The Golden Spruce Quotes

We've searched our database for all the quotes and captions related to The Golden Spruce. Here they are! All 24 of them:

Fancy cutting down all those beautiful trees...to make pulp for those bloody newspapers, and calling it civilisation. - Winston Churchill, remarking to his son during a visit to Canada in 1929
John Vaillant (The Golden Spruce: A True Story of Myth, Madness, and Greed)
Afar in the southwest was the great shimmering, pearl-like sparkle of an evening star in a sky that was pale golden and ethereal rose over gleaming white spaces and dark glens of spruce
L.M. Montgomery (Anne of Green Gables (Anne of Green Gables, #1))
Beauty was all around them. Unsuspected tintings glimmered in the dark demesnes of the woods and glowed in their alluring by-ways. The spring sunshine sifted through the young green leaves. Gay trills of song were everywhere. There were little hollows where you felt as if you were bathing in a pool of liquid gold. At every turn some fresh spring scent struck their faces: Spice ferns...fir balsam...the wholesome odour of newly ploughed fields. There was a lane curtained with wild-cherry blossoms; a grassy old field full of tiny spruce trees just starting in life and looking like elvish things that had sat down among the grasses; brooks not yet "too broad for leaping"; starflowers under the firs; sheets of curly young ferns; and a birch tree whence someone had torn away the white-skin wrapper in several places, exposing the tints of the bark below-tints ranging from purest creamy white, through exquisite golden tones, growing deeper and deeper until the inmost layer revealed the deepest, richest brown as if to tell tha all birches, so maiden-like and cool exteriorly, had yet warm-hued feelings; "the primeval fire of earth at their hearts.
L.M. Montgomery (Anne of Ingleside (Anne of Green Gables, #6))
It is an eccentric and uniquely human approach to resources: like plowing under your farmland to make way for more lawns, or compromising your air quality in exchange for an enormous car.
John Vaillant (The Golden Spruce: A True Story of Myth, Madness, and Greed)
British Columbia has been described as a banana republic, only with bigger bananas,
John Vaillant (The Golden Spruce: A True Story of Myth, Madness, and Greed)
A storm ravaged among the spruces and shook them, and it made them even stronger. The prouder did they raise their tops the next morning and bathe them in the golden sunrays. They deserved to stretch up to the clouds and be proud.
Olha Kobylianska (Nature)
There is a saying among the peoples of the Northwest Coast: “The world is as sharp as the edge of a knife,” and Robert Davidson, the man responsible for carving Masset’s first post-missionary pole, imagines this edge as a circle. “If you live on the edge of the circle,” he explained in a documentary film, “that is the present moment. What’s inside is knowledge, experience: the past. What’s outside has yet to be experienced. The knife’s edge is so fine that you can live either in the past or in the future. The real trick,” says Davidson, “is to live on the edge.
John Vaillant (The Golden Spruce: A True Story of Myth, Madness, and Greed)
By the time these words are read, the centuries-old cedar, hemlock, and balsm of the cutblock known as Leah Block 2 will be a distant memory, long since processed into siding, two-by-fours, perhaps even the paper that has been recycled into the pages of this book.
John Vaillant (The Golden Spruce: A True Story of Myth, Madness, and Greed)
Yes, they are alive and can have those colors, But I, in my soul, am alive too. I feel I must sing and dance, to tell Of this in a way, that knowing you may be drawn to me. And I sing amid despair and isolation Of the chance to know you, to sing of me Which are you. You see, You hold me up to the light in a way I should never have expected, or suspected, perhaps Because you always tell me I am you, And right. The great spruces loom. I am yours to die with, to desire. I cannot ever think of me, I desire you For a room in which the chairs ever Have their backs turned to the light Inflicted on the stone and paths, the real trees That seem to shine at me through a lattice toward you. If the wild light of this January day is true I pledge me to be truthful unto you Whom I cannot ever stop remembering. Remembering to forgive. Remember to pass beyond you into the day On the wings of the secret you will never know. Taking me from myself, in the path Which the pastel girth of the day has assigned to me. I prefer "you" in the plural, I want "you," You must come to me, all golden and pale Like the dew and the air. And then I start getting this feeling of exaltation.
John Ashbery (Rivers and Mountains)
Their houses are the size of small airplane hangars; their carved
John Vaillant (The Golden Spruce: A True Story of Myth, Madness, and Greed)
Anne came dancing home in the purple winter twilight across the snowy places. Afar in the southwest was the great shimmering, pearl-like sparkle of an evening star in a sky that was pale golden and ethereal rose over gleaming white spaces and dark glens of spruce. The tinkles of sleigh bells among the snowy hills came like elfin chimes through the frosty air, but their music was not sweeter than the song in Anne's heart and on her lips.
L.M. Montgomery (Anne of Green Gables)
Traveling in these giant cedar canoes, the Haida would regularly paddle their home into, and out of, existence. With each collective paddle stroke they would have seen their islands sinking steadily into the sea while distant snow-covered peaks scrolled up before them like a new planet. Few people alive today have any notion of how it might feel to pull worlds up from beyond the horizon by faith and muscle alone.
John Vaillant (The Golden Spruce: A True Story of Myth, Madness, and Greed)
Overall look: Soft and delicate   Hair: Most often blonde or golden grey   Skintone: Light, ivory to soft beige, peachy tones. Very little contrast between hair and skin   Eyes: Blue, blue-green, aqua, light green IF you are a Light Spring you should avoid dark and dusty colors, which would make you look pale, tired and even pathetic. Spring women who need to look strong, for example chairing a meeting, can do so by wearing mid-tone grey or light navy, not deeper shades. If you are a Light Spring and you wear too much contrast, say a light blouse and dark jacket, or a dress with lots of bold colors against a white background, you ‘disappear’ because our eye is drawn to the colors you are wearing. See your Light Spring palette opposite. Your neutrals can be worn singly or mixed with others in a print or weave. The ivory, camel and blue-greys are good investment shades that will work with any others in your palette. Your best pinks will be warm—see the peaches, corals and apricots—but also rose pink. Never go as far as fuchsia, which is too strong and would drain all the life from your skin. Periwinkle blue toned with a light blue blouse is a smart, striking alternative to navy and white for work. Why wear black in the evening when you will sparkle in violet (also, warm pink and emerald turquoise will turn heads)? For leisure wear, team camel with clear bright red or khaki with salmon.   Make-Up Tips Foundation: Ivory, porcelain Lipstick: Peach, salmon, coral, clear red Blush: Salmon, peach Eyeshadow for blue eyes: Highlighter Champagne, melon, apricot, soft pink Contour Soft grey, violet, teal blue, soft blues, cocoa Eyeshadow for blue-green and aqua eyes: Highlighter Apricot, lemon, champagne Contour Cocoa or honey brown, spruce or moss green, teal blue Eyeshadow for green eyes: Highlighter Pale aqua, apricot, champagne Contour Cocoa or honey brown, teal blue, violet, spruce.
Mary Spillane (Color Me Beautiful's Looking Your Best: Color, Makeup and Style)
The Lebanese flag has a cedar tree on it because much of what is now desert was thickly forested before the harbingers of civilization--i.e., woodcutters, farmers, and goats--saw to it that large stands of cedar will never grace the Holy Land again. The stark and sere limestone hills that we think of as typical Greek and Italian landscape were once all but invisible beneath a layer of long-gone topsoil held in place by forests of cedar and oak.
John Vaillant (The Golden Spruce: A True Story of Myth, Madness, and Greed)
June is a bad month for bugs in Alaska; generally it takes a good five or ten knots of breeze to keep them at bay, but even then they will tend to hover in your lee, waiting for the wind to die. Mosquitoes swarm so thickly up there that they can, like clouds, briefly form recognizable shapes. This is probably the only circumstance in nature where it is possible to look downwind and see a shadow of oneself infused with one's own blood.
John Vaillant (The Golden Spruce: A True Story of Myth, Madness, and Greed)
You might even say there is a tree for every mood and every moment. When you have something precious to give to the universe, a song or a poem, you should first share it with a golden oak before anyone else. If you are feeling discouraged and defenceless, look for a Mediterranean cypress or a flowering horse chestnut. Both are strikingly resilient, and they will tell you about all the fires they have survived. And if you want to emerge stronger and kinder from your trials, find an aspen to learn from–a tree so tenacious it can fend off even the flames that aim to destroy it. If you are hurting and have no one willing to listen to you, it might do you good to spend time beside a sugar maple. If, on the other hand, you are suffering from excessive self-esteem, do pay a visit to a cherry tree and observe its blossoms, which, though undoubtedly pretty, are no less ephemeral than vainglory. By the time you leave, you might feel a bit more humble, more grounded. To reminisce about the past, seek out a holly to sit under; to dream about the future, choose a magnolia instead. And if it is friends and friendships on your mind, the most suitable companion would be a spruce or a ginkgo. When you arrive at a crossroads and don’t know which path to take, contemplating quietly by a sycamore might help. If you are an artist in need of inspiration, a blue jacaranda or a sweetly scented mimosa could stir your imagination. If it is renewal you are after, seek a wych elm, and if you have too many regrets, a weeping willow will offer solace. When you are in trouble or at your lowest point, and have no one in whom to confide, a hawthorn would be the right choice. There is a reason why hawthorns are home to fairies and known to protect pots of treasure. For wisdom, try a beech; for intelligence, a pine; for bravery, a rowan; for generosity, a hazel; for joy, a juniper; and for when you need to learn to let go of what you cannot control, a birch with its white-silver bark, peeling and shedding layers like old skins. Then again, if it’s love you’re after, or love you have lost, come to the fig, always the fig.
Elif Shafak (The Island of Missing Trees)
Each version of a story is highly dependent on a given teller's memory, integrity, agenda, and intended audience, but it also depends on the current needs of the teller, the listeners, and the times.
John Vaillant (The Golden Spruce: A True Story of Myth, Madness, and Greed)
In an article entitled "Upset about the Golden Spruce? Re-examine your perspective, says Hadwin," he told a reporter for the Queen Charlotte Islands Observer that "we tend to focus on the individual trees like the Golden Spruce while the rest of the forests are being slaughtered." “Everybody’s supposed to focus on that and forget all the damage behind it. When someone attacks one of these freaks you’d think it was a holocaust, but the real holocaust is somewhere else.
John Vaillant (The Golden Spruce: A True Story of Myth, Madness, and Greed)
In an editorial, the managing editor of Prince Rupert’s Daily News compared Hadwin’s logic to that of the pro-life activist who would kill a doctor for performing abortions.
John Vaillant (The Golden Spruce: A True Story of Myth, Madness, and Greed)
A coastal forest can be an awesome place to behold: huge, holy, and eternal feeling [...], once inside, there is no future and no past, only the sodden, twilit now.
John Vaillant (The Golden Spruce: A True Story of Myth, Madness, and Greed)
You might even say there is a tree for every mood and every moment. When you have something precious to give to the universe, a song or a poem, you should first share it with a golden oak before anyone else. If you are feeling discouraged and defenceless, look for a Mediterranean cypress or a flowering horse chestnut. Both are strikingly resilient, and they will tell you about all the fires they have survived. And if you want to emerge stronger and kinder from your trials, find an aspen to learn from – a tree so tenacious it can fend off even the flames that aim to destroy it. If you are hurting and have no one willing to listen to you, it might do you good to spend time beside a sugar maple. If, on the other hand, you are suffering from excessive self-esteem, do pay a visit to a cherry tree and observe its blossoms, which, though undoubtedly pretty, are no less ephemeral than vainglory. By the time you leave, you might feel a bit more humble, more grounded. To reminisce about the past, seek out a holly to sit under; to dream about the future, choose a magnolia instead. And if it is friends and friendships on your mind, the most suitable companion would be a spruce or a ginkgo. When you arrive at a crossroads and don’t know which path to take, contemplating quietly by a sycamore might help. If you are an artist in need of inspiration, a blue jacaranda or a sweetly scented mimosa could stir your imagination. If it is renewal you are after, seek a wych elm, and if you have too many regrets, a weeping willow will offer solace. When you are in trouble or at your lowest point, and have no one in whom to confide, a hawthorn would be the right choice. There is a reason why hawthorns are home to fairies and known to protect pots of treasure. For wisdom, try a beech; for intelligence, a pine; for bravery, a rowan; for generosity, a hazel; for joy, a juniper; and for when you need to learn to let go of what you cannot control, a birch with its white-silver bark, peeling and shedding layers like old skins. Then again, if it’s love you’re after, or love you have lost, come to the fig, always the fig.
Elif Shafak (The Island of Missing Trees)
It is due in large part to these immense trees that the Northwest forests support more living tissue, by weight, than any other ecosystem, including the equatorial jungle.
John Vaillant (The Golden Spruce: A True Story of Myth, Madness, and Greed)
How would our Democritus have been affected to see a wicked caitiff, or "fool, a very idiot, a funge, a golden ass, a monster of men, to have many good men, wise men, learned men to attend upon him with all submission, as an appendix to his riches, for that respect alone, because he hath more wealth and money, and to honour him with divine titles and bombast epithets," to smother him with fumes and eulogies, whom they know to be a dizzard, a fool, a covetous wretch, a beast, etc., "because he is rich"! To see sub exuviis leonis onagrum [an ass in a lion's skin], a filthy loathsome carcass, a Gorgon's head puffed up by parasites, assume this unto himself, glorious titles, in worth an infant, a Cuman ass, a painted sepulchre, an Egyptian temple! To see a withered face, a diseased, deformed, cankered complexion, a rotten carcass, a viperious mind and Epicurean soul set out with orient pearls, jewels, diadems, perfumes, curious elaborate works, as proud of his clothes as a child of his new coats; and a good person, of an angelic divine countenance, a saint, an humble mind, a meek spirit, clothed in rags, beg, and now ready to be starved! To see a silly contemptible sloven in apparel, ragged in his coat, polite in speech, of a divine spirit, wise; another neat in clothes, spruce, full of courtesy, empty of grace, wit, talk nonsense!
Robert Burton (The Anatomy Of Melancholy: What It Is, With All The Kinds, Causes, Symptoms, Prognostics And Several Cures Of It)
Never having been anywhere near fried chicken, we heard little else during the day except that a Negro woman from the South who lived in Colchester started to prepare it right after lunch. For the dinner, which attracted dozens of visitors, the med students spruced up with white shirts and black pants. They carried out steaming platters of plump golden chicken with a crunchy skin we could sink our teeth into, along with two sugar holders filled with golden honey to be poured over the chicken. A golden dinner: chicken, honey, corn, cornbread.
Eleanor Widmer (Up from Orchard Street)