Tennis Player Quotes

As far as I knew, Nadia was still with her new guy, some fancy tennis player from Brazil. Donatello or Michelangelo or something. Ninja Turtle? Yeah.

I am no longer the greatest tennis player in the world. For the first time in my life, I can be...something else.

He knew what the Beats know and what the great tennis player knows, son: learn to do nothing, with your whole head and body, and everything will be done by what's around you.

Only boxers can understand the loneliness of tennis players - and yet boxers have their corner men and managers. Even a boxer's opponent provides a kind of companionship, someone he can grapple with and grunt at. In tennis you stand face-to-face with the enemy, trade blows with him, but never touch him or talk to him, or anyone else. The rules forbid a tennis player from even talking to his coach while on the court. People sometimes mention the track-and-field runner as a comparably lonely figure, but I have to laugh. At least the runner can feel and smell his opponents. They're inches away. In tennis you're on an island. Of all the games men and women play, tennis is the closest to solitary confinement....

Tennis is the only sport with love in the score, and that makes it the most romantic. I would be a player, but I wisely use the net to go fishing instead.

Introvert conversations are like jazz, where each player gets to solo for a nice stretch before the other player comes in and does his solo. And like jazz, once we get going, we can play all night. Extrovert conversations are more like tennis matches, where thoughts are batted back and forth, and players need to be ready to respond. Introverts get winded pretty quickly.

If I say your hair is purple, does that mean it’s purple?” he asked. “No, it’s brown.” “Does it mean you have to prove to me it’s brown?” I shook my head. “No, you can see it is.” “You are going to be one of the greatest tennis players in the world someday, cariño. That is as true as your brown hair. You don’t need to show them. You just need to be.

When you chase perfection, when you make perfection the ultimate goal, do you know what you’re doing? You’re chasing something that doesn’t exist. You’re making everyone around you miserable. You’re making yourself miserable. Perfection? There’s about five times a year you wake up perfect, when you can’t lose to anybody, but it’s not those five times a year that make a tennis player. Or a human being, for that matter. It’s the other times. It’s all about your head, man. -Brad Gilbert

I tell the players: You'll hear a lot of applause in your life, fellas, but none will mean more to you than that applause-from your peers. I hope each of you hears that at the end.

Every match you play, you are one match closer to becoming the greatest tennis player the world has ever seen. You were not born that person. You were born to become that person.

Ask any comedian, tennis player, chef. Timing is everything.

The player of the inner game comes to value the art of relaxed concentration above all other skills; he discovers a true basis for self-confidence; and he learns that the secret to winning any game lies in not trying too hard.

I have to admit it humbly, mon cher compatriote, I was always bursting with vanity. I, I, I is the refrain of my whole life, which could be heard in everything I said. I could never talk without boasting, especially if I did so with that shattering discretion that was my specialty. It is quite true that I always lived free and powerful. I simply felt released in the regard to all the for the excellent reason that I recognized no equals. I always considered myself more intelligent than everyone else, as I’ve told you, but also more sensitive and more skillful, a crack shot, an incomparable driver, a better lover. Even in the fields in which it was easy for me to verify my inferiority–like tennis, for instance, in which I was but a passable partner–it was hard for me not to think that, with a little time and practice, I would surpass the best players. I admitted only superiorities in me and this explained my good will and serenity. When I was concerned with others, I was so out of pure condescension, in utter freedom, and all the credit went to me: my self-esteem would go up a degree.

The pleasure of sport was so often the chance to indulge the cessation of time itself--the pitcher dawdling on the mound, the skier poised at the top of a mountain trail, the basketball player with the rough skin of the ball against his palm preparing for a foul shot, the tennis player at set point over his opponent--all of them savoring a moment before committing themselves to action.

Walking to the net, I'm certain that I've lost to the better man, the Everest of the next generation. I pity the young players who will have to contend with him. I feel for the man who is fated to play Agassi to his Sampras. Though I don't mention Pete by name, I have him uppermost in my mind when I tell reporters: It's real simple. Most people have weaknesses. Federer has none.

Sometimes I thought about my future, because Lynn said I should. She said it was hard to tell at this point, but someday, if I didn't go to Africa to study animals, I might be a beautiful genius tennis player. I didn't worry about it one way or another. I didn't care if I was a genius or if I was pretty or if I was good in sports. I just liked to listen to Lynn and to talk to Bera-Bera and to eat rice candies. The lady who used to live down the street could take all of her top teeth out of her mouth. She wasn't allowed to eat chewy candy. I could eat any kind of candy I wanted because I still had my baby teeth. If they rotted, I would simply grow more teeth. That was pretty great.

When God looks at sin, what he sees is what a violin maker would see if the player were to use his lovely creation as a tennis racquet.

Bill Tilden was the greatest—and most improbably great—tennis player of the age.

He knew what the Beats know and what the great tennis player knows, son: learn to do nothing, with your whole head and body, and everything will be done by what’s around you.

Somebody once said that good conversation should be like a tennis match, with each player gracefully sending the ball back across the net; instead, most conversation is like a golf game, with each player stroking only his own ball, and waiting impatiently for the other to finish.

Memory can be dramatically disrupted if you force something that’s implicit into explicit channels. Here’s an example that will finally make reading this book worth your while—how to make neurobiology work to your competitive advantage at sports. You’re playing tennis against someone who is beating the pants off of you. Wait until your adversary has pulled off some amazing backhand, then offer a warm smile and say, “You are a fabulous tennis player. I mean it; you’re terrific. Look at that shot you just made. How did you do that? When you do a backhand like that, do you hold your thumb this way or that, and what about your other fingers? And how about your butt, do you scrunch up the left side of it and put your weight on your right toes, or the other way around?” Do it right, and the next time that shot is called for, your opponent/victim will make the mistake of thinking about it explicitly, and the stroke won’t be anywhere near as effective. As Yogi Berra once said, “You can’t think and hit at the same time.

And then also, again, still, what are those boundaries, if they’re not baselines, that contain and direct its infinite expansion inward, that make tennis like chess on the run, beautiful and infinitely dense? The true opponent, the enfolding boundary, is the player himself. Always and only the self out there, on court, to be met, fought, brought to the table to hammer out terms. The competing boy on the net’s other side: he is not the foe: he is more the partner in the dance. He is the what is the word excuse or occasion for meeting the self. As you are his occasion. Tennis’s beauty’s infinite roots are self-competitive. You compete with your own limits to transcend the self in imagination and execution. Disappear inside the game: break through limits: transcend: improve: win. Which is why tennis is an essentially tragic enterprise… You seek to vanquish and transcend the limited self whose limits make the game possible in the first place. It is tragic and sad and chaotic and lovely. All life is the same, as citizens of the human State: the animating limits are within, to be killed and mourned, over and over again…Mario thinks hard again. He’s trying to think of how to articulate something like: But then is battling and vanquishing the self the same as destroying yourself? Is that like saying life is pro-death? … And then but so what’s the difference between tennis and suicide, life and death, the game and its own end?

The world is not golf, and most of it isn’t even tennis. As Robin Hogarth put it, much of the world is “Martian tennis.” You can see the players on a court with balls and rackets, but nobody has shared the rules. It is up to you to derive them, and they are subject to change without notice.

We imply, and often believe, that habitual vices are exceptional single acts, and make the opposite mistake about our virtues—like the bad tennis player who calls his normal form his ‘bad days’ and mistakes his rare successes for his normal. I

Of Dixie Doyle it is said that she could convince grown men of anything. While she is only a mediocre student and a wholly untalented tennis player, she possesses a quality of performed girlishness that turns sex into a ragged paradox for men beyond the age of thirty. She speaks with the hint of a babyish lisp, the pink end of her tongue frequently peeking out from between her teeth, but her eyes are implacable fields of gray that at any moment could conceal everything you imagine - or nothing at all. She might be an X-ray registering the skeleton of your soul, or, like Oscar Wilde's women, she might be a sphinx without a secret.

The real, many-veiled answer to the question of just what goes through a great player's mind as he stands at the center of hostile crowd-noise and lines up the free-throw that will decide the game might well be: nothing at all.

Because you are not yet who you will one day be.” I looked up at him, my guarded heart opening ever so slightly. “Every match you play, you are one match closer to becoming the greatest tennis player the world has ever seen. You were not born that person. You were born to become that person. And that is why you must best yourself every time you get on the court. Not so that you beat the other person—” “But so that I become more myself,” I finished. “Now you’re getting it,” my father said. “You played the best tennis you’ve ever played in your life.” “And you’re happy,” I said. “With me. Because I played great.” “Because you played the best you ever have.” “And every day I will play better and better,” I said. “Until one day, I am the greatest.” “Until you’ve reached the fullest of your potential. That’s the most important thing. We don’t stop for one second until you are the best you can be,” he said. “We don’t rest. Until it’s finally true. Algún día.” “Because then I will be who I was born to be.

He took me in skeptically. "Darling, the ensemble is fabulous," he said, patting my hand, eyeing my black jacket, black tie, black silk shirt, and heavily pegged black satin pants, "but I'm not so sure about the white sneakers." "But they're essential to my costume." "Your costume? What are you dressed as?" "A tennis player in mourning.

Fencing is different to sport like Tennis or Volleyball. In those sport, if scores are tied before the final point, it's called "Deuce". Which means "Two" because a player must be two points ahead to win... to compensate for the advantage of serving. But in fencing, there is no Deuce. Because there's no advantage. Both fencers start off equally. Equal footing. Equal opportunity. What separates them is just skill and the psychology of the match. The difference between winning and losing is just one point

Losing. I know what losing does to you. I’d learned its lessons on tennis courts all over the world. It knocks you down but also builds you up. It teaches you humility and gives you strength. It makes you aware of your flaws, which you then must do your best to correct. In this way, it can actually make you better. You become a survivor. You learn that losing is not the end of the world. You learn that the great players are not those who don’t get knocked down—everyone gets knocked down—they are those who get up just one more time than they’ve been knocked down. Losing is the teacher of every champion.

A tennis player at twenty-nine can seem like the oldest person in the world. She's been through an entire life span already, from youth to middle age to "get off the court, you're too damn old." A pro athetle really dies twice. At the end, like everyone else, but also at somewhere closer to the beginning, when she loses the only life she's ever known.

I wouldn’t know what to do with daughters,' he says. 'Exchange them for sons?' 'But then I could wind up with something like you.' 'I’m not so bad,' he says. 'I’m smart.' 'You’re about a hundred miles away from the town of Smart, my friend.' 'You’re mistaken, counselor,' he says. 'I’m smart, I can take care of myself. I’m an awesome tennis player, a keen observer of life around me. I’m a good cook. I always have weed.' 'I’m sure your parents are proud.' 'It’s possible.' He looks at his knees and I wonder if I’ve offended him.

All his fears—be they of the dark, of thunderstorms, of the sea, or of the disastrous disruption of his family life—obey a compelling need. “He is a person who needs to be in control of everything,” Pérez says, “but since this is impossible, he invests all he has in controlling the one part of his life over which he has most command, Rafa the tennis player.

You are going to be one of the greatest tennis players in the world someday, cariño. That is as true as your brown hair. You don’t need to show them. You just need to be.

I am no longer the greatest tennis player in the world. For the first time in my life, I can be...something else.

Carrie Soto was considered the greatest female tennis player of all time. Brandon had met Carrie before but they had never had a conversation until one day back in May in Paris.

AmEx is offering me the largest endorsement fee for any tennis player—male or female—in history.

No one ever asked me if I wanted to play tennis, let alone make it my life. My father decided long before I was born that I would be a professional tennis player.

I am completely an elitist in the cultural but emphatically not the social sense. I prefer the good to the bad, the articulate to the mumbling, the aesthetically developed to the merely primitive, and full to partial consciousness. I love the spectacle of skill, whether it's an expert gardener at work or a good carpenter chopping dovetails. I don't think stupid or ill-read people are as good to be with as wise and fully literate ones. I would rather watch a great tennis player than a mediocre one, unless the latter is a friend or a relative. Consequently, most of the human race doesn't matter much to me, outside the normal and necessary frame of courtesy and the obligation to respect human rights. I see no reason to squirm around apologizing for this. I am, after all, a cultural critic, and my main job is to distinguish the good from the second-rate, pretentious, sentimental, and boring stuff that saturates culture today, more (perhaps) than it ever has. I hate populist [shit], no matter how much the demos love it.

The true opponent, the enfolding boundary, is the player himself. Always and only the self out there, on court, to be met, fought, brought to the table to hammer out terms. The competing boy on the net’s other side: he is not the foe: he is more the partner in the dance. He is the what is the word excuse or occasion for meeting the self. As you are his occasion. Tennis’s beauty’s infinite roots are self-competitive. You compete with your own limits to transcend the self in imagination and execution. Disappear inside the game: break through limits: transcend: improve: win. Which is why tennis is an essentially tragic enterprise, to improve and grow as a serious junior, with ambitions. You seek to vanquish and transcend the limited self whose limits make the game possible in the first place. It is tragic and sad and chaotic and lovely. All life is the same, as citizens of the human State: the animating limits are within, to be killed and mourned, over and over again.

My father waved her away. “She’s destined,” he said. “It is plain as day. With your grace and my strength, she can be the greatest tennis player the world has ever seen. They will tell stories about her one day.” My mother rolled her eyes at him as she began to put dinner on the table. “I would rather she was kind and happy.” “Alicia,” my father said as he stood behind my mother and wrapped his arms around her. “No one ever tells stories about that.

You burn to have your photograph in a tennis magazine.” “I’m afraid so.” “Why again exactly, now?” “I guess to be felt about as I feel about those players with their pictures in magazines.” “Why?” “Why? I guess to give my life some sort of meaning, Lyle.” “And how would this do this again?” “Lyle, I don’t know. I do not know. It just does. Would. Why else would I burn like this, clip secret pictures, not take risks, not sleep or pee?” “You feel these men with their photographs in magazines care deeply about having their photographs in magazines. Derive immense meaning.” “I do. They must. I would. Else why would I burn like this to feel as they feel?” “The meaning they feel, you mean. From the fame.” “Lyle, don’t they?” “LaMont, perhaps they did at first. The first photograph, the first magazine, the gratified surge, the seeing themselves as others see them, the hagiography of image, perhaps. Perhaps the first time: enjoyment. After that, do you trust me, trust me: they do not feel what you burn for. After the first surge, they care only that their photographs seem awkward or unflattering, or untrue, or that their privacy, this thing you burn to escape, what they call their privacy is being violated. Something changes. After the first photograph has been in a magazine, the famous men do not enjoy their photographs in magazines so much as they fear that their photographs will cease to appear in magazines. They are trapped, just as you are.” “Is this supposed to be good news? This is awful news.” “LaMont, are you willing to listen to a Remark about what is true?” “Okey-dokey.” “The truth will set you free. But not until it is finished with you.” “Maybe I ought to be getting back.” “LaMont, the world is very old. You have been snared by something untrue. You are deluded. But this is good news. You have been snared by the delusion that envy has a reciprocal. You assume that there is a flip-side to your painful envy of Michael Chang: namely Michael Chang’s enjoyable feeling of being-envied-by-LaMont-Chu. No such animal.” “Animal?” “You burn with hunger for food that does not exist.” “This is good news?” “It is the truth. To be envied, admired, is not a feeling. Nor is fame a feeling. There are feelings associated with fame, but few of them are any more enjoyable than the feelings associated with envy of fame.” “The burning doesn’t go away?” “What fire dies when you feed it? It is not fame itself they wish to deny you here. Trust them. There is much fear in fame. Terrible and heavy fear to be pulled and held, carried. Perhaps they want only to keep it off you until you weigh enough to pull toward yourself.” “Would I sound ungrateful if I said this doesn’t make me feel very much better at all?” “LaMont, the truth is that the world is incredibly, incredibly, unbelievably old. You suffer with the stunted desire caused by one of its oldest lies. Do not believe the photographs. Fame is not the exit from any cage.” “So I’m stuck in the cage from either side. Fame or tortured envy of fame. There’s no way out.” “You might consider how escape from a cage must surely require, foremost, awareness of the fact of the cage.

Sport, on the other hand, is straightforward. In badminton, if you win a rally, you get one point. In volleyball, if you win a rally, you get one point. In tennis, if you win a rally, you get 15 points for the first or second rallies you’ve won in that game, or 10 for the third, with an indeterminate amount assigned to the fourth rally other than the knowledge that the game is won, providing one player is two 10-point (or 15-point) segments clear of his opponent. It’s clear and simple.

I’m the fucking loser who has to go out there and face all of them, knowing I’ve been both outsmarted and outplayed. And what makes it worse is that I know, I know, that she is not a better tennis player than me. That is the full weight of my failure.

Do not grow a chip on your shoulder, Carolina,” he said. “Do not let what anyone says about you determine how you feel about yourself.” I looked at him. “If I say your hair is purple, does that mean it’s purple?” he asked. “No, it’s brown.” “Does it mean you have to prove to me it’s brown?” I shook my head. “No, you can see it is.” “You are going to be one of the greatest tennis players in the world someday, cariño. That is as true as your brown hair. You don’t need to show them. You just need to be.

I go to New York City, the Tournament of Champions, a significant milestone because it’s a clash of the top players in the world. Once more I square off against Chang, who’s developed a bad habit since we last met. Every time he beats someone, he points to the sky. He thanks God—credits God—for the win, which offends me. That God should take sides in a tennis match, that God should side against me, that God should be in Chang’s box, feels ludicrous and insulting. I beat Chang and savor every blasphemous stroke.

(If the bad tennis player hits very hard, not because he sees that a very hard stroke is required, but because he has lost his temper, his stroke might possibly, by luck, help him to win that particular game; but it will not be helping him to become a reliable player.)

That man is an embarrassment to tennis,” my father says. “Yelling at linesmen? Throwing his racket?” “Bowe has stopped drinking. He got divorced last year. He’s in a period of … reflection. And, despite what you may think of his tantrums … he’s a very talented tennis player.

Archie Henderson has won no awards, written no books and never played any representative sport. He was an under-11 tournament-winning tennis player as a boy, but left the game when he discovered rugby where he was one of the worst flyhalves he can remember. This did not prevent him from having opinions on most things in sport. His moment of glory came in 1970 when he predicted—correctly as it turned out—that Griquas would beat the Blue Bulls (then still the meekly named Noord-Transvaal) in the Currie Cup final. It is something for which he has never been forgiven by the powers-that-be at Loftus. Archie has played cricket in South Africa and India and gave the bowling term military medium a new and more pacifist interpretation. His greatest ambition was to score a century on Llandudno beach before the tide came in.

the inner game. This is the game that takes place in the mind of the player, and it is played against such obstacles as lapses in concentration, nervousness, self-doubt and self-condemnation. In short, it is played to overcome all habits of mind which inhibit excellence in performance.

The player of the inner game comes to value the art of relaxed concentration above all other skills; he discovers a true basis for self-confidence; and he learns that the secret to winning any game lies in not trying too hard. He aims at the kind of spontaneous performance which occurs only when the mind is calm and seems at one with the body, which finds its own surprising ways to surpass its own limits again and again. Moreover, while overcoming the common hang-ups of competition, the player of the inner game uncovers a will to win which unlocks all his energy and which is never discouraged by losing.

Never take it for granted because soon enough it will be taken away. Time is tough. Every time you go out on the court be thankful. Be grateful. Believe me, I am. If you are lucky enough to be a tennis player you should recognize that it’s a privilege to be able to walk out on that court and play the game.

It is interesting to see how the judgmental mind extends itself. It may begin by complaining, “What a lousy serve,” then extend to, “I’m serving badly today.” After a few more “bad” serves, the judgment may become further extended to “I have a terrible serve.” Then, “I’m a lousy tennis player,” and finally, “I’m no good.” First the mind judges the event, then groups events, then identifies with the combined event and finally judges itself. As a result, what usually happens is that these self-judgments become self-fulfilling prophecies. That is, they are communications from Self 1 about Self 2 which, after being repeated often enough, become rigidified into expectations or even convictions about Self 2. Then Self 2 begins to live up to these expectations. If you tell yourself often enough that you are a poor server, a kind of hypnotic process takes place. It’s as if Self 2 is being given a role to play—the role of bad server—and plays it to the hilt, suppressing for the time being its true capabilities. Once the judgmental mind establishes a self-identity based on its negative judgments, the role-playing continues to hide the true potential of Self 2 until the hypnotic spell is broken. In short, you start to become what you think.

Tennis is the sport in which you talk to yourself. No athletes talk to themselves like tennis players. Pitchers, golfers, goalkeepers, they mutter to themselves, of course, but tennis players talk to themselves—and answer. In the heat of a match, tennis players look like lunatics in a public square, ranting and swearing and conducting Lincoln-Douglas debates with their alter egos. Why? Because tennis is so damned lonely. Only boxers can understand the loneliness of tennis players—and yet boxers have their corner men and managers. Even a boxer’s opponent provides a kind of companionship, someone he can grapple with and grunt at. In tennis you stand face-to-face with the enemy, trade blows with him, but never touch him or talk to him, or anyone else. The rules forbid a tennis player from even talking to his coach while on the court. People sometimes mention the track-and-field runner as a comparably lonely figure, but I have to laugh. At least the runner can feel and smell his opponents. They’re inches away. In tennis you’re on an island. Of all the games men and women play, tennis is the closest to solitary confinement, which inevitably leads to self-talk, and for me the self-talk starts here in the afternoon shower. This is when I begin to say things to myself, crazy things, over and over, until I believe them. For instance, that a quasi-cripple can compete at the U.S. Open. That a thirty-six-year-old man can beat an opponent just entering his prime. I’ve won 869 matches in my career, fifth on the all-time list, and many were won during the afternoon shower.

My father waved her away. “She’s destined,” he said. “It is plain as day. With your grace and my strength, she can be the greatest tennis player the world has ever seen. They will tell stories about her one day.” My mother rolled her eyes at him as she began to put dinner on the table. “I would rather she was kind and happy.

Every match you play, you are one match closer to becoming the greatest tennis player the world has ever seen. You were not born that person. You were born to become that person. And that is why you must best yourself every time you get on the court. Not so that you beat the other person—” “But so that I become more myself,” I finished.

Every match you play, you are one match closer to becoming the greatest tennis player the world has ever seen. You were not born that person. You were born to become that person. And that is why you must best yourself every time you get on the court. Not so that you beat the other person—” “But so that I become more myself,” I finished.

Were he now still among the living, Dr. Incandenza would now describe tennis in the paradoxical terms of what’s now called ‘Extra-Linear Dynamics.’ And Schtitt, whose knowledge of formal math is probably about equivalent to that of a Taiwanese kindergartner, nevertheless seemed to know what Hopman and van der Meer and Bollettieri seemed not to know: that locating beauty and art and magic and improvement and keys to excellence and victory in the prolix flux of match play is not a fractal matter of reducing chaos to a pattern. Seemed intuitively to sense that it was a matter not of reduction at all, but — perversely — of expansion, the aleatory flutter of uncontrolled, metastatic growth — each well-shot ball admitting of n possible responses, n² responses to those responses, and on into what Incandenza would articulate to anyone who shared both his backgrounds as a Cantorian continuum of infinities of possible move and response, Cantorian and beautiful because infoliating, contained, this diagnate infinity of infinities of choice and execution, mathematically uncontrolled but humanly contained, bounded by the talent and imagination of self and opponent, bent in on itself by the containing boundaries of skill and imagination that brought one player finally down, that kept both from winning, that made it, finally, a game, these boundaries of self.

Yuri sat on the couch to look at a stack of tennis magazines. He flipped through one at random. It fell open to the horoscope page. "Astrology Corner", he told me. "And it said, right there, in black and white, I swear, Maria, it said: 'The number one women's tennis player in the world will have the initials M.S. and she will be right-handed.

The great tennis player John McEnroe used this to his advantage on the courts. When an opponent was performing especially well, for example by using a particularly good backhand, McEnroe would compliment him on it. McEnroe knew this would cause the opponent to think about his backhand, and this thinking disrupted the automatic application of it.

For instance, have you ever been going about your business, enjoying your life, when all of sudden you made a stupid choice or series of small choices that ultimately sabotaged your hard work and momentum, all for no apparent reason? You didn’t intend to sabotage yourself, but by not thinking about your decisions—weighing the risks and potential outcomes—you found yourself facing unintended consequences. Nobody intends to become obese, go through bankruptcy, or get a divorce, but often (if not always) those consequences are the result of a series of small, poor choices. Elephants Don’t Bite Have you ever been bitten by an elephant? How about a mosquito? It’s the little things in life that will bite you. Occasionally, we see big mistakes threaten to destroy a career or reputation in an instant—the famous comedian who rants racial slurs during a stand-up routine, the drunken anti-Semitic antics of a once-celebrated humanitarian, the anti-gay-rights senator caught soliciting gay sex in a restroom, the admired female tennis player who uncharacteristically threatens an official with a tirade of expletives. Clearly, these types of poor choices have major repercussions. But even if you’ve pulled such a whopper in your past, it’s not extraordinary massive steps backward or the tragic single moments that we’re concerned with here. For most of us, it’s the frequent, small, and seemingly inconsequential choices that are of grave concern. I’m talking about the decisions you think don’t make any difference at all. It’s the little things that inevitably and predictably derail your success. Whether they’re bone-headed maneuvers, no-biggie behaviors, or are disguised as positive choices (those are especially insidious), these seemingly insignificant decisions can completely throw you off course because you’re not mindful of them. You get overwhelmed, space out, and are unaware of the little actions that take you way off course. The Compound Effect works, all right. It always works, remember? But in this case it works against you because you’re doing… you’re sleepwalking.

If I say your hair is purple, does that mean it’s purple?” he asked. “No, it’s brown.” “Does it mean you have to prove to me it’s brown?” I shook my head. “No, you can see it is.” “You are going to be one of the greatest tennis players in the world someday, cariño. That is as true as your brown hair. You don’t need to show them. You just need to be.

Sometimes amateurs believe they are professionals, but professionals never believe they are amateurs.

I have found that when players break their habitual patterns, they can greatly extend the limits of their own style and explore subdued aspects of their personality.

In any game, the game itself is the prize, no matter who wins, ultimately both lose the game.

Competition then becomes an interesting device in which each player, by making his maximum effort to win, gives the other the opportunity he desires to reach new levels of self-awareness.

[Lizzie Bennington to a reporter who has asked for her opinion about Jack Archer's celebrated thighs.] “When you come back from a set down and bring the match to a final set tiebreak and are a point away from winning the match, only to have what looks like an extremely fit player call a time out because of a cramp and then watch that player sit back and casually converse and laugh while you do your best to keep your mental focus and your body moving so you don’t grow cold and cramp yourself, I hardly think you’d concern yourself with his burgeoning manhood, let alone his thighs!

I sometimes rented a car and drove from event to event in Europe; a road trip was a great escape from the day-to-day anxieties of playing, and it kept me from getting too lost in the tournament fun house with its courtesy cars, caterers, locker room attendants, and such — all amenities that create a firewall between players and what you might call the 'real' world — you know, where you may have to read a map, ask a question in a foreign tongue, find a restaurant and read the menu posted in the window to make sure you're not about to walk into a joint that serves only exotic reptile meat.

people like this. He likes bouncing off the surfaces of their oddness, in the same way he prefers to play tennis against a hard-hitting player. It’s more difficult to cope with the soft lobs of normal, well-adjusted people.

The real, many-veiled answer to the question of just what goes through a great player's mind as he stands at the center of hostile crowd-noise and lines up the free-throw that will decide the game might well be: nothing at all.

The Sometime Sportsman Greets the Spring by John Updike When winter's glaze is lifted from the greens, And cups are freshly cut, and birdies sing, Triumphantly the stifled golfer preens In cleats and slacks once more, and checks his swing. This year, he vows, his head will steady be, His weight-shift smooth, his grip and stance ideal; And so they are, until upon the tee Befall the old contortions of the real. So, too, the tennis-player, torpid from Hibernal months of television sports, Perfects his serve and feels his knees become Sheer muscle in their unaccustomed shorts. Right arm relaxed, the left controls the toss, Which shall be high, so that the racket face Shall at a certain angle sweep across The floated sphere with gutty strings—an ace! The mind's eye sees it all until upon The courts of life the faulty way we played In other summers rolls back with the sun. Hope springs eternally, but spring hopes fade.

And during the day, to prevent stress from building up—which makes it harder to fall asleep at night—every few hours take sixty seconds of recovery time the way top tennis players introduce tiny slots of recovery rituals into their game. All you have to do is stop what you are doing, and simply bring your awareness to the palms of your hands or the soles of your feet, or both. Let it stay there for a minute, and feel all tension leaving your body, drifting away from you through your hands and feet.

thoughts. The concentrated mind has no room for thinking how well the body is doing, much less of the how-to’s of the doing. When a player is in this state, there is little to interfere with the full expression of his potential to perform, learn and enjoy.

The laws of nature are a description of how things actually work in the past, present and future. In tennis, the ball always goes exactly where they say it will. And there are many other laws at work here too. They govern everything that is going on, from how the energy of the shot is produced in the players’ muscles to the speed at which the grass grows beneath their feet. But what’s really important is that these physical laws, as well as being unchangeable, are universal. They apply not just to the flight of a ball, but to the motion of a planet, and everything else in the universe. Unlike laws made by humans, the laws of nature cannot be broken—that’s why they are so powerful and, when seen from a religious standpoint, controversial too. If you accept, as I do, that the laws of nature are fixed, then it doesn’t take long to ask: what role is there for God? This is a big part of the contradiction between science and religion, and although my views have made headlines, it is actually an ancient conflict. One could define God as the embodiment of the laws of nature. However, this is not what most people would think of as God. They mean a human-like being, with whom one can have a personal relationship. When you look at the vast size of the universe, and how insignificant and accidental human life is in it, that seems most implausible.

Only then does he have the chance to go beyond the limitations inherent in the various ego trips of Self 1 and to reach a new awareness of his true potential. Competition then becomes an interesting device in which each player, by making his maximum effort to win, gives the other the opportunity he desires to reach new levels of self-awareness.

And of one thing I have no doubt: the more you train, the better your feeling. Tennis is, more than most sports, a sport of the mind; it is the player who has those good sensations on the most days, who manages to isolate himself best from his fears and from the ups and downs in morale a match inevitably brings, who ends up being world number one.

Tennis has a Dip. The difference between a mediocre club player and a regional champion isn’t inborn talent—it’s the ability to push through the moments where it’s just easier to quit. Politics has a Dip as well—it’s way more fun to win an election than to lose one, and the entire process is built around many people starting while most people quit.

Adjust. Adjust? Stay the same. No? Is not stay the same? It is cold? It is wind? Cold and wind is the world. Outside, yes? On the tennis court the you is the player: this is not where there is cold wind. I am saying. Different world inside. World built inside cold outside world of wind breaks the wind, shelters the player, you, if you stay the same, stay inside.

Be like gravity, man, just like motherfucking gravity. When you chase perfection, when you make perfection the ultimate goal, do you know what you’re doing? You’re chasing something that doesn’t exist. You’re making everyone around you miserable. You’re making yourself miserable. Perfection? There’s about five times a year you wake up perfect, when you can’t lose to anybody, but it’s not those five times a year that make a tennis player. Or a human being, for that matter. It’s the other times. It’s all about your head, man. With your talent, if you’re fifty percent game-wise, but ninety-five percent head-wise, you’re going to win. But if you’re ninety-five percent game-wise and fifty percent head-wise, you’re going to lose, lose, lose.

There is a difference between doing some particular just or temperate action and being a just or temperate man. Someone who is not a good tennis player may now and then make a good shot. What you mean by a good player is a man whose eye and muscles and nerves have been so trained by making innumerable good shots that they can now be relied on. They have a certain tone or quality which is there even when he is not playing, just as a mathematician’s mind has a certain habit and outlook which is there even when he is not doing mathematics. In the same way a man who perseveres in doing just actions gets in the end a certain quality of character. Now it is that quality rather than the particular actions which we mean when we talk of a ‘virtue’.

Let no one say that I have said nothing new; the arrangement of the material is new. In playing tennis both players use the same ball, but one plays it better. I would just as soon be told that I have used old words. As if the same thoughts did not form a different argument by being differently arranged, just as the same words make different thoughts when arranged differently!

He aims at the kind of spontaneous performance which occurs only when the mind is calm and seems at one with the body, which finds its own surprising ways to surpass its own limits again and again. Moreover, while overcoming the common hang-ups of competition, the player of the inner game uncovers a will to win which unlocks all his energy and which is never discouraged by losing.

Jeremy Bentham startled the world many years ago by stating in effect that if the amount of pleasure obtained from each be equal there is nothing to choose between poetry and push-pin. Since few people now know what push-pin is, I may explain that it is a child's game in which one player tries to push his pin across that of another player, and if he succeeds and then is able by pressing down on the two pins with the ball of his thumb to lift them off the table he wins possession of his opponent's pin. [...] The indignant retort to Bentham's statement was that spiritual pleasures are obviously higher than physical pleasures. But who say so? Those who prefer spiritual pleasures. They are in a miserable minority, as they acknowledge when they declare that the gift of aesthetic appreciation is a very rare one. The vast majority of men are, as we know, both by necessity and choice preoccupied with material considerations. Their pleasures are material. They look askance at those who spent their lives in the pursuit of art. That is why they have attached a depreciatory sense to the word aesthete, which means merely one who has a special appreciation of beauty. How are we going to show that they are wrong? How are we going to show that there is something to choose between poetry and push-pin? I surmise that Bentham chose push-pin for its pleasant alliteration with poetry. Let us speak of lawn tennis. It is a popular game which many of us can play with pleasure. It needs skill and judgement, a good eye and a cool head. If I get the same amount of pleasure out of playing it as you get by looking at Titian's 'Entombment of Christ' in the Louvre, by listening to Beethoven's 'Eroica' or by reading Eliot's 'Ash Wednesday', how are you going to prove that your pleasure is better and more refined than mine? Only, I should say, by manifesting that this gift you have of aesthetic appreciation has a moral effect on your character.

He aims at the kind of spontaneous performance which occurs only when the mind is calm and seems at one with the body, which finds its own surprising ways to surpass its own limits again and again. Moreover, while overcoming the common hang-ups of competition, the player of the inner game uncovers a will to win which unlocks all his energy and which is never discouraged by losing. There

Well,” he said. “The gap between the player you are today and the player you want to be—” “I want to be the greatest tennis player in the world,” I said. “That gap is not big. We are talking about that vital half-percent improvement. And that’s not found in changing your strategy. It’s in shortening the nanosecond of time between getting to the ball and slicing it across the court. It is going to be found in the minute change you make to the angle of your serve. The details are fine, and they are going to get finer. It is going to be nearly imperceptible, the ways we need to change your game. No one will be able to see it from the outside, but Stepanova is going to feel it. Every time she loses to you for the next ten years.” I could feel my pulse in my ears; my face felt hot. “Okay,” I said. “How do we do that?” “Are you cross-training?” he asked. “I run and do drills.” Lars laughed. “That’s not enough. Stepanova is right about one thing––you need to lose at least a couple pounds. We need you doing sprints, lunges, weight training. You can jump higher to hit overheads. You rarely do—it’s a weakness in your game, in my opinion. I want to see what happens when you blast off the court into the air. Take out some of Stepanova’s lobs before they hit the ground. We start there and see where we get.” “No,” I said, shaking my head. “If we are doing this, I need to know right now that you believe I can bury her. That I can be number one.” “If I am your coach and you do not become the number-one-ranked player for the year,” he said, “I will be disgusted.

Mastery isn't about being the best tennis player or the best mom. The resonance of mastery is in the process and progress. It is about work, and learning to develop an appetite for challenge. Mastery inevitably means encountering hurdles; you won't always overcome them, but you won't let them stop you from trying. You may never become a world-class swimmer, but you will learn to swim across the lake. And the unexpected by-product of all of that hard work you put in to mastering things? Confidence. Not only did you learn to do something well, but you got a freebie. The next point is invaluable. The confidence you get from mastery is contagious. It spreads. It doesn't even really matter what you master: For a child, it can be as simple as tying a shoe. What matters is that mastering one thing gives you the confidence to try something else.

So then who is the guy I pick?” “That Brandon Randall is a good one.” Brandon Randall was the number one player in the ATP. They called him “the Nice Guy of Tennis.” “Sí, claro, papá,” I said. “I would love to go out on a date with Brandon Randall. But he’s married. To Nina Riva, a swimsuit model.” “Mick Riva’s kid?” my dad said. “I cannot stand that guy. Oh. Well, someone like Brandon, then. A nice guy. Go for a nice guy. Please.

I might beat her today. If that ball is in and she misses it, I can beat her today. But that will not change the fact that she is incomparable. And she will win another Slam in ’96. And then probably another, if she goes easier on her ankle. And what am I going to do? Keep coming back to try to take it from her? Keep holding on for dear life to what I should have let go of long ago? Is that what I want my life to be? Trying to deny what Nicki Chan is? Where is the beauty in that? My shot arches toward her, over the net. Nicki’s running deep. The ball goes past her. She’s not going to get it. I can feel myself winning this thing and then letting go of it all. Letting her take the rest from here on out. I am ready for that. I am ready to give it to her. To let her have it. Finally. But as I watch, the ball lands one centimeter past the baseline. The linesman calls it out. I can’t quite believe what I’m seeing. Nicki screams into the sky, both arms outstretched. The crowd is up on their feet, cheering. I just lost the tiebreak. I just lost the match. I can barely catch my breath. I don’t slam down my racket. I don’t scream. I don’t bury my face in my hands. I just look at Bowe. Nicki Chan has won the US Open. I lost. The match and my record, twice in one year. I wait for the skies to open up and shame to rain down on me. I wait for my belly to split in half. For the grief to overtake me. But…it doesn’t come. Bowe is smiling. And Gwen has her arms out, waiting to give me a hug. Ali is clapping wildly, even though I lost. And the thing I don’t understand is that I still feel that hum. That hum in my bones. That sense of weightlessness and groundedness. That sense that the day is mine. That I can do anything. Nicki Chan looks at me. And I smile at her. I am no longer the greatest tennis player in the world. For the first time in my life, I can be…something else.

When Benjamin Bloom studied his 120 world-class concert pianists, sculptors, swimmers, tennis players, mathematicians, and research neurologists, he found something fascinating. For most of them, their first teachers were incredibly warm and accepting. Not that they set low standards. Not at all, but they created an atmosphere of trust, not judgment. It was, “I’m going to teach you,” not “I’m going to judge your talent.” As you look at what Collins and Esquith demanded of their students—all their students—it’s almost shocking. When Collins expanded her school to include young children, she required that every four-year-old who started in September be reading by Christmas. And they all were. The three- and four-year-olds used a vocabulary book titled Vocabulary for the High School Student. The seven-year-olds were reading The Wall Street Journal. For older children, a discussion of Plato’s Republic led to discussions of de Tocqueville’s Democracy in America, Orwell’s Animal Farm, Machiavelli, and the Chicago city council. Her reading list for the late-grade-school children included The Complete Plays of Anton Chekhov, Physics Through Experiment, and The Canterbury Tales. Oh, and always Shakespeare. Even the boys who picked their teeth with switchblades, she says, loved Shakespeare and always begged for more. Yet Collins maintained an extremely nurturing atmosphere. A very strict and disciplined one, but a loving one. Realizing that her students were coming from teachers who made a career of telling them what was wrong with them, she quickly made known her complete commitment to them as her students and as people. Esquith bemoans the lowering of standards. Recently, he tells us, his school celebrated reading scores that were twenty points below the national average. Why? Because they were a point or two higher than the year before. “Maybe it’s important to look for the good and be optimistic,” he says, “but delusion is not the answer. Those who celebrate failure will not be around to help today’s students celebrate their jobs flipping burgers.… Someone has to tell children if they are behind, and lay out a plan of attack to help them catch up.” All of his fifth graders master a reading list that includes Of Mice and Men, Native Son, Bury My Heart at Wounded Knee, The Joy Luck Club, The Diary of Anne Frank, To Kill a Mockingbird, and A Separate Peace. Every one of his sixth graders passes an algebra final that would reduce most eighth and ninth graders to tears. But again, all is achieved in an atmosphere of affection and deep personal commitment to every student. “Challenge and nurture” describes DeLay’s approach, too. One of her former students expresses it this way: “That is part of Miss DeLay’s genius—to put people in the frame of mind where they can do their best.… Very few teachers can actually get you to your ultimate potential. Miss DeLay has that gift. She challenges you at the same time that you feel you are being nurtured.

Have you ever run twenty miles without stopping? Ever done it in the summer? Yeah, me too. And without all the sordid details, running clothes (including underwear) get funky. That about captures it: funky. Crusty is excessive, but not by much. When I run, I don’t perspire or glow or any of that happy horseshit women are supposed to imply politely over lemonade after tennis. Nope. I sweat like an obese Bavarian trombone player. I sweat and my underwear gets nasty and my socks smell like a North Jersey mafia hit. I often have dried snot on the left shoulder of my shirts and dried chocolate in the hollow cups of my sports bra.

You may not be the greatest living tennis player anymore!” he says. “I don’t know. We don’t know! You want me to keep telling you that, but I don’t know, Carolina.” “I—” “I’m not allowed to have any doubts! I’m not allowed to see you as my daughter, as a human being. I’m not allowed to say that years after retirement there might be better players now, to express any uncertainty whatsoever. So I tell you what you want to hear! So that you have what you need to feel okay. So that you’re in my life. Those were the terms you set up! And I live by them! What do you want me to say?” “I want you to be honest!” My father shakes his head. “No, you want my honest opinion to be the exact thing you need to hear.” I can feel an ache in my teeth from clenching my jaw. I try to loosen it, but it tightens right back up. My father looks at me. “Carrie, I do not know how to have an honest conversation with you about your tennis game. Because as good as you are, you have never been able to make peace with failure.” My chest tightens. My eyes feel dry. “And why the fuck do you think that is?” “I think it’s because—” “It’s because of you!” My father shakes his head and looks down at the floor. It’s as if he’s not disagreeing with me so much as he’s disappointed that this was the turn the conversation took so quickly.

DOES HARVARD MAKE YOU SMARTER? Swimmer’s Body Illusion As essayist and trader Nassim Taleb resolved to do something about the stubborn extra pounds he’d be carrying, he contemplated taking up various sports. However, joggers seemed scrawny and unhappy, and bodybuilders looked broad and stupid, and tennis players? Oh, so upper-middle class! Swimmers, though, appealed to him with their well-built, streamlined bodies. He decided to sign up at his local swimming pool and to train hard twice a week. A short while later, he realised that he had succumbed to an illusion. Professional swimmers don’t have perfect bodies because they train extensively. Rather, they are good swimmers because of their physiques. How their bodies are designed is a factor for selection and not the result of their activities. Similarly, female models advertise cosmetics and thus, many female consumers believe that these products make you beautiful. But it is not the cosmetics that make these women model-like. Quite simply, the models are born attractive and only for this reason are they candidates for cosmetics advertising. As with the swimmers’ bodies, beauty is a factor for selection and not the result. Whenever we confuse selection factors with results, we fall prey to what Taleb calls the swimmer’s body illusion. Without this illusion, half of advertising campaigns would not work

The true opponent, the enfolding boundary, is the player himself. Always and only the self out there, on court, to be met, fought, brought to the table to hammer out terms. The competing boy on the net’s other side: he is not the foe: he is more the partner in the dance. He is the what is the word excuse or occasion for meeting the self. As you are his occasion. Tennis’s beauty’s infinite roots are self-competitive. You compete with your own limits to transcend the self in imagination and execution. Disappear inside the game: break through limits: transcend: improve: win. Which is why tennis is an essentially tragic enterprise, to improve and grow as a serious junior, with ambitions.

There is one further point about the virtues that ought to be noticed. There is a difference between doing some particular just or temperate action and being a just or temperate man. Someone who is not a good tennis player may now and then make a good shot. What you mean by a good player is the man whose eye and muscles and nerves have been so trained by making innumerable good shots that they can now be relied on. They have a certain tone or quality which is there even when he is not playing, just as a mathematician's mind has a certain habit and outlook which is there even when he is not doing mathematics. In the same way a man who perseveres in doing just actions gets in the end a certain quality of character. Now it is that quality rather than the particular actions which we mean when we talk of 'virtue.' This distinction is important for the following reason. If we thought only of the particular actions we might encourage three wrong ideas. (1) We might think that, provided you did the right thing, it did not matter how or why you did it—whether you did it willingly or unwillingly, sulkily or cheerfully, through fear of public opinion or or its own sake. But the truth is that right actions done for the wrong reason do not help to build the internal quality or character called a 'virtue,' and it is this quality or character that really matters. (If the bad tennis player hits very hard, not because he sees that a very hard stroke is required, but because he has lost his temper, his stroke might possibly, by luck, help him to win that particular game; but it will not be helping him to become a reliable player.)

For unbelievers, badminton is a namby-pamby version of squash for overweight men afraid of heart attacks. For true believers there is no other sport. Squash is slash and burn. Badminton is stealth, patience, speed and improbable recovery. It’s lying in wait to unleash your ambush while the shuttle describes its leisurely arc. Unlike squash, badminton knows no social distinctions. It is not public school. It has nothing of the outdoor allure of tennis or five-a-side football. It does not reward a beautiful swing. It offers no forgiveness, spares the knees, is said to be terrible for hips. Yet, as a matter of proven fact, it requires faster reactions than squash. There is little natural conviviality between us players, who tend on the whole to be a lonely lot. To fellow athletes, we’re a bit weird, a bit friendless.

I’ve increased the fastest serve recorded in tennis. Tennis is a quicker game now, since I served at 132 miles per hour. Now almost every player on the WTA is serving faster than we all were even ten years ago. My forehand averages 81 miles per hour. You can’t come close to me on that either. So pay me a little respect, Soto. I’ve won the US Open more than any woman in tennis history, including you. My forehand and backhand groundstrokes have more spin than any other female player ever—last year I topped two thousand revolutions per minute. I am currently the highest-paid female athlete in the world. For someone like me, do you understand what that means? And I’ve spent the most weeks at number one—which is currently three hundred and seventeen. You only have three hundred and—” “Nine,” I say. “Right.” “So you just go around memorizing your stats?” I say, even though I know I’m being a hypocrite.

But I feel the exact opposite. I feel like it’s taken decades to get here. “You told me I was supposed to be the greatest player in the history of tennis. You said it since the day I was born! You told me it was all I was ever meant to be! And then one day I wasn’t anymore. You weren’t even sure that I could beat her!” I say. “Are we talking about Stepanova?” he says. “I asked you if you thought I could get the number one ranking over her, and you said, ‘I don’t know.’ ” “And you’ve never forgiven me for it,” he says. “I’m paying that price even today.” “You should pay it for the rest of your life!” I say. “For making me believe in myself like that and then pulling the rug out from under me. For giving up on me when things were at their hardest. I never gave up on this. Ever. And you did!” “Carrie, you asked me if I thought you could take number one from Paulina. And I said I didn’t know. Because I didn’t. I don’t know what the future holds. And I can’t promise the world is going to always turn out the way you want it to. “I owed you that honesty, I thought. So you could assess better—how to grow, how to widen your perspective. It felt like it was time for that. But you didn’t want to do that then, and you don’t want to do that now. “I’ve messed up a lot as your father, and I take responsibility for that. But this one, I’m sorry, only you can solve it. You have to make peace with not being a perfect player,” he said. “That is giving up. I won’t do it,” I said. My father shakes his head. “You have to find a way to be right with who you actually are, to face what life is really like. I expected you to figure that out by now. But you haven’t. And if you don’t, I can’t see how you ever get past this…this moment. You have accomplished so much, but you are instead so focused on keeping it, rather than going out and finding something else in the world.” He walks toward the door. “Everything we achieve is ephemeral. We have it, and then the next second it’s gone. You had that record, and you may lose that record. Or you may defend it now and lose it in two years all over again. I wish you’d accept that.” I shake my head and try to look at him. “I can’t.” “Well,” he says. “It kills me that I cannot fix that for you, hija. But I can’t. Nobody else can.” And then, as if the door were the lightest thing in the world, he opens it and walks right through, leaving me there alone.

Nicki laughs. “This matters to me, Carrie. Putting my whole soul into this game matters to me. These tournaments matter. I’ve dedicated my life to this.” “Well, so have I,” I say. “And you had your chance to shine––you were given that opportunity.” “I took it,” I say. “It wasn’t given to me. Nobody wanted me to be the face of women’s tennis. They still don’t. I had to demand it. Just like I am doing now. So if you want it, you’re going to have to take it from me.” “No,” Nicki says. “That’s what you don’t seem to get. I have taken it from you. I have the record. And if you want it, you’re going to have to take it from me.” I stare at her, and she continues. “I am the best player women’s tennis has seen,” she says. “And I deserve to be recognized for it.” “You are recognized for it,” I say. “Constantly.” Nicki shakes her head. “No, by you. By the person I’ve respected my entire life. The woman I’ve looked up to.” There is no smile on her face anymore. Not even the hint of one. I look over at the TV. It’s playing sports commentary with the sound off. The closed captioning says they are talking about Nicki and me right now. “I see it,” I say, finally looking at her. “Me hating it is me seeing it.” Nicki sighs. “Okay, Soto. I guess I can’t squeeze blood from a stone.” “Look, what do you want from me?” Nicki looks me in the eye. “Don’t worry about what I say,” I tell her. “Pay attention to what I do. I’m back, aren’t I? I’m playing here today. That’s how good you are.” The trainer is done. I stand up. I walk past Nicki and put my hand on her shoulder. “Good luck,” I say. “I’m rooting for you up until the last second when I play you.” Nicki smiles. “You should be so lucky.” I put my hand out for her to shake. And she takes it.

She must have been a soccer player or tennis or something ‘cause she was definitely packing “the Serena.

We often suffer from akrasia, weakness of will. So we become good people the way we become good tennis players or violinists, through practice until the behaviour we aspire to becomes natural and instinctive. Being moral means acquiring the habits of the heart we call virtue.