β
Keep driving," said a soft voice in my ear. "She will not bite if you keep driving."
Fuck that. Fuck that idea like the fucking Captain of the Thai Fuck Team fucking at the fucking Tour de Fuck.
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David Wong (John Dies at the End (John Dies at the End, #1))
β
Iβve heard 14 year old meth addicted thai prostitutes say more prescient things than the woman that was supposedly a βprofessor
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Tucker Max (I Hope They Serve Beer in Hell (Tucker Max, #1))
β
They do it in Thai restaurants in London. You ask for a drink, and it comes in a glass with loads of seaweed and pebbles in it like a scene from Finding Nemo.
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Karl Pilkington (An Idiot Abroad: The Travel Diaries of Karl Pilkington)
β
I'd sit around dreaming that the boys I saw at shows or at work - the boys with silver earrings and big boots - would tell me I was beautiful, take me home and feed me Thai food or omelets and undress me and make love to me all night with the palm trees whispering windsongs about a tortured gleaming city and the moonlight like flame melting our candle bodies.
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Francesca Lia Block (The Rose and the Beast: Fairy Tales Retold)
β
It's not right, man,β Jay said, following my stare. βSome guys have all the luck.β
βWhat?β I finally broke my trance to look at Jay.
βThat guy, the drummer? Get this. He's a killer musician, he gets tons of chicks, his dad's loaded, and as if that wasn't enough, he's got a friggin' English accent!β
I had to smile at Jay's mix of envy and admiration.
βWhat's his name?β I hollered as the third song started.
βKaidan Rowe. Oh, and that's another thing. A cool name! Bastard.β
βHow do you spell it?β I asked. It sounded like Ky-den.
Jay spelled it for me. βIt's A-I, like Thai food,β he explained.
Kai, like Thai, only yummier. Gah! Who was this girl invading my brain?
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Wendy Higgins (Sweet Evil (Sweet, #1))
β
ΰΈΰΈΰΈ²ΰΈΰΈ° ΰΉΰΈ ΰΈΰΈ²ΰΈΰΈ΄ΰΈΰΈ΄ ΰΈ‘ΰΈ²ΰΈͺΰΈΈ ΰΈΰΈ±ΰΈΰΈ£ΰΈ±ΰΈΰΈΰΈΈΰΈΰΈΰΉΰΈ° ΰΉΰΈΰΉΰΈΰΈ£ΰΈ΄ ΰΈΰΈ’ΰΉΰΈ²ΰΈΰΈ²ΰΈ‘ΰΈΰΈ°ΰΈΰΈ°ΰΈ§ΰΉΰΈ²ΰΈ‘ΰΈ±ΰΈΰΈ‘ΰΈ²ΰΈΰΉΰΈΰΉΰΉΰΈ«ΰΈ ΰΈΰΈΈΰΈΰΉΰΈΰΉΰΈΰΈΰΈΰΉΰΈΰΉΰΈ‘ΰΈ±ΰΈΰΉΰΈΰΉΰΈΰΉΰΈΰΈΰΈΰΉΰΈ£ΰΈΰΉΰΈ₯ΰΈ°ΰΈΰΈΰΈͺΰΈΈΰΈΰΈΰΉΰΈ²ΰΈ’ ΰΈΰΈ²ΰΈ£ΰΈΰΈ΅ΰΉΰΉΰΈ£ΰΈ²ΰΈ£ΰΈ±ΰΈΰΉΰΈΰΈ£ΰΈͺΰΈ±ΰΈΰΈΰΈ ΰΈΰΈΆΰΈΰΉΰΈ‘ΰΉΰΈΰΈ°ΰΈΰΈΰΈΰΈ£ΰΈ‘ΰΈ²ΰΈΰΉΰΈΰΈ£ΰΈ²ΰΈ°ΰΈΰΈ΄ΰΈΰΈ§ΰΉΰΈ²ΰΉΰΈ‘ΰΉΰΈͺΰΈ‘ΰΈ«ΰΈ§ΰΈ±ΰΈ ΰΈΰΉΰΈ’ΰΈ±ΰΈΰΈΰΈ΅ΰΈΰΈ§ΰΉΰΈ²ΰΈΰΈ’ΰΈ²ΰΈ’ΰΈ²ΰΈ‘ΰΈΰΈ΅ΰΉΰΈΰΈ°ΰΉΰΈ‘ΰΉΰΈ£ΰΈ±ΰΈΰΈΰΈΰΈΰΈ·ΰΉΰΈΰΈΰΈ΅ΰΉΰΉΰΈ£ΰΈ²ΰΈ£ΰΈ±ΰΈΰΉΰΈΰΈ²ΰΈ‘ΰΈ²ΰΈΰΉΰΈ«ΰΈ₯ΰΈ·ΰΈΰΉΰΈΰΈ΄ΰΈ ΰΈΰΈ§ΰΈ²ΰΈ‘ΰΈΰΈΈΰΈΰΈΰΉΰΈΰΈ²ΰΈΰΈΰΈ²ΰΈ£ΰΉΰΈΰΉΰΈ£ΰΈ±ΰΈΰΉΰΈ‘ΰΉΰΉΰΈΰΉΰΈ²ΰΈΰΈ§ΰΈ²ΰΈ‘ΰΈΰΈΈΰΈΰΈΰΉΰΈΰΈ²ΰΈΰΈΰΈ²ΰΈ£ΰΈΰΈ’ΰΈ²ΰΈ’ΰΈ²ΰΈ‘ΰΉΰΈ‘ΰΉΰΈ£ΰΈ±ΰΈ...
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β
ΰΈΰΈ‘ΰΈ’ΰΈ±ΰΈΰΈΰΈ΅ (ΰΈΰΈΉΰΉΰΈΰΈ£ΰΈ£ΰΈ‘)
β
May you always look as beautiful as this last time I saw you.
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Owen Jones (An Exciting Future (Behind The Smile: The Story of Lek, A Thai Bar Girl in Pattaya #2))
β
They became desperate for an antidote, such as coziness & color. They tried to bury the obligatory white sofas under Thai-silk throw pillows of every rebellious, iridescent shade of Magenta, pink, and tropical green imaginable. But the architect returned, as he always does, like the conscience of a Calvinist, and he lectured them and hectored them and chucked the shimmering little sweet things out.
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Tom Wolfe (From Bauhaus to Our House)
β
I missed the anonymity-the ability to run to the market without running into my third-grade teacher.
I missed the nightlife-the knowledge that if I wanted to, there was always an occasion to get dressed up and head out for dinner and drinks.
I missed the restaurants-the Asian, the Thai, the Italian the Indian. I was already tired of mashed potatoes and canned green beans.
I missed the culture- the security that comes from being on the touring schedule of the major Broadway musicals.
I missed the shopping-the funky boutiques, the eclectic shops, the browsing.
I missed the city.
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Ree Drummond (The Pioneer Woman: Black Heels to Tractor Wheels)
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ΰΈ«ΰΈ±ΰΈ§ΰΉΰΈΰΈ‘ΰΈΰΈΈΰΈ©ΰΈ’ΰΉΰΉΰΈΰΈ₯ΰΈ΅ΰΉΰΈ’ΰΈΰΉΰΈ‘ΰΉΰΉΰΈΰΉ ΰΉΰΈΰΉΰΈΰΈ§ΰΈ²ΰΈ‘ΰΈΰΈ΄ΰΈΰΉΰΈ«ΰΉΰΈΰΈΰΈ΅ΰΉΰΉΰΈΰΈ₯ΰΈ΅ΰΉΰΈ’ΰΈΰΉΰΈΰΈΰΈ³ΰΉΰΈ«ΰΉΰΈ‘ΰΈΰΈΈΰΈ©ΰΈ’ΰΉΰΉΰΈ£ΰΈ²ΰΈΰΉΰΈΰΈΰΈ’ΰΈΰΈ‘ΰΈ£ΰΈ±ΰΈΰΉΰΈΰΈͺΰΈ΄ΰΉΰΈΰΉΰΈ«ΰΈ‘ΰΉΰΉΰΈΰΉΰΈ²ΰΈ‘ΰΈ² ΰΈΰΈ§ΰΈ²ΰΈ‘ΰΈ£ΰΈ±ΰΈΰΈΰΈΰΈΰΈ‘ΰΈΰΈΈΰΈ©ΰΈ’ΰΉΰΈΰΉΰΉΰΈ«ΰΈ‘ΰΈ·ΰΈΰΈΰΈΰΈ±ΰΈΰΈΰΈ§ΰΈΰΉΰΈΰΈ΅ΰΈ’ΰΈ ΰΉΰΈ‘ΰΉΰΈΰΈ°ΰΈ‘ΰΈ΅ΰΈΰΈ§ΰΈΰΉΰΈΰΉΰΈ²ΰΉΰΈ«ΰΉΰΈΰΈ§ΰΈ²ΰΈ‘ΰΈͺΰΈ§ΰΉΰΈ²ΰΈΰΈΰΈ’ΰΈΉΰΉΰΉΰΈ₯ΰΉΰΈ§ ΰΉΰΈ£ΰΈ²ΰΈΰΉΰΈΰΈ°ΰΈΰΉΰΈΰΉΰΈΰΈ·ΰΉΰΈΰΈΰΈΈΰΈΰΉΰΈ«ΰΈ‘ΰΉΰΉΰΈΰΉΰΉΰΈ£ΰΈ·ΰΉΰΈΰΈ’ΰΉΰΈΰΈΰΈΰΈΰΈΈΰΈΰΉΰΈΰΉΰΈ£ΰΈ±ΰΈΰΉΰΈͺΰΈΰΈͺΰΈ§ΰΉΰΈ²ΰΈΰΉΰΈΰΈ΄ΰΉΰΈ‘ΰΈΰΈΆΰΉΰΈ ΰΉΰΈΰΉΰΈΰΈ§ΰΈΰΉΰΈΰΈ΅ΰΈ’ΰΈΰΈΰΈΉΰΈΰΈΰΈ§ΰΈ²ΰΈ‘ΰΈ£ΰΉΰΈΰΈΰΉΰΈΰΈ²ΰΈΰΈΰΈ‘ΰΈΰΈΰΉΰΈ‘ΰΉΰΈͺΰΈ₯ΰΈ²ΰΈ’ΰΈΰΈ±ΰΈ§ΰΉΰΈΰΉΰΈΰΈ
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ΰΈΰΈ‘ΰΈ’ΰΈ±ΰΈΰΈΰΈ΅ (ΰΈΰΈΉΰΉΰΈΰΈ£ΰΈ£ΰΈ‘)
β
If she had learnt any lesson today it was that men were stupid, helpless creatures made needlessly cruel by their terror of showing their feelings.
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Jayne Bauling (Thai Triangle)
β
I wrote about the Thai sex industry and people ask me how many bar-girls I slept with. I've just completed a short story about a High School shooting but nobody thinks I shot anyone.
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Matt Carrell (Thai Lottery... and Other Stories from Pattaya, Thailand)
β
If you write about the Asian culture, be accurate between what is the difference between Chinese, Japanese, Korean, Malaysian, Thai, Taiwanese, Indonesian, and many individual Asian countries' cultures. While there are many similarities, the differences in cultures will set your novel apart from what is an authentic portrayal to what is a westernized version. - Kailin Gow on Asian Portrayals through Literature and Media
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Kailin Gow
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Satya anubhuti no visaya chhe. Nahitar aakhi Geeta sambhadya pachhi Arjun Krishna na thai jaat! To aevi ghatana kyanthi aavat?Aane Arjune ne Krishna ae Anugeeta kem sanbhadavi padat pachhi guidebook tarike.
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Jay Vasavada (JSK : Jay Shree Krishna)
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The trains [in a country] contain the essential paraphernalia of the culture: Thai trains have the shower jar with the glazed dragon on its side, Ceylonese ones the car reserved for Buddhist monks, Indian ones a vegetarian kitchen and six classes, Iranian ones prayer mats, Malaysian ones a noodle stall, Vietnamese ones bulletproof glass on the locomotive, and on every carriage of a Russian train there is a samovar. The railway bazaar with its gadgets and passengers represented the society so completely that to board it was to be challenged by the national character. At times it was like a leisurely seminar, but I also felt on some occasions that it was like being jailed and then assaulted by the monstrously typical.
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Paul Theroux (The Great Railway Bazaar: By Train Through Asia)
β
Well, I started Tae Kwon Do pretty early before moving into Muay Thaiββ βWhatβs that?β βMuay Thai? Itβs this Thai kickboxing style where you use your whole body to put force into kicks and strikes.β βOh, like the way I eat pizza.
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Jeff Zentner (Rayne & Delilah's Midnite Matinee)
β
The day you stop learning is the day you stop living...
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β
Tetsuyama-san
β
Grief is a lake of perilously thin ice. You never know when you'll fall through it, or when you will fight your way back to the surface.
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Thao Thai (Banyan Moon)
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Yes, Iβd still have Sonia. And Zia. And so many other things that Karim no longer had. Iβd still have the Arabian Sea and Sindhri mangoes, and crabbing with Captain Saleem, who had the most popular boat of all because his business card promoted βGarunteed no cockroachβ, and, yes, thereβs still be those bottles of creamy, flavored milk from Rahat Milk Corner and drives to the airport for coffee and warm sand at the beach and Thai soup at Yuan Tung; yes, Burns Road nihari; yes, student biryani; oh, yes, yes, yes, and all that, and all that again. So why complain? Why contemplate words like βlongingβ?
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Kamila Shamsie (Kartography)
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Fuck that. Fuck that idea like the fucking captain of the Thai Fuck Team fucking at the fucking Tour de Fuck.
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David Wong (John Dies at the End (John Dies at the End, #1))
β
The Purdey was not a Purdey but a straight-stocked long-barreled Scott live-pigeon full choke in both barrels thai I had bought from a lot of shotguns a dealer had brought down fron Udine to the Kechlers' villa in Codroipo.
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Ernest Hemingway (Under Kilimanjaro)
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I like having plans. I like keeping them. Even if said plan is to spend an uninterrupted hour watching Friday Night Lights. If I pass the day excited about solo time on the couch with a glass of wine, pad thai, and Tim Riggins, it's hard to shift gears and muster up enthusiasm for an invitation when it comes my way.
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Rachel Bertsche (MWF Seeking BFF: My Yearlong Search For A New Best Friend)
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I wonder if you can inherit evil.'
'Maybe. Or maybe it's not something you inherit, but something that runs through you, another person's trauma, their violence. It sits below the skin until you name it. And you root it out like a cancer.
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Thao Thai (Banyan Moon)
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Hombres necios que acusΓ‘is
a la mujer sin razΓ³n,
sin ver que sois la ocasiΓ³n
de lo mismo que culpΓ‘is:
si con ansia sin igual
solicitΓ‘is su desdΓ©n,
ΒΏpor quΓ© querΓ©is que obren bien
si las incitΓ‘is al mal?
CambatΓs su resistencia
y luego, con gravedad,
decΓs que fue liviandad
lo que hizo la diligencia.
Parecer quiere el denuedo
de vuestro parecer loco
el niΓ±o que pone el coco
y luego le tiene miedo.
QuerΓ©is, con presunciΓ³n necia,
hallar a la que buscΓ‘is,
para pretendida, Thais,
y en la posesiΓ³n, Lucrecia.
ΒΏQuΓ© humor puede ser mΓ‘s raro
que el que, falto de consejo,
Γ©l mismo empaΓ±a el espejo,
y siente que no estΓ© claro?
Con el favor y desdΓ©n
tenΓ©is condiciΓ³n igual,
quejΓ‘ndoos, si os tratan mal,
burlΓ‘ndoos, si os quieren bien.
Siempre tan necios andΓ‘is
que, con desigual nivel,
a una culpΓ‘is por crΓΌel
y a otra por fΓ‘cil culpΓ‘is.
ΒΏPues como ha de estar templada
la que vuestro amor pretende,
si la que es ingrata, ofende,
y la que es fΓ‘cil, enfada?
Mas, entre el enfado y pena
que vuestro gusto refiere,
bien haya la que no os quiere
y quejaos en hora buena.
Dan vuestras amantes penas
a sus libertades alas,
y despuΓ©s de hacerlas malas
las querΓ©is hallar muy buenas.
ΒΏCuΓ‘l mayor culpa ha tenido
en una pasiΓ³n errada:
la que cae de rogada,
o el que ruega de caΓdo?
ΒΏO cuΓ‘l es mΓ‘s de culpar,
aunque cualquiera mal haga:
la que peca por la paga,
o el que paga por pecar?
Pues ΒΏpara quΓ© os espantΓ‘is
de la culpa que tenΓ©is?
Queredlas cual las hacΓ©is
o hacedlas cual las buscΓ‘is.
Dejad de solicitar,
y despuΓ©s, con mΓ‘s razΓ³n,
acusarΓ©is la aficiΓ³n
de la que os fuere a rogar.
Bien con muchas armas fundo
que lidia vuestra arrogancia,
pues en promesa e instancia
juntΓ‘is diablo, carne y mundo.
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Juana InΓ©s de la Cruz
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In the aftermath of the Edsa Revolution, Thai protesters filled the streets of Bangkok. Another man stood before another tank at Tiananmen Square. The Berlin Wall fell, with Germany thanking the Philippines for showing them the way. Once upon a time, we were heroes.
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Patricia Evangelista (Some People Need Killing)
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Whatβs your favorite food?β
βPad Thai,β he says. βYours?β
βSushi. Theyβre almost the same thing.β
βNot even close,β he says.
βTheyβre both Asian food.
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Colleen Hoover (November 9)
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Lotus of Siam," Shepard says. "It sounds like a temple.
"It might be code," Baz says.
Penny's on her phone. "It's a Thai restaurant...in a strip mall.
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Rainbow Rowell (Wayward Son (Simon Snow, #2))
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How do you spell it?β I asked. It sounded like Ky-den. Jay spelled it for me. βItβs A-I, like Thai food,β he explained.
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Wendy Higgins (Sweet Evil (The Sweet Trilogy, #1))
Mayim Bialik (Mayim's Vegan Table: More than 100 Great-Tasting and Healthy Recipes from My Family to Yours)
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Bangkok is one of the world's great cities, all of which own red-light districts that find their ways into the pages of novels from time to time. The sex industry in Thailand is smaller per capita because the Thais are less coy about it than many other people. Most visitors to the kingdom enjoy wonderful vacations without coming across any evidence of sleaze at all
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John Burdett (Bangkok Tattoo (Sonchai Jitpleecheep, #2))
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Thai culture, while rare in its distrust of thinking, is not unique. The Inuit frown upon thinking. It indicates someone is either crazy or fiercely stubborn, neither of which is desirable.
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Eric Weiner (The Geography of Bliss: One Grump's Search for the Happiest Places in the World)
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I think there's something so heartbreakingly beautiful about boys -- their softness, their vulnerability, before the world tells them that they must be something else. What could the men who hurt us have been, had they been loved enough?
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Thao Thai (Banyan Moon)
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What I want is Ceres Station or Earth or Mars. You know what they have in New York? All-night diners with greasy food and crap coffee. I want to live on a world with all-night diners. And racetracks. And instant-delivery Thai food made from something I havenβt already eaten seven times in the last month.
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James S.A. Corey (Cibola Burn (The Expanse, #4))
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What is beauty? why do we admire it? why do we endeavor to create it? [...]
[B]eauty is any quality by which an object or a form pleases a beholder. Primarily and originally the object does not please the beholder because it is beautiful, but rather he calls it beautiful because it pleases him. Any object that satisfies desire will seem beautiful: food is beautiful - Thai's is not beautiful - to a starving man.
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Will Durant (Our Oriental Heritage (The Story of Civilization, #1))
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Thinking about anything interesting?β
I shrug and force my brain to stay with safer topics. βI didnβt know you could feed a baby Thai food.β
Babydoll shovels a handful of shredded food into her mouth and swings her legs happily. She talks with her mouth full and half falls out. βAh-da-da-da-da-da.β Thereβs a noodle in her hair, and Kristin reaches out to pull it free.
Geoff scoops some coconut rice onto his plate and tops it with a third serving of beef. βWhat do you think they feed babies in Thailand?β
I aim a chopstick in his direction. βPoint.β
Rev smiles. βSome kid in Bangkok is probably watching his mom tear up a hamburger, saying βI didnβt know you could feed a baby American food.ββ
βWell,β says Geoff. βCulturallyββ
βIt was a joke
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Brigid Kemmerer (Letters to the Lost (Letters to the Lost, #1))
β
And so this is why the whole world has suddenly taken an interest in whether Thai poultry workers get their flu shots: because the world wants to ensure that H5N1 stays as far away as possible from ordinary flu viruses.
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Steven Johnson (The Ghost Map: The Story of London's Most Terrifying Epidemic--and How It Changed Science, Cities, and the Modern World)
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βJe porte dans mon coeur des villes innombrables et des dΓ©serts illimitΓ©s. Et le mal, le mal et la mort, Γ©tendus sur cette immensitΓ©, la couvrent comme la nuit couvre la terre. Je suis Γ moi seul un univers de pensΓ©es mauvaises.
Il parlait ainsi parce que le dΓ©sir de la femme Γ©tait en lui.
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Anatole France (ThaΓ―s)
β
Willingness to take risks and reactions to failure differ dramatically around the world. In some cultures the downside for failure is so high that individuals are allergic to taking any risks at all. These cultures associate shame with any type of failure, and from a young age people are taught to follow a prescribed path with a well-defined chance of success, as opposed to trying anything that might lead to disappointment. In some places, such as Thailand, someone who has failed repeatedly might even choose to take on a brand-new name in an attempt to reboot his or her entire life. In fact, in the 2008 Olympics, a Thai weight lifter attributed her victory to changing her name before the games.
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Tina Seelig (What I Wish I Knew When I Was 20)
β
Where the hell is your guard?" She shouts.
Damn if she doesn't sound like Haley. "I'm tired."
"Do I look like I care? You're getting the hell pounded out of you. If you want to tap out, then tap out, but don't stand there and let him win.
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Katie McGarry (Take Me On (Pushing the Limits, #4))
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I let the silence stand, let the truth sink in, but then I hear my daughter's giant heaving cries. My heart feels as if it's getting grated, pink flesh littering the ground. Is there any pain larger than the echo of your child's heartbreak?
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Thao Thai (Banyan Moon)
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We bar girls don't cheat on wives, we are just the rope that cheating husbands hang themselves with.
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Owen Jones (An Exciting Future (Behind The Smile: The Story of Lek, A Thai Bar Girl in Pattaya #2))
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α
αΌαα
αα
αΆαααΆ ααΆαααα’ααα’α·αααα’α ααΆαααααα·α ααΎαα‘αΎαααααΈα
ααα»α
ααΌα
α α ααα»ααααααααααααΏαααα αα·αααααΉα αα·αααΆααα
ααα»α
ααΌα
αα²ααααα’ αααααΈαααα»ααααααααα·αααΆααΈααΆααα
α·ααα α
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Thai Kimleang
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ΰΈΰΈΰΈΰΈ΅ΰΉΰΈ£ΰΈ±ΰΈΰΉΰΈ£ΰΈ²ΰΈΰΈ’ΰΉΰΈ²ΰΈΰΉΰΈΰΉΰΈΰΈ£ΰΈ΄ΰΈΰΈΰΈ±ΰΉΰΈ ΰΉΰΈΰΈ²ΰΈͺΰΈ²ΰΈ‘ΰΈ²ΰΈ£ΰΈΰΈΰΈ±ΰΈΰΈ«ΰΈ₯ΰΈ΅ΰΈΰΈΰΈ§ΰΈ²ΰΈ‘ΰΉΰΈΰΉΰΈΰΈ±ΰΈΰΈΰΈ’ΰΉΰΈ²ΰΈΰΈΰΈ·ΰΉΰΈΰΉΰΈΰΈ·ΰΉΰΈΰΉΰΈ£ΰΈ²ΰΉΰΈΰΉΰΉΰΈͺΰΈ‘ΰΈ
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ΰΈΰΈ²ΰΈ’ΰΈ²
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For lunches he rode the elevator to the fourth-floor food court and ate Thai Town or Subway at a table tucked among potted tropicals, gazing past milling teenagers to the little penny-choked fountain where a copper salmon spat water into a chlorinated pool.
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Anthony Doerr (About Grace)
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Indeed, there was a difference, one that any Thai person could spot instantly but not most foreigners. What the Thais know instinctively is that a smile, a real smile, is not located in the lips or any other part of the mouth. A real smile is in the eyes. To be precise, the orbicularis oculi muscles that surround each eye. We cannot fool these tiny muscles. They spring to life only for a genuine smile.
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Eric Weiner (The Geography of Bliss: One Grump's Search for the Happiest Places in the World)
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A lot of us are living like this, right? Taking cabs and ordering takeout Thai on payday, then walking the three blocks to work from the train with a bologna sandwich in our bags a week or so later? How does anyone do anything? Or, better than that, how does anyone do both the shit
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Samantha Irby (We Are Never Meeting in Real Life.)
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Afghanistan doesnβt have the oil of the Khazars, he said, and weβre not ready to prostitute our women like the Thais. Unlike the Westernerβs, ours is not a spiritual poverty but a material one. When our needs in that area are met, we will not have the dilemma or crisis of Western man.
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Zia Haider Rahman (In the Light of What We Know)
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NΖ‘i ngΖ°α»i ΔΓ n bΓ , tαΊ₯t cαΊ£ Δα»u lΓ αΊ©n ngα»―: nhΖ°ng αΊ©n ngα»― bΓ mαΊt αΊ₯y cΓ³ mα»t lα»i giαΊ£i ΔΓ‘p: sα»± hoΓ i thai.
ΔΓ n Γ΄ng lΓ mα»t phΖ°Ζ‘ng tiα»n cho ΔΓ n bΓ : mα»₯c tiΓͺu ΔΓ n bΓ nhαΊ―m tα»i luΓ΄n luΓ΄n lΓ Δα»©a con. NhΖ°ng ΔΓ n bΓ lΓ cΓ‘i gΓ¬ Δα»i vα»i ΔΓ n Γ΄ng?
NgΖ°α»i mang dΓ²ng mΓ‘u ΔΓ n Γ΄ng ΔΓch thα»±c cΓ³ hai khΓ‘t vα»ng: sα»± nguy hiα»m vΓ trΓ² chΖ‘i. ChΓnh vΓ¬ thαΊΏ hαΊ―n thΓ¨m muα»n ngΖ°α»i ΔΓ n bΓ nhΖ° mα»t mΓ³n Δα» chΖ‘i nguy hiα»m nhαΊ₯t.
ΔΓ n Γ΄ng nuΓ΄i dΖ°α»‘ng cho chiαΊΏn chinh, vΓ ΔΓ n bΓ , cho sα»± giαΊ£i trΓ của chiαΊΏn sΔ©; mα»i Δiα»u khΓ‘c Δα»u lΓ ΔiΓͺn rα», ngu xuαΊ©n.
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Friedrich Nietzsche (Thus Spoke Zarathustra)
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A Philippine-brothel-owning member of the House of Lords was staying at the house of a Spanish Chief Inspector of Police. The Lord was being watched by an American CIA operative who was staying at the house of an English convicted sex offender. The CIA operative was sharing accommodation with an IRA terrorist. The IRA terrorist was discussing a Moroccan hashish deal with a Georgian pilot of Colombia's MedellΓn Cartel. Organising these scenarios was an ex-MI6 agent, currently supervising the sale of thirty tons of Thai weed in Canada and at whose house could be found Pakistan's major supplier of hashish. Attempting to understand the scenarios was a solitary DEA agent. The stage was set for something.
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Howard Marks (Mr. Nice)
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Our lives slid together like tectonic plates, ever so infinitesimally, until we couldn't picture them apart.
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Thao Thai (Banyan Moon)
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Lembre-se de que o segredo de toda execução é a revisão. à importante revisar a agenda toda noite antes de dormir para tomar conhecimento de como serÑ o dia seguinte.
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Thais Godinho (Vida Organizada: Como Definir Prioridades e Transformar Seus Sonhos em Objetivos)
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When you have a Thai girlfriend, you never lose her ~ you just sometimes lose your place in the queue
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Warren Olson
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Now that we know that Spring Roll is a girl, we should probably think about setting up her room. Gabriel kept his eyes on the road as he drove the Volvo one Saturday morning in May. We should also talk about names.
That sounds good.
Maybe you should think about what you want and we can go shopping.
Julia turned to look at him. Now?
I said I'd take you to lunch, and we can do that. But afterward, we need to start thinking about Spring Roll's room. We want it to be attractive, but functional. Something comfortable for you and for her, but not juvenile.
She's a baby, Gabriel. Her stuff is going to be juvenile.
You know what I mean. I want it to be elegant and not look like a preschool.
Good grief. Julia fought a grin as she began imagining what the Professor would design.
(Argyle patterns, dark wood, and chocolate brown leather immediately came to mind.)
He cleared his throat. I might have done some searching on the Internet.
Oh, really? From where? Restoration Hardware?
Of course not. He bristled. Their things wouldn't be appropriate for a baby's room.
So where then?
He gazed at her triumphantly. Pottery Barn Kids.
Julia groaned. We've become yuppies.
Gabriel stared at her in mock horror. Why do you say that?
We're driving a Volvo and talking about shopping at Pottery Barn.
First of all, Volvos have an excellent safety rating and they're more attractive than a minivan. Secondly, Pottery Barn's furniture happens to be both functional and aesthetically pleasing. I'd like to take you to one their stores so you can see for yourself.
As long as we get Thai food first.
Now it was Gabriel's turn to roll his eyes. Fine. But we're ordering takeout and taking it to the park for a picnic. And I'm having Indian food, instead. If I see another plate of pad Thai, I'm going to lose it.
Julia burst into peals of laughter.
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Sylvain Reynard (Gabriel's Redemption (Gabriel's Inferno, #3))
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He had come home late with take-out Thai and slammed into the sofa and tried to watch a movie, but kept drifting from it to the screen of his laptop. This was part of Corporation 9592βs strategy; they had hired psychologists, invested millions in a project to sabotage moviesβyes, the entire medium of cinemaβto get their customers/players/addicts into a state of mind where they simply could not focus on a two-hour-long chunk of filmed entertainment without alarm bells going off in their medullas telling them that they needed to log on to TβRain and see what they were missing.
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Neal Stephenson (Reamde)
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I have stress. Of course I have stress. But there are some situations we canβt control. You canβt change things outside yourself, so you change your attitude. I think that approach works for the Thai people. Like when youβre pissed at someone, and you canβt do anything about it. You feel you want to hit them, but you canβt, so you take a deep breath and let it go. Otherwise, it will ruin your day.
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Eric Weiner
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."The Swiss are uptight and happy. The Thais are laid-back and happy. Icelanders find joy in their binge drinking, Moldovans only misery. Maybe an Indian mind can digest these contradictions, but mine can't.
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Eric Weiner (The Geography of Bliss: One Grump's Search for the Happiest Places in the World)
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Les vierges entonnaient le cantique de Zacharie:
-- BΓ©ni soit le Seigneur, le dieu d'IsraΓ«l.
Brusquement la voix s'arrΓͺta dans leur gorge. Elles avaient vu la face du moine et elles fuyaient d'Γ©pouvante en criant:
-- Un vampire! un vampire!
Il Γ©tait devenu si hideux qu'en passant la main sur son visage, il sentit sa laideur.
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Anatole France (ThaΓ―s)
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This, I realize, is what life is like for most Thais. They are not in control of their fates. A terrifying thought, yes, but also a liberating one. For if nothing you do matters, then life suddenly feels a lot less heavy. Itβs just one big game. And as any ten-year-old will tell you, the best games are the ones where everyone gets to play. And where you can play again and again, for free. Lots of cool special effects are nice, too.
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Eric Weiner (The Geography of Bliss: One Grump's Search for the Happiest Places in the World)
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Farang, I'll bet you Wall Street against a Thai mango he'll be back, if for no other reason than to play the card of virile youth against Hudson's superior rank and thus restore his ego after that humiliating reprimand.
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John Burdett (Bangkok Tattoo (Sonchai Jitpleecheep, #2))
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He was really quite addicted to her face, and yet for the longest time he could not remember it at all, it being so much brighter than sunlight on a pool of water that he could only recall that blinding brightness; then after awhile, since she refused to give him her photograph, he began to practice looking away for a moment when he was still with her, striving to uphold in his inner vision what he had just seen (her pale, serious, smooth and slender face, oh, her dark hair, her dark hair), so that after immense effort he began to retain something of her likeness although the likeness was necessarily softened by his fallibility into a grainy, washed-out photograph of some bygone court beauty, the hair a solid mass of black except for parallel streaks of sunlight as distinct as the tines of a comb, the hand-tinted costume sweetly faded, the eyes looking sadly, gently through him, the entire image cob-webbed by a sheet of semitranslucent Thai paper whose white fibers twisted in the lacquered space between her and him like gorgeous worms; in other words, she remained eternally elsewhere.
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William T. Vollmann (Europe Central)
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Oddly, they were never sanguine about their own combat prowess. Most of them, officers and men, felt a deep respect for, and almost an inferiority before, the various professionals that comprised the other U.N. troops in Korea. Their praise of the alliesβthe French, Thais, Turks, and Abyssiniansβwas far removed from the grousing about allies that had marked most previous wars. Most Americans, privately, would admit the U.N. troops were better than they were.
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T.R. Fehrenbach (This Kind of War: The Classic Military History of the Korean War)
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...QuαΊ£ thαΊt vαΊy, khuya, sau khi tαΊ―t ΔΓ¨n, vα»«a nhαΊ―m mαΊ―t lαΊ‘i chΓΊ ΔΓ£ thαΊ₯y mΓ¬nh α» mα»t nΖ‘i xa lαΊ‘. Mα»i thα»© Δα»u sΓ‘ng choang.
βChΓ o anh, anh ΔαΊΏn rα»i Γ !β
Ai gα»i mΓ¬nh thαΊΏ nhα»? ChΓΊ quay lΖ°ng lαΊ‘i. α», mα»t cΓ΄ gΓ‘i xinh ΔαΊΉp. Nα»₯ cΖ°α»i của nΓ ng tΖ°Ζ‘i nhΖ° hoa.
βVΓ’ng, chΓ o cΓ΄. CΓ΄ Ζ‘i, ΔΓ’y lΓ ΔΓ’u?β
βCΓ²n α» ΔΓ’u nα»―a, anh!β
ChΓΊ nhΓ¬n quanh quαΊ₯t mα»t hα»i mα»i ΔαΊp vΓ o mαΊ―t tαΊ₯m biα»n to ΔΓΉng trΓͺn cao Δα» mαΊ₯y chα»―: βCΓ’u lαΊ‘c bα» Nhα»―ng tΓ’m hα»n Δα»ng Δiα»uβ.
A ha! ChΓΊ reo lΓͺn. ΔΓΊng nhΖ° mΓ¬nh nghΔ©. NhΖ°ng chΓΊ cα»© vα» vΔ©nh:
βHΓ΄m nay chΖ°a phαΊ£i lΓ chủ nhαΊt mΓ β¦β
βΔΓ£ gα»i lΓ Δα»ng Δiα»u thΓ¬ khΓ΄ng cαΊ§n βΔαΊΏn hαΊΉn lαΊ‘i lΓͺnβ, anh αΊ‘!β
Γi tuyα»t vα»i! TrΓΊng y boong Γ½ chΓΊ! CΖ‘ mαΊ·t chΓΊ dΓ£n duα»i hαΊ³n ra, thoαΊ£i mΓ‘i nhΖ° α» nhΓ .
βΔΓΊng ΔΓΊng! ThαΊΏ nhα»―ng ngΖ°α»i khΓ‘c ΔΓ’u rα»i cΓ΄ nhα»?β
NΓ ng lαΊ‘i nα» nα»₯ cΖ°α»i, Γ‘nh mαΊ―t hΖ°α»ng vΓ o bΓͺn trong. Khung cαΊ£nh sΓ‘ng ΔαΊΏn lΓ³a mαΊ―t dαΊ§n dα»u Δi, nhΖ°α»ng chα» cho nΓ o bΓ n nΓ o ghαΊΏ. VΓ vΓ΄ sα» con ngΖ°α»i cΓ³ mαΊ·t α» ΔΓ’y tα»± lΓΊc nΓ o.
ChΓΊ bΖ°α»c chαΊm rΓ£i qua cΓ‘nh cα»a lα»n, Γ΄i chao bαΊ§u khΓ΄ng khΓ gΓ¬ thαΊΏ nΓ y? αΊ¬p vΓ o chΓΊ lΓ cαΊ£m giΓ‘c hαΊΏt sα»©c vui vαΊ» gαΊ§n gΕ©i. BΓͺn tai phαΊ£ng phαΊ₯t Δiα»u nhαΊ‘c du dΖ°Ζ‘ng cΓΉng nhα»―ng tiαΊΏng trΓ² chuyα»n nΓ³i cΖ°α»i hoan hα» khoan thai.
βChΓ o ngΖ°α»i anh em!β
Mα»t anh chΓ ng vα»«a trΓ΄ng thαΊ₯y chΓΊ ΔΓ£ vα»i chαΊ‘y ra tay bαΊ―t mαΊ·t mα»«ng.
βXin chΓ o! α» ΔΓ’y ΔΓ΄ng vui quΓ‘. ThαΊΏ mΓ tΓ΄i khΓ΄ng biαΊΏt.β
βTαΊ₯t nhiΓͺn rα»i. ChαΊ―c chαΊ―n anh sαΊ½ rαΊ₯t vui khi tham gia cΓ’u lαΊ‘c bα» nΓ y.β
Anh ta kΓ©o chΓΊ vΓ o mα»t bΓ n cΓ³ ba bα»n ngΖ°α»i Δang bΓ n luαΊn sΓ΄i nα»i vαΊ₯n Δα» gΓ¬ ΔαΊ₯y. MαΊ₯y ngΖ°α»i kia trΓ΄ng thαΊ₯y chΓΊ liα»n reo lΓͺn:
βΓi lΓ’u quΓ‘ khΓ΄ng gαΊ·p, ngα»i xuα»ng Δi bαΊ‘n hiα»n của tΓ΄i!β
BαΊ‘n hiα»n của tΓ΄i? LΓ’u quΓ‘ khΓ΄ng gαΊ·p? QuΓ‘i, chΓΊ ΔΓ£ gαΊ·p hα» bao giα» ΔΓ’u mΓ bαΊ£o lΓ’u vα»i chαΊ³ng nhanh. Δang nghΔ© nghΔ© ngợi ngợi thΓ¬ anh chΓ ng kia ΔΓ£ lΓͺn tiαΊΏng:
βAnh khΓ΄ng phαΊ£i bΔn khoΔn. α» ΔΓ’y chΓΊng tΓ΄i ΔΓ³n tiαΊΏp ngΖ°α»i mα»i Δα»u nhΖ° thαΊΏ cαΊ£.β
ThΓch thαΊt, chΓΊ cΖ°α»i toe toΓ©t, ngα»i vΓ o bΓ n cΓΉng vα»i hα».
βAnh cΓ³ thΓch hΓ‘t khΓ΄ng?β
βKhΓ΄ng!β β ChΓΊ lαΊ―c ΔαΊ§u quαΊ§y quαΊy.
βVαΊy anh thΓch nhαΊ£y khΓ΄ng?β
βCΕ©ng khΓ΄ng!β β ChΓΊ nhΓΊn vai.
MαΊ₯y ngΖ°α»i trong bΓ n hαΊΏt nhΓ¬n chΓΊ lαΊ‘i quay sang nhΓ¬n nhau. NhΖ°ng rαΊ₯t nhanh Δα» mα»t ngΖ°α»i nα»―a nΓͺu thΓͺm cΓ’u hα»i:
βThαΊΏ αΊ―t hαΊ³n anh rαΊ₯t mΓͺ Δα»c sΓ‘ch, vΓ tαΊ₯t nhiΓͺn lΓ vΔn chΖ°Ζ‘ng?β
βKhΓ΄ng!β
βA thΓ΄i tΓ΄i biαΊΏt rα»i! Anh rαΊ₯t Δam mΓͺ hα»i hα»a!β β TiαΊΏng nΓ³i khΓ‘c vang lΓͺn.
βThΖ°a, khΓ΄ng ΔΓ’uβ¦β
MαΊ₯t chΓΊ Γt thα»i giα» nα»―a trΖ°α»c khi hα» Δα»ng thanh reo to:
βLαΊ§n nΓ y ΔαΊ£m bαΊ£o chΓnh xΓ‘c! Anh tΓ΄n thα» sαΊ―c ΔαΊΉp, anh thΓch phα»₯ nα»―, trΓΊng phΓ³c rα»i chα»© gΓ¬!β
Γ hα» nΓ³i chΓΊ mΓͺ gΓ‘i. ChΓΊ cΕ©ng chαΊ³ng rΓ΅ nα»―a. CΓ³ thα» cΓ³ hoαΊ·c cΓ³ thα» khΓ΄ng. Chα» biαΊΏt tα»« lΓ’u lαΊ―m rα»i chΓΊ α» mΓ£i mα»t mΓ¬nh. KhΓ΄ng hαΊΉn hΓ², khΓ΄ng cαΊ·p bα» cαΊ·p bα»ch, khΓ΄ng yΓͺu ai, quen ai, gαΊ·p aiβ¦
SαΊ―c mαΊ·t chΓΊ xα»₯ xuα»ng trΓ΄ng thαΊ₯y, mαΊ₯y ngΖ°α»i kia hoαΊ£ng quΓ‘ vα»i vΓ£ trαΊ₯n an.
βΓi Γ΄ng anh Ζ‘i, ΔΓ£ ΔαΊΏn ΔΓ’y lΓ phαΊ£i vui vαΊ» chα»©. Vui lΓͺn Δi nΓ o, Δα»i cΓ³ lΓ bao nhiΓͺu. TΓ΄i dαΊ―t anh sang chα» ΔΓ‘m cΓ‘c cΓ΄ trαΊ» ΔαΊΉp nhΓ©!β
LαΊ·ng lαΊ½ bΖ°α»c theo ngΖ°α»i dαΊ«n ΔΖ°α»ng, ΔαΊ§u Γ³c chΓΊ mΓ΄ng lung, mαΊ―t chαΊ―m chΓΊi theo tα»«ng bΖ°α»c chΓ’n mΓ¬nh.
ChΓΊ chαΊ³ng nghΔ© Δược lΓ’u hΖ‘n khi giα»ng nΓ³i ngα»t ngΓ o thΓ’n quen tα»« ΔΓ’u rΓ³t tuα»t vΓ o tai, vα»i vΓ£ ngαΊ©ng ΔαΊ§u lΓͺn.
βAnh khΓ΄ng thoαΊ£i mΓ‘i Γ ?β
ChΓnh lΓ cΓ΄ gΓ‘i ban nΓ£y α» ngoΓ i cα»a. LαΊ‘ thαΊt, hαΊ³n lΓ chΓΊ ΔΓ£ tα»«ng gαΊ·p nΓ ng ΔΓ’u ΔΓ³ rα»i, Δoan chαΊ―c nhΖ°ng vαΊ―t Γ³c mΓ£i khΓ΄ng nhα» ra.
βKhΓ΄ng! TΓ΄i thΓch lαΊ―mβ¦β - ChΓΊ lΓΊng tΓΊng.
βVαΊy anh ngα»i xuα»ng ΔΓ’y, thΖ° giΓ£n nΓ oβ¦β
NΓ ng kΓ©o chΓΊ ngα»i xuα»ng ghαΊΏ, nhΓ‘y mαΊ―t vα»i anh chΓ ng kia. Anh ta vαΊ«y tay rα»i nhanh chΓ³ng mαΊ₯t hΓΊt vΓ o ΔΓ‘m ΔΓ΄ng chα»n rα»n.
βThαΊΏ nhΓ©. TΓ΄i giao ma mα»i nΓ y cho cΓ΄ ΔαΊ₯y.β
CΓ²n lαΊ‘i chΓΊ vΓ nΓ ng. KhΓ΄ng gian bΓ’y giα» cαΊ£m tΖ°α»ng nhΖ° chα» cΓ³ hai ngΖ°α»i. ThαΊt lαΊ‘ lΓΉng, ΔΓ‘m ΔΓ΄ng dΖ°α»ng nhΖ° Δang dαΊ‘t Δi, ra xa, xa mΓ£i, xa tΓt.
NΓ ng tiαΊΏp tα»₯c nα» nα»₯ cΖ°α»i tΖ°Ζ‘i nhΖ° hoa:
βSao anh lαΊ‘i muα»n tham gia cΓ’u lαΊ‘c bα» nΓ y?β
CΓ’u hα»i ΔαΊΏn vα»i chΓΊ bαΊ₯t ngα». TαΊ‘i sao? α»ͺ nhα», tαΊ‘i sao thαΊΏ? TαΊ‘i sao chΓΊ khΓ΄ng mαΊ£y may chΓΊt xΓu ΔαΊ―n Δo tα»©c tα»c gα»i Δiα»n ΔΔng kΓ½ tham gia vΓ o chα»n ΔΓ’y. ChΓΊ cΓ²n nhα» tΓ’m trαΊ‘ng mΓ¬nh ΔΓ£ hαΊΏt sα»©c mα»«ng rα»‘ nhΖ° vα» Δược vΓ ng khi biαΊΏt Δược trΓͺn Δα»i tα»n tαΊ‘i mα»t nΖ‘i tuyα»t vα»i thαΊΏ nΓ y.
βBα»i vΓ¬β¦ tα»« lΓ’u tΓ΄i cα»© ngα»‘β¦ chαΊ³ng bao giα» cΓ³ cΓ‘i gα»i lΓ cΓ’u lαΊ‘c bα» Nhα»―ng tΓ’m hα»n Δα»ng Δiα»uβ¦β β Giα»ng chΓΊ chΓΉng hαΊ³n xuα»ng, cα» hα»ng thαΊ₯y nghΓ¨n nghαΊΉn...
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LΖ°u Quang Minh (Nhα»―ng TΓ’m Hα»n Δα»ng Δiα»u)
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I briefly dated a software developer. We went to this wonderful restaurant a couple of times and had this delicious chicken with these diverse, tangy saucesβartichoke garlic aioli, Thai sweet chiliβand we talked about whatever while I ate this chicken and dipped the pieces into the otherworldly sauces. Meanwhile I thought, God, I think I really like him. Then we went back again and had the same chicken and saucesβand I thought, God, I feel like Iβm really falling for him. Then we went on a third date to a different restaurant and I suddenly realizedβnow that the chicken and sauces had been removedβhe was kind of boring and it was just the tasty chicken that I loved. I looooooooooove chicken.
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Molly Shannon (Hello, Molly!: A Memoir)
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Mesoamerica would deserve its place in the human pantheon if its inhabitants had only created maize, in terms of harvest weight the worldβs most important crop. But the inhabitants of Mexico and northern Central America also developed tomatoes, now basic to Italian cuisine; peppers, essential to Thai and Indian food; all the worldβs squashes (except for a few domesticated in the United States); and many of the beans on dinner plates around the world. One writer has estimated that Indians developed three-fifths of the crops now in cultivation, most of them in Mesoamerica. Having secured their food supply, Mesoamerican societies turned to intellectual pursuits. In a millennium or less, a comparatively short time, they invented their own writing, astronomy, and mathematics, including the zero.
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Charles C. Mann (1491: New Revelations of the Americas Before Columbus)
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I no longer have a bucket list. I have love in my life. This is far greater than seeing the Pyramids, climbing mountains, eating Thai food in Thailand, or any other physical activity that might be fun to experience. I am loved and I have loved. My bucket list is complete.
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Lee Lipsenthal (Enjoy Every Sandwich: Living Each Day as If It Were Your Last)
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The act of writing if one is conscious of legibility is a wonderful discipline. Our minds, which roil like captured oceans, are forced to order themselves and to send coherent messages through our fingers...writing is like yoga or Thai Chi; it forces our bodies to obey our minds.
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Edward St Paige
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You know you donβt have to feed everyone, right? I donβt expect you to.β
βYou know I love it. Itβs like having loads of kids, but instead of being cute and small, theyβre, like, super big and drink and curse. Itβs nice for you guys to spend time together since some of you wonβt be here soon. Thai seems to be everyoneβs favoriteβthey showed up immediately.β
βAnastasia Allen, do you have baby fever?β
βNo! Iβm being a good girlfriend and roommate.β
βYouβre the best girlfriend and definitely the best roommate. I loveββ
βWhat was that about the best roommate?β JJ interrupts.
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Hannah Grace (Icebreaker (UCMH, #1))
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After her mother died and Adrienne and her father took up with wanderlust, Adrienne became exposed to new foods. For two years they lived in Maine, where in the summertime they ate lobster and white corn and small wild blueberries. They moved to Iowa for Adrienne's senior year of high school and they ate pork tenderloin fixed seventeen different ways. Adrienne did her first two years of college at Indiana University in Bloomington, where she lived above a Mexican cantina, which inspired a love of tamales and anything doused with habanero sauce. Then she transferred to Vanderbilt in Nashville, where she ate the best fried chicken she'd ever had in her life. And so on, and so on. Pad thai in Bangkok, stone crabs in Palm Beach, buffalo meat in Aspen. As she sat listening to Thatcher, she realized that though she knew nothing about restaurants, at least she knew something about food.
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Elin Hilderbrand (The Blue Bistro)
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The Thai people are pathologically shy. Combine that with a reluctance to lose face by giving a wrong answer, and it makes for a painfully long [ESL] class. Usually I ask the students to work on exercises in small groups, and then I move around and check their progress. But for days like today, when I'm grading on participation, speaking up in public is a necessary evil. "Jao," I say to a man in my class. "You own a pet store, and you want to convince Jaidee to buy a pet." I turn to a second man. "Jaidee, you do not want to buy that pet. Let's hear your conversation."
They stand up, clutching their papers. "This dog is reccommended," Jao begins.
"I have one already," Jaidee replies.
"Good job!" I encourage. "Jao, give him a reason why he should buy your dog."
"This dog is alive," Jao adds.
Jaidee shrugs. "Not everyone wants a pet that is alive."
Well, not all days are successes...
β
β
Jodi Picoult (Lone Wolf)
β
Maybe then she would understand how love cannot possibly be simple, or easy, despite all the adages to the contrary. When we chose to chisel pieces of our heart away to offer to another person, we must always make decisions. What flaws will we life to the light? And which will we bury, in the hopes of protecting ourselves and others?
β
β
Thao Thai (Banyan Moon)
β
A stack overflow error caused cabin fever and the reset button was Pattaya.
β
β
Owen Jones (An Exciting Future (Behind The Smile: The Story of Lek, A Thai Bar Girl in Pattaya #2))
β
Vancouver Kickboxing is a term which is defined as knowingly using your physical force to protect yourself or your loved ones from any unwanted physical harm.
β
β
jiujitsulife
β
ααΎα’αααααααααΆαααΆαα· αα»αααααΆααααΆαα·ααΆααααΆαα α ααα»ααααααΎααααααΆαααΆαα· αααααΆααα·αααΊααΆαα·ααααααα»α αα»αααΆαααα αΆαααΆ ααΎαα
αΌααα½αααααΆααααΎα²αααααααα α αΎααααααααααααΉαα’αΆα
ααααααααα αΎα α
β
β
Thai Kimleang
β
ααΆαααααααααα
ααααααααΆαα·αα½αααΆααΆααααααααααΌααααα»ααααα»αα
ααααααΆααααααααΆααα‘αΆαααααΆαα·ααΆααααα»α α αΎαααααΆααΌαα ααα»ααααΎα²ααααΆαα·ααΆααααααααΎαααΆα αα·α α
αα’αα‘αα‘αΊα α
β
β
Thai Kimleang
β
Why are you so mad at me?" Norris shouted back. The neighbors could definitely hear them now. His throat dry, but he didn't care. "I'm sorry if I interrupted one of your dates, or whatever, but I DID NOT DO ANYTHING! Ground me for leaving prom, ground me for drinking, but I didn't drive, I didn't have unprotected sex, I didn't even get high! You know that! You're supposed to be on my side here, Mom!"
"NO!" she hurled back. "Not on this, Norris" I can't be!"
"Why the hell not?!"
"You know damn well! Trayvon Martin," she began. "Tamir Rice, Cameron Tillman, so many others that I can't remember all their names anymore!"
Norris knew too well. It was almost a ritual, even back in Canada. They would sit as a family and watch quietly. "Be smart out there," Felix used to say.
"You're not a handsome blue-eyed little Ken doll who's going to get a slap on the wrist every time he messes up. That, tonight?" she said, pointing to the door. "Do you know what that was? Do you?!"
"I-"
"That was a fucking coin flip, Norris. That was the coin landing heads." Her finger dug into his chest, punctuating every other word she was saying, spittle flying at his face. "Heads. A good one. Officer Miller, who has four sons, and luckily, mercifully, thank Jesus saw someone else's kid back-talking him tonight."
She exhaled, her breath Thai-food hot against his face.
"Tails." Her voice broke. "Tails, and I would be at the morgue right now identifying you! With some man lecturing me about our blood alcohol level and belligerent language and how you had it coming.
β
β
Ben Philippe (The Field Guide to the North American Teenager)
β
As he spoke these words, a giant wave, just like the one in Katsushika Hokusaiβs, βThe Great Wave off Kanagawa,β rippled in below the lofty ledge.
Chaiya saw a thousand images in a second.
βBrothers!β he shouted.
βBrothers! Brothers! Brothers!β¦β
His voice echoed and vibrated through their hearts.
They were all wide awake.
βThe presence in the cave will swallow us up,β Chaiya thought.
β
β
Suzy Davies (The Cave)
β
Imagine that the brain and the genitals are a couple of friends on vacation together, wandering down the street deciding where to have dinner.
If they're women, it goes like this: The genitals notice any restaurant they pass, whether it's Thai food or pub grub, fast food or gourmet (while ignoring all the museums and shops),and say, "This is a restaurant. We could eat here." She has no strong opinion, she's just good at spotting restaurants. Meanwhile, the brain is assessing all the contextual factors [...] to decide whether she wants to try a place. "This place isn't delicious smelling enough," or "This place isn't clean enough," or "I'm not in the mood for pizza." The genitals might even notice a pet store and say, "There's pet food in here, I guess..." and the brain rolls her eyes and keeps walking.
[...] Now, if the friends are men, it goes like this: The genitals notice only specific restaurants -- diners, say -- and don't notice any restaurants that aren't diners. Once they find a diner, the brain says, "A diner! I love diners," and the genitals agree, "This is a restaurant, we could eat here," unless there's some pretty compelling reason not to, like a bunch of drunks brawling outside.
β
β
Emily Nagoski (Come as You Are: The Surprising New Science that Will Transform Your Sex Life)
β
1. Identify the meaning you give to a situation. 2. Express using the following: βWhen _____________________________ (insert the situation) happened, I interpreted it to mean ______________________________ (insert the meaning you gave to it), and I felt ___________________________________ (insert the emotion you experienced).β 3. Identify what you need from your loved one and the strategy they can use to meet that need better. 4. Express using the following: βI need you to _____________________________ (insert what you need). You can do this by ___________________________________ (insert the βhowβ/strategy they can use).
β
β
Thais Gibson (Attachment Theory: A Guide to Strengthening the Relationships in Your Life)
β
α’αΆαα»ααααΆααααααΆαα½ααα α ααΆααααααα·αααααααααΉαααΆααααααααα
ααα»αααα’αΆαα»α
αΆααααΆααααα½ααα»ααα α ααΆααααααα½αα²αααααααα»ααααααααΆααα»αααα α ααα»ααααααΎααααΈαααα αΆααααααααα·αα’αα»ααΈαααα αα½αααΆαααα»αααααΎαααααααΆααα·αααααααα
ααααααα»αααα
αΆααααΆααααα½α α
β
β
Thai Kimleang
β
Filipino Americans, on average, have a low poverty rate of 6.7 percentβmore than 3 percentage points lower than white Americans. But Cambodian, Laotian, Pakistani, and Thai Americans have a poverty rate of around 18 percent. Bangladeshi and Hmong Americans have poverty rates between 26 and 28 percent, matching or surpassing that of blacks and Hispanic Americans.1 Pacific Islanders have the highest unemployment rate of any racial or ethnic group in the US.2
β
β
Ijeoma Oluo (So You Want to Talk About Race)
β
ultimately, most of us would choose a rich and meaningful life over an empty, happy one, if such a thing is even possible. βMisery serves a purpose,β says psychologist David Myers. Heβs right. Misery alerts us to dangers. Itβs what spurs our imagination. As Iceland proves, misery has its own tasty appeal. A headline on the BBCβs website caught my eye the other day. It read: βDirt Exposure Boosts Happiness.β Researchers at Bristol University in Britain treated lung-cancer patients with βfriendlyβ bacteria found in soil, otherwise known as dirt. The patients reported feeling happier and had an improved quality of life. The research, while far from conclusive, points to an essential truth: We thrive on messiness. βThe good life . . . cannot be mere indulgence. It must contain a measure of grit and truth,β observed geographer Yi-Fu Tuan. Tuan is the great unheralded geographer of our time and a man whose writing has accompanied me throughout my journeys. He called one chapter of his autobiography βSalvation by Geography.β The title is tongue-in-cheek, but only slightly, for geography can be our salvation. We are shaped by our environment and, if you take this Taoist belief one step further, you might say we are our environment. Out there. In here. No difference. Viewed that way, life seems a lot less lonely. The word βutopiaβ has two meanings. It means both βgood placeβ and βnowhere.β Thatβs the way it should be. The happiest places, I think, are the ones that reside just this side of paradise. The perfect person would be insufferable to live with; likewise, we wouldnβt want to live in the perfect place, either. βA lifetime of happiness! No man could bear it: It would be hell on Earth,β wrote George Bernard Shaw, in his play Man and Superman. Ruut Veenhoven, keeper of the database, got it right when he said: βHappiness requires livable conditions, but not paradise.β We humans are imminently adaptable. We survived an Ice Age. We can survive anything. We find happiness in a variety of places and, as the residents of frumpy Slough demonstrated, places can change. Any atlas of bliss must be etched in pencil. My passport is tucked into my desk drawer again. I am relearning the pleasures of home. The simple joys of waking up in the same bed each morning. The pleasant realization that familiarity breeds contentment and not only contempt. Every now and then, though, my travels resurface and in unexpected ways. My iPod crashed the other day. I lost my entire music collection, nearly two thousand songs. In the past, I would have gone through the roof with rage. This time, though, my anger dissipated like a summer thunderstorm and, to my surprise, I found the Thai words mai pen lai on my lips. Never mind. Let it go. I am more aware of the corrosive nature of envy and try my best to squelch it before it grows. I donβt take my failures quite so hard anymore. I see beauty in a dark winter sky. I can recognize a genuine smile from twenty yards. I have a newfound appreciation for fresh fruits and vegetables. Of all the places I visited, of all the people I met, one keeps coming back to me again and again: Karma Ura,
β
β
Eric Weiner (The Geography of Bliss: One Grump's Search for the Happiest Places in the World)
β
ααΎααααααααααα’ααααααααΆααααΆααααΆααααααΆααααααα ααΆααααααααααα·α ααΆααααααααΎαααΈαααααααααΆααααΆααααΆααα αα·αααΎαααΈα
α·ααααα·αααααΆαα αααα»αααααΌαααααΆααααααααααΎαααααααααΆαααα»ααα
αα·ααΆααααα»αααααααααΆαααα·α α
αΆααααααα·αααααΆααααΆαααααα»αααΆαααααα ααΉαα’αΆααααα»αααααα½ααααααααΎαααΆαααααααααΆααααααΆααα’ααα α
β
β
Thai Kimleang
β
Do you know this place, Lek?" he shouted in her ear. βStop. Stop here. I want to go shopping." He didn't. He wanted to look for a bar, but he knew the word 'shopping' had more stopping power than the word 'bar' β the word 'shopping' was the verbal equivalent of a 44 Magnum.
β
β
Owen Jones (An Exciting Future (Behind The Smile: The Story of Lek, A Thai Bar Girl in Pattaya #2))
β
Mesoamerica would deserve its place in the human pantheon if its inhabitants had only created maize, in terms of harvest weight the worldβs most important crop. But the inhabitants of Mexico and northern Central America also developed tomatoes, now basic to Italian cuisine; peppers, essential to Thai and Indian food; all the worldβs squashes (except for a few domesticated in the United States); and many of the beans on dinner plates around the world. One writer has estimated that Indians developed three-fifths of the crops now in cultivation, most of them in Mesoamerica.
β
β
Charles C. Mann (1491: New Revelations of the Americas Before Columbus)
β
Kinh Tα»« Bi
KaraαΉΔ«yamettasutta
Hiα»n nhΓ’n cαΊ§u an lαΊ‘c
NΓͺn huΓ’n tu phΓ‘p lΓ nh
CΓ³ nghα» lα»±c chΖ‘n chαΊ₯t
Ngay thαΊ³ng vΓ nhu thuαΊn
Hiα»n hoΓ khΓ΄ng kiΓͺu mαΊ‘n
Sα»ng dα»
dΓ ng tri tΓΊc
Thanh ΔαΊ‘m khΓ΄ng rα»n rΓ ng
Lα»₯c cΔn luΓ΄n trong sΓ‘ng
TrΓ tuα» cΓ ng hiα»n minh
Tα»± trα»ng khΓ΄ng quyαΊΏn niα»m
KhΓ΄ng lΓ m viα»c Γ‘c nhα»
MΓ bαΊc trΓ hiα»n chΓͺ
Nguyα»n thΓ‘i bΓ¬nh an lαΊ‘c
Nguyα»n tαΊ₯t cαΊ£ sanh linh
TrΓ n ΔαΊ§y muΓ΄n hαΊ‘nh phΓΊc
Vα»i muΓ΄n loΓ i chΓΊng sanh
KhΓ΄ng phΓ’n phΓ m hay thΓ‘nh
Lα»n nhα» hoαΊ·c trung bΓ¬nh
ThαΊ₯p cao hay dΓ i ngαΊ―n
TαΊΏ thΓ΄ khΓ΄ng Δα»ng ΔαΊ³ng
Hữu hình hoặc vô hình
ΓΓ£ sanh hoαΊ·c chΖ°a sanh
GαΊ§n xa khΓ΄ng kα» xiαΊΏt
Nguyα»n tαΊ₯t cαΊ£ sanh linh
TrΓ n ΔαΊ§y muΓ΄n hαΊ‘nh phΓΊc
Γα»«ng lΓ m hαΊ‘i lαΊ«n nhau
Chα» khinh rαΊ» ngΖ°α»i nΓ o
α» bαΊ₯t cα»© nΖ‘i ΔΓ’u
Γα»«ng vΓ¬ niα»m sΓ’n si
HoαΊ·c hiα»m hαΊn trong lΓ²ng
MΓ mong ngΖ°α»i Δau khα»
HΓ£y mα» rα»ng tΓ¬nh thΖ°Ζ‘ng
Hy sinh nhΖ° tα»« mαΊ«u
Suα»t Δα»i lo che chα»
Γα»©a con mα»t của mΓ¬nh
Hãy phÑt tÒm vô lượng
ΓαΊΏn tαΊ₯t cαΊ£ sanh linh
Tα»« bi gieo cΓΉng khαΊ―p
CαΊ£ thαΊΏ gian khα» hαΊ£i
TrΓͺn dΖ°α»i vΓ quanh mΓ¬nh
KhΓ΄ng hαΊΉp hΓ²i oan trΓ‘i
KhΓ΄ng hα»n giαΊn cΔm thΓΉ
Khi Δi Δα»©ng ngα»i nαΊ±m
Bao giα» cΓ²n tα»nh thα»©c
An trΓΊ chΓ‘nh niα»m nαΊ§y
PhαΊ‘m hαΊ‘nh chΓnh lΓ ΔΓ’y
Ai tα»« bα» kiαΊΏn chαΊ₯p
KhΓ©o nghiΓͺm trΓ¬ giα»i hαΊ‘nh
ThΓ nh tα»±u Δược chΓ‘nh trΓ
KhΓ΄ng Γ‘i nhiα»
m dα»₯c trαΊ§n
KhΓ΄ng cΓ²n thai sanh nα»―a.
β
β
Gautama Buddha
β
Soba noodles with eggplant and mango This dish has become my motherβs ultimate cook-to-impress fare. And she is not the only one, as I have been informed by many readers. It is the refreshing nature of the cold buckwheat noodles the sweet sharpness of the dressing and the muskiness of mango that make it so pleasing. Serve this as a substantial starter or turn it into a light main course by adding some fried firm tofu. Serves 6 1/2 cup rice vinegar 3 tbsp sugar 1/2 tsp salt 2 garlic cloves, crushed 1/2 fresh red chile, finely chopped 1 tsp toasted sesame oil grated zest and juice of 1 lime 1 cup sunflower oil 2 eggplants, cut into 3/4-inch dice 8 to 9 oz soba noodles 1 large ripe mango, cut into 3/8-inch dice or into 1/4-inch-thick strips 12/3 cup basil leaves, chopped (if you can get some use Thai basil, but much less of it) 21/2 cups cilantro leaves, chopped 1/2 red onion, very thinly sliced In a small saucepan gently warm the vinegar, sugar and salt for up to 1 minute, just until the sugar dissolves. Remove from the heat and add the garlic, chile and sesame oil. Allow to cool, then add the lime zest and juice. Heat up the sunflower oil in a large pan and shallow-fry the eggplant in three or four batches. Once golden brown remove to a colander, sprinkle liberally with salt and leave there to drain. Cook the noodles in plenty of boiling salted water, stirring occasionally. They should take 5 to 8 minutes to become tender but still al dente. Drain and rinse well under running cold water. Shake off as much of the excess water as possible, then leave to dry on a dish towel. In a mixing bowl toss the noodles with the dressing, mango, eggplant, half of the herbs and the onion. You can now leave this aside for 1 to 2 hours. When ready to serve add the rest of the herbs and mix well, then pile on a plate or in a bowl.
β
β
Yotam Ottolenghi (Plenty: Vibrant Vegetable Recipes from London's Ottolenghi)
β
ααΆαααΈαα·αααααα ααααα
α’αααααααΉα ααααΎααΌα
αααααααααααα α ααΈαα·αααααα
ααΆαααααΎαααααααααααΆαα· ααΊααΆααΏααα½αααααΆααααα αΎα α ααΈαα·αααααΆααααα’αααΈααΎαααΈααααα!! ααΆαααααα
ααααΆαααα»αααα ααα»ααααααΈαα·α αα»αααααΆαα’αααΈααααΌαααααα·ααααααα α ααΈαα·αααΆααα»α α‘αΆαααααΎααααΆαααΆααααα ααΎαα·αααααΆαααα»αααα ααα»ααααΆαααααα
ααααα ααΈαα·αααααΆαααα ααΈαα·αααααΆαααα α αααααΆαααααΎαααααααααΆαα·ααΊαααααΆα ααΆαααααΈαα»αα
αααΎα
β
β
Thai Kimleang
β
αααα»αα
α·αααααΆααΎαααααΈααΆααααα
αααΆααα’αααΈααααΎαααααΏαα’αααΈαα½α ααΆααΎαααΆααα»αααααΆααα’ααααα·α
αΆαααΆαααααΆααΆα
αααΆααααΆα’αΉααα
αΉα ααΆααααΌαααα’αΉααα
αΉα ααααααα½αα’αααααααΆαα α ααΌα
αααααααα»αα
α·αααααΆααααΉααα αΆαααααΆααα·ααααααΎ αα·αααα α αααα»αα
α·αααααΆαα ααα»ααααΆααααΏαααααα»ααααααααα αααααΏααΎαααααΎα²ααααα»αααααααΆαααΆαααααα»ααααααααα αααααααααααα½αααΆααααα
αααΆαα
ααααΌαα ααα»αα ααΌα
ααααααααΏααΆααΏαααΆαααα»αααα²αααα
ααααααααΆαααα α
β
β
Thai Kimleang
β
ααααΆαα! αααα»αααΆαααααααα½αα’ααα ααα»ααααα’αααααααΆαααααααααα»αααΆαααα½αααΆααααααα α
αααα»αααΊααααααα’ααααααα αΎαα α
ααααααααααα½α α’ααααααααα αΎααααααααα αααααααα»α ααααΎα²αααααα»αααααααα
α·ααααααΆαααααΆαα α
α·ααααααααααα»ααααα»ααααα½α α αααα»ααααα»αααΆαααααααΆαα»αααΎα αααα»αααΆα αααα»αααΌααα
ααΎααααΈααααΎααΏαααααααααα§ααααααα· ααααααα»αααΎαα’ααααααα»αααααααΌααααα»ααα
ααΆααααααα αααα»ααααααα»ααα
α±αααΆαα’ααααααα·α ααα»ααααα’ααααααααΆααααΈααααααααΆ αααα»αααΆααα»αααααααααα
αα·α α
β
β
Thai Kimleang
β
As I finished my rice, I sketched out the plot of a pornographic adventure film called The Massage Room. Sirien, a young girl from northern Thailand, falls hopelessly in love with Bob, an American student who winds up in the massage parlor by accident, dragged there by his buddies after a fatefully boozy evening. Bob doesn't touch her, he's happy just to look at her with his lovely, pale-blue eyes and tell her about his hometown - in North Carolina, or somewhere like that. They see each other several more times, whenever Sirien isn't working, but, sadly, Bob must leave to finish his senior year at Yale. Ellipsis. Sirien waits expectantly while continuing to satisfy the needs of her numerous clients. Though pure at heart, she fervently jerks off and sucks paunchy, mustached Frenchmen (supporting role for Gerard Jugnot), corpulent, bald Germans (supporting role for some German actor). Finally, Bob returns and tries to free her from her hell - but the Chinese mafia doesn't see things in quite the same light. Bob persuades the American ambassador and the president of some humanitarian organization opposed to the exploitation of young girls to intervene (supporting role for Jane Fonda). What with the Chinese mafia (hint at the Triads) and the collusion of Thai generals (political angle, appeal to democratic values), there would be a lot of fight scenes and chase sequences through the streets of Bangkok. At the end of the day, Bob carries her off. But in the penultimate scene, Sirien gives, for the first time, an honest account of the extent of her sexual experience. All the cocks she has sucked as a humble massage parlor employee, she has sucked in the anticipation, in the hope of sucking Bob's cock, into which all the others were subsumed - well, I'd have to work on the dialogue. Cross fade between the two rivers (the Chao Phraya, the Delaware). Closing credits. For the European market, I already had line in mind, along the lines of "If you liked The Music Room, you'll love The Massage Room.
β
β
Michel Houellebecq (Platform)
β
Look for a wave shaped like an A.
An A.
Hmm.
I saw Zs and H's and Vs. I saw the Hindi alphabet and the Thai alphabet. I saw Arabic script. I saw no As.
Finally I gave up, and chose the next wave that would have me, which turned out to be a poor move.
There is a moment, shortly after one accepts the imminence of one's demise, when it occurs that you could be elsewhere: that if you simply left the house a little later, or lingered over a Mai Tai, you would not be here now confronting your mortality. This moment occurred just as I encountered a very large (from my perspective), rare and surprising wave. A wave that was pitching and howling, and it really had no business being where it was - underneath me.
The demon wave picked me up, and after that I have only a a vague recollection of spinning limbs, a weaponized surf board, and chaotic white water, churning together over a reef.
I decided surfing was not for me. I generally no longer engage in adrenaline rush activities that carry with them a strong likely hood of life-altering injury. (p. 138)
β
β
J. Maarten Troost (The Sex Lives of Cannibals: Adrift in the Equatorial Pacific)
β
The secretβto being you, to being Happy?β βJust keep on smiling. Even when youβre sad. Keep on smiling.β Not the most profound advice, admittedly. But Happy is wise, for only a fool or a philosopher would make sweeping generalizations about the nature of happiness. I am no philosopher, so here goes: Money matters, but less than we think and not in the way that we think. Family is important. So are friends. Envy is toxic. So is excessive thinking. Beaches are optional. Trust is not. Neither is gratitude. To venture any further, though, is to enter treacherous waters. A slippery seal, happiness is. On the road, I encountered bushels of inconsistencies. The Swiss are uptight and happy. The Thais are laid-back and happy. Icelanders find joy in their binge drinking, Moldovans only misery. Maybe an Indian mind can digest these contradictions, but mine canβt. Exasperated, I call one of the leading happiness researchers, John Helliwell. Perhaps he has some answers. βItβs simple,β he says. βThereβs more than one path to happiness.β Of course. How could I have missed it? Tolstoy turned on his head. All miserable countries are alike; happy ones are happy in their own ways. Itβs worth considering carbon. We wouldnβt be here without it. Carbon is the basis of all life, happy and otherwise. Carbon is also a chameleon atom. Assemble it one wayβin tight, interlocking rowsβand you have a diamond. Assemble it another wayβa disorganized jumbleβand you have a handful of soot. The arranging makes all the difference. Places are the same. Itβs not the elements that matter so much as how theyβre arranged and in which proportions. Arrange them one way, and you have Switzerland. Arrange them another way, and you have Moldova. Getting the balance right is important. Qatar has too much money and not enough culture. It has no way of absorbing all that cash. And then there is Iceland: a country that has no right to be happy yet is. Iceland gets the balance right. A small country but a cosmopolitan one. Dark and light. Efficient and laid-back. American gumption married to European social responsibility. A perfect, happy arrangement. The glue that holds the entire enterprise together is culture. It makes all the difference. I have some nagging doubts about my journey. I didnβt make it everywhere. Yet my doubts extend beyond matters of itinerary. I wonder if happiness is really the highest good, as Aristotle believed. Maybe Guru-ji, Sri Sri Ravi Shankar, is right. Maybe love is more important than happiness. Certainly, there are times when happiness seems beside the point. Ask a single, working mother if she is happy, and sheβs likely to reply, βYouβre not asking the right question.β Yes, we want to be happy but for the right reasons, and,
β
β
Eric Weiner (The Geography of Bliss: One Grump's Search for the Happiest Places in the World)
β
αααα½ααααα»αααΆ ααΎαααα»αα αααΉααααααΆαααααααα»αααααΆαααΆαα?
αααα»αααααΆααααΆαα·ααααααΆαααα!! ααα»αααααααα»ααααααααααα α
ααααΆ αααα»αααααΈααααΆα!!
αααα»αααΆ ααΎααΆαααα»αααΆααααΈααααΆαααΊααΉααααα·αααααα
ααα α αααα½αααΆ α
α»αα’αααΈαα·ααα
α
αΉα?
αααα»αααΆ αααα»ααααααααααααααααααα»ααα α ααααΆ ααΎααααααααααααΊαααααα»αααααΆαααΆα αΎα αααα
ααΆααα·ααααααΆαα? αααα»αααΆαααα»ααα·αααααααααα»αααααΆαααΆαα!! αααα»ααα·αααΆααααααΈααΆαα
ααααααΆαααΆαααααα»ααααα ααα»αααααααα»αααΆα’ααααααααΈααααααα α αααα½αααΆααΎαααααΈααααααα ααααΆαααααα»αααΎαααΎααΆαααΆαααααα ααΆαααΆααα½αααα ααΎααΆαααααα
α’αα? αααα»αααΆ ααααα·ααααααΆα αα½αααα·αααΆααα ααΆαα
αααα»αα
α·ααα α ααΎααααα
ααΆααααααΊαααααα»αααααΆααααα α
ααααα
!! ααα»αααααααααΉαααααα
ααααΆααα!! ααααΆαααα»αα’αααααααΈααααααααααααα»ααα α αααα»αααααααα
α·αααααα αααααααααΆαααα»ααααΉαααΆαααααα α αααα»αααααΆ α αα αΎααα·αα’αΈαα! α
αΆααααααααααααααααααΆααα α
β
β
Thai Kimleang
β
αααααΆαα·αααααααααααααααα»αα²ααα’ααα... ααΆααααα!! αααα»αααΎαααΆαααααα―αααΆααααααΆαα·ααααααα’αΆααΆαα·ααααααα αΎααααααα α αααααα―αααΉαα’ααααΆαααααΆαα·ααααααααΆααΆαα
αΌααα½αααααΎα‘αΎαααααααααΆαααααααααααααααΆααα‘αΆα (α₯α %+α‘) αα
α
αα
αααΆαααααα’αααΆα
ααααα²ααααΆααα»αααααΆααα·α αααΆααααααααα―α αα·α α’αααααΆαααα·α
αα
ααΆαααααααααΆαα·αααααααααα―α α αααα
αααα·αααααααα’αΉααα
αΉα!!
ααΆαα»αααααα·ααααααΆααΆααααα αΆαα²ααααΎαααΆααΆααααααΆαα·αααααααααααα·αααΆααΆααΌαα
αααααααααααΆαα·αααααααα·αααααααΎααΆαα»ααααααΆαααΆαα’αααΈαα½ααα»αααα ααα»ααααααΆααΆααα»ααααα·ααΆα αα·α ααααα·αααα·ααΆαααΆαααααααΆααααΈαααα½α
αααααα’αααααΆααααΆαααΆαααααααΆααααΆαα’αααΆα
αααααΌααααα»α α α αΎαα
α»ααααααα―ααα·α αααΆααααα
αααααααααααααΆαα’αααΆα
αααα»αααα¬αα
?
ααΆαα
αΌααα½αααααΎα’αααΈαα½αααααα·ααααααααΉαααΆααααααΉααα αα»αααΆααΉααααααα²ααααΆαα
αΌααα½ααα»ααα
ααΆααΆαα’αΆααΆαα·αααααα α¬ αααααΆααααΌα
ααΆα α¬αααααΆαααααΆααααΆαα α
α’α!! α―ααα
ααΆααααΆαα? α α’αΌ! α’αΌ! ααααΆαα
ααααααα!!
α αΆ! αα
ααααααα ααΎα―αααααΆααααααααα? α αααα! αα·αααααΆαααα!
α αΆαα’α! αα·αααααΆααααααααα
ααααααααααα
ααΆα α’αΆααααΎ!! α
β
β
Thai Kimleang
β
αααααααΉαααΆαααααααααα αΆαααααα
α·ααααααααααααααΆαααΆαα’αααα α ααΈαααααα·ααααααΆαα
ααααααα»ααααααααααΌααααααααΆααααααααΉαααααααα’αΆααααααα·ααΆααΆααααα
αα»ααα α ααααααααααααααα·αααααα ααΆαααΆαααααααααααΎααΆααα‘αΆααααααααααΆαααΆααααα
α α
ααΆ αα»ααΈαααα α
ααΈαααα ααΊααΆααααααααΈααΆαααα
α·αααααααα»αααα’α·αααααΌαααΆααα·ααααααααα
ααα»αααααααααα α ααΈαααααα·ααααααΆααΆααααα·ααααααααααααααΆαααα½αααΆαααα
ααααΈααα’ααααα ααα»ααααααΈααααααΆαααααααααααα»αααααααΆαααααααααΉααααααααΎααΆααα‘αΆαααααα·αα
αΆαααΆα
ααααα·αααααα ααΆαααα»α ααααααααα ααΆααααα αααα αΆαααα αα»ααα αααααααΈααααααΆααΆαααΆαα·αααααΆααααα’ααααα»ααααα
ααΉαα
α·ααααααΆαααααααααΈ α ααΆαααΆαα·ααααΈααααααΆαααΌαααΆαααααααααα·ααΆαα
ααααααα»αααααΆαααα
αΌαααααααΆαααααααΆααααααΆαα½α α ααΈααααα’αΆα
ααΎαααΆα α¬ααααα»αα‘αΎαααΆααααααααααΆαααΆαα
α―ααΌαααααΆαααααα
ααα
α·αααααααααααα’αααααΆααα·ααΈαα·ααααααΆ αα·α ααααααΆααΆαααΆ α ααΈαααααα·ααααα’αΆα
ααααα»αααΆααα
ααΌαααααΆαααααΉααααα½αααααΆααα»ααα ααα»ααααααααΌαααααααΆαα²ααα
αΌααααααΈααααα
ααα
α·ααα α ααΆαααααααα²ααααΆαααα
ααααΈααα’ααααΉαααααΌαααααΆααααα½αααααΆα α α
ααΆ ααΆαααααααα²ααααΆααα»ααΈαααα α
β
β
Thai Kimleang
β
We came to the city because we wished to live haphazardly, to reach for only the least realistic of our desires, and to see if we could not learn what our failures had to teach, and not, when we came to live, discover that we had never died. We wanted to dig deep and suck out all the marrow of life, to be overworked and reduced to our last wit. And if our bosses proved mean, why then weβd evoke their whole and genuine meanness afterward over vodka cranberries and small batch bourbons. And if our drinking companions proved to be sublime then we would stagger home at dawn over the Old City cobblestones, into hot showers and clean shirts, and press onward until dusk fell again. For the rest of the world, it seemed to us, had somewhat hastily concluded that it was the chief end of man to thank God it was Friday and pray that Netflix would never forsake them.
Still we lived frantically, like hummingbirds; though our HR departments told us that our commitments were valuable and our feedback was appreciated, our raises would be held back another year. Like gnats we pestered Managementβ who didnβt know how to use the Internet, whose only use for us was to set up Facebook accounts so they could spy on their children, or to sync their iPhones to their Outlooks, or to explain what tweets were and more importantly, whyβ which even we didnβt know. Retire! we wanted to shout. We ha Get out of the way with your big thumbs and your senior moments and your nostalgia for 1976! We hated them; we wanted them to love us. We wanted to be them; we wanted to never, ever become them.
Complexity, complexity, complexity! We said let our affairs be endless and convoluted; let our bank accounts be overdrawn and our benefits be reduced. Take our Social Security contributions and let it go bankrupt. Weβd been bankrupt since weβd left home: weβd secure our own society. Retirement was an afterlife we didnβt believe in and that we expected yesterday. Instead of three meals a day, weβd drink coffee for breakfast and scavenge from empty conference rooms for lunch. We had plans for dinner. Weβd go out and buy gummy pad thai and throat-scorching chicken vindaloo and bento boxes in chintzy, dark restaurants that were always about to go out of business. Those who were a little flush would cover those who were a little short, and we would promise them coffees in repayment. We still owed someone for a movie ticket last summer; they hadnβt forgotten. Complexity, complexity.
In holiday seasons we gave each other spider plants in badly decoupaged pots and scarves weβd just learned how to knit and cuff links purchased with employee discounts. We followed the instructions on food and wine Web sites, but our soufflΓ©s sank and our baked bries burned and our basil ice creams froze solid. We called our mothers to get recipes for old favorites, but they never came out the same. We missed our families; we were sad to be rid of them.
Why shouldnβt we live with such hurry and waste of life? We were determined to be starved before we were hungry. We were determined to be starved before we were hungry. We were determined to decrypt our neighborsβ Wi-Fi passwords and to never turn on the air-conditioning. We vowed to fall in love: headboard-clutching, desperate-texting, hearts-in-esophagi love. On the subways and at the park and on our fire escapes and in the break rooms, we turned pages, resolved to get to the ends of whatever we were reading. A couple of minutes were the dayβs most valuable commodity. If only we could make more time, more money, more patience; have better sex, better coffee, boots that didnβt leak, umbrellas that didnβt involute at the slightest gust of wind. We were determined to make stupid bets. We were determined to be promoted or else to set the building on fire on our way out. We were determined to be out of our minds.
β
β
Kristopher Jansma (Why We Came to the City)
β
ααΆαααΏααααΆαααααααα»ααααα·αααΆααα ααΆαααααα
ααΆ ααα»αααααααΌαα
ααααααΆαααααα½αα―αα²ααααΆαα
αααΆαα α ααααΌα!! ααΊααα»αααααααΌαααααααΆαααααα½αα―α α ααα»ααααα·αααΆααα αα·ααΆαααΆ ααΎααααΈααααΆαααααα½αα―α ααααΌαααααΆααΆααααααΌαααααΈαααα½αα―αααΌαααα α»ααααααααα½α α αΎααααααα’ααΆ α αααα»αααΆαα»αααα! α’ααααα·ααΆααααα’ααααΆααααααΆαααααα½αα―αααΌααααΈααααα·α
α α’αααααααΆαααααααααα ααΆαα
ααα’α»ααααα αΆαααΆ ααΎααααΈααΆαααααα·αααααααΆαααααΆαααααα½αα―α ααΊααα»αααααααΌαααααα
ααΆαα½ααα
αα
α»ααααααααΆααααααα½αα―α ααΆααααααΆ ααΆααααα·ααααααααααΆ αααααΆ αα·αα·ααααααα αΎα αα·αα·ααααααα αΎα ααΆαααΆα α’αα·α
αα
αα αα»ααααα α’αααααΆ ααΆαααααΎαα αααΉααα
α αααα»αααΉααα·ααααααΆαααα»αααΊααΆα’αααα
αα
αΆα ααΎααααΆαα’αααα
αα
αΆα ααααααααααααΆα αα»αααΆαα·ααααααΆαααα»αααα αααα»ααααααααα½αααααΆαααααααΆ αααα»αααΊααΆααΆαααΆααααααΌα ααΊααΎα’ααααααα·α
α’ααααααααααα
ααΉααααα»αααΊ ααααΎαααα·α
ααΆα
ααααααααα»α αααα»αααΉαααΊ αααα»αααΆααααααΌα ααΌα
ααααααΆααααααΌαααΎαααΆαααα»αα αααα»ααααααααα½αααααΆαααααααΆ ααααΆααααα»α ααααΆαα’αα’αΈαα ααΊααΎαααααααΆαααΌαααΆαααααα
ααααααα·αααααα ααΆααααΆαααΆαα»ααΆααααααΌαα’αΈααΆααα’αα ααΊααΆααΎα’ααααα
ααΆαααα·αααααααα½αααΎα ααΎαα·αααααααααααααΆααΊα¬αα α αα·ααααααααΆααΆααα α
αααΆααααΆααααΆααΆαα·αααΆαααΊα’αΈαα ααΌα
ααααααΆααααΆαα’ααα α ααα»ααααααΆαααα·ααα
ααααΉαααααΆααααααΆααααΆααααΆαααααα»ααααα αααα»ααα»αααΆααααΆααααααΌαααΆαα
α‘αΎα α
β
β
Thai Kimleang
β
ααΎα’ααααααααΆα’αααααααΆααα»αααααααΆααααααΎαααααααΆαα· α’ααααα½αααΆααααααΌαααΉαααΈααααΎααααααααΉααααα
αααααααααΈαα
ααααΎαααΆαααααααααα
αααΆααααααααΆαα· α ααααα·ααΆαααα
αααΆααααααααΆαα·ααΆαααΌαααααΆαααααΌααααα»ααα
α―α
α·αααααααααα»αααααααΆαααα αααΉαα αΎα α ααΎα’αααααΆααα»ααααααααααΆαααααα·ααΆαααααΌαα
α·ααααα ααααΌαα
α·αααααααα’αααααΆαααααΆαααα αΉα αααα»ααα»ααα½α ααααΆααΆα α
ααααααα·ααααΆααααΆααΈα αα»αα
α·αααααααααααΆααααΆαααααΉααα ααΆαααααααααααΎ αα·αα αααΉαααααα‘αΎα α
α·αααααααααααααα
ααααα·ααα ααΆααααα½αααααΆα α α
α·ααααααααα ααΎα’αααααΆαα
ααααΆαααααααΆααααααΆαα½α α’ααααααα―αααΉαααα½αααΌαααΆααα·ααα»ααααα½α αα·αααΆαααααα·ααΆααααα₯αααα·ααααααααΆαααααααα
α·ααααα»α α’αΉααα
αΉαα αΎαααΎααααα·ααΆαααααα
ααΆαα
αααααα·ααααααα
ααΎααΌααααΈααααα»αααααΈαααΆααααααΆαααααααααΆαα·αααΆααααα»αα ααΌα
ααααααααΎαααααα·ααΆαααα
αααΆααααααααΆαα·ααΆαααααααΉαααα‘αΎαααΈααα»αααααααΆαααααΆαα»α ααΊααα»αααααααΆαααααααΌαααΆαααααα·ααΆαααααΌαα
α·αααααΆαα»αααΎααα·ααααααααααΆαααααα·ααΆαααΎα α
ααΌα
ααααΆααααα α
ααααααααΎαααΈαα
ααααΎαααααααααα½α ααΆααααΎαααΈαααα·ααΆααααααααα»αααΆαα»α α αααα·ααΆααααΌαααααΆαααα·ααΆαααα
αααα»αα
ααααΎα ααΆαααα·ααΆααααααααα²αααααα·ααΆααααααααααΆαααααααΆααααααΆα ααΆαααα·ααΆααααααααα²αααααα·ααΆααααααααΉαααΆααααΆα ααΆαααα·ααΆαααααΌααΆαααα½ααααααΆαααααααααααα½α α ααΎαααα·ααΆααα’αα»αααΆαααα·ααΆαααααΆ?
αααα·ααΆααα’ααΆαααα·ααΆαααααααα
αααααααΆα α ααααΆααααα
ααΆαα·ααααα
αααα
ααααααΉα α αααααΆααααααααααααααααααααα
ααααααΉα ααΉαααααΎα²ααααααααα»αααΈαα
ααααΎααα
αααΆααα αααααα»α ααΈααααααααααααααααααΌααα
αααααααΉαααα»ααα α ααΆααααα αΆααααααΆααΆαααΈαα
ααααΎααααααααααααααΆαααααΎαααα
αααΆααααααααΆαα· α ααΎαααααααααΆααααα·ααΆααααααααααα
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αααΆααααααααΆαα· αααααααΆααΆαααααΆααα
αααα·ααΆααα α
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Thai Kimleang
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ααΏααα·ααΆαααΆααΆααΆα’ααααααααα½α ααααΆαααΆααΆαααααα
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ααααααα·ααΆααααααααααα»ααααααααα
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ααααααααααΆ ααααΌαααααΆαα αααααααααΈαααααΆαα αα½αααΆααΈααααααααα ααΆααΈαα½αα²ααααααΆα
αα α ααααααΆααΆ ααΆαα
α·ααααα·ααααααααα·α
α’ααααααΆαααααα·α
αααααΆαααΆαα½αααΉααα·αααααΆαααααααααΆαα·αααααααΆα αααααααΆα
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αα»ααα ααΎαααααααΆααΆαααα½αααΆ α α’α! ααααα ααΎαααααα―αααΆα’αααααΆ? α αΎααα
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ααα’αΈ? α ααααααΆααΆαααααα»αααΆααΆααΆααααα α’αΎ! ααα’αΌααααα»α ααααααααααααΌαα αΎα α αα·ααΆαα’αΉααα
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αα ααα’αΌα? α αααααααααΆαααααα αα αα αα·αααααΆαααα ααααα
ααΆα’αααΈ? α ααααααΆααΆα α’αΎα
αΆαααααααΆαα α αΎαα²ααααΆαααααΆααααΆα
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αΆααααααΆαααΆ α ααΈαααα»αααααααΆααΆααααΆααα½αααΉαα αααΌααααααααΈαα·αααα α αα½αα αααΌααααααααΈααΎαααααααΆααΆ α αΎαααα±αααΆαααααααααα½αααααααΆααΆ α ααααααΆααΆααΆαα α
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αΆαααααααααα»α α αΆαα’!! ααααα
ααΆα α’ ααΆαα ααααα
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αΉα ααΌα
αααααααα»αααααΆααααα
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ααα»ααααααΈαααα»αααααΌαα’αΆααα±αα
αααααα»ααααααααΈαα
αα·α α ααααα
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