The Hearing Trumpet Quotes

People under seventy and over seven are very unreliable if they are not cats.

You may not believe in magic but something very strange is happening at this very moment. Your head has dissolved into thin air and I can see the rhododendrons through your stomach. It's not that you are dead or anything dramatic like that, it is simply that you are fading away and I can't even remember your name.

One has to be careful what one takes when one goes away forever.

I am never lonely, Galahad. Or rather I never suffer from loneliness. I suffer much from the idea that my loneliness might be taken away from me by a lot of mercilessly well-meaning people.

Military people never seem to apologize for killing each other yet novelists feel ashamed for writing some nice inert paper book that is not certain to be read by anybody.

I is another. If the brass wakes the trumpet, it’s not its fault. That’s obvious to me: I witness the unfolding of my own thought: I watch it, I hear it: I make a stroke with the bow: the symphony begins in the depths, or springs with a bound onto the stage. If the old imbeciles hadn’t discovered only the false significance of Self, we wouldn’t have to now sweep away those millions of skeletons which have been piling up the products of their one-eyed intellect since time immemorial, and claiming themselves to be their authors!

I never eat meat as I think it is wrong to deprive animals of their life when they are so difficult to chew anyway

I often feel I am being burned at the stake just because I have always refused to give up that wonderful strange power I have inside me that becomes manifested when I am in harmonious communication with some other inspired being.

Do not give up hope entirely in spite of the horror of your situation. I am mobilising all my mental capacities to obtain your unconditional freedom.

Houses are really bodies. We connect ourselves with walls, roofs, and objects just as we hang on to our livers, skeletons, flesh and bloodstream. I am no beauty, no mirror is necessary to assure me of this absolute fact. Nevertheless I have a death grip on this haggard frame as if it were the limpid body of Venus herself.

Come with uncle and hear all proper. Hear angel trumpets and devil trombones...you are invited!

Wouldn't it be wonderful if I won a helicopter in a crossword puzzle competition? There is not much hope though I am afraid, as they never give such practical prizes.

Darling stop being philosophical it doesn't suit you, it makes your nose red.

There is nobody that can make you happy, you must take care of this matter yourself.

Softly the breezes from the forest came, Softly they blew aside the taper's flame; Clear was the song from Philomel's far bower; Grateful the incense from the lime-tree flower; Mysterious, wild, the far-heard trumpet's tone; Lovely the moon in ether, all alone: Sweet too, the converse of these happy mortals, As that of busy spirits when the portals Are closing in the west; or that soft humming We hear around when Hesperus is coming. Sweet be their sleep.

Then the voices of the Ainur, like unto harps and lutes, and pipes and trumpets, and viols and organs, and like unto countless choirs singing with words, began to fashipn the theme of Iluvatar to a great music; and a sound arose of endless interchanging melodies woven in harmony that passed beyond hearing into the depths and into the heights, and the places of the dwelling of Iluvatar were filled to overflowing, and the music and the echo of the music went out into the Void, and it was not void.

I could do without my warhorse; I could drag about in a skirt; I could let the banners and the trumpets and the knights and soldiers pass me and leave me behind as they leave the other women, if only I could still hear the wind in the trees, the larks in the sunshine, the young lambs crying through the healthy frost, and the blessed blessed church bells that send my angel voices floating to me on the wind. But without these things I cannot live; and by your wanting to take them away from me, or from any human creature, I know that your counsel is of the devil, and that mine is of God.

Perhaps my favorite crone heroine of all time is Marian Leatherby, the deaf, toothless, ninety-two-year-old protagonist of The Hearing Trumpet, a novel written by Surrealist luminary Leonora Carrington. Marian sports a short gray beard that she finds “rather gallant,” and she has a dear geriatric friend named Carmella who states, “People under seventy and over seven are very unreliable if they are not cats.

This is how the soul heals. it thaws out bit by bit, the way the ground warms after a hard winter. you notive the sun or hear the whippoorwill calling across the flats. You sweep your porch, go drink coffee in the shade of the trumpet vines. You have days where you want to lay down and die, but what you learn is this: As long as there's somebody left on this earth who loves you, it's reason enough to stay alive. You don't give in to your broke heart-- you just let the wide, cracked space fill up again.

A Brotherhood with the grim knowledge of what is better for other people and the iron determination to better them whether they like it or not.

Do not fear those who bear you ill will, they soon shall fall in shame," read Georgina, cackling with mirth.

Ah, Robbie, when we are dead and buried in our porphyry tombs, and the trumpet of the Last Judgement is sounded, I shall turn and whisper to you, 'Robbie, Robbie, let us pretend we do not hear it.

If I remember correctly writers usually find some excuse for their books, although why one should excuse oneself for having such a quiet and peaceful occupation I really don't know. Military people never seem to apologize for killing each other yet novelists feel ashamed for writing some nice inert paper book that is not certain to be read by anybody.

Think you a little din can daunt mine ears? Have I not in my time heard lions roar? Have I not heard the sea, puffed up with winds, Rage like an angry boar chafed with sweat? Have I not heard great ordinance in the field, And Heaven's artillery thunder in the skies? Have I not in a pitched battle heard Loud 'larums, neighing steeds, and trumpets' clang? And do you tell me of a woman's tongue, That gives not half so great a blow to hear As will a chestnut in a farmer's fire? Tush! tush! fear boys with bugs. Grumio: For he fears none.

Those who in the name of Faith embrace illusion, kill and are killed. Even the atheist gets God's blessings- Does not boast of his religion; With reverence he lights the lamp of Reason And pays his homage not to scriptures, But to the good in man. The bigot insults his own religion When he slays a man of another faith. Conduct he judges not in the light of Reason; In the temple he raises the blood-stained banner And worships the devil in the name of God. All that is shameful and barbarous through the Ages, Has found a shelter in their temples- Those they turn into prisons; O, I hear the trumpet call of Destruction! Time comes with her great broom Sweeping all refuse away. That which should make man free, They turn into fetters; That which should unite, They turn into sword; That which should bring love From the fountain of the Eternal, They turn into prison And with its waves they flood the world. They try to cross the river In a bark riddled with holes; And yet, in their anguish, whom do they blame? O Lord, breaking false religion, Save the blind! Break! O break The alter that is drowned in blood. Let your thunder strike Into the prison of false religion, And bring to this unhappy land The light of Knowledge.

It is impossible to understand how millions and millions of people all obey a sickly collection of gentlemen that call themselves 'Government!' The word, I expect, frightens people. It is a form of planetary hypnosis, and very unhealthy." "It has been going on for years," I said. "And it only occurred to relatively few to disobey and make what they call revolutions. If they won their revolutions, which they occasionally did, they made more governments, sometimes more cruel and stupid than the last." "Men are very difficult to understand," said Carmella. "Let's hope they all freeze to death. I am sure it would be very pleasant and healthy for human beings to have no authority whatever. They would have to think for themselves, instead of always being told what to do and think by advertisements, cinemas, policemen, and parliaments.

Tonight I heard Louis's horn. My father heard it, too. The wind was right, and I could hear the notes of taps, just as darkness fell. There is nothing in all the world I like better than the trumpet of the swan.

I love hearing your trumpet. You always make me feel renewed.

The little princess, like an old war horse that hears the trumpet, unconsciously and quite forgetting her condition, prepared for the familiar gallop of coquetry, without any ulterior motive or any struggle, but with naive and lighthearted gaiety.

And my Guide to me: “He will not wake again until the angel trumpet sounds the day on which the host shall come to judge all men.   Then shall each soul before the seat of Mercy return to its sad grave and flesh and form to hear the edict of Eternity.

Angels of highest light and love, Angels that radiate beams of pure energy from the heavens above. Please join us and be with us on this very night, As the soul of our beloved joins you in flight. We pray that you send this soul embraced in your lovely wings, During his journey may he hear harps, and trumpets and strings.

They say things are determined by genetics, by parenting, by heredity, by climate, by diet, by geography, by time spent in the womb, by nature, by nurture. They fail to hear the elephant in the room, trumpeting away: history.

I am sure it would be very pleasant and healthy for human beings to have no authority whatever. They would have to think for themselves, instead of always being told what to do and think by advertisements, cinemas, policemen, and parliaments.

Police dogs are not properly speaking animals . Police dogs are perverted animals with no animal mentality. Policemen are not human beings so how can police dogs be animals?

How can you say that?" retorted Don Quixote. "Do you not hear the neighing of the horses, the blaring of the trumpets, and the rattling of the drums?" "All I can hear," replied Sancho, "is lots of sheep bleating.

This very pride in keeping his word was that he was keeping it to miscreants. It was his last triumph over these lunatics to go down into their dark room and die for something that they could not even understand. The barrel-organ seemed to give the marching tune with the energy and the mingled noises of a whole orchestra; and he could hear deep and rolling, under all the trumpets of the pride of life, the drums of the pride of death.

It's not odd these days to hear politicians trumpeting their own authenticity, a claim that an earlier day would have considered self-cancelling. But when Michelle Bachman, Rick Perry, and Rick Santorum say "I'm authentic," they're not evoking the shade of Neal Cassady. (102)

People only like whatever concerns themselves and I am no exception to this rule.

But something deep down inside me stirred, like an old warhorse who hears the sound of trumpets.

This is the really incomprehensible side of humanity, people never have time for anything.

Time, as we all know, passes. Whether it returns in quite the same way is doubtful.

Darling stop being philosophical, it doesn’t suit you, it makes your nose red.

Ignorance has never been the problem. The problem was and continues to be unexamined confidence in western civilization and the unwarranted certainty of Christianity. And arrogance. Perhaps it is unfair to judge the past by the present, but it is also necessary. If nothing else, an examination of the past—and of the present, for that matter—can be instructive. It shows us that there is little shelter and little gain for Native peoples in doing nothing. So long as we possess one element of sovereignty, so long as we possess one parcel of land, North America will come for us, and the question we have to face is how badly we wish to continue to pursue the concepts of sovereignty and self-determination. How important is it for us to maintain protected communal homelands? Are our traditions and languages worth the cost of carrying on the fight? Certainly the easier and more expedient option is simply to step away from who we are and who we wish to be, sell what we have for cash, and sink into the stewpot of North America. With the rest of the bones. No matter how you frame Native history, the one inescapable constant is that Native people in North America have lost much. We’ve given away a great deal, we’ve had a great deal taken from us, and, if we are not careful, we will continue to lose parts of ourselves—as Indians, as Cree, as Blackfoot, as Navajo, as Inuit—with each generation. But this need not happen. Native cultures aren’t static. They’re dynamic, adaptive, and flexible, and for many of us, the modern variations of older tribal traditions continue to provide order, satisfaction, identity, and value in our lives. More than that, in the five hundred years of European occupation, Native cultures have already proven themselves to be remarkably tenacious and resilient. Okay. That was heroic and uncomfortably inspirational, wasn’t it? Poignant, even. You can almost hear the trumpets and the violins. And that kind of romance is not what we need. It serves no one, and the cost to maintain it is too high. So, let’s agree that Indians are not special. We’re not … mystical. I’m fine with that. Yes, a great many Native people have a long-standing relationship with the natural world. But that relationship is equally available to non-Natives, should they choose to embrace it. The fact of Native existence is that we live modern lives informed by traditional values and contemporary realities and that we wish to live those lives on our terms.

We read, indeed, that the walls of Jericho fell down before the sound of trumpets,39 but we nowhere hear that those trumpets were hoarse and feeble. Doubtless they were trumpets that gave forth clear ringing tones, and sent a mighty vibration through brick and mortar. But the oratory of the Rev. Amos resembled rather a Belgian railway-horn, which shows praiseworthy intentions inadequately fulfilled.

Well, lords, we have not got that which we have: 'Tis not enough our foes are this time fled, Being opposites of such repairing nature. York: I know our safety is to follow them; For, as I hear, the king is fled to London, To call a present court of parliament. Let us pursue him ere the writs go forth. What says Lord Warwick? shall we after them? Warwick: After them! nay, before them, if we can. Now, by my faith, lords, 'twas a glorious day: Saint Alban's battle won by famous York Shall be eternized in all age to come. Sound drums and trumpets, and to London all: And more such days as these to us befall!

That was the Old Man’s favorite song. “Blow Ye Trumpet.” Them Negroes was far away from the doings on the plaza where the Old Man was to hang, way out from it. But they sang it loud and clear…. Blow ye trumpet blow Blow ye trumpet blow…. You could hear their voices for a long way, seemed like they lifted up and carried all the way into the sky, lingering in the air long afterward. And up above the church, high above it, a strange black-and-white bird circled ‘round, looking for a tree to roost on, a bad tree, I expect, so he could alight upon it and get busy, so that it would someday fall and feed the others.

Solo For Ear-Trumpet The carriage brushes through the bright Leaves (violent jets from life to light); Strong polished speed is plunging, heaves Between the showers of bright hot leaves The window-glasses glaze our faces And jar them to the very basis — But they could never put a polish Upon my manners or abolish My most distinct disinclination For calling on a rich relation! In her house — (bulwark built between The life man lives and visions seen) — The sunlight hiccups white as chalk, Grown drunk with emptiness of talk, And silence hisses like a snake — Invertebrate and rattling ache…. Then suddenly Eternity Drowns all the houses like a sea And down the street the Trump of Doom Blares madly — shakes the drawing-room Where raw-edged shadows sting forlorn As dank dark nettles. Down the horn Of her ear-trumpet I convey The news that 'It is Judgment Day!' 'Speak louder: I don't catch, my dear.' I roared: 'It is the Trump we hear!' 'The What?' 'THE TRUMP!' 'I shall complain! …. the boy-scouts practising again.

This was most alarming, what sort of terrible toil had deranged the poor woman? Would I also have to work day and night till I couldn't stop talking? Perhaps they made her shovel coal for a huge furnace, probably they kept a private crematorium, old people do keep dying off. Maybe they had a chain gang too and we would have to chop stones and sing sea shanties (this would explain why she wore the yachting cap.)

May you, son, daughter, image of the very Creator God, fearfully and wonderfully made, knit together in your mother’s womb, fully seen, fully known, and fully loved, see with eyes that are open wide. Hear the Voice that speaks from inside of you with ears attuned and mind unshackled. Taste and see the goodness of the One who shall be all and in all. May your heart be opened to the love that formed you and everything else, the love that holds all things together and shall make all things new in the end, and may that love that was broken and poured out for you impel you into the world to break your own self open to be poured out for the world that God so loves. Poured out in acts of justice and mercy, poured out in good and hard work that brings order rather than disorder. Poured out in songs and liturgies, business plans and water colors, child-rearing and policy-making. May your life be a brush in the very hand of God—painting new creation into every nook and cranny of reality that your shadow graces. Be courageous. Be free. Prune that which needs pruning, and water that which thirsts for righteousness. You are the body of Christ, the light of the world. Pick up your hammer. Your brush. Your trumpet. Your skillet. Your pen. Lift up your head. And walk. Run. Dance. Fly. The great Artist, the future God, calls you into being. So go into your world, your valley, your garden, and create with His grace and in His peace. Amen. ________________________

This secluded spot was the haunt of thousands of honey bees that zimmed all through the warm days at their business. I could sit amongst the bees for hours on end and feel happy, although why they pleased me so I cannot tell.

Hamish was like a trumpet in his head. “You will no’ die. Do you hear me? You willna’ die!” “You’re already dead, Corporal. You can’t stop me.” Rutledge was finding it hard to concentrate. “You willna’ die! I willna’ let you die!

Them Negroes was far away from the doings on the plaza where the Old Man was to hang, way out from it. But they sang it loud and clear. . . . Blow ye trumpet blow Blow ye trumpet blow. . . . You could hear their voices for a long way, seemed like they lifted up and carried all the way into the sky, lingering in the air long afterward. And up above the church, high above it, a strange black-and-white bird circled ’round, looking for a tree to roost on, a bad tree, I expect, so he could alight upon it and get busy, so that it would someday fall and feed the others.

In the end, all I remember is that while my lawyer went on talking, I could hear through the expanse of chambers and courtrooms an ice cream vendor blowing his tin trumpet out in the street. I was assailed by memories of a life that wasn’t mine anymore, but one in which I’d found the simplest and most lasting joys: the smells of summer, the part of town I loved, a certain evening sky, Marie’s dresses and the way she laughed. The utter pointlessness of whatever I was doing there seized me by the throat, and all I wanted was to get it over with and get back to my cell and sleep.

dope? Tawfulsdreck! A reine of the shee, a shebeen quean, a queen of pranks. A kingly man, of royal mien, regally robed, exalted be his glory! So gave so take: Now not, not now! He would just a min. Suffering trumpet! He thought he want. Whath? Hear, O hear, living of the land! Hungreb, dead era, hark!

Hayvanların kurumlara alınmadığını söylediğini sanıyordum. Kırk tane polis köpeği herhalde kesinlikle hayvandır öyle değil mi?" "Polis köpekler aslında düzgün konuşan hayvanlar değildir. Polis köpekleri, hayvan zihniyetinden yoksun sapkın hayvanlardır. Polisler insan mı ki polis köpekleri hayvan olsun?

Lakes, carillonst, Pools and bells, Fifes and freshets, Harps and wells; Flutes and rivers, Streams, bassoons, Geysers, trumpets, Chimes lagoons, Hear the music, Drink the water, As we poor lambs All go to slaughter. I love you Eliot. Good-bye. I cry. Tears and violins. Hearts and flowers, Flowers and tears. Rosewater, good-bye.

He laughs at fear, afraid of nothing; He does not shy away from the sword. Over him rattles the quiver, the glittering spear and blade. In frenzy he devours the ground; He cannot stand still when the trumpet sounds. At the blast of the trumpet he snorts, “Hurrah!” And from afar he scents the fray, Hears the clamor of the captains, the battle cry.

Remember me. I will be with you in the grave on the night you leave behind your shop and your family. When you hear my soft voice echoing in your tomb, you will realize that you were never hidden from my eyes. I am the pure awareness within your heart, with you during joy and celebration, suffering and despair. On that strange and fateful night you will hear a familar voice -- you'll be rescued from the fangs of snakes and the searing sting of scorpions. The euphoria of love will sweep over your grave; it will bring wine and friends, candles and food. When the light of realization dawns, shouting and upheaval will rise up from the graves! The dust of ages will be stirred by the cities of ecstasy, by the banging of drums, by the clamor of revolt! Dead bodies will tear off their shrouds and stuff their ears in fright-- What use are the senses and the ears before the blast of that Trumpet? Look and you will see my form whether you are looking at yourself or toward that noise and confusion. Don't be blurry-eyed, See me clearly- See my beauty without the old eyes of delusion. Beware! Beware! Don't mistake me for this human form. The soul is not obscured by forms. Even if it were wrapped in a hundred folds of felt the rays of the soul's light would still shine through. Beat the drum, Follow the minstrels of the city. It's a day of renewal when every young man walks boldly on the path of love. Had everyone sought God Instead of crumbs and copper coins T'hey would not be sitting on the edge of the moat in darkness and regret. What kind of gossip-house have you opened in our city? Close your lips and shine on the world like loving sunlight. Shine like the Sun of Tabriz rising in the East. Shine like the star of victory. Shine like the whole universe is yours!

It was Ebon's turn now, and he stepped forward and gave the pegasus' great clarion neigh -- far more like a trumpet than a horse's neigh; hollow bones are wonderful for resonance -- and swept his wings forward to touch, or almost touch, his alula-hands to her temples before he gave his own speech, in the half-humming, half-whuffling syllables the pegasi made when they spoke aloud, only she could understand what he was saying in silent speech. The words were just as stiff and silly (she was rather relieved to discover) as the ones she'd had to say. He stopped whuffling and added,I was going to say, hee ho, ho hee, your wings are too short, you'll never catch me, but my dad said he was going to be listening and I'd better get it right. I guess since you can hear too it's good that I did.

All of a sudden, she was there, breaking away from the little group of women and running toward him. She raced across the space between them and threw her arms around his neck. The force of her body knocked him back a few steps as she wrapped around him like a trumpet vine on a cornstalk. He regained his footing and snaked his arms around her, holding her close. His exhaustion disappeared in a moment, erased by the incredible fact that Catherine was in his arms right here on the street in front of half the town, lifting her face to kiss him. He couldn’t refuse her offer and bent his head to cover her soft lips with his. The heat and pressure of her mouth took away all the residual anxiety and fear still floating in him and filled him with wild elation instead. After several long minutes of feasting on her mouth like a starving man, he pulled away and his eyes opened. Her tear-streaked face filled his vision. His stomach dropped. Why was she crying? What had happened to her? He was aware of the crowd of people around them. Glancing up, he saw many eyes focused on him and Catherine, mouths talking, expressions of surprise and shock. He let go of her and stepped back, although it was far too late to protect her reputation. Catherine cupped his face, drawing his attention back to her, and her lips were moving. “…don’t you? Never again!” She frowned and signed as she spoke. “Never! Understand? I love you.” Her graceful hands made the love sign, which looked as though she was offering her heart to him. At last Jim realized she was upset with him for putting himself in danger. If he’d doubted that she cared, those doubts evaporated under the force of her fury. He nodded and promised.

Trees stand at the heart of ecology, and they must come to stand at the heart of human politics. Tagore said, Trees are the earth’s endless effort to speak to the listening heaven. But people—oh, my word—people! People could be the heaven that the Earth is trying to speak to. “If we could see green, we’d see a thing that keeps getting more interesting the closer we get. If we could see what green was doing, we’d never be lonely or bored. If we could understand green, we’d learn how to grow all the food we need in layers three deep, on a third of the ground we need right now, with plants that protected one another from pests and stress. If we knew what green wanted, we wouldn’t have to choose between the Earth’s interests and ours. They’d be the same!” One more click takes her to the next slide, a giant fluted trunk covered in red bark that ripples like muscle. “To see green is to grasp the Earth’s intentions. So consider this one. This tree grows from Colombia to Costa Rica. As a sapling, it looks like a piece of braided hemp. But if it finds a hole in the canopy, the sapling shoots up into a giant stem with flaring buttresses.” She turns to regard the image over her shoulder. It’s the bell of an enormous angel’s trumpet, plunged into the Earth. So many miracles, so much awful beauty. How can she leave so perfect a place? “Did you know that every broadleaf tree on Earth has flowers? Many mature species flower at least once a year. But this tree, Tachigali versicolor, this one flowers only once. Now, suppose you could have sex only once in your entire life. . . .” The room laughs now. She can’t hear, but she can smell their nerves. Her switchback trail through the woods is twisting again. They can’t tell where their guide is going. “How can a creature survive, by putting everything into a one-night stand? Tachigali versicolor’s act is so quick and decisive that it boggles me. You see, within a year of its only flowering, it dies.” She lifts her eyes. The room fills with wary smiles for the weirdness of this thing, nature. But her listeners can’t yet tie her rambling keynote to anything resembling home repair. “It turns out that a tree can give away more than its food and medicines. The rain forest canopy is thick, and wind-borne seeds never land very far from their parent. Tachigali’s once-in-a-lifetime offspring germinate right away, in the shadow of giants who have the sun locked up. They’re doomed, unless an old tree falls. The dying mother opens a hole in the canopy, and its rotting trunk enriches the soil for new seedlings. Call it the ultimate parental sacrifice. The common name for Tachigali versicolor is the suicide tree.

Thus shall you do for six days. 4Seven priests shall bear seven  htrumpets of  irams’ horns before the ark. On the seventh day you shall march around the city seven times, and  jthe priests shall blow the trumpets. 5And when they make a long blast with the ram’s horn, when you hear the sound of the trumpet, then all the people shall shout with a great shout, and the wall of the city will fall down flat, [1] and the people shall go up, everyone straight before him.

But Physician was a composed man, who performed neither on his own trumpet, nor on the trumpets of other people. Many wonderful things did he see and hear, and much irreconcilable moral contradiction did he pass his life among; yet his equality of compassion was no more disturbed than the Divine Master's of all healing was. He went, like the rain, among the just and unjust, doing all the good he could, and neither proclaiming it in the synagogues nor at the corner of streets.

Eat bread and understand comfort. Drink water, and understand delight. Visit the garden where the scarlet trumpets are opening their bodies for the hummingbirds who are drinking the sweetness, who are thrillingly gluttonous. For one thing leads to another. Soon you will notice how stones shine underfoot. Eventually tides will be the only calendar you believe in. And someone’s face, whom you love, will be as a star both intimate and ultimate, and you will be both heart-shaken and respectful. And you will hear the air itself, like a beloved, whisper: oh, let me, for a while longer, enter the two beautiful bodies of your lungs. 3. The witchery of living is my whole conversation with you, my darlings. All I can tell you is what I know. Look, and look again. This world is not just a little thrill for the eyes. It’s more than bones. It’s more than the delicate wrist with its personal pulse. It’s more than the beating of the single heart. It’s praising. It’s giving until the giving feels like receiving. You have a life—just imagine that! You have this day, and maybe another, and maybe still another.

To Begin With, the Sweet Grass 1. Will the hungry ox stand in the field and not eat of the sweet grass? Will the owl bite off its own wings? Will the lark forget to lift its body in the air or forget to sing? Will the rivers run upstream? Behold, I say—behold the reliability and the finery and the teachings of this gritty earth gift. 2. Eat bread and understand comfort. Drink water, and understand delight. Visit the garden where the scarlet trumpets are opening their bodies for the hummingbirds who are drinking the sweetness, who are thrillingly gluttonous. For one thing leads to another. Soon you will notice how stones shine underfoot. Eventually tides will be the only calendar you believe in. And someone's face, whom you love, will be as a star both intimate and ultimate, and you will be both heart-shaken and respectful. And you will hear the air itself, like a beloved, whisper: oh, let me, for a while longer, enter the two beautiful bodies of your lungs. 3. The witchery of living is my whole conversation with you, my darlings. All I can tell you is what I know. Look, and look again. This world is not just a little thrill for the eyes. It's more than bones. It's more than the delicate wrist with its personal pulse. It's more than the beating of the single heart. It's praising. It's giving until the giving feels like receiving. You have a life—just imagine that! You have this day, and maybe another, and maybe still another. 4. Someday I am going to ask my friend Paulus, the dancer, the potter, to make me a begging bowl which I believe my soul needs. And if I come to you, to the door of your comfortable house with unwashed clothes and unclean fingernails, will you put something into it? I would like to take this chance. I would like to give you this chance. 5. We do one thing or another; we stay the same, or we change. Congratulations, if you have changed. 6. Let me ask you this. Do you also think that beauty exists for some fabulous reason? And, if you have not been enchanted by this adventure— your life— what would do for you? 7. What I loved in the beginning, I think, was mostly myself. Never mind that I had to, since somebody had to. That was many years ago. Since then I have gone out from my confinements, though with difficulty. I mean the ones that thought to rule my heart. I cast them out, I put them on the mush pile. They will be nourishment somehow (everything is nourishment somehow or another). And I have become the child of the clouds, and of hope. I have become the friend of the enemy, whoever that is. I have become older and, cherishing what I have learned, I have become younger. And what do I risk to tell you this, which is all I know? Love yourself. Then forget it. Then, love the world.

In Memory of My Feelings" My quietness has a man in it, he is transparent and he carries me quietly, like a gondola, through the streets. He has several likenesses, like stars and years, like numerals. My quietness has a number of naked selves, so many pistols I have borrowed to protect myselves from creatures who too readily recognize my weapons and have murder in their heart! though in winter they are warm as roses, in the desert taste of chilled anisette. At times, withdrawn, I rise into the cool skies and gaze on at the imponderable world with the simple identification of my colleagues, the mountains. Manfred climbs to my nape, speaks, but I do not hear him, I'm too blue. An elephant takes up his trumpet, money flutters from the windows of cries, silk stretching its mirror across shoulder blades. A gun is "fired." One of me rushes to window #13 and one of me raises his whip and one of me flutters up from the center of the track amidst the pink flamingoes, and underneath their hooves as they round the last turn my lips are scarred and brown, brushed by tails, masked in dirt's lust, definition, open mouths gasping for the cries of the bettors for the lungs of earth. So many of my transparencies could not resist the race! Terror in earth, dried mushrooms, pink feathers, tickets, a flaking moon drifting across the muddied teeth, the imperceptible moan of covered breathing, love of the serpent! I am underneath its leaves as the hunter crackles and pants and bursts, as the barrage balloon drifts behind a cloud and animal death whips out its flashlight, whistling and slipping the glove off the trigger hand. The serpent's eyes redden at sight of those thorny fingernails, he is so smooth! My transparent selves flail about like vipers in a pail, writhing and hissing without panic, with a certain justice of response and presently the aquiline serpent comes to resemble the Medusa.

Ode to the West Wind I O wild West Wind, thou breath of Autumn’s being, Thou, from whose unseen presence the leaves dead Are driven, like ghosts from an enchanter fleeing, Yellow, and black, and pale, and hectic red, Pestilence-stricken multitudes: O thou, Who chariotest to their dark wintry bed The winged seeds, where they lie cold and low, Each like a corpse within its grave, until Thine azure sister of the Spring shall blow Her clarion o’er the dreaming earth, and fill (Driving sweet buds like flocks to feed in air) With living hues and odours plain and hill: Wild Spirit, which art moving everywhere; Destroyer and preserver; hear, oh hear! II Thou on whose stream, mid the steep sky’s commotion, Loose clouds like earth’s decaying leaves are shed, Shook from the tangled boughs of Heaven and Ocean, Angels of rain and lightning: there are spread On the blue surface of thine aëry surge, Like the bright hair uplifted from the head Of some fierce Maenad, even from the dim verge Of the horizon to the zenith’s height, The locks of the approaching storm. Thou dirge Of the dying year, to which this closing night Will be the dome of a vast sepulchre, Vaulted with all thy congregated might Of vapours, from whose solid atmosphere Black rain, and fire, and hail will burst: oh hear! III Thou who didst waken from his summer dreams The blue Mediterranean, where he lay, Lull’d by the coil of his crystàlline streams, Beside a pumice isle in Baiae’s bay, And saw in sleep old palaces and towers Quivering within the wave’s intenser day, All overgrown with azure moss and flowers So sweet, the sense faints picturing them! Thou For whose path the Atlantic’s level powers Cleave themselves into chasms, while far below The sea-blooms and the oozy woods which wear The sapless foliage of the ocean, know Thy voice, and suddenly grow gray with fear, And tremble and despoil themselves: oh hear! IV If I were a dead leaf thou mightest bear; If I were a swift cloud to fly with thee; A wave to pant beneath thy power, and share The impulse of thy strength, only less free Than thou, O uncontrollable! If even I were as in my boyhood, and could be The comrade of thy wanderings over Heaven, As then, when to outstrip thy skiey speed Scarce seem’d a vision; I would ne’er have striven As thus with thee in prayer in my sore need. Oh, lift me as a wave, a leaf, a cloud! I fall upon the thorns of life! I bleed! A heavy weight of hours has chain’d and bow’d One too like thee: tameless, and swift, and proud. V Make me thy lyre, even as the forest is: What if my leaves are falling like its own! The tumult of thy mighty harmonies Will take from both a deep, autumnal tone, Sweet though in sadness. Be thou, Spirit fierce, My spirit! Be thou me, impetuous one! Drive my dead thoughts over the universe Like wither’d leaves to quicken a new birth! And, by the incantation of this verse, Scatter, as from an unextinguish’d hearth Ashes and sparks, my words among mankind! Be through my lips to unawaken’d earth The trumpet of a prophecy! O Wind, If Winter comes, can Spring be far behind?

Calf-deep in the soothing water I indulge myself in the wishful vision. I am not unaware of what such daydreams signify, dreams of becoming an unthinking savage, of taking the cold road back to the capital, of groping my way out to the ruins in the desert, of returning to the confinement of my cell, of seeking out the barbarians and offering myself to them to use as they wish. Without exception they are dreams of ends: dreams not of how to live but of how to die. And everyone, I know, in that walled town sinking now into darkness (I hear the two thin trumpet calls that announce the closing of the gates) is similarly preoccupied. What has made it impossible for us to live in time like fish in the water, like birds in air, like children? It is the fault of Empire! Empire has created the time of history. Empire has located its existence not in the smooth recurrent spinning time of the cycle of the seasons but in the jagged time of rise and fall, of beginning and end, of catastrophe. Empire dooms itself to live in history and plot against history. One thought alone preoccupies the submerged mind of Empire: how not to end, how not to die, how to prolong its era. By day it pursues its enemies. It is cunning and ruthless, it sends its bloodhounds everywhere. By night it feeds on images of disaster: the sack of cities, the rape of populations, pyramids of bones, acres of desolation. A mad vision yet a virulent one: I, wading in the ooze, am no less infected with it than the faithful Colonel Joll as he tracks the enemies of Empire through the boundless desert, sword unsheathed to cut down barbarian after barbarian until at last he finds and slays the one whose destiny it should be (or if not his then his son's or unborn grandson's) to climb the bronze gateway to the Summer Palace and topple the globe surmounted by the tiger rampant that symbolizes eternal domination, while his comrades below cheer and fire their muskets in the air.

and grays. The natural inclination to try and decode the image is thwarted by Kandinsky’s steadfast refusal to provide any identifiable clues to known subjects. Which makes the painting both exhilarating and exhausting to study. Remarkably, it succeeds in its desired effect: you do start to “hear” the paint, to put sounds to his brushstrokes. Colors crash together like cymbals; the jagged yellow lines are the noisy blasts from a trumpet; the black center evokes the intense whine produced by a bank of violinists. A big bass drum drones in the background. And then in the center at the bottom of the picture is one thin black line, exposed and alone.

As a musician, when you listen to music, it’s not a passive act; you’re fully engaged in the experience, almost swimming around in it, perceiving detail and depth that casual hearing just can’t pick up. The way musicians listen to music is both more intense and more purposeful than the way “normal” people listen, especially if you’re listening to music you love, or music you want to learn. Tabla player Rupesh Kotecha calls it intricate listening, New York Philharmonic trumpeter Ethan Bensdorf calls it active listening, free-improvising pioneer and composer Pauline Oliveros calls it deep listening. Whatever you call it, listening this intensely takes practice.

It was getting very clear then (and during this week Riseholme naturally thought of nothing else) that Lucia designed a longer residence in the garish metropolis than she had admitted. Since she chose to give no information on the subject, mere pride and scorn of vulgar curiosity forebade anyone to ask her, though of course it was quite proper (indeed a matter of duty) to probe the matter to the bottom by every other means in your power, and as these bits of evidence pieced themselves together, Riseholme began to take a very gloomy view of Lucia's real nature. On the whole it was felt that Mrs. Boucher, when she paused in her bath-chair as it was being wheeled round the green, nodding her head very emphatically, and bawling into Mrs. Antrobus's ear-trumpet, reflected public opinion. "She's deserting Riseholme and all her friends," said Mrs. Boucher, "that's what she's doing. She means to cut a dash in London, and lead London by the nose. There'll be fashionable parties, you'll see, there'll be paragraphs, and then when the season's over she'll come back and swagger about them. For my part I shall take no interest in them. Perhaps she'll bring down some of her smart friends for a Saturday till Monday. There'll be Dukes and Duchesses at The Hurst. That's what she's meaning to do, I tell you, and I don't care who hears it." That was lucky, as anyone within the radius of a quarter of a mile could have heard it.

This here is God, bragging on how he create the horse.” He cleared his throat and read aloud in a preacher voice. Who gives the horse its strength or clothes his mane with thunder? Who makes him spring like a locust? His splendid snort is terror. He churns up the earth, rejoicing in his power, And charges towards the clash of arms. He laughs at fear, afraid of nothing; He does not shy away from the sword. Over him rattles the quiver, the glittering spear and blade. In frenzy he devours the ground; He cannot stand still when the trumpet sounds. At the blast of the trumpet he snorts, “Hurrah!” And from afar he scents the fray, Hears the clamor of the captains, the battle cry. When he finished reading, he patted the page. “I think that’s mighty fine, don’t you?” Jarret ran the words through in his mind. “Clothes his mane with thunder,” he repeated softly. “That’s good. It makes you see the power in the neck. And the part about how he devours the ground, rejoicing in his strength. It feels just that way some time. But I don’t know about being afraid of nothing. Most horses I know are afraid of plenty.” “Well, the Scripture here is talking about war horses. I guess they’s trained to be brave.” “That ain’t it. A cavalry horse will charge a cannon because he don’t know the cannonball can kill him. All he wants is to stay close to the rest of the herd. Army just learned to use that fear they have, of being left behind.” “Well,

breath, life after seven decades plus three years is a lot of breathing. seventy three years on this earth is a lot of taking in and giving out, is a life of coming from somewhere and for many a bunch of going nowhere. how do we celebrate a poet who has created music with words for over fifty years, who has showered magic on her people, who has redefined poetry into a black world exactness thereby giving the universe an insight into darkroads? just say she interprets beauty and wants to give life, say she is patient with phoniness and doesn’t mind people calling her gwen or sister. say she sees the genius in our children, is visionary about possibilities, sees as clearly as ray charles and stevie wonder, hears like determined elephants looking for food. say that her touch is fine wood, her memory is like an african roadmap detailing adventure and clarity, yet returning to chicago’s south evans to record the journey. say her voice is majestic and magnetic as she speaks in poetry, rhythms, song and spirited trumpets, say she is dark skinned, melanin rich, small-boned, hurricane-willed, with a mind like a tornado redefining the landscape. life after seven decades plus three years is a lot of breathing. gwendolyn, gwen, sister g has not disappointed our expectations. in the middle of her eldership she brings us vigorous language, memory, illumination. she brings breath. (Quality: Gwendolyn Brooks at 73)

Destiny rarely follows the pattern we would choose for it and the legacy of death often shapes our lives in ways we could not imagine. Death comes to everyone in their time - to some a parting, to some a release. We who are nearest go with them up the long golden stairs - up, up. A trumpet shrills - a gate clangs and we are left standing without. Then down the long stairs we retrace our steps to earth - an earth that is all numb and still - so still that one hears strange sounds - catches strange vagrant notes on one's heightened senses. But small hands are tugging and voices are insistent. "Will he ever come back from that other place?" "Oh no, he doesn't want to come back!" "Does he like it there?" "Oh yes, he loves it." "Well then, that's good." And happy laughter rings through the tall green pines and along the rocks and sandy beaches by the sea. No one grudges him his place in the sun.

Just listen you poor creature, listen without either pathos or mockery, while far away behind the veil of this hopeless idiotic and ridiculous apparatus the form of this divine music passes by. Pay attention and you will learn something. Observe what this crazy speaking-trumpet, apparently the most stupid, the most useless and the most damnable thing that the world contains, contrives to do. It take hold of some music played where you please, without distinction or discretion, lamentably distorted, to boot, and chucks it into space to land where it has no business to be; and yet after all this it cannot destroy the spirit of the music; it can only, however it may meddle and mar, lay its senseless mechanism at its feet. Listen, then, you poor thing. Listen well. You have need of it. And now you hear not only a Handel who, disfigured by radio, is, all the same, in the most ghastly of disguises, still divine;

Sometimes you characters give me a pain in the back of my lap,” said Manuel abruptly. “I hang around with you and listen to simple-minded gobbledegook in yard-long language, if it’s you talking, Dran, and pink-and-purple sissification from the brat here. Why I do it I’ll never know. And it goes that way up to the last gasp. So you’re going to leave. Dran has to make a speech, real logical. Vaughn has to blow out a sigh and get misty-eyed.” He spat. “How would you handle it?” Dran asked, amused. Vaughn stared at Manuel whitely. “Me? You really want to know?” “This I want to hear,” said Vaughn between her teeth. “I’d wait a while—a long while—until neither of you was talking. Then I’d say, ‘I joined the Marines yesterday.’ And you’d both look at me a little sad. There’s supposed to be something wrong with coming right out and saying something. Let’s see. Suppose I do it the way Vaughn would want me to.” He tugged at an imaginary braid and thrust out his lower lip in a lampoon of Vaughn’s full mouth. He sighed gustily. “I have felt …” He paused to flutter his eyelashes. “I have felt the call to arms,” he said in a histrionic whisper. He gazed off into the middle distance. “I have heard the sound of trumpets. The drums stir in my blood.” He pounded his temples with his fists. “I can’t stand it—I can’t! Glory beckons. I will away to foreign strands.” Vaughn turned on her heel, though she made no effort to walk away. Dran roared with laughter. “And suppose I’m you,” said Manuel, his face taut with a suppressed grin. He leaned easily against the base of the statue and crossed his legs. He flung his head back. “Zeno of Miletus,” he intoned, “in reflecting on the cromislon of the fortiseetus, was wont to refer to a razor as ‘a check for a short beard.’ While shaving this morning I correlated ‘lather’ with ‘leather’ and, seeing some of it on my neck, I recalled the old French proverb, ‘Jeanne D’Arc,’ which means: The light is out in the bathroom. The integration was complete. If the light was out I could no longer shave. Therefore I can not go on like this. Also there was this matter of the neck. I shall join the Marines. Q. E. D., which means thus spake Zarathusiasm.” Dran chuckled. Vaughn made a furious effort, failed, and burst out laughing. When it subsided, Manuel said soberly, “I did.” “You did what?” “I joined the Marines yesterday.

Nestor said to me. "A row of Hussars on horseback will come to take me. What will it be for you?" I remembered don Juan telling me once that death might be behind anything imaginable, even behind a dot on my writing pad. He gave me then the definitive metaphor of my death. I had told him that once while walking on Hollywood Boulevard in Los Angeles I had heard the sound of a trumpet playing an old, idiotic popular tune. The music was coming from a record shop across the street. Never had I heard a more beautiful sound. I became enraptured by it. I had to sit down on the curb. The limpid brass sound of that trumpet was going directly to my brain. I felt it just above my right temple. It soothed me until I was drunk with it. When it concluded, I knew that there would be no way of ever repeating that experience, and I had enough detachment not to rush into the store and buy the record and a stereo set to play it on. Don Juan said that it had been a sign given to me by the powers that rule the destiny of men. When the time comes for me to leave the world, in whatever form, I will hear the same sound of that trumpet, the same idiotic tune, the same peerless trumpeter.

June 26 “Be ye also patient; stablish your hearts: for the coming of the Lord draweth nigh.” James 5:8 THE last word in the Canticle of love is, “Make haste, my beloved,” and among the last words of the Apocalypse we read, “The Spirit and the Bride say, Come;” to which the heavenly Bridegroom answers, “Surely I come quickly.” Love longs for the glorious appearing of the Lord, and enjoys this sweet promise – “The coming of the Lord draweth nigh.” This stays our minds as to the future. We look out with hope through this window. This sacred “window of agate” lets in a flood of light upon the present, and puts us into fine condition for immediate work or suffering. Are we tried? Then the nearness of our joy whispers patience. Are we growing weary because we do not see the harvest of our seed-sowing? Again this glorious truth cries to us, “Be patient.” Do our multiplied temptations cause us in the least to waver? Then the assurance, that before long the Lord will be here, preaches to us from this text, “Stablish your hearts.” Be firm, be stable, be constant, “steadfast, unmoveable, always abounding in the work of the Lord.” Soon will you hear the silver trumpets which announce the coming of your King. Be not in the least afraid. Hold the fort, for he is coming; yea, he may appear this very day.

When you hear them sound a long blast on the trumpets, have all the people give a loud shout; then the wall of the city will collapse and the people will go up, every man straight in. (Joshua 6:5) The “loud shout” of steadfast faith is the exact opposite of the groans of wavering faith and the complaints of discouraged hearts. Of all “the secret[s] of the Lord” (Ps. 25:14 KJV), I do not believe there are any more valuable than the secret of this “loud shout” of faith. “The Lord said to Joshua, ‘See, I have delivered Jericho into your hands, along with its king and its fighting men’ ” (Josh. 6:2). He did not say, “I will deliver” but “I have delivered.” The victory already belonged to the children of Israel, and now they were called to take possession of it. But the big question still remaining was how. It looked impossible, but the Lord had a plan.

Miss Tuppenceworth, W.’s pretty blonde secretary, looked out the window of her office, which served as antechamber to her superior’s sanctum sanctorum. “Why is it that whenever H.P. shows up, the sky is suddenly filled with multi-colored silhouettes of shapely women flying about? One can see outlines of guns among the female forms, and hear music filled with saxophones and trumpets. And there’s this sort of swirly gun-barrel shifting to and fro…Decidedly odd.

Then I hear the trumpet. Scales for about an hour, then a song. One long song that sounds so beautiful it hurts. The song swoops around the air like a bird. Someone standing on the roof, playing to the city, to the sky... Oh, River, the way it sounds twining through the shaft way. It's like life, full of joy and mourning. Everything changing, this way then that way.

Making the Right Decisions Now if any of you lacks wisdom, he should ask God, who gives to all generously and without criticizing, and it will be given to him. James 1:5 HCSB Some decisions are easy to make because the consequences of those decisions are small. When the person behind the counter asks, “Want fries with that?” the necessary response requires little thought because the aftermath of that decision is relatively unimportant. Some decisions, on the other hand, are big … very big. If you’re facing one of those big decisions, here are some things you can do: 1. Gather as much information as you can: don’t expect to get all the facts—that’s impossible—but get as many facts as you can in a reasonable amount of time. (Proverbs 24:3-4) 2. Don’t be too impulsive: If you have time to make a decision, use that time to make a good decision. (Proverbs 19:2) 3. Rely on the advice of trusted friends and mentors. Proverbs 1:5 makes it clear: “A wise man will hear and increase learning, and a man of understanding will attain wise counsel” (NKJV). 4. Pray for guidance. When you seek it, He will give it. (Luke 11:9) 5. Trust the quiet inner voice of your conscience: Treat your conscience as you would a trusted advisor. (Luke 17:21) 6. When the time for action arrives, act. Procrastination is the enemy of progress; don’t let it defeat you. (James 1:22). People who can never quite seem to make up their minds usually make themselves miserable. So when in doubt, be decisive. It’s the decent way to live. There may be no trumpet sound or loud applause when we make a right decision, just a calm sense of resolution and peace. Gloria Gaither The Reference Point for the Christian is the Bible. All values, judgments, and attitudes must be gauged in relationship to this Reference Point. Ruth Bell Graham The principle of making no decision without prayer keeps me from rushing in and committing myself before I consult God. Elizabeth George If you are struggling to make some difficult decisions right now that aren’t specifically addressed in the Bible, don’t make a choice based on what’s right for someone else. You are the Lord’s and He will make sure you do what’s right. Lisa Whelchel We cannot be led by our emotions and still be led by the Holy Spirit, so we have to make a choice. Joyce Meyer

The 5 Elements of Effective Thinking (Edward B. Burger;Michael Starbird) - Your Highlight on page 17 | location 251-270 | Added on Monday, 6 April 2015 03:03:56 Understand simple things deeply The most fundamental ideas in any subject can be understood with ever-increasing depth. Professional tennis players watch the ball; mathematicians understand a nuanced notion of number; successful students continue to improve their mastery of the concepts from previous chapters and courses as they move toward the more advanced material on the horizon; successful people regularly focus on the core purpose of their profession or life. True experts continually deepen their mastery of the basics. Trumpeting understanding through a note-worthy lesson. Tony Plog is an internationally acclaimed trumpet virtuoso, composer, and teacher. A few years ago we had the opportunity to observe him conducting a master class for accomplished soloists. During the class, each student played a portion of his or her selected virtuosic piece. They played wonderfully. Tony listened politely and always started his comments, “Very good, very good. That is a challenging piece, isn’t it?” As expected, he proceeded to give the students advice about how the piece could be played more beautifully, offering suggestions about physical technique and musicality. No surprise. But then he shifted gears. He asked the students to play a very easy warm-up exercise that any beginning trumpet player might be given. They played the handful of simple notes, which sounded childish compared to the dramatically fast, high notes from the earlier, more sophisticated pieces. After they played the simple phrase, Tony, for the first time during the lesson, picked up the trumpet. He played that same phrase, but when he played it, it was not childish. It was exquisite. Each note was a rich, delightful sound. He gave the small phrase a delicate shape, revealing a flowing sense of dynamics that enabled us to hear meaning in those simple notes. The students’ attempts did not come close—the contrast was astounding. The fundamental difference between the true master and the talented students clearly occurred at a far more basic level than in the intricacies of complex pieces. Tony explained that mastering an efficient, nuanced performance of simple pieces allows one to play spectacularly difficult pieces with greater control and artistry. The lesson was simple. The master teacher suggested that the advanced students focus more of their time on practicing simple pieces intensely—learning to perform them with technical efficiency and beautiful elegance. Deep work on simple, basic ideas helps to build true virtuosity—not just in music but in everything. ==========

No: I want nothing. I’ve already said I want nothing. Don’t come to me with conclusions! The only conclusion is death. Don’t bring me aesthetics! Don’t speak to me of morals! Get out of here with metaphysics! Don’t trumpet complete systems, don’t line up conquests Of science (science, my God, science!) — Of the sciences, the arts, of modern civilization! What harm did I ever do all the gods? If they have the truth, let them keep it! I’m a technician, but I have technique only in technique. Beyond that I’m crazy, with every right to be so. With every right to be so, do you hear? Don’t bother me, for the love of God! Did they want me married, futile, quotidian and taxable? Did they want me the opposite of that, the opposite of anything? If I were another person, I would’ve done what they wanted. The way I am, give me a break! Go to hell without me, Or let me go alone! Why do we have to go together? Don’t take me by the arm! I don’t like being taken by the arm. I want to be alone. I just told you: I’m alone! Ah, what a nuisance, them wanting to keep me company! The blue sky — the same as in my childhood — Eternal truth, empty and perfect! O River Tejo, glassy, ancestral, mute, Small truth where the sky reflects itself! O sorrows revisited, Lisbon past and present! You give nothing, you take nothing, you’re nothing I feel. Leave me in peace! I’m not dallying, I never dally... And as long as the Abyss and Silence dally, I want to be alone!

Joshua did not raise his head as he listened to the word of the Lord. “See, I have delivered Jericho into your hands along with its king and its fighting men. March around the city once with all the armed men. Do this for six days. Have seven priests carry trumpets of rams’ horns in front of the ark. On the seventh day, march around the city seven times, with the priests blowing the trumpets. When you hear them sound a long blast on the trumpets, have all the people give a loud shout; then the wall of the city will collapse and the people will go up, every man straight in.” Joshua waited for the man to go on, but there was a silence almost as thick as rock.

These interludes, which impede the advance of the seal and trumpet cycles toward their climax, inject into the experience of hearing or reading the Book of Revelation a taste of the divine delay, which prolongs the time for repentance while it deters the martyrs' longed-for vindication: "How long, () Lord, holy and true, will You refrain from judging and avenging our blood on those who dwell on the earth?" (6:111).

The Trumpets sound, and [Britomart and the Amazon Radigund] together run With greedy rage, and with their faulchins smot; Ne either sought the others strokes to shun, But through great fury both their skill forgot, And practicke vse in armes: ne spared not Their dainty parts, which nature had created So faire and tender, without staine or spot, For other vses, then they them translated; Which they now hackt & hewd, as if such vse they hated, As when a Tygre and a Lionesse Are met at spoyling of some hungry pray, Both challenge it with equall greedinesse: But first the Tygre clawes thereon did lay; And therefore loth to loose her right away, Doth in defence thereof full stoutly stond: To which the Lion strongly doth gainesay, That she to hunt the beast first tooke in hond; And therefore ought it haue, where euer she it fond. Full fiercely layde the Amazon about, And dealt her blowes vnmercifully sore: Which Britomart withstood with courage stout, And them repaide againe with double more. So long they fought, that all the grassie flore Was fild with bloud, which from their sides did flow, And gushed through their armes, that all in gore They trode, and on the ground their liues did strow, Like fruitles seede, of which vntimely death should grow. At last proud Radigund with fell despight, Hauing by chaunce espide aduantage neare, Let driue at her with all her dreadfull might, And thus vpbrayding said; This token beare Vnto the man, whom thou doest loue so deare; And tell him for his sake thy life thou gauest. Which spitefull words she sore engrieu’d to heare, Thus answer’d; Lewdly thou my loue deprauest, Who shortly must repent that now so vainely brauest Nath’lesse that stroke so cruell passage found, That glauncing on her shoulder plate, it bit Vnto the bone, and made a griesly wound, That she her shield through raging smart of it Could scarse vphold; yet soone she it requit. For hauing force increast through furious paine, She her so rudely on the helmet smit, That it empierced to the very braine, And her proud person low prostrated on the plaine. Where being layd, the wrothfull Britonesse Stayd not, till she came to her selfe againe, But in reuenge both of her loues distresse, And her late vile reproch, though vaunted vaine, And also of her wound, which sore did paine, She with one stroke both head and helmet cleft. Which dreadfull sight, when all her warlike traine There present saw, each one of sence bereft, Fled fast into the towne, and her sole victor left.

Military people never seem to apologize for killing each other yet novelists feel ashamed for writing some nice inert paper book that is not certain to be read by anybody. Values are very strange, they change so quickly I can’t keep track of them.

Citizens, unless they hear the clarion call, or the angel’s trumpet, are apt to be a rabble in arms.

When you hear the term “common sense” you should always bear in mind that it is closely related to materialism and empiricism, to over-reliance on the senses. No intellectual ever trumpets common sense. Quite the reverse.

The theme of music making the dancer dance turns up everywhere in Astaire’s work. It is his most fundamental creative impulse. Following this theme also helps connect Astaire to trends in popular music and jazz, highlighting his desire to meet the changing tastes of his audience. His comic partner dance with Marjorie Reynolds to the Irving Berlin song “I Can’t Tell a Lie” in Holiday Inn (1942) provides a revealing example. Performed in eighteenth-century costumes and wigs for a Washington’s birthday–themed floor show, the dance is built around abrupt musical shifts between the light classical sound of flute, strings, and harpsichord and four contrasting popular music styles played on the soundtrack by Bob Crosby and His Orchestra, a popular dance band. Moderate swing, a bluesy trumpet shuffle, hot flag-waving swing, and the Conga take turns interrupting what would have been a graceful, if effete, gavotte. The script supervisor heard these contrasts on the set during filming to playback. In her notes, she used commonplace musical terms to describe the action: “going through routine to La Conga music, then music changing back and forth from minuet to jazz—cutting as he holds her hand and she whirls doing minuet.”13 Astaire and Reynolds play professional dancers who are expected to respond correctly and instantaneously to the musical cues being given by the band. In an era when variety was a hallmark of popular music, different dance rhythms and tempos cued different dances. Competency on the dance floor meant a working knowledge of different dance styles and the ability to match these moves to the shifting musical program of the bands that played in ballrooms large and small. The constant stylistic shifts in “I Can’t Tell a Lie” are all to the popular music point. The joke isn’t only that the classical-sounding music that matches the couple’s costumes keeps being interrupted by pop sounds; it’s that the interruptions reference real varieties of popular music heard everywhere outside the movie theaters where Holiday Inn first played to capacity audiences. The routine runs through a veritable catalog of popular dance music circa 1942. The brief bit of Conga was a particularly poignant joke at the time. A huge hit in the late 1930s, the Conga during the war became an invitation to controlled mayhem, a crazy release of energy in a time of crisis when the dance floor was an important place of escape. A regular feature at servicemen’s canteens, the Conga was an old novelty dance everybody knew, so its intrusion into “I Can’t Tell a Lie” can perhaps be imagined as something like hearing the mid-1990s hit “Macarena” after the 2001 terrorist attacks—old party music echoing from a less complicated time.14 If today we miss these finer points, in 1942 audiences—who flocked to this movie—certainly got them all. “I Can’t Tell a Lie” was funnier then, and for specifically musical reasons that had everything to do with the larger world of popular music and dance. As subsequent chapters will demonstrate, many such musical jokes or references can be recovered by listening to Astaire’s films in the context of the popular music marketplace.

Did I ever tell you, old boy,’ he said, chuckling round the stem of his pipe, ‘about the time when those two nippers of mine set fire to the old market-woman’s skirt because they saw her wrapping up sausages in a poster of B.B.? Sneaked up behind her and set fire to it with a box of matches. Burned her quite badly, I believe. Little beggars, eh? But keen as mustard! That’s a first-rate training they give them in the Spies nowadays — better than in my day, even. What d’you think’s the latest thing they’ve served them out with? Ear trumpets for listening through keyholes! My little girl brought one home the other night — tried it out on our sitting-room door, and reckoned she could hear twice as much as with her ear to the hole. Of course it’s only a toy, mind you. Still, gives ’em the right idea, eh?

33The word of the Lord came to me: 2 “Son of man, speak to your people and tell them: Suppose I bring the sword against a land, and the people of that land select a man from among them, appointing him as their watchman, 3 and he sees the sword coming against the land and blows his trumpet to warn the people. 4 Then, if anyone hears the sound of the trumpet but ignores the warning, and the sword comes and takes him away, his blood will be on his own head. 5 Since he heard the sound of the trumpet but ignored the warning, his blood is on his own hands. If he had taken warning, he would have saved his life. 6 However, if the watchman sees the sword coming but doesn't blow the trumpet, so that the people aren't warned, and the sword comes and takes away their lives, then they have been taken away because of their iniquity, but I will hold the watchman accountable for their blood. 7 “As for you, son of man, I have made you a watchman for the house of Israel. When you hear a word from My mouth, give them a warning from Me. 8 If I say to the wicked, ‘Wicked one, you will surely die,' but you do not speak out to warn him about his way, that wicked person will die for his iniquity, yet I will hold you responsible for his blood. 9 But if you warn a wicked person to turn from his way and he doesn't turn from it, he will die for his iniquity, but you will have saved your life.

In the midst of all the blurring misinformation, confusion, conflict, and polluted thoughts, all I could hear were the tinnitus sounds of the seven trumpets humming in divine orchestration and the murmurations of starlings. It was the song of silence, the song of songs.

It will come on men suddenly. It will break on the world all at once. It will not have been talked over, prepared for, and looked forward to by everyone. It will awaken minds like the cry of fire at midnight. It will startle hearts like a trumpet blown at bedside during a dead sleep. Like Pharaoh and his host in the Red Sea, they will know nothing until the very waters are upon them. Like Dathan, Abiram, and their followers when the earth opened under them, the moment they hear the report of Christ’s coming will be the same moment they see it with their eyes (Numbers 16). Before they can recover their breath and know where they are, they will find that the Lord has come.

We have absolutely no intention of letting ourselves be intimidated by your beastly routine ever again. Although freedom has come to us somewhat late in life, we have no intention of throwing it away again. Many of us have passed our lives with domineering and peevish husbands. When we were finally delivered of these, we were chivvied around by our sons and daughters who not only no longer loved us but considered us a burden and objects of ridicule and shame. Do you imagine in your wildest dreams that now we have tasted freedom we are going to let ourselves be pushed around once more by you and your leering mate?

ready for the Rapture, there’s no such thing as getting ready—there’s only living ready. When you hear Jesus’ shout, the archangel’s voice, and God’s trumpet (1 Thessalonians 4:16), you’ll know that you’re an eyeblink away from seeing your Savior’s face. Make sure you’re all about His business until He comes.

But something deep down inside me stirred, like an old warhorse who hears the sound of trumpets

Thunder by Maisie Aletha Smikle The thunder roars The thunder claps The thunder shouts The thunder speaks not words The thunder cannot be seen But you can only hear As it beckons your ears And stays out of sight Like the Creator Thunder beckons all to attention Like a trumpet Like a drum The thunder needs not amplifiers It's sound is amplified by its Creator Lightening is its companion Light that comes not from the sun the moon or the stars Lightning flashes for all to see Thunder blares for all to hear The approach of that Which we cannot make A reminder that we are not alone A reminder that the Creator is around Heavenly lights lit the skies Showing God's heavenly presence In heavenly non consuming fire With heat that melt not the heavens Heat that scorches not God's abode A holy fire that consumes not the firmament The sound of God's roaring thunder Requires no earmuffs Loud is the sound yet even a newborn Can withstand God's heavenly sound Lightening appears Thunder roars Then disappear out of sight And out of range Re-emerging at the Creator’s command Like a rainbow that lingers Telling you your Maker is here And that He never went anywhere

An Eleventh Pretender by Stewart Stafford Pardon me, thou art king Of paling November’s hedgerow, Demanding fealty from December, That crowns the year, and justly so. I hear thy shrill trumpets blow, They shake my windows so. None shun the stepping stone. To Christmas feasting’s glow. Thou host saints and souls indeed, Commemorate foiled plots. Martinmas turns harvest to winter, And mirth at Guildhall spots. Thou art an impostor yet in the Western world, or here. Blow hence, ninth month of Rome, Paucity’s envy of double-digit's year. © Stewart Stafford, 2023. All rights reserved.