β
I've heard it said that people come into our lives for a reason
Bringing something we must learn
And we are led to those who help us most to grow
If we let them and we help them in return.
β
β
Stephen Schwartz
β
Some things I cannot change, but 'til I try I'll never know.
β
β
Stephen Schwartz (Wicked: The Complete Book and Lyrics of the Broadway Musical)
β
Those who don't try never look foolish.
β
β
Stephen Schwartz (Wicked: The Complete Book and Lyrics of the Broadway Musical)
β
It's just life, so keep dancing through.
β
β
Stephen Schwartz (Wicked: The Complete Book and Lyrics of the Broadway Musical)
β
Cause getting your dreams
It's strange, but it seems
A little -- well -- complicated
There's a kind of a sort of : cost
There's a couple of things get : lost
There are bridges you cross
You didn't know you crossed
Until you've crossed.
β
β
Stephen Schwartz (Wicked: The Complete Book and Lyrics of the Broadway Musical)
β
....Everyone deserves a chance to fly!
β
β
Stephen Schwartz (Wicked: The Complete Book and Lyrics of the Broadway Musical)
β
We can't all come and go by Bubble!
β
β
Stephen Schwartz (Wicked: Easy Piano CD Play-Along Volume 26)
β
Don't wish. Don't Start. Wishing only wounds the heart.
β
β
Stephen Schwartz (Wicked: The Complete Book and Lyrics of the Broadway Musical)
β
No, you're wrong. I'm a hundred percent callow and deeply shallow.
β
β
Stephen Schwartz (Wicked: The Complete Book and Lyrics of the Broadway Musical)
β
Let the green girl go!
β
β
Stephen Schwartz (Wicked: The Complete Book and Lyrics of the Broadway Musical)
β
I'm through accepting limits
''cause someone says they're so
Some things I cannot change
But till I try, I'll never know!
Too long I've been afraid of
Losing love I guess I've lost
Well, if that's love
It comes at much too high a cost!
β
β
Stephen Schwartz (Wicked: Easy Piano CD Play-Along Volume 26)
β
I believe if I refuse to grow old,
I can stay young 'til I die.
β
β
Stephen Schwartz
β
Happy is what happens when all your dreams come true.
β
β
Stephen Schwartz
β
Popular,
You're gonna be
Popular!
I'll teach you the proper ploys
when you talk to boys!
Little ways to flirt
and flounce!
I'll show you what shoes to wear,
how to fix your hair,
everything that really counts,
to be
POPULAR!!
β
β
Stephen Schwartz (Wicked: The Complete Book and Lyrics of the Broadway Musical)
β
Excuse me, there's no pretense here. I happen to be genuinely self-absorbed and deeply shallow.
β
β
Stephen Schwartz (Wicked - Piano/Vocal Arrangement)
β
So much of me is made of what I learned from you; you'll be with me like a handprint on my heart and now whatever way our stories end I know you have re-written mine by being my friend
β
β
Stephen Schwartz
β
Are people born wicked, or is wickedness trust upon them?
β
β
Stephen Schwartz (Wicked: A New Musical, Vocal Selections)
β
Though hope is frail, it's hard to kill.
β
β
Stephen Schwartz
β
GLINDA: Well,I'm a public figure now! People expect me to--
ELPHABA: Lie?
GLINDA: (fiercely) Be encouraging! And what exactly have you been doing? Besides riding on around on that filthy thing!
ELPHABA: Well, we can't all come and go by bubble. Whose invention was that, the Wizard's? Of course, even if it wasn't, I'm sure he'd still take credit for it.
GLINDA: Yes, well, a lot of us are taking things that don't belong to us, aren't we?
Uh oh! The two stare daggers at each other, then...
ELPHABA: Now, wait just a clock-tick. I know it's difficult for that blissful blonde brain of yours to comprehend that someone like him could actually choose someone like me!But it's happened. It's real. And you can wave that ridiculous wand all you want, you can't change it! He never belonged to you -- he doesn't love you, he never did! He loves me!
β
β
Stephen Schwartz (Wicked: The Complete Book and Lyrics of the Broadway Musical)
β
And Goodness knows
The Wicked's lives are lonely
Goodness knows
The Wicked die alone
β
β
Stephen Schwartz (Wicked: The Complete Book and Lyrics of the Broadway Musical)
β
I've heard it said that people come into our lives for a reason bringing something we must learn.
And we are led to those who help us most to grow if we let them, and we help them in return.
Well, I don't know if I believe that's true, but I know I'm who I am today because I knew you...
β
β
Stephen Schwartz (Wicked: The Complete Book and Lyrics of the Broadway Musical)
β
So if you care to find me/
Look to the western sky/
As someone told me lately/
Everyone deserves the chance to fly!/
And if I'm flying solo/
At least I'm flying free/
Tell those who'd ground me/
Take a message back from me/
Tell them how I am defying gravity!/
I'm flying high defying gravity/
And soon I'll match them in renown./
And nobody in all of Oz/
No Wizard that there is or was/
Is ever gonna bring me down!/
β
β
Stephen Schwartz (Wicked: Easy Piano CD Play-Along Volume 26)
β
Iβve heard it said, that people, come into our lives for a reason. Bringing something we must learn and we arenβt, to help us most to grow, if we let them, and we help them in return. Well I donβt know if I believe thatβs true, but I know Iβm who I am today because I knew you
β
β
Stephen Schwartz
β
Day by day, dear Lord,
Of Thee three things I pray.
To see Thee more clearly,
Love Thee more dearly,
Follow Thee more nearly,
Day by day.
β
β
Stephen Schwartz (Godspell (Vocal Score))
β
People like the way dreams have of sticking to the soul.
β
β
Stephen Schwartz (Pippin)
β
The philosopher Stephen Schwartz has argued that there are only four differences between born and unborn humans, and none of the differences justifies depriving unborn humans of the right to life.143 Schwartz uses the acronym SLED to summarize these differences: Size Level of development Environment Degree of dependency
β
β
Trent Horn (Persuasive Pro Life: How to Talk about Our Culture's Toughest Issue)
β
Dancing through life
Swaying and sweeping
And always keeping cool
Life is faught less
When you're thoughtless
Those who don't try
Never look foolish
Dancing through life
Mindless and careless
Make sure you're where less
Trouble is rife
Woes are fleeting
Blows are glancing
When you're dancing
Through life...
β
β
Stephen Schwartz
β
Elphaba: "I just wish ..."
Fiyero: "What?"
Elphaba: "I wish I could be beautiful ... for you."
Fiyero: "Elphaba ..."
Elphaba: "Don't tell me that I am. You don't need to lie to me."
Fiyero: "It's not lying! It's looking at things another way.
β
β
Stephen Schwartz (Wicked: The Complete Book and Lyrics of the Broadway Musical)
β
You think the only people who are people are the people who look and think like you, but if you walk the footsteps of a stranger, you'll learn things you never knew you never knew.
β
β
Stephen Schwartz (Disney's Pocahontas Illustrated Songbook)
β
Both: "There's been some confusion for you see my roommate is ..."
Galinda: "Unusually and exceedingly peculiar and altogether quite impossible to describe."
Elphaba: "... Blonde.
β
β
Stephen Schwartz (Wicked: The Complete Book and Lyrics of the Broadway Musical)
β
Fiyero: "Why is it that every time I see you, you're causing some sort of commotion?"
Elphaba: "I don't cause commotions, I am one."
Fiyero: "That's for sure."
Elphaba: "Oh! So you think I should just keep my mouth shut! Is that what you're saying?"
Fiyero: "No, I'm ..."
Elphaba: "Do you think I want to be this way? Do you think I want to care this much? Don't you know how much easier my life would be if I didn't?"
Fiyero: "Do you ever let anyone else talk?"
Elphaba: "Oh, sorry ... But can I just say one more thing? You could have just walked away back there."
Fiyero: "So?"
Elphaba: "So, no matter how shallow and self-absorbed you tend to be ..."
Fiyero: "Excuse me, there's no pretense here. I happen to be genuinely self-absorbed and deeply shallow."
Elphaba: "No you're not. Or you wouldn't be so unhappy.
β
β
Stephen Schwartz (Wicked: The Complete Book and Lyrics of the Broadway Musical)
β
And if I'm flying solo
At least I'm flying free
β
β
Stephen Schwartz (Wicked - Piano/Vocal Arrangement)
β
Well, we can't all come and go by bubble!
β
β
Stephen Schwartz (Wicked: The Complete Book and Lyrics of the Broadway Musical)
β
What?"
"Nothing, it's just ... you've been 'Galinda-fied'. You don't have to do that, you know?
β
β
Stephen Schwartz (Wicked: The Complete Book and Lyrics of the Broadway Musical)
β
Because happy is what happens when all your dreams come true!
Well ... isn't it?
β
β
Stephen Schwartz (Wicked: The Complete Book and Lyrics of the Broadway Musical)
β
I'm through accepting limits
'cause someone says they're so.
Some things I cannot change
but 'till I try I'll never know.
Too long I've been afraid of losing love,
I guess I've lost.
Well, if that's love, it comes at much too high a cost.
I'd sooner buy defying gravity.
β
β
Stephen Schwartz (Wicked: The Complete Book and Lyrics of the Broadway Musical)
β
Every so often we long to steal to the land of what-might-have-been. But that doesn't soften the ache we feel when reality sets back in.
β
β
Stephen Schwartz
β
Christian Schwartz closely followed the three original weights and added a βSuperβ heavy weight, which required some changes in form, but retains the tailed βa,β unlike Helveticaβs bolds.
β
β
Stephen Coles (The Anatomy of Type: A Graphic Guide to 100 Typefaces)
β
Fiyero: "Why is it that every time I see you, you're causing some sort of commotion?"
Elphaba: "I don't cause commotions. I am one."
Fiyero: "That's for sure."
Elphaba: "Oh! So you think I should just keep my mouth shut! Is that what you're saying?"
Fiyero: "No, I'm ..."
Elphaba: "Do you think I want to be this way? Do you think I want to care this much? Don't you know how much easier my life would be if I didn't?"
Fiyero: "Do you ever let anyone else talk?"
Elphaba: "Oh, sorry ... But can I just say one more thing? You could have just walked away back there."
Fiyero: "So?"
Elphaba: "So, no matter how shallow and self-absorbed you pretend to be ..."
Fiyero: "Excuse me, there's no pretense here. I happen to be genuinely self-absorbed and deeply shallow."
Elphaba: "No, you're not. Or you wouldn't be so unhappy.
β
β
Stephen Schwartz (Wicked: The Complete Book and Lyrics of the Broadway Musical)
β
ELPHABA
Hands touch, eyes meet
Sudden silence, sudden heat
Hearts leap in a giddy whirl
He could be that boy
But I'm not that girl
Don't dream too far
Don't lose sight of who you are
Don't remember that rush of joy
He could be that boy
I'm not that girl
Ev'ry so often we long to steal
To the land of what-might-have-been
But that doesn't soften the ache we feel
When reality sets back in
Blithe smile, lithe limb
She who's winsome, she wins him
Gold hair with a gentle curl
That's the girl he chose
And Heaven knows
I'm not that girl
Don't wish, don't start
Wishing only wounds the heart
I wasn't born for the rose and the pearl
There's a girl I know
He loves her so
I'm not that girl...
"I'm Not That Girl" Reprise lyrics
GLINDA
Don't wish, don't start
Wishing only wounds the heart:
There's a girl I know
He loves her so
I'm not that girl....
β
β
Stephen Schwartz
β
I don't know if You can hear me,
Or if You're even there,
I don't know if You will listen
To a gypsy's prayer,
Yes, I know I'm just an outcast,
I shouldn't speak to You
But still I see Your face and wonder
Were You once an outcast too?
β
β
Stephen Schwartz (Disney's Hunchback of Notre Dame: Piano-Fun! Ez-Play Songbook)
β
I'm through accepting limits
'cause someone says they're so.
Some things I cannot change
but 'till I try I'll never know.
Too long I've been afraid of losing love,
I guess I've lost.
Well, if that's love it comes at much too high a cost.
I'd sooner buy defying gravity.
β
β
Stephen Schwartz (Wicked: Pro Vocal Women's Edition Volume 36 (Pro Vocal Women's Edition, 36))
β
But the shtick that makes Amplitude unique is its prominent triangular nicks that carve out space at stroke junctions. The βink trapβ is normally a functional device, used to compensate for ink gain (see Bell Centennial), but Christian Schwartz makes it an aesthetic device, giving a stylish edge to headlines without sacrificing the typeβs readability in
β
β
Stephen Coles (The Anatomy of Type: A Graphic Guide to 100 Typefaces)
β
I donβt want your love. I want the same love you want. I donβt want your love. I want what you want & we can find It together & share our deepening experience of Itβ¦.I thought it was your love I wanted and it hurt so much when you couldnβt give it. I even made a bargain that if I gave it to you, I could expect it back. I thought you agreed to this bargain. I thought you were part of the deal.
I lived in fear that your love would disappear. I moved so deeply into the veil. Now I hear within me the whispering of something else. I feel the possibility of a Love that has nothing to do with you β an infinite resource that it always there. This Love is not affected by any condition, nor does it change in the stream of time. It is the same Love whether my body is strong or weak, whether I am rich and bountiful in material things or whether I am poor. It is not affected by things of this world. This is the Love that brings release. This is the Love that dissolves chains. This is the love that brings peace. This is the only Love I want. It releases you, my friend, from all our contracts.β
Stephen Schwartz, Compassionate Presence
β
β
Stephen R. Schwartz
β
ELPHABA
I'm limited:
Just look at me - I'm limited
And just look at you -
You can do all I couldn't do, Glinda
So now it's up to you
(spoken) For both of us
(sung) Now it's up to you:
GLINDA
I've heard it said
That people come into our lives for a reason
Bringing something we must learn
And we are led
To those who help us most to grow
If we let them
And we help them in return
Well, I don't know if I believe that's true
But I know I'm who I am today
Because I knew you:
Like a comet pulled from orbit
As it passes a sun
Like a stream that meets a boulder
Halfway through the wood
Who can say if I've been changed for the better?
But because I knew you
I have been changed for good
ELPHABA
It well may be
That we will never meet again
In this lifetime
So let me say before we part
So much of me
Is made of what I learned from you
You'll be with me
Like a handprint on my heart
And now whatever way our stories end
I know you have re-written mine
By being my friend:
Like a ship blown from its mooring
By a wind off the sea
Like a seed dropped by a skybird
In a distant wood
Who can say if I've been changed for the better?
But because I knew you:
GLINDA
Because I knew you:
BOTHI have been changed for good
ELPHABA
And just to clear the air
I ask forgiveness
For the things I've done you blame me for
GLINDA
But then, I guess we know
There's blame to share
BOTH
And none of it seems to matter anymore
GLINDA ELPHABA
Like a comet pulled Like a ship blown
From orbit as it Off it's mooring
Passes a sun, like By a wind off the
A stream that meets Sea, like a seed
A boulder, half-way Dropped by a
Through the wood Bird in the wood
BOTH
Who can say if I've been changed for the better?
I do believe I have been changed for the better?
GLINDA
And because I knew you:
ELPHABA
Because I knew you:
BOTH
Because I knew you:
I have been changed for good.
β
β
Stephen Schwartz
β
In the buzz of cerebral activity inside the brain, our subjective sense tells us that there arise countless choices, some of them barely breaking through to consciousness. If only for an instant, we hold in our mind a representation of those possible future statesβwashing our hands or walking into the garden to do battle with the weeds. Those representations have real, physical correlates in different brain states. As researchers such as Stephen Kosslyn of Harvard University have shown, mental imagery activates the same regions of the brain that actual perception does. Thus thinking about washing oneβs hands, for instance, activates some of the same critical brain structures that actual washing activates, especially at those critical moments when the patient forms the mental image of standing at the sink and washing. βThe intended action is representedβ¦as a mental image of the intended action, and as a corresponding representation in the brain,β says Stapp. In a quantum brain, all the constituents that make up a thoughtβthe diffusion of calcium ions, the propagation of electrons, the release of neurotransmitterβexist as quantum superpositions. Thus the brain itself is characterized by a whole slew of quantum superpositions of possible brain events. The result is a buzzing confusion of alternatives, a more complex version of SchrΓΆdingerβs alternative (alive or dead) cats. The alternative that persists longer in attention is the one that is caught by a sequence of rapid consents that activates the Quantum Zeno Effect.
β
β
Jeffrey M. Schwartz (The Mind & The Brain: Neuroplasticity and the Power of Mental Force)
β
I believe if I refuse to grow old, I can stay young 'til I die.
β
β
Stephen Schwartz
β
Will we reach a friendlier shore?
Will we find a haven once more?
Where we'll be
In a place of miracles
Now we leave our home
For a place of miracles
Romanies again must roam
Could there be a country kinder to our race?
In a place of miracles
β
β
Alan Menken and Stephen Schwartz
β
There can be miracles
when you believe
Though hope is frail
It's hard to kill
Who knows what miracles
You can achieve?
When you believe, somehow you will
You will when you believe
β
β
Stephen Schwartz (The Prince of Egypt)
β
Now no one can be the slave of two masters
β
β
Stephen Schwartz (Godspell (Vocal Score))
β
The basic principles of evolutionary biology would seem to dictate that any natural phenomenon as prominent in our lives as our experience of consciousness must necessarily have some discernible and quantifiable effect in order for it to exist, and to persist, in nature at all. It must, in other words, confer some selective advantage. And that raises an obvious question: What possible selective advantage could consciousness offer if it is only a functionless phantasm? How could consciousness ever have evolved in the first place if, in and of itself, it does nothing? Why, in short, did nature bother to produce beings capable of self-awareness and subjective inner experience? True, evolutionary biologists can trot out many examples of traits that have been carried along on the river of evolution although not specifically selected for (the evolutionary biologists Stephen Jay Gould and Richard Lewontin called such traits spandrels, the architectural term for the elements between the exterior curve of an arch and the right angle of the walls around it, which were not intentionally built but were instead formed by two architectural traits that were "selected for"). But consciousness seems like an awfully prominent trait not to have been the target of some selection pressure. As James put it, "The conclusion that [consciousness] is useful is...quite justifiable. But if it is useful, it must be so through its causal efficaciousness.
β
β
Jeffrey M. Schwartz (The Mind & the Brain: Neuroplasticity and the Power of Mental Force)
β
Fiyero: "Why is it that every time I see you, you're causing some sort of commotion?"
Elphaba: "I don't cause commotions, I am one."
Fiyero: "That's for sure."
Elphaba: "Oh! So you think I should just keep my mouth shut! Is that what you're saying?"
Fiyero: "No, I'm ..."
Elphaba: "Do you think I want to be this way? Do you think I want to care this much? Don't you know how much easier my life would be if I didn't?"
Fiyero: "Do you ever let anyone else talk?"
Elphaba: "Oh, sorry ... But can I just say one more thing? You could have just walked away back there."
Fiyero: "So?"
Elphaba: "So, no matter how shallow and self-absorbed you pretend to be ..."
Fiyero: "Excuse me, there's no pretense here. I happen to be genuinely self-absorbed and deeply shallow."
Elphaba: "No, you're not. Or you wouldn't be so unhappy.
β
β
Stephen Schwartz
β
BUT IF YOUβRE SMART, YOUβLL LEARN YOUR LESSON WELL.
β
β
Stephen Schwartz
β
Iβm asked why did I go to the trouble of producing a book at age 81. Why didnβt I just retire. As Stephen Schwartz writes in the song βCorner of the Sky,β βI want my life to be something more than long.
β
β
Janet Silver Ghent
β
You who I called brother
How could you have come to hate me so?
Is this what you wanted?
I send the swarm, I send the horde
Then let my heart be hardened
And never mind how high the cost may grow
This will still be so
I will never let your people go
β
β
Stephen Schwartz (The Prince of Egypt)
β
The Magic of Thinking Big by David J. Schwartz Manβs Search for Meaning by Viktor Frankl Understanding Understanding by Richard Saul Wurman The Tapping Solution for Manifesting Your Greatest Self by Nick Ortner Start With Why by Simon Sinek The 7 Habits of Highly Effective People by Stephen R. Covey
β
β
Jim Kwik (Limitless: Upgrade Your Brain, Learn Anything Faster, and Unlock Your Exceptional Life)
β
The vagus nerve plays a central role in ANS regulation because it connects your brain to your digestive system, heart, lungs, throat, and facial muscles. Dr. Stephen Porges introduced polyvagal theory, which proposes your nervous system reflects a developmental progression with three evolutionary stages:
β
β
Arielle Schwartz (The Complex PTSD Workbook: A Mind-Body Approach to Regaining Emotional Control and Becoming Whole)