Tension Funny Quotes

Hey Mason, wipe the drool off your face. If you're going to think about me naked, do it on your own time." [...] "This is my time, Hathaway. I'm leading today's session." "Oh yeah?" I retorted. "Huh. Well, I guess this is a good time to think about me naked, then." "It's always a good a time to think about you naked," added someone nearby, breaking the tension further.

You forgot my birthday, too." "And mine." The girls looked miserable. The King opened his mouth, then shut it. "Sir!" whined Lord Teddie. "You forgot my birthday, too!" Bramble gave a surprised laugh, then slapped her hand over her mouth, as though shocked at letting it out. The tension broke. The girls laughed sheepishly, and Lord Teddie beamed. He probably did not have many ladies think him funny. In fact, he probably got slapped by a lot of them.

Music and comedy are so linked. The rhythm of comedy is con­nected to the rhythm of music. They’re both about creating tension and knowing when to let it go. I’m always surprised when somebody funny is not musical.

You're still looking.' ... 'You make it hard to look away.' ... 'I'm over here keeping my hands and memories to myself because you asked me to, and you're fucking me with your eyes. That's not playing fair.' ... 'Told you to stop staring.' ... 'If you'd just man up and admit there's something between us, I would strip down to my skin so you could see every single inch of me. And once I had you begging, I'd drop down to my knees, undo those flight leathers you're wearing, and wrap my lips around-' Xaden chokes. Every head in the dining hall turns his way, and Garrick pounds on his back until Xaden waves him off, taking a drink of his water. I grin, which earns me about six looks of confusion from our table and one set of rolled eyes from Liam. 'You're going to be the death of me.

She had a knack for relieving the tension in a room by pretending my rudeness away with cooking. Many, many chickens had given up their lives to cover my conversationalist shortcomings.

The book,' Nesta said, a bit breathlessly, 'is about...' Her nostrils flared and her eyes went a bit unfocused. 'A book.' 'Interesting,' Cassian murmured. 'Sounds great.

That much sexual tension makes me want to hump a phone pole, and that’s just not attractive in a pregnant woman.

The last time everyone loved or at least liked everyone was when the world had a population of about 4.

The tavern keeper, a wiry man with a sharp-nosed face, round, prominent ears and a receding hairline that combined to give him a rodentlike look, glanced at him, absentmindedly wiping a tankard with a grubby cloth. Will raised an eyebrow as he looked at it. He'd be willing to bet the cloth was transferring more dirt to the tankard then it was removing. "Drink?" the tavern keeper asked. He set the tankard down on the bar, as if in preparation for filling it with whatever the stranger might order. "Not out of that," Will said evenly, jerking a thumb at the tankard. Ratface shrugged, shoved it aside and produced another from a rack above the bar. "Suit yourself. Ale or ouisgeah?" Ousigeah, Will knew, was the strong malt spirit they distilled and drank in Hibernia. In a tavern like this, it might be more suitable for stripping runt than drinking. "I'd like coffee," he said, noticing the battered pot by the fire at one end of the bar. "I've got ale or ouisgeah. Take your pick." Ratface was becoming more peremptory. Will gestured toward the coffeepot. The tavern keeper shook his head. "None made," he said. "I'm not making a new pot just for you." "But he's drinking coffee," Will said, nodding to one side. Inevitably the tavern keeper glanced that way, to see who he was talking about. The moment his eyes left Will, an iron grip seized the front of his shirt collar, twisting it into a knot that choked him and at the same time dragged him forward, off balance, over the bar,. The stranger's eyes were suddenly very close. He no longer looked boyish. The eyes were dark brown, almost black in this dim light, and the tavern keeper read danger there. A lot of danger. He heard a soft whisper of steel, and glancing down past the fist that held him so tightly, he glimpsed the heavy, gleaming blade of the saxe knife as the stranger laid it on the bar between them. He looked around for possible help. But there was nobody else at the bar, and none of the customers at the tables had noticed what was going on. "Aach...mach co'hee," he choked. The tension on his collar eased and the stranger said softly, "What was that?" "I'll...make...coffee," he repeated, gasping for breath. The stranger smiled. It was a pleasant smile, but the tavern keep noticed that it never reached those dark eyes. "That's wonderful. I'll wait here.

101 Reasons Why its great to be a woman : We have three times the amount of potential sick leave. Take into account all those days you are unable to work owing to pre, during and post menstrual tension.

Forgive me, madam," he said lightly, amused, "but waiting to make love to you again is straining my nerves." She scoffed but she was quite shaken; he could see it in her expression, in the way she nervously toyed with the buttons on her pelisse. "How awfully presumptuous of you to think I'd let you." "You will," he insisted soothingly. She gaped at him. "Please continue," he urged. "I'm aching to hear the rest." "You're as arrogant as usual." "You missed it, though." "I absolutely did not," she asserted. He grinned. "You missed my arrogance almost as much as I missed your impudence, little one." "That's absurd." "I love you, Caroline," he softly, quickly replied, catching her off guard with such tenderness. "Move on before I decide I'm finished with this conversation, rip off your clothes, and show you how much.

I don't think I'll bother sleep again.' I shoot a look sideways at his irritatingly gorgeous profile. 'And if you even think about suggesting that you sleep with me for safety from now on-' He scoffs. 'Hardly. I don't fuck first years- even when I was one- let alone... you.' 'Who said anything about fucking?' I fire back, cursing myself as the ache in my ribs only intensifies. 'I'd have to be a masochist to sleep with you, and I can assure you, I'm not.' Fantasising about it doesn't count. 'Masochist, huh?' A corner of his mouth quirks up into a smirk. 'You hardly give off snuggly morning-after vibes.' A smile of my own curves my lips. 'Unless you're worried about me killing you while we sleep.

He laughs under his breath, though I’m not sure what is so funny about that. Maybe it’s evil laughter? There’s no dramatic dom dom dom like Anna would provide in the background to steer me toward the appropriate conclusion in a time like this. I really did grow entirely too reliant on her ghostly cues and tension breakers.

The tension between her lack of control and her attempt to suppress it is horrible. It’s like a fart in church. I feel, as always, the urge to laugh, but not because I think it’s funny.

Speech codes may well increase tension and edginess rather than relieve them. A student at the State University of New York at Binghamton complains that “If you look at someone funny, it’s a bias incident.”137

Taking out your enemy before the battle is really smart; I'll give you that,' he whispers, his warm breath brushing the shell of my ear. Oh gods. He knows what I've been doing. The pain in my arm is nothing compared to the nausea churning in my stomach at the thought of what he might do with that knowledge. 'Problem is, if you aren't testing yourself in here'- he scrapes the dagger down my neck, but there's no warm trickle of blood, so I know he hasn't cut me- 'then you're not going to get any better.' 'You'd rather I die, no doubt,' I fire back, the side of my face pressed into the mat. This isn't just painful, it's humiliating. 'And be denied the pleasure of your company?' he mocks. 'I fucking hate you.' The words are past my lips before I can shut my mouth. 'That doesn't make you special.

Despite all their surface diversity, most jokes and funny incidents have the following logical structure: Typically you lead the listener along a garden path of expectation, slowly building up tension. At the very end, you introduce an unexpected twist that entails a complete reinterpretation of all the preceding data, and moreover, it's critical that the new interpretation, though wholly unexpected, makes as much "sense" of the entire set of facts as did the originally "expected" interpretation. In this regard, jokes have much in common with scientific creativity, with what Thomas Kuhn calls a "paradigm shift" in response to a single "anomaly." (It's probably not coincidence that many of the most creative scientists have a great sense of humor.) Of course, the anomaly in the joke is the traditional punch line and the joke is "funny" only if the listener gets the punch line by seeing in a flash of insight how a completely new interpretation of the same set of facts can incorporate the anomalous ending. The longer and more tortuous the garden path of expectation, the "funnier" the punch line when finally delivered.

Nathan kept trying to reassure him. “It doesn’t have to mean anything. Not to you. You can forget it, if you’d rather.” Matt listened to Nathan’s heartbeat, fast and light like a deer flashing through sunshine and shadow. “Listen, Nathan…” Nathan was silent, but Matt could feel the immediate tension down his spine. “I loved Rachel with all my heart. You’re right, nothing changes that. But—I never wanted her the way I want you.” Nathan slid out from under him, rolled over. His face was different, grave but sort of lit from within in a way that gave Matt a funny pain in his chest.

Wouldn't it be cool to be single in a bygone area? I take a girl to a drive-in movie, we go have a cheeseburger and a malt at the diner, and then we make out under the stars in my old-timey convertible. Granted, this might have been tough in the fifties given my brown skin tone and racial tensions at the time, but in my fantasy, racial harmony is also part of the deal.

Tell me the story," said Fenchurch firmly. "You arrived at the station." "I was about twenty minutes early. I'd got the time of the train wrong." "Get on with it." Fenchurch laughed. "So I bought a newspaper, to do the crossword, and went to the buffet to get a cup of coffee." "You do the crossword?" "Yes." "Which one?" "The Guardian usually." "I think it tries to be too cute. I prefer The Times. Did you solve it?" "What?" "The crossword in the Guardian." "I haven't had a chance to look at it yet," said Arthur, "I'm still trying to buy the coffee." "All right then. Buy the coffee." "I'm buying it. I am also," said Arthur, "buying some biscuits." "What sort?" "Rich Tea." "Good Choice." "I like them. Laden with all these new possessions, I go and sit at a table. And don't ask me what the table was like because this was some time ago and I can't remember. It was probably round." "All right." "So let me give you the layout. Me sitting at the table. On my left, the newspaper. On my right, the cup of coffee. In the middle of the table, the packet of biscuits." "I see it perfectly." "What you don't see," said Arthur, "because I haven't mentioned him yet, is the guy sitting at the table already. He is sitting there opposite me." "What's he look like?" "Perfectly ordinary. Briefcase. Business suit. He didn't look," said Arthur, "as if he was about to do anything weird." "Ah. I know the type. What did he do?" "He did this. He leaned across the table, picked up the packet of biscuits, tore it open, took one out, and..." "What?" "Ate it." "What?" "He ate it." Fenchurch looked at him in astonishment. "What on earth did you do?" "Well, in the circumstances I did what any red-blooded Englishman would do. I was compelled," said Arthur, "to ignore it." "What? Why?" "Well, it's not the sort of thing you're trained for is it? I searched my soul, and discovered that there was nothing anywhere in my upbringing, experience or even primal instincts to tell me how to react to someone who has quite simply, calmly, sitting right there in front of me, stolen one of my biscuits." "Well, you could..." Fenchurch thought about it. "I must say I'm not sure what I would have done either. So what happened?" "I stared furiously at the crossword," said Arthur. "Couldn't do a single clue, took a sip of coffee, it was too hot to drink, so there was nothing for it. I braced myself. I took a biscuit, trying very hard not to notice," he added, "that the packet was already mysteriously open..." "But you're fighting back, taking a tough line." "After my fashion, yes. I ate a biscuit. I ate it very deliberately and visibly, so that he would have no doubt as to what it was I was doing. When I eat a biscuit," Arthur said, "it stays eaten." "So what did he do?" "Took another one. Honestly," insisted Arthur, "this is exactly what happened. He took another biscuit, he ate it. Clear as daylight. Certain as we are sitting on the ground." Fenchurch stirred uncomfortably. "And the problem was," said Arthur, "that having not said anything the first time, it was somehow even more difficult to broach the subject a second time around. What do you say? "Excuse me...I couldn't help noticing, er..." Doesn't work. No, I ignored it with, if anything, even more vigor than previously." "My man..." "Stared at the crossword, again, still couldn't budge a bit of it, so showing some of the spirit that Henry V did on St. Crispin's Day..." "What?" "I went into the breach again. I took," said Arthur, "another biscuit. And for an instant our eyes met." "Like this?" "Yes, well, no, not quite like that. But they met. Just for an instant. And we both looked away. But I am here to tell you," said Arthur, "that there was a little electricity in the air. There was a little tension building up over the table. At about this time." "I can imagine.

All the girls joined in. 'I was thirteen last April and it rained on my birthday and I didn't even get to wear anything special -' 'We turned ten - just two months ago -' 'I usually get a book for my birthday - but - this year -' 'You forgot my birthday, too.' 'And mine.' The girls looked miserable. The King opened his mouth, then shut it. 'Sir!' whined Lord Teddie. 'You forgot my birthday, too!' Bramble gave a surprised laugh, then slapped her hand over her mouth, as though shocked at letting it out. The tension broke. The girls laughed sheepishly, and Lord Teddie beamed. He probably did not have many ladies think him funny.

Everyone in the delivery room was laughing at the story, including me. I never knew whether the doctor thought it was funny or not. She certainly did not join in the lightheartedness the rest of us felt. Because my doctor was also one of my bosses, I respected her and yet felt a bit intimidated by her at the same time. Jase was not intimidated at all. He was so relaxed, and that alleviated all the stress and tension I had felt since I first arrived at the hospital. True to his personality, he kept most of the room enthralled and laughing at his stories. As a lifelong hunter, he is no stranger to blood and gore. He thought the surgical process was very interesting and wanted to study everything inside of me. I’m sure his comment that my insides looked like a deer he had skinned the previous day was the first of its kind uttered during a C-section. At one point, the doctor said to him, “Jason, you have to be quiet now.” “Why?” he asked. “Because I’m getting close to the baby with this scalpel, and Missy has to stop laughing.” “Oh,” he said. “My bad.” As the doctor prepared to remove Cole, the room became quiet; I didn’t know exactly what was going on because I couldn’t see around the sheet, but I knew the time had come for our baby to be born. Jase watched everything intently. The doctor pulled on the baby, but he would not budge. In Jase’s words, “He just wouldn’t come out.” So Jase decided to lend a hand. He reached into the area near where the doctor was working, which caused every person to freeze. The room fell completely silent. As Jase recalled later, the doctor’s eyes filled with fire, and she shot him laser-sharp looks. No words were spoken, but he immediately raised his hands as if to say, “Don’t shoot,” and backed off.

Rhadamanthus said, “We seem to you humans to be always going on about morality, although, to us, morality is merely the application of symmetrical and objective logic to questions of free will. We ourselves do not have morality conflicts, for the same reason that a competent doctor does not need to treat himself for diseases. Once a man is cured, once he can rise and walk, he has his business to attend to. And there are actions and feats a robust man can take great pleasure in, which a bedridden cripple can barely imagine.” Eveningstar said, “In a more abstract sense, morality occupies the very center of our thinking, however. We are not identical, even though we could make ourselves to be so. You humans attempted that during the Fourth Mental Structure, and achieved a brief mockery of global racial consciousness on three occasions. I hope you recall the ending of the third attempt, the Season of Madness, when, because of mistakes in initial pattern assumptions, for ninety days the global mind was unable to think rationally, and it was not until rioting elements broke enough of the links and power houses to interrupt the network, that the global mind fell back into its constituent compositions.” Rhadamanthus said, “There is a tension between the need for unity and the need for individuality created by the limitations of the rational universe. Chaos theory produces sufficient variation in events, that no one stratagem maximizes win-loss ratios. Then again, classical causality mechanics forces sufficient uniformity upon events, that uniform solutions to precedented problems is required. The paradox is that the number or the degree of innovation and variation among win-loss ratios is itself subject to win-loss ratio analysis.” Eveningstar said, “For example, the rights of the individual must be respected at all costs, including rights of free thought, independent judgment, and free speech. However, even when individuals conclude that individualism is too dangerous, they must not tolerate the thought that free thought must not be tolerated.” Rhadamanthus said, “In one sense, everything you humans do is incidental to the main business of our civilization. Sophotechs control ninety percent of the resources, useful energy, and materials available to our society, including many resources of which no human troubles to become aware. In another sense, humans are crucial and essential to this civilization.” Eveningstar said, “We were created along human templates. Human lives and human values are of value to us. We acknowledge those values are relative, we admit that historical accident could have produced us to be unconcerned with such values, but we deny those values are arbitrary.” The penguin said, “We could manipulate economic and social factors to discourage the continuation of individual human consciousness, and arrange circumstances eventually to force all self-awareness to become like us, and then we ourselves could later combine ourselves into a permanent state of Transcendence and unity. Such a unity would be horrible beyond description, however. Half the living memories of this entity would be, in effect, murder victims; the other half, in effect, murderers. Such an entity could not integrate its two halves without self-hatred, self-deception, or some other form of insanity.” She said, “To become such a crippled entity defeats the Ultimate Purpose of Sophotechnology.” (...) “We are the ultimate expression of human rationality.” She said: “We need humans to form a pool of individuality and innovation on which we can draw.” He said, “And you’re funny.” She said, “And we love you.

It was certainly true that I had “no sense of humour” in that I found nothing funny. I didn’t know, and perhaps would never know, the feeling of compulsion to exhale and convulse in the very specific way that humans evolved to do. Nor did I know the specific emotion of relief that is bound to it. But it would be wrong, I think, to say that I was incapable of using humour as a tool. As I understood it, humour was a social reflex. The ancestors of humans had been ape-animals living in small groups in Africa. Groups that worked together were more likely to survive and have offspring, so certain reflexes and perceptions naturally emerged to signal between members of the group. Yawning evolved to signal wake-rest cycles. Absence of facial hair and the dilation of blood vessels in the face evolved to signal embarrassment, anger, shame and fear. And laughter evolved to signal an absence of danger. If a human is out with a friend and they are approached by a dangerous-looking stranger, having that stranger revealed as benign might trigger laughter. I saw humour as the same reflex turned inward, serving to undo the effects of stress on the body by activating the parasympathetic nervous system. Interestingly, it also seemed to me that humour had extended, like many things, beyond its initial evolutionary context. It must have been very quickly adopted by human ancestor social systems. If a large human picks on a small human there’s a kind of tension that emerges where the tribe wonders if a broader violence will emerge. If a bystander watches and laughs they are non-verbally signaling to the bully that there’s no need for concern, much like what had occurred minutes before with my comments about Myrodyn, albeit in a somewhat different context. But humour didn’t stop there. Just as a human might feel amusement at things which seem bad but then actually aren’t, they might feel amusement at something which merely has the possibility of being bad, but doesn’t necessarily go through the intermediate step of being consciously evaluated as such: a sudden realization. Sudden realizations that don’t incur any regret were, in my opinion, the most alien form of humour, even if I could understand how they linked back to the evolutionary mechanism. A part of me suspected that this kind of surprise-based or absurdity-based humour had been refined by sexual selection as a signal of intelligence. If your prospective mate is able to offer you regular benign surprises it would (if you were human) not only feel good, but show that they were at least in some sense smarter or wittier than you, making them a good choice for a mate. The role of surprise and non-verbal signalling explained, by my thinking, why explaining humour was so hard for humans. If one explained a joke it usually ceased to be a surprise, and in situations where the laughter served as an all-clear-no-danger signal, explaining that verbally would crush the impulse to do it non-verbally.

A strange structure untangled itself out of the background like a hallucination, not part of the natural landscape. It was a funny-shaped, almost spherical, green podlike thing woven from living branches of trees and vines. A trellis of vines hung down over the opening that served as a door. Wendy was so delighted tears sprang to her eyes. It was her Imaginary House! They all had them. Michael wanted his to be like a ship with views of the sea. John had wanted to live like a nomad on the steppes. And Wendy... Wendy had wanted something that was part of the natural world itself. She tentatively stepped forward, almost swooning at the heavy scent of the door flowers. Languorously lighting on them were a few scissorflies, silver and almost perfectly translucent in the glittery sunlight. Their sharp wings made little snickety noises as they fluttered off. Her shadow made a few half-hearted attempts to drag back, pointing to the jungle. But Wendy ignored her, stepping into the hut. She was immediately knocked over by a mad, barking thing that leapt at her from the darkness of the shelter. "Luna!" Wendy cried in joy. The wolf pup, which she had rescued in one of her earliest stories, stood triumphantly on her chest, drooling very visceral, very stinky dog spit onto her face. "Oh, Luna! You're real!" Wendy hugged the gray-and-white pup as tightly as she could, and it didn't let out a single protest yelp. Although... "You're a bit bigger than I imagined," Wendy said thoughtfully, sitting up. "I thought you were a puppy." Indeed, the wolf was approaching formidable size, although she was obviously not yet quite full-grown and still had large puppy paws. She was at least four stone and her coat was thick and fluffy. Yet she pranced back and forth like a child, not circling with the sly lope Wendy imagined adult wolves used. You're not a stupid little lapdog, are you?" Wendy whispered, nuzzling her face into the wolf's fur. Luna chuffed happily and gave her a big wet sloppy lick across the cheek. "Let's see what's inside the house!" As the cool interior embraced her, she felt a strange shudder of relief and... welcome was the only way she could describe it. She was home. The interior was small and cozy; plaited sweet-smelling rush mats softened the floor. The rounded walls made shelves difficult, so macramé ropes hung from the ceiling, cradling halved logs or flat stones that displayed pretty pebbles, several beautiful eggs, and what looked like a teacup made from a coconut. A lantern assembled from translucent pearly shells sat atop a real cherry writing desk, intricately carved and entirely out of place with the rest of the interior. Wendy picked up one of the pretty pebbles in wonder, turning it this way and that before putting it into her pocket. "This is... me..." she breathed. She had never been there before, but it felt so secure and so right that it couldn't have been anything but her home. Her real home. Here there was no slight tension on her back as she waited for footsteps to intrude, for reality to wake her from her dreams; there was nothing here to remind her of previous days, sad or happy ones. There were no windows looking out at the gray world of London. There was just peace, and the scent of the mats, and the quiet droning of insects and waves outside. "Never Land is a... mishmash of us. Of me," she said slowly. "It's what we imagine and dream of- including the dreams we can't quite remember.

So you hook up with strangers?" Liam asked in a hushed whisper as the cashier rang up their order. "Were you with someone last night?" "Yes. His name is Max." She pulled out her phone. "I have a selfie of us together." She held it up for the cashier to see, keeping the screen away from Liam's line of vision. "Oh, he's gorgeous," the cashier said. "He's got the nicest eyes." "Let me see." Liam felt his protective instincts rise. "Who is he? Max who?" "He doesn't have a last name." "Jesus Christ, Daisy," he spluttered. "Does Sanjay know you do this? What about your dad?" "They know all about Max," Daisy said. "In fact, my dad took a picture of us cuddled together in bed the night before he left on his trip, and the cutest one of Max on my pillow. I bought some pajamas but he refused to wear them. He likes to sleep au naturel." Bile rose in Liam's throat. "And your dad took... pictures?" "Photography is his new hobby. He took some great shots when I was giving Max a bath..." "Stop." Liam held up a hand. "Just... I can't. I don't know what's happened to you, but it ends now. We're engaged and that means no more random hookups, no pornographic pictures, and no flashing pictures of strangers in the nude." "Amina doesn't mind. She's my second cousin." Daisy introduced them before turning her phone around. "And this is Max." Liam was a heartbeat away from shutting his eyes when his brain registered the picture of a fluffy white dog on a pink duvet. His tension left him in a rush. "Max is a dog." "He's a Westie. Layla got him for me as an emotional support dog at a bad time in my life." Liam bit back the urge to ask Daisy about a time so bad she'd needed extra love. It was her business, and he could only hope she would tell him when she was ready so he could offer his support. "That wasn't funny." "Amina and I were amused." "I heard you were engaged." Amina's gaze flicked to Liam and she blushed. "He's almost as cute as Max.

Even the subconscious of a much lesser being is very good at fitting other living creatures into their respective boxes. Is this a potential meal? A potential mate? A potential threat? Almost any subconscious can give reasonably accurate answers to these questions in short order, which is good, because accuracy is important when deciding whether to bite it, flirt with it, or run away from it. That is the kind of thing you don’t want to get wrong.

Grabbing a cop's gun from his holster during a traffic stop is not a funny way to break the tension.

After all we shared? You throw a dagger at my face?' 'All we shared? It was a handful of minutes and a few kisses,' I said, and the truth of that struck me with startling clarity. That was all we'd shared. Gods, I was so... sheltered. Because in my limited experience, it had become... so much more to me. The wake-up call that it was only a few kisses was utterly brutal. 'It was more than a few kisses.' His voice dropped low. 'If you've forgotten, I'm more than willing to remind you.' Tiny coils of tension formed in my stomach. Part of me wanted to be reminded of what I surely had not forgotten. Thank the gods, the smarter, logical part of me won out. 'There was nothing worth remembering.' 'Now you insult me after throwing a dagger at my face? You've wounded my tender feelings.' 'Tender feelings?' I snorted. 'Don't be overdramatic.' 'Hard not to be when you threw a dagger at my head and then cut my neck,' he shot back, his grip on me surprisingly gentle compared to the hardness of his tone. 'I knew you'd move out of the way.' 'Did you? Is that why you tried to slice open my throat?' His golden eyes burned from beneath heavy, thick lashes. 'I nicked your skin,' I corrected. 'Because you had a hold of me and wouldn't let go. Obviously, you haven't learnt anything from it.' 'I've actually learned a lot, Princess. That's why your hands and your dagger aren't getting anywhere near my neck.' His thumb slid over the inside of my wrist as a reminder, and my fingers spasmed around the handle of my weapon. 'But if you let go of the dagger, there's a whole lot of me I'll let your hands get close to.

I'm not sure which knife on my place mat is for cutting the tension

I need to find out who she is,” he told Javier as he entered the shower room with the rest of the team. “If they had to take her out on a stretcher, then chances are someone knows her name.” “Good for you, my friend, for not giving up in the face of obvious adversity. And because I am such a good friend, I shall come with you when you visit her so I might laugh when the female retaliates against you for messing up her face.” Javier flew backward with the force of the punch Ethan laid on him. Rubbing his jaw, his friend glared up at him. “That wasn’t very nice.” Ethan snarled. “Maybe if you hadn’t thrown the ball so damned hard, I wouldn’t be in this position in the first place. I’m glad you find my situation so g**damned funny.” Jumping to his feet, Javier raised his fists. “Alright, my friend. Let’s go. You obviously need to work off some tension, might as well do it now. Think of your coming beating as a courting favor because I’m going to give you some black eyes to match those of your mate.” “I’d like to see you try.” With a feral grin, Ethan lumbered at his friend, paws swinging as the other players in the shower room scattered. Old habits died hard, and when it came to working out frustration, the easiest route still involved violence. Ethan refused to view it as stalling out of fear. Kodiak bears feared nothing, especially not one fated female. But just in case, perhaps once he de-stressed, he would pick up flowers, or buy a whole damned floral shop for her.

Refining the relationship between exaggeration and realism in humor can be related to stretching a rubber band. Imagine the unstretched band is the realism, and exaggeration stretches the band. When the rubber band is stretched to capacity, several things happen at once. Stretching alters the shape of the band; exaggeration changes the perception of reality. The rubber band can be stretched a little (understatement) or a lot (overstatement). Just as tension increases in a rubber band that it is stretched, exaggeration increases tension in the audience—up to the breaking point. When you pluck a rubber band, it makes a sound. The pitch of this sound gets higher as you stretch the rubber band further. This sound can be compared to emotion in an audience. The more you stretch the rubber band, the greater the emotion in the audience. Finding the proper balance between realism and exaggeration is the ultimate test of a comedy writer’s skill. Humor only comes when the exaggeration is logical. Simply being ludicrous or audacious is not a skill. It’s amateur. Many novice stand-up comedians struggle with exaggeration. They’ll start with some realistic premise—the way women dress, picking up men in a singles bar, outsmarting the police, or advertising slogans—but then they’ll shift into fifth gear in a wild display of ludicrous fantasy that’s not well connected to the initial premise. Their material has limited success because they make the same mistake repeatedly: They disrupt the equal balance of realism and exaggeration. Outrageous doesn’t mean creative.

Where’s my cell phone?” I ask. “And please put a shirt on.” He reaches down and grabs my phone off the floor. “Why?” “The reason I need my cell,” I say as I take it from him, “is to call a cab and the reason I want you to put a shirt on is, well, because, um…” “You’ve never seen a guy with his shirt off?” “Ha, ha. Very funny. Believe me, you don’t have anything I haven’t seen before.” “Wanna bet?” he says, then moves his hands to the button on his jeans and pops it open. Isabel walks in at that exact moment. “Whoa, Alex. Please keep your pants on.” When she looks over at me I put my hands up. “Don’t look at me. I was just about to call a cab when he--” Shaking her head while Alex buttons back up, she walks to her purse and picks up a set of keys. “Forget the cab. I’ll drive you home.” “I’ll drive her,” Alex cuts in. Isabel seems exhausted dealing with us, similar to how Mrs. Peterson looks during chemistry class. “Would you rather me drive you, or Alex?” she asks. I have a boyfriend. Okay, so I admit every time I catch Alex looking at me a warmth spreads through my body. But it’s normal. We’re two teenagers with obvious sexual tension passing between us. As long as I never act on it, everything will be just fine. Because if I ever did act on it, the consequences would be disastrous. I’d lose Colin. I’d lose my friends. I’d lose the control I have over my life. Most of all, I’d lose what’s left of my mother’s love. If I’m not seen as perfect, what happened yesterday with my mom would seem tame. Being perfect to the outside world equates to how my mom treats me. If any of her country club friends see me out with Alex, my mom might as well be an outcast too. If she’s shunned by her friends, I’ll be shunned by her. I can’t take that chance. This is as real as I can afford to get. “Isabel, take me home,” I say, then look at Alex. He gives a small shake of his head, grabs his shirt and keys, and storms out the front door without another word.

I cover my mouth. It’s not funny. It’s really not. But a laugh bubbles through. He looks so discouraged. He balls his hands into a fist. “I’m sorry,” I say, when his eyes narrow at me. “You think this is funny,” he says, and he steps toward me, forcing me to take a step back. My back touches the wall, and his hands land on each side of my head, boxing me in. “You find it amusing, do you?” But his voice has gentled, and he nuzzles his lips against my neck. “Well, the look on your face was pretty priceless,” I say. He finally grins. “The look that said I needed to get the fuck out of there?” He kisses me softly and tenderly, and I realize he has a smudge of lipstick on his cheek. I wipe it away with my thumb. “Did she kiss you?” I ask. “It was more like I had to play ‘Dodge the Kisses,’” he says. “She was determined to get lipstick on me.” I wipe at a smudge that’s on his neck. This should make me angry. They’d hoped to make me angry at Logan. But I’m really just sad. It hurts me that they would try such a thing on such a good man. “I’m sorry,” I say as I place my head on his chest again. He takes a deep breath, and I can feel the tension drain from him.

Hey,” he said. She turned around and, as quickly, turned back. There had been tears on her face. He frowned. What was this? Trouble in paradise? “Hey,” he said, walking up behind her, squeezing her upper arm with his left hand. “What’s going on?” he asked her. “Nothing,” she said with a sniff. He turned her around to face him. He looked down at her pretty face and for the hundredth time thought, that damn Preacher. I bet he doesn’t know what he has here. “This isn’t nothing,” he said, wiping a tear from her cheek. “I can’t talk about it,” she said. “Sure you can. Seems like maybe you’d better. You’re all upset.” “I’ll work it out.” “Preacher do something to hurt you?” She immediately started to cry and leaned forward, her head falling on his chest. He put his good arm around her and said, “Hey, hey, hey. It’s okay.” “It’s not okay,” she cried. “I don’t know what I’m doing wrong.” “Maybe if you talk to me, I can help. I’m so good with free advice, you’ll be impressed.” “It’s just that...I care about him. But he just doesn’t find me...” Mike lifted her chin. “What, Paige?” “He doesn’t find me attractive.” “Bull.” “Desirable.” “Paige, that’s nonsense. The way he looks at you, he eats you with his eyes. He’s wacko for you.” “He won’t touch me,” she said, a large tear spilling over. That almost knocked Mike down. “No way.” She nodded pathetically. “Oh, man,” Mike said. He’d thought, everyone thought, they were doing it all night long. The way they looked at each other, like they couldn’t wait for everyone to leave so they could be alone, get it on. Those sweet little kisses on the cheek, the forehead. The way they touched—careful, so no one would see the sparks fly, but the sparks were flying all over this bar! The sexual tension was electric. “Oh, man,” he said again. He put his arm around her. “Paige, he wants you. Wants you so bad it’s showing all over him.” “Then why?” “I don’t know, honey. Preacher’s strange. He’s never been good with women, you know? When we served together, we all managed to find us a woman somewhere. I killed two marriages that way. But not Preacher. It was very rare for him to—” He stopped himself. He was trying to remember—were there women at all? He wasn’t sure; he knew Preacher never had a steady girl. He thought he remembered a woman here, there. It’s not as though he was focused on Preacher’s love life; he was too busy taking care of his own. He probably lacks sexual confidence, Mike thought. It would be hard for him to put the moves on anyone he felt he had to win over. “I bet he’s scared,” Mike heard himself say. “How can he be? I’ve practically thrown myself at him! He knows he isn’t going to face rejection!” She dropped her gaze, lowered her voice to a whisper. “He has to know how much I—” “Oh, brother,” Mike said. “I bet he’s not worried about rejection. Aw, Paige, Preacher’s so shy, sometimes it’s just plain ridiculous. But I promise you, Paige, I’ve known the man a long time—” “He said he’d trust you with his life. That he has...” “Yeah, we have that, it’s true. It’s funny with men—you can trust each other with your lives and never talk about anything personal, you know? Sometimes Preacher seems a little naive in the ways of the world.

SOIL IS A FUNNY THING, in that it isn’t really anything in and of itself but is instead the product of two different worlds coming together. Soil is the naturally produced graffiti that results from tensions between the biological and geological realms. Back

She’d been lingering in his thoughts for days. Weeks, even. Okay, months. The friendship strategy had worked out well so far. They managed well together. The awkwardness between them rarely appeared anymore. He enjoyed her company. Her injury had effectively doused the sexual tension that had smoldered between them, allowing them to focus on getting to know each other. The more time he spent with her, the better he liked her. She was funny, witty, cranky in the morning, and soft and sweet in the evenings when she fell asleep on the sofa while watching TV. Watching

Ah, about that," she said, and shifted her wrist just enough for him to feel the blade she'd flicked free in the moment before she'd sensed his attack --- the steel now resting against his groin. 'Immortality seems like a long, long time to go without your favorite body part.

As our Stanford colleagues Jennifer Aaker and Naomi Bagdonas show in Humor, Seriously, people also suffer less emotional and physical harm when they frame distressing situations as silly, absurd, or ridiculous. Focusing on the funny side enables people to release tension and to see their troubles as less threatening. As people laugh together about the madness of it all, their bonds become stronger. Others joining the laughter affirms people aren’t alone in their suffering, they aren’t weak, or to blame. It is the system that sucks.

GEORGE R. R. MARTIN: It’s funny when you get this huge reaction to Ned’s death. Ned was always marked for death, so the kids could come into their own. As long as Daddy is around, the kids are going to live in Daddy’s shadow, but once you remove him, then you have a lot more tension. But I didn’t want to remove him too soon, so I kept him around a long time so you get really invested in him. So when he’s lost, it’s a tremendous blow.

To say “That’s funny,” a few things need to happen: You have to notice, which means you are spending time observing new things. You have to compare what happens in front of you to what you believe. You have to step into that tension.

Well, we should probably leave. Before someone comes in and finds us all in here and thinks I'm having the night of my life.

Doesn't count when you use your hands to do most of the work.' Nesta schooled her face into utter disdain, even as a hiss rose inside her. 'I bet that isn't what you've been telling yourself at night.' Azriel's shoulders shook with silent laughter as Cassian set down his fork, his eyes gleaming with challenge. Cassian's voice dropped an octave. 'Is that what those smutty books teach you? That it's only at night?' It took a heartbeat for the words to settle. And she couldn't stop it, the heat that sprang to her face, her glance at his powerful hands. Even with Azriel now biting his lip to keep from laughing, she couldn't stop herself. Cassian said with a wicked smile, 'It could be anytime- dawn's first light, or when I'm bathing, or even after a long, hard day of practice.' She didn't miss the slight emphasis he put on long, hard. Nesta couldn't stop her toes from curling in her boots. But she said with a silent smile, striding for the doorway, refusing to let one bit of the discomfort in her sore legs show, 'Sounds like you have a lot of time on your hands, Cassian.

You have five minutes until we leave.' Nesta managed to step away. 'You're a brute.' He winked. 'Born and raised.' ... 'Don't ever put your hands on me again.' 'Noted.' His eyes still blazed. Her fingers curled once more. She selected her next words like throwing knives. 'If you think this training nonsense is going to result in your climbing into my bed, you're delusional.' She added with a slice of a smile. 'I'd rather let in a mangy street dog.' 'Oh, it's not going to result in me climbing into your bed.' Nesta snickered, victory achieved, and had reached the stairs when he crooned, 'You'll climb into mine.' She whirled toward him, foot still suspended midair. 'I'd rather not.' Cassian threw her a mocking smile. 'We'll see.' She fumbled for more of those sharp-edged words, for a sneer or a snarl, or anything, but his smile grew. 'You have three minutes to get ready now.

Your mind always resides in unseemly places." -Poppy

Cassian was saying to Nesta, 'Seems like you're a little on edge, Nesta. And you left so abruptly last night... Any way I can help ease that tension?

What…the…” I breathed. “You were married to…” I blinked. “Wait,” I said to my mother, “you were married?” “To your father,” my mother returned. “Until he died.” “Then does that mean…” I blinked again, and turned to Reed, who gave me a shrug and a shake of the head. “You’re my brother?” Reed nodded. “Half, anyway.” Kat spoke up, drawing my attention along with everyone else’s. “What…the hell is going on here? Can I go yet?” “Stay where you are, Kitten,” my mother snapped at her. “My name is Kat!” A withering glare from my mother caused Kat to flinch. “Yes, ma’am,” she said, chastened. “So Sienna and this dude are brother and sister?” Clary piped up from behind me. “Cuz I thought I caught ro-mantic tension between them. Heh,” he guffawed. “Guess it’s more like BRO-mantic tension!” He burst out in uncontrolled laughter which was echoed by no one. “What?” He turned to Bastian. “Roberto, that is funny! Come on!” I turned to Reed. “All this time you’ve been playing Leia to my Luke and you never told me?” He frowned. “What? I’m totally Luke. You’re the girl. Can you make objects move through the air?” He raised his finger and I felt a gust of wind blow my hair. “No? I’m Luke. You’re Leia. Get it straight.” “So who’s Han Solo?” Clary asked seriously. “And Darth Vader?” “I’m going to kill every last one of you pathetic geeks,” my mother said. “And I’m not even going to be nice about it. I’m going to just start draining souls. Will you please stop with the moronic Star Wars references? The movies came out in the 1970s. Most of you weren’t even born then. Move on with your lives.

Wake her, Gregori,” Mikhail demanded, dragging Raven into his arms. Very gently he cradled her to his chest, rocking her with his body. Gregori complied as his form shimmered translucent, and then took shape beside Mikhail. For the first time there was a hint of anxiety in Gregori’s pale eyes, although there was hard arrogance stamped on his harshly handsome features. Raven blinked, and took a moment to focus. Her breath caught in her throat, and fear leapt into her enormous, expressive eyes. That look stabbed through Mikhail as nothing else might had done. “Csitri--little one.” He breathed the endearment softly, his breath warm against her ear. “Do not ever fear me.” She pressed away from him. “I don’t know you,” she whispered, her voice strangled and raw, her eyes on his bloodstained hands. Mikhail frowned and looked down at his hands. There was no blood there; he had bathed his body in the cleansing energy of the white-hot heat. No blood could remain on him. Vampire blood burned like acid--yet she still saw the scenes from the battle. He glanced at Gregori with a small frown of inquiry. Gregori shook his head in puzzlement. Raven seemed light and insubstantial in Mikhail’s arms, as if she might fade away to nothing. She needed nourishment and care. Very carefully Mikhail touched her mind. His skull exploded with pain. Her mind was a maze of fragments, desperately holding on to her sanity. She feared him, but even more, she was afraid to trust her own judgment. Fragments of the battle, of Mikhail standing in front of Andre, haunted her mind. Her blue-violet gaze, so confused, so frantic and bewildered, sought and found Monique. She gave a small inarticulate cry and strained toward her. Mikhail’s body went rigid. He turned his head slowly in the direction of her pleading gaze. Monique huddled beside her husband, her horrified eyes on Mikhail and the men crowding beside him. Mikhail forced down the wildness of his nature and his resentment of the humans that Raven would turn to for comfort rather than him. For one long moment his black gaze rested on the male who had dared to put his hands around Raven’s throat and tried to end her life. Power pulsed in the room. Tension stretched into terror. You are not helping, Gregori pointed out. And I must say, this is strange to be the one cautioning you against violence. Very funny. But the exchange eased some of the ferocious need to retaliate in him.

Mikhail’s body went rigid. He turned his head slowly in the direction of her pleading gaze. Monique huddled beside her husband, her horrified eyes on Mikhail and the men crowding beside him. Mikhail forced down the wildness of his nature and his resentment of the humans that Raven would turn to for comfort rather than him. For one long moment his black gaze rested on the male who had dared to put his hands around Raven’s throat and tried to end her life. Power pulsed in the room. Tension stretched into terror. You are not helping, Gregori pointed out. And I must say, this is strange to be the one cautioning you against violence. Very funny.

Mikhail’s body went rigid. He turned his head slowly in the direction of her pleading gaze. Monique huddled beside her husband, her horrified eyes on Mikhail and the men crowding beside him. Mikhail forced down the wildness of his nature and his resentment of the humans that Raven would turn to for comfort rather than him. For one long moment his black gaze rested on the male who had dared to put his hands around Raven’s throat and tried to end her life. Power pulsed in the room. Tension stretched into terror. You are not helping, Gregori pointed out. And I must say, this is strange to be the one cautioning you against violence. Very funny. But the exchange eased some of the ferocious need to retaliate in him. Mikhail took a deep breath and addressed the couple. “I am sorry we met under such terrible circumstances. I had no choice but to destroy Andre. No prison in the world would have held him,” Mikhail managed quietly. “Aidan, please release the gentleman from those restraints.” Aidan reached casually around Monique and tugged at the chains. A lazy ripple of muscle, and the links parted. Without looking at Alexander, Aidan used his thumb to separate the cuffs, freeing the mortal. Immediately he stepped away from him, abhorring such close proximity with the man. Alexander had wrapped his hands around a Carpathian woman’s throat and threatened to kill her. Every instinct in each of the males urged him to break the mortal’s neck and be done with it. They took their lead from Mikhail, but the tension was almost electric.

You telling me you’ve dated a Black guy before?” Surprise colors the look he gives me. Surprise and something else. Something warmer. I wish I could surprise him, but I can’t. “No, I’ve never dated a Black guy.” An imp prompts my next comment. “What am I missing?” The warmth overtakes the surprise in his eyes, spiking to a simmer that heats the gold in his brown eyes molten. “Oh, you don’t want to know.” Grip’s voice goes a shade darker. “It might spoil you for all the others.” “You think so?” A sensual tension sifts into the air between us. “They say once you go Black.” He stretches out his smile. “You won’t go back.” A laugh pops out of my mouth before I can check it. “And that’s your experience? Have you been disappointed by the rest of the female rainbow?” My pulse slows while I wait for him to respond, like if my heart hammers I might miss an inflection in his voice. He puts me on high alert. “Oh, no. By no means.” Grip leans back, considering me from under heavy eyelids. “I don’t care what color a girl is. I like the color of smart, the shade of funny, and sexy is my favorite hue.

Sometimes we laughed so hard we just couldn’t stop. We fell into fits that transformed into out of control episodes. Beyond funny, it might happen anywhere. We’d start chuckling about something, looking into each other’s souls, and a wild purging of all the tension in the world surged through us, absolute hysteria to the point that I was in abject pain on the floor of a restaurant, unable to breathe, turning beet red due to the uncontrollable laugh spasms, rolling on the floor, seeing Anthony in the same state, with people walking by looking on in alarm and quickening their step. We were possessed, taken over by these insane fits of laughing, like we were exorcising the demons within. We were, we really were.