The Castle Quotes

We've searched our database for all the quotes and captions related to The Castle. Here they are! All 100 of them:

Many a book is like a key to unknown chambers within the castle of one’s own self.
Franz Kafka
There is only one page left to write on. I will fill it with words of only one syllable. I love. I have loved. I will love.
Dodie Smith (I Capture the Castle)
Noble deeds and hot baths are the best cures for depression.
Dodie Smith (I Capture the Castle)
If you have built castles in the air, your work need not be lost; that is where they should be. Now put the foundations under them.
Henry David Thoreau (Walden)
I think we ought to live happily ever after.
Diana Wynne Jones (Howl’s Moving Castle (Howl’s Moving Castle, #1))
How I wish I lived in a Jane Austen novel!
Dodie Smith (I Capture the Castle)
Things usually work out in the end." "What if they don't?" "That just means you haven't come to the end yet.
Jeannette Walls (The Glass Castle)
I shouldn't think even millionaires could eat anything nicer than new bread and real butter and honey for tea.
Dodie Smith (I Capture the Castle)
I hope your bacon burns.
Diana Wynne Jones (Howl’s Moving Castle (Howl’s Moving Castle, #1))
I've got the key to my castle in the air, but whether I can unlock the door remains to be seen.
Louisa May Alcott (Little Women)
Different roads sometimes lead to the same castle.
George R.R. Martin (A Game of Thrones (A Song of Ice and Fire, #1))
I guess humans like to watch a little destruction. Sand castles, houses of cards, that's where they begin. Their great skills is their capacity to escalate.
Markus Zusak (The Book Thief)
I am longing to be with you, and by the sea, where we can talk together freely and build our castles in the air.
Bram Stoker (Dracula)
You must admit I have a right to live in a pigsty if I want.
Diana Wynne Jones (Howl’s Moving Castle (Howl’s Moving Castle, #1))
There are two kinds of folks who sit around thinking about how to kill people: psychopaths and mystery writers.
Richard Castle
I'm going up to my room now, where I may die.
Diana Wynne Jones (Howl’s Moving Castle (Howl’s Moving Castle, #1))
A pretty sight, a lady with a book.
Shirley Jackson (We Have Always Lived in the Castle)
Yes, you are nosy. You're a dreadfully nosy, horribly bossy, appallingly clean old woman. Control yourself. You're victimizing us all.
Diana Wynne Jones (Howl’s Moving Castle (Howl’s Moving Castle, #1))
If I give you a hint and tell you it's a hint, it will be information.
Diana Wynne Jones (Howl’s Moving Castle (Howl’s Moving Castle, #1))
Have fun storming the castle!
William Goldman (The Princess Bride)
You should never hate anyone, even your worst enemies. Everyone has something good about them. You have to find the redeeming quality and love the person for that.
Jeannette Walls (The Glass Castle)
A heart's a heavy burden.
Diana Wynne Jones (Howl’s Moving Castle (Howl’s Moving Castle, #1))
Really, these wizards! You'd think no one had ever had a cold before! Well, what is it?" she asked, hobbling through the bedroom door onto the filthy carpet. "I'm dying of boredom," Howl said pathetically. "Or maybe just dying.
Diana Wynne Jones (Howl’s Moving Castle (Howl’s Moving Castle, #1))
Through dangers untold and hardships unnumbered I have fought my way here to the castle beyond the Goblin City to take back the child you have stolen, for my will is as strong as yours and my kingdom as great. You have no power over me!
Jim Henson
Fight because you don't know how to die quietly. Win because you don't know how to lose. This king's ruled long enough—it's time to tear his castle down.
Nora Sakavic (The King's Men (All for the Game, #3))
I can’t think of any greater happiness than to be with you all the time, without interruption, endlessly, even though I feel that here in this world there’s no undisturbed place for our love, neither in the village nor anywhere else; and I dream of a grave, deep and narrow, where we could clasp each other in our arms as with clamps, and I would hide my face in you and you would hide your face in me, and nobody would ever see us any more.
Franz Kafka (Franz Kafka's The Castle (Dramatization))
Typical! I break my neck trying to get here, and I find you peacefully tidying up!
Diana Wynne Jones (Howl’s Moving Castle (Howl’s Moving Castle, #1))
A weird time in which we are alive. We can travel anywhere we want, even to other planets. And for what? To sit day after day, declining in morale and hope.
Philip K. Dick (The Man in the High Castle)
If you can sit in silence with a person for half an hour and yet be entirely comfortable, you and that person can be friends. If you cannot, friends you'll never be and you need not waste time in trying.
L.M. Montgomery (The Blue Castle)
There are no rules of architecture for a castle in the clouds.
G.K. Chesterton
Life is a drama full of tragedy and comedy. You should learn to enjoy the comic episodes a little more.
Jeannette Walls (The Glass Castle)
I am a believer in free will. If my dog chooses to hate the whole human race except myself, it must be free to do so.
Diana Wynne Jones (Castle in the Air (Howl's Moving Castle, #2))
I'm delirious. Spots are crawling before my eyes." "Those are spiders.
Diana Wynne Jones (Howl’s Moving Castle (Howl’s Moving Castle, #1))
You've no right to walk into people's castles and take their guitars.
Diana Wynne Jones (Howl’s Moving Castle (Howl’s Moving Castle, #1))
I only want to write. And there's no college for that except life.
Dodie Smith (I Capture the Castle)
Dear friend, You are not a freak. You are wanted. You are necessary. You are the only you there is. Don’t be afraid to leave the castle. It’s a great big world out there. Love, a fellow reader
Jennifer Niven (Holding Up the Universe)
Go to bed, you fool," Calcifer said sleepily. "You're drunk." "Who, me?" said Howl. "I assure you, my friends, I am cone sold stober." He got up and stalked upstairs, feeling for the wall as if he thought it might escape him unless he kept in touch with it. His bedroom door did escape him.
Diana Wynne Jones (Howl’s Moving Castle (Howl’s Moving Castle, #1))
I feel ill," [Howl] announced. "I'm going to bed, where I may die.
Diana Wynne Jones (Howl’s Moving Castle (Howl’s Moving Castle, #1))
I think we ought to live happily ever after," and she thought he meant it. Sophie knew that living happily ever after with Howl would be a good deal more hair-raising than any storybook made it sound, though she was determined to try. "It should be hair-raising," added Howl. "And you'll exploit me," Sophie said. "And then you'll cut up all my suits to teach me.
Diana Wynne Jones (Howl’s Moving Castle (Howl’s Moving Castle, #1))
It is quite a risk to spank a wizard for getting hysterical about his hair.
Diana Wynne Jones (Howl’s Moving Castle (Howl’s Moving Castle, #1))
Truth, she thought. As terrible as death. But harder to find.
Philip K. Dick (The Man in the High Castle)
The three of them fell silent. After a long pause, Hermione voiced the knottiest question of all in a hesitant voice. “Do you think we should go and ask Hagrid about it all?” “That’d be a cheerful visit,” said Ron, “ ‘Hello, Hagrid. Tell us, have you been setting anything mad and hairy loose in the castle lately?
J.K. Rowling (Harry Potter and the Chamber of Secrets (Harry Potter, #2))
My shining dishonesty will be the salvation of me.
Diana Wynne Jones (Howl’s Moving Castle (Howl’s Moving Castle, #1))
I dream of a grave, deep and narrow, where we could clasp each other in our arms as with clamps, and I would hide my face in you and you would hide your face in me, and nobody would ever see us any more
Franz Kafka (The Castle)
Perhaps watching someone you love suffer can teach you even more than suffering yourself can.
Dodie Smith (I Capture the Castle)
Why is summer mist romantic and autumn mist just sad?
Dodie Smith (I Capture the Castle)
I assure you, my friends, I am cone sold stober.
Diana Wynne Jones (Howl’s Moving Castle (Howl’s Moving Castle, #1))
I write this sitting in the kitchen sink.
Dodie Smith (I Capture the Castle)
One benefit of Summer was that each day we had more light to read by.
Jeannette Walls (The Glass Castle)
When I read a book, I put in all the imagination I can, so that it is almost like writing the book as well as reading it - or rather, it is like living it. It makes reading so much more exciting, but I don't suppose many people try to do it.
Dodie Smith (I Capture the Castle)
Take it from me, Fate doesn't care most of the time.
Diana Wynne Jones (Castle in the Air (Howl's Moving Castle, #2))
Writing a first draft and reminding myself that I'm simply shoveling sand into a box so that later I can build castles.
Shannon Hale
I lived in a world that at any moment could erupt into fire. It was the sort of knowledge that kept you on your toes.
Jeannette Walls (The Glass Castle)
I can't help it when people are frightened," says Merricat. "I always want to frighten them more.
Shirley Jackson (We Have Always Lived in the Castle)
On the moon we wore feathers in our hair, and rubies on our hands. On the moon we had gold spoons.
Shirley Jackson (We Have Always Lived in the Castle)
She said 'Over my dead body!' so I took her at her word.
Diana Wynne Jones (Howl’s Moving Castle (Howl’s Moving Castle, #1))
Contemplation seems to be about the only luxury that costs nothing.
Dodie Smith (I Capture the Castle)
I've got a hangover." "No, you hit your head on the floor." "I can't stay. I've got to rescue that fool Sophie.
Diana Wynne Jones (Howl’s Moving Castle (Howl’s Moving Castle, #1))
I wanted to let the world know that no one had a perfect life, that even the people who seemed to have it all had their secrets.
Jeannette Walls (The Glass Castle)
So you were going to rescue the Prince! Why did you pretend to run away? To deceive the Witch?" "Not likely! I'm a coward. Only way I can do something this frightening is to tell myself I'm not doing it!
Diana Wynne Jones (Howl’s Moving Castle (Howl’s Moving Castle, #1))
I like seeing people when they can't see me.
Dodie Smith (I Capture the Castle)
If you don't want to sink, you better figure out how to swim
Jeannette Walls (The Glass Castle)
Sometimes you need a little crisis to get your adrenaline flowing and help you realize your potential.
Jeannette Walls (The Glass Castle)
I make that four horses and ten men just to get rid of one old woman. What did you do to the King?
Diana Wynne Jones (Howl’s Moving Castle (Howl’s Moving Castle, #1))
The world had ended, so why had the battle not ceased, the castle fallen silent in horror, and every combatant laid down their arms? Harry's mind was in freefall, spinning out of control, unable to grasp the impossibility, because Fred Weasley could not be dead, the evidence of all his senses must be lying—
J.K. Rowling (Harry Potter and the Deathly Hallows (Harry Potter, #7))
One time I saw a tiny Joshua tree sapling growing not too far from the old tree. I wanted to dig it up and replant it near our house. I told Mom that I would protect it from the wind and water it every day so that it could grow nice and tall and straight. Mom frowned at me. "You'd be destroying what makes it special," she said. "It's the Joshua tree's struggle that gives it its beauty.
Jeannette Walls (The Glass Castle)
We eat the year away. We eat the spring and the summer and the fall. We wait for something to grow and then we eat it.
Shirley Jackson (We Have Always Lived in the Castle)
That's why I love spiders. 'If at first you don't succeed, try, try, try again.
Diana Wynne Jones (Howl’s Moving Castle (Howl’s Moving Castle, #1))
I was pretending that I did not speak their language; on the moon we spoke a soft, liquid tongue, and sang in the starlight, looking down on the dead dried world.
Shirley Jackson (We Have Always Lived in the Castle)
Rocks in my path? I keep them all. With them I shall build my castle.
Nemo Nox
In the land of Ingary where such things as seven-league boots and cloaks of invisibility really exist, it is quite a misfortune to be born the eldest of the three. Everyone knows you are the one who will fail first, and worst, if the three of you set out to seek your fortunes.
Diana Wynne Jones (Howl’s Moving Castle (Howl’s Moving Castle, #1))
No, I do my torturing in the dungeon like any other respectable castle owner,
Jeaniene Frost (Once Burned (Night Prince, #1))
For so many years I lived in constant terror of myself. Doubt had married my fear and moved into my mind, where it built castles and ruled kingdoms and reigned over me, bowing my will to its whispers until I was little more than an acquiescing peon, too terrified to disobey, too terrified to disagree. I had been shackled, a prisoner in my own mind. But finally, finally, I have learned to break free.
Tahereh Mafi (Ignite Me (Shatter Me, #3))
Each of us is a book waiting to be written, and that book, if written, results in a person explained.
Thomas M. Cirignano (The Constant Outsider: Memoirs of a South Boston Mechanic)
Things are going round and round in my head--or maybe my head is going round and round in things.
Diana Wynne Jones (Howl’s Moving Castle (Howl’s Moving Castle, #1))
I am a restlessness inside a stillness inside a restlessness.
Dodie Smith (I Capture the Castle)
I can't abide people who go soft over animals and then cheat every human they come across!
Diana Wynne Jones (Castle in the Air (Howl's Moving Castle, #2))
A fickle heart is the only constant in this world
Diana Wynne Jones (Howl’s Moving Castle (Howl’s Moving Castle, #1))
....he said it was interesting. He used the word 'textured'. He said 'smooth' is boring but 'textured' was interesting, and the scar meant that I was stronger than whatever had tried to hurt me.
Jeannette Walls (The Glass Castle)
Self-taught, are you?" Julian Castle asked Newt. "Isn't everybody?" Newt inquired. "Very good answer.
Kurt Vonnegut Jr. (Cat’s Cradle)
Howl’s voice was presently heard shouting weakly, “Help me, someone! I’m dying from neglect up here!
Diana Wynne Jones (Howl’s Moving Castle (Howl’s Moving Castle, #1))
I'm writing a first draft and reminding myself that I'm simply shoveling sand into a box so that later I can build castles.
Shannon Hale
Fear is the original sin. Almost all of the evil in the world has its origin in the fact that some one is afraid of something.It is a cold slimy serpent coiling about you. It is horrible to live with fear; and it is of all things degrading.
L.M. Montgomery (The Blue Castle)
By now it was clear that Howl was in a mood to produce green slime any second. Sophie hurriedly put her sewing away. "I'll make some hot buttered toast," she said. "Is that all you can do in the face of tragedy??" Howl asked. "Make toast!
Diana Wynne Jones (Howl’s Moving Castle (Howl’s Moving Castle, #1))
Once upon a time, there was a boy. He lived in a village that no longer exists, in a house that no longer exists, on the edge of a field that no longer exists, where everything was discovered, and everything was possible. A stick could be a sword, a pebble could be a diamond, a tree, a castle. Once upon a time, there was a boy who lived in a house across the field, from a girl who no longer exists. They made up a thousand games. She was queen and he was king. In the autumn light her hair shone like a crown. They collected the world in small handfuls, and when the sky grew dark, they parted with leaves in their hair. Once upon a time there was a boy who loved a girl, and her laughter was a question he wanted to spend his whole life answering.
Nicole Krauss (The History of Love)
She stared at the castle unflinchingly, her form silhouetted against the blazing brightness that sat on the edge of the Avery River. Clouds gathered above them and she raised her head. Through a clearing in the swirling mass, a cluster of stars could be seen. He couldn't help thinking that they gazed down at her... The image haunted his dreams throughout the night: a lovely girl gazing at the stars, and the stars who gazed back
Sarah J. Maas (Throne of Glass (Throne of Glass, #1))
You had every right to be. He raised his eyes to look at her and she was suddenly and strangely reminded of being four years old at the beach, crying when the wind came up and blew away the castle she had made. Her mother had told her she could make another one if she liked, but it hadn't stopped her crying because what she had thought was permanent was not permanent after all, but only made out of sand that vanished at the touch of wind and water.
Cassandra Clare (City of Ashes (The Mortal Instruments, #2))
You are lucky to be one of those people who wishes to build sand castles with words, who is willing to create a place where your imagination can wander. We build this place with the sand of memories; these castles are our memories and inventiveness made tangible. So part of us believes that when the tide starts coming in, we won't really have lost anything, because actually only a symbol of it was there in the sand. Another part of us thinks we'll figure out a way to divert the ocean. This is what separates artists from ordinary people: the belief, deep in our hearts, that if we build our castles well enough, somehow the ocean won't wash them away. I think this is a wonderful kind of person to be.
Anne Lamott (Bird by Bird)
My name is Mary Katherine Blackwood. I am eighteen years old, and I live with my sister Constance. I have often thought that with any luck at all, I could have been born a werewolf, because the two middle fingers on both my hands are the same length, but I have had to be content with what I had. I dislike washing myself, and dogs, and noise. I like my sister Constance, and Richard Plantagenet, and Amanita phalloides, the death-cup mushroom. Everyone else in our family is dead.
Shirley Jackson (We Have Always Lived in the Castle)
I wonder," she said. "Does this castle have a moat?" A group of servants were busy emptying the privy buckets into the moat when they were startled by a sudden drawn-out cry. They looked up in time see a scarlet-and-gold clad figure sail out of a first-story window, turn over once and then land with an enormus splash in the dark, rancid waters. They shrugged and went back to work.
John Flanagan (The Burning Bridge (Ranger's Apprentice, #2))
I turned in my seat. Will’s face was in shadow and I couldn’t quite make it out. ‘Just hold on. Just for a minute.’ ‘Are you all right?’ I found my gaze dropping towards his chair, afraid some part of him was pinched, or trapped, that I had got something wrong. ‘I’m fine. I just . . . ’ I could see his pale collar, his dark suit jacket a contrast against it. ‘I don’t want to go in just yet. I just want to sit and not have to think about . . . ’ He swallowed. Even in the half-dark it seemed effortful. ‘I just . . . want to be a man who has been to a concert with a girl in a red dress. Just for a few minutes more.’ I released the door handle. ‘Sure.’ I closed my eyes and lay my head against the headrest, and we sat there together for a while longer, two people lost in remembered music, half hidden in the shadow of a castle on a moonlit hill.
Jojo Moyes (Me Before You (Me Before You, #1))
I'm tired of waiting by the phone, and second-guessing what a guy says and trusting someone not to hurt me. Again. I've been storming the relationship castle for fifteen years, and I still don't have my prince. I've got a bunch of battle scars from the field and I want to go home and nurse my wounds. I don't want to fight anymore.
Kim Gruenenfelder (A Total Waste of Makeup (Charlize Edwards, #1))
This isn’t about the Ravens. This is about you. This is about everything it took you to get to this point, everything it cost you, and everyone who laughed when you dared to dream of something big and bright. You’re here tonight because you refused to give up and refused to give in. You’re here where they all said you’d never be, and no one can say you haven’t earned the right to play this game. “All eyes are on you. It’s time to show them what you’re made of. There’s no room for doubt, no room for second guesses, no room for error. This is your night. This is your game. This is your moment. Seize it with everything you’ve got. Pull out all the stops and lay it all on the line. Fight because you don’t know how to die quietly. Win because you don’t know how to lose. This king’s ruled long enough—it’s time to tear his castle down.
Nora Sakavic (The King's Men (All for the Game, #3))
Benedicto: May your trails be crooked, winding, lonesome, dangerous, leading to the most amazing view. May your mountains rise into and above the clouds. May your rivers flow without end, meandering through pastoral valleys tinkling with bells, past temples and castles and poets towers into a dark primeval forest where tigers belch and monkeys howl, through miasmal and mysterious swamps and down into a desert of red rock, blue mesas, domes and pinnacles and grottos of endless stone, and down again into a deep vast ancient unknown chasm where bars of sunlight blaze on profiled cliffs, where deer walk across the white sand beaches, where storms come and go as lightning clangs upon the high crags, where something strange and more beautiful and more full of wonder than your deepest dreams waits for you -- beyond that next turning of the canyon walls.
Edward Abbey
More about Howl? Sophie thought desperately. I have to blacken his name! Her mind was such a blank that for a second it actually seemed to her that Howl had no faults at all. How stupid! 'Well, he's fickle, careless, selfish, and hysterical,' she said. 'Half the time I think he doesn't care what happens to anyone as long as he's alright--but then I find out how awfully kind he's been to someone. Then I think he's kind just when it suits him--only then I find out he undercharges poor people. I don't know, Your Majesty. He's a mess.
Diana Wynne Jones (Howl’s Moving Castle (Howl’s Moving Castle, #1))
Once upon a time, powerful wizard, who wanted to destroy an entire kingdom, placed a magic potion in the well from which the inhabitants drank. Whoever drank that water would go mad. The following morning, the whole population drank from the well and they all went mad, apart from the king and his family, who had a well set aside for them alone, which the magician had not managed to poison. The king was worried and tried to control the population by issuing a series of edicts governing security and public health. The policemen and the inspectors, however, had also drunk the poisoned water, and they thought the king’s decisions were absurd and resolved to take notice of them. When the inhabitants of the kingdom heard these decrees, they became convinced that the king had gone mad and was now giving nonsensical orders. The marched on the castle and called for his abdication. In despair the king prepared to step down from the throne, but the queen stopped him, saying: ‘Let us go and drink from the communal well. Then we will be the same as them.’ And that was what they did: The king and queen drank the water of madness and immediately began talking nonsense. Their subjects repented at once; now that the king was displaying such ‘wisdom’, why not allow him to rule the country? The country continued to live in peace, although its inhabitants behaved very differently from those of its neighbors. And the king was able to govern until the end of his days.
Paulo Coelho (Veronika Decides to Die)
Once upon a time, there was a king who ruled a great and glorious nation. Favourite amongst his subjects was the court painter of whom he was very proud. Everybody agreed this wizzened old man pianted the greatest pictures in the whole kingdom and the king would spend hours each day gazing at them in wonder. However, one day a dirty and dishevelled stranger presented himself at the court claiming that in fact he was the greatest painter in the land. The indignant king decreed a competition would be held between the two artists, confident it would teach the vagabond an embarrassing lesson. Within a month they were both to produce a masterpiece that would out do the other. After thirty days of working feverishly day and night, both artists were ready. They placed their paintings, each hidden by a cloth, on easels in the great hall of the castle. As a large crowd gathered, the king ordered the cloth be pulled first from the court artist’s easel. Everyone gasped as before them was revealed a wonderful oil painting of a table set with a feast. At its centre was an ornate bowl full of exotic fruits glistening moistly in the dawn light. As the crowd gazed admiringly, a sparrow perched high up on the rafters of the hall swooped down and hungrily tried to snatch one of the grapes from the painted bowl only to hit the canvas and fall down dead with shock at the feet of the king. ’Aha!’ exclaimed the king. ’My artist has produced a painting so wonderful it has fooled nature herself, surely you must agree that he is the greatest painter who ever lived!’ But the vagabond said nothing and stared solemnly at his feet. ’Now, pull the blanket from your painting and let us see what you have for us,’ cried the king. But the tramp remained motionless and said nothing. Growing impatient, the king stepped forward and reached out to grab the blanket only to freeze in horror at the last moment. ’You see,’ said the tramp quietly, ’there is no blanket covering the painting. This is actually just a painting of a cloth covering a painting. And whereas your famous artist is content to fool nature, I’ve made the king of the whole country look like a clueless little twat.
Banksy (Wall and Piece)
Every morning the maple leaves. Every morning another chapter where the hero shifts from one foot to the other. Every morning the same big and little words all spelling out desire, all spelling out You will be alone always and then you will die. So maybe I wanted to give you something more than a catalog of non-definitive acts, something other than the desperation. Dear So-and-So, I’m sorry I couldn’t come to your party. Dear So-and-So, I’m sorry I came to your party and seduced you and left you bruised and ruined, you poor sad thing. You want a better story. Who wouldn’t? A forest, then. Beautiful trees. And a lady singing. Love on the water, love underwater, love, love and so on. What a sweet lady. Sing lady, sing! Of course, she wakes the dragon. Love always wakes the dragon and suddenly flames everywhere. I can tell already you think I’m the dragon, that would be so like me, but I’m not. I’m not the dragon. I’m not the princess either. Who am I? I’m just a writer. I write things down. I walk through your dreams and invent the future. Sure, I sink the boat of love, but that comes later. And yes, I swallow glass, but that comes later. Let me do it right for once, for the record, let me make a thing of cream and stars that becomes, you know the story, simply heaven. Inside your head you hear a phone ringing and when you open your eyes only a clearing with deer in it. Hello deer. Inside your head the sound of glass, a car crash sound as the trucks roll over and explode in slow motion. Hello darling, sorry about that. Sorry about the bony elbows, sorry we lived here, sorry about the scene at the bottom of the stairwell and how I ruined everything by saying it out loud. Especially that, but I should have known. Inside your head you hear a phone ringing, and when you open your eyes you’re washing up in a stranger’s bathroom, standing by the window in a yellow towel, only twenty minutes away from the dirtiest thing you know. All the rooms of the castle except this one, says someone, and suddenly darkness, suddenly only darkness. In the living room, in the broken yard, in the back of the car as the lights go by. In the airport bathroom’s gurgle and flush, bathed in a pharmacy of unnatural light, my hands looking weird, my face weird, my feet too far away. I arrived in the city and you met me at the station, smiling in a way that made me frightened. Down the alley, around the arcade, up the stairs of the building to the little room with the broken faucets, your drawings, all your things, I looked out the window and said This doesn’t look that much different from home, because it didn’t, but then I noticed the black sky and all those lights. We were inside the train car when I started to cry. You were crying too, smiling and crying in a way that made me even more hysterical. You said I could have anything I wanted, but I just couldn’t say it out loud. Actually, you said Love, for you, is larger than the usual romantic love. It’s like a religion. It’s terrifying. No one will ever want to sleep with you. Okay, if you’re so great, you do it— here’s the pencil, make it work … If the window is on your right, you are in your own bed. If the window is over your heart, and it is painted shut, then we are breathing river water. Dear Forgiveness, you know that recently we have had our difficulties and there are many things I want to ask you. I tried that one time, high school, second lunch, and then again, years later, in the chlorinated pool. I am still talking to you about help. I still do not have these luxuries. I have told you where I’m coming from, so put it together. I want more applesauce. I want more seats reserved for heroes. Dear Forgiveness, I saved a plate for you. Quit milling around the yard and come inside.
Richard Siken
I never believed in Santa Claus. None of us kids did. Mom and Dad refused to let us. They couldn't afford expensive presents and they didn't want us to think we weren't as good as other kids who, on Christmas morning, found all sorts of fancy toys under the tree that were supposedly left by Santa Claus. Dad had lost his job at the gypsum, and when Christmas came that year, we had no money at all. On Christmas Eve, Dad took each one of us kids out into the desert night one by one. "Pick out your favorite star", Dad said. "I like that one!" I said. Dad grinned, "that's Venus", he said. He explained to me that planets glowed because reflected light was constant and stars twinkled because their light pulsed. "I like it anyway" I said. "What the hell," Dad said. "It's Christmas. You can have a planet if you want." And he gave me Venus. Venus didn't have any moons or satellites or even a magnetic field, but it did have an atmosphere sort of similar to Earth's, except it was super hot-about 500 degrees or more. "So," Dad said, "when the sun starts to burn out and Earth turns cold, everyone might want to move to Venus to get warm. And they'll have to get permission from your descendants first. We laughed about all the kids who believed in the Santa myth and got nothing for Christmas but a bunch of cheap plastic toys. "Years from now, when all the junk they got is broken and long forgotten," Dad said, "you'll still have your stars.
Jeannette Walls (The Glass Castle)
I told you in the course of this paper that Shakespeare had a sister; but do not look for her in Sir Sidney Lee’s life of the poet. She died young—alas, she never wrote a word. She lies buried where the omnibuses now stop, opposite the Elephant and Castle. Now my belief is that this poet who never wrote a word and was buried at the cross–roads still lives. She lives in you and in me, and in many other women who are not here to–night, for they are washing up the dishes and putting the children to bed. But she lives; for great poets do not die; they are continuing presences; they need only the opportunity to walk among us in the flesh. This opportunity, as I think, it is now coming within your power to give her. For my belief is that if we live another century or so—I am talking of the common life which is the real life and not of the little separate lives which we live as individuals—and have five hundred a year each of us and rooms of our own; if we have the habit of freedom and the courage to write exactly what we think; if we escape a little from the common sitting–room and see human beings not always in their relation to each other but in relation to reality; and the sky. too, and the trees or whatever it may be in themselves; if we look past Milton’s bogey, for no human being should shut out the view; if we face the fact, for it is a fact, that there is no arm to cling to, but that we go alone and that our relation is to the world of reality and not only to the world of men and women, then the opportunity will come and the dead poet who was Shakespeare’s sister will put on the body which she has so often laid down. Drawing her life from the lives of the unknown who were her forerunners, as her brother did before her, she will be born. As for her coming without that preparation, without that effort on our part, without that determination that when she is born again she shall find it possible to live and write her poetry, that we cannot expect, for that would he impossible. But I maintain that she would come if we worked for her, and that so to work, even in poverty and obscurity, is worth while.
Virginia Woolf (A Room of One’s Own)