Town Hall Quotes

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I'd had nearly four years of experience looking at these clocks, but their sluggishness never ceased to surprise. If I am ever told that I have one day to live, I will head straight to the hallowed halls of Winter Park High School, where a day has been known to last a thousand years.
John Green (Paper Towns)
You look like a Goth factory exploded all over you!" he called as she ran down the hall. "Love you, too, jackass!
Rachel Caine
I'm back, motherfuckers.", i say quietly as we pass the town hall. "And i'm going to make your life hell before i paint your town red.
S.T. Abby (Mindf*ck Series (Mindf*ck, #1-5))
Being alone is not the most awful thing in the world. You visit your museums and cultivate your interests and remind yourself how lucky you are not to be one of those spindly Sudanese children with flies beading their mouths. You make out To Do lists - reorganise linen cupboard, learn two sonnets. You dole out little treats to yourself - slices of ice-cream cake, concerts at Wigmore Hall. And then, every once in a while, you wake up and gaze out of the window at another bloody daybreak, and think, I cannot do this anymore. I cannot pull myself together again and spend the next fifteen hours of wakefulness fending off the fact of my own misery. People like Sheba think that they know what it's like to be lonely. They cast their minds back to the time they broke up with a boyfriend in 1975 and endured a whole month before meeting someone new. Or the week they spent in a Bavarian steel town when they were fifteen years old, visiting their greasy-haired German pen pal and discovering that her hand-writing was the best thing about her. But about the drip drip of long-haul, no-end-in-sight solitude, they know nothing. They don't know what it is to construct an entire weekend around a visit to the laundrette. Or to sit in a darkened flat on Halloween night, because you can't bear to expose your bleak evening to a crowd of jeering trick-or-treaters. Or to have the librarian smile pityingly and say, ‘Goodness, you're a quick reader!’ when you bring back seven books, read from cover to cover, a week after taking them out. They don't know what it is to be so chronically untouched that the accidental brush of a bus conductor's hand on your shoulder sends a jolt of longing straight to your groin. I have sat on park benches and trains and schoolroom chairs, feeling the great store of unused, objectless love sitting in my belly like a stone until I was sure I would cry out and fall, flailing, to the ground. About all of this, Sheba and her like have no clue.
Zoë Heller (What Was She Thinking? [Notes on a Scandal])
You lie, in faith; for you are call'd plain Kate, And bonny Kate and sometimes Kate the curst; But Kate, the prettiest Kate in Christendom Kate of Kate Hall, my super-dainty Kate, For dainties are all Kates, and therefore, Kate, Take this of me, Kate of my consolation; Hearing thy mildness praised in every town, Thy virtues spoke of, and thy beauty sounded, Yet not so deeply as to thee belongs, Myself am moved to woo thee for my wife.
William Shakespeare (The Taming of the Shrew)
I’m back, motherfuckers,” I say quietly as we pass the town hall. “And I’m going to make your life hell before I paint your town red.
S.T. Abby (Scarlet Angel (Mindf*ck, #3))
The Doors The End This is the end, beautiful friend This is the end, my only friend The end of our elaborate plans The end of ev'rything that stands The end No safety or surprise The end I'll never look into your eyes again Can you picture what will be So limitless and free Desperately in need of some strangers hand In a desperate land Lost in a Roman wilderness of pain And all the children are insane All the children are insane Waiting for the summer rain There's danger on the edge of town Ride the king's highway Weird scenes inside the goldmine Ride the highway West baby Ride the snake Ride the snake To the lake To the lake The ancient lake baby The snake is long Seven miles Ride the snake He's old And his skin is cold The west is the best The west is the best Get here and we'll do the rest The blue bus is calling us The blue bus is calling us Driver, where you taking us? The killer awoke before dawn He put his boots on He took a face from the ancient gallery And he walked on down the hall He went into the room where his sister lived And then he paid a visit to his brother And then he walked on down the hall And he came to a door And he looked inside Father? Yes son I want to kill you Mother, I want to............. Come on, baby, take a chance with us Come on, baby, take a chance with us Come on, baby, take a chance with us And meet me at the back of the blue bus This is the end, beautiful friend This is the end, my only friend The end It hurts to set you free But you'll never follow me The end of laughter and soft lies The end of nights we tried to die This is the end
Jim Morrison (The Doors: The Complete Lyrics)
On Decoration Day, while everyone else in town was at the cemetery decorating the graves of our Glorious War Dead, Willie Beaner and me, Robert Burns Hewitt, took Mabel Cramm's bloomers and run them up the flagpole in front of the town hall. That was the beginning of all my troubles.
Katherine Paterson (Preacher's Boy)
It was a small ceremony at the town hall, and they didn't exchange wedding rings, but they kissed for so long at the counter in the hall of records that they were asked to leave.
Alice Hoffman (Practical Magic (Practical Magic, #1))
The Lib Dems found it very hard to decide whether they were Labour or Tory supporters, mostly because they're Lib Dem supporters. I mean had most of them agreed with one of the major parties they would probably have applied to join those parties instead of standing at the back of town halls looking disappointed.
Frankie Boyle (Work! Consume! Die!)
This visit has compacted the court's quarrels and intrigues, trapped them in the small space within the town's walls. The travelers have become as intimate with each other as cards in a pack: contiguous, but their paper eyes blind.
Hilary Mantel (Wolf Hall (Thomas Cromwell, #1))
I spent the next three hours in classrooms, trying not to look at the clocks over various blackboards, and then looking at the clocks, and then being amazed that only a few minutes had passed since I last looked at the clocks, but their sluggishness never ceased to surprise. If I am ever told that I have one day to live, I will head straight for the hallowed halls of Winter Park High School, where a day has been known to last a thousand years.
John Green (Paper Towns)
How pathetic this town must be to find a fuckup like me as their savior.
Karina Halle (The Dex-Files (Experiment in Terror, #5.6))
I laughed when she said “utilize” and she said “what?” and I said “just utilize, it’s a meaningless word” and then she tried to tell me that it “communicated” something different from the word “use” and the way she looked at me, chuckling, glancing over at James like “oh, how sweet, it tried to talk,” made me so mad that I might have said, maybe, something along the lines of “yeah, it communicates something, it’s a real first-gen-college-grad kind of word, like your parents are small-town conservative Christians who didn’t have any books in the house, and you’re self-conscious about your upbringing so you want to stand out by using elitist intellectual language, but you don’t actually know any long words, so you just truss up the word ‘use’ for no fucking reason other than to try to make people feel like you’re the one with the big mental dick, even though ‘utilize’ is basically just administrative jargon and completely déclassé to them that knows.
Halle Butler (The New Me)
Noon comes with bells on, because this is London, and London is a city of bells. From its heart to its ragged edges, they bisect the day in a jangle of sound: peals and tinkles and deep bass knells. They ring from steeples and clocktowers, from churches and town halls, in an overlapping celebration of the everyday fact that time passes.
Mick Herron (London Rules (Slough House, #5))
Hillary Clinton is as qualified or more qualified than I am to be vice president of the United States of America. Quite frankly, it might have been a better pick than me." --Joe Biden, speaking at a town hall meeting in Nashua, New Hampshire, Sept. 10, 2008
Joe Biden
The respectable family that supports worthless relatives or covers up their crimes in order to "protect the family name"(as if the moral stature of one man could be damaged by the actions of another) -the bum who boasts that his great-grandfather was an empire-builder, or the small-town spinster who boasts that her maternal great-uncle was a state senator and her third cousin gave a concert at carnegie hall (as if the achievement of one man could rub off on the mediocrity of another) -the parents who search geneological trees in order to evaluate their prospective son-in-law. -the celebrity who starts his autobiography with a detailed account of his family history -All these are samples of racism.
Ayn Rand (The Virtue of Selfishness: A New Concept of Egoism)
New Rule: Just because a country elects a smart president doesn't make it a smart country. A couple of weeks ago, I was asked on CNN if I thought Sarah Palin could get elected president, and I said I hope not, but I wouldn't put anything past this stupid country. Well, the station was flooded with emails, and the twits hit the fan. And you could tell that these people were really mad, because they wrote entirely in CAPITAL LETTERS!!! Worst of all, Bill O'Reilly refuted my contention that this is a stupid country by calling me a pinhead, which (a) proves my point, and (b) is really funny coming from a doody-face like him. Now, before I go about demonstration how, sadly, easy it is to prove the dumbness that's dragging us down, let me just say that ignorance has life-and-death consequences. On the eve of the Iraq War, seventy percent of Americans thought Saddam Hussein was personally involved in 9/11. Six years later, thirty-four percent still do. Or look at the health-care debate: At a recent town hall meeting in South Carolina, a man stood up and told his congressman to "keep your government hands off my Medicare," which is kind of like driving cross-country to protest highways. This country is like a college chick after two Long Island iced teas: We can be talked into anything, like wars, and we can be talked out of anything, like health care. We should forget the town halls, and replace them with study halls. Listen to some of these stats: A majority of Americans cannot name a single branch of government, or explain what the Bill of Rights is. Twenty-four percent could not name the country America fought in the Revolutionary War. More than two-thirds of Americans don't know what's in Roe v. Wade. Two-thirds don't know what the Food and Drug Administration does. Some of this stuff you should be able to pick up simply by being alive. You know, like the way the Slumdog kid knew about cricket. Not here. Nearly half of Americans don't know that states have two senators, and more than half can't name their congressman. And among Republican governors, only three got their wife's name right on the first try. People bitch and moan about taxes and spending, but they have no idea what their government spends money on. The average voter thinks foreign aid consumes more twenty-four percent of our budget. It's actually less than one percent. A third of Republicans believe Obama is not a citizen ad a third of Democrats believe that George Bush had prior knowledge of the 9/11 attacks, which is an absurd sentence, because it contains the words "Bush" and "knowledge." Sarah Palin says she would never apologize for America. Even though a Gallup poll say eighteen percent of us think the sun revolves around the earth. No, they're not stupid. They're interplanetary mavericks. And I haven't even brought up religion. But here's one fun fact I'll leave you with: Did you know only about half of Americans are aware that Judaism is an older religion than Christianity? That's right, half of America looks at books called the Old Testament and the New Testament and cannot figure out which came first. I rest my case.
Bill Maher (The New New Rules: A Funny Look At How Everybody But Me Has Their Head Up Their Ass)
Far from undermining marriage, gay and lesbian couples seeking marriage for themselves are perhaps the institution's best friends. At a time when marriage is seen as less desirable and less necessary for straight couples, gay and lesbian people are lining up at town halls and church doors to participate in this traditional and long-standing institution.
Gene Robinson (God Believes in Love: Straight Talk About Gay Marriage)
Another memorable performance of ‘Black Sabbath’ was in a town hall near Manchester. The manager was there to greet us in a suit and tie when we climbed out of the van. You should have seen the look on his face when he saw us. ‘Is that what you’re going to wear on stage?’ he asked me, staring at my bare feet and pyjama top. ‘Oh no,’ I said, in this fake-shocked voice. ‘I always perform in gold spandex. Have you ever seen an Elvis gig? Well, I look a bit like him – but of course my tits are much smaller.’
Ozzy Osbourne (I Am Ozzy)
Of course, there is a portion of reading quite indispensable to a wise man. History and exact science he must learn by laborious reading. Colleges, in like manner, have their indispensable office, - to teach elements. But they can only highly serve us, when they aim not to drill, but to create; when they gather from far every ray of various genius to their hospitable halls, and, by the concentrated fires, set the hearts of their youth on flame. Thought and knowledge are natures in which apparatus and pretension avail nothing. Gowns, and pecuniary foundations, though of towns of gold, can never countervail the least sentence or syllable of wit. Forget this, and our American colleges will recede in their public importance, whilst they grow richer every year.
Ralph Waldo Emerson (The American Scholar: Self-Reliance, Compensation)
If women in all stages of life don't get involved and fight for what we want, plans will be made that we may not like, and it'll be our own damned fault. I think about this everyday. It's true at every level, from the Capitol to your city's town hall to your neighborhood school. We need to participate, and we need to be heard. Our lives, our communities, and our world will be better for it.
Kirsten Gillibrand (Off the Sidelines: Raise Your Voice, Change the World)
Emma?” “Hmm?” “You took everything I told you really well.” “I’ve never understood the woe-is-me thing. I mean, the hottest guy in town just told me he wants me badly enough to bite me and make me like him, and now he wants to drag me home and ravish me. I’m going to, what, run screaming into the night? Oh, no! I’m a Puma now! My life is over! Sob!” Emma rolled her eyes. “I mean, don’t get me wrong, it’s freaking me out a bit, and it’s probably going to cost me a fortune in bikini waxing, but it’s not the end of my world.” Max nearly ran off the road. “You get a bikini wax?” “Wouldn’t you like to know?” “Hell yes.
Dana Marie Bell (The Wallflower (Halle Pumas, #1))
The group dismissed the rest of the crowds by shooting sparks into the sky—“THANK YOU!” read Beatrix’s message to the Evers; “GO HOME” read Hester’s to the Nevers—and together, they sealed the gates to Camelot Park and went into Town Hall together to listen to Tedros’ speech.
Soman Chainani (Quests for Glory (The School for Good and Evil: The Camelot Years, #1))
In his view of what he wanted from the world, there were an infinity of moments that were beautiful, as this one was beautiful, with the light from the town hall gilding her jawline and shining off her hair in the cold northern night that made him want to pull her in and warm them both. “And
Laura Florand (The Chocolate Thief)
The despot is not a man. It is the Plan. The correct, realistic, exact plan, the one that will provide your solution once the problem has been posited clearly, in its entirety, in its indispensable harmony. This plan has been drawn up well away from the frenzy in the mayor’s office or the town hall, from the cries of the electorate or the laments of society’s victims. It has been drawn up by serene and lucid minds. It has taken account of nothing but human truths. It has ignored all current regulations, all existing usages, and channels. It has not considered whether or not it could be carried out with the constitution now in force. It is a biological creation destined for human beings and capable of realization by modern techniques.
James C. Scott (Seeing Like a State: How Certain Schemes to Improve the Human Condition Have Failed)
When we look, for example, at the Parthenon for the first time, we look at it already knowing that generations of architects chose precisely that style of building for the museums, town-halls, and banks of most of our major cities.
Mary Beard (Classics: A Very Short Introduction (Very Short Introductions))
All of the village was of a piece, a time, and a style; it was as though the people needed the ugliness of the village, and fed on it. The houses and the stores seemed to have been set up in contemptuous haste to provide shelter for the drab and the unpleasant, and the Rochester house and the Blackwood house and even the town hall had been brought here perhaps accidentally from some far lovely country where people lived with grace. Perhaps the fine houses had been captured—perhaps as punishment for the Rochesters and the Blackwoods and their secret bad hearts?—and were held prisoner in the village; perhaps their slow rot was a sign of the ugliness of the villagers.
Shirley Jackson
Visitors to Lyme in the nineteenth century, if they did not quite have to undergo the ordeal facing travellers to the ancient Greek colonies -Charles did not actually have to deliver a Periclean oration plus comprehensive world news summary from the steps of the Town Hall- were certainly expected to allow themselves to be examined and spoken to.
John Fowles
I knew these halls so well—and finally it was starting to feel like they knew me, too.
John Green (Paper Towns)
I can almost feel the wind beneath my wings; I can almost taste the thrill of flying away from this small town and never looking back.
Tessa Emily Hall (Unwritten Melody)
group of Steiners and Liesel walked past some shop windows and the imposing town hall, which in later years would be chopped off at the knees and buried.
Markus Zusak (The Book Thief)
A few days after he unveiled the iPad in January 2010, Jobs held a “town hall” meeting with employees at Apple’s campus.
Walter Isaacson (Steve Jobs)
I let myself into the cellar, locked the door behind me. The cellar was cold. I found the whisky, let myself out of the cellar and locked it, turned all the lights out, gave Mrs McSpadden the bottle, accepted a belated new-year kiss from her, then made my way out through the kitchen and the corridor and the crowded hall where the music sounded loud and people were laughing, and out through the now almost empty entrance hall and down the steps of the castle and down the driveway and down to Gallanach, where I walked along the esplanade - occasionally having to wave to say 'Happy New Year' to various people I didn't know - until I got to the old railway pier and then the harbour, where I sat on the quayside, legs dangling, drinking my whisky and watching a couple of swans glide on black, still water, to the distant sound of highland jigs coming from the Steam Packet Hotel, and singing and happy-new-year shouts echoing in the streets of the town, and the occasional sniff as my nose watered in sympathy with my eyes.
Iain Banks (The Crow Road)
Our goal was Munich in Bavaria in southern Germany, the town where Hitler had gotten his start in a beer hall. But on the way, we made a stop to liberate the concentration camp at Dachau.
Charles Brandt ("I Heard You Paint Houses", Updated Edition: Frank "The Irishman" Sheeran & Closing the Case on Jimmy Hoffa)
By April 1999, the plain was nearly filled, all the way to the foothills. But the fiercely independent residents refused to incorporate. A new town would only impose new rules and new taxes. The 100,000 new arrivals filled one continuous suburb with no town center: no main street, no town hall, town library, or town name. No one was sure what to call it. Littleton is a quiet suburb south of Denver where the massacre did not actually occur. Although the name would grow synonymous with the tragedy, Columbine lies several miles west, across the South Platte River, in a different county with separate schools and law enforcement. The postal system slapped “Littleton” onto a vast tract of seven hundred square miles, stretching way up into the foothills.
Dave Cullen (Columbine)
Again, the endless northern rain between us like a veil. Tonight, I know exactly where you are, which row, which seat. I stand at my back door. The light pollution blindfolds every star. I hold my hand out to the rain, simply to feel it, wet and literal. It spills and tumbles in my palm, a broken rosary. Devotion to you lets me see the concert hall, lit up, the other side of town, then see you leave there, one of hundreds in the dark, your black umbrella raised. If rain were words, could talk, somehow, against your skin, I’d say look up, let it utter on your face. Now hear my love for you. Now walk. - Bridgewater Hall
Carol Ann Duffy (Rapture)
MY BOSS SENDS me home because of all the dried blood on my pants, and I am overjoyed. The hole punched through my cheek doesn’t ever heal. I’m going to work, and my punched-out eye sockets are two swollen-up black bagels around the little piss holes I have left to see through. Until today, it really pissed me off that I’d become this totally centered Zen Master and nobody had noticed. Still, I’m doing the little FAX thing. I write little HAIKU things and FAX them around to everyone. When I pass people in the hall at work, I get totally ZEN right in everyone’s hostile little FACE. Worker bees can leave Even drones can fly away The queen is their slave You give up all your worldly possessions and your car and go live in a rented house in the toxic waste part of town where late at night, you can hear Marla and Tyler in his room, calling each other hum; butt wipe. Take it, human butt wipe. Do it, butt wipe. Choke it down. Keep it down, baby. Just by contrast, this makes me the calm little center of the world. Me, with my punched-out eyes and dried blood in big black crusty stains on my pants, I’m saying HELLO to everybody at work. HELLO! Look at me. HELLO! I am so ZEN. This is BLOOD. This is NOTHING. Hello. Everything is nothing, and it’s so cool to be ENLIGHTENED. Like me. Sigh. Look. Outside the window. A bird. My boss asked if the blood was my blood. The bird flies downwind. I’m writing a little haiku in my head. Without just one nest A bird can call the world home Life is your career I’m counting on my fingers: five, seven, five. The blood, is it mine? Yeah, I say. Some of it. This is a wrong answer.
Chuck Palahniuk (Fight Club)
By its nature, government was either small and personal, something on the level of a town hall meeting, or it was tyranny, with the few ruling the many for their own benefit, no matter how representational that government might be in theory.
William H. Keith Jr. (Rebellion (Warstrider, #2))
Storybooks were like gold-dust—anything you could read was treasured, back before the town had a lending library. When my grampaw got sent a storybook from his brother in Bavaria, all the Germans in town met up in the town hall to hear him read it, and
Neil Gaiman (American Gods)
I went to a concert upstairs in Town Hall. The composer whose works were being performed had provided program notes. One of these notes was to the effect that there is too much pain in the world. After the concert I was walking along with the composer and he was telling me how the performances had not been quite up to snuff. So I said, "Well, I enjoyed the music, but I didn't agree with that program note about there being too much pain in the world." He said, "What? Don't you think there's enough?" I said, "I think there's just the right amount.
John Cage
In the remote towns of the west there are few of the amenities of civilization; there is no sewerage, there are no hospitals, rarely a doctor; the food is dreary and flavourless from long carrying, the water is bad; electricity is for the few who can afford their own plant, roads are mostly non-existent; there are no theatres, no picture shows and few dance halls; and the people are saved from stark insanity by the one strong principle of progress that is ingrained for a thousand miles east, north, south and west of the Dead Heart - the beer is always cold.
Kenneth Cook (Wake in Fright (Text Classics))
I had never walked anywhere with a boy holding hands. It always looked so silly when I watched other people doing it, walking down the halls of the school or around town, but I finally got it. It's a shared moment of quiet intimacy. It's not blatant or showy. It's just, well, lovely.
Courtney Rene (Shadow Dancer)
Diminishing their intellect was yet another way to justify enslaving African Americans, and it had the added benefit of preserving some types of work for whites, and creating and maintaining clear social and economic boundaries between blacks and whites. In an explicit challenge to African Americans’ intellect, eighteen prominent Massachusetts white men—including John Hancock and Thomas Hutchinson, the governor of the colony—examined Phillis Wheatley in Boston’s Town Hall in 1772 to determine whether she could possibly have produced the poetry she claimed to have written.
Heather Andrea Williams (American Slavery: A Very Short Introduction (Very Short Introductions))
But the available light in Twisted River was dim and growing dimmer. The dance-hall door blew (or was slammed) closed, cutting off Teresa Brewer as suddenly as if Six-Pack had taken the singer’s slender throat in her hands. When the dance-hall door blew (or was kicked) open again, Tony Bennett was crooning “Rags to Riches.” Dominic didn’t for a moment doubt that the town’s eternal violence was partly spawned by irredeemable music.
John Irving (Last Night in Twisted River)
Some three or four years before this Dr. Sloper had moved his household gods up town, as they say in New York. He had been living ever since his marriage in an edifice of red brick, with granite copings and an enormous fanlight over the door, standing in a street within five minutes' walk of the City Hall, which saw its best days (from the social point of view) about 1820. After this, the tide of fashion began to set steadily northward, as, indeed, in New York, thanks to the narrow channel in which it flows, it is obliged to do, and the great hum of traffic rolled farther to the right and left of Broadway.
Henry James (Washington Square (Signet Classics))
Suffice it to say that it is a town like many towns, with a city hall, and a bowling alley (the Desert Flower Bowling Alley and Arcade Fun Complex), and a diner (the Moonlite All-Nite Diner), and a supermarket (Ralphs), and, of course, a community radio station reporting all the news that we are allowed to hear. On all sides it is surrounded by empty desert flatness. It is much like your town, perhaps. It might be more like your town than you’d like to admit.
Joseph Fink (Welcome to Night Vale (Welcome to Night Vale, #1))
Lud-in-the-Mist had all the things that make an old town pleasant. It had an ancient Guild Hall, built of mellow golden bricks and covered with ivy and, when the sun shone on it, it looked like a rotten apricot; it had a harbour in which rode vessels with white and red tawny sails; it had flat brick houses - not the mere carapace of human beings, but ancient living creatures, renewing and modifying themselves with each generation under their changeless antique roofs.
Hope Mirrlees (Lud-in-the-Mist)
Granny Trill and Granny Wallon were traditional ancients of a kind we won’t see today, the last of that dignity of grandmothers to whom age was its own embellishment. The grandmothers of those days dressed for the part in that curious but endearing uniform which is now known to us only through music-hall. And our two old neighbours, when setting forth on errands, always prepared themselves scrupulously so. They wore high laced boots and long muslin dresses, beaded chokers and candlewick shawls, crowned by tall poke bonnets tied with trailing ribbons and smothered with inky sequins. They looked like starlings, flecked with jet, and they walked in a tinkle of darkness. Those severe and similar old bodies enthralled me when they dressed that way. When I finally became King (I used to think) I would command a parade of grandmas, and drill them, and march them up and down - rank upon rank of hobbling boots, nodding bonnets, flying shawls, and furious chewing faces. They would be gathered from all the towns and villages and brought to my palace in wagon-loads. No more than a monarch’s whim, of course, like eating cocoa or drinking jellies; but far more spectacular any day than those usual trudging guardsmen.
Laurie Lee (Cider with Rosie)
Sylvia Plath's greatest poetry was sometimes conceived while she was baking bread, she was such a perfectionist and ultimately such a fool. The trouble is, of course, that the role of the goddess, the role of the glory and the grandeur of the female in the universe exists in the fantasy of the male artist and no woman can ever draw it to her heart for comfort, but the role of menial, unfortunately, is real and that she knows because she tastes it everyday. So the barbaric yawp of utter adoration for the power and the glory and the grandeur of the female in the universe is uttered at the expense of the particular living woman every time. And because we can be neither one nor the other with any piece of mind, because we are unfortunately improper goddesses and unwilling menials, there is a battle waged between us. And after all, in the description of this battle, maybe I find the justification of my idea that the achievement of the male artistic ego is at my expense for I find that the battle is dearer to him than the peace would ever be. The eternal battle with women, he boasts, sharpens our resistance, develops our strength, enlarges the scope of our cultural achievements. So is the scope after all worth it? Again, the same question, just as if we were talking of the income of a thousand families for a whole year. You see, I strongly suspect that when this revolution takes place, art will no longer be distinguished by its rarity, or its expense, or its inaccessibility, or the extraordinary way which in it is marketed, it will be the prerogative of all of us and we will do it as those artists did whom Freud understood not at all, the artists who made the Cathedral of Chartres or the mosaics of Byzantine, the artist who had no ego and no name.
Germaine Greer
I am ever told that I have one day to live, I will head straight for the hallowed halls of Winter Park High School, where a day has been known to last a thousand years.
John Green (Paper Towns)
March 6, 1961 I remembered a party in a house outside of Ann Arbor. There was a jazz band -- piano, bass, drums, and sax -- playing in one of the large rooms. A heavy odor of marijuana hung in the air. The host appeared now and then looking pleased, as if he liked seeing strangers in every room, the party out of his control. It wasn't wild, but with a constant flow of people, who knows what they're doing. It became late and I was a little drunk, wandering from one part of the house to another. I entered a long hall and was surprised by the silence, as if I had entered another house. A girl at the other end of the hall was walking toward me. I saw large blue eyes and very black hair. She was about average height, doll-like features delicate as cut glass, extremely pretty, maybe the prettiest girl I'd ever seen. When she came up to me I took her in my arms and kissed her. She let it happen. We were like creatures in a dream. Holding her hand, I drew her with me and we passed through rooms where people stood about, and then left the house. As we drove away, she said her name was Margo. She was a freshman at the university, from a town in northern Michigan. I took her home. It was obvious she'd never gone home with a man. She didn't seem fearful, only uncertain, the question in her eyes: "What happens next?" What happened next was nothing much. We fell asleep in our clothes. I wasn't the one to make her no different from everyone.
Leonard Michaels (Time out of Mind: The Diaries of Leonard Michaels, 1961-1995)
Hello. I want to speak to Mr. Jack Cunningham please. . . . Hello. Is this Mr. Cunningham’s office? Mr. James Merivale speaking. . . . Out of town. . . . And when will he be back? . . . Hum.” He strode back along the hall. “The damn scoundrel’s out of town.” “All the years I’ve known him,” said the little lady in the round hat, “that has always been where he was.
John Dos Passos (Manhattan Transfer: A Novel)
As for that Maxine Carr, she could have helped clear up the murders much quicker, but she chose not to grass her lover to the coppers, no one in the criminal world likes grasses, but this isn’t any normal criminal case. Huntley isn’t a criminal, he is a total fucking, monster beast who, if I had my way, I could hang him in Soham town hall for the families to see.
Stephen Richards (Scottish Hard Bastards)
I suspect that the next generation to come along will puzzle over our agonies, much as I puzzled over the death of the Victorian music halls as a child, and much as I felt sorry for the performers who had only needed thirteen minutes of material in their whole life, and who did their thirteen minutes in town after town until the day that television came along and killed it all.
Neil Gaiman (The View from the Cheap Seats: Selected Nonfiction)
Odd, but no matter how high you rise in the halls of power, it’s impossible to escape the conviction that our collective fates are largely determined by the petty jealousies of overgrown adolescents.
Daniel Polansky (She Who Waits (Low Town Book 3))
ent. When Spring unfolds the beechen leaf, and sap is in the bough; When light is on the wild-wood stream, and wind is on the brow; When stride is long, and breath is deep, and keen the mountain-air, Come back to me! Come back to me, and say my land is fair! entwife. When Spring is come to garth and field, and corn is in the blade; When blossom like a shining snow is on the orchard laid; When shower and Sun upon the Earth with fragrance fill the air, I’ll linger here, and will not come, because my land is fair. ent. When Summer lies upon the world, and in a noon of gold Beneath the roof of sleeping leaves the dreams of trees unfold; When woodland halls are green and cool, and wind is in the West, Come back to me! Come back to me, and say my land is best! entwife. When Summer warms the hanging fruit and burns the berry brown; 622 the two towers When straw is gold, and ear is white, and harvest comes to town; When honey spills, and apple swells, though wind be in the West, I’ll linger here beneath the Sun, because my land is best! ent. When Winter comes, the winter wild that hill and wood shall slay; When trees shall fall and starless night devour the sunless day; When wind is in the deadly East, then in the bitter rain I’ll look for thee, and call to thee; I’ll come to thee again! entwife. When Winter comes, and singing ends; when darkness falls at last; When broken is the barren bough, and light and labour past; I’ll look for thee, and wait for thee, until we meet again: Together we will take the road beneath the bitter rain! both. Together we will take the road that leads into the West, And far away will find a land where both our hearts may rest.
J.R.R. Tolkien (The Two Towers (The Lord of the Rings, #2))
He was at that time a very young man, just engaged in the study of the law; and Elizabeth found him extremely agreeable, and every plan in his favour was confirmed. He was invited to Kellynch Hall; he was talked of and expected all the rest of the year; but he never came. The following spring he was seen again in town, found equally agreeable, again encouraged, invited, and expected, and again he did not come; and the next tidings were that he was married. Instead of pushing his fortune in the line marked out for the heir of the house of Elliot, he had purchased independence by uniting himself to a rich woman of inferior birth.
Jane Austen (Persuasion)
A ‘library’ turned out to be a room where books were read. The fact that people used to have so many books that they needed a whole separate room just to store them, much less a word for the room, said everything Lan guessed she needed to know about the way the world used to be. In Norwood, loose pictures and salvaged magazines were locked up like other valuables. The mayor had a few books, including the town ledger where Lan’s own name had been written on the day of her birth and presumably crossed out along with her mother’s the day she’d left, but all of them together could have fit on one shelf. Here was a room the size of the dining hall, two stories tall and lined in bookshelves, with ladders on runners along every wall so that no shelf was out of reach. These were books that could not be measured in hundreds or even thousands, but in some greater number that had no name. If only she knew how to read.
R. Lee Smith (Land of the Beautiful Dead)
The drinking dens are spilling out There's staggering in the square There's lads and lasses falling about And a crackling in the air Down around the dungeon doors The shelters and the queues Everybody's looking for Somebody's arms to fall into And it's what it is It's what it is now There's frost on the graves and the monuments But the taverns are warm in town People curse the government And shovel hot food down The lights are out in the city hall The castle and the keep The moon shines down upon it all The legless and asleep And it's cold on the tollgate With the wagons creeping through Cold on the tollgate God knows what I could do with you And it's what it is It's what it is now The garrison sleeps in the citadel With the ghosts and the ancient stones High up on the parapet A Scottish piper stands alone And high on the wind The highland drums begin to roll And something from the past just comes And stares into my soul And it's cold on the tollgate With the Caledonian Blues Cold on the tollgate God knows what I could do with you And it's what it is It's what it is now What it is It's what it is now There's a chink of light, there's a burning wick There's a lantern in the tower Wee Willie Winkie with a candlestick Still writing songs in the wee wee hours On Charlotte Street I take A walking stick from my hotel The ghost of Dirty Dick Is still in search of Little Nell And it's what it is It's what it is now Oh what it is What it is now
Mark Knopfler (Sailing to Philadelphia)
While at the University of Chicago a couple of friends and I went to dinner at some restaurant in China Town night. Oblivious to the fact that my idiocy can be heard outside of a five-foot radius, I started in with the “You been here four hour. You go now,” routine. Ha ha, we all laugh because infantile racism is funny. A little while later I walked back to the bathroom, and as I went down the hall to the “Male Room,” I passed this rickety open door. I peered in to see two little Chinese kids looking at me, holding their eyes wide open with their fingers (to give a Caucasian look), and saying: “Hot Dogs! Baseball! Hot Dogs! Baseball!” I laughed so hard, I almost didn’t make it to the bathroom. You win this round, Chinese kids.
Tucker Max (Sloppy Seconds: The Tucker Max Leftovers)
When one experiences a profound setback in the course of an enviable life, one has a variety of options. Spurred by shame, one may attempt to hide all evidence of the change in one’s circumstances. Thus, the merchant who gambles away his savings will hold on to his finer suits until they fray, and tell anecdotes from the halls of the private clubs where his membership has long since lapsed. In a state of self-pity, one may retreat from the world in which one has been blessed to live. Thus, the long-suffering husband, finally disgraced by his wife in society, may be the one who leaves his home in exchange for a small, dark apartment on the other side of town. Or, like the Count and Anna, one may simply join the Confederacy of the Humbled.
Amor Towles (A Gentleman in Moscow)
And all day long, it was hard not to walk around, thinking about the lastness of it all: The last time I stand in a circle outside the band room in the shade of this oak tree that has protected generations of band geeks. The last time I eat pizza in the cafeteria with Ben. The last time I sit in this school scrawling an essay with a cramped hand into a blue boo. The last time I glance up at the clock. The last time I see Chuck Parson prowling the halls, his smile half a sneer. God. I was becoming nostalgic for Chuck Parson. Something sick was happening inside of me.
John Green (Paper Towns)
Some of his [Chester Bowles's] friends thought that his entire political career reflected his background, that he truly believed in the idea of the Republic, with an expanded town-hall concept of politics, of political leaders consulting with their constituency, hearing them out, reasoning with them, coming to terms with them, government old-fashioned and unmanipulative. Such governments truly had to reflect their constituencies. It was his view not just of America, but of the whole world. Bowles was fascinated by the political process in which people of various countries expressed themselves politically instead of following orders imposed by an imperious leadership. In a modern world where most politicians tended to see the world divided in a death struggle between Communism and free-world democracies, it was an old-fashioned view of politics; it meant that Bowles was less likely to judge a country on whether or not it was Communist, but on whether or not its government seemed to reflect genuine indigenous feeling. (If he was critical of the Soviet leadership, he was more sympathetic to Communist governments in the underdeveloped world.) He was less impressed by the form of a government than by his own impression of its sense of legitimacy. ... He did not particularly value money (indeed, he was ill at ease with it), he did not share the usual political ideas of the rich, and he was extremely aware of the hardships with which most Americans lived. Instead of hiring highly paid consultants and pollsters to conduct market research, Bowles did his own canvassing, going from door to door to hundreds of middle- and lower-class homes. That became a crucial part of his education; his theoretical liberalism became reinforced by what he learned about people’s lives during the Depression.
David Halberstam (The Best and the Brightest)
There were two streets: Main ran along the oceanfront with a row of shops; the Piggly Wiggly grocery at one end, the Western Auto at the other, the diner in the middle. Mixed in there were Kress's Five and Dime, a Penney's (catalog only), Parker's Bakery, and a Buster Brown Shoe Shop. Next to the Piggly was the Dog-Gone Beer Hall, which offered roasted hot dogs, red-hot chili, and fried shrimp served in folded paper boats. No ladies or children stepped inside because it wasn't considered proper, but a take-out window had been cut out of the wall so they could order hot dogs and Nehi cola from the street.
Delia Owens (Where the Crawdads Sing)
We decided to attend to our community instead of asking our community to attend the church.” His staff started showing up at local community events such as sports contests and town hall meetings. They entered a float in the local Christmas parade. They rented a football field and inaugurated a Free Movie Night on summer Fridays, complete with popcorn machines and a giant screen. They opened a burger joint, which soon became a hangout for local youth; it gives free meals to those who can’t afford to pay. When they found out how difficult it was for immigrants to get a driver’s license, they formed a drivers school and set their fees at half the going rate. My own church in Colorado started a ministry called Hands of the Carpenter, recruiting volunteers to do painting, carpentry, and house repairs for widows and single mothers. Soon they learned of another need and opened Hands Automotive to offer free oil changes, inspections, and car washes to the same constituency. They fund the work by charging normal rates to those who can afford it. I heard from a church in Minneapolis that monitors parking meters. Volunteers patrol the streets, add money to the meters with expired time, and put cards on the windshields that read, “Your meter looked hungry so we fed it. If we can help you in any other way, please give us a call.” In Cincinnati, college students sign up every Christmas to wrap presents at a local mall — ​no charge. “People just could not understand why I would want to wrap their presents,” one wrote me. “I tell them, ‘We just want to show God’s love in a practical way.’ ” In one of the boldest ventures in creative grace, a pastor started a community called Miracle Village in which half the residents are registered sex offenders. Florida’s state laws require sex offenders to live more than a thousand feet from a school, day care center, park, or playground, and some municipalities have lengthened the distance to half a mile and added swimming pools, bus stops, and libraries to the list. As a result, sex offenders, one of the most despised categories of criminals, are pushed out of cities and have few places to live. A pastor named Dick Witherow opened Miracle Village as part of his Matthew 25 Ministries. Staff members closely supervise the residents, many of them on parole, and conduct services in the church at the heart of Miracle Village. The ministry also provides anger-management and Bible study classes.
Philip Yancey (Vanishing Grace: What Ever Happened to the Good News?)
When I’m travelling, I feel like the secret to my life, to myself, to really becoming, is one step ahead. It’s in the next destination, the next town I get lost in, the next stranger I talk to. It’s always next but never here… I like having hope. And I hope I find what I’m looking for before I have to leave.
Karina Halle (Racing the Sun)
Compared with Iowa, Kansas City was a strange world. The Halls where she worked was in the most elegant place she’d ever been at that point, a made-up town for shopping, a Fifth Avenue on the prairie (when she got to the real Fifth Avenue, she wasn’t very impressed, because the Country Club Plaza had spoiled her).
Jane Smiley (Golden Age (Last Hundred Years: a Family Saga))
The community of Partageuse had drifted together like so much dust in a breeze, settling in this spot where two oceans met, because there was fresh water and a natural harbor and good soil. Its port was no rival to Albany, but convenient for locals shipping timber or sandalwood or beef. Little businesses had sprung up and clung on like lichen on a rock face, and the town had accumulated a school, a variety of churches with different hymns and architectures, a good few brick and stone houses and a lot more built of weatherboard and tin. It gradually produced various shops, a town hall, even a Dalgety's stock and station agency. And pubs. Many pubs.
M.L. Stedman (The Light Between Oceans)
Asked on a June 17, 2014 CNN Town Hall broadcast about what to do with thousands of minors from Honduras and neighboring countries seeking asylum in the United States, Hillary acknowledged that many children are fleeing from an “exponential increase in violence”. However, they “should be sent back as soon as it can be determined who the responsible adults in their family are”, she said; “all of them who can should be reunited with their families”. “We have to send a clear message: just because your child gets across the border doesn’t mean your child gets to say”, she said. Do we need to recall that Hillary began her career as advocate for “children’s rights”?
Diana Johnstone (Queen of Chaos: The Misadventures of Hillary Clinton)
Now Justin stood in our reading room, leaning up against the wall, arms crossed over his chest. He was tall, with a wiry athletic build. Usually, he was Mr. Ultra-Casual, with sun-kissed blond hair that he kept out of his eyes by pushing his sunglasses up on his forehead. Today, that messy blond hair was clean-cut, and he’d traded his typical board shorts and loose T-shirt for a striped shirt and khakis. His father, the mayor of Eastport, was running for re-election. Since the campaign started last month, Justin had become the mayor’s sixteen-year-old sidekick. I’d heard he was spending the summer working for his dad down at the town hall, which would explain the nice clothes. What sucked for me was that the new style fit him. He looked even better, the jerk. “I heard you and Tiffany got into a catfight over me at Yummy’s,” Justin announced with an overconfident grin that pissed me off. I slammed the door behind me. “First off, I dumped a soda over her head. That was it.” “Damn, a catfight sounded much hotter. I was picturing ripped shirts, exposed skin.” I rolled my eyes. “And second, it wasn’t over you, egomaniac. You can date every girl in town as far as I’m concerned. I hate you. I pray every night that you’ll fall victim to some strange and unusual castration accident.” I pointed to the door. “So get the hell out.” His lips twitched, fighting a smile. Ugh. I was going for “crazy ex filled with hate” not “isn’t she cute when she’s mad?” “Feel better after getting all that out?
Kim Harrington (Clarity (Clarity, #1))
Judge Sims called for a lunch recess until 1:00 P.M. The diner would bring over tuna fish, chicken salad, and ham sandwiches for the jurors, who would eat in the deliberation room. To be fair to the town's two eating establishments, the Dog-Gone Beer Hall would deliver hot dogs, chili, and shrimp po'boys on alternative days. They always brought something for the cat, too. Sunday Justice preferred the po'boys.
Delia Owens (Where the Crawdads Sing)
All the public inscriptions in the town were painted alike, in severe characters of black and white.  The jail might have been the infirmary, the infirmary might have been the jail, the town-hall might have been either, or both, or anything else, for anything that appeared to the contrary in the graces of their construction.  Fact, fact, fact, everywhere in the material aspect of the town; fact, fact, fact, everywhere in the immaterial.  The M’Choakumchild school was all fact, and the school of design was all fact, and the relations between master and man were all fact, and everything was fact between the lying-in hospital and the cemetery, and what you couldn’t state in figures, or show to be purchaseable in the cheapest market and saleable in the dearest, was not, and never should be, world without end, Amen.   A
Charles Dickens (Hard Times)
In East Bangor, Pennsylvania (population 800), there’s a little diner named for the trolley that used to take people to the once-bustling steel town of Bethlehem. The proprietors have adorned the walls with photographs of other local things that are no more. There’s one of the East Bangor band, a group of about twenty men and boys, in uniform, in front of a bandstand draped with bunting. There’s also one of the Kaysers, a local baseball club, on the day of an exhibition ballgame against the Philadelphia Athletics. These were Connie Mack’s A’s, which team in those early 1930s featured Hall of Famers Jimmie Foxx, Mickey Cochrane, and Lefty Grove. How did a village of under a thousand people manage to have its own band? How did a cluster of slate-belt villages field a regular baseball club, apparently good enough to stay on the same field for nine innings with the Philadelphia Athletics? What
Anthony Esolen (Life Under Compulsion: Ten Ways to Destroy the Humanity of Your Child)
Miss Foley had first noticed, some years ago, that her house was crowded with bright shadows of herself. Best, then, to ignore the cold sheets of December ice in the hall, above the bureaus, in the bath. Best skate the thin ice, lightly. Paused, the weight of your attention might crack the shell. Plunged through the crust, you might drown in depths so cold, so remote, that all the Past lay carved in tombstone marbles there. Ice water would syringe your veins.
Ray Bradbury (Something Wicked This Way Comes (Green Town, #2))
I took a step toward her, but she turned from me and stomped back to her car. I watched her drive off. After a moment, I walked up the limestone steps and through the phantom oak-and-glass front doors of the house where I grew up. I paced the hall, entered the long rectangle of dining room, rested a hand on the carved cherrywood mantel, then passed into the kitchen. The house was so real around me that I could smell the musty linen in the cedar closet, the gas from the leaky burner on the stove, the sharp tang of geraniums that I had planted in clay pots. I lay down on the exact place where the living room couch had been pushed tight under the leaded-glass windows. I closed my eyes and it was all around me again. The stuffed bookshelves, the paneling, the soft slap of my mother's cards on the table. I could see from the house of my dark mind the alley, from the alley the street leading to the end of town, its farthest boundary the lucid silence of the dead. Between the graves my path, and along that path her back door, her face, her timeless bed, and the lost architecture of her bones. I turned over and made myself comfortable in the crush of wild burdock. A bee or two hummed in the drowsy air. The swarm had left the rubble and built their houses beneath the earth. They were busy in the graveyard right now, filling the skulls with white combs and the coffins with sweet black honey.
Louise Erdrich (The Plague of Doves)
I’m convinced that her obsession with Jesus was far more romantic than spiritual. I think she was actually attracted to him. I sincerely thought that one day while out on a grocery run, she would find some skinny, bearded, out-of-work Foote guy on the side of the road and, convinced that he was our anorexic Son of God, rescue him and head for some unincorporated Christian town in the middle of Illinois with a bingo hall and lots of roadside crucifixes, never to return.
Adam Rapp (Under the Wolf, Under the Dog)
Epistle to Miss Blount, On Her Leaving the Town, After the Coronation" As some fond virgin, whom her mother’s care Drags from the town to wholesome country air, Just when she learns to roll a melting eye, And hear a spark, yet think no danger nigh; From the dear man unwillingly she must sever, Yet takes one kiss before she parts for ever: Thus from the world fair Zephalinda flew, Saw others happy, and with sighs withdrew; Not that their pleasures caused her discontent, She sighed not that They stayed, but that She went. She went, to plain-work, and to purling brooks, Old-fashioned halls, dull aunts, and croaking rooks, She went from Opera, park, assembly, play, To morning walks, and prayers three hours a day; To pass her time ‘twixt reading and Bohea, To muse, and spill her solitary tea, Or o’er cold coffee trifle with the spoon, Count the slow clock, and dine exact at noon; Divert her eyes with pictures in the fire, Hum half a tune, tell stories to the squire; Up to her godly garret after seven, There starve and pray, for that’s the way to heaven. Some Squire, perhaps, you take a delight to rack; Whose game is Whisk, whose treat a toast in sack, Who visits with a gun, presents you birds, Then gives a smacking buss, and cries – No words! Or with his hound comes hollowing from the stable, Makes love with nods, and knees beneath a table; Whose laughs are hearty, tho’ his jests are coarse, And loves you best of all things – but his horse. In some fair evening, on your elbow laid, Your dream of triumphs in the rural shade; In pensive thought recall the fancied scene, See Coronations rise on every green; Before you pass th’ imaginary sights Of Lords, and Earls, and Dukes, and gartered Knights; While the spread fan o’ershades your closing eyes; Then give one flirt, and all the vision flies. Thus vanish scepters, coronets, and balls, And leave you in lone woods, or empty walls. So when your slave, at some dear, idle time, (Not plagued with headaches, or the want of rhyme) Stands in the streets, abstracted from the crew, And while he seems to study, thinks of you: Just when his fancy points your sprightly eyes, Or sees the blush of soft Parthenia rise, Gay pats my shoulder, and you vanish quite; Streets, chairs, and coxcombs rush upon my sight; Vexed to be still in town, I knit my brow, Look sour, and hum a tune – as you may now.
Alexander Pope
It will be seen that the form of the mountain’s spurs were very much [the] same as they appear on Thror’s map as published (with the height of Ravenhill at the end of the southern spur and the camp beneath it); but the ruins of Dale are on the east side of the River Running, since they were not enclosed within a great eastward loop of the river. The device at the top of the map apparently represents the points of the compass, with the seven stars of the Great Bear in the North (the black spots to the left of the stars are merely marks on the paper), the Sun in the South, the Misty Mountains in the West and (I think) the entrance to the Elvenking’s halls in the East. The names at the bottom of the page, ‘Mirkwood’, ‘marshes’, and ‘Lake Town’, and the ‘camp’below the mountain, were added in at the same time as the second version of the text of the Moon-runes. At the bottom on the right is the first actual sketch of the Lonely Mountain, added in pencil.
J.R.R. Tolkien (The Hobbit)
For the next two years, Gary assisted unions in getting some justice for the worker from the business owner. Gary would also help educate voters, who didn’t have too much in the way of an education, to vote how Gary, and the other community organizers, wanted. They told those voters that the Republicans and conservatives wanted to enslave them, that they, the Republicans, were against the working man and woman, and the Republicans only cared about rich, white, old men, who were making millions of dollars off of the poor peoples’ backs. Gary helped hold protests all over the state for these poorer people, with other communist and socialist organizers. Any time a politician had to hold a town hall meeting, or a city council meeting, when the subject was jobs and housing, they were there. Gary knew this was all smoke and mirrors, because nothing would ever actually change, it was all to keep the supposedly downtrodden on the same side as Gary and the others.
Cliff Ball (The Usurper: A suspense political thriller)
Juneja had noticed that the white activists were very focused on rules. “They ask questions I’ve not ever heard from women-of-color organizations, like ‘Do we need permits to canvas?’ They are very hierarchy-oriented, very rules-oriented in a way I have not seen when organizing with people of color.” She suggested that one of the reasons the town-hall format had caught on in 2017 was that “white people, even white women, have faith that if they voice their opinions to their representatives, that they will be heard, that they will have influence, that they have a political voice to which officials will be responsive.” Black and brown people, Juneja said, know that they have representatives, and know how government works. “But there is no faith that politicians will see that there is any cost to disappointing black and brown people. But these women believe that you work through making calls and going to town halls because you assume that they will care what you have to say.
Rebecca Traister (Good and Mad: The Revolutionary Power of Women's Anger)
As they pedalled us down the long suburban road to the Chinese town a line of French armoured cars went by, each with its jutting gun and silent officer motionless like a figurehead under the stars and the black, smooth, concave sky––trouble again probably with a private army, the Binh Xuyen, who ran the Grand Monde and the gambling halls of Cholon. This was a land of rebellious barons. It was like Europe in the Middle Ages. But what were the Americans doing here? Columbus had not yet discovered their country.
Graham Greene (The Quiet American)
One Autumn night, in Sudbury town, Across the meadows bare and brown, The windows of the wayside inn Gleamed red with fire-light through the leaves Of woodbine, hanging from the eaves Their crimson curtains rent and thin.” “As ancient is this hostelry As any in the land may be, Built in the old Colonial day, When men lived in a grander way, With ampler hospitality; A kind of old Hobgoblin Hall, Now somewhat fallen to decay, With weather-stains upon the wall, And stairways worn, and crazy doors, And creaking and uneven floors, And chimneys huge, and tiled and tall. A region of repose it seems, A place of slumber and of dreams, Remote among the wooded hills! For there no noisy railway speeds, Its torch-race scattering smoke and gleeds; But noon and night, the panting teams Stop under the great oaks, that throw Tangles of light and shade below, On roofs and doors and window-sills. Across the road the barns display Their lines of stalls, their mows of hay, Through the wide doors the breezes blow, The wattled cocks strut to and fro, And, half effaced by rain and shine, The Red Horse prances on the sign. Round this old-fashioned, quaint abode Deep silence reigned, save when a gust Went rushing down the county road, And skeletons of leaves, and dust, A moment quickened by its breath, Shuddered and danced their dance of death, And through the ancient oaks o'erhead Mysterious voices moaned and fled. These are the tales those merry guests Told to each other, well or ill; Like summer birds that lift their crests Above the borders of their nests And twitter, and again are still. These are the tales, or new or old, In idle moments idly told; Flowers of the field with petals thin, Lilies that neither toil nor spin, And tufts of wayside weeds and gorse Hung in the parlor of the inn Beneath the sign of the Red Horse. Uprose the sun; and every guest, Uprisen, was soon equipped and dressed For journeying home and city-ward; The old stage-coach was at the door, With horses harnessed, long before The sunshine reached the withered sward Beneath the oaks, whose branches hoar Murmured: "Farewell forevermore. Where are they now? What lands and skies Paint pictures in their friendly eyes? What hope deludes, what promise cheers, What pleasant voices fill their ears? Two are beyond the salt sea waves, And three already in their graves. Perchance the living still may look Into the pages of this book, And see the days of long ago Floating and fleeting to and fro, As in the well-remembered brook They saw the inverted landscape gleam, And their own faces like a dream Look up upon them from below.
Henry Wadsworth Longfellow
In America, too, the reality behind the words of the Declaration of Independence (issued in the same year as Adam Smith’s capitalist manifesto, The Wealth of Nations) was that a rising class of important people needed to enlist on their side enough Americans to defeat England, without disturbing too much the relations of wealth and power that had developed over 150 years of colonial history. Indeed, 69 percent of the signers of the Declaration of Independence had held colonial office under England. When the Declaration of Independence was read, with all its flaming radical language, from the town hall balcony in Boston, it was read by Thomas Crafts, a member of the Loyal Nine group, conservatives who had opposed militant action against the British. Four days after the reading, the Boston Committee of Correspondence ordered the townsmen to show up on the Common for a military draft. The rich, it turned out, could avoid the draft by paying for substitutes; the poor had to serve. This led to rioting, and shouting: “Tyranny is Tyranny let it come from whom it may.
Howard Zinn (A People's History of the United States: 1492 to Present)
Miss Foley had first noticed, some years ago, that her house was crowded with bright shadows of herself. Best, then, to ignore the cold sheets of December ice in the hall, above the bureaus, in the bath. Best skate the thin ice, lightly. Paused, the weight of your attention might crack the shell. Plunged through the crust, you might drown in depths so cold, so remote, that all the Past lay carved in tombstone marbles there. Ice water would syringe your veins. Transfixed at the mirror sill, you would stand forever, unable to lift your gaze from the proofs of Time.
Ray Bradbury (Something Wicked This Way Comes (Green Town, #2))
New Rule: Democrats must get in touch with their inner asshole. I refer to the case of Van Jones, the man the Obama administration hired to find jobs for Americans in the new green industries. Seems like a smart thing to do in a recession, but Van Jones got fired because he got caught on tape saying Republicans are assholes. And they call it news! Now, I know I'm supposed to be all reinjected with yes-we-can-fever after the big health-care speech, and it was a great speech--when Black Elvis gets jiggy with his teleprompter, there is none better. But here's the thing: Muhammad Ali also had a way with words, but it helped enormously that he could also punch guys in the face. It bothers me that Obama didn't say a word in defense of Jones and basically fired him when Glenn Beck told him to. Just like dropped "end-of-life counseling" from health-care reform because Sarah Palin said it meant "death panels" on her Facebook page. Crazy morons make up things for Obama to do, and he does it. Same thing with the speech to schools this week, where the president attempted merely to tell children to work hard and wash their hands, and Cracker Nation reacted as if he was trying to hire the Black Panthers to hand out grenades in homeroom. Of course, the White House immediately capitulated. "No students will be forced to view the speech" a White House spokesperson assured a panicked nation. Isn't that like admitting that the president might be doing something unseemly? What a bunch of cowards. If the White House had any balls, they'd say, "He's giving a speech on the importance of staying in school, and if you jackasses don't show it to every damn kid, we're cutting off your federal education funding tomorrow." The Democrats just never learn: Americans don't really care which side of an issue you're on as long as you don't act like pussies When Van Jones called the Republicans assholes, he was paying them a compliment. He was talking about how they can get things done even when they're in the minority, as opposed to the Democrats , who can't seem to get anything done even when they control both houses of Congress, the presidency, and Bruce Springsteen. I love Obama's civility, his desire to work with his enemies; it's positively Christlike. In college, he was probably the guy at the dorm parties who made sure the stoners shared their pot with the jocks. But we don't need that guy now. We need an asshole. Mr. President, there are some people who are never going to like you. That's why they voted for the old guy and Carrie's mom. You're not going to win them over. Stand up for the seventy percent of Americans who aren't crazy. And speaking of that seventy percent, when are we going to actually show up in all this? Tomorrow Glenn Beck's army of zombie retirees descending on Washington. It's the Million Moron March, although they won't get a million, of course, because many will be confused and drive to Washington state--but they will make news. Because people who take to the streets always do. They're at the town hall screaming at the congressman; we're on the couch screaming at the TV. Especially in this age of Twitters and blogs and Snuggies, it's a statement to just leave the house. But leave the house we must, because this is our last best shot for a long time to get the sort of serious health-care reform that would make the United States the envy of several African nations.
Bill Maher (The New New Rules: A Funny Look At How Everybody But Me Has Their Head Up Their Ass)
One Autumn night, in Sudbury town, Across the meadows bare and brown, The windows of the wayside inn Gleamed red with fire-light through the leaves Of woodbine, hanging from the eaves Their crimson curtains rent and thin. As ancient is this hostelry As any in the land may be, Built in the old Colonial day, When men lived in a grander way, With ampler hospitality; A kind of old Hobgoblin Hall, Now somewhat fallen to decay, With weather-stains upon the wall, And stairways worn, and crazy doors, And creaking and uneven floors, And chimneys huge, and tiled and tall. A region of repose it seems, A place of slumber and of dreams, Remote among the wooded hills! For there no noisy railway speeds, Its torch-race scattering smoke and gleeds; But noon and night, the panting teams Stop under the great oaks, that throw Tangles of light and shade below, On roofs and doors and window-sills. Across the road the barns display Their lines of stalls, their mows of hay, Through the wide doors the breezes blow, The wattled cocks strut to and fro, And, half effaced by rain and shine, The Red Horse prances on the sign. Round this old-fashioned, quaint abode Deep silence reigned, save when a gust Went rushing down the county road, And skeletons of leaves, and dust, A moment quickened by its breath, Shuddered and danced their dance of death, And through the ancient oaks o'erhead Mysterious voices moaned and fled. These are the tales those merry guests Told to each other, well or ill; Like summer birds that lift their crests Above the borders of their nests And twitter, and again are still. These are the tales, or new or old, In idle moments idly told; Flowers of the field with petals thin, Lilies that neither toil nor spin, And tufts of wayside weeds and gorse Hung in the parlor of the inn Beneath the sign of the Red Horse. Uprose the sun; and every guest, Uprisen, was soon equipped and dressed For journeying home and city-ward; The old stage-coach was at the door, With horses harnessed,long before The sunshine reached the withered sward Beneath the oaks, whose branches hoar Murmured: "Farewell forevermore. Where are they now? What lands and skies Paint pictures in their friendly eyes? What hope deludes, what promise cheers, What pleasant voices fill their ears? Two are beyond the salt sea waves, And three already in their graves. Perchance the living still may look Into the pages of this book, And see the days of long ago Floating and fleeting to and fro, As in the well-remembered brook They saw the inverted landscape gleam, And their own faces like a dream Look up upon them from below.
Henry Wadsworth Longfellow
To our amazement Jimmy received a letter, dated August 20, 1963, from Bertrand Russell, the world-famous philosopher and peace activist, saying “I have recently finished your remarkable book The American Resolution” and “have been greatly impressed with its power and insight.” The letter goes on to ask for Jimmy’s views on whether American whites “will understand the negro [sic] revolt because “the survival of mankind may well follow or fail to follow from political and social behavior of Americans in the next decades.” On September 5 Jimmy wrote back a lengthy reply saying among other things that “so far, with the exception of the students, there has been no social force in the white population which the Negroes can respect and a handful of liberals joining in a demonstration doesn’t change this one bit.” Russell replied on September 18 with more questions that Jimmy answered in an even longer letter dated December 22. Meanwhile, Russell had sent a telegram to the November 21 Town Hall meeting in New York City at which Jimmy was scheduled to speak, warning Negroes not to resort to violence. In response Jimmy said at the meeting that “I too would like to hope that the issues of our revolt might be resolved by peaceful means,” but “the issues and grievances were too deeply imbedded in the American system and the American peoples so that the very things Russell warned against might just have to take place if the Negroes in the U.S.A. are ever to walk the streets as free men.” In his December 22 letter Jimmy repeats what he said at the meeting and then patiently explains to Russell that what has historically been considered democracy in the United States has actually been fascism for millions of Negroes. The letter concludes: I believe that it is your responsibility as I believe that it is my responsibility to recognize and record this, so that in the future words do not confuse the struggle but help to clarify it. This is what I think philosophers should make clear. Because even though Negroes in the United States still think they are struggling for democracy, in fact democracy is what they are struggling against. This exchange between Jimmy and Russell has to be seen to be believed. In a way it epitomizes the 1960s—Jimmy Boggs, the Alabama-born autoworker, explaining the responsibility of philosophers to The Earl Russell, O.M., F.R.S., in his time probably the West’s best-known philosopher. Within the next few years The American Revolution was translated and published in French, Italian, Japanese, Spanish, Catalan, and Portuguese. To this day it remains a page-turner for grassroots activists because it is so personal and yet political, so down to earth and yet visionary.
Grace Lee Boggs (Living for Change: An Autobiography)
There are also, without their towns, places appointed near some running water for killing their beasts and for washing away their filth, which is done by their slaves; for they suffer none of their citizens to kill their cattle, because they think that pity and good-nature, which are among the best of those affections that are born with us, are much impaired by the butchering of animals; nor do they suffer anything that is foul or unclean to be brought within their towns, lest the air should be infected by ill-smells, which might prejudice their health.  In every street there are great halls, that lie at an equal distance from each other, distinguished by particular names. 
Thomas More (Utopia)
Because you deserve a duke, damn it!” A troubled expression furrowed his brow. “You deserve a man who can give you the moon. I can’t. I can give you a decent home in a decent part of town with decent people, but you…” His voice grew choked. “You’re the most amazing woman I’ve ever known. It destroys me to think of what you’ll have to give up to be with me.” “I told you before-I don’t care!” she said hotly. “Why can’t you believe me?” He hesitated a long moment. “The truth?” “Always.” “Because I can’t imagine why you’d want me when you have men of rank and riches at your fingertips.” She gave a rueful laugh. “You grossly exaggerate my charms, but I can’t complain. It’s one of many things I adore about you-that you see a better version of me than I ever could.” Remembering the wonderful words he’d said last night when she’d been so self-conscious, she left the bed to walk up to him. “Do you know what I see when I look at you?” His wary gaze locked with hers. “Proper Pinter. Proud Pinter.” “Yes, but that’s just who you show to the world to protect yourself.” She reached up to stroke his cheek, reveling in the ragged breath that escaped him. “When you let down your guard, however, I see Jackson-who ferrets out the truth, no matter how hard. Who risks his own life to protect the weak. Who’d sacrifice anything to prevent me from having to sacrifice everything.” Catching her hand, he halted its path. “You see a saint,” he said hoarsely. “I’m not a saint; I’m a man with needs and desires and a great many rough edges.” “I like your rough edges,” she said with a soft smile. “If I’d really wanted a man of rank and riches, I probably would have married long ago. I always told myself I couldn’t marry because no one wanted me, but the truth was, I didn’t want any of them.” She fingered a lock of hair. “Apparently I was waiting for you, rough edges and all.” His eyes turned hot with wanting. Drawing her hand to his lips, he kissed the palm so tenderly that her heart leapt into her throat. When he lifted his head, he said, “Then marry me, rough edges and all.” She swallowed. “That’s what you say now, when we’re alone and you’re caught up in-“ He covered her mouth with his, kissing her so fervently that she turned into a puddle of mush. Blast him-he always did that, too, when they were alone; it was when they were with others that he reconsidered their being together forever. And he still had said nothing of live. “That’s enough of that,” she warned, drawing back from him. “Until you make a proper proposal, before my family, you’re not sharing my bed.” “Sweeting-“ “Don’t you ‘sweeting’ me, Jackson Pinter.” She edged away from him. “I want Proper Pinter back now.” A mocking smile crossed his lips. “Sorry, love. I threw him out when I saw how he was mucking up my private life.” Love? No, she wouldn’t let that soften her. Not until she was sure he wouldn’t turn cold later. “You told Oliver you’d behave like a gentleman.” “To hell with your brother.” He stalked her with clear intent. Even as she darted behind a chair to avoid him, excitement tore through her. “Aren’t you still worried Gran will cut me off, and you’ll be saddled with a spoiled wife and not enough money to please her?” “To hell with your grandmother, too. For that matter, to hell with the money.” He tossed the chair aside as if it were so much kindling; it clattered across the floor. “It’s you I want.
Sabrina Jeffries (A Lady Never Surrenders (Hellions of Halstead Hall, #5))
From the woods that surrounded the burgh came a mass of men. Some rode, others ran. All carried weapons, mainly axes or spears. A few wore mail shirts and cloaks, but most just leather aketons. Among them were a handful of men clad in the short tunics favoured by Highlanders. These men were bare from thigh to foot, an alarming sight to Ormesby, who had only heard rumour of these wild men of the north. As they came, they roared a multitude of battle cries. Ormesby caught one name in the din, issuing from a group of mailed riders who followed a burly man on a finely caparisoned horse. ‘For Douglas!’ they howled. ‘For Douglas!’ Below, the townsfolk were scattering. The English soldiers had formed a tight knot outside the hall, blades drawn, but even as Ormesby watched, the forlorn group of beggars he had seen threw off their ragged skins and furs, revealing thickly muscled warriors. They fell upon the soldiers with savage cries, daggers thrusting. Footsteps sounded on the hall stairs. The door burst open and two soldiers appeared. ‘We must go, sir!’ The clerks and officials were already hastening across the chamber. Donald was running with them. Ormesby remained rooted. ‘Who are they?’ he demanded, his voice high as he turned back to the window, seeing the horde rushing into the town. His eyes fixed on a giant of a man running, almost loping in the front lines. Taller than all those around him, agile in the stride, he wore a simple dark blue tunic and wide-brimmed kettle hat. The other men seemed to be running in unruly formation around him. But it was the blade in the man’s hands that Ormesby’s eyes were drawn to. He had never seen such a sword, so broad and long the giant had to grasp it in both hands as he came. Another name now became audible in the roar of the mob. ‘Wallace! Wallace!
Robyn Young (Insurrection (The Insurrection Trilogy, #1))
Half inebriated, he vaulted up the stairs to find them lolling in chairs in the hall outside Maria’s door. Gabe clasped a bunch of violets in his hand while Jarret held a rolled-up piece of parchment in his. “What are you two louts doing here in the middle of the night?” he growled. “It’s nearly dawn,” Gabe said coolly. “Hardly the middle of the night. Not that you would have noticed, in your drunken state.” Scowling, Oliver took a step toward them. “It’s still earlier than you, at least, every rise.” Gabe glanced at Jarret. “Clearly, the old boy doesn’t remember what today is.” “I believe you’re right,” Jarret returned, a hint of condemnation in his tone. Oliver glared at them both as he sifted through his soggy brain for what they menat. When it came to him, he groaned. St. Valentine’s Day. That sobered him right up. “That doesn’t explain why you’re lurking outside Maria’s door.” Jarret cast him a scathing glance as he got to his feet. “Why do you care? You ran off to town to find your entertainment. Seems to me that you’re relinquishing the field.” “So you two intend to step in?” he snapped. “Why not?” Gabe rose to glower at him. “Since your plan to thwart Gran isn’t working, and it’s looking as if we’ll have to marry someone, we might as well have a go at Miss Butterfield. She’s an heiress and a very nice girl, too, in case you hadn’t noticed If you’re stupid enough to throw her over for a bunch of whores and opera dancers, we’re more than happy to take your place. We at least appreciate her finer qualities.” The very idea of his brothers appreciating anything of Maria’s made his blood boil. “In the first place, I didn’t throw her over for anyone. In the second, I am damned well not relinquishing the field. And I’m certainly not giving it over to a couple of fortune hunters like you.” The sound of footsteps coming down the hall from the servants’ stairs made them whirl in that direction. Betty walked slowly toward them, one hand shading her eyes. That’s when it hit him. His brothers were here because of that silly superstition about a maiden’s heart being joined to that of whoever was the first man she spotted on St. Valentine’s Day. “Good morning, gentlemen,” Betty murmured as she approached, carefully avoiding looking at any of them. A devilish grin lit Gabe’s face. “Betty, catch!” he cried and tossed a violet at her. She didn’t even move a finger to stop it from bouncing off her and falling to the floor. “If your lordships will excuse me,” she said in a decidedly snippy tone, “my mistress rang the bell for me.” With a sniff that conveyed her contempt for them, she slipped inside Maria’s rom and shut the door firmly behind her. “That was shameful,” Jarret told Gabe. “You know bloody well that Betty and John are sweethearts.” “It’s not my fault that John didn’t show up this morning so she could see him first,” Gabe said with a shrug.
Sabrina Jeffries (The Truth About Lord Stoneville (Hellions of Halstead Hall, #1))
In those days there were two dark elves who lived in a fortress by the sea. They did magic there, and feats of alchemy. Like all dwarfs, they built things, wonderful, remarkable things, in their workshop and their forge. But there were things they had not yet made, and making those things obsessed them. They were brothers, and were called Fjalar and Galar. When they heard that Kvasir was visiting a town nearby, they set out to meet him. Fjalar and Galar found Kvasir in the great hall, answering questions for the townsfolk, amazing all who listened. He told the people how to purify water and how to make cloth from nettles. He told one woman exactly who had stolen her knife, and why. Once he was done talking and the townsfolk had fed him, the dwarfs approached. “We have a question to ask you that you have never been asked before,” they said. “But it must be asked in private. Will you come with us?” “I will come,” said Kvasir. They walked to the fortress. The seagulls screamed, and the brooding gray clouds were the same shade as the gray of the waves. The dwarfs led Kvasir to their workshop, deep within the walls of their fortress. “What are those?” asked Kvasir. “They are vats. They are called Son and Bodn.” “I see. And what is that over there?” “How can you be so wise when you do not know these things? It is a kettle. We call it Odrerir—ecstasy-giver.” “And I see over here you have buckets of honey you have gathered. It is uncapped, and liquid.” “Indeed we do,” said Fjalar. Galar looked scornful. “If you were as wise as they say you are, you would know what our question to you would be before we asked it. And you would know what these things are for.” Kvasir nodded in a resigned way. “It seems to me,” he said, “that if you were both intelligent and evil, you might have decided to kill your visitor and let his blood flow into the vats Son and Bodn. And then you would heat his blood gently in your kettle, Odrerir. And after that you would blend uncapped honey into the mixture and let it ferment until it became mead—the finest mead, a drink that will intoxicate anyone who drinks it but also give anyone who tastes it the gift of poetry and the gift of scholarship.” “We are intelligent,” admitted Galar. “And perhaps there are those who might think us evil.” And with that he slashed Kvasir’s throat, and they hung Kvasir by his feet above the vats until the last drop of his blood was drained. They warmed the blood and the honey in the kettle called Odrerir, and did other things to it of their own devising. They put berries into it, and stirred it with a stick. It bubbled, and then it ceased bubbling, and both of them sipped it and laughed, and each of the brothers found the verse and the poetry inside himself that he had never let out.
Neil Gaiman (Norse Mythology)
Almost immediately after jazz musicians arrived in Paris, they began to gather in two of the city’s most important creative neighborhoods: Montmartre and Montparnasse, respectively the Right and Left Bank haunts of artists, intellectuals, poets, and musicians since the late nineteenth century. Performing in these high-profile and popular entertainment districts could give an advantage to jazz musicians because Parisians and tourists already knew to go there when they wanted to spend a night out on the town. As hubs of artistic imagination and experimentation, Montmartre and Montparnasse therefore attracted the kinds of audiences that might appreciate the new and thrilling sounds of jazz. For many listeners, these locations leant the music something of their own exciting aura, and the early success of jazz in Paris probably had at least as much to do with musicians playing there as did other factors. In spite of their similarities, however, by the 1920s these neighborhoods were on two very different paths, each representing competing visions of what France could become after the war. And the reactions to jazz in each place became important markers of the difference between the two areas and visions. Montmartre was legendary as the late-nineteenth-century capital of “bohemian Paris,” where French artists had gathered and cabaret songs had filled the air. In its heyday, Montmartre was one of the centers of popular entertainment, and its artists prided themselves on flying in the face of respectable middle-class values. But by the 1920s, Montmartre represented an established artistic tradition, not the challenge to bourgeois life that it had been at the fin de siècle. Entertainment culture was rapidly changing both in substance and style in the postwar era, and a desire for new sounds, including foreign music and exotic art, was quickly replacing the love for the cabarets’ French chansons. Jazz was not entirely to blame for such changes, of course. Commercial pressures, especially the rapidly growing tourist trade, eroded the popularity of old Montmartre cabarets, which were not always able to compete with the newer music halls and dance halls. Yet jazz bore much of the criticism from those who saw the changes in Montmartre as the death of French popular entertainment. Montparnasse, on the other hand, was the face of a modern Paris. It was the international crossroads where an ever changing mixture of people celebrated, rather than lamented, cosmopolitanism and exoticism in all its forms, especially in jazz bands. These different attitudes within the entertainment districts and their institutions reflected the impact of the broader trends at work in Paris—the influx of foreign populations, for example, or the advent of cars and electricity on city streets as indicators of modern technology—and the possible consequences for French culture. Jazz was at the confluence of these trends, and it became a convenient symbol for the struggle they represented.
Jeffrey H. Jackson (Making Jazz French: Music and Modern Life in Interwar Paris (American Encounters/Global Interactions))
Wherever you go, Provincetown will always take you back, at whatever age and in whatever condition. Because time moves somewhat differently there, it is possible to return after ten years or more and run into an acquaintance, on Commercial or at the A&P, who will ask mildly, as if he’d seen you the day before yesterday, what you’ve been doing with yourself. The streets of Provincetown are not in any way threatening, at least not to those with an appetite for the full range of human passions. If you grow deaf and blind and lame in Provincetown, some younger person with a civic conscience will wheel you wherever you need to go; if you die there, the marshes and dunes are ready to receive your ashes. While you’re alive and healthy, for as long as it lasts, the golden hands of the clock tower at Town Hall will note each hour with an electric bell as we below, on our purchase of land, buy or sell, paint or write or fish for bass, or trade gossip on the post office steps. The old bayfront houses will go on dreaming, at least until the emptiness between their boards proves more durable than the boards themselves. The sands will continue their slow devouring of the forests that were the Pilgrims’ first sight of North America, where man, as Fitzgerald put it, “must have held his breath in the presence of this continent, compelled into an aesthetic contemplation he neither understood nor desired, face to face for the last time in history with something commensurate to his capacity for wonder.” The ghost of Dorothy Bradford will walk the ocean floor off Herring Cove, draped in seaweed, surrounded by the fleeting silver lights of fish, and the ghost of Guglielmo Marconi will tap out his messages to those even longer dead than he. The whales will breach and loll in their offshore world, dive deep into black canyons, and swim south when the time comes. Herons will browse the tidal pools; crabs with blue claws tipped in scarlet will scramble sideways over their own shadows. At sunset the dunes will take on their pink-orange light, and just after sunset the boats will go luminous in the harbor. Ashes of the dead, bits of their bones, will mingle with the sand in the salt marsh, and wind and water will further disperse the scraps of wood, shell, and rope I’ve used for Billy’s various memorials. After dark the raccoons and opossums will start on their rounds; the skunks will rouse from their burrows and head into town. In summer music will rise up. The old man with the portable organ will play for passing change in front of the public library. People in finery will sing the anthems of vanished goddesses; people who are still trying to live by fishing will pump quarters into jukeboxes that play the songs of their high school days. As night progresses, people in diminishing numbers will wander the streets (where whaling captains and their wives once promenaded, where O’Neill strode in drunken furies, where Radio Girl—who knows where she is now?—announced the news), hoping for surprises or just hoping for what the night can be counted on to provide, always, in any weather: the smell of water and its sound; the little houses standing square against immensities of ocean and sky; and the shapes of gulls gliding overhead, white as bone china, searching from their high silence for whatever they might be able to eat down there among the dunes and marshes, the black rooftops, the little lights tossing on the water as the tides move out or in.
Michael Cunningham (Land's End: A Walk in Provincetown)
I can only imagine the sort of havoc Oliver must have wreaked as a boy.” Oliver handed Minerva in, then climbed in to sit beside her. “We weren’t that bad.” “Don’t listen to him,” Minerva exclaimed, her eyes twinkling. “One dull evening, he and his friends went to a ball dressed in the livery of the hired footmen. Then they proceeded to drink up the liquor, flirt and wink at the elderly ladies until they were all blushing, and make loud criticisms of the entertainment. After the lady of the house caught on to their scheme and rounded up some stout young men to throw them out, they stole a small stone cupid she had in her garden and sent her a ransom note for it.” “How the devil do you know that?” Oliver asked. “You were, what, eleven?” “Twelve,” Minerva said. “And it was all Gran’s servants could talk about. Made quite a stir in society, as I recall. What was the ransom? A kiss for each of you from the lady’s daughter?” A faint smile touched Oliver’s lips. “And she never did pay it. Apparently her suitors took issue with it. Not to mention her parents.” “Good heavens,” Maria said. “Come to think of it,” Oliver mused aloud, “I believe Kirkwood still has that cupid somewhere. I should ask him.” “You’re as bad as Freddy and my cousins,” Maria chided. “They put soap on all the windows of the mayor’s carriage on the very day he was supposed to lead a procession through Dartmouth. You should have seen him blustering when he discovered it.” “Was he a pompous idiot?” Oliver asked. “A lecher, actually. He tried to force a kiss on my aunt. And him a married man, too!” “Then I hope they did more than soap his windows,” Oliver drawled. The comment caught Maria by surprise. “And you, of course, have never kissed a married woman?” “Not if they didn’t ask to be kissed,” he said, a strange tension in his voice. “But we weren’t speaking of me, we were speaking of Dartmouth’s dastardly mayor. Did soaping his windows teach him a lesson?” “No, but the gift they left for him in the coach did the trick. They got it from the town’s largest cow.” Oliver and Minerva both laughed. Mrs. Plumtree did not. She was as silent as death beside Maria, clearly scandalized by the entire conversation. “Why do boys always feel an urgent need to create a mess others are forced to clean up?” Minerva asked. “Because they know how it irritates us,” Maria said.
Sabrina Jeffries (The Truth About Lord Stoneville (Hellions of Halstead Hall, #1))
With Mary standing in the hall, Kate and Anthony exited out the doorway and headed west on Milner Street. “I usually stay to the smaller streets and make my way up to Brompton Road,” Kate explained, thinking that he might not be very familiar with this area of town, “then take that to Hyde Park. But we can walk straight up Sloane Street, if you prefer.” “Whatever you wish,” he demurred. “I shall follow your direction.” “Very well,” Kate replied, marching determinedly up Milner Street toward Lenox Gardens. Maybe if she kept her eyes ahead of her and moved briskly, he’d be discouraged from conversation. Her daily walks with Newton were supposed to be her time for personal reflection. She did not appreciate having to drag him along. Her strategy worked quite well for several minutes. They walked in silence all the way to the corner of Hans Crescent and Brompton Road, and then he quite suddenly said, “My brother played us for fools last night.” That stopped her in her tracks. “I beg your pardon?” “Do you know what he told me about you before he introduced us?” Kate stumbled a step before shaking her head, no. Newton hadn’t stopped in his tracks, and he was tugging on the lead like mad. “He told me you couldn’t say enough about me.” “Wellll,” Kate stalled, “if one doesn’t want to put too fine a point on it, that’s not entirely untrue.” “He implied,” Anthony added, “that you could not say enough good about me.” She shouldn’t have smiled. “That’s not true.” He probably shouldn’t have smiled, either, but Kate was glad he did. “I didn’t think so,” he replied. They turned up Brompton Road toward Knightsbridge and Hyde Park, and Kate asked, “Why would he do such a thing?” Anthony shot her a sideways look. “You don’t have a brother, do you?” “No, just Edwina, I’m afraid, and she’s decidedly female.” “He did it,” Anthony explained, “purely to torture me.” “A noble pursuit,” Kate said under her breath. “I heard that.” “I rather thought you would,” she added. “And I expect,” he continued, “that he wanted to torture you as well.” “Me?” she exclaimed. “Whyever? What could I possibly have done to him?” “You might have provoked him ever so slightly by denigrating his beloved brother,” he suggested. Her brows arched. “Beloved?” “Much-admired?” he tried. She shook her head. “That one doesn’t wash, either.” Anthony grinned.
Julia Quinn (The Viscount Who Loved Me (Bridgertons, #2))
If it were any of the other Sharpes, he wouldn’t balk. But the idea of spending serveral hours in her company was both intoxicating and terrifying. “If you don’t let me go along,” she continued, “I’ll just follow you. He scowled at her. She probably would; the woman was as stubborn as she was beautiful. “And don’t think you can outride me, either,” she added. “Halstead Hall has a very good stable, and lady Bell is one of our swiftest mounts.” “Lady Bell?” he said sarcastically. “Not Crack Shot or Pistol?” She glared over at him. “Lady Bell was my favorite doll when I was a girl, the last one Mama gave me before she died. I used to play with it whenever I wanted to remember her. The doll got so ragged that I threw her away when I outgrew her.” Her voice lowered. “I regretted that later, but by then it was too late.” The idea of her playing with a doll to remember her late mother made his throat tighten and his heart falter. “Fine,” he bit out. “You can go with me to High Wycombe.” Surprise turned her cheeks rosy. “Oh, thank you, Jackson! You won’t regret it, I promise you!” “I already regret it,” he grumbled. “And you must do as I say. None of your going off half-cocked, do you hear?” “I never go off half-cocked!” “No, you just walk around with a pistol packed full of powder, thinking you can hold men at bay with it.” She tossed her head. “You’ll never let me forget that, will you?” “Not as long as we both shall live.” The minute the words left his lips, he could have kicked himself. They sounded too much like a vow, one he’d give anything for the right to make. Fortunately, she didn’t seem to have noticed. Instead, she was squirming and shimmying about on her saddle. “Are you all right?” he asked. “I’ve got a burr caught in my stocking that keeps rubbing against my leg. I’m just trying to work it out. Don’t mind me.” His mouth went dry at her mention of stockings. It brought yesterday’s encounter vividly into his mind, how he’d lifted her skirts to reach the smooth expanse of calf encased in silk. How he’d run his hands up her thighs as his mouth had tasted- God save him. He couldn’t be thinking about such things while riding. He shifted uncomfortably in the saddle as they reached the road and settled into a comfortable pace. The road was busy at this early hour. The local farmers were driving their carts to market or town, and laborers were headed for the fields. To Jackson’s relief, that made it easy not to talk. Conversaing with her was bound to be difficult, especially if she started consulting him about her suitors.
Sabrina Jeffries (A Lady Never Surrenders (Hellions of Halstead Hall, #5))
Marriage meant jointures and pin money and siring an heir to continue the dynasty. A cottage meant just him and Maria. What a fool he was. Even a woman with Maria’s low connections wanted more. And he couldn’t give it. The very thought of attempting it made him ill, because he could never make her happy. He would muck it up, and the legacy of misery would go on. But he’d be damned if he’d watch her throw herself away on that fool Hyatt. She deserved better than an indifferent fiancé who had no clue how to make her eyes darken in passion as she shuddered and trembled and gave her mouth so sweetly… He groaned. He shouldn’t have gone so far with her. It had frightened her. Worse yet, his reaction to it bloody well terrified him-because he’d give a great deal to be able to do it again. He’d never felt that way for any other woman. Freddy was still blathering on, and suddenly a word arrested him. “What was that you said?” Oliver asked. “The beefsteak needed a bit more salt-“ “Before that,” he ground out. “Oh. Right. There was a chap in that club claiming he was your cousin. Mr. Desmond Plumtree, I think.” His stomach sank. When had Desmond gained membership at such a selective club? Did it mean the bastard was finally becoming accepted in society? “Though if you ask me,” Freddy went on, “with family like him, who needs enemies? Insulting fellow. Told me a bunch of nonsense about how you’d killed your father and everybody knew it.” Freddy sniffed. “I told him he was a scurrilous lout, and if he couldn’t see that you were a good sort of chap, then he was as blind as a town crier with a broken lantern. And he didn’t belong in the Blue Swan with all those amiable gents, neither.” For a moment, speech utterly failed Oliver. He could only imagine Desmond’s reaction to that little lecture. “And…er…what did he say?” “He looked surprised, then muttered something about playing cards and trotted off to a card room. Good riddance, too-he was eating up all the macaroons.” Oliver gaped at him, then began to laugh. “What’s so funny?” “You and Maria-don’t you Americans ever pay attention to gossip?” “Well, sure, if it makes sense. But that didn’t make sense. If everybody knew you’d killed your father, you’d have been hanged by now. Since you’re sitting right here, you can’t have done it.” Freddy tapped his forehead. “Simple logic is all.” “Right,” Oliver said. “Simple logic.” A lump caught in his throat. Maria’s defending him was one thing; she was a woman and softhearted, though that had certainly never kept any other woman from gossiping about him. But to have an impressionable pup like Freddy defend him…he didn’t know whether to scoff at the fellow’s naivete or clap him on the shoulder and pronounce him a “good sort of chap” as well.
Sabrina Jeffries (The Truth About Lord Stoneville (Hellions of Halstead Hall, #1))
Liberty is poorly served by men whose good intent is quelled from one failure or two failures or any number of failures, or from the casual indifference or ingratitude of the people, or from the sharp show of the tushes of power, or the bringing to bear soldiers and cannon or any penal statutes. Liberty relies upon itself, invites no one, promises nothing, sits in calmness and light, is positive and composed, and knows no discouragement. The battle rages with many a loud alarm and frequent advance and retreat…the enemy triumphs…the prison, the handcuffs, the iron necklace and anklet, the scaffold, garrote and leadballs do their work…the cause is asleep…the strong throats are choked with their own blood…the young men drop their eyelashes toward the ground when they pass each other…and is liberty gone out of that place? No never. When liberty goes it is not the first to go nor the second or third to go…it waits for all the rest to go…it is the last…When the memories of the old martyrs are faded utterly away…when the large names of patriots are laughed at in the public halls from the lips of the orators…when the boys are no more christened after the same but christened after tyrants and traitors instead…when the laws of the free are grudgingly permitted and laws for informers and bloodmoney are sweet to the taste of the people…when I and you walk abroad upon the earth stung with compassion at the sight of numberless brothers answering our equal friendship and calling no man master—and when we are elated with noble joy at the sight of slaves…when the soul retires in the cool communion of the night and surveys its experience and has much extasy over the word and deed that put back a helpless innocent person into the gripe of the gripers or into any cruel inferiority…when those in all parts of these states who could easier realize the true American character but do not yet—when the swarms of cringers, suckers, dough-faces, lice of politics, planners of sly involutions for their own preferment to city offices or state legislatures or the judiciary or congress or the presidency, obtain a response of love and natural deference from the people whether they get the offices or no…when it is better to be a bound booby and rogue in office at a high salary than the poorest free mechanic or farmer with his hat unmoved from his head and firm eyes and a candid and generous heart…and when servility by town or state or the federal government or any oppression on a large scale or small scale can be tried on without its own punishment following duly after in exact proportion against the smallest chance of escape…or rather when all life and all the souls of men and women are discharged from any part of the earth—then only shall the instinct of liberty be discharged from that part of the earth.
Walt Whitman (Leaves of Grass: The First (1855) Edition)