“
So, Jim, are you going to sing a solo at the Christmas concert?" Bruce Holtzman whispered to me as we sat in our usual seats in the back of the crescent-shaped dais, strategically placed between the basses and the tenors. “I know you’ve been saying you don’t want to, but you still have a few days to practice – if you change your mind, that is.”
“I don’t think so,” I muttered back as quietly and firmly as possible. Class was still in session, and even though Mrs. Quincy was easygoing and not as strict as some of the other teachers at South Miami High School, she still expected us to focus on learning our songs for the concert and behaving like mature young adults. Not like “a bunch of undisciplined hooligans,” as she once put it.
“But it’s an easy way to get extra credit,” Bruce persisted. “I don’t get it. You’ve been a Singing Cobra for what? Nearly a year now? And we only get a few chances to shine per semester, you know.”
“Bruce,” I said, trying to keep my voice low and calm so as not to draw attention. “I don’t mind singing in a group, as part of a larger unit. Singing a solo? That’s another story altogether.”
“Why? What’s the difference?”
“I don’t know,” I confessed. “Safety in numbers, maybe? I’m perfectly happy to sing the songs in the program and let others who want to sing a solo strut their stuff. I get nauseous at the thought of going on stage and singing all by myself in front of everyone in the auditorium.”
“Why, Jim,” Bruce exclaimed with a surprised, puzzled tone, “don’t tell me you still get stage fright!”
“Hey,” I snapped, “pipe down, man. Do you want us to get in trouble with Mrs. Quincy? I’m not doing a solo. End of story.”
“Okay, okay,” Bruce said in a placating tone. “But that extra credit sure will look good on your transcripts come next year. Especially if you want to get a scholarship.
”
”