Temple Of Doom Quotes

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I'll tell you a secret. Something they don't teach you in your temple. The Gods envy us. They envy us because we're mortal, because any moment might be our last. Everything is more beautiful because we're doomed. You will never be lovelier than you are now. We will never be here again.
David Benioff
They desecrate Riora’s sacred temple! She will be enraged.” “Oh, gods, look at the marble. We are all beyond doomed.” “Somebody put a plant in front of it!
Kresley Cole (No Rest for the Wicked (Immortals After Dark, #2))
His tunic was unbuttoned at the top, and he ran a hand through his blue-black hair before he wordlessly slumped against the wall across from me and slid to the floor. "What do you want?" I demanded. "A moment of peace and quiet," he snapped, rubbing his temples. I paused. "From what?" He massaged his pale skin, making the corners of his eyes go up and down, out and in. He sighed. "From this mess." I sat up farther on my pallet of the hay. I'd never seen him so candid. "That damned bitch is running me ragged," he went on, and dropped his hands from his temples to lean his head against the wall. "You hate me. Imagine how you'd feel if I made you serve in my bedroom. I'm High Lord of the Night Court - not her harlot." So the slurs were true. And I could imagine very easily how much I would hate him - what it would do to me - to be enslaved to someone like that. "Why are you telling me this?" The swagger and nastiness were gone. "Because I'm tired and lonely, and you're the only person I can talk to without putting myself at risk." He let out a low laugh. "How absurd: a High Lord of Prythian and a - " "You can leave if you're just going to insult me." "But I'm so good at it". He flashed one of his grins. I glared at him, but he sighted. "One wrong move tomorrow, Freyre, and we're all doomed.
Sarah J. Maas (A Court of Thorns and Roses (A Court of Thorns and Roses, #1))
I treat my body like a temple. A temple of doom, but a temple nonetheless.
Jim Gaffigan (Food: A Love Story)
Perhaps that is our doom, our human curse, to never really know one another. We erect edifices in our minds about the flimsy framework of word and deed, mere totems of the true person, who, like the gods to whom the temples were built, remains hidden. We understand our own construct; we know our own theory; we love our own fabrication. Still . . . does the artifice of our affection make our love any less real?
Rick Yancey (The Monstrumologist (The Monstrumologist, #1))
I very little, you cheat big! – Short Round
James Kahn (Indiana Jones and the Temple of Doom (Indiana Jones #2))
Fortune and glory, kid. Fortune and glory.
James Kahn (Indiana Jones and the Temple of Doom (Indiana Jones #2))
How many more nights and weird mornings can this terrible shit go on? How long can the body and the brain tolerate this doom-struck craziness? This grinding of teeth, this pouring of sweat, this pounding of blood in the temples… small blue veins gone amok in front of the ears, sixty and seventy hours with no sleep.
Hunter S. Thompson (Fear and Loathing in Las Vegas)
Being in the building with Sarah Palin that night is a transformative and oddly unsettling experience. It’s a little like having live cave-level access for the ripping-the-heart-out-with-the-bare-hands scene in Indiana Jones and the Temple of Doom.
Matt Taibbi (Griftopia: Bubble Machines, Vampire Squids, and the Long Con That Is Breaking America)
This is Mr. Round." "SHORT Round.
James Kahn (Indiana Jones and the Temple of Doom (Indiana Jones #2))
The cross was not about some mythical pagan deity demanding a blood sacrifice – destroying his own son like Molech. Someone may ask … but wasn’t blood required for the forgiveness of sins? Yes, but not in a paganistic Indiana Jones and the Temple of Doom sort of way. Yes, blood was needed for the forgiveness of sins. Not because the Father needed it, but because we did. We were running from God; He was never running from us. In Hebrews 10:22, Paul writes, “let us draw near to God with a sincere heart in full assurance of faith, having our hearts sprinkled to cleanse us from a guilty conscience. …” The blood was for us. The sure solid proof and substance of God’s love. God did not need the blood for Himself. It was His blood. He poured it out for us.
John Crowder (Cosmos Reborn)
Julian’s not at the house in Bel Air, but there’s a note on the door saying that he might be at some house on King’s Road. Julian’s not at the house on King’s Road either, but some guy with braces and short platinum-blond hair and a bathing suit on lifting weights is in the backyard. He puts one of the weights down and lights a cigarette and asks me if I want a Quaalude. I ask him where Julian is. There’s a girl lying by the pool on a chaise longue, blond, drunk, and she says in a really tired voice, ‘Oh, Julian could be anywhere. Does he owe you money?’ The girl has brought a television outside and is watching some movie about cavemen. ‘No,’ I tell her. ‘Well, that’s good. He promised to pay for a gram of coke I got him.’ She shakes her head. ‘Nope. He never did.’ She shakes her head again, slowly, her voice thick, a bottle of gin, half-empty, by her side. The weightlifter with the braces on asks me if I want to buy a Temple of Doom bootleg cassette. I tell him no and then ask him to tell Julian that I stopped by. The weight-lifter nods his head like he doesn’t understand and the girl asks him if he got the backstage passes to the Missing Persons concert. He says, ‘Yeah, baby,’ and she jumps in the pool. Some caveman gets thrown off a cliff and I split.
Bret Easton Ellis (Less Than Zero)
If there’s one thing all diviners share, it’s curiosity. We really can’t help it; it’s just part of who we are. If you dug out a tunnel somewhere in the wilderness a thousand miles from anywhere and hung a sign on it saying, ‘Warning, this leads to the Temple of Horrendous Doom. Do not enter, ever. No, not even then’, you’d get back from lunch to find a diviner already inside and two more about to go in. Come to think about it, that might explain why there are so few of us.
Benedict Jacka (Fated (Alex Verus, #1))
Toby walked the kids through the hot night over to Seventy-ninth and Park, where Cyndi and Todd Leffer lived. On the way, with Hannah still ignoring him, he listened to Solly make a case for watching Indiana Jones and the Temple of Doom again, and they passed a building where he had a clear memory of getting blown by a woman in a stairwell just three weeks ago.
Taffy Brodesser-Akner (Fleishman Is in Trouble)
But if any man comes striding, high and mighty in all he says and does, no fear of justice, no reverence for the temples of the gods— let a rough doom tear him down, repay his pride, breakneck, ruinous pride!
Sophocles (The Three Theban Plays: Antigone; Oedipus the King; Oedipus at Colonus)
The prophet knew that religion could distort what the Lord demanded of man, that priests themselves had committed perjury by bearing false witness, condoning violence, tolerating hatred, calling for ceremonies instead of bursting forth with wrath and indignation at cruelty, deceit, idolatry, and violence. To the people, religion was Temple, priesthood, incense: "This is the Temple of the Lord, the Temple of the Lord, the Temple of the Lord" (Jer. 7:4). Such piety Jeremiah brands as fraud and illusion. "Behold you trust in deceptive words to no avail," he calls (Jer. 7 : 8 ). Worship preceded o r followed by evil acts becomes a n absurdity. The holy place is doomed when people indulge in unholy deeds.
Abraham Joshua Heschel (The Prophets)
If there’s one thing all diviners share, it’s curiosity. We really can’t help it; it’s just part of who we are. If you dug out a tunnel somewhere in the wilderness a thousand miles from anywhere and hung a sign on it saying, Warning, this leads to the Temple of Horrendous Doom. Do not enter, ever. No, not even then, you’d get back from lunch to find a diviner already inside and two more about to go in. Come to think about it, that might explain why there are so few of us.
Benedict Jacka (Fated (Alex Verus, #1))
Many people who struggle to find stable employment also contend with things like intergenerational poverty and/or trauma, cycles of abuse, mental illness, systemic discrimination, disability or neurological disorders. Not only are these all chronically stressful and traumatic circumstances, they have all been linked to a high incidence of impaired executive function. Welfare systems are not built to be easy for people who are anxious about using the phone, or people who mix up dates. They are not designed for people who are bad at keeping time, filling out forms, or people who can’t easily access all the relevant bank, residential and employment details from the past five years, if they thought to keep that information at all. Welfare systems don’t accommodate for transience because welfare systems are not built to be accessible, they are built to be temples of administrative doom, because, apparently, welfare is a treasure that must be protected.
Hannah Gadsby (Ten Steps to Nanette)
Love, which in gentlest hearts will soonest bloom seized my lover with passion for that sweet body from which I was torn unshriven to my doom
Dante Alighieri (The Divine Comdey: Inferno; Purgatorio; Paradiso - The Temple Classics Series (3 Vols.))
Let me first establish—on your behalf—feelings of animosity and disgust at the mendacity inherent in this concept of "cartoon." Whenever someone hits you with a conversational shot that is crude or is intended to hurt, and you bristle, the shooter quickly throws up his/her hands and tries to get you to believe, "I was only kidding. It was all in fun. Boy, are you overreacting. You musn't take it seriously, it was just a joke." Well, we know it wasn't any such thing. It was a snippet of truth slipping past the cultural safeguards that keep us dealing with one another with civility. It was for real. Similarly, when such films as Streets of Fire and Gremlins and Temple of Doom are made, we are expected to take them seriously enough to plonk down five bucks for a ticket. When they fail to deliver what they've promised in all those tv clips, and we express our anger at having been fleeced, the shooters tell us we're overreacting and we should feel a lot better about losing our five or ten or whatever amount they got out of us, because it was all a gag. I wonder how well they'd take the gag if we paid for the tickets with counterfeit bills. Or pried open the firedoor at the theater and sneaked in with the entire Duke University Marching Band. "It was all a joke, fellahs; don't take it so seriously; gawd, are you overreacting!" No, they cannot have that cake and eat it, too.
Harlan Ellison (Harlan Ellison's Watching)
Perhaps that is our doom, our human curse, to never really know one another. We erect edifices in our minds about the flimsy framework of word and deed, mere totems of the true person, who, like the gods to whom the temples were built, remains hidden. We understand our own construct; we know our own
Rick Yancey (The Monstrumologist (The Monstrumologist, #1))
There was a rumor that year, that you might not be yourself. That you might actually be someone else. One of those people who refuse antidepressants, who can't hold down a job, who ends up sleeping, finally, in a hole. That might be you, was what the rumor said. People talked. They said, 'There's this rumor...' Then they pointed out something amusing that was happening in the distance. They shrugged. Itched their forearms. They were easily distracted. Later on, though, in the mouthy dens of their bathrooms, they looked in their mirrors, and they just were not sure. Someone was there; but was it them? And so they believed. They said things like, 'What does it even matter. I might not even be myself.' Then they threw themselves off a bridge, or else drank a quart of ice coffee and watched Indiana Jones and the Temple of Doom.
Tao Lin (Bed)
promise me, Sam: whatever it takes to win, whatever it takes to survive.” “Astrid—” Suddenly she grabbed his face with one hand and squeezed too hard. “You listen to me. I’m not losing you because you played fair. You’re not getting killed. You’re not dying. This isn’t some doomed last mission. Do you understand me? This does not end with me crying and missing you every day for the rest of my life. This ends with us walking out of this nightmare together. You and me, Sam.
Michael Grant (Light (Gone, #6))
And light forces its way ever so faintly into my spirit again--a little ray of sunshine that makes me so blessedly warm; and gradually more sun comes, a rare, silken, balmy light that caresses me with soothing loveliness. And the sun grows stronger and stronger, burns sharply in my temples, seethes fiercely and glowingly in my emaciated brain. And at last, a maddening pyre of rays flames up before my eyes; a heaven and earth in conflagration men and beasts of fire, mountains of fire, devils of fire, an abyss, a wilderness, a hurricane, a universe in brazen ignition, a smoking, smouldering day of doom!And I saw and heard no more...
Knut Hamsun
MACDUFF Confusion now hath made his masterpiece! Most sacrilegious murder hath broke ope The Lord’s anointed temple, and stole thence The life o’ the building. MACBETH 235 What is’t you say? the life? LENNOX Mean you his majesty? MACDUFF Approach the chamber, and destroy your sight With a new Gorgon:—do not bid me speak; See, and then speak yourselves. [Exeunt MACBETH and LENNOX.] 240 Awake, awake!— Ring the alarum-bell:—murder and treason!— Banquo and Donalbain! Malcolm! awake! Shake off this downy sleep, death’s counterfeit, And look on death itself! up, up, and see 245 The great doom’s image! Malcolm! Banquo! As from your graves rise up, and walk like sprites, To countenance this horror!
William Shakespeare (Macbeth)
All at once I remember Ylajali. To think that I could have forgotten her the entire evening through! And light forces its way ever so faintly into my spirit again--a little ray of sunshine that makes me so blessedly warm; and gradually more sun comes, a rare, silken, balmy light that caresses me with soothing loveliness. And the sun grows stronger and stronger, burns sharply in my temples, seethes fiercely and glowingly in my emaciated brain. And at last, a maddening pyre of rays flames up before my eyes; a heaven and earth in conflagration men and beasts of fire, mountains of fire, devils of fire, an abyss, a wilderness, a hurricane, a universe in brazen ignition, a smoking, smouldering day of doom! And I saw and heard no more....
Knut Hamsun
Valyria. It was written that on the day of Doom every hill for five hundred miles had split asunder to fill the air with ash and smoke and fire, blazes so hot and hungry that even the dragons in the sky were engulfed and consumed. Great rents had opened in the earth, swallowing palaces, temples, entire towns. Lakes boiled or turned to acid, mountains burst, fiery fountains spewed molten rock a thousand feet into the air, red clouds rained down dragonglass and the black blood of demons, and to the north the ground splintered and collapsed and fell in on itself and an angry sea came rushing in. The proudest city in all the world was gone in an instant, its fabled empire vanished in a day, the Lands of the Long Summer scorched and drowned and blighted.
George R.R. Martin (A Dance with Dragons (A Song of Ice and Fire, #5))
My brothers woke me when the sun was beginning to set. “What’s the matter with you, Helen?” Castor cried, shaking me by the shoulder. “How can you sleep at a time like this?” “Are you all right?” Polydeuces put in. “You’re not ill, are you?” He touched my forehead to check for fever. I brushed his hand away gently. “I’m fine, ‘Ione’. You don’t need to fuss over me just because I’m smart enough to catch some sleep before the feast. I’ll still be awake when the two of you are snoring with your heads on the table.” “Ha! If not for us, you’d’ve slept right through the feast,” Castor countered. “I’ll build a temple in your honor to show my thanks,” I said, straight-faced. “Now if you really want to lend a hand, go find a servant to help me get ready. This is a special occasion and I want to look my best.” “Ooooooh, our little sister wants to look nice, does she?” Polydeuces crooned. “I wonder why?” I saw him wink at Castor and knew I was doomed to be teased to death. “Don’t you mean, ‘I wonder who?’” Castor replied. He tried to look sly and all-knowing, but his tendency to go cross-eyed ruined the effect. “Do you think it’s Meleager himself?” “He’s the hero of the day, but I think she’d rather have a brawnier man,” Polydeuces said. “I’ll bet I can guess who. I saw how you looked at him the first night we were here.” He flung his arms around his twin, pitched his voice high, and cried, “Oh, Theseus, you’re sooooooo strong! Make me queen of Athens too!” “Out!” I shouted, snatching up my nearly empty water jug. My brothers retreated at a run, laughing.
Esther M. Friesner (Nobody's Princess (Nobody's Princess, #1))
Or if this did not help, one stormy night I would let the fire approach the buckling wooden walls and let it ravage everything, so that people might no longer be enticed to dwell in this home of misfortune. Then no one would be able to enter this doomed place, only the church steeple's black jackdaws would found a colony in the large chimney, rising, blackened and eerie, over the desolate ground. Yet I would surely be anxious when I saw the flames intertwined over the roof, when thick smoke, reddened by the firelight and interspersed with sparks, poured forth out of the old count's estate. In the crackling and sighing I would think I heard the lament of homeless people; at the blue tips of the flames I would think I saw disturbed phantasms hovering. I would think about how sorrow beautifies, how misfortune adorns, and weep, as if a temple to old gods had been doomed to disintegration.
Selma Lagerlöf (Gösta Berling's Saga)
In 594 BCE, Zedekiah of Judah made a visit to Nebuchadnezzar in Babylon, most likely to assure him of his continued loyalty (Jer. 51:59), and the prophet Jeremiah, whose politics had always been pro-Babylonian, offered to help Zedekiah with this visit.  In great prophetic fashion, Jeremiah composed a letter containing an oracle about the ultimate destruction of Babylon (Jer. 51:1-58) and instructed Zedekiah to read the letter aloud and cast it into the Euphrates River, signifying with this act that any plans to destroy Babylon were doomed to fail (Jer. 51:61-64). In
Charles River Editors (King Solomon and the Temple of Solomon: The History of the Jewish King and His Temple)
Indiana Bones and the Temple of Doom.” “It
Zack Zombie (When Nature Calls (Diary of a Minecraft Zombie, #3))
I am gonna give a dime nickel.
Petra Hermans (Voor een betere wereld)
was fairly certain that he saw wingless unicorns as unfortunate cripples doomed for extinction
Shayne Silvers (Dark Horse (The Nate Temple Series, #16))
The false prophets trust in flesh, even if that flesh is the temple in Jerusalem, the promised land, the chosen people itself, or even God’s promise to the chosen people (if that promise is taken to be an unconditional promise and not as a part of a covenant). The true prophets, regardless of whether they predict doom or salvation, predict the unexpected, the humanly unforeseeable—what would not occur to men, left to themselves, to fear or to hope.
Leo Strauss (Jerusalem and Athens)
KGB might have replaced the songoma in this Russian empire, where no citizen was allowed to believe in holy spirits except in great secrecy. It seemed to him that a society that attempted to put the gods to flight would be doomed. The nkosis know that in my homeland, and hence our gods have not been threatened by apartheid. They can live freely and have never been subjected to the pass laws; they have always been able to move around without being humiliated. If our holy spirits had been banished to remote prison islands, and our singing hounds chased out into the Kalahari Desert, not a single white man, woman or child would have survived in South Africa. All of them, Afrikaners as well as Englishmen, would have been annihilated long ago and their miserable skeletons buried in the red soil. In the old days, when his ancestors were still fighting openly against the white intruders, the Zulu warriors used to cut off their fallen victims’ lower jaw. An impi returning from a victorious battle would bring with him these jawbones as trophies to adorn the temple entrances of their tribal chiefs. Now it was the gods who were on the front line against the whites, and they would never submit to defeat. The first night in the strange
Henning Mankell (The White Lioness (Kurt Wallander, #3))
Someone had ripped the heart right out of my chest like that creepy Indian priest rocking a skull-hat adorned with a shrunken head in The Temple of Doom. I had no idea if it was even physically possible to rip a heart out of a human chest with just a hand, but there really was no other way to explain this feeling.
Ashlan Thomas (The Silent Cries of a Magpie (Cove, #1))
It isn’t every day a girl gets to go looking for the Temple of Doom with her BFF and her vampire boyfriend.
Chrissy Peebles (Crash (The Crush Saga, #2))
She saw herself alone, alive and doomed, strong and helpless, passing in a line of women, her mother before her, the child Lucy, behind, women walking on a temple frieze, Greek women in fluttering robes rounding a vase's girth for ever.
Enid Bagnold (The Squire)
is that every little brick of this temple, every eternal book, every eternal melody, every unique architectural silhouette, bears within itself the compressed experience of this humankind, its thoughts and thoughts about it, ideas about the goals and contradictions of its existence
Arkady Strugatsky (The Doomed City)
But a “tragic disposition” and Dionysian affirmation of life is not easy to cultivate, requiring a strength of which most are incapable. To attain the capacity to gaze simultaneously into and affirm equally both the “horrors of night” and the “heights of bliss”, to join together “peak and abyss” (Nietzsche), or in the words of Thomas Carlyle, to see the universe as a “mystic temple and hall of doom” and still say Yes to it, requires the rare state of being Nietzsche called “the great health”.
Academy of Ideas
As she'd gotten stronger, and her new hair grew in, she'd started ranging farther from the room on top of the tower. Not into either city, at first, though she'd walked over to Oakland a couple of times, over the cantilever, and looked out at it. Things felt different over there, though she was never sure why. But where she felt best was on the suspension bridge, all wrapped in it, all the people hanging and hustling and doing what they did, and the way the whole thing grew a little, changed a little, every day. There wasn't anything like that, not that she knew of, not up in Oregon. At first she didn't even know that it made her feel good; it was just this weird thing, maybe the fever had left her a little crazy, but one day she'd decided she was just happy, a little happy, and she'd have to get used to it. But it turned out you could be sort of happy and restless at the same time, so she started keeping back a little of Skinner's junk-money to use to explore the city. And that was plenty to do, for a while. She found Haight Street and walked it all the way to the wall around Skywalker, with the Temple of Doom and everything sticking up in there, but she didn't try to go in. There was this long skinny park that led up to it, called the Panhandle, and that was still public. Way too public, she thought, with people, mostly old or anyway looking that way, stretched out side by side, wrapped in silvery plastic to keep the rays off, this crinkly stuff that glittered like those Elvis suits in a video they'd showed them sometimes, up in Beaverton. It kind of made her think of maggots, like if somebody rolled each one up in its own little piece of foil. They had a way of moving like that, just a little bit, and it creeped her out. The Haight sort of creeped her out, too, even though there were stretches that felt almost like you were on the bridge, nobody normal in sight and people doing things right out in public, like the cops were never going to come at all. But she wasn't ever scared, on the bridge, maybe because there were always people around she knew, people who lived there and knew Skinner. But she liked looking around the Haight because there were a lot of little shops, a lot of places that sold cheap food. She knew this bagel place where you could buy them a day old, and Skinner said they were better that way anyway. He said fresh bagels were the next thing to poison, like they'd plug you up or something. He had a lot of ideas like that. Most of the shops, she could actually go into, if she was quiet and smiled a little and kept her hands in her pockets.
William Gibson (Virtual Light (Bridge, #1))
Horizontal comparisons tend to stimulate self-righteousness. Think of the contrast between the words of the Pharisee and the tax collector in Jesus’s parable in Luke 18. He also told this parable to some who trusted in themselves that they were righteous, and treated others with contempt: “Two men went up into the temple to pray, one a Pharisee and the other a tax collector. The Pharisee, standing by himself, prayed thus: ‘God, I thank you that I am not like other men, extortioners, unjust, adulterers, or even like this tax collector. I fast twice a week; I give tithes of all that I get.’ But the tax collector, standing far off, would not even lift up his eyes to heaven, but beat his breast, saying, ‘God, be merciful to me, a sinner!’ I tell you, this man went down to his house justified, rather than the other. For everyone who exalts himself will be humbled, but the one who humbles himself will be exalted.” (Luke 18:9–14) In comparing himself to other people who are obviously more sinful than he is, the Pharisee essentially tells God that he doesn’t need him, and he surely doesn’t need his forgiveness. How ironic it is to tell the One to whom you are praying that you don’t need him. How strange is it to turn prayer into an argument for your independence rather than a humble confession of personal need. The argument of the Pharisee has two parts. First, he compares himself to others, and then he offers evidence that he is really quite righteous. Sadly, in this man’s prayer, he is participating in his own deception—​​​a deception that will be his doom. The tax collector does just the opposite. Why is he so quick to cry out for God’s mercy? He’s quick to do so because he’s looked into the mirror of God’s Word. You cannot read God’s Word without becoming deeply aware that you are a person in desperate need. You cannot read God’s Word without being confronted with the sin that lives in your heart. You cannot read your Bible without facing the fact that you constantly fall beneath God’s wise and holy standard. You cannot properly celebrate the Christmas story without also being willing to receive its clear and loving rebuke.
Paul David Tripp (Come, Let Us Adore Him: A Daily Advent Devotional)
Jones generally forbade drinking alcohol, but on this night at the Geary Boulevard temple he told the P.C. members that it was all right for once. Each of them drank some, and after their cups were emptied Jones informed them that their wine had been laced with poison—all of them would die within forty-five minutes to an hour. There was no antidote. They were doomed.
Jeff Guinn (The Road to Jonestown: Jim Jones and Peoples Temple)
Old Jiko’s past is very far away, but even if the past happened not so long ago, like my own happy life in Sunnyvale, it’s still hard to write about. That happy life seems realer than my real life now, but at the same time it’s like a memory belonging to a totally different Nao Yasutani. Maybe that Nao of the past never really existed, except in the imagination of this Nao of the present, sitting here in a French maid café in Akiba Electricity Town. Or maybe it’s the other way around. If you’ve ever tried to keep a diary, then you’ll know that the problem of trying to write about the past really starts in the present: No matter how fast you write, you’re always stuck in the then and you can never catch up to what’s happening now, which means that now is pretty much doomed to extinction. It’s hopeless, really. Not that now is ever all that interesting. Now is usually just me, sitting in some dumpy maid café or on a stone bench at a temple on the way to school, moving a pen back and forth a hundred billion times across a page, trying to catch up with myself.
Ruth Ozeki (A Tale for the Time Being)
2 Thessalonians 3-4 for all to hear, “‘Don’t let anyone deceive you in any way, for that day will not come until the rebellion occurs and the man of lawlessness is revealed, the man doomed to destruction. He will oppose and will exalt himself over everything that is called God or worshiped, so that he sets himself up in God’s temple, proclaiming himself to be God.
Patrick Higgins (Three Resurrections (Chaos in the Blink of an Eye, #8))
Over South Mountain, among the Springs that fall to Antietam Creek, on September 21st, they pause at 96 Miles, 3 Chains, near the House of Mr. Staphel Shockey, who tells them of a remarkable Cavern beneath the Earth, about six miles south of the Line. In the winter, English Church services are held in it. Mason’s Hat begins to move, as from some Agitation beneath it. Accordingly, the next day, Sunday, they pay a visit, in company with Mr. Shockey and his Children, whilst Mrs. Shockey remains at home with a thousand Chores that Sunday does not release her from. The entrance is an arch about 6 yards in length and four feet in height, when immediately there opens a room 45 yards in length, 40 in breadth and 7 or 8 in height. (Not one pillar to support nature’s arch) . . . On the Sidewalls are drawn by the Pencil of Time, with the tears of the Rocks: The imitation of Organ, Pillar, Columns and Monuments of a Temple; which, with the glimmering faint light; makes the whole an awful, solemn appearance: Striking its Visitants with a strong and melancholy reflection: that such is the abodes of the Dead: thy inevitable doom, O stranger; soon to be numbered as one of them.
Thomas Pynchon (Mason & Dixon)
Josephus mentions a certain Jeshua, son of Ananias, who roamed the streets of Jerusalem and preached a message of doom against the Jewish aristocracy and the Temple (War 6.300-309).
Josephine Wilkinson (John the Baptist: A Life and Death)
Heed Our words, Our Oracle, We said. A queen shall rest in her temple, Alone, weakened, afraid. A king shall rise and seek her doom. But know this; It shall be friendship… That proves to be her undoing.
Kathryn Ann Kingsley (King of Blood (The Masks of Under #4))
(The banquet scene out of the movie Indiana Jones and the Temple of Doom is priceless.)
Marc MacYoung (Violence, Blunders, and Fractured Jaws: Advanced Awareness Techniques and Street Etiquette)
The end of the drama is well known, and how Jacques de Molai and his fellows perished in the flames. But before his execution, the Chief of the doomed Order organized and instituted what afterward came to be called Occult, Hermetic, or Scottish Masonry. In the gloom of his prison, the Grand Master created four Metropolitan Lodges, at Naples for the East, at Edinburg for the West, at Stockholm for the NOrth, and at Paris for the South. [The initials of his name, J.'.B.'.M.'. found in the same order in the first three Degrees, are but one of the many internal and cogent profs that such was the origin of modern Free-Masonry. The legend of Osiris was revived and adopted, to symbolize the destruction of the Order, and the resurrection of Hyrim, slain in the body of the Temple, of Hyrim Abai, the Master, as the martyr of fidelity to obligation, of Truth and Conscience, prophesied the restoration to life of the buried association.]
Albert Pike (Morals and Dogma of the Ancient and Accepted Scottish Rite of Freemasonry)