Joy Miners Quotes

October Fullness” Little by little, and also in great leaps, life happened to me, and how insignificant this business is. These veins carried my blood, which I scarcely ever saw, I breathed the air of so many places without keeping a sample of any. In the end, everyone is aware of this: nobody keeps any of what he has, and life is only a borrowing of bones. The best thing was learning not to have too much either of sorrow or of joy, to hope for the chance of a last drop, to ask more from honey and from twilight. Perhaps it was my punishment. Perhaps I was condemned to be happy. Let it be known that nobody crossed my path without sharing my being. I plunged up to the neck into adversities that were not mine, into all the sufferings of others. It wasn’t a question of applause or profit. Much less. It was not being able to live or breathe in this shadow, the shadow of others like towers, like bitter trees that bury you, like cobblestones on the knees. Our own wounds heal with weeping, our own wounds heal with singing, but in our own doorway lie bleeding widows, Indians, poor men, fishermen. The miner’s child doesn’t know his father amidst all that suffering. So be it, but my business was the fullness of the spirit: a cry of pleasure choking you, a sigh from an uprooted plant, the sum of all action. It pleased me to grow with the morning, to bathe in the sun, in the great joy of sun, salt, sea-light and wave, and in that unwinding of the foam my heart began to move, growing in that essential spasm, and dying away as it seeped into the sand.

Effective stewardship leads to generative work and a generative culture. We turn wheat into bread—and bread into community. We turn grapes into wine—and wine into occasions for joyful camaraderie, conviviality, conversation, and creativity. We turn minerals into paints—and paints into works that lift the heart or stir the spirit. We turn ideas and experiences into imaginative worlds for sheer enjoyment and to expand the scope of our empathy.

Blinding, mineral, shattering silence. You hear nothing but the quiet crunch of stones underfoot. An implacable, definitive silence, like a transparent death. Sky of a perfectly detached blue. You advance with eyes down, reassuring yourself sometimes with a silent mumbling. Cloudless sky, limestone slabs filled with presence: silence nothing can sidestep. Silence fulfilled, vibrant immobility, tensed like a bow. There’s the silence of early morning. For long routes in autumn you have to start very early. Outside everything is violet, the dim light slanting through red and gold leaves. It is an expectant silence. You walk softly among huge dark trees, still swathed in traces of blue night. You are almost afraid of awakening. Everything whispering quietly. There’s the silence of walks through the snow, muffled footsteps under a white sky. All around you nothing moves. Things and even time itself are iced up, frozen solid in silent immobility. Everything is stopped, unified, thickly padded. A watching silence, white, fluffy, suspended as if in parentheses.

He dumped its contents out on the tablecloth: a gold ring, a gold nugget, and a gold signet seal. Francisco pointed to each. I told you that this was the secret of happiness. The three objects belonged to a rich collector. When he was asleep they argued all the time. The gold ring declared it was better than the other two because miners had risked their lives to find it. The gold signet said it was better than the other two because it had sealed the messages of a king. They argued day and night, until the ring said. ‘Lets ask God’, He will decide which of us is the best. The other two agreed, and so they approached the Almighty. Each made its claim for being superior. God listened carefully, and when they were done, he said, ‘ I cant settle your dispute, I’m sorry. The gold signet seal grew angry ‘What do you mean, you cant settle it? You’re God.’ That’s the problem said God. I don’t see a ring, a nugget and a seal. All I see is gold.

We get caught in the sign “person.” We separate humans from animals, trees, and rocks, and feel that non-humans — the fish, the cows, the vegetation, the earth, the air, and the seas — are there for our exploitation. Other species also hunt for food, but not in such an exploitative way. When we look deeply at our own species, we can see the non-human elements in it, and when we look deeply at the animal, vegetal, and mineral realms, we see the human element in them. When we practice the Concentration on Signlessness, we live in harmony with all other species.

I am an evolutionist. I believe my great backyard Sphexes have evolved like other creatures. But watching them in the October light as one circles my head in curiosity, I can only repeat my dictum softly: in the world there is nothing to explain the world. Nothing to explain the necessity of life, nothing to explain the hunger of the elements to become life, nothing to explain why the stolid realm of rock and soil and mineral should diversify itself into beauty, terror, and uncertainty. To bring organic novelty into existence, to create pain, injustice, joy, demands more than we can discern in the nature that we analyze so completely. Worship, then, like the Maya, the unknown zero, the procession of the time-bearing gods. The equation that can explain why a mere Sphex wasp contains in its minute head the ganglionic centers of its prey has still to be written. In the world there is nothing below a certain depth that is truly explanatory. It is as if matter dreamed and muttered in its sleep. But why, and for what reason it dreams, there is no evidence.

When we first hear about emptiness, we feel a little frightened. But after practicing for a while, we see that things do exist, only in a different way than we'd thought. Emptiness is the Middle Way between existent and nonexistent. The beautiful flower does not become empty when it fades and dies. It is already empty, in its essence. Looking deeply, we see that the flower is made of non-flower elements — light, space, clouds, earth, and consciousness. It is empty of a separate, independent self. In the Diamond Sutra, we are taught that a human being is not independent of other species, so to protect humans, we have to protect the non-human species. If we pollute the water and air, the vegetables and minerals, we destroy ourselves. We have to learn to see ourselves in things that we thought were outside of ourselves in order to dissolve false boundaries.

Sometimes it was exhilaratingly easy to be happy again. Other times they found that they did have to “try,” and the trying seemed stupid and pointless and Alice would wake up in the middle of the night thinking of all the times Nick had hurt her and wondering why she hadn’t stayed with Dominick. But then there were the other times, unexpected quiet moments, where they’d catch each other’s eyes, and all the years of hurt and joy, bad times and good times, seemed to fuse into a feeling that she knew was so much stronger, more complex and real, than any of those fledgling feelings for Dominick, or even the love she’d first felt for Nick in those early years. She had always thought that exquisitely happy time at the beginning of her relationship with Nick was the ultimate, the feeling they’d always be trying to replicate, to get back, but now she realized that was wrong. That was like comparing sparkling mineral water to French champagne. Early love is exciting and exhilarating. It’s light and bubbly. Anyone can love like that. But love after three children, after a separation and a near-divorce, after you’ve hurt each other and forgiven each other, bored each other and surprised each other, after you’ve seen the worst and the best—well, that sort of a love is ineffable. It deserves its own word.

Bumblebees detect the polarization of sunlight, invisible to uninstrumented humans; put vipers sense infrared radiation and detect temperature differences of 0.01C at a distance of half a meter; many insects can see ultraviolet light; some African freshwater fish generate a static electric field around themselves and sense intruders by slight perturbations induced in the field; dogs, sharks, and cicadas detect sounds wholly inaudible to humans; ordinary scorpions have micro--seismometers on their legs so they can detect in darkness the footsteps of a small insect a meter away; water scorpions sense their depth by measuring the hydrostatic pressure; a nubile female silkworm moth releases ten billionths of a gram of sex attractant per second, and draws to her every male for miles around; dolphins, whales, and bats use a kind of sonar for precision echo-location. The direction, range, and amplitude of sounds reflected by to echo-locating bats are systematically mapped onto adjacent areas of the bat brain. How does the bat perceive its echo-world? Carp and catfish have taste buds distributed over most of their bodies, as well as in their mouths; the nerves from all these sensors converge on massive sensory processing lobes in the brain, lobes unknown in other animals. how does a catfish view the world? What does it feel like to be inside its brain? There are reported cases in which a dog wags its tail and greets with joy a man it has never met before; he turns out to be the long-lost identical twin of the dog's "master", recognizable by his odor. What is the smell-world of a dog like? Magnetotactic bacteria contain within them tiny crystals of magnetite - an iron mineral known to early sailing ship navigators as lodenstone. The bacteria literally have internal compasses that align them along the Earth's magnetic field. The great churning dynamo of molten iron in the Earth's core - as far as we know, entirely unknown to uninstrumented humans - is a guiding reality for these microscopic beings. How does the Earth's magnetism feel to them? All these creatures may be automatons, or nearly so, but what astounding special powers they have, never granted to humans, or even to comic book superheroes. How different their view of the world must be, perceiving so much that we miss.

MAY 13 Guard Against Pessimism For the Kingdom of God is not a matter of what we eat or drink, but of living a life of goodness and peace and joy in the Holy Spirit. ROMANS 14:17 NLT I HEARD A STORY ABOUT TWO FARMERS. When the rain fell, one farmer said, “Thank You, Lord, for watering our crops.” But the other farmer said, “Yeah, but if the rain keeps up, it’s going to rot the roots.” When the sun came out, the positive farmer said, “Thank You, Lord, that our crops are getting the vitamins and minerals they need. We’ll have a wonderful harvest this year.” But the negative farmer said, “Yeah, but if it keeps up, it’s going to scorch those plants. We’re never going to make a living.” Don’t you know people who are always focused on the negative? Be sure to guard against their negative attitudes infecting your thinking! Stay focused on the positive things in life.

By June the revival began to wane. But Roberts’s vision had been realized. An estimated 100,000 confessed Christ. The Congregationalists added 26,500 members. Another 24,000 Welsh joined the Calvinist Methodist Church. About 4,000 opted for the Wesleyan Church. The remainder were split between the Anglicans and several Baptist groups.13 The effect on Welsh society was undeniable. Output from the coal mines famously slowed because the horses wouldn’t move. Miners converted in the revival no longer kicked or swore at the horses, so the horses didn’t know what to do.14 Judges closed their courtrooms with nothing to judge. Christians wielded the revival as apologetic against the growing number of skeptics who derided religion. Stead argued: The most thoroughgoing materialist who resolutely and forever rejects as inconceivable the existence of the soul in man, and to whom “the universe is but the infinite empty eye-socket of a dead God,” could not fail to be impressed by the pathetic sincerity of these men; nor, if he were just, could he refuse to recognize that out of their faith in the creed which he has rejected they have drawn, and are drawing, a motive power that makes for righteousness, and not only for righteousness, but for the joy of living, that he would be powerless to give them.15

If there is no democracy for one, there is no freedom for everyone; the land, not just the sky, belongs to everyone. If there is no equality for one, there is no liberty for everyone; the sky, not just the water, belongs to everyone. If there is no government for one, there is no peace for everyone; the animals, not just the fish, belong to everyone. If there are no rights for one, there is no justice for everyone; the resources, not just the minerals, belong to everyone. If there is no equity for one, there is no acceptance for everyone; the youth, not just the children, belong to everyone. If there is no emancipation for one, there is no humanity for everyone; the men, not just the women, belong to everyone. If there is no happiness for one, there is no bliss for everyone; the fish, not just the insects, belong to everyone. If there is no peace for one, there is no joy for everyone; the stars, not just the Sun, belong to everyone. If there is no equality for one, there is no tolerance for everyone; the cosmos, not just the world, belong to everyone. If there is no mercy for one, there is no compassion for everyone; the worlds, not just the galaxies, belong to everyone. If there is no kindness for one, there is no love for everyone; the Heavens, not just the universe, belong to everyone. If there is no life for one, there is no existence for everyone; The Divine One, not just nature, belongs to everyone.

The First Mindfulness Training is about protecting the lives of human beings, animals, vegetables, and minerals. To protect other beings is to protect ourselves. The second is to prevent the exploitation by humans of other living beings and of nature.

If we pollute the water and air, the vegetables and minerals, we destroy ourselves. We have to learn to see ourselves in things that we thought were outside of ourselves in order to dissolve false boundaries.

I think we underestimate the impact of color because we view it as an instrument of decoration, not utility. In the man-made world, color sits on the surface—a thin veneer, a finishing touch. This is reflected in the root of the word “color,” which comes from the Latin celare, “to conceal.” But in nature, color extends through the full thickness of an object. The persimmon is orange equally in skin and flesh; the brown elk is red inside. Color in nature means something: a stage of growth, a concentration of minerals. We think of color as something that hides what’s underneath it, but we respond to color as something that reveals.

As he joined in, Lloyd felt this was the beating heart of Britain, here in this whitewashed chapel. The people around him were poorly dressed and ill-educated, and they lived lives of unending hard work, the men winning the coal underground, the women raising the next generation of miners. But they had strong backs and sharp minds, and all on their own they had created a culture that made life worth living. They gained hope from nonconformist Christianity and left-wing politics, they found joy in rugby football and male voice choirs, and they were bonded together by generosity in good times and solidarity in bad. This was what he would be fighting for, these people, this town. And if he had to give his life for them, it would be well spent.

A flower is not a flower. It is made only of non-flower elements — sunshine, clouds, time, space, earth, minerals, gardeners, and so on. A true flower contains the whole universe. If we return any one of these non-flower elements to its source, there will be no flower. That is why we can say, “A rose is not a rose. That is why it is an authentic rose.” We have to remove our concept of rose if we want to touch the real rose.

this was the beating heart of Britain, here in this whitewashed chapel. The people around him were poorly dressed and ill-educated, and they lived lives of unending hard work, the men winning the coal underground, the women raising the next generation of miners. But they had strong backs and sharp minds, and all on their own they had created a culture that made life worth living. They gained hope from nonconformist Christianity and left-wing politics, they found joy in rugby football and male voice choirs, and they were bonded together by generosity in good times and solidarity in bad. This was what he would be fighting for, these people, this town. And if he had to give his life for them, it would be well spent.

I swung around downtown and slowed down to miss a solitary drunk emerging blindly from the Tripoli bar and out upon the street in a sort of gangling somnambulistic trot, pursued on his way by the hollow roar of the juke box from the ghastly lit and empty bar. 'Sunstroke,' I murmured absently. 'Simply a crazed victim of the midnight sun.' As I parked my mud-spattered Coupe alongside the Miners' State Bank, across from my office over the dime store, I reflected that there were few more forlorn and lonely sounds than the midnight wail of a jukebox in a deserted small town, those raucous proclamations of joy and fun where, instead, there dwelt only fatigue and hangover and boredom. To me the wavering hoot of an owl sounded utterly gay by comparison.

This is reflected in the root of the word “color,” which comes from the Latin celare, “to conceal.” But in nature, color extends through the full thickness of an object. The persimmon is orange equally in skin and flesh; the brown elk is red inside. Color in nature means something: a stage of growth, a concentration of minerals. We think of color as something that hides what’s underneath it, but we respond to color as something that reveals.

All winter she has struggled to describe the joy of her life’s work and the discoveries that have solidified in a few short years: how trees talk to one another, over the air and underground. How they care and feed each other, orchestrating shared behaviors through the networked soil. How they build immune systems as wide as a forest. She spends a chapter detailing how a dead log gives life to countless other species. Remove the snag and kill the woodpecker who keeps in check the weevils that would kill the other trees. She describes the drupes and racemes, panicles and involucres that a person could walk past for a lifetime and never notice. She tells how the woody-coned alders harvest gold. How an inch-high pecan might have six feet of root. How the inner bark of birches can feed the starving. How one hop hornbeam catkin holds several million grains of pollen. How indigenous fishermen use crushed walnut leaves to stun and catch fish. How poplars clean soils of chlorinated solvents and willows remove heavy metals. She lays out how fungal hyphae—countless miles of filaments folded up in every spoon of soil—coax open tree roots and tap into them. How the wired-up fungi feed the tree minerals. How the tree pays for these nutrients with sugars, which the fungi can’t make.

In the man-made world, color sits on the surface—a thin veneer, a finishing touch. This is reflected in the root of the word “color,” which comes from the Latin celare, “to conceal.” But in nature, color extends through the full thickness of an object. The persimmon is orange equally in skin and flesh; the brown elk is red inside. Color in nature means something: a stage of growth, a concentration of minerals.

Everyone says you should write about what you know. Fine. But that doesn’t necessarily mean people, places, and events. It doesn’t mean that, because you were a coal miner, that coal mining is the only thing you should write about. What we all know about is our experiences and writing is about experiences. You can write about love because you have loved. You know what love feels like. Same goes for loss, pain, fear, joy, anger, empathy, it doesn’t matter. You know what those things feel like, so you can take your experiences and use them as the basis for your writing. From there, you can manipulate those feelings, you can exaggerate them, you can even introduce conflicting feelings. No matter what my characters are feeling, I first go to my experiences, and then mold my feelings for the specific character.