Bass To Mouth Quotes

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The way you move is incredible.” Ren drew me back to press against him. His fingers slid down to the curve of my hips, rocking our bodies in rhythm with the heavy bass. The sensation of being molded against the hard narrow line of his hips threatened to overwhelm me. We were hidden in the mass of people, right? The Keepers couldn’t see? I tried to steady my breath as Ren kept us locked together in the excruciatingly slow pulse of the music. I closed my eyes and leaned back into his body; his fingers kneaded my hips, caressed my stomach. God, it felt good. My lips parted and the misty veil slipped between them, playing along my tongue. The taste of flower buds about to burst into bloom filled my mouth. Suddenly I wanted nothing more than to melt into Ren. The surge of desire terrified me. I had no idea if the compulsion to draw him more tightly around my body emerged from my own heart or from the succubi’s spellcraft. This couldn’t happen! I started to panic when he bent his head, pressing his lips against my neck. My eyes fluttered and I struggled to focus despite the suffocating heat that pressed down all around me. His sharpened canines traced my skin, scratching but not breaking the surface. My body quaked and I pivoted in his arms, pushing against his chest, making space between us. “I’m a fighter, not a lover,” I gasped. “You can’t be both?” His smile made my knees buckle.
Andrea Cremer (Nightshade (Nightshade, #1; Nightshade World, #4))
Adam relented. As they kept walking and the Orphan Girl kept piping her song and the fish kept darting through the air around them, he threw out intention of his own. The volume of the resulting boom surprised even him; he heard it in one ear and felt it in both feet. The others all startled as another bass-heavy boom sounded at the beginning of the next measure of the tune. By the time the third thud came, it was obviously pounding in time with the music. Each of the trees they passed sounded with a processed thud, until the sound around them was the pulsing electronic beat that invariably played in Ronan’s car or headphones. “Oh God,” Gansey said, but he was laughing. “Do we have to endure that here, too? Ronan! ” “It wasn’t me,” Ronan said. He looked to Blue, who shrugged. He caught Adam’s eye. When Adam’s mouth quirked, Ronan’s expression stilled for a moment before turning to the loose smile he ordinarily reserved for Matthew’s silliness. Adam felt a surge of both accomplishment and nerves. He skated an edge here. Making Ronan Lynch smile felt as charged as making a bargain with Cabeswater. These weren’t forces to play with.
Maggie Stiefvater (The Raven King (The Raven Cycle, #4))
A sense of great masses moving at visionary speeds, of giants dancing, of eternal sorrows consoled, of he knew not what and yet he had always known, awoke in him with the very first bass of the deep-mouthed dirge, and bowed down his spirit as if the gate of heaven had opened before him.
C.S. Lewis (Out of the Silent Planet (The Space Trilogy, #1))
I want a big dark room you can barely move in, with bodies grinding close together. I want to hear a thousand songs played incredibly loud. I want to dance so fast that my hair grows long enough to trample on. I want my voice to be thunderous above the throb of bass. I want to get so hot that I have to crunch ice in my mouth.
Jenny Downham (Before I Die)
When You Return Fallen leaves will climb back into trees. Shards of the shattered vase will rise and reassemble on the table. Plastic raincoats will refold into their flat envelopes. The egg, bald yolk and its transparent halo, slide back in the thin, calcium shell. Curses will pour back into mouths, letters un-write themselves, words siphoned up into the pen. My gray hair will darken and become the feathers of a black swan. Bullets will snap back into their chambers, the powder tamped tight in brass casings. Borders will disappear from maps. Rust revert to oxygen and time. The fire return to the log, the log to the tree, the white root curled up in the un-split seed. Birdsong will fly into the lark’s lungs, answers become questions again. When you return, sweaters will unravel and wool grow on the sheep. Rock will go home to mountain, gold to vein. Wine crushed into the grape, oil pressed into the olive. Silk reeled in to the spider’s belly. Night moths tucked close into cocoons, ink drained from the indigo tattoo. Diamonds will be returned to coal, coal to rotting ferns, rain to clouds, light to stars sucked back and back into one timeless point, the way it was before the world was born, that fresh, that whole, nothing broken, nothing torn apart.
Ellen Bass (Like a Beggar)
My mom’s smile is genuine, A lilac beaming In the presence of her Sun. Indentions in the sand prove Time’s linear progression, Her hair yet unblighted, Carrying midnight’s consistency. Clear tracks fading as the Movement slips further In the past. Cheekbones High, soft, In summer’s hue, Hopeful. Each step’s unknown impact, A future looking back. My father’s strength: One whose Life is in his arms. Squinting past the camera, He rests upon a rock Like caramel corn half eaten, Just to the left Of man-made concrete convention Daylight’s eraser Removing color to his right. Dustin sits In my father’s lap, Open mouth of a drooling Big mouth bass; Muscle tone Of a well exercised Jelly fish, He looks at me Half aware; His wheelchair Perched at the edge Of parking lot gravel grafted Like a scar on nature’s beach, Opening to the ironic splendor Of a bitter tasting lake. I took the picture. Age 11. Capturing the pinnacle arc Of a son To my lilac Who Outlived him and weeps, Still. Their sky has staple holes – Maybe that’s how the Light Leaked out.
Darcy Leech (From My Mother)
Gate C22 At gate C22 in the Portland airport a man in a broad-band leather hat kissed a woman arriving from Orange County. They kissed and kissed and kissed. Long after the other passengers clicked the handles of their carry-ons and wheeled briskly toward short-term parking, the couple stood there, arms wrapped around each other like he’d just staggered off the boat at Ellis Island, like she’d been released at last from ICU, snapped out of a coma, survived bone cancer, made it down from Annapurna in only the clothes she was wearing. Neither of them was young. His beard was gray. She carried a few extra pounds you could imagine her saying she had to lose. But they kissed lavish kisses like the ocean in the early morning, the way it gathers and swells, sucking each rock under, swallowing it again and again. We were all watching– passengers waiting for the delayed flight to San Jose, the stewardesses, the pilots, the aproned woman icing Cinnabons, the man selling sunglasses. We couldn’t look away. We could taste the kisses crushed in our mouths. But the best part was his face. When he drew back and looked at her, his smile soft with wonder, almost as though he were a mother still open from giving birth, as your mother must have looked at you, no matter what happened after–if she beat you or left you or you’re lonely now–you once lay there, the vernix not yet wiped off, and someone gazed at you as if you were the first sunrise seen from the Earth. The whole wing of the airport hushed, all of us trying to slip into that woman’s middle-aged body, her plaid Bermuda shorts, sleeveless blouse, glasses, little gold hoop earrings, tilting our heads up.
Ellen Bass (The Human Line)
We entered the cool cave of the practice space with all the long-haired, goateed boys stoned on clouds of pot and playing with power tools. I tossed my fluffy coat into the hollow of my bass drum and lay on the carpet with my worn newspaper. A shirtless boy came in and told us he had to cut the power for a minute, and I thought about being along in the cool black room with Joey. Let's go smoke, she said, and I grabbed the cigarettes off the amp. She started talking to me about Wonder Woman. I feel like something big is happening, but I don't know what to do about it. With The Straight Girl? I asked in the blankest voice possible. With everything. Back in the sun we walked to the edge of the parking lot where a black Impala convertible sat, rusted and rotting, looking like it just got dredged from a swamp. Rainwater pooling on the floor. We climbed up onto it and sat our butts backward on the edge of the windshield, feet stretched into the front seat. Before she even joined the band, I would think of her each time I passed the car, the little round medallions with the red and black racing flags affixed to the dash. On the rusting Chevy, Joey told me about her date the other night with a girl she used to like who she maybe liked again. How her heart was shut off and it felt pretty good. How she just wanted to play around with this girl and that girl and this girl and I smoked my cigarette and went Uh-Huh. The sun made me feel like a restless country girl even though I'd never been on a farm. I knew what I stood for, even if nobody else did. I knew the piece of me on the inside, truer than all the rest, that never comes out. Doesn't everyone have one? Some kind of grand inner princess waiting to toss her hair down, forever waiting at the tower window. Some jungle animal so noble and fierce you had to crawl on your belly through dangerous grasses to get a glimpse. I gave Joey my cigarette so I could unlace the ratty green laces of my boots, pull them off, tug the linty wool tights off my legs. I stretched them pale over the car, the hair springing like weeds and my big toenail looking cracked and ugly. I knew exactly who I was when the sun came back and the air turned warm. Joey climbed over the hood of the car, dusty black, and said Let's lie down, I love lying in the sun, but there wasn't any sun there. We moved across the street onto the shining white sidewalk and she stretched out, eyes closed. I smoked my cigarette, tossed it into the gutter and lay down beside her. She said she was sick of all the people who thought she felt too much, who wanted her to be calm and contained. Who? I asked. All the flowers, the superheroes. I thought about how she had kissed me the other night, quick and hard, before taking off on a date in her leather chaps, hankies flying, and I sat on the couch and cried at everything she didn't know about how much I liked her, and someone put an arm around me and said, You're feeling things, that's good. Yeah, I said to Joey on the sidewalk, I Feel Like I Could Calm Down Some. Awww, you're perfect. She flipped her hand over and touched my head. Listen, we're barely here at all, I wanted to tell her, rolling over, looking into her face, we're barely here at all and everything goes so fast can't you just kiss me? My eyes were shut and the cars sounded close when they passed. The sun was weak but it baked the grime on my skin and made it smell delicious. A little kid smell. We sat up to pop some candy into our mouths, and then Joey lay her head on my lap, spent from sugar and coffee. Her arm curled back around me and my fingers fell into her slippery hair. On the February sidewalk that felt like spring.
Michelle Tea
Bliss?” I called. “Yeah?” “Check the drawers of the nightstand! She was playing with it in the middle of the night, and I think I remember taking it away and sticking it in there.” “Okay!” Through the open door, I watched her circle around the edge of the bed. I walked in place for a few seconds, letting my feet drop a little heavier than necessary, then opened and closed the door like I’d gone back inside the bathroom. Then I hid in the space between the back of the bedroom door and the wall where I could just see through the crack between the hinges. She pulled open the top drawer, and my heartbeat was like a bass drum. I don’t know when it had started beating so hard, but now it was all that I could hear. It wasn’t like I was asking her to marry me now. I just knew Bliss, and knew she tended to panic. I was giving her a very big, very obvious hint so that she’d have time to adjust before I actually asked her. Then in a few months, when I thought she’d gotten used to the idea, I’d ask her for real. That was the plan anyway. It was supposed to be simple, but this felt… complicated. Suddenly, I thought of all the thousands of ways this could go wrong. What if she freaked out? What if she ran like she did our first night together? If she ran, would she go back to Texas? Or would she go to Cade who lived in North Philly? He’d let her stay until she figured things out, and then what if something developed between them? What if she just flat out told me no? Everything was good right now. Perfect, actually. What if I was ruining it by pulling this stunt? I was so caught up in my doomsday predictions that I didn’t even see the moment that she found the box. I heard her open it though, and I heard her exhale and say, “Oh my God.” Where before my mouth had been dry, now I couldn’t swallow fast enough. My hands were shaking against the door. She was just standing there with her back to me. I couldn’t see her face. All I could see was her tense, straight spine. She swayed slightly. What if she passed out? What if I’d scared her so much that she actually lost consciousness? I started to think of ways to explain it away. I was keeping it for a friend? It was a prop for a show? It was… It was… shit, I didn’t know. I could just apologize. Tell her I knew it was too fast. I waited for her to do something—scream, run, cry, faint. Anything would be better than her stillness. I should have just been honest with her. I wasn’t good at things like this. I said what I was thinking—no plans, no manipulation. Finally, when I thought my body would crumble under the stress alone, she turned. She faced the bed, and I only got her profile, but she was biting her lip. What did that mean? Was she just thinking? Thinking of a way to get out of it? Then, slowly, like the sunrise peeking over the horizon, she smiled. She snapped the box closed. She didn’t scream. She didn’t run. She didn’t faint. There might have been a little crying. But mostly… she danced. She swayed and jumped and smiled the same way she had when the cast list was posted for Phaedra. She lost herself the same way she did after opening night, right before we made love for the first time. Maybe I didn’t have to wait a few months after all. She said she wanted my best line tomorrow after the show, and now I knew what it was going to be.
Cora Carmack (Losing It (Losing It, #1))
Last time I went fishing, I caught two shoes. Though they didn’t match, I was happy, because on my feet at the time I was wearing two large-mouth bass. The shoes have since worn out, so if you stop by my duck farm, you'll notice I'm back to walking around on fish.
Jarod Kintz (Music is fluid, and my saxophone overflows when my ducks slosh in the sounds I make in elevators.)
Colonel Shy—ably assisted by a few newspaper reporters and my own big mouth—had revealed both the depths of my own ignorance and the huge gap in forensic knowledge. Personally, I was embarrassed; scientifically, I was intrigued; above all, I was determined to do something about it. From
William M. Bass (Death's Acre: Inside the Legendary Forensic Lab the Body Farm Where the Dead Do Tell Tales)
Do you ever wonder why a battered wife stays with her husband? Why people continue to spend money they don’t have even though they know they are deeply in debt? Why some keep jamming food in their mouths when they’re already overweight? Why do people stay in bad relationships? Why are some people still racist? Why do people still drink and drive? You’d think the response to all these things would be obvious and cause them to scream, “Duh, of course I need to change this.” Why do we keep doing church the same way even when we know it’s in critical decline? Why do paid church leaders spend so much time preparing for a 90-minute service for Christians who have heard it all before? Why do we still call our message the good news when it clearly seems to be bad news or no news to Sojourners? Why do we think Pharisees are only found in the Bible? Why is returning to a simpler form of ancient church so hard to grasp?
Hugh Halter (The Tangible Kingdom: Creating Incarnational Community (Jossey-Bass Leadership Network Series Book 36))
Sitting just a foot or two away from a bloody body, Bill would soon find even himself overrun with flies, seeking any moist bodily fluids to feed on, any dark, damp orifices (including Bill’s nostrils) to lay their eggs in. He quickly learned to wrap netting around his head to keep the flies out of his eyes, nose, mouth, and ears.
William M. Bass (Death's Acre: Inside the Legendary Forensic Lab the Body Farm Where the Dead Do Tell Tales)
Basket of Figs” Bring me your pain, love. Spread it out like fine rugs, silk sashes, warm eggs, cinnamon and cloves in burlap sacks. Show me the detail, the intricate embroidery on the collar, tiny shell buttons, the hem stitched the way you were taught, pricking just a thread, almost invisible. Unclasp it like jewels, the gold still hot from your body. Empty your basket of figs. Spill your wine. That hard nugget of pain, I would suck it, cradling it on my tongue like the slick seed of pomegranate. I would lift it tenderly, as a great animal might carry a small one in the private cave of the mouth. Ellen Bass, Mules of Love (BOA Editions Ltd.; 1st edition (April 1, 2002)
Ellen Bass (Mules of Love)
There was Bonnie, the rabbit. His fur was a bright blue, his squared-off muzzle held a permanent smile, and his wide and chipped pink eyes were thick-lidded, giving him a perpetually worn-out expression. His ears stuck up straight, crinkling over at the top, and his large feet splayed out for balance. He held a red bass guitar, blue paws poised to play, and around his neck was a bow tie that matched the instrument’s fiery color. Chica the Chicken was more bulky and had an apprehensive look, thick black eyebrows arching over her purple eyes and her beak slightly open, revealing teeth, as she held out a cupcake on a platter. The cupcake itself was somewhat disturbing, with eyes set into its pink frosting and teeth hanging out over the cake, a single candle sticking out the top. “I always expected the cupcake to jump off the plate.” Carlton gave a half laugh and cautiously stepped up to Charlie’s side. “They seem taller than I remember,” he added in a whisper. “That’s because you never got this close as a kid.” Charlie smiled, at ease, and stepped closer. “You were busy hiding under tables,” Jessica said from behind them, still some distance away. Chica wore a bib around her neck with the words LET’S EAT! set out in purple and yellow against a confetti-covered background. A tuft of feathers stuck up in the middle of her head. Standing between Bonnie and Chica was Freddy Fazbear himself, namesake of the restaurant. He was the most genial looking of the three, seeming at ease where he was. A robust, if lean, brown bear, he smiled down at the audience, holding a microphone in one paw, sporting a black bow tie and top hat. The only incongruity in his features was the color of his eyes, a bright blue that surely no bear had ever had before him. His mouth hung open, and his eyes were partially closed, as though he had been frozen in song.
Scott Cawthon (The Silver Eyes: Five Nights at Freddy’s (Original Trilogy Book 1) (Five Nights At Freddy's))
Today I've prepared a dish I'm calling 'Sea Bass of Three.' The first is a citrus ceviche with yellow chilies and a hint of preserved lemon, to be eaten with plantain crisps on the left of your plate." Even from her vantage, Penelope could see Elijah had molded the ceviche into a vague fish shape that pointed to the center of the plate. "Next, in the center, is a pan-sautéed fillet of sea bass coated in chili de árbol, and paprika potatoes sliced and arranged to resemble fish scales," Elijah continued. Penelope's mouth watered at the sight of the fillet, which looked perfectly crisp and very much resembled a small fish. It again seemed to point to the third and final part of the dish, thanks to the way he'd arranged it all. "And for the final phase, you have a sea-bass-and-cod fritter with fresh coriander leaves, serrano chilies, and a pineapple, chili, and lime foam." The queen and the princess nodded and started to eat the ceviche. "Will you explain what you've done with the samphire?" Lady Rutland asked, pointing to the green seaweed that resembled very thin asparagus spears. "The samphire is meant to symbolize the sea, just as the pineapple foam is meant to suggest sea foam. I sautéed the samphire in a spiced butter," Elijah replied. Penelope grinned from her seat behind the Minstrels' Gallery's open door. He'd almost made it look like the fish (especially the potato-scaled fillet in the center) was still swimming in the sea. From what she could see, he'd dotted the foam in strategic places on the plate, including near the ceviche, so one could take a bite with a plantain crisp and the foam, or try it plain.
Jennieke Cohen (My Fine Fellow)
Suddenly I realized I was standing on the hot wood of the dock, still touching elbows with Adam, staring at the skull-and-crossbones pendant. And when I looked up into his light blue eyes, I saw that he was staring at my neck. No. Down lower. “What’cha staring at?” I asked. He cleared his throat. “Tank top or what?” This was his seal of approval, as in, Last day of school or what? or, Dallas Cowboys Cheerleaders or what? Hooray! He wasn’t Sean, but he was built of the same material. This was a good sign. I pumped him for more info, to make sure. “What about my tank top?” “You’re wearing it.” He looked out across the lake, showing me his profile. His cheek had turned bright red under his tan. I had embarrassed the wrong boy. Damn, it was back to the football T-shirt for me. No it wasn’t, either. I couldn’t abandon my plan. I had a fish to catch. “Look,” I told Adam, as if he hadn’t already looked. “Sean’s leaving at the end of the summer. Yeah, yeah, he’ll be back next summer, but I’m afraid I won’t be able to compete once he’s had a taste of college life and sorority girls. It’s now or never, and desperate times call for desperate tank tops.” Adam opened his mouth to say something. I shut him up by raising my hand. Imitating his deep boy-voice, I said, “I don’t know why you want to hook up with that jerk.” We’d had this conversation whenever we saw each other lately. I said in my normal voice, “I just do, okay? Let me do it, and don’t get in my way. Stay out of my net, little dolphin.” I bumped his hip with my hip. Or tried to, but he was a lot taller than me. I actually hit somewhere around his mid-thigh. He folded his arms, stared me down, and pressed his lips together. He tried to look grim. I could tell he was struggling not to laugh. “Don’t call me that.” “Why not?” “Dolphins don’t live in the lake,” he said matter-of-factly, as if this were the real reason. The real reason was that the man-child within him did not want to be called “little” anything. Boys were like that. I shrugged. “Fine, little brim. Little bass.” He walked toward the stairs. “Little striper.” He turned. “What if Sean actually asked you out?” I didn’t want to be teased about this. It could happen! “You act like it’s the most remote poss-“ “He has to ride around with the sunroof open just so he can fit his big head in the truck. Where would you sit?” “In his lap?” A look of disgust flashed across Adam’s face before he jogged up the stairs, his weight making the weathered planks creaked with every step.
Jennifer Echols (Endless Summer (The Boys Next Door, #1-2))
I wasn’t one hundred percent certain you’d be down with the makeup.” “Oh?” He lifted an eyebrow, propping a hip against the table to sip his beer. “Why wear it, then?” I stepped closer, enough so that if he’d parted his knees a little bit, I could have pressed right up flush against him. I brushed my lips along his jaw, somewhere between a kiss and a nuzzle, not quite either. “Because I didn’t wear it for you.” I could swear I heard a soft groan escape his throat under the bass of the music, and then his knees did inch apart a bit more, his hands settling more firmly on my hips again to draw me closer until we were eye-to-eye and crotch-to-crotch. We gasped in unison at the friction of that first electric contact. “And that is why you’re so fucking hot,” he rasped. Our mouths were a breath apart and he could have kissed me, or I could have kissed him. But we didn’t. We just breathed together, savoring that madly intense moment of perfect wanting. After a moment he stepped back and led me to the dance floor.
Amelia C. Gormley (Saugatuck Summer (Saugatuck, #1))
The walnut tree told me when Emeline Margulies turned eighteen. Law-wise in Pennsylvania, a girl burns her ships at eighteen. Her daddy was dead and she was alone, so I bound her with spells, talk of blue spruce situated off the front porch, small-mouth bass jumping bugs at the lake, and how sunshine bounces from the water to the orchard and turns pear blossoms gold. She bought every word and wiggled close. I took her wrist and got my hand on her neck and I couldn’t think of nothing save the bones inside her.
Clayton Lindemuth (Nothing Save the Bones Inside Her (Angus Hardgrave Book 2))
Ad – Add               Ail – Ale               Air – Heir               Are - R               Ate - Eight               Aye - Eye - I                 B                            B – Be - Bee               Base - Bass               Bi – Buy - By – Bye               Bite - Byte               Boar - Bore               Board - Bored                 C               C – Sea - See               Capital – Capitol               Chord – Cord               Coarse - Course               Core - Corps               Creak – Creek               Cue – Q - Queue                 D               Dam - Damn               Dawg – Dog               Days – Daze               Dew – Do – Due               Die – Dye               Dual - Duel                 E               Earn – Urn               Elicit – Illicit               Elude - Illude               Ex – X                 F               Fat – Phat               Faze - Phase               Feat - Feet               Find – Fined               Flea – Flee               Forth - Fourth                 G               Gait – Gate               Genes – Jeans               Gnawed - Nod               Grate – Great                 H               Hair - Hare               Heal - Heel               Hear - Here               Heard - Herd               Hi - High               Higher – Hire               Hoarse - Horse               Hour - Our                 I               Idle - Idol               Ill – Ill               In – Inn               Inc – Ink               IV – Ivy                 J               Juggler - Jugular                 K               Knead - Need               Knew - New               Knight - Night               Knot – Naught - Not               Know - No               Knows - Nose                 L               Lead – Led               Lie - Lie               Light – Lite               Loan - Lone                 M               Mach – Mock               Made - Maid               Mane – Main               Meat - Meet               Might - Mite               Mouse - Mouth                 N               Naval - Navel               None - Nun                 O               Oar - Or – Ore               One - Won                 P               Paced – Paste               Pail – Pale                            Pair - Pear               Peace - Piece               Peak - Peek               Peer - Pier               Pray - Prey                 Q               Quarts - Quartz                 R               Rain - Reign               Rap - Wrap               Read - Red               Real - Reel               Right - Write               Ring - Wring                 S               Scene - Seen               Seas – Sees - Seize               Sole – Soul               Some - Sum               Son - Sun               Steal – Steel               Suite - Sweet                 T               T - Tee               Tail – Tale               Team – Teem               Their – There - They’re               Thyme - Time               To – Too - Two                 U               U - You                 V               Vale - Veil               Vain – Vane - Vein               Vary – Very               Verses - Versus                 W               Waive - Wave               Ware – Wear - Where               Wait - Weight               Waist - Waste               Which - Witch               Why – Y               Wood - Would                 X                 Y               Yoke - Yolk               Yore - Your – You’re                 Z
Gio Willimas (Hip Hop Rhyming Dictionary: The Extensive Hip Hop & Rap Rhyming Dictionary for Rappers, Mcs,Poets,Slam Artist and lyricists: Hip Hop & Rap Rhyming Dictionary And General Rhyming Dictionary)
On an island surrounded by water, swimming pools were the type of thing only rich people could come up with. Likewise with the ornate water fountains scattered around the yard, in the shape of various fishes—catfish, bass, and what looked like bigmouth buffalo. The ceramic sea life was dried and cracked, the fountains devoid of water, the mouths homes to birds and their nests. Someone had attempted to turn a big section of the front yard into a garden before giving up.
Sam Sisavath (The Gates of Byzantium (Purge of Babylon, #2))
Silver confetti falls from the ceiling. The music launches again, and the sleek young mob dances feverishly, arms in the air. My head throbs along with the bass. Why had I agreed to this? I plug my ears with my fingers. I feel ridiculous beside these twenty-somethings. Marie and her friend apparently do not. They’re drinking the champagne and bopping their heads to the music. I watch a group of girls pucker for a photographer. They’re practically falling out of their tops. I hear Emily’s voice. Prude. “I have to go to the bathroom,” I tell Marie, and slide out of the booth. And I’m thinking of those catacombs, seemingly endless. I can see Emily, the version of her in that coffin. Embalming, the displacement of blood and interstitial fluids by embalming chemicals. I had looked the process up, after Mom insisted on a viewing. She was so beautiful, she cried. I want to see her one more time. The body is washed in disinfectant, limbs are massaged and manipulated, eyes glued closed, mouth and jaw secured with wires. The embalming solution contains dye to simulate a lifelike skin tone. A warm peach tone, the funeral director told us. I could barely stand it. I make my way to the second floor, where the music isn’t techno, only sultry R&B.
Liska Jacobs (The Worst Kind of Want)
Green opened Ruxs’ ass wider. Jesus H. It was so beautiful. Dark and just the right amount of hair around his tight hole. Ruxs was a man’s man. Green didn’t have a problem with effeminate men and the metrosexuals with their waxing and shaving, it was just that twinks with their cute little pink holes were never a turn-on for him. His mouth watered just looking at it that alpha hole. “Well it’s not gonna fuck itself, Chris.” Ruxs’ heavy bass-filled voice had Green springing into action. He licked him and sucked him until Ruxs was begging Green to penetrate him. With a finger, his cock, anything more than his tongue. “I
A.E. Via (Here Comes Trouble (Nothing Special #3))
I’m not worried about Wilson. His big mouth always ruins that weak-ass game he tries to put on women. Liza is too smart to fall for his bullshit.” “Damn, man, you put that bass in your voice when you said that.” Maxwell chuckled. “Obviously, you care for Dr. Charles.
Toye Lawson Brown (Up to Bat)
The way he learned to sing was by imitating the songbirds: their warbles and whistles, their scolds. Before his stroke he'd been able to imitate certain notes and melodies of their calls, but never whole songs. I was sitting under the umbrella with him, in early March-March second, the day the Texas Declaration of Independence had been signed, when Grandfather began to sing. A black-and-white warbler had flown in right in front of us and was sitting on a cedar limb, singing-relieved, I think, that we weren't owls. Cedar waxwings moved through the brush behind it, pausing to wipe the bug juice from their bills by rubbing their beaks against branches (like men dabbing their mouths with napkins after getting up from the table). Towhees were hopping all around us, scratching through the cedar duff for pill bugs, pecking, pecking, pecking, and still the vireo stayed right there on that branch, turning its head sideways at us and singing, and Grandfather made one deep sound in his throat-like a stone being rolled away-and then he began to sing back to the bird, not just imitating the warbler's call, but singing a whole warbler song, making up warbler sentences, warbler declarations. Other warblers came in from out of the brush and surrounded us, and still Grandfather kept whistling and trilling. More birds flew in. Grandfather sang to them, too. With high little sounds in his throat, he called in the mourning doves and the little Inca doves that were starting to move into this country, from the south, and whose call I liked very much, a slightly younger, faster call that seemed to complement the eternity-becking coo of the mourning dove. Grandfather sang until dark, until the birds stopped answering his songs and instead went back into the brush to go to roost, and the fireflies began to drift out of the bushes like sparks and the coyotes began to howl and yip. Grandfather had long ago finished all the tea, sipping it between birdsongs to keep his voice fresh, and now he was tired, too tired to even fold the umbrella. .... I was afraid that with the miracle of birdsong, it was Grandfather's last night on earth-that the stars and the birds and the forest had granted him one last gift-and so I drove slowly, wanting to remember the taste, smell, and feel of all of it it, and to never forget it. But when I stopped the truck he seemed rested, and was in a hurry to get out and go join Father, who was sitting on the porch in the dark listening to one of the spring-training baseball games on the radio.
Rick Bass (The Sky, The Stars, The Wilderness)
Dad’s out and Chico’s in, I’m like, fuck this. And she’s like watch your mouth and show adults respect. I pay the rent here. So I start staying out with my friends and skipping school just ’cause I feel like it and my teachers say, oh yeah, well here’s to your grades plummeting, and then I’m like, so what, and then they say one more semester and it’s over, you’re so out of here, and I’m like shit, no, they’ll send me to school with remedial kids. My little brother Peanut is gloating cause he’s at Bronx Science and thinks he’s the next Steve Jobs. That’s when I hit the books and school again. I cannot, will not, be showed up by Peanut. And that’s when I see the poster about the playwriting contest and Professor Bass, who is too old to be teaching high school but the damn union can’t fire him, says, you could probably write something decent if you weren’t so arrogant. He says half the students in the school don’t deserve to be here. And I roll my eyes and say well what, if you were
Regina Porter (The Travelers)
These things happened in every girl’s life at some point, of course – with Ruth it had been the curate, and he had only wrestled a fondle and a wet mouth out of her. But the hope was always that one’s parents were oblivious and remained that way.
Evie Wyld (The Bass Rock)
Braised Striped Bass Pavillon YIELD: 4 SERVINGS I HAD NEVER SEEN or tasted striped bass before I worked at Le Pavilion. It is similar, however, to the loup de mer of the Mediterranean, one of the most prized fish of that region and a standard menu item in restaurants along the Côte d’Azur. With flesh that is slightly softer and moister than its European cousin, striped bass was a specialty of Le Pavilion. The braised wild striped bass would be presented to the patrons whole and carved at tableside. The following is a simple, elegant, and mouth-watering adaptation of the recipe from Le Pavilion. The fish, gutted with head on, is braised with white wine, shallots, and mushrooms in the oven, then coated with the cooking juices enriched with butter. This dish is excellent served with tiny steamed potatoes or sautéed cucumbers. 1 striped bass, gutted, with head on (about 3 pounds) 2 cups thinly sliced mushrooms ¼ cup chopped shallots ½ teaspoon salt, plus more to taste ½ teaspoon freshly ground black pepper, plus more to taste 1 tablespoon good olive oil 1 teaspoon fresh thyme leaves 2 bay leaves 1 cup dry, fruity white wine (Chardonnay or Sauvignon Blanc) 8 tablespoons (1 stick) unsalted butter, at room temperature 1 tablespoon fresh lemon juice 1 tablespoon minced fresh chives Preheat the oven to 400 degrees. Place the fish in a gratin dish or stainless steel baking dish that is narrow enough to prevent the garnishes and the wine from spreading out too much. Sprinkle with the mushrooms, shallots, ½ teaspoon salt, ½ teaspoon pepper, olive oil, thyme, bay leaves, and wine. Cover tightly with a piece of aluminum foil so the fish will cook in its own steam. Bake for 35 to 45 minutes, or until the fish is cooked through. Check by inserting the point of a small knife into the flesh. It should be tender, and the flesh should separate from the central bone when pierced with the knife. Reduce the heat to 150 degrees. Using a large hamburger spatula, transfer the whole fish to an ovenproof serving platter, and set aside in the warm oven while you complete the recipe. Pour the fish’s cooking juices and vegetable solids into a small saucepan, and discard the bay leaves. You should have ¾ to 1 cup of liquid; cook down the liquid or add water to adjust the yield to this amount. Bring to a boil on top of the stove, and add the butter spoonful by spoonful, incorporating each piece into the mixture with a whisk before you add another. Remove the saucepan from the heat, and add the lemon juice, chives, and additional salt and pepper to taste. At serving time, pull or scrape off the skin on top of the fish with a small paring knife. Coat the fish with the sauce, and sprinkle the chives on top. Bring to the table, and carve for the guests.
Jacques Pépin (The Apprentice: My Life in the Kitchen)
We also really enjoyed the sunchoke soup and the slow-cooked black bass," said Luke. "Which chef made those?" My fingertips tingled as I raised my hand. "I made them." Luke nodded, his face serious. "The sunchoke soup was creamy, earthy, and smoky all at once, and those bacon croutons were crunchy and added some much-needed texture. We all liked the hint of thyme----it was just enough, as any more would have sent it over the edge. "And the slow-cooked black bass was so tender it almost melted in our mouths. The preserved tomato broth was a touch salty for our tastes, and we thought the cauliflower could have been cooked a little less, but the texture of the nutty farro stood up against the broth and the fish quite well." He swallowed hard and looked me in the eye. What was that I saw now? Admiration? "Very nice, Chef Sadie." I gave him the barest nod in response, but I felt like jumping up and down.
Amanda Elliot (Sadie on a Plate)
The chef decided to prepare a few large bass in his special manner for our group. He grabbed a four-pounder from the tank and within seconds had scaled it alive, gutted it, cut slits into the skin, rolled the fish in egg white and cornstarch, and wrapped the head in a water-soaked cold towel. He then inserted a wooden skewer through the gills and lowered the fish into the hot oil of a deep-fryer. The skewer, extending horizontally beyond the fish on either side, rested on the rim of the fryer, holding the head of the fish above the oil. The whole operation took a couple of minutes, at the most. The chef hurriedly placed the fish on a platter, rushed it to our table, and removed the towel from around the head. Uncooked and cold, it was still moving, the mouth opening and closing gruesomely.
Jacques Pépin (The Apprentice: My Life in the Kitchen)
You will never overhear the following conversation in a fine-dining establishment. WAITER: Today’s specials. We have Chilean sea bass, which is sautéed in a lemon beurre blanc, and we have a Hot Pocket that is cooked in a dirty microwave. And that comes with a side of Pepto. PATRON: Is your Hot Pocket cold in the middle? WAITER: It’s frozen. But it can be served boiling-lava hot. PATRON: Will it burn my mouth? WAITER: It will destroy your mouth. Everything will taste like rubber for a month. PATRON: Oh, I’ll get the Hot Pocket.
Jim Gaffigan (Food: A Love Story)
My silk slick black muscular back- talking uncle driving me and a school of fish corpses to church. The sick-eyed gap-mouthed bass, the kingfish without kingdom, the silver-thin silver fish--each dead and separate in a cool bucket. Gilded and shapely as a necktied Sunday morning, the fish. Sit uptight, he said, and I sat right up, riding shotgun looking hard at the road. He muttered, Crackers, as if it was something swinging from a thin clear wire, the clump of tiny maggots in a trout's brain, the flies lazing like the devil's jewelry at our backs. Last night when the white boy's arm lassoed his daughter's neck, my uncle said nothing until they left. I let him feed me the anger I knew was a birthright, a plate of bones thin enough to puncture a lung. But the words did things in my mouth I'd heard they killed people for. They went to a movie and sat quietly and touched or did not touch the darkness. My uncle watched the news with the sound turned down until she came in, my silk slick black back- talking cousin, his daughter. He went to work beating a prayer out her skin.
Terrance Hayes
I reach out and grab the hem of Benny's T-shirt between two fingers, then turn and pull him along behind me as I look for someplace more private. I walk with purpose, as if I have a spot picked out already, which I totally don't. But when I come upon an unoccupied pantry, I pull Benny in after me. Closing the door, I turn to face him. And find his face reeeal close to mine. The corners of his mouth are starting to tick up in a smile in spite of his efforts to hide it. "Hey there." I swallow the heady feeling I get at the sound of his voice this close, low and rumbly. There are only a couple of inches between our chests, no more than that between our faces, which are almost level. This would certainly be easier in, say, an open field. I press my back flat against the door and clear my throat. "My cardigan. Give it back." "I enjoyed our conversation on Saturday," he continues in that smooth bass as if I haven't said anything. "What kind of kidnapper leaves a note identifying themselves as the kidnapper, anyway? What are you playing at?" I bite out with a frustration that is quickly fleeing my body. Benny's eyes flit down to the floor almost sheepishly. "I don't enjoy what brought on our talk at the cookout, or hearing what you go through. But I was honored that you told me, and I like talking to you. I'd listen to you talk like that every day if you let me." His words almost stop my breath, despite the weirdness of this situation he's facilitated and the way we're having two totally different conversations. I shake my head and squeeze my eyes shut, but they pop back open when I feel something brush past my hair. Benny stares at me intently, and I register that he's put one palm flat against the door beside my head. He leans in closer, and I try my damnedest not to notice all the muscles in that arm flexing so close to me, but holy biceps, Batman, and oh my, how much closer can he get before he--- "Reese," he breathes, and I feel the word brush against my lips even though they still haven't made contact with his. I don't think I'm breathing at all.
Kaitlyn Hill (Love from Scratch)
Hm. A dal bean curry, eh? It looks similar to Chana Masala, a Punjabi dish that uses chickpeas... ! This viscous stickiness...!" "It's Natto!" Gooey texture and savory flavor are melding together inside my mouth! Was natto ever this delicious? "Wait... this is no normal natto! Could it be..." "Yes, sir. This natto I made by hand using charcoal smoke. It's charcoal-aged natto. After I added the natto spores to a batch of soybeans, I stored them in an underground room. There I lit a charcoal fire and then kept the room at just the right temperature and humidity to ferment the soybeans. As this process takes several days to complete, I prepared it ahead of time, over my summer break." "The carbon dioxide generated by the charcoal fire impacts the maturation of the soy proteins. It gives the natto a richer flavor. It also halts bacteria death in the beans, preventing the typical smell of ammonia from developing!" "Did you know all that?" "I heard a little about it once. It's supposed to be a really hard process that takes loads of time to finish!" "And she made it by herself?!" "But that isn't all. There's another flavor--- a deeper, more savory one that resonates across the tongue like a deep bass chord." "Oh, that? As a special hidden seasoning, I added shoyu koji." SHOYU KOJI Instead of salt, soy sauce is added to the koji bacteria and mixed with the rice until thick. Then it is left to ferment at a constant temperature for several weeks. So that's the black stuff that was in that jar! Shoyu koji has over ten times glutamic acid---an umami component--- than shio koji does. I see. While the strong flavor of curry spices drowns out most other seasonings, shoyu koji's flavor is powerful enough to that it is instead a savory magnifier! Her curry takes full advantage of her detailed knowledge of fermentation techniques! It is truly a magnificent dish! "The creamy Japanese-style curry roux has blended in with the natto's gooeyness beautifully!" "The mound of crisp, minced green onion on top is hard to resist as well!"
Yūto Tsukuda (食戟のソーマ 7 [Shokugeki no Souma 7] (Food Wars: Shokugeki no Soma, #7))
…it’s come over me clear that the last two or three years that in a group killing of a man, in a mobbing, the event reaches a point where all rationale is gone; such a term as “anarchist” and “traitor” or “Boche” or “Englander Schwein” disappears and they babble hysterically only one or two epithets, in our language usually a tenor of “Son of a Bitch” with a bass of “Cocksucker”. Since some of the finest blood of the human family goes this way poets and painters have a right to try to employ it or at least not kid themselves about what actually happened at Golgotha. Since I’ve talked with men who were in the trenches and since I’ve seen race riots I am suspicious that the sponge of vinegar on the spear is a faked legend and what probably happened, if the historicity of Jesus is ever established, is that they cut off his genital organ and stuck it in his mouth….
Carl Sandburg