The Flea Key Quotes

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All her life, she had learned that passion, like fire, was a dangerous thing. It so easily went out of control. It scaled walls and jumped over trenches. Sparks leapt like fleas and spread as rapidly; a breeze could carry embers for miles. Better to control that spark and pass it carefully from one generation to the next, like an Olympic torch. Or, perhaps, to tend it carefully like an eternal flame: a reminder of light and goodness that would never - could never - set anything ablaze. Carefully controlled. Domesticated. Happy in captivity. The key, she thought, was to avoid conflagration.
Celeste Ng (Little Fires Everywhere)
All her life, she had learned that passion, like fire, was a dangerous thing. It so easily went out of control. It scaled walls and jumped over trenches. Sparks leapt like fleas and spread as rapidly; a breeze could carry embers for miles. Better to control that spark and pass it carefully from one generation to the next, like an Olympic torch. Or, perhaps, to tend it carefully like an eternal flame: a reminder of light and goodness that would never – could never – set anything ablaze. Carefully controlled. Domesticated. Happy in captivity. The key, she thought, was to avoid conflagration.
Celeste Ng (Little Fires Everywhere)
All her life, she had learned that passion, like fire, was a dangerous thing. It so easily went out of control. It scaled walls and jumped over trenches. Sparks leapt like fleas and spread as rapidly; a breeze could carry embers for miles. Better to control that spark and pass it carefully from one generation to the next, like an Olympic torch. Or, perhaps, to tend it carefully like an eternal flame: a reminder of light and goodness that would never--could never--set anything ablaze... The key, she thought, was to avoid conflagration.
Celeste Ng (Everything I Never Told You)
All her life, she had learned that passion, like fire, was a dangerous thing. It so easily went out of control. It scaled walls and jumped over trenches. Sparks leapt like fleas and spread as rapidly; a breeze could carry embers for miles. Better to control that spark and pass it carefully from one generation to the next, like an Olympic torch. Or, perhaps, to tend it carefully like an eternal flame: a reminder of light and goodness that would never—could never—set anything ablaze. Carefully controlled. Domesticated. Happy in captivity. The key, she thought, was to avoid conflagration.
Celeste Ng (Little Fires Everywhere)
Outside the snapdragons, cords of light. Today is easy as weeds & winds & early. Green hills shift green. Cardinals peck at feeders—an air seed salted. A power line across the road blows blue bolts. Crickets make crickets in the grass. We are made & remade together. An ant circles the sugar cube. Our shadow’s a blown sail running blue over cracked tiles. Cool glistening pours from the tap, even on the edges. A red wire, a live red wire, a temperature. Time, in balanced soil, grows inside the snapdragons. In the sizzling cast iron, a cut skin, a sunny side runs yellow across the pan. Silver pots throw a blue shadow across the range. We must carry this the length of our lives. Tall stones lining the garden flower at once. Tin stars burst bold & celestial from the fridge; blue applause. Morning winds crash the columbines; the turf nods. Two reeling petal-whorls gleam & break. Cartoon sheep are wool & want. Happy birthday oak; perfect in another ring. Branch shadows fall across the window in perfect accident without weight. Orange sponge a thousand suds to a squeeze, know your water. School bus, may you never rust, always catching scraps of children’s laughter. Add a few phrases to the sunrise, and the pinks pop. Garlic, ginger, and mangoes hang in tiers in a cradle of red wire. That paw at the door is a soft complaint. Corolla of petals, lean a little toward the light. Everything the worms do for the hills is a secret & enough. Floating sheep turn to wonder. Cracking typewriter, send forth your fire. Watched too long, tin stars throw a tantrum. In the closet in the dust the untouched accordion grows unclean along the white bone of keys. Wrapped in a branch, a canvas balloon, a piece of punctuation signaling the end. Holy honeysuckle, stand in your favorite position, beside the sandbox. The stripes on the couch are running out of color. Perfect in their polished silver, knives in the drawer are still asleep. A May of buzz, a stinger of hot honey, a drip of candy building inside a hive & picking up the pace. Sweetness completes each cell. In the fridge, the juice of a plucked pear. In another month, another set of moths. A mosquito is a moment. Sketched sheep are rather invincible, a destiny trimmed with flouncy ribbon. A basset hound, a paw flick bitching at black fleas. Tonight, maybe we could circle the floodwaters, find some perfect stones to skip across the light or we can float in the swimming pool on our backs—the stars shooting cells of light at each other (cosmic tag)—and watch this little opera, faults & all.
Kevin Phan (How to Be Better by Being Worse)
My computer had been equipped with a slightly different program which M.I.T. called Colossus IIA; it was aptly named. I felt flea-sized in its presence, and punched the computer keys with a good deal of reverence, as I availed myself of the services of this giant. That is, until it and I started to disagree and it refused to give me the answers I sought. Then I lost my temper. Flash an “operator error” light at me, will you, you stupid goddamned computer, and I would sputter and stammer until the soothing voice of Tom Wilson14 or one of the other instructors came over the earphones and unctuously explained how I had offended their precocious brat.
Michael Collins (Carrying the Fire: An Astronaut's Journey)
Museum of Miniatures PRAGUE The artistic works in this collection are not displayed on canvases, but on poppy seeds, insects, needles, and strands of hair. Viewable by magnifying glass or telescope, the creations include animals painted on the leg of a mosquito, a chessboard with chess pieces on the head of a pin, and a parade of camels marching through the eye of a needle. Some of the insects on display are also dressed and decorated, such as a flea wearing horseshoes and wielding a pair of scissors, a key, and a padlock. The steady-handed creators of these marvels, including Siberian micro-miniaturist Anatoly Konenko, work between heartbeats to prevent hand tremors from ruining their paintings. Strahovské nádvoří 11, Prague. Get a tram to Pohořelec. 50.087046 14.388449
Joshua Foer (Atlas Obscura: An Explorer's Guide to the World's Hidden Wonders)
Sergeant Perez began singing, “My dog has fleas.” As far as I know, Perez doesn’t play the ukulele or guitar, but I guess he knows someone who does. Guitarists and uke players sing that song to help them tune their instruments. Perez sings it to annoy me. “My dog has fleas,” he sang again. Being off-key didn’t help his song. “Your wife has crabs,” I sang, hitting the tune just right. Maybe that’s why Perez flipped me the bird. He was jealous of my singing.
Alan Russell (Guardians of the Night (Gideon and Sirius, #2))
Mark but this Flea, and mark in this, How little that which thou deniest me is; It suck’d me first, and now sucks thee, And in this flea our two bloods mingled be. Taylor recognized that one. John Donne, a poem known as “The Flea.” Easy enough, it had been a hit in high school. The whole sucking business had every guy in her English class beet red when their teacher, a comely young woman, had read the poem aloud. Well, Baldwin said the poems are some of the classics. Now they just needed to figure out what they meant to Whitney and the man who was sending them to her. Taylor pulled her cell phone out of its holster and dialed Baldwin’s number. She got his voice mail and left a message for him to call her as soon as he got the call. That was the best she could do for now. She carried the laptop out to her truck, then went back in to make sure she hadn’t left anything. Satisfied that she wouldn’t need to make another return trip, she left, locking the door behind her and placing the key under the mat, just as it had been that first day when she and Quinn had come over. “I
J.T. Ellison (All The Pretty Girls (Taylor Jackson, #1))
dangerous thing. It so easily went out of control. It scaled walls and jumped over trenches. Sparks leapt like fleas and spread as rapidly; a breeze could carry embers for miles. Better to control that spark and pass it carefully from one generation to the next, like an Olympic torch. Or, perhaps, to tend it carefully like an eternal flame: a reminder of light and goodness that would never—could never—set anything ablaze. Carefully controlled. Domesticated. Happy in captivity. The key, she thought, was to avoid conflagration.
Celeste Ng (Little Fires Everywhere)
taping of the Hollywood Palace TV show. In America then, if you had long hair, you were a faggot as well as a freak. They would shout across the street, “Hey, fairies!” Dean Martin introduced as something like “these long-haired wonders from England, the Rolling Stones.… They’re backstage picking the fleas off each other.” A lot of sarcasm and eyeball rolling. Then he said, “Don’t leave me alone with this,” gesturing with horror in our direction. This was Dino, the rebel Rat Packer who cocked his finger at the entertainment world by pretending to be drunk all the time. We were, in fact, quite stunned. English comperes and showbiz types may have been hostile, but they didn’t treat you like some dumb circus act. Before we’d gone on, he’d had the bouffanted King Sisters and performing elephants, standing on their hind legs. I love old Dino. He was a pretty funny bloke, even though he wasn’t ready for the changing of the guard. On to Texas and more freak show appearances, in one case with a pool of performing seals between us and the audience at the San Antonio Texas State Fair. That was where I first met Bobby Keys, the great saxophone player, my closest pal (we were born within hours of each other).
Keith Richards (Life)
All her life, she had learned that passion, like fire, was a dangerous thing. It so easily sent out of control. It scaled walls and jumped over trenches. Sparks leapt like fleas and spread as rapidly; a breeze could carry embers for miles. Better to control that spark and pass it carefully from one generation to the next, like and Olympic torch. Or, perhaps, to tend it carefully like an eternal flame: a reminder of light and goodness that would never - could never - set anything ablaze. Carefully controlled. Domesticated. Happy in captivity. The key, she thought, was to avoid conflagration... Rules existed for a reason: if you followed them, you would succeed; if you didn’t, you might burn the world to the ground.
Celeste Ng (Little Fires Everywhere)