Contact Tracing Quotes

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What is a saint? A saint is someone who has achieved a remote human possibility. It is impossible to say what that possibility is. I think it has something to do with the energy of love. Contact with this energy results in the exercise of a kind of balance in the chaos of existence. A saint does not dissolve the chaos; if he did the world would have changed long ago. I do not think that a saint dissolves the chaos even for himself, for there is something arrogant and warlike in the notion of a man setting the universe in order. It is a kind of balance that is his glory. He rides the drifts like an escaped ski. His course is a caress of the hill. His track is a drawing of the snow in a moment of its particular arrangement with wind and rock. Something in him so loves the world that he gives himself to the laws of gravity and chance. Far from flying with the angels, he traces with the fidelity of a seismograph needle the state of the solid bloody landscape.
Leonard Cohen (Beautiful Losers)
Every contact leaves a trace.Everyhting and everyone we touch is changed in some way.But the changes,they are never what we anticipate.
Jeff Lindsay (Darkly Dreaming Dexter (Dexter, #1))
We get a lot of calls where the person is murdered at home, but is not found for a period of time. And so the animals have already started to take the body apart because they haven't been fed in that period. So your evidence is being chewed up by the family pet. I tell you - Dogs are more loyal than cats. Cats will wait only a certain period of time and they'll start chewing on you. Dogs will wait a day or two before they just can't take the starving anymore. So, keep that in mind when choosing a pet. You know how a cat just stares at you, maybe at the top of the TV, from across the room? That's because they're watching to see if you're gonna stop breathing.
Connie Fletcher (Every Contact Leaves a Trace)
Every contact leaves a trace.
Maureen Johnson (The Hand on the Wall (Truly Devious, #3))
NOT EVERYBODY KNOWS this – or cares probably – but the first law of forensic science is Locard’s Exchange Principle, and it says ‘Every contact between a perpetrator and a crime scene leaves a trace.
Terry Hayes (I Am Pilgrim (Pilgrim, #1))
No,” I hear myself say. “You’re not supposed to be here.” She’s sitting on my bed. She’s leaning back on her elbows, legs outstretched in front of her, crossed at the ankles. And while some part of me understands I must be dreaming, there’s another, overwhelmingly dominant part of me that refuses to accept this. Part of me wants to believe she’s really here, inches away from me, wearing this short, tight black dress that keeps slipping up her thighs. But everything about her looks different, oddly vibrant; the colors are all wrong. Her lips are a richer, deeper shade of pink; her eyes seem wider, darker. She’s wearing shoes I know she’d never wear. And strangest of all: she’s smiling at me. “Hi,” she whispers. It’s just one word, but my heart is already racing. I’m inching away from her, stumbling back and nearly slamming my skull against the headboard, when I realize my shoulder is no longer wounded. I look down at myself. My arms are both fully functional. I’m wearing nothing but a white T-shirt and my underwear. She shifts positions in an instant, propping herself up on her knees before crawling over to me. She climbs onto my lap. She’s now straddling my waist. I’m suddenly breathing too fast. Her lips are at my ear. Her words are so soft. “Kiss me,” she says. “Juliette—” “I came all the way here.” She’s still smiling at me. It’s a rare smile, the kind she’s never honored me with. But somehow, right now, she’s mine. She’s mine and she’s perfect and she wants me, and I’m not going to fight it. I don’t want to. Her hands are tugging at my shirt, pulling it up over my head. Tossing it to the floor. She leans forward and kisses my neck, just once, so slowly. My eyes fall closed. There aren’t enough words in this world to describe what I’m feeling. I feel her hands move down my chest, my stomach; her fingers run along the edge of my underwear. Her hair falls forward, grazing my skin, and I have to clench my fists to keep from pinning her to my bed. Every nerve ending in my body is awake. I’ve never felt so alive or so desperate in my life, and I’m sure if she could hear what I’m thinking right now, she’d run out the door and never come back. Because I want her. Now. Here. Everywhere. I want nothing between us. I want her clothes off and the lights on and I want to study her. I want to unzip her out of this dress and take my time with every inch of her. I can’t help my need to just stare; to know her and her features: the slope of her nose, the curve of her lips, the line of her jaw. I want to run my fingertips across the soft skin of her neck and trace it all the way down. I want to feel the weight of her pressed against me, wrapped around me. I can’t remember a reason why this can’t be right or real. I can’t focus on anything but the fact that she’s sitting on my lap, touching my chest, staring into my eyes like she might really love me. I wonder if I’ve actually died. But just as I lean in, she leans back, grinning before reaching behind her, never once breaking eye contact with me. “Don’t worry,” she whispers. “It’s almost over now.” Her words seem so strange, so familiar. “What do you mean?” “Just a little longer and I’ll leave.” “No.” I’m blinking fast, reaching for her. “No, don’t go—where are you going—” “You’ll be all right,” she says. “I promise.” “No—” But now she’s holding a gun. And pointing it at my heart.
Tahereh Mafi (Destroy Me (Shatter Me, #1.5))
To visit the Tower, then, is to enter into contact not with a historical Sacred, as is the case for the majority of monuments, but rather with a new nature, that of human space: the Tower is not a trace, a souvenir, in short culture; but an immediate consumption of a humanity made natural by that glance which transforms it into space.
Roland Barthes (The Eiffel Tower and Other Mythologies)
In Highland New Guinea, now Popua New Guinea, a British district officer named James Taylor contacted a mountain village, above three thousand feet, whose tribe had never seen any trace of the outside world. It was the 1930s. He described the courage of one villager. One day, on the airstrip hacked from the mountains near his village, this man cut vines and lashed himself to the fuselage of Taylor's airplane shortly before it took off. He explained calmly to his loved ones that, no matter what happened to him, he had to see where it came from.
Annie Dillard
I've been thinking about this mouth all day" he said before covering my lips with his. I licked at his bottom lip and he opened for me, letting me leisurely taste him. The gentle pressure of his mouth was perfect and made me a little dizzy. His fingers slip up my thigh until both hands were gripping my butt. One of his fingers traced the edge of my panties. "I really like this skirt," he murmured against my lips. I really liked it too at the moment. My breath was coming in short gasps as he slid one hand inside the edge of my panties. He gripped my bare butt with one hand while he slid his other slowly back down my thigh and shifted closer to my inner thigh. I liked what his next move would be. What I didn't know was if I was going to let it go that far. Then he moaned into my mouth as his fingers touched the inside of my thigh and my leg fell open of its own accord. The slow, easy kiss became frenzied as we both fought to calm our breathing. His hand inched higher and higher up my exposed thigh. The second his finger grazed the outside of my panties, I jerked in his hold, and something very close to pleading squeaked in my throat. Sawyer pulled back, and his accelerated breathing made me tingle with pleasure. I loved knowing I did that to him. He kissed down my neck until he met the curve of my shoulder. He went very still. His warm breath bathed my chest and neck. His hand slowly moved again. One lone finger slipped inside the edge of my panties and made direct contact. He murmured something against my neck, but I couldn't focus enough to understand. My brain was in a foggy haze, and my heart was about to pound out of my chest. The urge to move against the hand, which now cupped the crotch of my panties, was strong. But I waited while he eased his finger farther inside and gently ran it along the folds. "oh, oh, oh my god," I managed to get out in a breathless chant. "God, you're so warm," he whispered in a strained voice as he began kissing the spot where he had buried his head in my neck. When he slipped his other hand over my leg and pulled it farther open then reached down and pulled my panties to the side as he gently stroked me, I started to come apart in his arms. "That's it, baby," he encouraged me as I clung to him, calling his name and wanting it to never end.
Abbi Glines (The Vincent Brothers (The Vincent Boys, #2))
Tell you what, I’ll take the first watch, and if nothing happens, we’ll both sleep. Agreed?” I frowned at him. He started playing with my fingers and turned my hand over so he could trace the lines of my palm. Firelight flickered across his handsome features. My eyes drifted to his lips. “Kelsey?” He made eye contact, and I quickly looked away. I wasn’t used to dealing with him when camping like this. I usually got to make all my own decisions, and he just followed me around. Er, or I guess I followed him most places. But, at least when he was a tiger he didn’t argue back. Or distract me with thoughts of being wrapped in his arms kissing him. He smiled an amazingly white smile and stroked the inside of my arm. “Your skin here is so soft.” He leaned over to nuzzle my ear. My blood started pounding thickly and fogged my brain. “Kells, tell me you agree with my plan.” I shook myself free from the spellbinding fog and set my jaw stubbornly. “Fine, you win. I agree,” I mumbled. “Even though you are coercing me.” He laughed and moved to look at me. “And how exactly am I coercing you?” “Well, first of all, you can’t expect me to have coherent thoughts when you’re touching me. Second, you always know how to get your way with me.” “Is that right?” “Sure. All you have to do is bat your eyes, or in your case smile and ask nicely, throw in a distracting touch, and then, before I know it, you get whatever it is you want.” “Really?” he teased quietly. “I had no idea I had that effect on you.” Reaching out a hand, he turned my face toward him. He trailed his fingers lightly from my jaw, down to the pulse at my throat, and then across my neckline. My pulse hammered as he touched the cord tied around my neck and followed its path down to the amulet; then he skimmed his fingers lightly back up to my neck, studying my face as he touched me. I swallowed thickly. He leaned in close and threatened playfully, “I’ll have to use it more to my advantage in the future.
Colleen Houck (Tiger's Curse (The Tiger Saga, #1))
I bet you didn’t know,” he said, “whenever you wanted to shower – I liked to come on the soap. ” I gaped at him. “You did what?” He gave a deep laugh then drew a long, slow breath through his mouth. Under my ass, I could feel how much remembering this was arousing him. “I used to come on the soap. I loved thinking about you rubbing my come all over your body, your nipples, your stomach….” He trailed his finger down to my pubic bone. “…Between your legs.” My breath hitched when he traced his finger down to my testicles. Just that simple touch was enough to get me going again, but I knew this arousal wasn’t merely from the physical contact. I pressed my lips tight and moaned.” “I always wondered if you ever experimented with it,” he continued, his voice now soft and husky. “Did you ever lube yourself? I loved thinking you had my come in your ass.” “Ven….” I closed my eyes when he licked my chest. “Ahh, I always knew you were a pervert but this takes perversity to a whole new level.
Passhenette1 (Chronic Carnalli Complex (Carnalli Brothers, #2))
Locard’s Exchange Principle and it says “every contact between a perpetrator and a crime scene leaves a trace.
Terry Hayes (I Am Pilgrim (Pilgrim, #1))
Phonological calques are often semantic calques as well. Words spread. And you can trace contact points of human history from words that have uncannily similar pronunciations.
R.F. Kuang (Babel)
Furthermore, Professor Uzzi-Tuzii had begun his oral translation as if he were not quite sure he could make the words hang together, going back over every sentence to iron out the syntactical creases, manipulating the phrases until they were not completely rumpled, smoothing them, clipping them, stopping at every word to illustrate its idiomatic uses and its commutations, accompanying himself with inclusive gestures as if inviting you to be content with approximate equivalents, breaking off to state grammatical rules, etymological derivations, quoting the classics. but just when you are convinced that for the professor philology and erudition mean more than what the story is telling, you realize the opposite is true: that academic envelope serves only to protect everything the story says and does not say, an inner afflatus always on the verge of being dispersed at contact with the air, the echo of a vanished knowledge revealed in the penumbra and in tacit allusions. Torn between the necessity to interject glosses on multiple meanings of the text and the awareness that all interpretation is a use of violence and caprice against a text, the professor, when faced by the most complicated passages, could find no better way of aiding comprehension than to read them in the original, The pronunciation of that unknown language, deduced from theoretical rules, not transmitted by the hearing of voices with their individual accents, not marked by the traces of use that shapes and transforms, acquired the absoluteness of sounds that expect no reply, like the song of the last bird of an extinct species or the strident roar of a just-invented jet plane that shatters the sky on its first test flight. Then, little by little, something started moving and flowing between the sentences of this distraught recitation,. The prose of the novel had got the better of the uncertainties of the voice; it had become fluent, transparent, continuous; Uzzi-Tuzii swam in it like a fish, accompanying himself with gestures (he held his hands open like flippers), with the movement of his lips (which allowed the words to emerge like little air bubbles), with his gaze (his eyes scoured the page like a fish's eyes scouring the seabed, but also like the eyes of an aquarium visitor as he follows a fish's movement's in an illuminated tank).
Italo Calvino (If on a Winter’s Night a Traveler)
Priss tried to open her door, but it still didn’t budge. “Unlock it.” Instead he pulled her around to face him. He started to blast her, but something funny happening. Instead of reading her the riot act, he stared into her eyes, then down at her mouth. His entire demeanor changed. He looked just as tense, but now for different, hotter reasons. He still stared intently at her mouth when Priss heard the lock click open. She glanced down and saw that Trace had reached back for the door, all without breaking that disturbing, electrifying visual contact with her. She met his gaze again, and softened. Damn, but resisting Trace wouldn’t be easy, not if he kept looking at her like that. “You’re coming in, too?” “Yes.” Suddenly, almost violently, he turned away from her and left the car. Still a gentleman, he strode around to her side and opened her door. “Let’s get this night over with.” Well. That sounded insulting.
Lori Foster (Trace of Fever (Men Who Walk the Edge of Honor, #2))
and only much later, when Mascha wanted a child, did I realize that love is a deadly poison, a vice, a vice that one wants to see shared, & that if one of the two involved is smitten, the other is often no more than a passive participant, or vixxtim, or possessed. And Moravagine was possessed. Love is masochistic. These cries & complaints, these sweet alarms. this anguished state of lovers, this suspense, this latent pain that is just below the surface, almost unexpressed, these thousand & one anxieties over the loved one's absence, this feeling of time rushing by, this touchiness, these fits of temper, these long daydreams, this childish fickleness of behavior, this moral torture where vanity & self-esteem, or perhaps honor, upbringing & modesty are at stake, these highs & lows in the nervous tone, these leaps of imagination, this fetishism, this cruel precision of senses, whipping & probing, the collapse, the prostration, the abdication, the self-abasement, the perpetual loss & recovery of one's personality, these stammered words & phrases, these pet-names, this intimacy, these hesitations in physical contact, these epileptic tremors, these successive & even more frequent relapses, this more & more turbulent & stormy passion with its ravages progressing to the point of complete inhibition & annihilation of the soul, the debility of the senses, the exhaustion of the marrow, the erasure of the brain & even the desiccation of the heart, this yearning for ruin, for destruction, for mutilation, this need of effusiveness, of adoration, of mysticism, this insatiability which expresses itself in hyper-irritability of the of mucus membranes, in errant taste, in vasomotor or peripheral disorders, & which conjures up jealousy & vengeance, crimes, prevarications & treacheries, this idolatry, this incurable melancholy, this apathy, this profound moral misery, this definitive & harrowing doubt, this despair--are not all these stigmata the very symptoms of love in which we can first diagnose, then trace with a sure hand, the clinical curve of masochism?
Blaise Cendrars (Moravagine)
Ty caught his breath, nearly gasping when Zane finally touched their lips together. He shivered and his lips parted tentatively, but his wary eyes never closed. Giving in, Zane pulled him closer and lifted one hand to cup Ty’s cheek as he increased the pressure of his lips against Ty’s. Ty groaned softly and finally relaxed against the kiss, returning it tentatively. He knew he’d regret this just as soon as they parted, but he couldn’t bring himself to stop it. Tension cramped Zane’s gut as Ty’s lips moved, and he deepened the kiss, all the itch and urge heating inside him as his traced Ty’s lips with his tongue. Oh, this was going to be an absolute fucking mess, he just knew it. He pulled his fingers out of the waistband and curled that arm around Ty’s waist as he leaned into the dangerous kiss. His hand on Ty’s cheek trembled. Ty indulged himself in the deeper kiss for a long, horribly tantalizing moment before he pulled his head back just enough to break the contact and pushed gently at Zane’s chest. “That’s what I thought,” he rasped as his breath gusted against Zane’s lips.
Abigail Roux
Eventually, I looked up. Raymond was unpacking the other bag, which contained a disposable litter tray, a squishy cushion bed and a small box of kibble. The cat squirmed in my arms and landed on the carpet with a heavy thump. She strolled over to the litter tray, squatted down and urinated loudly, maintaining extremely assertive eye contact with me throughout. After the deluge, she lazily kicked over the traces with her back legs, scattering litter all over my freshly cleaned floor. A woman who knew her own mind and scorned the conventions of polite society. We were going to get along just fine.
Gail Honeyman (Eleanor Oliphant Is Completely Fine)
His likeness? How can I trace it? I have seen Arsène Lupin a score of times, and each time a different being has stood before me… or rather the same being under twenty distorted images reflected by as many mirrors, each image having its special eyes, its particular facial outline, its own gestures, profile, and character. “I myself,” he once said to me, “have forgotten what I am really like. I no longer recognize myself in a glass.” A paradoxical whim of the imagination, no doubt; and yet true enough as regards those who come into contact with him, and who are unaware of his infinite resources, his patience, his unparalleled skill in make-up, and his prodigious faculty for changing even the proportions of his face and altering the relations of his features one to the other. “Why,” he asked, “should I have a definite, fixed appearance? Why not avoid the dangers attendant upon a personality that is always the same? My actions constitute my identity sufficiently.” And he added, with a touch of pride: “It is all the better if people are never able to say with certainty: ‘There goes Arsène Lupin.’ The great thing is that they should say without fear of being mistaken: ‘That action was performed by Arsène Lupin.
Maurice Leblanc (The Adventures of Arsène Lupin, Gentleman-Thief (Macmillan Collector's Library))
Participating in music, whether as performer or listener, brings us into contact with greatness, and leaves traces of that greatness as permanent impressions. I share Plato’s conviction that musical training is a potent instrument ‘because rhythm and harmony find their way into the inward places of the soul’.
Anthony Storr (Music and the Mind)
Traces of historical associations can long outlast actual contact. In the dense, subtropical forests from India across to the South China Sea, venomous snakes are common, and there is always an advantage in pretending to be something dangerous. The slow loris, a weird, nocturnal primate, has a number of unusual features that, taken together, seem to be mimicking spectacled cobras. They move in a sinuous, serpentine way through the branches, always smooth and slow. When threatened, they raise their arms up behind their head, shiver and hiss, their wide, round eyes closely resembling the markings on the inside of the spectacled cobra’s hood. Even more remarkably, when in this position, the loris has access to glands in its armpit which, when combined with saliva, can produce a venom capable of causing anaphylactic shock in humans. In behaviour, colour and even bite, the primate has come to resemble the snake, a sheep in wolf’s clothing. Today, the ranges of the loris and cobras do not overlap, but climate reconstructions reaching back tens of thousands of years suggest that once they would have been similar. It is possible that the loris is an outdated imitation artist, stuck in an evolutionary rut, compelled by instinct to act out an impression of something neither it nor its audience has ever seen.
Thomas Halliday (Otherlands: Journeys in Earth's Extinct Ecosystems)
What is art? It is not decoration. It is the re-living of experience. The artist says, 'I will make that event happen again, altering its shape, which was disfigured by its contacts with other events, so that its true significance is revealed'; and his audience says, 'We will let that event happen again by looking at this man's picture or house, listening to his music or reading his book.' It must not be copied, it must be remembered, it must be lived again, passed through those parts of the mind which are actively engaged in life, which bleed when they are wounded and give forth the bland emulsions of joy, while at the same time it is being examined by those parts of the mind which stand apart from life. At the end of this process the roots of experience are traced; the alchemy by which they make a flower of joy or pain is, so far as is possible to our brutishness, detected. What is understood is mastered. If art could investigate all experiences then man would understand the whole of life, and could control his destiny.
Rebecca West (Black Lamb and Grey Falcon)
Unidentified contact and/or jammed transmissions to police officers are illegal. I'��m obliged to caution you that this transmission is being traced through CompuGuard, and it'��s being recorded."�� "��I'��m aware of that. Since I'��ve just committed what worldly society would consider first-degree murder, I'��m not overly concerned about minor nuisances like electronic violations. I'��ve been blessed by the Lord." "��Oh yeah?"�� Terrific, she thought, just what she needed. "I have been called on to do His work, and have washed myself in the blood of His enemy."�� "��Does He have a lot of them? I mean, you'��d think He'��d just, what, smite them down Himself instead of enlisting you to do the dirty work."��
J.D. Robb (Vengeance in Death (In Death, #6))
I’m heading out.” Her gaze searched his and, a little breathless, she asked, “Leaving?” “Yeah.” He stepped closer. Any second how Trace would intrude. “Thing is, Alani, I can’t be around you without wanting you. Bad. Really bad.” “Oh.” “If that’s crude, well, then screw it, I’m crude. I know we’d have a great time in bed, but since you aren’t ready for that yet, well . . . I promised Trace I wouldn’t pressure you.” Her neck went stiff. “Dear God. You discussed this with my brother?” “No!” He cut a hand through the air and his voice lowered. “When . . . if . . . I get you out of your panties, believe me, it’ll be a private thing between us. No way in hell would I discuss that with anyone else.” Her face went as red as Priss’s had. “Trace and I talked about you maybe decorating my house, that’s all.” “Oh.” Face still hot, she said, “I—” “Yeah, forget it. That’s off. Like I said, I’d just hanker for you, and you aren’t exactly reciprocating. So that’s that.” She blinked fast. “But if you ever change your mind, all you have to do is let me know.” He reached out and touched her cheek. Her skin was soft and warm and he wanted to feel her all over. All over him. Naked. Hungry. Wet . . . Damn, he had it bad. “I can promise you, if you do come to me, you won’t regret it.” She swallowed, licked her lips and damned if her eyes didn’t heat. She wanted him, too. He had to believe that. But Trace was starting up the hill, and the others were looking on, and the last thing he wanted was to make Alani uncomfortable. “Tell everyone I said goodbye. You make up any excuse you want.” And with that, he left Alani standing there, watching after him as he walked away. God willing, she’d contact him soon. He wasn’t sure he could stand it if she didn’t.
Lori Foster (Trace of Fever (Men Who Walk the Edge of Honor, #2))
The cat squirmed in my arms and landed on the carpet with a heavy thump. She strolled over to the litter tray, squatted down and urinated loudly, maintaining extremely assertive eye contact with me throughout. After the deluge, she lazily kicked over the traces with her back legs, scattering litter all over my freshly cleaned floor. A woman who knew her own mind and scorned the conventions of polite society. We were going to get along just fine.
Gail Honeyman (Eleanor Oliphant Is Completely Fine)
The Archaeology of Desire The psychology of our desire often lies buried in the details of our childhood, and digging through the early history of our lives uncovers its archaeology. We can trace back to where we learned to love and how. Did we learn to experience pleasure or not, to trust others or not, to receive or be denied? Were our parents monitoring our needs or were we expected to monitor theirs? Did we turn to them for protection, or did we flee them to protect ourselves? Were we rejected? Humiliated? Abandoned? Were we held? Rocked? Soothed? Did we learn not to expect too much, to hide when we are upset, to make eye contact? In our family, we sense when it’s OK to thrive and when others might be hurt by our zest. We learn how to feel about our body, our gender, and our sexuality. And we learn a multitude of other lessons about who and how to be: to open up or to shut down, to sing or to whisper, to cry or to hide our tears, to dare or to be afraid.
Esther Perel (Mating in Captivity: Unlocking Erotic Intelligence)
But the truth about quarantines was that you could never catch everyone in your net, not even if you tagged and tracked every person who’d come in contact with the Typhoid Mary. And in this case, there didn’t seem to be a Typhoid Mary. Instead, pockets of sickness had just bloomed up like hideous flowers in several places at once, and then spread so fast that tracing the vectors was something like impossible. And “the government”—well, Red had zero confidence that the government would be able to do anything. Not because it was full of bad people or there was a giant conspiracy or anything like that.
Christina Henry (The Girl in Red)
His tongue slid down the inner length of her finger, then traced the lines on her palm. “Such lovely hands,” he murmured, nibbling on the fleshy part of her thumb as his fingers entwined with hers. “Strong, and yet so graceful and delicate.” “You’re talking nonsense,” Kate said self-consciously. “My hands—” But he silenced her with a finger to her lips. “Shhh,” he admonished. “Haven’t you learned that you should never ever contradict your husband when he is admiring your form?” Kate shivered with delight. “For example,” he continued, the very devil in his voice, “if I want to spend an hour examining the inside of your wrist”— with lightning-quick movements, his teeth grazed the delicate thin skin on the inside of her wrist—“ it is certainly my prerogative, don’t you think?” Kate had no response, and he chuckled, the sound low and warm in her ears. “And don’t think I won’t,” he warned, using the pad of his finger to trace the blue veins that pulsed under her skin. “I may decide to spend two hours examining your wrist.” Kate watched with fascination as his fingers, touching her so softly that she tingled from the contact, made their way to the inside of her elbow, then stopped to twirl circles on her skin. “I can’t imagine,” he said softly, “that I could spend two hours examining your wrist and not find it lovely.” His hand made the jump to her torso, and he used his palm to lightly graze the tip of her puckered breast. “I should be most aggrieved were you to disagree.” He leaned down and captured her lips in a brief, yet searing kiss. Lifting his head just an inch, he murmured, “It is a wife’s place to agree with her husband in all things, hmmm?” His words were so absurd that Kate finally managed to find her voice. “If,” she said with an amused smile, “his opinions are agreeable, my lord.” One of his brows arched imperiously. “Are you arguing with me, my lady? And on my wedding night, no less.” “It’s my wedding night, too,” she pointed out. He made a clucking noise and shook his head. “I may have to punish you,” he said. “But how? By touching?” His hand skimmed over one breast, then the next. “Or not touching?” He lifted his hands from her skin, but he leaned down, and through pursed lips, blew a soft stream of air over her nipple. “Touching,” Kate gasped, arching off the bed. “Definitely touching.” “You think?” He smiled, slowly like a cat. “I never thought I’d say this, but not touching has its appeal.
Julia Quinn (The Viscount Who Loved Me (Bridgertons, #2))
To my dying day I shall be grateful to Scaurus for having set me early to the study of Greek. I was still a child when for the first time I tried to trace on my tablets those characters of an unknown alphabet: here was a new world and the beginning of my great travels, and also the feeling of a choice as deliberate, but at the same time as involuntary, as that of love. I have loved the language for its flexibility, like that of a supple, perfect body, and for the richness of its vocabulary, in which every word bespeaks direct and varied contact with reality: and because almost everything that men have said best has been said in Greek.
Marguerite Yourcenar
In the ensuing two weeks Ian managed to buy back Elizabeth’s emeralds and Havenhurst, but he was unable to find a trace of his wife. The town house in London felt like a prison, not a home, and still he waited, sensing somehow that Elizabeth was putting him through this torment to teach him some kind of well-deserved lesson. He returned to Montmayne, where, for several more weeks, he prowled about its rooms, paced a track in the drawing room carpet, and stared into its marble-fronted fireplaces as if the answer would be there in the flames. Finally he could stand it no more. He couldn’t concentrate on his work, and when he tried, he made mistakes. Worse, he was beginning to be haunted with walking nightmares that she’d come to harm-or that she was falling in love with someone kinder than he-and the tormenting illusions followed him from room to room. On a clear, cold day in early December, after leaving instructions with his footmen, butler, and even his cook that he was to be notified immediately if any word at all was received from Elizabeth, he left for the cottage in Scotland. It was the one place where he might find peace from the throbbing emptiness that was gnawing away at him with a pain that increased unbearably from day to day, because he no longer really believed she would ever contact him.
Judith McNaught (Almost Heaven (Sequels, #3))
admiral. Technically, all admirals come from the Arabian desert, for the word can be traced to the title of Abu Bakr, who was called Amir-al-muminin, "commander of the faithful," before he succeeded Muhammad as caliph in 632. The title Amir, or "commander," became popular soon after, and naval chiefs were designated Amir-al-ma, "commander of commanders." Western seamen who came in contact with the Arabs assumed that Amir-al was one word, and believed this was a distinguished title. By the early 13th century, officers were calling themselves amiral, which merely means "commander of." The d was probably added to the word through a common mispronunciation.
Robert Hendrickson (The Facts on File Encyclopedia of Word and Phrase Origins)
I have lost some fundamental part of my knowing, some elemental human feeling. Without it, the world feels like tap water left overnight, flat and chemical, devoid of life. I am like lightning seeking earth. Uneasy, I carry the prickle of potential energy in my limbs, ever deferred from the point of contact, the moment of release. Instead, it gathers in me, massing like a storm that never comes. I lack the language to even describe it, this vast unsettled sense that I am slipping over the glassy surface of things, afraid of what lurks beneath. I need a better way to walk through this life. I want to be enchanted again. Enchantment is small wonder magnified through meaning, fascination caught in the web of fable and memory. It relies on small doses of awe, almost homeopathic: those quiet traces of fascination that are found only when we look for them. It is the sense that we are joined together in one continuous thread of existence with the elements constituting this earth, and that there is a potency trapped in this interconnection, a tingle on the border of our perception. It is the forgotten seam of our geology, the elusive particle that binds our unstable matter: the ability to sense magic in the everyday, to channel it through our minds and bodies, to be sustained by it. Without it, I feel I am lacking some essential nutrient, some vitamin found only when you go digging in your own soil.
Katherine May (Enchantment: Awakening Wonder in an Anxious Age)
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shot through and through.  Cocked rifles swept the bush with nervous apprehension.  But there was no rustle, no movement; nothing but the humid oppressive silence. “Bushmen he no stop,” Binu Charley called out, the sound of his voice startling more than one of them.  “Allee same damn funny business.  That fella Koogoo no look ’m eye belong him.  He no savvee little bit.” Koogoo’s arms had crumpled under him, and he lay quivering where he had fallen.  Even as Binu Charley came to the front the stricken black’s breath passed from him, and with a final convulsive stir he lay still. “Right through the heart,” Sheldon said, straightening up from the stooping examination.  “It must have been a trap of some sort.” He noticed Joan’s white, tense face, and the wide eyes with which she stared at the wreck of what had been a man the minute before. “I recruited that boy myself,” she said in a whisper.  “He came down out of the bush at Poonga-Poonga and right on board the Martha and offered himself.  And I was proud.  He was my very first recruit—” “My word!  Look ’m that fella,” Binu Charley interrupted, brushing aside the leafy wall of the run-way and exposing a bow so massive that no one bushman could have bent it. The Binu man traced out the mechanics of the trap, and exposed the hidden fibre in the tangled undergrowth that at contact with Koogoo’s foot had released the taut bow. They were deep in the primeval forest.  A dim twilight prevailed, for no random shaft of sunlight broke through the thick roof of leaves and creepers overhead.  The Tahitians were plainly awed by the silence and gloom and mystery of the place and happening, but they showed themselves doggedly unafraid, and were for pushing on.  The Poonga-Poonga men, on the contrary, were not awed.  They were bushmen themselves, and they were used to this silent warfare, though the devices were different from those employed by them in their own bush.  Most awed of all were Joan and Sheldon, but, being whites, they were
Jack London (Adventure)
Contact with an environment permeated by beauty not only offers real protection against impurity, baseness, every kind of letting oneself go, brutality, and untruthfulness; it has also the positive effect of raising us up in a moral sense. It does not draw us into a self-centered pleasure where our only wish is to indulge ourselves. On the contrary, it opens our hearts, inviting us to transcendence and leading us in conspectu Dei (“before the face of God”), before the face of God. Naturally, this last point applies above all to the high, exalted beauty which Kant calls the “sublime” [das Erhabene] and which he contrasts with the “beautiful.” But even in little things that are charming and graceful, even in the more modest beautiful things, one can find a trace of the pure and the noble. This may perhaps not lead us in conspectu Dei, but it does fill us with gratitude to God. It frees us from captivity in our egoistic interests and undoes the fetters of our hearts, releasing us (even if only for a short time) from the wild passions that convulse them.
Dietrich von Hildebrand (Aesthetics: Volume I)
concordance between the individual and the mass is in this point almost complete. The masses, too, retain an impression of the past in unconscious memory traces. The case of the individual seems to be clear enough. The memory trace of early events he has retained, but he has retained it in a special psychological condition. One can say that the individual always knew of them, in the sense that we know repressed material. We have formed certain conceptions—and they can easily be proved by analysis—of how something gets forgotten and of how after a time it can come to light again. The forgotten material is not extinguished, only " repressed " ; its traces are extant in the memory in their original freshness, but they are isolated by " counter-cathexes." They cannot establish contact with the other intellectual processes; they are unconscious, inaccessible to consciousness. It may happen that certain parts of the repressed material have escaped this process, have remained accessible to memory and occasionally reappear in consciousness, but even then they are isolated, a foreign
Sigmund Freud (Moses And Monotheism)
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Shel Silverstein (Where the Sidewalk Ends)
He pauses his analysis of my chest and looks up into my eyes. His stare holds me there for a long moment and I realise I am succumbing to his will whether I like it or not. He is the predator—he has been all along—and I am his prey. Aurelie of Donrose, it seems, was no match for this invader from the northlands. “Unexpected?” he repeats. He rises with care to a standing position, grasping the post to his left for support. His tall frame is now right next to me, his head skimming the silken canopy over us. He leans toward me and presses himself against my nakedness. I gasp, closing my eyes at the contact and yet relishing the physical closeness. “Does that mean my captive is warming to her new master?” I open my eyes to find his face right there, above me, that large mouth ready to devour its prey. “I… I don’t know,” I whisper, looking into his eyes. There’s an honesty about my answer that disconcerts me. Anders shifts his weight slightly, snaking his right hand around my body and skimming my behind. Once there he grabs my left cheek and holds me, using my own body to pull me closer to him. My throbbing wet centre, already pushed forward by the bondage holding my ankles in place, nestles against his clothed right thigh. “You are not sure, Aurelie, or you are just too afraid to say?” I blush at his accurate analysis of the situation, dropping my eyes from his gaze. His hand rises north, leaving my ass and taking me by surprise. Anders uses each long digit to trace lines up the left side of my body, pausing at the curve of my bosom, and then finally reaching the side of my face. Once here, the hand tips my chin upward to meet his eye line, holding it in place once he is satisfied with the position. He eyes me intently and I realise that he is expecting an answer. “Too afraid…
Felicity Brandon (The Viking's Conquest)
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I have come to think of the UFO problem in terms of three distinct levels. The first level is physical. We now know that the UFO behaves like a region of space, of small dimensions (about ten meters), within which a very large amount of energy is stored. This energy is manifested by pulsed light phenomena of intense colors and by other forms of electromagnetic radiation. The second level is biological. Reports of UFOs show all kinds of psychophysiological effects on the witnesses. Exposure to the phenomenon causes visions, hallucinations, space and time disorientation, physiological reactions (including temporary blindness, paralysis, sleep cycle changes), and long-term personality changes. The third level is social. Belief in the reality of UFOs is spreading rapidly at all levels of society throughout the world. Books on the subject continue to accumulate. Documentaries and major films are being made by men and women who grew up with flying-saucer stories. Expectations about life in the universe have been revolutionized. Many modern themes in our culture can be traced back to the "messages from space" coming from UFO contactees of the forties and fifties. The experience of a close encounter with a UFO is a shattering physical and mental ordeal. The trauma has effects that go far beyond what the witnesses recall consciously. New types of behavior are conditioned, and new types of beliefs are promoted. Aside from any scientific consideration, the social, political, and religious consequences of the experience are enormous if they are considered over the timespan of a generation. Faced with the new wave of experiences of UFO contact that are described in books like Communion and Intruders and in movies like Close Encounters of the Third Kind, our religions seem obsolete. Our idea of the church as a social entity working within rational structures is obviously challenged by the claim of a direct communication in modern times with visible beings who seem endowed with supernatural powers. This idea can shake our society to the very roots of its culture. Witnesses are no longer afraid to come forward with personal stories of abductions, of spiritual exchanges with aliens, even of sexual interaction with them. Such reports are folklore in the making. I have discovered that they form a striking parallel to the tales of meetings with elves and jinn of medieval times, with the denizens of "Magonia," the land beyond the clouds of ancient chronicles. But they are something else, too: a portent of important things to come.
Jacques F. Vallée (Dimensions: A Casebook of Alien Contact)
experience, and to our consequent estrangement from the earthly world around us. So the ancient Hebrews, on the one hand, and the ancient Greeks on the other, are variously taken to task for providing the mental context that would foster civilization’s mistreatment of nonhuman nature. Each of these two ancient cultures seems to have sown the seeds of our contemporary estrangement—one seeming to establish the spiritual or religious ascendancy of humankind over nature, the other effecting a more philosophical or rational dissociation of the human intellect from the organic world. Long before the historical amalgamation of Hebraic religion and Hellenistic philosophy in the Christian New Testament, these two bodies of belief already shared—or seem to have shared—a similar intellectual distance from the nonhuman environment. In every other respect these two traditions, each one originating out of its own specific antecedents, and in its own terrain and time, were vastly different. In every other respect, that is, but one: they were both, from the start, profoundly informed by writing. Indeed, they both made use of the strange and potent technology which we have come to call “the alphabet.” — WRITING, LIKE HUMAN LANGUAGE, IS ENGENDERED NOT ONLY within the human community but between the human community and the animate landscape, born of the interplay and contact between the human and the more-than-human world. The earthly terrain in which we find ourselves, and upon which we depend for all our nourishment, is shot through with suggestive scrawls and traces, from the sinuous calligraphy of rivers winding across the land, inscribing arroyos and canyons into the parched earth of the desert, to the black slash burned by lightning into the trunk of an old elm. The swooping flight of birds is a kind of cursive script written on the wind; it is this script that was studied by the ancient “augurs,” who could read therein the course of the future. Leaf-miner insects make strange hieroglyphic tabloids of the leaves they consume. Wolves urinate on specific stumps and stones to mark off their territory. And today you read these printed words as tribal hunters once read the tracks of deer, moose, and bear printed in the soil of the forest floor. Archaeological evidence suggests that for more than a million years the subsistence of humankind has depended upon the acuity of such hunters, upon their ability to read the traces—a bit of scat here, a broken twig there—of these animal Others. These letters I print across the page, the scratches and scrawls you now focus upon, trailing off across the white surface, are hardly different from the footprints of prey left in the snow. We read these traces with organs honed over millennia by our tribal ancestors, moving instinctively from one track to the next, picking up the trail afresh whenever it leaves off, hunting the meaning, which would be the meeting with the Other.2
David Abram (The Spell of the Sensuous: Perception and Language in a More-Than-Human World)
It’s just a kiss,” she says softly. “Why are you all torn up about a kiss?” She’s studying me way too closely. “I’m not torn up,” I protest. “You’ve been moping ever since I told you about the fundraiser, Sean,” she says. “What’s your problem? It’s for charity, for God’s sake.” She lays her free hand on her chest. “My kiss is going to feed victims of domestic violence. I’m doing my part for a better community.” I look down at her mouth. God, I could just slide my fingers into her hair, pull her to me, and kiss her right here and now. But I won’t. Because she doesn’t want me. “I can’t believe you’re going kiss some stranger,” I bite out. “Don’t do it.” “I’ve kissed men before, Sean,” she reminds me. I wish she would keep that shit to herself. “What if it’s some big, goofy guy with really bad breath?” I ask. “What if it’s some big, brawny guy who smells like you and kisses like a god?” she asks. She smiles, the corners of her lips tilting up so prettily. Her fingertips touch my forearm lightly, and she traces the tattoos that decorate my arm from wrist to shoulder. Every hair on my body stands up, and I lift my hand from her knee and thread my fingers with hers so she’ll stop. “If I’m lucky, he’ll be all tatted up, too.” She looks off into the distance, her gaze no longer on me. “Honey, if you want to kiss someone who looks like me and smells like me, I think I can accommodate you so you don’t have to kiss some stranger.” Her eyes shift back to meet mine, and she may as well have just punched me in the gut. She looks into my eyes and stares as if she’s looking into my soul. She can look into it anytime. Shit, I’d give it to her, if she wanted it. But it’s not me she wants. She’s made that abundantly clear. “If I ever kissed you, I would never be able to stop,” I say quietly. My voice sounds like it’s been dragged down a gravel road and back, and I fucking hate that she can affect me this way. “Prove it,” she says, and then she licks her cherry-red lips. She doesn’t break eye contact. I move quickly. This is the first time she’s ever made an offer like this, and my gut tells me that she’s going to take it back. I cup her neck with my palm and pull her toward me. My gentle tug brings her flush against my chest, and the weight of her settles against me and feels so right. Her lips are so close to mine that her inhale is my exhale. My hand quivers as it holds her nape, so I work my fingers into the hair at the back of her head. I hold her still and look into her green eyes. “Tell me you want me to kiss you and you got me, honey,” I whisper. She shivers and inches up my chest ever so slightly, her mouth moving closer to mine. So close. Just a little closer. I can almost taste her. “I want you to kiss me,” she whispers. “Please.” Suddenly, the door opens, and Lacey jumps up, separating us in one final, powerful leap. Fuck. I pull the pillow from behind my head and shove it in my lap, sitting up on the side of the bed. Friday,
Tammy Falkner (Just Jelly Beans and Jealousy (The Reed Brothers, #3.4))
Have you been walking in the woods in the last few days?" Matt asked. Lola cleared her throat anxiously. What had she managed to do now, catch jungle fever? "We went hiking in the Greenhills on Wednesday. What's wrong?" Her voice sounded squeaky, so she closed her eyes and took a steadying breath. "I don't suppose you've heard of poison ivy," Matt asked. He traced the curve of her knee, pushing the hem of her skirt up her thigh. "Small plant, three leaves, glossy green. Causes a rash of small bumps about a day after contact. Sound familiar?
Bonnie J. James
Sometimes a Jesuit might find himself lacking the desire for something that he wants to desire. Let’s say you are living in a comfortable Jesuit community and have scant contact with the poor. You may say, “I know I’m supposed to want to live simply and work with the poor, but I have no desire to do this.” Or perhaps you know that you should want to be more forgiving of someone in the community, but you don’t desire it. How can you pray for that with honesty? In reply, Ignatius would ask, “Do you have the desire for this desire?” Even if you don’t want it, do you want to want it? Do you wish that you were the kind of person that wanted this? Even this can be seen as an invitation from God. It is a way of glimpsing God’s invitation even in the faintest traces of desire.
James Martin (The Jesuit Guide to (Almost) Everything: A Spirituality for Real Life)
Contact was the part of the Culture that handled more or less every aspect of the Culture’s interactions with everything and everybody that wasn’t the Culture, from the investigation of unexplored star systems to relations with the entire panoply of other civilisations at every developmental level, from those still unable to scrape together the plan for a world government or a functioning space elevator to the elegantly otiose but nevertheless potentially deeply powerful Elders and the still more detached-from-reality Sublimed, where any vestige or trace of such exotic entities remained. Special Circumstances was, in effect, the Contact section’s espionage wing.
Iain M. Banks (Surface Detail (Culture, #9))
Traces of the same spiritual concepts and symbolism that enlighten the Egyptian texts are found all around the world among cultures that we can be certain were never in direct contact. Straightforward diffusion from one to the other is therefore not the answer, and 'coincidence' doesn't even begin to account for the level of detail in the similarities. The best explanation, in my view, is that we're looking at a legacy, shared worldwide, passed down from a single, remotely ancient source.
Graham Hancock (America Before: The Key to Earth's Lost Civilization)
Every contact leaves a trace
John Sutherland (Blue: A Memoir - Keeping the Peace and Falling to Pieces)
I took your phone one night last week and put this number on your contacts under his name, he says, almost proudly. So when I text you, it looks like it’s from him. I’ve deleted the messages now, of course. And this is a pay-as-you-go phone, so it can’t be traced
J.P. Delaney (The Girl Before)
Could you at least give me some time to get accustomed to the idea and get to know you before we are wed?” He sighed and nodded with obvious reluctance. “Within reason.” “One year?” she asked in the sweetest voice she could manage. His silver gaze glinted as he frowned. “One month.” “Six months?” she ventured, struggling to maintain her saccharine, imploring tone. “One month,” he repeated. His arms crossed over his broad chest as his frown deepened. “Four months?” Angelica begged, hating the desperation in her voice. But she needed time to devise a plan on how to get out of this predicament. “One month.” His tone was firm, implacable, autocratic. And there was something unnerving about the way he looked at her, as if he knew she sought escape. She sighed, exhausted with his refusal to yield. “You will negotiate with my father, but not with me. Some suitor you are!” Biting back her temper, she gentled her voice. “Six weeks, please?” Burnrath nodded. “Very well, six weeks it is.” He smiled suddenly and a small dimple appeared in his cheek. “I suppose I should take the time to court you properly. Now, let’s seal the bargain with a kiss.” He grasped her shoulders, but Angelica stepped back. The idea of his lips on hers made her knees turn to water and her stomach leap around in the most alarming manner. “A-a handshake should suffice, I think.” His rich laughter overwhelmed her senses. “Come now, you are to be my bride. No kiss, no bargain, my beauty,” he challenged. “Do not tell me you are afraid.” Angelica lifted her chin. Hell if he would call her a coward! “Very well.” She stood on tiptoe and pecked him on the cheek, shocked at the thrill rushing up her spine at that small contact. He smelled of exotic spices. “D-do we have a bargain then?” she asked, hating how her voice shook. The vampire’s eyes seemed to glow dangerously. With a low growl, he pulled her into his arms. She gasped at the feel of the warm steel bands holding her to his large, hard body. “That is not what I had in mind.” Keeping his arm around her, he stroked her back as he tipped her chin up with his other hand to meet his smoldering silver gaze. With one finger, he lightly traced her cheek before tangling his fingers in her hair. The vampire’s breath was warm on her face as he whispered, “This is a kiss.” His
Brooklyn Ann (Bite Me, Your Grace (Scandals with Bite, #1))
The problem is knowing when what you are about to do will make a difference. I’m not only speaking of the small actions that, cumulatively, over time, or in great numbers, steer the course of events in ways too chaotic or subtle to trace. The single word that directs a person’s fate and ultimately the fates of those she comes in contact with is of course a common subject of entertainments and moralizing stories, but if everyone were to consider all the possible consequences of all one’s possible choices, no one would move a millimeter, or even dare to breathe for fear of the ultimate results. I
Ann Leckie (Ancillary Justice (Imperial Radch, #1))
Why are you single? There isn't exactly a surplus of eligible men in town. The single women must be throwing themselves at you." I realized that comment was a mistake pretty much the second after it was out of my mouth. Because his smile went wicked; his eyes danced. I knew exactly what was going to follow. "Think I'm hot shit, huh?" he asked, leaning back in his chair, looking way too self-satisfied. "I mean... by small town standards," I shrugged, hoping I was coming off as casual and collected plates to bring to the kitchen. I had scraped the plate and was standing at the sink running water over it when I suddenly felt his entire body press up behind mine, making my hips push against the cabinet as my breath whooshed out of me. I hadn't even heard him follow me in. But there he was, touching me from feet to shoulder. One of his hands moved out and settled on my hip, fingers pressing into the hipbone hollow as his other hand slid gently up my arm and brushed my hair from one side of my neck to the other. Before I could guess his intention, I felt his lips press in to the column of my neck, making my entire body do a shiver at the unexpected contact that shot from the touch to directly between my legs. My head tipped to the side, giving him more access as his mouth moved slowly upward, the hint of his tongue tracing over the skin he kissed as I shamelessly leaned back into him. His arm on my hip slid across my lower belly, anchoring me to him as his lips went around my earlobe, his tongue tracing the outer edge and ripping an almost pained moan from between my lips. My skin felt electric, buzzy, humming, begging for more of the sensation. But he wasn't in the mind to give it to me. Instead, his lips left my skin entirely and I felt the side of his face press into my hair. When he spoke, his voice low and rumbling, causing another rush of desire so strong it was borderline painful; his breath was warm on my ear. "By small town standards, how wet are your panties right now?
Jessica Gadziala (Peace, Love, & Macarons)
Hauling in a quick breath, she held it, stretched upward, shut her eyes, and fleetingly touched her lips to his. They were as hard as she'd imagined, very like sculpted marble. Sensation flared at the brief contact; her lips tingled, then throbbed. Patience blinked her eyes wide as she lowered her heels to earth. And refocused on his lips. She saw the ends curve upward, heard his low, wickedly teasing laugh. "Still not right. Here- let me show you." His hands came up to frame her face, her jaw, tilting her lips up as his descended. Of their own volition, her lids fell, then his lips touched hers. Patience couldn't have quelled the shudder that passed through her had her life depended on it. Stunned, poised to resist, she mentally paused. Strong, sure, his lips covered hers, moving slowly, languorously, as if savoring her taste, her texture. There was nothing threatening in the unhurried caress. Indeed, it was beguiling, luring her senses, focusing them on the practiced slide and glide of cool lips which seemed to instinctively know how to soothe the heat rising in hers. Hers throbbed; his pressed, caressed, as if drinking in her heat, stealing it from her. Patience felt her lips soften; his firmed in response. 'No, no, noo....' Some small part of her mind tried to warn her, but she was long past listening. This was new, novel- she'd never felt such sensations before. Never known such simple delight existed. Her head was whirling, but not unpleasantly. His lips still seemed hard, cool- Patience couldn't resist the temptation to return the pressure, to see if his lips would soften to hers. They didn't, they only became harder. The next instant, she felt a searing heat sweep over her lips. She stilled; the questing heat returned- with the tip of his tongue, he traced her lower lip. The contact lingered, an unspoken question. Patience wanted more. She parted her lips. His tongue slid between, slowly, with his customary assured arrogance, quite certain of his welcome, confident in his expertise.
Stephanie Laurens (A Rake's Vow (Cynster, #2))
During COVID, one challenge with conventional contact tracing is that it’s not an especially efficient use of resources, because the virus is not transmitted at the same rate by everyone who’s infected. If you get the original COVID strain, the chances are not especially high that you’ll pass it along to someone else. (About 70 percent of those cases may not transmit to anyone else at all.) But if you do pass it along to someone else, you probably pass it along to many people. For reasons we don’t entirely understand, 80 percent of COVID infections with early variants came from just 10 percent of the cases. (These numbers could be different for the Omicron variant—as I write this, we don’t have enough data to know.) So with a virus like COVID, using the conventional approach means you’ll spend a lot of time finding people who wouldn’t have infected anyone else—epidemiologically speaking, you’ll find yourself in a lot of cul-de-sacs. What you really want to do is find the main thoroughfares, the relatively small number of people who are causing the most infections.
Bill Gates (How to Prevent the Next Pandemic)
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Adventure Watersports
Mosscap pointed. "Crown shyness is so striking, don't you think?" Dex had no idea what Mosscap meant. "Sorry, what's striking?" "Stop," Mosscap said. "Look." Dex sighed, but they hit the brakes, put their feet on the paving below, and looked up. Mosscap continued to point, tracing lines in the air. "Look at the treetops," it said. "What do you notice?" "Uh," Dex said. They frowned, not knowing what Mosscap was getting at. There were branches, obviously, and leaves, and... "Oh, they're..." They fell quiet as their perspective of the surrounding landscape shifted in a way they'd never unsee. Despite their number and close proximity, none of the treetops were touching one another. It was as though someone had taken an eraser and run it cleanly through the canopy, transforming each tree into its own small island contained within a definitive border of blue sky. The effect reminded Dex of puzzle pieces laid out on the table, each in their own place yet still unconnected. It wasn't that the trees were unhealthy or their foliage sparse. On the contrary, every tree was lush and full, bursting with green life. Yet somehow, in the absence of contact, they knew exactly where to stop growing outward so they might give their neighbors space to thrive.
Becky Chambers
It meant Britain would now have to navigate policy on the virus while being unsighted as to where it was spreading. ‘I was absolutely astonished,’ said Devi Sridhar, Professor of Global Health at Edinburgh University, when she heard that contact tracing had been stopped. ‘I didn’t fully understand the ramifications of what was being said. And then it hit me that, actually, they’re letting the virus go. And so at the time I just felt like we were sleepwalking into disaster.
Jonathan Calvert (Failures of State: The Inside Story of Britain’s Battle with Coronavirus)
We'd better get out of here fast," Nadia says, "before anyone notices." "Or before our conman friend wakes up," Autumn says. "I doubt Mr. John Smith will be overjoyed when he wakes up and I, for one, would rather not be around to witness it. I also lifted his mobile phone and his wallet," I tell them with a certain amount of pride. "Hopefully, it means that he won't be able to contact you again, Chantal." "Is his driver's license in his wallet?" I flick through the pockets until I found it. "Yes. His real name is Felix Levare." "Could be another alias." Chantal takes it from me. "But I'll keep that as a little extra insurance anyway," she says. There's a wad of cash in the wallet which I help myself to. "This can all go to a deserving charity," I say, then throw the wallet and the mobile phone into the lake after his car. They also splash satisfyingly and then sink without trace. I press the money into Autumn's hands. "Take it and buy some chocolate for your druggie kids." She takes the cash and pockets it. "Thanks.
Carole Matthews (The Chocolate Lovers' Club)
This time around, True Biz’s audiobook woke me from a dead sleep. I’d made my peace with audiobooks of my books, conceptually, and had kind of forgotten about the eventuality of this one. But this novel presented a whole new existential problem: in the writing itself, I had worked hard to make use of space on the page as a way to highlight the strength and clarity of ASL as a visual language. The result was just a small token of appreciation for what ASL can do—I had still flattened a 3-D language to two—but the signed dialogue looks and feels different than spoken dialogue in the novel, and I had no clue how they’d be able to make that distinction for a listener. I sent a low-key panic email to my editor. She said she’d flag it as a “challenge” for the audio team. Here’s what they came up with: The audiobook team would record the book as usual, and then record a signer performing the ASL dialogue in the book. Very sensitive mics would pick up the sounds of signing—the skin-on-skin contact, the mouth morphemes, the rustling of clothes. The listener would learn that these sounds beneath the dialogue were to mean the character was speaking ASL rather than English. We can’t capture ASL in sound form but, like the use of space in the printed text, it’s a token. I appreciate that a hearing team put some thought into the project, and were paying enough attention to notice that neither signed languages nor deaf people are silent. So yesterday, I went to the studio, rigged up with two heavy duty mics. When I first got into the soundproof room and looked around, I started to laugh. It was mostly foreign territory, but there was also a trace of the audiologists’ booths all of us deaf and hard-of-hearing people have spent so much time in".
Sara Nović
Placing and implementing black magic is a suicide that results in hell.” --- The black magic that evil-minded people of all religions practice for their ugly and inhuman motives. The modern world ignores that and does not even believe in it. However, it exists, and it works sufficiently. For many years, I edited and published these stories as an assistant editor for an evening newspaper, and as a believer, I believe that. It’s important to note that it doesn’t have any impact on everyone; otherwise, every human would be under attack from it. No one can explain or define black magic or similar practices. Today’s scientists are not capable of recognizing, diagnosing, or even denying such a phenomenon; therefore, options are open for black magic to proceed with its practices without any obstacles. By searching online websites and YouTube, one can uncover the many victims of the evil practices of evil-minded individuals in different societies. Evil power, black magic, and magic do exist and are also effective. Evil power causes physical damage and appears as diseases and psychological issues since no one can realize, trace, or prove that horror practice; it is the secret and privilege of evil-minded people that the law fails to catch and punish them for such crimes. I briefly exemplify two events, one of which was very authentic, and I suffered from it, and another of which also happened to someone who also became a victim. The first time when I arrived in the Netherlands, I assumed I was in the most secure area; however, within a year, I faced an incident that was a tradition in my family, including the involvement of my brothers and my compatriots who lived in the Netherlands. The most suspected were the evil-minded people of the Ahmadiyya movement from Surinam and possibly my ex-wife and a Pakistani couple. I had seen the evidence of the black magic that my family took upon me, but I could not trace the reality of other suspected ones that ruined my career, future, health, and even life. The second person, a Pakistani who lived in Germany for several years as an active member of the Ahmadiyya Movement, told me his story briefly during a trip to London, attending a literary gathering. Besides receiving a gold medal for his poetry work, he also worked for the Ahmadiyya TV channel. However, when he became a real Muslim, Ahmadiyya warriors turned against him. They practiced the devil’s work to punish him when they couldn’t force him back into their false group. The symptoms of magic became apparent to me after he mentioned that since I had them on my body as well. Such a possibility and chance exist that can be created by using drugs and chemicals to defeat their opponents; it needs a comprehensive investigation to save humanity. Multiple other stories reveal that the Ahmadiyya Movement may use black magic to achieve its goals. From my observation, they were involved in eliminating Muslim imams and scholars, which caused the failure of that new religion and the appearance of a false prophet claiming to be Jesus. I have been a victim of these types of practices. Their activities revolve around social media and similar websites. In Pakistan, they are deceiving the uninformed by pretending to be genuine Muslims, just like they do in Europe and other parts of the world. I tried to contact the Dutch authorities about the incident that occurred to me in 1980, but they ignored my request for cooperation; however, I still hope and look forward to any miracle that someone from somewhere gives me the courage to verify all this I want.
Ehsan Sehgal
And finally, in his well-researched and powerfully written book, JFK and the Unspeakable, author James Douglass explains why powerful forces inside the U. S. Government decided to kill JFK. Before looking at the event itself, he establishes the context of the assassination. In the process of tracing the story step-by-step, he reveals that a plot to assassinate Kennedy in Chicago on November 2, 1963, had been foiled thanks to a tip from an informant named “Lee.” Douglass poses the question: Was this “Lee” really Lee Harvey Oswald? Suddenly, I understood the cryptic comments that Lee had made to me in October about getting a “trusted FBI contact” in Chicago from Dr. Mary Sherman. If Lee had not warned them about Chicago — and if Kennedy had been killed in Chicago on November 2 — then he would never have come to Dallas. Lee would never have been accused of assassinating him, nor been murdered himself. Due to Lee’s heroic actions, Kennedy lived three extra weeks, and Lee died as a result. Such was the cost of his courage.
Jim Marrs (Me & Lee: How I Came to Know, Love and Lose Lee Harvey Oswald)
Rava approached Steldor and removed a dagger from a sheath at her hip. With her left hand, she smoothed the collar of his white shirt, then yanked the fabric away from his chest, slicing through it in a single motion. Spying the silver wolf’s head talisman that he always wore, she seized it, ripping it free of his neck. “Whether for good luck or good fortune, you’ll have no need of this,” she sneered, dropping the pendant into a pouch that hung from her belt. “I’m sorry it’s not strong enough to cover your stench,” he icily replied, for the mixture inside the talisman was the source of his rich, masculine scent. Rava stared at Steldor, then stalked around him to tear the remnants of his shirt from his back, trying without success to strip him of his pride. She perused his muscular torso, and when she faced him once more, her eyes came to rest on the scar beneath his rib cage--the one that marked the life-threatening wound given to him by a Cokyrian blade--and placed the tip of the dagger she still held against it. “Only slightly marred.” She traced the knife’s point along the jagged white line, leaving a trail of red. “I’ll see what I can do to change that.” She tucked the weapon back into its sheath and gave a nod to the soldiers who had brought Steldor out of the Bastion. As they tied his wrists with rope, she went to the woman who had brought the box and lifted its lid. With a satisfied chuckle, she removed a whip more fearsome than any I had ever seen, cradling it like a mother would an infant, and the gathered throng fell silent. It was indeed rawhide, but uncoiled it reached four feet in length before meeting a silver ring, on the other end of which another two feet of metal-studded leather waited to strike. I looked to Narian and Cannan, and knew by both of their expressions that this was not what they had expected. Indeed, Rava purposefully made eye contact with Narian, her demeanor haughty, before returning her attention to her prey. “On your knees,” Rava growled, dangling the whip in front of Steldor. He obeyed, his eyes never leaving her face, continuing to radiate strength and insolence. “How can a flag be of consequence in a dead kingdom?” she taunted. “It is cloth. It is meaningless. And it can be burned.” She ticked a finger for one of the many soldiers around us to come forward, and I recognized Saadi. He extended our rolled Hytanican flag, and Rava took it, letting it unfurl until the end touched the ground. She held out her other hand and Saadi passed her a lit torch, which she touched to the banner of my homeland, letting flames consume it. The courtyard’s white stone walkway would now and forever be scorched. Steldor’s upper lip lifted away from his teeth, but aside from this snarl, he showed no reaction. “Tell me, does it seem worth it to you to suffer this punishment for a rag?” “Without question,” Steldor forcefully answered, and cheers rolled like thunder through the Hytanicans who had gathered to watch, sending chills down my spine.
Cayla Kluver (Sacrifice (Legacy, #3))
If you’re going to do something that crazy, save it for when it’ll make a difference, Lieutenant Skaaiat had said, and I had agreed. I still agree. The problem is knowing when what you are about to do will make a difference. I’m not only speaking of the small actions that, cumulatively, over time, or in great numbers, steer the course of events in ways too chaotic or subtle to trace. The single word that directs a person’s fate and ultimately the fates of those she comes in contact with is of course a common subject of entertainments and moralizing stories, but if everyone were to consider all the possible consequences of all one’s possible choices, no one would move a millimeter, or even dare to breathe for fear of the ultimate results.
Ann Leckie (Ancillary Justice (Imperial Radch, #1))
We like to go back and interview the people the suspect may have talked to. It doesn’t have to be a woman or a boyfriend or girlfriend; it could be like a good friend of theirs or a family member that they split up with. We get a lot of information by going back to people.
Connie Fletcher (Every Contact Leaves a Trace: Crime Scene Experts Talk About Their Work from Discovery Through Verdict)
I’m surprised you’re here.” Her mouth curved upward. “I warned you I’d be joining you.” He ignored the heat that spread inside him at the sight of her smile. “That’s just it.” Her smile grew wider. “A politician who keeps his word—what a remarkable aberration in the species.” “How could I have forgotten that keen wit of yours?” he marveled. “Yeah, I’m full of surprises. Might want to remember that.” Then, throwing caution to the wind, he let his eyes roam slowly over her, lingering. She’d have to be blind not to see the hunger in them. Which she clearly wasn’t. She retreated a step. He followed, his longer legs closing the distance, until his body almost brushed hers. That cool composer of Lily’s was unraveling, no matter how hard she struggled to pretend otherwise. The signs were there, in the fine trembling of her limbs, in the flush that stole over her porcelain smooth cheeks. Fierce satisfaction filled Sean at her involuntary reaction. He dipped his head until his lips hovered, a soft whisper away. “Lily?” “Yes?” There was a husky catch to her voice. Sean’s fingers reached up and traced the rosy bloom on her cheek. Was it the sweet flush of desire that made her skin so soft? he wondered, his eyes and fingers memorizing every detail, every sensation. God, he’d die for a taste of her. But Sean denied himself the pleasure. He raised his head, putting distance between himself and his greatest temptation, and forced himself to lower his hand. At the loss of contact, Lily’s head jerked, as if coming out of a trance. Sean stepped back before she could flay him alive. “You’re looking a little pink, Lily. I’ve got some zinc oxide in my bag. I’d be happy to put some on you. Especially on those hard to reach places.” He gave her a casual smile and pulled his sunglasses from the breast pocket of his T-shirt, ignoring the violent thudding of his heart against the cotton fabric. His hands shook, too, racked with tremors of need. Somehow, he managed to settle his shades across the slightly crooked bridge of his nose, before shoving them deep into his pocket, out of sight. Damn Sean and his effect on me, Lily swore silently. He had only to bestow the paltriest of caresses and she nearly swooned. Even more galling was the fact that she was equally helpless before Sean’s verbal taunts. The thought of Sean’s hands, slick with lotion, gliding over her body in long, sweeping caresses had her pulse racing. Lily’s voice was filled with contempt—never mind that it was self-directed—as she spoke. “You know, you and John Granger should get to know each other. You could compare notes on really great pickup lines. By the way, Sean, your nose? Does it trouble you still? I hope so.
Laura Moore (Night Swimming: A Novel)
the first law of forensic science is called Locard’s Exchange Principle and it says “every contact between a perpetrator and a crime scene leaves a trace.
Terry Hayes (I Am Pilgrim (Pilgrim, #1))
February 2013 Continuation of Andy’s Message (part four)   The priest from Taer and Anak’s parish was as corrupt as they came. The day after I broke ties with the boys, they came to my lodging with their priest demanding monetary compensation for my intimate liaisons with them. I had no idea the Father ran a homeless shelter for runaway kids. This padre was a pimp: he dished out these runaways in return for food and protection.               That day, he labelled me a sinner and pelted me with fire and brimstone, accusing me of corrupting his innocent dependants. Then he proceeded to hound me to repent from my nefarious ways. According to this man of God, ‘the one and only way’ to cleanse my moral impurities was to confess and donate to his parish. He gave me an ultimatum to appear at his office at the soonest and told me he would not hesitate to contact the police if I transgressed. But as soon as they were out of sight, my buddies and I vanished to another island without trace. From there, we departed for Canada, knowing the threat had been nothing but fraudulent extortion. (Besides, I knew if I had gone in for confession, he would have tape-recorded my penance to blackmail me). My intuition had served me well: a year later, I came upon a TV documentary exposing the Marcos’ state and church corruption in the Philippines. One of the indicted priests was none other than the man who had accosted me the year before. Young, you probably are aware that corruption runs rampant in Third-World countries. This tale of mine is just one cautionary example of many. This disreputable experience had left its loathsome mark – one I had difficulty quelling, even though I wanted to see more of this awe-inspiring country. Maybe my apprehension will dissipate if I visit that part of the world with you, cherished memories in hand. You’re one fine specimen from that region.☺   Your loving ex, Andy XOXOXO
Young (Turpitude (A Harem Boy's Saga Book 4))
The Heart's Pleasure We are born with this need to cry our naked cry inside each other. We are so shy about our sexuality that we often miss the quiet teachings that overcome us in moments of true intimacy. The deep intensity of sensitivity during orgasm, for instance, is a sweet paradox in how we all cherish that moment and want to return there, over and over, and yet none of us can endure that ecstasy for very long. This heightened moment reveals a great deal to us about both our very human limitations and our deepest moments of being alive. It is not by chance that we feel compelled to be naked and vulnerable in the presence of another, that despite all our fears and defensive styles, we want to be held and touched completely just at the moment when we are unbearably sensitive. This is the heart's definition of pleasure, and though we need this moment of exposure and release to feel complete, we also must accept that we cannot bear it for very long. This is why the cries of ecstasy and agony often sound the same. That we need to feel such complete sensitivity and vulnerability in union with another is proof that no one can live this life alone. In this way, true intimacy cannot happen without trust. When we let our bodies become this sensitive while holding back the heart, we forego ecstasy and experience its smaller echo, climax. In actuality, this moment of ecstasy, of holding nothing back, can be experienced not just during sex, but in the being and doing and truth telling of all our relationships—in the ecstatic moment when we allow ourselves to be completely revealed and held at the same time. In this daring and fragile moment, the heart rehearses all its gifts: being who we really are, holding nothing back, trusting another, being complete, and witnessing the completeness of another. This is a meditation on intimacy to be shared with a loved one. Sit facing each other and breathe slowly until you find a natural common rhythm. Maintain eye contact and gently hold each other's face. Trace each other's features slowly and lightly with your fingertips, letting the walls between you thin.
Mark Nepo (The Book of Awakening: Having the Life You Want by Being Present to the Life You Have)
The country occupied by this ancient people of Van was the great table-land which now forms Armenia. The people themselves cannot be connected with the Armenians, for their language presents no characteristics of those of the Indo-European family, and it is equally certain that they are not to be traced to a Semitic origin. It is true that they employed the Assyrian method of writing their inscriptions, and their art differs only in minor points from that of the Assyrians, but in both instances this similarity of culture was directly borrowed at a time when the less civilized race, having its centre at Van, came into direct contact with the Assyrians.
Leonard William King (History of Egypt, Chaldaea, Syria, Babylonia and Assyria in the Light of Recent Discovery)
I need to know, Hannah. Why did you fucking leave?” His brutal tone is clear as his fingers trace their way up my thigh and skim over the silk material of my underwear. I push my pelvis towards him; I need his fingers in me now. He has different ideas, trying to tease an answer out of me, and my invitation for more contact is ignored. If there is any chance of me having what I want, I need to answer him.
A.J. Walters (An Enrapturing Attraction (The Attraction Series, #3))
Greg had contacted his bank. He was not a risky investor, and so most of his assets were liquid. If ransom money was needed, he’d be ready. The various feds, all male except for Kimberly Green, put traces on all the possible phones, including Myron’s. She and her men were doing a lot of sotto voce. Myron hadn’t pressed them yet. But that wasn’t going to last. Kimberly
Harlan Coben (Darkest Fear (Myron Bolitar, #7))
• to leave the old parents of the psyche, descend to the psychic land unknown, while depending on the goodwill of whomever we meet along the way • to bind the wounds inflicted by the poor bargain we made somewhere in our lives • to wander psychically hungry and trust nature to feed us • to find the Wild Mother and her succor • to make contact with the sheltering animus of the underworld • to converse with the psychopomp (the magician) • to behold the ancient orchards (energic forms) of the feminine • to incubate and give birth to the spiritual childSelf • to bear being misunderstood, to be severed again and again from love • to be made sooty, muddy, dirty • to stay in the realm of the woodspeople for seven years till the child is the age of reason • to wait • to regenerate the inner sight, inner knowing, inner healing of the hands • to continue onward even though one has lost all, save the spiritual child • to re-trace and grasp her childhood, girlhood, and womanhood • to re-form her animus as a wild and native force; to love him; and he, her • to consummate the wild marriage in the presences of the old Wild Mother and the new childSelf
Clarissa Pinkola Estés (Women Who Run With the Wolves)
Where are we to look for a contact with the “real,” for the point where we break out of our subjectivity? It is at this level that we should turn things around: the real is not accessible as “objective reality” whose contours can be articulated after we erase the traces of our subjectivity, since every positive determination of nature-in-itself is already formulated from our standpoint. The only real accessible to us is the excess of our subjectivity: the blind spot which eludes our subjective grasp is not nature-in-itself but the way we, our subjectivity, fit into it. The blind spot is not objective reality without subject but subject itself as object. Subject never fits reality, it is a crack in every ontological edifice.
Slavoj Žižek (Sex and the Failed Absolute)
You can’t exist in this world without leaving pieces of yourself, without affecting in some tiny way everyone, everything, you come into contact with . . . Jeb told me that. Sometimes the trail you leave is bold, destructive. It’s flattened grass, moved rocks, easy to see. Other times the trace is barely there, invisible unless you know just how to look for it, and it can be like following ghosts . . .
Loreth Anne White (The Slow Burn of Silence)
A recently updated plan and guidelines put out by the CDC recommended a “ring vaccination” approach; if cases of smallpox were identified, patients with suspected or confirmed smallpox would be isolated, and their contacts would be traced, vaccinated, and kept under close surveillance, as would the household members of those contacts. The plan called for identifying other high-risk people who might have had direct or indirect contact with the patients and who therefore also should be vaccinated. In essence, one would vaccinate in “rings” around the index or original case. Local quarantining and travel restrictions also could be enforced if deemed appropriate.
Anthony Fauci (On Call: A Doctor's Journey in Public Service)
The whole drama of contactability, of being constantly in touch and constantly on call, is weighing on me. In regular life I don’t carry a phone around. My whereabouts are not exactly a big mystery. I’m a predictable, straightforward guy. At any given moment I’m most likely to be holding the fort. If I’m out, it’ll be because I’m walking the dog or buying food or briefly riding my bike. It won’t be because I’ve put on a wingsuit and thrown myself off a cliff. And if something untoward happens, the kind of hitch or holdup that afflicts countless people every day, I handle it the way grown-ups did in the millennia before portable electronic devices: by figuring it out. The bottom line is that I’m not a package to be tracked and traced.
Joseph O'Neill (Godwin: A Novel)
found that by copying the distinctive prints and scratches made by other animals we could gain a new power; here was a method of identifying with the other animal, taking on its expressive magic in order to learn of its whereabouts, to draw it near, to make it appear. Tracing the impression left by a deer’s body in the snow, or transferring that outline onto the wall of the cave: these are ways of placing oneself in distant contact with the Other, whether to invoke its influence or to exert one’s own. Perhaps by multiplying its images on the cavern wall we sought to ensure that the deer itself would multiply, be bountiful in the coming season…. All of the early writing systems of our species remain tied to the mysteries of a more-than-human world. The petroglyphs of pre-Columbian North America abound with images of prey animals, of rain clouds and lightning, of eagle and snake, of the paw prints of bear. On rocks, canyon walls, and caves these figures mingle with human shapes, or shapes part human and part Other (part insect, or owl, or elk.) Some researchers assert that the picture writing of native North America is not yet “true” writing, even where the pictures are strung together sequentially—as they are, obviously, in many of the rock inscriptions (as well as in the calendrical “winter counts” of the Plains tribes). For there seems, as yet, no strict relation between image and utterance. In a much more conventionalized pictographic system, like the Egyptian hieroglyphics (which first appeared during the First Dynasty, around 3000 B.C.E. and remained in use until the second century C.E.),4 stylized images of humans and human implements are still interspersed with those of plants, of various kinds of birds, as well as of serpents, felines, and other animals. Such pictographic systems, which were to be found as well in China as early as the fifteenth century B.C.E., and in Mesoamerica by the middle of the sixth century B.C.E., typically include characters that scholars have
David Abram (The Spell of the Sensuous: Perception and Language in a More-Than-Human World)
Neuroascesis,” as we call the business that sells programs of cerebral self-discipline, is a case in point. On the one hand, it appeals to the brain and neuroscience as bases for its self-help recipes to enhance memory and reasoning; fight depression, anxiety, and compulsions; improve sexual performance; achieve happiness; and even establish a direct contact with God. On the other hand, underneath the neuro surface lie beliefs and even concrete instructions that can be traced to nineteenth-century hygiene manuals. The vocabulary of fitness is transposed from the body to the brain, and traditional self-help themes and recommendations are given a neuroscientific luster.
Fernando Vidal (Being Brains: Making the Cerebral Subject)
has never been either tainted or pure, clamorous or quiet, young or old. It has neither direction nor locus, neither inside nor outside, neither size nor form, neither color nor sound. It cannot be sought or pursued, comprehended through wisdom, expressed in language, contacted through sense objects, or reached through meritorious practices.
Seon Master Subul (A Bird in Flight Leaves No Trace: The Zen Teaching of Huangbo with a Modern Commentary)
letting the A/C run, and using PanScan—one of several competing apps in the anonymized contact tracing space—to check his immunological status versus that of everyone currently in the house. Since Willem was the interloper, he was the most likely to be bringing new viral strains in to this household. Eventually the app produced a little map of the property, showing icons for everyone there, color-coded based on epidemiological risk. The upshot was that Willem could get by without a mask provided he kept his distance from Hendrik. Oh, and if he ventured upstairs he should put a mask on because there was a Kuok in the second bedroom on the left whose recent exposure history was almost as colorful as Willem’s. Accordingly he and his father sat two meters apart in a gazebo in the snatch of mowed lawn between the house and the bank where the property plunged into the bayou.
Neal Stephenson (Termination Shock)
In the distance, the silhouette of a jagged mountain range traced an EKG line across the horizon.
Samuel Best (Last Contact (Titan Chronicles #3))
The cases had been doubling every three days and the contact tracing system had only managed to identify 1 in every 200 infections before it had to be jettisoned.
Jonathan Calvert (Failures of State: The Inside Story of Britain’s Battle with Coronavirus)
Stereolithography (SLA) is an additive manufacturing process that belongs to the Vat Photopolymerization family. In SLA, an object is created by selectively curing a polymer resin layer-by-layer using an ultraviolet (UV) laser beam. The materials used in SLA are photosensitive thermoset polymers that come in a liquid form. SLA has many common characteristics with Direct Light Processing (DLP), another Vat Photopolymerization 3D printing technology. For simplicity, the two technologies can be treated as equals. A laser beam is directed in the X-Y axes across the surface of the resin according to the 3D data supplied to the machine (the .stl file), whereby the resin hardens precisely where the laser hits the surface. Once the layer is completed, the platform within the vat drops down by a fraction (in the Z axis) and the subsequent layer is traced out by the laser. The resin that is not touched by the laser remains in the vat and can be reused. This continues until the entire object is completed and the platform can be raised out of the vat for removal. Support structure is always required in SLA. Support structures are printed in the same material as the part and must be manually removed after printing. The orientation of the part determines the location and amount of support. It is recommended that the part is oriented so that so visually critical surfaces do not come in contact with the support structures
Locanam 3D Printing
It’s been almost four years, and my uncle’s top-notch contacts haven’t been able to find a trace of him.
Rina Kent (Blood of My Monster (Monster Trilogy, #1))
As drugs flow up into the United States, all kinds of people make money off them. People are subcontracted to ship, truck, warehouse, and finally smuggle the product over the border. To complicate this, drugs are often bought and sold many times on their journey. People actually handling these narcotics will often have no knowledge which so-called kingpin or cartel ever owned them, only knowing the direct contacts they are dealing with. Ask a New York cocaine dealer who smuggled his product into America. He would rarely have a clue. All this helps explain why the Mexican drug trade is such a confusing web, which confounds both journalists and drug agents. Tracing exactly who touched a shipment on its entire journey is a hard task. But this dynamic, moving industry has a solid center of gravity—turfs, or plazas. Drugs have to pass through a certain territory on the border to get into the United States, and whoever is running those plazas makes sure to tax everything that moves. The border plazas have thus become a choke point that is not seen in other drug-producing nations such as Colombia, Afghanistan, or Morocco. This is one of the key reasons why Mexican turf wars have become so bloody. The vast profits attract all kinds to the Mexican drug trade: peasant farmers, slum teenagers, students, teachers, businessmen, idle rich kids, and countless others. It is often pointed out that in poor countries people turn to the drug trade in desperation. That is true. But plenty of middle-class or wealthy people also dabble. Growing up in the south of England, I knew dozens of people who moved and sold drugs, from private-school boys to kids from council estates (projects). The United States has never had a shortage of its own citizens willing to transport and sell drugs. The bottom line is that drugs are good money even to wealthy people, and plenty have no moral dilemmas about the business.
Ioan Grillo (El Narco: Inside Mexico's Criminal Insurgency)
But the moment Frederick buried his face between my legs it was clear there was nothing in the world he would rather be doing than this. He tasted and licked, breathing me in as he took his sweet, deliberate time. My fingertips found purchase on his shoulders, and I clung to them for dear life as he teased me, the wool of the sweater he still wore deliciously smooth against my bare legs. My head fell back against the pillow again and I writhed on the mattress, bucking up towards his mouth in search of greater friction, needing more. But he wouldn't be rushed. His hands gripped my hips harder as my body sought to move against him, keeping me pinned helplessly to the mattress in the exact spot he wanted me. I whined in delicious agony as he traced the shape of my clit with the achingly soft flat of his tongue, dancing around the direct contact my body was screaming for. I could feel how wet I was growing, could hear the sharp keening sounds I was making as if from a distance. But he would not be rushed by my desperation as he kissed, and lapped, and tasted. "Frederick." I tangled my fingers in his soft hair and tugged, moaning. I was going to pieces. I was out of my head with need. "Please." At my naked plea something must have broken inside him. He groaned, long and loud, the reverberations from it sending sparks of sensation rocketing down my spine--- And then, at last, his tongue was right there, licking me senseless as his lips closed around my clit. He sucked gently, then with greater pressure, and the room, the bed beneath us, fell away. The world collapsed down to a pinprick, nothing existing anymore outside of Frederick and the exquisite, cresting pleasure. "Oh, god," I moaned, bucking against his mouth. I was outside of myself, outside of reason. "Please---" My orgasm came upon me like a tidal wave--- devastating, and all-consuming, my toes curling with the spine-melting pleasure of it. Distantly, I could feel Frederick shifting on the bed, kissing his way up my body, whispering praise to my bare legs, my stomach, my breasts.
Jenna Levine (My Roommate Is a Vampire (My Vampires, #1))
For a scientist, the only valid question is to decide whether the phenomenon can be studied by itself, or whether it is an instance of a deeper problem. This book attempts to illustrate, and only to illustrate, the latter approach. And my conclusion is that, through the UFO phenomenon, we have the unique opportunities to observe folklore in the making and to gather scientific material at the deepest source of human imagination. We will be the object of much contempt by future students of our civilization if we allow this material to be lost, for "tradition is a meteor which, once it falls, cannot be rekindled." If we decide to avoid extreme speculation, but make certain basic observations from the existing data, five principal facts stand out rather clearly from our analysis so far: Fact 1. There has been among the public, in all countries, since the middle of 1946, an extremely active generation of colorful rumors. They center on a considerable number of observations of unknown machines close to the ground in rural areas, the physical traces left by these machines, and their various effects on humans and animals. Fact 2. When the underlying archetypes are extracted from these rumors, the extraterrestrial myth is seen to coincide to a remarkable degree with the fairy-faith of Celtic countries, the observations of the scholars of past ages, and the widespread belief among all peoples concerning entities whose physical and psychological description place them in the same category as the present-day ufonauts. Fact 3. The entities human witnesses report to have seen, heard, and touched fall into various biological types. Among them are beings of giant stature, men indistinguishable from us, winged creatures, and various types of monsters. Most of the so-called pilots, however, are dwarfs and form two main groups: (1) dark, hairy beings – identical to the gnomes of medieval theory – with small, bright eyes and deep, rugged, "old" voices; and (2) beings – who answer the description of the sylphs of the Middle Ages or the elves of the fairy-faith – with human complexions, oversized heads, and silvery voices. All the beings have been described with and without breathing apparatus. Beings of various categories have been reported together. The overwhelming majority are humanoid. Fact 4. The entities' reported behavior is as consistently absurd as the appearance of their craft is ludicrous. In numerous instances of verbal communications with them, their assertions have been systematically misleading. This is true for all cases on record, from encounters with the Gentry in the British Isles to conversations with airship engineers during the 1897 Midwest flap and discussions with the alleged Martians in Europe, North and South America, and elsewhere. This absurd behavior has had the effect of keeping professional scientists away from the area where that activity was taking place. It has also served to give the saucer myth its religious and mystical overtones. Fact 5. The mechanism of the apparitions, in legendary, historical, and modern times, is standard and follows the model of religious miracles. Several cases, which bear the official stamp of the Catholic Church (such as those in Fatima and Guadalupe), are in fact – if one applies the deffinitions strictly – nothing more than UFO phenomena where the entity has delivered a message having to do with religious beliefs rather than with space or engineering.
Jacques F. Vallée (Dimensions: A Casebook of Alien Contact)
The Sixteen Conclusions of Reverend Kirk In the last half of the seventeenth century, a Scottish scholar gathered all the accounts he could find about the Sleagh Maith and, in 1691, wrote an amazing manuscript entitled The Secret Commonwealth of Elves, Fauns and Fairies. It was the first systematic attempt to describe the methods and organization of the strange creatures that plagued the farmers of Scotland. The author, Reverend Kirk, of Aberfoyle, studied theology at St. Andrews and took his degree of professor at Edinburgh. Later he served as minister for the parishes of Balquedder and Aberfoyle and died in 1692. Kirk invented the name "the Secret Commonwealth" to describe the organization of the elves. It is impossible to quote the entire text of his treatise, but we can summarize his findings about elves and other aerial creatures in the following way: 1. They have a nature that is intermediate between man and the angels. 2. Physically, they have very light and fluid bodies, which are comparable to a condensed cloud. They are particularly visible at dusk. They can appear and vanish at will. 3. Intellectually, they are intelligent and curious. 4. They have the power to carry away anything they like. 5. They live inside the earth in caves, which they can reach through any crevice or opening where air passes. 6. When men did not inhabit most of the world, the creatures used to live there and had their own agriculture. Their civilization has left traces on the high mountains; it was flourishing at a time when the whole countryside was nothing but woods and forests. 7. At the beginning of each three-month period, they change quarters because they are unable to stay in one place. Besides, they like to travel. It is then that men have terrible encounters with them, even on the great highways. 8. Their chameleon-like bodies allow them to swim through the air with all their household. 9. They are divided into tribes. Like us, they have children, nurses, marriages, burials, etc., unless they just do this to mock our own customsor to predict terrestrial events. 10. Their houses are said to be wonderfully large and beautiful, but under most circumstances they are invisible to human eyes. Kirk compares them to enchanted islands. The houses are equipped with lamps that burn forever and fires that need no fuel. 11. They speak very little. When they do talk among themselves, their language is a kind of whistling sound. 12. Their habits and their language when they talk to humans are similar to those of local people. 13. Their philosophical system is based on the following ideas: nothing dies; all things evolve cyclically in such a way that at every cycle they are renewed and improved. Motion is the universal law. 14. They are said to have a hierarchy of leaders, but they have no visible devotion to God, no religion. 15. They have many pleasant and light books, but also serious and complex books dealing with abstract matters. 16. They can be made to appear at will before us through magic. The similarities between these observations and the story related by Facius Cardan, which antedates Kirk's manuscript by exactly two hundred years, are clear. Both Cardan and Paracelsus write, like Kirk, that a pact can be made with these creatures and that they can be made to appear and answer questions at will. Paracelsus did not care to reveal what that pact was "because of the ills that might befall those who would try it." Kirk is equally discreet on this point. And, of course, to go deeper into this matter would open the whole field of witchcraft and ceremonial magic, which is beyond my purpose in the present book.
Jacques F. Vallée (Dimensions: A Casebook of Alien Contact)
Personal contact with evil can alone give that sense of its malignity, and that burning detestation of it, which will prompt one to a life-long struggle for its overthrow. We can trace this principle in the orderings of Zwingli's lot.
James Aitken Wylie (The History of Protestantism (Complete 24 Books in One Volume))
Although she was enjoying the night air, Holly could taste traces of pollutants. The Mud People destroyed everything they came into contact with. Of course they didn’t live in the mud anymore. Not in this country, at least. Oh no. Big fancy dwellings with rooms for everything—rooms for sleeping, rooms for eating, even a room to go to the toilet! Indoors! Holly shuddered. Imagine going to the toilet inside your own house. Disgusting! The only good thing about going to the toilet was the minerals being returned to the earth, but the Mud People had even managed to botch that up by treating the…stuff…with bottles of blue chemicals. If anyone had told her a hundred years ago that humans would be taking the fertile out of fertilizer, she would have told them to get some air holes drilled in their skull.
Eoin Colfer (Artemis Fowl (Artemis Fowl, #1))
The development of the 'New British History' (or preferably 'Archipelagic History') in the late twentieth century also lends itself to the study of the Northumbrian kingdom. The approach promotes the comparison, and tracing of contacts, between England, Wales, Scotland and Ireland. It has been criticised for a focus on 'anglicisation', that is the extension of English power across the archipelago. Such an approach would indeed be problematic in relation to the tenth century, when English dominance was more of an aspiration than a reality, and even more so for the heyday of the autonomous Northumbrian kingdom. In contrast, my book investigates influences travelling in the other direction, those emanating from the Gaelic world. I therefore favour a version of the Archiplagic approach in which influences travel in numerous directions, and the various communities 'interact so as to modify the conditions of each other's existence'.
Fiona Edmonds (Gaelic Influence in the Northumbrian Kingdom: The Golden Age and the Viking Age (Studies in Celtic History, 40))
Every contact leaves a trace.
John Sutherland
her. ‘Look at Buck in this picture. Ileanna is looking up at him like he hung the moon, but he’s not looking at her.’ ‘Very good,’ Berman praised. ‘Who is he looking at?’ She traced his line of sight and a piece of puzzle settled. ‘He’s looking at Sara, the girl he’d just broken up with.’ Lucy tilted her head, looking at her brother with the eyes of an adult. ‘That’s an effyou look. He took Ileanna to get back at Sara. I wonder why.’ She looked at Higgins. ‘What happened to Sara Derringer?’ ‘Her family moved after high school. She lives in DC and has six kids. I can give you her contact info.’ He started spinning his Rolodex before she could say a word. ‘Here’s her card.’ Lucy slipped it in her pocket. ‘Thank you.’ Fitzpatrick and Stevie looked up from their conversation. ‘Lucy,’ he said, ‘your mother was the first responder. Ileanna wasn’t dead when she got there. She died about fifteen minutes later, but she
Karen Rose (You Belong to Me (Romantic Suspense #12; Baltimore, #1))
but wait! What’s this??? Looks like there is more ‘stimulus’ gooberment cheese coming…just to keep the sheep appeased enough not to rebel while they set up the martial law infrastructure….contact tracing
J. Micha-el Thomas Hays (Rise of the New World Order: Book Series Update and Urgent Status Report : Vol. 2 (Rise of the New World Order Status Report))
The common linguistic and intellectual ground on which Muslim, Christian, and Jewish philosophy flourished then characterized the entire medieval Islamicate world. But within the semiclosed precincts of “this peninsula” (a term of endearment as much as a geographical designation, used by both Jews and Muslims), the commonality is particularly striking, and perhaps easier to follow. Without imposing on al-Andalus a single predominant school of thought (be it Pseudo-Empedoclean or Aristotelian), and without appealing to a spurious Spanish “genius,” one can identify recurring themes in Andalusian speculative thought. The true meaning of tawḥīd and the correct interpretation of the divine attributes run like a thread through Andalusian thought, from Ibn Masarra and Ibn Gabirol to the Almohads and Maimonides. The respective merits of rational thought and revelation, philosophy and scriptures, preoccupied thinkers from Ibn Masarra and Baḥyā Ibn Paqūda to Averroes and Judah Halevi. Key concepts such as tadbīr (as divine providence or as human governance) or iʿtibār (contemplation and drawing a lesson) surface time and again, receiving different interpretations and being put to different uses by Ibn Masarra and Baḥyā, by Averroes and Maimonides. All of these thinkers had to negotiate their way in the political and social framework of al-Andalus, balancing mundane commitments to the court and to their respective communities with a yearning for perfection, for the sublime and the transcendent. We can sometimes trace the movement of these themes from one thinker to another; more often, the transmission lines remain buried, leaving us to choose between assuming an enigmatic osmotic process and admitting the existence of yet unknown contacts.
Sarah Stroumsa (Andalus and Sefarad: On Philosophy and Its History in Islamic Spain)
The house was quiet and the room was dark. It had to be closing in on four in the morning, but Cedric couldn’t sleep. Not only was he wired from the confrontation with the intruder, but his mind raced with what had happened afterward. The image of Gabriel, furious and panting as he stood over his abuser and took control of the situation, was etched into his mind. Cedric didn’t think he’d ever forget it. And now, that same young man was curled beside him beneath the blankets they shared, looking at him through the dark. “Sir?” Gabriel asked. “Yes, Gabriel?” “You’re not angry about what I did, are you? Or the things I said? I’m sorry that I spoke like that. It’s—” “No.” Cedric shifted closer. The sleeper sofa they shared was small enough that it didn’t take much until they were chest to chest. Gabriel adjusted his position so their bodies were flush. “Don’t be sorry about anything. I should be upset that you put yourself in danger like you did, but the truth is, without you, both of us would have been in even more danger. If you hadn’t stepped in, bad things would have happened.” “He would have taken us,” Gabriel murmured. His hand traced down Cedric’s side, and just like that, the air thickened with the chemistry they shared. It hit Cedric right away, filling his lungs and plunging to his groin. He might have wanted to go to sleep, but his cock had other ideas. “I heard him. I heard all the things he said to you. I was hiding in the kitchen while he spoke, waiting for a chance to creep closer without being heard so I could help you. I’m sorry I took so long.” “No. I told you, don’t be sorry about anything.” Cedric traced his fingers over Gabriel’s cheek, aching to kiss him. “What you did was perfect. I’m okay, and you’re okay, and he’s going to jail, and that’s all that matters.” “I should have told you about him.” Gabriel lowered his gaze. “From the very first day I came to your house, I picked up on his scent. You… you don’t forget something like that, after you spend so long living in a nightmare. I don’t think I’ll forget it for as long as I’m alive.” “I won’t forget it, either.” Cedric’s fingers traced down Gabriel’s neck, then under his jaw along his chin. Stubble pricked his skin. “I didn’t want to tell you about what happened to me because…” Gabriel hesitated, but his gaze flicked upward. His eyes were partially lidded, and his face relaxed. Physical contact had always been an excellent way to soothe him, and tonight it did the trick just fine. “Because everyone treats me like I’m broken, and I didn’t want to think it was true. I thought I was in love with Garrison, and that if I could trick you into thinking I was okay, that maybe you’d let your guard down and I could escape and find him. All I wanted to do was get back to him because I didn’t know how to be on my own. I still don’t, but the difference now is that I understand it.” All the times he’d run away, and all the times he’d clung to Cedric seeking comfort. Over the years, Garrison had turned Gabriel from an impressionable teen into a subservient young man who couldn’t function on his own. Subservient, not submissive. Cedric understood the difference better than ever now that he had confronted the truth.
Piper Scott (His Command: The Complete Series)
Going to come…. I need…. You need to….” “Come for me, you hot fucker!” Marshell ordered. He dropped down over me and sealed his mouth over mine in a scorching kiss, then jerked back. I tilted my head a little to the left, and he struck. Sharp pain exploded as he sunk his fangs into me, and then it faded. Pleasure quickly overrode everything else. I felt him suck, heard him swallow, and then he growled as he came inside me. I lost control and came too, shooting all over my stomach. Finally he stopped taking my blood and withdrew his fangs. He danced his tongue over my skin, and I assumed he was closing the holes. Panting, he leaned back so we could make eye contact. His braids covered both of our faces, and we stared at each other until he finally softened and slipped out. “Wow,” I whispered. “Please tell me that’s a good wow,” Marshell said. I lifted my hand and traced his jaw. “Absolutely. It was as good as good can get, and yes, we will definitely be doing this again. Thank you for making it special.” The relief on his face touched me. “Always.” With a sigh, he eased down next to me and pulled me against his body. He wrapped his arm around me. I lay there, enjoying the moment. We’d mated. He was mine, and I was his—no matter what the future held
M.A. Church (It Takes Two to Tango (Fur, Fangs, and Felines #3))
The key to stopping an outbreak was containment. The first step in containment was to isolate anyone who was infected, and the second step was to interview all the infected patients and develop a list of every person they had come into contact with—a process called contact tracing.
A.G. Riddle (Pandemic (The Extinction Files, #1))
As it turned out, the two ships would not speak later. By this time, the Anderson was fighting for survival against wind gusts up to 67 miles per hour and waves reaching 35 feet, the kind of conditions that explain how no one could see the Fitzgerald slip under the waves. In fact, it’s possible the crew onboard the Fitzgerald didn’t realize what was happening either, because no one issued a distress call or manned any of the lifeboats. The crash of the giant ship breaking apart and going down would have been drowned out by the wind and waves swirling around the Fitzgerald too.  Regardless, when the crew of the Anderson looked at the radar just minutes after the last radio contact with the Fitzgerald, the ship no longer showed up. Thinking that perhaps the Fitzgerald was not appearing on radar because it had been screened by the storm, the Anderson tried repeatedly to contact the ship on the radio, but it was to no avail. The Edmund Fitzgerald had seemingly vanished without a trace.
Charles River Editors (The Sinking of the Edmund Fitzgerald: The Loss of the Largest Ship on the Great Lakes)
We will see how contact tracing has an unequalled capacity and a quasi-essential place in the armoury needed to combat COVID-19, while at the same time being positioned to become an enabler of mass surveillance.
Klaus Schwab (COVID-19: The Great Reset)