshop)
β
Dear Reader by Cathy Rentzenbrink, Never Let Me Go by Kazuo Ishiguro and Flowers in the Attic by V. C. Andrews.
β
β
Evie Woods (The Lost Bookshop)
β
I slipped my feet into my sneakers and pulled around me the old cardigan that doubled as a dressing gown. I didnβt want to turn on the hall light upstairs β I knew Madame Bowden was a light sleeper β and as a result I stubbed my toe on the last step to the top floor.
β
β
Evie Woods (The Lost Bookshop)
β
What is something you create, even if you do nothing?β The answer was a choice.
β
β
Evie Woods (The Lost Bookshop)
β
Trevor Dashwood? Heβs like that guy in high school you dream about dating but never do, the football captain type.
β
β
Susan Wiggs (The Lost and Found Bookshop)
β
Intuition, Madame Bowden had called it. Maybe ignoring it had been the problem all along.
β
β
Evie Woods (The Lost Bookshop)