Hip Tattoos Quotes

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She probably didn’t realize he had matched the structure of his back dragon tattoo to match her back scars, from one hip to one shoulder. If anyone looked at their naked backs together, they would see symmetry—a dragon breathing fire across her back in mirrored structure, side by side.
RuNyx (The Emperor (Dark Verse, #3))
He grabbed something off the floor and held it in front of his hips as he stood up. She drank in the sight of him: The tattooed slave bands around his wrists and neck, the plug in his left earlobe, his black eyes, his skull-trimmed hair. His body was as starkly lean as she remembered, all striated muscles and hard cut veins. And he threw off raw power like a scent.
J.R. Ward
In Chloe, a great city, the people who move through the streets are all strangers. At each encounter, they imagine a thousand things about one another; meetings which could take place between them, conversations, surprises, caresses, bites. But no one greets anyone; eyes lock for a second, then dart away, seeking other eyes, never stopping. A girl comes along, twirling a parasol on her shoulder, and twirling slightly also her rounded hips. A woman in black comes along, showing her full age, her eyes restless beneath her veil, her lips trembling. At tattooed giant comes along; a young man with white hair; a female dwarf; two girls, twins, dressed in coral. Something runs among them, an exchange of glances link lines that connect one figure with another and draws arrows, stars, triangles, until all combinations are used up in a moment, and other characters come on to the scene: a blind man with a cheetah on a leash, a courtesan with an ostrich-plume fan, an ephebe, a Fat Woman. And thus, when some people happen to find themselves together, taking shelter from the rain under an arcade, or crowding beneath an awning of the bazaar, or stopping to listen to the band in the square, meetings, seductions, copulations, orgies are consummated among them without a word exchanged, without a finger touching anything, almost without an eye raised. A voluptuous vibration constantly stirs Chloe, the most chaste of cities. If men and women began to live their ephemeral dreams, every phantom would become a person with whom to begin a story of pursuits, pretenses, misunderstandings, clashes, oppressions, and the carousel of fantasies would stop.
Italo Calvino
Grabbing my hand he pulls me to him, and grabs my hips, digging his hand in. "I have the perfect spot for your first tattoo." Reaching for the bottom of my dress, he lifts the front so only he can see, and runs his thumb over my hipbone. "Perfect.
Victoria Ashley (Royal Savage (Savage & Ink, #1))
I had a lot of memories of Will from the summer he’d lived with us while working for Dad: sitting on the couch with him and Jensen while we watched a movie, passing him in the hallway at night wearing nothing more than a towel around his hips, inhaling dinner at the kitchen table after a long day at the lab. But only from the evil influence of dark magic could I have forgotten about the tattoos.
Christina Lauren (Beautiful Player (Beautiful Bastard, #3))
Josey?” She heard her mother’s voice in the hall, then the thud of her cane as she came closer. “Please don’t tell her I’m here,” the woman in the closet said, with a strange sort of desperation. Despite the cold outside, she was wearing a cropped white shirt and tight dark blue jeans that sat low, revealing a tattoo of a broken heart on her hip. Her hair was bleached white-blond with about an inch of silver-sprinkled dark roots showing. Her mascara had run and there were black streaks on her cheeks. She looked drip-dried, like she’d been walking in the rain, though there hadn’t...
Sarah Addison Allen (The Sugar Queen)
home, alone in my room, with the sounds of #2 and #5 trains rumbling in the distance, I started with a letter to myself. Dear Juliet, Repeat after me: You are a bruja. You are a warrior. You are a feminist. You are a beautiful brown babe. Surround yourself with other beautiful brown and black and indigenous and morena and Chicana, native, Indian, mixed race, Asian, gringa, boriqua babes. Let them uplift you. Rage against the motherfucking machine. Question everything anyone ever says to you or forces down your throat or makes you write a hundred times on the blackboard. Question every man that opens his mouth and spews out a law over your body and spirit. Question every single thing until you find the answer in a daydream. Don’t question yourself unless you hurt someone else. When you hurt someone else, sit down, and think, and think, and think, and then make it right. Apologize when you fuck up. Live forever. Consult the ancestors while counting stars in the galaxy. Hold wisdom under tongue until it’s absorbed into the bloodstream. Do not be afraid. Do not doubt yourself. Do not hide Be proud of your inhaler, your cane, your back brace, your acne. Be proud of the things that the world uses to make you feel different. Love your fat fucking glorious body. Love your breasts, hips, and wide-ass if you have them and if you don’t, love the body you do have or the one you create for yourself. Love the fact that you have ingrown hairs on the back of your thighs and your grandma’s mustache on your lips. Read all the books that make you whole. Read all the books that pull you out of the present and into the future. Read all the books about women who get tattoos, and break hearts, and rob banks, and start heavy metal bands. Read every single one of them. Kiss everyone. Ask first. Always ask first and then kiss the way stars burn in the sky. Trust your lungs. Trust the Universe. Trust your damn self. Love hard, deep, without restraint or doubt Love everything that brushes past your skin and lives inside your soul. Love yourself. In La Virgen’s name and in the name of Selena, Adiosa.
Gabby Rivera (Juliet Takes a Breath)
Mmm, God, I love that.” He settled her thighs on either side of his hips until she rested on the thickness of his fully impaled cock. “Don’t need to come. Just want inside.” He brushed his lips across her mouth, cheek, and temple, and let her head come to rest against his shoulder. “Try to get some sleep. Morning comes early.
Cameron Dane (The Sweetest Tattoo (Cabin Fever, #1))
I used to read in books how our fathers persecuted mankind. But I never appreciated it. I did not really appreciate the infamies that have been committed in the name of religion, until I saw the iron arguments that Christians used. I saw the Thumbscrew—two little pieces of iron, armed on the inner surfaces with protuberances, to prevent their slipping; through each end a screw uniting the two pieces. And when some man denied the efficacy of baptism, or may be said, 'I do not believe that a fish ever swallowed a man to keep him from drowning,' then they put his thumb between these pieces of iron and in the name of love and universal forgiveness, began to screw these pieces together. When this was done most men said, 'I will recant.' Probably I should have done the same. Probably I would have said: 'Stop; I will admit anything that you wish; I will admit that there is one god or a million, one hell or a billion; suit yourselves; but stop.' But there was now and then a man who would not swerve the breadth of a hair. There was now and then some sublime heart, willing to die for an intellectual conviction. Had it not been for such men, we would be savages to-night. Had it not been for a few brave, heroic souls in every age, we would have been cannibals, with pictures of wild beasts tattooed upon our flesh, dancing around some dried snake fetich. Let us thank every good and noble man who stood so grandly, so proudly, in spite of opposition, of hatred and death, for what he believed to be the truth. Heroism did not excite the respect of our fathers. The man who would not recant was not forgiven. They screwed the thumbscrews down to the last pang, and then threw their victim into some dungeon, where, in the throbbing silence and darkness, he might suffer the agonies of the fabled damned. This was done in the name of love—in the name of mercy, in the name of Christ. I saw, too, what they called the Collar of Torture. Imagine a circle of iron, and on the inside a hundred points almost as sharp as needles. This argument was fastened about the throat of the sufferer. Then he could not walk, nor sit down, nor stir without the neck being punctured, by these points. In a little while the throat would begin to swell, and suffocation would end the agonies of that man. This man, it may be, had committed the crime of saying, with tears upon his cheeks, 'I do not believe that God, the father of us all, will damn to eternal perdition any of the children of men.' I saw another instrument, called the Scavenger's Daughter. Think of a pair of shears with handles, not only where they now are, but at the points as well, and just above the pivot that unites the blades, a circle of iron. In the upper handles the hands would be placed; in the lower, the feet; and through the iron ring, at the centre, the head of the victim would be forced. In this condition, he would be thrown prone upon the earth, and the strain upon the muscles produced such agony that insanity would in pity end his pain. I saw the Rack. This was a box like the bed of a wagon, with a windlass at each end, with levers, and ratchets to prevent slipping; over each windlass went chains; some were fastened to the ankles of the sufferer; others to his wrists. And then priests, clergymen, divines, saints, began turning these windlasses, and kept turning, until the ankles, the knees, the hips, the shoulders, the elbows, the wrists of the victim were all dislocated, and the sufferer was wet with the sweat of agony. And they had standing by a physician to feel his pulse. What for? To save his life? Yes. In mercy? No; simply that they might rack him once again. This was done, remember, in the name of civilization; in the name of law and order; in the name of mercy; in the name of religion; in the name of Christ.
Robert G. Ingersoll (The Liberty Of Man, Woman And Child)
I tried to etch the feeling of the weight of his arm on my hip. Too bad a feeling couldn’t be a tattoo.
Debra Anastasia (CRUEL PINK (Drowning In Stars, #3))
He ran his hand over his chest and stopped above his heart where a black tattoo of an ornate skeleton key was inked on his skin.She had its other half-a lock in the shape of a heart with a keyhole in the center-tattooed on her lower stomach beside her right hip bone. Laying on top of her, he'd slide down to kiss her breasts and their two tattoos would come together. Lock and key.
Kelli Maine (Taken by Storm (Give & Take, #2))
Sometimes it amazed him. Lanky Thom with his white hair and mustaches, who had been a Queen’s lover once, and more willingly than himself, not to mention more than a lover, if you believed half he said. Square-jawed Harnan with that tattoo on his cheek and more elsewhere, who had been a soldier all his life. Juilin with his bamboo staff and his sword-breaker on his hip, who thought himself as good as any lord even if the idea of carrying a sword himself still made him uneasy, and fat Vanin, who made Juilin look a bootlicker by comparison. Skinny Fergin, and Gorderan, nearly as wide in the shoulders as Perrin, and Metwyn, whose pale Cairhienin face still looked like a boy’s despite being years older than Mat. Some of them followed Mat Cauthon because they thought he was lucky, because his luck might keep them alive when the swords were out, and some for reasons he was not really sure of, but they followed. Not even Thom had ever more than protested an order of his. Maybe Renaile had been more than luck. Maybe his being ta’veren did more than dump him in the-middle of trouble. Suddenly he felt... responsible... for these men. It was an uncomfortable feeling. Mat Cauthon and responsibility did not go together. It was unnatural.
Robert Jordan (A Crown of Swords (The Wheel of Time, #7))
Horace, hands on hips, paced around the circle, frowning as he studied them. They were a scruffy bunch, he thought, and none too clean. Their hair and beards were overlong and often gathered in rough and greasy plaits, like Nils’s. There were scars and broken noses and cauliflower ears in abundance, as well as the widest assortment of rough tattoos, most of which looked as if they had been carved into the skin with the point of a dagger, after which dye was rubbed into the cut. There were grinning skulls, snakes, wolf heads and strange northern runes. All of the men were burly and thickset. Most had bellies on them that suggested they might be overfond of ale. All in all they were as untidy, rank smelling and rough tongued a bunch of pirates as one could be unlucky enough to run into. Horace turned to Will and his frown faded. ‘They’re beautiful,’ he said.
John Flanagan (Ranger's Apprentice 6: The Siege of Macindaw)
Never have I seen such a motley assemblage of characters. Except that we are at sea, I would believe that I had been abducted by a traveling circus. There are men here of every hue and size, also men whose race cannot be determined due to the indigo tattoos that cover their faces and arms. There are men with bullrings through their noses, with turbans large enough to hide a samovar, with gold thread braided into their hair, with scimitars lashed to their hips; some with teeth sharpened to points, some with no teeth at all. Many of the men have lost fingers, one has no ears, and not a few of them sport blistered patches upon their faces, necks, and forearms.
Eli Brown (Cinnamon and Gunpowder)
Get a room!" Maya called from her side and Callie snorted. Trust Maya to break the moment. Callie turned on her heel and put her hands on her hips. "Excuse me. I have my own little cubby right here." She used her fingers to make a box around her. "That's a room." Sloane huffed a laugh. "Maybe get one with walls next time if you're going to heat up the shop with just a hello.
Carrie Ann Ryan (Forever Ink (Montgomery Ink, #1.5))
The first thing I see when I wake, still on the couch in the hotel room, are the birds flying over her collarbone. Her shirt, retrieved from the floor in the middle of the night because of the cold, is pulled down on one side from where she’s lying on it. We have slept close to each other before, but this time feels different. Every other time we were there to comfort each other or to protect each other; this time we’re here just because we want to be--and because we fell asleep before we could go back to the dormitory. I stretch out my hand and touch my fingertips to her tattoos, and she opens her eyes. She wraps an arm around me and pulls herself across the cushions so she’s right up against me, warm and soft and pliable. “Morning,” I say. “Shh,” she says. “If you don’t acknowledge it, maybe it will go away.” I draw her toward me, my hand on her hip. Her eyes are wide, alert, despite just having opened. I kiss her cheek, then her jaw, then her throat, lingering there for a few seconds. Her hands tighten around my waist, and she sighs into my ear. My self-control is about to disappear in five, four, three… “Tobias,” she whispers, “I hate to say this, but…I think we have just a few things to do today.” “They can wait,” I say against her shoulder, and I kiss the first tattoo, slowly. “No, they can’t!” she says.
Veronica Roth (Allegiant (Divergent, #3))
Elizabeth puts her hands on her hips. Elizabeth has shoulder-length brown hair that looks as if it has been cut with a straight razor and a mouth that could have done the cutting. Elizabeth is smart, ruthless, and emotionally damaged; that is, she is a sales representative. If Elizabeth’s brain was a person, it would have scars, tattoos, and be missing one eye. ‘Do you want to ask me a question, Roger? Do you want to ask if I took your donut?
Max Barry (Company)
A horn sounded in the distance and as Stella turned towards the sea to look at the enormous ship that had produced the sound, her gaze was locked on a scene so beautiful that the picturesque beach paled in comparison. A lifeguard was emerging from the water, his orange trunks stuck to his legs and water dripping from all over him. He shook his head to get rid of some of the water in his hair and Stella felt as if everything started developing in slow motion – tiny drops of water slid from his neck down his broad chest and muscular arms, along a weaving tattoo design on his right shoulder, and continued downwards towards his chest and washboard stomach, finally getting lost in his trunks’ waist. A part of another tattoo was peeking over his trunks on his left hip, the other part hidden under them. His golden, tanned skin glistened in the sun and he moved with such grace that a panther would be deemed clumsy next to him. It was a total Baywatch moment.
Teodora Kostova (In a Heartbeat (Heartbeat, #1))
He turns around, and I see the words tattooed across his hip: My name is Emily. It’s in my handwriting, as if he took the note and photocopied it over his skin. It’s from when I first told him my name. I’d written it down for him as a surprise. “You put my note on your ass.” “I wanted to remember it forever,” he says. He looks deep into my eyes, and tears sting the backs of my lashes. “You did this after I left.” I don’t need to pose it as a question. I already know the answer. He nods. “Loved you then. Love you now.
Tammy Falkner (Smart, Sexy and Secretive (The Reed Brothers, #2))
Dude, wait until you see the hot little number on there!” He was grinning like the Cheshire cat. “What are you talking about? Aren’t all flight attendant’s middle-aged, blonde women?” “Not this one. She’s feisty too, kneed me right in the balls.” I smiled, and it was actually genuine. I wondered if he was fucking with me. But, it was enough to peak my curiosity. I slowly walked towards the plane wondering if it was going to be a grandma, or something. It wouldn’t be the first time. I really hoped that it wasn’t some die-hard groupie either. As soon as I reached the top of the stairs I almost tripped and fell on my face when I got my first look at her. She was gorgeous! She looked like she walked straight off of a pin-up girl calendar. She had long, black hair with strands of hot pink. I appraised my way down her body. She had a slim waist and curvy hips. She was built like an hourglass. I noticed a couple of sexy facial piercings. She had an adorable little nose and big brown eyes. Then I saw a tattoo peeking out on her shoulder. I could tell that she had a chest piece. I was instantly hard. Awesome…
Sophie Monroe (Battlescars (Battlescars, #1))
Blessedness is within us all It lies upon the long scaffold Patrols the vaporous hall In our pursuits, though still, we venture forth Hoping to grasp a handful of cloud and return Unscathed, cloud in hand. We encounter Space, fist, violin, or this — an immaculate face Of a boy, somewhat wild, smiling in the sun. He raises his hand, as if in carefree salute Shading eyes that contain the thread of God. Soon they will gather power, disenchantment They will reflect enlightenment, agony They will reveal the process of love They will, in an hour alone, shed tears. His mouth a circlet, a baptismal font Opening wide as the lips of a damsel Sounding the dizzying extremes. The relativity of vein, the hip of unrest For the sake of wing there is shoulder. For symmetry there is blade. He kneels, humiliates, he pierces her side. Offering spleen to the wolves of the forest. He races across the tiles, the human board. Virility, coquetry all a game — well played. Immersed in luminous disgrace, he lifts As a slave, a nymph, a fabulous hood As a rose, a thief of life, he will parade Nude crowned with leaves, immortal. He will sing of the body, his truth He will increase the shining neck Pluck airs toward our delight Of the waning The blossoming The violent charade But who will sing of him? Who will sing of his blessedness? The blameless eye, the radiant grin For he, his own messenger, is gone He has leapt through the orphic glass To wander eternally In search of perfection His blue ankles tattooed with stars.
Patti Smith
Lydia the Tattooed Lady" Oh Lydia, oh Lydia, say have you met Lydia? Lydia, the Tattooed Lady She has eyes that folks adore so And a torso even more so Lydia, oh Lydia, that encyclopydia Oh Lydia the Queen of Tattoo On her back is the Battle of Waterloo Beside it the wreck of the Hesperus, too And proudly above waves the red, white, and blue You can learn a lot from Lydia La, La, La La, La, La When her robe is unfurled, she will show you the world If you step up and tell her where For a dime you can see Kankakee or Paris Or Washington crossing the Delaware La, La, La La, La, La Oh Lydia oh Lydia, say have you met Lydia? Oh Lydia the Tattooed Lady When her muscles start relaxin' Up the hill comes Andrew Jackson Lydia oh Lydia, that encyclopydia Oh Lydia the queen of them all For two bits she will do a mazurka in jazz With a view of Niagara that nobody has And on a clear day you can see Alcatraz You can learn a lot from Lydia La, La, La La, La, La Come along and see Buff'lo Bill with his lasso Just a little classic by Mendel Picasso Here is Captain Spaulding exploring the Amazon Here's Godiva but with her pajamas on La, La, La La, La, La Here is Grover Whalen unveilin' the Trilon Over on the West Coast we have Treasure Island Here's Najinsky a-doin' the rhumba Here's her social security numba Oh Lydia, oh Lydia that encyclopydia Oh Lydia the champ of them all She once swept an Admiral clear off his feet The ships on her hips made his heart skip a beat And now the old boy's in command of the fleet For he went and married Lydia I said Lydia (He said Lydia) They said said Lydia (We said Lydia) Groucho Marx, At the Circus (1939) Written by Yip Harburg and Harold Arlen
Groucho Marx
It's hard to form a lasting connection when your permanent address is an eight-inch mailbox in the UPS store. Still,as I inch my way closer, I can't help the way my breath hitches, the way my insides thrum and swirl. And when he turns,flashing me that slow, languorous smile that's about to make him world famous,his eyes meeting mine when he says, "Hey,Daire-Happy Sweet Sixteen," I can't help but think of the millions of girls who would do just about anything to stand in my pointy blue babouches. I return the smile, flick a little wave of my hand, then bury it in the side pocket of the olive-green army jacket I always wear. Pretending not to notice the way his gaze roams over me, straying from my waist-length brown hair peeking out from my scarf, to the tie-dyed tank top that clings under my jacket,to the skinny dark denim jeans,all the way down to the brand-new slippers I wear on my feet. "Nice." He places his foot beside mine, providing me with a view of the his-and-hers version of the very same shoe. Laughing when he adds, "Maybe we can start a trend when we head back to the States.What do you think?" We. There is no we. I know it.He knows it.And it bugs me that he tries to pretend otherwise. The cameras stopped rolling hours ago, and yet here he is,still playing a role. Acting as though our brief, on-location hookup means something more. Acting like we won't really end long before our passports are stamped RETURN. And that's all it takes for those annoyingly soft girly feelings to vanish as quickly as a flame in the rain. Allowing the Daire I know,the Daire I've honed myself to be, to stand in her palce. "Doubtful." I smirk,kicking his shoe with mine.A little harder then necessary, but then again,he deserves it for thinking I'm lame enough to fall for his act. "So,what do you say-food? I'm dying for one of those beef brochettes,maybe even a sausage one too.Oh-and some fries would be good!" I make for the food stalls,but Vane has another idea. His hand reaches for mine,fingers entwining until they're laced nice and tight. "In a minute," he says,pulling me so close my hip bumps against his. "I thought we might do something special-in honor of your birthday and all.What do you think about matching tattoos?" I gape.Surely he's joking. "Yeah,you know,mehndi. Nothing permanent.Still,I thought it could be kinda cool." He arcs his left brow in his trademark Vane Wick wau,and I have to fight not to frown in return. Nothing permanent. That's my theme song-my mission statement,if you will. Still,mehndi's not quite the same as a press-on. It has its own life span. One that will linger long after Vane's studio-financed, private jet lifts him high into the sky and right out of my life. Though I don't mention any of that, instead I just say, "You know the director will kill you if you show up on set tomorrow covered in henna." Vane shrugs. Shrugs in a way I've seen too many times, on too many young actors before him.He's in full-on star-power mode.Think he's indispensable. That he's the only seventeen-year-old guy with a hint of talent,golden skin, wavy blond hair, and piercing blue eyes that can light up a screen and make the girls (and most of their moms) swoon. It's a dangerous way to see yourself-especially when you make your living in Hollywood. It's the kind of thinking that leads straight to multiple rehab stints, trashy reality TV shows, desperate ghostwritten memoirs, and low-budget movies that go straight to DVD.
Alyson Noel (Fated (Soul Seekers, #1))
The front door is locked—what’s up with that?” “Logan fixed the lock,” I tell her. Her bright red, heart-shaped mouth smiles. “Good job, Kevin Costner. You should staple the key to Ellie’s forehead, though, or she’ll lose it.” She has names for the other guys too and when her favorite guard, Tommy Sullivan, walks in a few minutes later, Marlow uses his. “Hello, Delicious.” She twirls her honey-colored, bouncy hair around her finger, cocking her hip and tilting her head like a vintage pinup girl. Tommy, the fun-loving super-flirt, winks. “Hello, pretty, underage lass.” Then he nods to Logan and smiles at me. “Lo . . . Good morning, Miss Ellie.” “Hey, Tommy.” Marlow struts forward. “Three months, Tommy. Three months until I’m a legal adult—then I’m going to use you, abuse you and throw you away.” The dark-haired devil grins. “That’s my idea of a good date.” Then he gestures toward the back door. “Now, are we ready for a fun day of learning?” One of the security guys has been walking me to school ever since the public and press lost their minds over Nicholas and Olivia’s still-technically-unconfirmed relationship. They make sure no one messes with me and they drive me in the tinted, bulletproof SUV when it rains—it’s a pretty sweet deal. I grab my ten-thousand-pound messenger bag from the corner. “I can’t believe I didn’t think of this before. Elle—you should have a huge banger here tonight!” says Marlow. Tommy and Logan couldn’t have synced up better if they’d practiced: “No fucking way.” Marlow holds up her hands, palms out. “Did I say banger?” “Huge banger,” Tommy corrects. “No—no fucking way. I meant, we should have a few friends over to . . . hang out. Very few. Very mature. Like . . . almost a study group.” I toy with my necklace and say, “That actually sounds like a good idea.” Throwing a party when your parents are away is a rite-of-high-school passage. And after this summer, Liv will most likely never be away again. It’s now or never. “It’s a terrible idea.” Logan scowls. He looks kinda scary when he scowls. But still hot. Possibly, hotter. Marlow steps forward, her brass balls hanging out and proud. “You can’t stop her—that’s not your job. It’s like when the Bush twins got busted in that bar with fake IDs or Malia was snapped smoking pot at Coachella. Secret Service couldn’t stop them; they just had to make sure they didn’t get killed.” Tommy slips his hands in his pockets, laid back even when he’s being a hardass. “We could call her sister. Even from an ocean away, I’d bet she’d stop her.” “No!” I jump a little. “No, don’t bother Liv. I don’t want her worrying.” “We could board up the fucking doors and windows,” Logan suggests. ’Cause that’s not overkill or anything. I move in front of the two security guards and plead my case. “I get why you’re concerned, okay? But I have this thing—it’s like my motto. I want to suck the lemon.” Tommy’s eyes bulge. “Suck what?” I laugh, shaking my head. Boys are stupid. “You know that saying, ‘When life gives you lemons, make lemonade’?—well, I want to suck the lemon dry.” Neither of them seems particularly impressed. “I want to live every bit of life, experience everything it has to offer, good and bad.” I lift my jeans to show my ankle—and the little lemon I’ve drawn there. “See? When I’m eighteen, I’m going to get this tattooed on for real. As a reminder to live as much and as hard and as awesome as I can—to not take anything for granted. And having my friends over tonight is part of that.” I look back and forth between them. Tommy’s weakening—I can feel it. Logan’s still a brick wall. “It’ll be small. And quiet—I swear. Totally controlled. And besides, you guys will be here with me. What could go wrong?” Everything. Everything goes fucking wrong.
Emma Chase (Royally Endowed (Royally, #3))
Gilly frowned at me.  "Ya know, stereotyping be a sign of limited intelligence.  I might have asked ye where yer lower back tattoo be or yer lip piercing, but I didna."  It folded its short little arms and cocked out one funky-shaped hip in a defiant stance.
Elle Casey (The Changelings (War of the Fae, #1))
She had twisted and turned from the fever, until one side of her nightgown was rolled up above her waist and the covers were off. He couldn’t help but notice the length of her legs and the slender curve of her hip. And, while he wasn’t going to mess with her gown and take the chance of waking her up, he could pull the covers back over her. It wasn’t until he bent down to grab the blankets that he saw the small tattoo on her hip. His eyes widened. He looked at her profile. Even asleep, she appeared daunting. But this little tattoo was proof that there might be a softer side to Catherine Dupree. The tattoo was a butterfly—and it was pink. Who would ever have believed that Cat Dupree would be the kind of woman to have a girly thing like that? Barbed wire? Yes. A skull and crossbones? Sure. A snake with fangs exposed? Plausible. But a tattoo of a small pink butterfly on her butt? Priceless.
Sharon Sala (Nine Lives (Cat Dupree, #1))
My tattoo is a small lighthouse, just an inch tall. It's on my right hip, where Jake always kept his hand when he slept. I put it there to lead him home.
Jenn McKinlay (Read It and Weep (Library Lover's Mystery, #4))
I want to show you something,” I say. “But I’m afraid you’re going to be angry at me.” She’s suddenly on guard. “Why? What is it?” I turn my wrist over and point to her tattoo on my inner wrist. It’s a bare spot I’d been saving for something special. She leans toward it, and all of her breath rushes from her body. I can feel it across my hand when she exhales. “That’s my tat,” she says. She takes my hand in hers and lifts it toward her face. “Are you angry?” I ask. She looks up at me briefly and then back down at the tattoo. She’s taking in every facet of it. Her hand trembles as she holds tightly to mine. “You changed it.” “I felt like you needed a way out.” I put it on my wrist because I was intrigued by the secrets inside. It’s art, and I appreciate art in all its forms. She swallows. Hard. Then her eyes start to fill with tears. She blinks them back for as long as she can. And then she gets up and runs toward the bathroom. Shit. Now I fucked up. I made her cry. She runs by the waitress, who startles. The waitress starts in my direction, a sway in her hips, but I get up and follow Kit. I stop outside the door to the ladies’ room and press my hand against it. I don’t know what I’m waiting for. She’s in there crying, and I obviously can’t hear her to be sure she’s all right. Fuck it. I’m not leaving her in there upset. I push through the door, and I don’t see any feet in the stalls when I bend over. Where the fuck did she go? I push doors open, but the last one is locked. I stand up on my tiptoes and look over the top. She’s standing there with her forearms pressed against the wall, her head down between her arms, and her back is shaking. She’s crying. I knock on the stall door and say, “Let me in, Kit.” The door doesn’t open. I step back onto my tiptoes and look over. She’s still crying. “Let me in,” I repeat. She doesn’t move, so I walk into the stall next to hers and stand up on the toilet. I rock the partition between the stalls gently. It might hold my weight. There’s only one way to find out. I hoist myself up and over the wall, bringing my legs over the top slowly and carefully, and then I hop down. Before I can reach for her, she’s in my arms, her hands sliding around my neck. She’s still sobbing, and her body shakes against mine. I tilt her face up because I can’t see her lips to tell if she’s saying anything to me or not. I need to apologize. I didn’t expect her to get so upset. I’ll have it covered up with something else if it bothers her this much. My heart twists inside my chest. I really fucked up. “I’m sorry,” I tell her, looking down into her face. Her cheeks are soaked with tears, and she freezes, looking up at me. I can feel her like a heartbeat in my chest. She steps on the toes of my boots and then rocks onto her tiptoes. She pulls my head down with a hand at the back of my neck. Her brown eyes are smoldering, and black shit is running down her cheeks again, but I don’t care. She’s never looked more beautiful to me. I hold her face in my hands and wipe beneath her eyes with my thumbs. Her breath tickles my lips, and she leans even closer. She’s standing on my fucking boots, and I don’t care. She can do whatever it takes to get closer to me. “Why did you do it?” she asks, moving back enough that I can see her lips. I already told her: I thought she needed a way out. All I added to the tattoo was a keyhole right in the center of the guitar. It’s a simple design really. “I don’t know,” I say. I want to explain it to her, but I can’t. Not right now.
Tammy Falkner (Tall, Tatted and Tempting (The Reed Brothers, #1))
I understand. I’ll call my brother and he’ll come get me.” Gracie’s hand flew up and her eyes went wide. “Wait, what?” “I don’t want to hurt anyone.” After thirteen years, she was used to giving up her desires to do the right thing; she only wished it wasn’t so hard. “You’re right, it’s best if I go home.” “No!” Gracie shouted. She straightened and stepped closer to Maddie. “No! That’s not what I meant. I was only trying to say, ‘be careful.’” The men chose that moment to burst in the door like a bunch of rambunctious puppies, filling the room with chaos and testosterone. Gracie placed her hand over her forehead. “Oh, shit, he’s going to kill me.” Mitch stopped on a dime, his attention going first to Maddie and then to Gracie. A muscle in his jaw jumped. “What did you do?” All three men turned to Gracie. They advanced on her, gleaming with sweat. Alarm stirred. Maddie didn’t need to see their faces. The aggression was clear in their stance. The sheriff crossed his arms over his broad chest, and the muscles in his back rippled with the movement. Like Mitch, he also had a tribal-looking tattoo, although it was on his left shoulder instead of wrapping around his bicep. “You couldn’t keep your mouth shut, huh?” Gracie seemed to regain some of her composure, and her chin tilted. “I was only . . .” She cleared her throat. “Being friendly. And helpful.” Sam pinched the bridge of his nose with his thumb and forefinger. “Didn’t I tell you to leave it alone?” “Yes, but . . .” Gracie glanced at Maddie. “I was worried, and—” Mitch sliced a hand through the air. “What happened?” The men reminded Maddie so much of her brothers and their tactics lit her temper. “That’s enough!” They all swung around. The men’s eyes were sharp, hard with leftover adrenaline. It gave her a moment of pause, before she brushed their daunting presence aside and vaulted off her position by the sink. They tracked her as she stomped around them to stand in front of Gracie. “Stop intimidating her.” Charlie laughed, a wry, amused sound. “Honey, we couldn’t intimidate her if we tried.” His gaze slid over Gracie in a familiar, intimate way. “Although I do think she’s angling for a spanking.” “Ha! You wish.” Gracie placed a hand on Maddie’s shoulder. “Thanks for trying to rescue me. You’re a doll.” She sniffed. “It’s nice to have another female here. I never have anyone on my side.” Sam shook his head. “What did I tell you?” Maddie planted her hands on her hips. “She didn’t do anything, so stop it.” Mitch’s eyes narrowed. “What did she say, Maddie?” “I was just—” Gracie said. “Nothing.” Maddie cut her off as a sudden loyalty toward the woman behind her swelled in her chest. “It has nothing to do with any of you. Now back off.” Charlie’s lips curled into a smile. “Aren’t you a feisty little thing?” “I might be little,” Maddie said, in a righteous tone. “But I’m used to dealing with my brothers, who are all bigger and scarier than you.” Charlie laughed and elbowed Mitch in the ribs. “That sounds like a challenge.” Maddie risked a glance at Mitch to find his expression still hard, not amused at all. He crossed his arms. “I want to talk to Maddie. Alone.” Sam jutted his chin toward the door. “Let’s go.” Gracie squeezed Maddie’s shoulders. “Thanks for sticking up for me. And remember, I’m right next door if you need anything.” “She won’t,” Mitch said, his tone matching the dark expression he wore. Strangely,
Jennifer Dawson (Take a Chance on Me (Something New, #1))
Her father doesn’t like me.” “He doesn’t know you yet.” “He knows I’m deaf and that I’m all tatted up.” I look down at my arms. Every single tattoo means something to me. I wouldn’t erase them if I could. Paul shrugs. “And neither of those things makes you bad for his daughter.” He quirks an eyebrow at me. “Getting her pregnant, on the other hand…” He lets his thoughts trail off. “He brought her ex-boyfriend to New York to live with her. That’s why she’s here at our apartment.” Paul purses his lips like he’s whistling. “Sorry,” he says, when he remembers I can’t hear whatever noise he’s making. “That’s shit.” “She refused to stay there.” “Good girl,” he says with a smile. “I knew I liked her.” “Her father is going to be a problem.” “Win him over, dumbass,” he says. “You’re smart. You want to succeed. You’re talented as hell. And you love his daughter. He’ll get over the tats and you not being able to hear.” He motions absently toward his ears. I’ve been deaf so long that my family doesn’t see it as a handicap. Neither do I. I push to my feet. “I’m going to bed.” Paul arches his brow at me. “None of your fucking business,” I grouse. But I rub his head as I walk by, and he shoves my hip to get me away from him. “Love you, dumbass,” I say. “Love you better,” he replies.
Tammy Falkner (Smart, Sexy and Secretive (The Reed Brothers, #2))
I turned my wrist over and smiled at my very own butterfly imbedded artfully and permanently into my skin. It was simple…just a black outline...a cookie cutter tattoo.  At least that was what Max had called it. Gently I traced the outline and remembered the day I got it. I was just eighteen, and scared to death, but I wanted it so badly. To make me feel better, Max decided to get one as well. It would be his sixth tattoo…not his first time under the ink gun. He was a pro in my eyes and so having him there helped. He teased me about my choice saying I was too girly, but when the work was done, he had looked at me with admiration. “It suits you,” he had whispered. “It’s pretty and uncomplicated…just like you.” He’d leaned in and kissed me gently. I can still feel the scrape of his stubble and the warmth of his lips. The hazel eyes were earnest, as he pulled away. “What did you get?” I had asked, still overwhelmed by him. That crooked grin set the butterflies to flight in my stomach. He’d chuckled and went for the hem of his shirt, lifting it up on the left side. I’d seen the beautiful angel he had gone back time and time again to be finished. It was a twist of wings and shadows and it raveled down the entire rib cage ending just at his hip. It was a masterpiece.  I had admired it for an instant before I noticed the change. I had covered my mouth and gasped in surprise. Woven into one of the angel’s wings was my name.
Sarah Brocious (What Remains (Love Abounds, #1))
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HAIR GROWTH,PILLS SCAR REMOVAL.TATTOO REMOVAL
She had white-blond hair cut pixie-short, and a black rose tattoo on the nape of her neck. From behind I could see she had one of those dainty cartoon frames: curvy hips, tiny waist, and mysteriously, no shoulders. I could probably bench-press her.
Jessica Martinez (The Space Between Us)
Gilly frowned at me. “Ya know, stereotyping be a sign of limited intelligence. I might have asked ye where yer lower back tattoo be or yer lip piercing, but I didna.” It folded its short little arms and cocked out one funky-shaped hip in a defiant stance.
Elle Casey (The Changelings (War of the Fae, #1))
Volsung straddles his daughter, putting his weight on her tailbone, and sets to grim work. With the knife from his waist, he cuts open her vest to reveal Sefi’s tattooed back. In a tender sawing motion, he carves off two long flaps of flesh from the shoulder blades to the tailbone, exposing her rib cage. She flails like a punctured fish. Then with a small axe from his hip, Volsung hacks at the ribs on either side of her spine. She jerks in agony, but no sound escapes her. He discards the hatchet and pries open her rib cage from behind to expose her lungs. Tears leak from her eyes. She gasps for air. As peaceful as a man cleaning a fish, Volsung takes a handful of salt from a pouch and throws it on the wounds.
Pierce Brown (Dark Age (Red Rising Saga #5))
Post Malone Open Carries Gun While Buying Hoverboard in Utah Wal Mart There's long history of firearms in the hip-hop industry. Most of it is only for the show, although some of this history includes violent undertones. In actuality, many rappers legally take on an everyday basis. This includes Article Malone, who carried while buying at a Utah Walmart a week to the rapper.The Walmart article received a lot more than 1000 opinions. A massive majority were positive in him shopping at Walmart and using an open carry pistol. Not everybody agreed. Some seemed to consider the concept of carrying out a gun to become juvenile. Utah law allows open transport, if the individual has a permit. The gun has to be carried with just two steps necessary for firing: racking the slide along with pulling on the trigger.Response to Create Malone Open Carrying There's absolutely not any way of knowing if Malone has a license for Utah. Approximately 22 per cent of state residents have licenses. Utah recognizes permits for all 50 states, so he may have one from somewhere else. He owns homes in California and Utah, therefore he might have permits for either one. Malone creates a advocate for your responsible use of guns.One particular reason he supports gun rights is the same as many other gun owners in the nation. He considers"the globe will shit," and wishes to be more prepared if something happens. He actually showed off part of the collection during a meeting with Spin. At exactly the exact same time he clarified he could be right into alternative news and conspiracy theories. The writer believed the set to be"disconcerting," seemingly not understanding that a lot of Americans possess firearms and hold a number of the exact beliefs. It might seem unusual but was normal within the Utah wal mart.A UTAH Wal-mart GOT A NICE SURPRISE WHEN RAPPER POST MALONE VISITED TO BUY A HOVERBOARD, ALL WHILE BEING AN ADVOCATE OF Open-carry WITH A PISTOL ON HIS HIP.The shop actually published a photograph of Malone with a Walmart employee and depriving him . While there, he purchased a hoverboard, and spent a few minutes posing for pictures and conversing with fans. And with that visit, Malone had a pistol within a holster. Our friends at Ballistic Magazine confirm that the pistol appears to function as described as a ZEV OZ9.Malone, whose name is Austin Richard Post, is a long time owner of firearms. Section of this might be because while he was born in New York, he was raised in Texas. Over time, media outlets have been told by him regarding his service of the Second Amendment. One of the tattoos, actually, is that a snake.
Declan Gibson
Deerfield, Massachusetts February 29, 1704 Temperature 0 degrees Mercy could not keep up the pace. Gradually the line passed her by, until she was walking with Eben Nims, and she must not fall farther behind than that, because the Indians behind Eben were the end of the line. Daniel held tight and sucked his thumb. But not only did Marah refuse to walk, she kept yelling that her feet were cold, and she wanted Stepmama, and she needed her mittens, and she was hungry. Mercy could walk, though not fast enough, and she could carry, though not easily. But she could not supply food, warmth or Stepmama. Mercy tried to believe that Stepmama was up ahead of her with the baby; that it was so crowded and chaotic Mercy could not spot her. But in her heart, she did not think Stepmama had left the stockade. “The savage put food in my pack, Mercy,” said Eben quietly. “If you slip your hand into the opening near my left shoulder, there’s a loaf of bread on top.” They walked on, considering whether the Indians would tomahawk her for stealing Eben’s own bread. Well, they’d shortly tomahawk Marah for whining, so Mercy might as well get on with it. She set the two children down, and Eben bent his knees so she could reach and Mercy fished around in the pack. She slid the loaf out. It was long and fat and crusty. Her Indian was watching. Mercy looked straight at him while she ripped off a chunk for Marah. He did nothing. Mercy decided to give some to Jemima too, which would give her something to do besides whine. She would give bread to Eliza and hope food would break Eliza’s grieving stupor. Marah didn’t take a single bite. She threw the bread across the snow. “I want Mama!” she said fiercely. She glared at Mercy, as if all this hiking and shivering were Mercy’s fault. Mercy could not abandon the bread out there in the snow. She was going to need that bread. It was all they had, and somehow Mercy had become responsible for Marah and Daniel and Ruth and Eliza and Jemima, and probably even for Eben. Mercy stepped off the trodden path to retrieve the crust, but her Indian stopped her, shaking his head. On his face was no expression but the one painted in black. His arms were tattooed with snakes that curled their fangs when he tightened his muscles. How could he go half bare in this weather? she thought, and then remembered that she wore his rabbit-lined cloak. Daniel, sitting happily on her hip, reached out from under the rabbit fur and patted the snake. The Indian tensed his upper arm to make the snake slither. Daniel giggled, so the Indian did it again, and it seemed to Mercy that he actually smiled at Daniel. Then, blessedly, he took Marah for her.
Caroline B. Cooney (The Ransom of Mercy Carter)
Open your eyes Harper.” The first thing I saw was his anxious expression in the mirror. He was worrying his lip waiting for my reaction. I inhaled quickly and his body locked up when I looked down to my left side. It was beautiful. There were four large orange lilies wrapped around my hip, and I couldn’t believe how amazing they looked. I stepped closer and took in the perfect shading and detail to each flower. From the sketches I’d looked at and his drawing of me, I had known Chase was amazing, but I’d never thought he could make something like this look so real. His forced swallow was audible, and I realized I still hadn’t said anything. But there were absolutely no words. First my ring, and now this? Did anything get past him? I turned to face him and ran a hand through his messy hair. “Please tell me what you’re thinking.” Unfortunately, I wasn’t. I crushed my mouth to his and he quickly deepened the kiss. Right away the other tattoo artists started hooting and yelling for us to get a room. I pulled back and knew there was nothing I could do about the deep blush on my face. Chase led me back to his table and put ointment and a wrap over my tattoo before fixing my shirt, he was all smiles. “What made you choose those?” He beamed his white smile at me, “I heard you talking to Bree and Mom about them being your favorite. And ever since that day all I’ve wanted to do was get you orange lilies, but I knew I’d probably get punched again. This was my way around it.” “It looks amazing Chase, thank you.” He shrugged, but he still couldn’t contain that smile. “I’m serious.” I grabbed his face with both hands and brought him close, “I love it, thank you.” Chase kissed me once and skimmed his nose across my cheek. “God, you’re beautiful Harper.” My phone rang then, Brandon’s name flashed on the screen. “Hey babe.” “Hey, how’s the tattoo look?” “Um, it’s not done yet, can I call you after?” “I’m going out with some buddies from high school, I’ll just talk to you tomorrow, kay? But send me a picture when it’s done. I love you.” My stomach clenched, “I love you too. Have fun tonight.” I pressed the end button and looked up at Chase’s closed off expression. “Chase –” “So you’ll need to go buy some anti-bacterial soap to clean it.” “Please talk to me.” “I’m trying. Look, here are some aftercare instructions. Don’t take the wrap off for at least an hour. If anything looks wrong give me a call.” He dropped the paper on my stomach and stepped back. “Chase!” “I have another appointment, and he’s waiting. I’ll see you later.” I looked into his guarded eyes and exhaled deeply, “What do I owe you?” “Nothing. It was a gift. But I’m busy, please go.
Molly McAdams (Taking Chances (Taking Chances, #1))
I love you, Harper.” His hands reached up but he only cupped her hips, letting her continue on her journey. She pressed a kiss to the scar across his right deltoid, an old injury from one of his first deployments, then his left collarbone, broken on a training trip to California. Then, moving carefully, she pressed kisses to the new scar still healing on his chest. That one had been too close to taking his life. Thank goodness he had been able to receive medical care as quickly as he did. Cat moved down Harper’s muscled abs and the slim line of black hair there. “I think everything about you is beautiful.” He puffed out a little laugh but she looked up at him with reproach. “I do. Your body is superb, even wounded. It always has been. That’s why I always have to beat the nurses off you.” She flashed him a grin. “Your mind is devious and brilliant, but I love that. The loyalty to your family and your men is humbling.” She stroked a finger over the tattoo that echoed those sentiments on his right pectoral. “Your unfailing courage in the face of everything that has happened is astounding. I know whatever we have to face you will conquer with that same indomitable, dogged, Navy SEAL will. And your heart,” she moved back up his chest to press a kiss to his sternum, “your heart is more loving and willing to try than I ever could have hoped. We’re going to put our family back together,” she promised. Harper stared up at her for several long seconds before he closed his eyes, but not before she’d seen the shine of moisture in their depths. He pulled her down on top of him, burying his face into her neck. “You are every bit the woman you’ve always been, calm and understanding, willing to put up with my shit. And I have to tell you. All of those things you see in me? I wouldn’t be any of them without you. And I mean that. You’ve supported me through everything. You flew across the country to be at my bedside even though you didn’t know the kind of reaction you’d receive. It amazes me that you would take that chance. But I’m so glad you did. I love you, Catherine Marie Preston. I always have.” She flashed a smile at the use of her full name. “And I love you, Harper Broderick Preston. I always will.” They
J.M. Madden (Embattled SEAL (Lost and Found #4))
spanning the entire width of his back were two massive feathered, folded wings, their roots at his shoulder blades, their tops curving up over his trapezius muscles, the pointed tips falling softly at his hips. They were rendered in gorgeous detail in black and gray ink, a tattoo that seemed alive, ready to lift and stretch, and blot out all the light from the window.
Lauren Gilley (Price of Angels (Dartmoor, #2))
Despite the cold outside, she was wearing a cropped white shirt and tight dark blue jeans that sat low, revealing a tattoo of a broken heart on her hip. Her hair was bleached white-blond with about an inch of silver-sprinkled dark roots showing. Her mascara had run and there were black streaks on her cheeks. She looked drip-dried, like she'd been walking in the rain, though there hadn't been rain for days. She smelled like cigarette smoke and river water.
Sarah Addison Allen (The Sugar Queen)
Giving orders?” “You don’t like that?” Prophet rolled his eyes. “It’s like you don’t know me at all.” “Your cock likes it, though.” Tom waited, hands on his hips. “Seems to know me quite well.” Prophet’s cock was also a complete traitor . . . and a slut for the tattooed, pierced, handsome-as-fuck Cajun-drawling man in front of him. Tom
S.E. Jakes (Not Fade Away (Hell or High Water, #3.5))
Jon spat on Tom, thumbing the thin saliva into him before spitting again, this time into his hand to stroke his cock with. When he pushed himself into Tom’s body, it was with a low moan of pleasure, and he moved slowly for a few strokes, letting Tom’s passion catch up as the first mate jerked the thick cock between his legs. Jon fell forward with one arm locked around Tom’s neck, the other around his torso, and his forehead pressed to the scars and tattoos on the first mate’s back as he slid his length into Tom’s heat. He brought himself close twice, three times, four… stopping each time on the very brink to rest shaking and panting against Tom. Jon could feel the first mate’s heart beating hard and fast, his tanned skin slick as he also held himself back. Finally, even the slightest movement became too much, and Jon pushed himself up off Tom to pound quickly into him, his hands tight around the first mate’s narrow hips. With a strangled cry, Jon spilled over, his cock throbbing as the hot, liquid current crackled through him, and he shuddered, blind and deaf to anything but his fevered, breathless climax.
Bey Deckard (Sacrificed: Heart Beyond the Spires (Baal's Heart, #2))
When Jon finally, impatiently, took his place between Tom’s legs, he felt like a wanton beast. His hands closed exactly over the tattoos that curled over Tom’s hips, like they were guides. He groaned and slid his whole length smoothly in one motion inside Tom. Under him, Tom moaned and shuddered, pushing back on Jon. Unlike the last time he shared a lover with Baltsaros, this body was the right one beneath him. When he turned to look at the captain, Jon saw that the man’s eyes were half-lidded with lust, his top lip curled on one side in a wicked sneer of desire as he stroked himself while watching Jon and Tom. Bolstered by the captain’s reaction, Jon started thrusting hard into Tom, his breath heaving and groaning out of him from the glorious sensation of the man’s slick muscles enveloping and sliding over his cock. Tom met every plunge with a low moan, one hand frantically twisting the coverlet in his fist while the other worked his own hard shaft beneath him. The sound of Jon’s pelvis slamming hard against Tom’s muscular ass competed with the bestial sounds coming from the two men’s throats.
Bey Deckard (Caged: Love and Treachery on the High Seas (Baal's Heart, #1))
They drifted back to reality slowly, limbs entwined, heartbeats erratic, bodies shimmering with sweat. Hunter drew her head onto his shoulder, unwilling to let her go. A half smile settled on his mouth. He knew this first coupling had fallen far short of what it could have been, what it would be the second time. He had been tense, and so had she, not to mention the pain he had inflicted. His smile broadened. This small woman filled the empty places inside him, made him feel whole again. Gazing sightlessly across the lodge at the evening shadows, Loretta listened to the rapid tattoo of Hunter’s pulse. She felt boneless and completely exhausted. Her cheeks flamed when she thought of the things he had done to her and the shameless way she had responded. A wave of embarrassment washed over her. As if he sensed her anguish, he slid his hand over her hip and upward to her ribs. “My heart is filled with great love for you,” he whispered. Tears sprang to Loretta’s eyes. She couldn’t name the emotion that caused them, didn’t want to. Then, like projectiles from a cannon, the words shot from her mouth. “Oh, Hunter, I love you, too.” The moment she said it, she knew it was true. She loved him as she had never loved anyone, with an intensity that made her ache. Hunter, the fierce warrior, the culmination of all her nightmares, had become the most important person in her world.
Catherine Anderson (Comanche Moon (Comanche, #1))
I watched him, mesmerized. The ink of his tattoos bespoke the path he’d walked to get to me. A skull and crossbones on his hip. His daughter’s initial on one side of his chest and the words ‘Sine metu’ on the other. I’d learned Latin in college and I knew it meant ‘without fear’.
Brenda Rothert (Barely Breathing)
She tried the front door and it was unlocked, which actually surprised her. “Not open,” Mac’s deep, rumbly voice called out from the back about a second before he stepped out from his workshop. His eyes widened when he saw her. And he stood there looking like deer in headlights. Good. “Adeline,” he began. “A text? Seriously? You blow me off with a freaking text,” she snapped out, her boots stomping forward of their own volition. That burning fire that had spent days kindling was licking up her spine now as she worked up a good head of anger. He closed his eyes briefly as he moved toward her. “Look, it’s not what you think.” “Really? It’s not what I think? You didn’t send me a dismissive, crappy text about an hour before our date? After spending all that time together and becoming…friends.” Or she’d thought they had. Obviously she was wrong. “So you didn’t blow me off after all that? And then ignore me right in front of people on Main Street?” It was quite literally possible there was actual steam coming out of her ears right now. Guilt flickered across his expression for a moment but then his face went carefully neutral. “Look, I didn’t know how else to handle it. I just don’t think we should see each other. I shouldn’t have ignored you and I should have called, but—” She’d took another step forward, hands on hips, when the front door behind her swung open with a bang. She jumped and turned to find some guy stalking in. He had on heavy-looking boots, jeans, a short-sleeved T-shirt, and there was a chain hanging from his back pocket attached to his belt. And he had some ugly-looking tattoos on his arms. Prison tats.
Katie Reus (Ancient Vendetta (Ancients Rising, #4))
None of my tattoos belong to me; other people wore them first. I have Gaga’s Rilke quote on the inside of my arm and Lana del Rey’s paradise on the side of my foot. Rihanna’s stars cascade across my hip; Cara Delevingne’s wasp stings my shoulder. These tattoos belong to people who are free and abundantly themselves. When they walk in, they belong, even though they look like they came from the moon or Mars or the Milky Way. They don’t have scars; they are the scar—the line that separates them from the ordinary is their entire existence. Their tattoos are my icons, little etched Patronus charms that fly across my body. So when I get ink, I get theirs. I reach for what they have; I cling to it in permanent colors.
Saundra Mitchell (All the Things We Do in the Dark)
The tattoo is sitting just below his hip bone. h e l l i s e m p t y a n d a l l t h e d e v i l s a r e h e r e I kiss my way across the words. Kissing away the devils. Kissing away the pain.
Tahereh Mafi (Ignite Me (Shatter Me, #3))
From the neck up, I was regal: my face was adorned with cosmetics- rouge on my lips, a smearing of gold dust on my eyelids, kohl lining my eyes- and my hair was coiled around a small golden diadem imbedded with lapis lazuli. But from the neck down, I was a heathen god's play-thing. They had continued the pattern of the tattoo on my arm, and once the blue-black paint had dried, they placed on me a gauzy white dress. If you could call it a dress. It was little more than two long shafts of gossamer, just wide enough to cover my breasts, pinned at each shoulder with gold brooches. The sections flowed down to a jewelled belt slung low across my hips, where they joined into a single piece of fabric that hung between my legs and to the floor. It barely covered me, and from the cold air on my skin, I knew that most of my backside was left exposed.
Sarah J. Maas (A Court of Thorns and Roses (A Court of Thorns and Roses, #1))
Get on your hands and knees,” he ordered, his voice so low she could barely understand him. But her blood heated, and an ache that had nothing to do with how hard he’d just taken her began to build between her legs once more. So Nesta did as he bade, baring herself, still wet and gleaming with both of their releases. He snarled in satisfaction. “Beautiful.” She whimpered a bit—because beneath the praise, pure lust simmered. He growled, “Put your hands on the headboard.” Her breath began sawing out of her again, but she obeyed, already thrumming with need. Cassian rose behind her, gripping her hips. He knocked a knee against each of her own, spreading her legs wider. Callused fingertips brushed down the length of her spine, over the tattoo there, the ink binding them. He leaned to whisper in her ear, “Hold on tight.
Sarah J. Maas (A Court of Silver Flames (A Court of Thorns and Roses, #4))
(these are my highlighted parts of the book) Not human, thought Maura, as the hairs stood up on the back of her neck. My god, what have I brought back from the dead? This poor woman's already died once. Let's not have it happen again. Do you solemnly swear that the testimony you are about to give to the court in the case now in hearing shall be the truth, the whole truth, and nothing but the truth, so help you God? Corpses have woken up in morgues. Old graves have been dug up, and they have found claw marks inside the coffin lids. People are so terrified of the possibility that some casket makers sell coffins equipped with emergency transmitters to call for help. Just in case you're buried alive. The resurrection of Christ wasn't a true resurrection. It was merely a case of premature burial. When they ask you to play a child, it means they want you to be scared. They want you to scream. They enjoy it if you bleed. It's not strength, Mila. It's hate. That's what keeps you alive. Duplex rounds are designed to inflict maximum damage. In marines, we call them "torso meat tags" because they're useful for identifying your corpse. In a blast, there's a good chance you'd lose your extremities. So a lot of soldiers choose to get their tattoos on their chest or back. The world is evil, Mila, and there's no way to change it. The best you can do is to stay alive...and not be evil. You're worse tan a whore. You don't just sell out yourself. You'd sell out anyone else. But these bars look different; these are not to trap people in; they are meant to keep people out. Come on baby. Stop being so goddamn stubborn. Help your mama out! Some babies are born screamers. They refuse to be ignored. God put mothers on this earth for a reason. Now, I'm not saying it takes a village to raise a kid. But it sure does help to have a grandma. Human. A02/B00/C02(7cm)/D42 Scalp hair. Slightly curved, shaft is seven centimeters, pigment is medium red. Reality's a bitch, ain't it? And so am I. Whenever there are big boys playing with a lot of money, you can bet sex comes into it. When I open my eyes again, I see more of Anja peeking out from the sand. The curve of her hip bone, the brown shaft of her thigh. The desert has decided to give her up, and now she is re-emerging from the earth. Nothing that happened to you was your fault. Whatever those men did to you - whatever they made you do - they forced on you. It was done to your body. It has nothing to do with your soul. Your soul, Mila, is still pure.
Tess Gerritsen (Vanish (Rizzoli & Isles, #5))
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HERBALS
Hi, I'm June." I wave into the mirror stiffly. "I like Domino's Pizza and finance dipshits. The A Star Is Born soundtrack is the most important thing that's ever happened to me despite never having seen the movie. Or even being aware that there's four of them." June hip checks me. "And I'm Jayne," she parrots back. "I'm partial to oat milk, bands no one cares about, white boys who hate me, trust-fund poverty, and I still think tattoos are subversive even though literally every-fucking-body has one." She smiles. "And tote bags for boring magazines." I laugh. To be honest, I'm a little touched she knows so much about me.
Mary H.K. Choi
After a while, Rhys lifted his chest enough to take my right hand. To examine the tattoos inked there. He kissed one of the whorls of near-black blue ink. His throat bobbed. 'I missed you. Every second, every breath. Not just this,' he said, shifting his hips for emphasis and dragging a groan from deep in my throat, 'but... talking to you. Laughing with you. I missed having you in my bed, but missed having you as my friend even more.
Sarah J. Maas (A Court of Wings and Ruin (A Court of Thorns and Roses, #3))
Was he curious about her? That was putting it mildly. He was curious about the noises she might make if he kissed her properly and the colour of her nipples and what she tasted like between her legs and the extent of her tattoo and how she’d sounded as she came. He was curious about where she liked to be touched and whether she’d let him take charge and if she liked giving head. He was curious about the long curve of her spine and the dip of her hip and how she’d looked straddled atop of him, her hair loose, her breasts bouncing as he pushed her over the edge. Or curled up beside him in bed, naked, her body branded by his.
Amy Andrews (The Colonel's Daughter (Men of the Zodiac, #8))
Her honey-blonde hair is strewn across her face as she sways her head. She’s working a red sequined bikini separated by a tan, flat stomach, and a butterfly tattoo resting on her left hip. Her legs are clad in black fishnets that run into a pair of white-heeled boots—still a knockout.
Kevin James Moore (The Go-Go Girl)
Will you let me move into your fortress with you?” I blurt out. Her brow furrows, and she looks so damn cute that I want to kiss her, but I know I can’t. “What?” she breathes out. I get up and walk to her. “That fortress where you reside? Will you let me live there with you?” “What the fuck are you talking about?” she asks. She puts her hands on her hips and glares at me. “I don’t want to blow all your walls to bits,” I say. She has a piece of hair stuck to her lips, so I pull it away and tuck it behind her ear. “I just want to live inside them with you. Fuck,” I say, throwing up my hands. “I fucking love your walls. Every single brick. But let me move in. Let me be there with you. Then you can find out if you love me, and you can invite me to stay if you find out that you do. Just let me inside.” I take a deep breath and watch her. “Did you hit your fucking head on the way to work?” she asks. I laugh and rub my forehead. “No, but Logan just slapped some sense into me.” “Then what the fuck is wrong with you?” “I’m in fucking love with you, Friday!” I cry. “I fucking love you, you irritating, obnoxious, sexy-ass woman that I can’t get out of my fucking head.” I hit myself in the head with my fists like I’m knocking. “I’m in love with you.” I drop down onto my knees in front of her, and she steps back, so I inch forward until I can pull her belly to touch my forehead. “I’m in love with you.” I look up at her. “I’m on my knees, and I’m not going to try to get you to marry me or make you do anything you don’t want to do. Just let me in, and I’ll be happy with it.” “So, you don’t want to talk me into marrying you?” I shake my head, staring up at her like a puppy. “You’re not going to hold it over my head and refuse intimacy until I cave to what you want?” “No.” “You’re not going to keep asking me again and again?” “No.” “You’re going to stop being stupid?” I grin. “I don’t know about that one.” “You have testicles,” she says, and she shrugs. “I can’t have it all, can I?” She sinks down onto her knees in front of me. She bites her lower lip and stares at me. “Say it,” I coax. She goes back to glaring at me. “Say what?” “Whatever you’re thinking.” “I’m thinking that my knees are uncomfortable on this fucking floor, and I’m wondering how long you’re going to fucking make me stay down here.” I laugh. God, she’s so contrary! She takes my face in her hands. “Tonight, can I make you dinner?” she asks. My heart does that pitter-patter thing again. “Like a date?” She rocks her head back and forth like she’s weighing her words. “I guess you could call it a date.” “Then yes, I’d love that.” Then I remember. “But I have Hayley tonight.” She brightens. “Good.” She kisses me quickly and grins. “Because that’s about as close to a threesome as you’ll ever get with me.” She points to the floor. “Can I get up now?” she asks. “Get the fuck up,” I growl. I get to my feet, too. She falls against me and wraps her arms around my waist. “So does this mean that you don’t want to marry me?” she asks, her voice muffled against my chest. Her words touch the tattoo I just got, and it stings a little. But I don’t pull back. I don’t want her to see it yet. “I didn’t say that.” “You didn’t say the opposite.” I set her back a little and look down into her upturned face. “Are you telling me you do want to marry me?” She shakes her head and jabs a finger at me. “But I want to leave the door open.” Oh, holy hell. She’s opening a fucking door and I didn’t even have to threaten her or withhold anything or torment her in any way. I might pass out. “Okay,” I say.
Tammy Falkner (Proving Paul's Promise (The Reed Brothers, #5))
We had to convince these guys to perform, but they were easy to win over.” She points to the curtain, and it opens slowly. “I give you the Reeds, performing to Taylor Swift’s ‘You Belong with Me.’” The curtain opens, and Paul, Matt, Logan, Sam, and Pete are all standing in a line. They’re all dressed in jeans and sleeveless T-shirts, and you can see all their tattoos and they’re so fucking handsome that I can’t even believe they’re mine. I see Hayley, Joey, and Mellie standing on the side of the stage, all waiting anxiously to watch their daddies and uncles. Seth starts the music, and he’s underlaid some kind of hip-hop track beneath the beat, but you can still pick out the music. It’s a song about unrequited love and realizing that what you wanted was right there in front of you the whole time, but you were being too stupid to see it. It’s told from a girl’s point of view, so some of the words don’t exactly fit the boys, but it makes it all the funnier. The Reeds have moves. Serious moves. I think everyone woman in the auditorium sits forward in her seat so she doesn’t miss seeing the shaking hips and flexing muscles. Paul even picks Matt up and spins him around one time, and Sam does the same to Pete. I can’t stop laughing. Even Logan dances, and I can imagine the kind of work it took for him to learn this routine when he can’t even hear the music the same way everyone else can. He can appreciate music, just in a different way. As the song starts to close, Matt, Pete, Logan, and Paul all point out at the audience when the words, “You belong with me,” play. Matt points to Sky. Pete points to Reagan, and Logan points to Emily, who is holding the baby in her lap. And Paul points in my direction. Those four men jump off the stage and come toward us. They sing and dance all the way down the aisle. Out of the corner of my eye, I see Kelly get up to intercept Paul, but he doesn’t even notice her. He points past her, and sings out the last line, “You belong with me,” in my ear. He picks me up and spins me around, and I have never felt more happiness in my whole life. The music stops, and everyone looks to the stage. Sam has sat down on the side of it, and he looks pretty dejected. He’s holding a sign above his head that says, Available. After this, he won’t be available for long, because every woman there now has a crush on all the Reeds, and he’s the only one who isn’t taken. I love that they can be so silly, and so loving, and so…them. They don’t hide it. They don’t make a game of it. They just love. They love hard. “I love you so hard,” I say to Paul. His eyes jerk to meet mine, and he almost looks surprised. “You do?” he asks. I nod. “I do.” “Will you come home tonight?” he asks quietly. I nod. “Good. That’s where you belong.
Tammy Falkner (Proving Paul's Promise (The Reed Brothers, #5))
think, by now, it’s safe to say I have a little bit of an obsession with watching Tylin jerk off. Clear water skims down the etching lines of his hard body and his arm tenses with every fluid stroke of his palm. Angling black lines of his tattoo frame his hips, drawing my attention lower. He looks controlled but relaxed all at the same time as he lifts his face to let the shower rain down on him.
A.K. Koonce (An Assassin's Deception (The Huntress #2))
Aubade (Lisa Lisa Lisa)" Sometimes I kiss the inch of air above your body warmed by your skin. Or I feel your heat from across the room where I stand stiff as a robot in the metallic air of moonlight, hand flat against the windowpane as if to feel light pass through glass. Why am I still that robot, aware of what I can’t feel? If I say your name three times my voice becomes a meadowlark’s, not the sad creak of a mechanical man. So here I am with wings— here I am, a robot boy and his dream of singing. I watch you sleep and feel the light cool against my hand, my hand that soon will warm itself with your body as I search again for what I know is there: a tattooed lark sketched in the curve beneath your hip, the notes of a song trailine around your waist like the frailest belt, “hymns at heaven’s gate” that you and I can hear though only at daybreak and only as we kiss, preparing once again to part, promising to return. I promise. Please tell me you promise, too.
James Harms
She was pretty in a way I wasn’t used to. Not like most you girls bowing to the latest beauty trends, indulging in temporary body modifications from reshaping their noses to plumping their lips, or hips, or rears, depending on what was in. You boys kept pace with pec implants and by buying new, chiseled jawlines. But fads came and went, and the yous altered their looks as often as the seasons. The meis, lacking the funds for such drastic changes, resorted to painting their faces in bright colors, using semipermanent tattoos, and dyeing their hair.
Cindy Pon (Want (Want, #1))
Kaikora wore her bronzed, ombre dreadlocks loose with the sea-salt-saturated ends falling between her wide shoulders. She stood unusually tall, broad, and scantily clad; a half-naked giant of rippled muscles etched with dark tattoos. The wavelike designs crossed her torso and arms in seaweed-green swirls that ebbed and flowed with her musculature. On her neck, she wore a yoke of gnarled rope and sea glass, the only article of clothing above her waist. It barely covered her chest, exposing her ample torso to the elements. On her wide, curved hips hung a low loincloth crafted from nacreous scales that reflected the sunlight like the surf.
C.G. Wynn (The Aether Awakens)