Temple Bell Quotes

The sound of the Gion Shoja temple bells echoes the impermanence of all things; the color of the sala flowers reveals the truth that to flourish is to fall. The proud do not endure, like a passing dream on a night in spring; the mighty fall at last, to be no more than dust before the wind.

Benedicto: May your trails be crooked, winding, lonesome, dangerous, leading to the most amazing view. May your mountains rise into and above the clouds. May your rivers flow without end, meandering through pastoral valleys tinkling with bells, past temples and castles and poets towers into a dark primeval forest where tigers belch and monkeys howl, through miasmal and mysterious swamps and down into a desert of red rock, blue mesas, domes and pinnacles and grottos of endless stone, and down again into a deep vast ancient unknown chasm where bars of sunlight blaze on profiled cliffs, where deer walk across the white sand beaches, where storms come and go as lightning clangs upon the high crags, where something strange and more beautiful and more full of wonder than your deepest dreams waits for you -- beyond that next turning of the canyon walls.

The temple bell stops But the sound keeps coming out of the flowers

God is a slick god. Temple Knows. She knows because of all the crackerjack miracles still to be seen on this ruined globe.

The Jetavana Temple bells ring the passing of all things. Twinned sala trees, white in full flower, declare the great man's certain fall. The arrogant do not long endure: They are like a dream one night in spring. The bold and brave perish in the end: They are as dust before the wind.

In Narnia a girl might ring a bell in a deserted temple and feel the chime in her eyes, pure as the freeze that forces tears. Then when the sound dies out, the White Witch wakes. It was like, I want to touch you, and I can touch you, now what next, a dagger?

…I never understood until the past months why the Master so often withdrew alone into the wilderness. There is not only food and medicine for one’s body; there is also healing for the heart and strength for the soul in nature. One gets very close to God…in these temples of God’s own building.

Japan Today I pass the time reading a favorite haiku, saying the few words over and over. It feels like eating the same small, perfect grape again and again. I walk through the house reciting it and leave its letters falling through the air of every room. I stand by the big silence of the piano and say it. I say it in front of a painting of the sea. I tap out its rhythm on an empty shelf. I listen to myself saying it, then I say it without listening, then I hear it without saying it. And when the dog looks up at me, I kneel down on the floor and whisper it into each of his long white ears. It’s the one about the one-ton temple bell with the moth sleeping on its surface, and every time I say it, I feel the excruciating pressure of the moth on the surface of the iron bell. When I say it at the window, the bell is the world and I am the moth resting there. When I say it into the mirror, I am the heavy bell and the moth is life with its papery wings. And later, when I say it to you in the dark, you are the bell, and I am the tongue of the bell, ringing you, and the moth has flown from its line and moves like a hinge in the air above our bed.

Her melodious laughter sounded like the distant tinkling of soft bells and he stored the sound in her temple- his heart.

Poincaré [was] the last man to take practically all mathematics, pure and applied, as his province. ... Few mathematicians have had the breadth of philosophic vision that Poincaré had, and none in his superior in the gift of clear exposition.

He leans down, his dark eyes simmering, and kisses me until neither of us wants to come up for air. Only the ringing of the bell tears us apart. "Damn bell," he says softly. He places his hand along the scar that rides my face from temple to chin. A slash of purple, it's never going to disappear. But it doesn't bother me.

Time makes fools of us all. Our only comfort is that greater shall come after us.

[As a young teenager] Galois read Legendre]'s geometry from cover to cover as easily as other boys read a pirate yarn.

The one thing that troubles me is the ringing; it persists in my ear day and night, like the tolling of a distant temple bell, warning man of the folly of the bomb…. —

An orchestra of temple bells and chanting erupted suddenly like a pleasing drizzle.

Grave What do you think of my new glasses I asked as I stood under a shade tree before the joined grave of my parents, and what followed was a long silence that descended on the rows of the dead and on the fields and the woods beyond, one of the one hundred kinds of silence according to the Chinese belief, each one distinct from the others, but the differences being so faint that only a few special monks were able to tell them apart. They make you look very scholarly, I heard my mother say once I lay down on the ground and pressed an ear into the soft grass. Then I rolled over and pressed my other ear to the ground, the ear my father likes to speak into, but he would say nothing, and I could not find a silence among the 100 Chinese silences that would fit the one that he created even though I was the one who had just made up the business of the 100 Chinese silences - the Silence of the Night Boat and the Silence of the Lotus, cousin to the Silence of the Temple Bell only deeper and softer, like petals, at its farthest edges.

In one of the accounts of Jesus’s death we read that the curtain in the temple of God—the one that kept people out of the holiest place of God’s presence— ripped. One New Testament writer said that this ripping was a picture of how, because of Jesus, we can have new, direct access to God. A beautiful idea. But the curtain ripping also means that God comes out, that God is no longer confined to the temple as God was previously.

The children in my dreams speak in Gujarati turn their trusting faces to the sun say to me care for us nurture us in my dreams I shudder and I run. I am six in a playground of white children Darkie, sing us an Indian song! Eight in a roomful of elders all mock my broken Gujarati English girl! Twelve, I tunnel into books forge an armor of English words. Eighteen, shaved head combat boots - shamed by masis in white saris neon judgments singe my western head. Mother tongue. Matrubhasha tongue of the mother I murder in myself. Through the years I watch Gujarati swell the swaggering egos of men mirror them over and over at twice their natural size. Through the years I watch Gujarati dissolve bones and teeth of women, break them on anvils of duty and service, burn them to skeletal ash. Words that don't exist in Gujarati : Self-expression. Individual. Lesbian. English rises in my throat rapier flashed at yuppie boys who claim their people “civilized” mine. Thunderbolt hurled at cab drivers yelling Dirty black bastard! Force-field against teenage hoods hissing F****ing Paki bitch! Their tongue - or mine? Have I become the enemy? Listen: my father speaks Urdu language of dancing peacocks rosewater fountains even its curses are beautiful. He speaks Hindi suave and melodic earthy Punjabi salty rich as saag paneer coastal Kiswahili laced with Arabic, he speaks Gujarati solid ancestral pride. Five languages five different worlds yet English shrinks him down before white men who think their flat cold spiky words make the only reality. Words that don't exist in English: Najjar Garba Arati. If we cannot name it does it exist? When we lose language does culture die? What happens to a tongue of milk-heavy cows, earthen pots jingling anklets, temple bells, when its children grow up in Silicon Valley to become programmers? Then there's American: Kin'uh get some service? Dontcha have ice? Not: May I have please? Ben, mane madhath karso? Tafadhali nipe rafiki Donnez-moi, s'il vous plait Puedo tener….. Hello, I said can I get some service?! Like, where's the line for Ay-mericans in this goddamn airport? Words that atomized two hundred thousand Iraqis: Didja see how we kicked some major ass in the Gulf? Lit up Bagdad like the fourth a' July! Whupped those sand-niggers into a parking lot! The children in my dreams speak in Gujarati bright as butter succulent cherries sounds I can paint on the air with my breath dance through like a Sufi mystic words I can weep and howl and devour words I can kiss and taste and dream this tongue I take back.

The temple bell stops— but the sound keeps coming out of the flowers.

Some words are buried, others are even burned, but over the years they reemerge, ringing out like temple bells, rising above the din.

A quiet but indomitable voice behind me said, “I believe this is my dance.” It was Ren. I could feel his presence. The warmth of him seeped into my back, and I quivered all over like spring leaves in a warm breeze. Kishan narrowed his eyes and said, “I believe it is the lady’s choice.” Kishan looked down at me. I didn’t want to cause a scene, so I simply nodded and removed my arms from his neck. Kishan glared at his replacement and stalked angrily off the dance floor. Ren stepped in front of me, took my hands gently in his, and placed them around his neck, bringing my face achingly close to his. Then he slid his hands slowly and deliberately over my bare arms and down my sides, until they encircled my waist. He traced little circles on my exposes lower back with his fingers, squeezed my waist, and drew my body up tightly against him. He guided me expertly through the slow dance. He didn’t say anything, at least not with words, but he was still sending lots of signals. He pressed his forehead against mine and leaned down to nuzzle my ear. He buried his face in my hair and lifted his hand to stroke down the length of it. His fingers played along my bare arm and at my waist. When the song ended, it took both of us a min to recover our senses and remember where we were. He traced the curve of my bottom lip with his finger then reached up to take my hand from around his neck and led me outside to the porch. I thought he would stop there, but he headed down the stairs and guided me to a wooded area with stone benches. The moon made his skin glow. He was wearing a white shirt with dark slacks. The white made me think of him as the tiger. He pulled me under the shadow of a tree. I stood very still and quiet, afraid that if I spoke I’d say something I’d regret. He cupped my chin and tilted my face up so he could look in my eyes. “Kelsey, there’s something I need to say to you, and I want you to be silent and listen.” I nodded my head hesitantly. “First, I want to let you know that I heard everything you said to me the other night, and I’ve been giving your words some very serious thought. It’s important for you to understand that.” He shifted and picked up a lock of hair, tucked it behind my ear, and trailed his fingers down my cheek to my lips. He smiled sweetly at me, and I felt the little love plant bask in his smile and turn toward it as if it contained the nourishing rays of the sun. “Kelsey,” he brushed a hand through his hair, and his smile turned into a lopsided grin, “the fact is…I’m in love with you, and I have been for some time.” I sucked in a deep breath. He picked up my hand and played with my fingers. “I don’t want you to leave.” He began kissing my fingers while looking directly into my eyes. It was hypnotic. He took something out of his pocket. “I want to give you something.” He held out a golden chain covered with small tinkling bell charms. “It’s an anklet. They’re very popular here, and I got this one so we’d never have to search for a bell again.” He crouched down, wrapping his hand around the back of my calf, and then slid his palm down to my ankle and attached the clasp. I swayed and barely stopped myself from falling over. He trailed his warm fingers lightly over the bells before standing up. Putting his hands on my shoulders, he squeezed, and pulled me closer. “Kells . . . please.” He kissed my temple, my forehead, and my cheek. Between each kiss, he sweetly begged, “Please. Please. Please. Tell me you’ll stay with me.” When his lips brushed lightly against mine, he said, “I need you,” then crushed his lips against mine.

…(my father) would say nothing, And I could not find a silence Among the one hundred Chinese silences That would fit the one he created Even though I was the one Who had just made up the business Of the one hundred Chinese silences- The Silence of the Night Boat. And the Silence of the Lotus, Cousin to the Silence of the Temple Bell Only deeper and softer…

She was a widow, and he stripped himself naked while she went to fetch some of her husband's clothes. But before he could put them on, the police were hammering on the front door with their billy clubs. So the fugitive hid on top of a rafter. When the woman let in the police, though, his oversize testicles hung down in full view." Trout paused again. The police asked the woman where the guy was. The woman said she didn't know what guy they were talking about," said Trout. "One of the cops saw the testicles hanging down from a rafter and asked what they were. She said they were Chinese temple bells. He believed her. He said he 'd always wanted to hear Chinese temple bells. "He gave them a whack with his billy club, but there was no sound. So he hit them again, a lot harder, a whole lot harder. Do you know what the guy on the rafter shrieked?" Trout asked me. I said I didn't. "He shrieked, 'TING-A-LING, YOU SON OF A BITCH!

If you've 'eard the East a-callin', why you won't 'eed nothin' else. No! you won't 'eed nothin' else, but them spicy garlic smells, an' the sunshine an' the palm trees, an' the tinkly temple-bells.

Asked some years later how he (Abel) had managed to forge ahead so rapidly to the front rank he replied, “By studying the masters, not their pupils”- a prescription some popular writers of textbooks might do well to mention in their prefaces as an antidote to the poisonous mediocrity of their uninspired pedagogics.

(song) The Jetavana Temple bells ring the passing of all things. Twinned sal trees, white in full flower, declare the great man’s certain fall.1 The arrogant do not long endure: They are like a dream one night in spring.

The Moon is earth’s oldest temple holding the potency of countless prayers since the dawn of time… a bell whose ringing brings you into the field of the Mother, where body and soul can quietly drink. DANA GERHARDT, MOONCIRCLES Would

Your mind is like a bell hanging outside a temple. It reacts to everything and gives sounds like “That is wrong” “That is right” “I like it” “I disagree.” Let it ring. Let it react. Leave it where it is and go inside the temple. Detach from the mind to enter your inner temple.

As we shall see throughout this book, the unifying powers of group theory are so colossal that historian of mathematics Eric Temple Bell (1883-1960) once commented, "When ever groups disclosed themselves, or could be introduced, simplicity crystallized out of comparative chaos.

A few minutes ago every tree was excited, bowing to the roaring storm, waving, swirling, tossing their branches in glorious enthusiasm like worship. But though to the outer ear these trees are now silent, their songs never cease. Every hidden cell is throbbing with music and life, every fiber thrilling like harp strings, while incense is ever flowing from the balsam bells and leaves. No wonder the hills and groves were God's first temples, and the more they are cut down and hewn into cathedrals and churches, the farther off and dimmer seems the Lord himself.

The full impact of the Lobachevskian method of challenging axioms has probably yet to be felt. It is no exaggeration to call Lobachevsky the Copernicus of Geometry [as did Clifford], for geometry is only a part of the vaster domain which he renovated; it might even be just to designate him as a Copernicus of all thought.

Although he was a limited mathematician with no pretensions to scientific greatness, Crelle was a broadminded man, in fact a great man.

Evil's a thing of the mind. We humans got the full measure of it ourselves. Is that right? Are you evil, Sarah Mary? I ain't good.

He looks like someone who could slap you or kiss you and you wouldn't be able to tell which one is coming and it would mean the same thing either way.

Obvious" is the most dangerous word in mathematics.

A rational mind is sometimes the queerest mixture of rationality and irrationality on earth.

Clarity is, indeed, all the more necessary when one essays to lead the reader farther from the beaten path and into wilder territory- Joseph Liouville

Today it is given in the textbooks as an example which young students dispose of in twenty minutes or less. Yet it held Newton up for twenty years. He finally solved it, of course

As Whitehead has observed, “No Roman lost his life because he was absorbed in the contemplation of a mathematical diagram.

But for now, I would be the happiest of men if I could just swallow the overflow of saliva that endlessly floods my mouth. Even before first light, I am already practicing sliding my tongue toward the rear of my palate in order to provoke a swallowing reaction. What is more, I have dedicated to my larynx the little packets of incense hanging on the wall, amulets brought back from Japan by pious globe-trotting friends. Just one of the stones in the thanksgiving monument erected by my circle of friends during their wanderings. In every corner of the world, the most diverse deities have been solicited in my name. I try to organize all this spiritual energy. If they tell me that candles have been burned for my sake in a Breton chapel, or that a mantra has been chanted in a Nepalese temple, I at once give each of the spirits invoked a precise task. A woman I know enlisted a Cameroon holy man to procure me the goodwill of Africa's gods: I have assigned him my right eye. For my hearing problems I rely on the relationship between my devout mother-in-law and the monks of a Bordeaux brotherhood. They regularly dedicate their prayers to me, and I occasionally steal into their abbey to hear their chants fly heavenward. So far the results have been unremarkable. But when seven brothers of the same order had their throats cut by Islamic fanatics, my ears hurt for several days. Yet all these lofty protections are merely clay ramparts, walls of sand, Maginot lines, compared to the small prayer my daughter, Céleste, sends up to her Lord every evening before she closes her eyes. Since we fall asleep at roughly the same hour, I set out for the kingdom of slumber with this wonderful talisman, which shields me from all harm.

They belong, Temple thinks. They have the stink of belonging wherever they go. This world is their world, and they take possession of every yard they cover, and they run the sun to its grave every night.

If my friend asks me to sit in a temple belonging to a God that I do not know, because he needs a friend to sit with him, I will be happy to sit there in the foreign temple. Because the temple itself is an outer container only. What is the true religion? What is the inner oil contained by that outer container? The inner oil is the friendship I share with my friend. The true religion is being there to sit beside my friend. If I cannot do this for my friend, then how am I worthy to sit in any temple, whether belonging to a God that I know or to a God that I don't know? If there is no inner oil within my soul, I do not deserve to sit in any temple. Religion is the friendship within the heart, not the place where we sit on a holy day. Religion is the oil within the lamp, not the metal container we see as the lamp.

Mid-Term Break I sat all morning in the college sick bay Counting bells knelling classes to a close. At two o'clock our neighbours drove me home. In the porch I met my father crying— He had always taken funerals in his stride— And Big Jim Evans saying it was a hard blow. The baby cooed and laughed and rocked the pram When I came in, and I was embarrassed By old men standing up to shake my hand And tell me they were 'sorry for my trouble'. Whispers informed strangers I was the eldest, Away at school, as my mother held my hand In hers and coughed out angry tearless sighs. At ten o'clock the ambulance arrived With the corpse, stanched and bandaged by the nurses. Next morning I went up into the room. Snowdrops And candles soothed the bedside; I saw him For the first time in six weeks. Paler now, Wearing a poppy bruise on his left temple, He lay in the four-foot box as in his cot. No gaudy scars, the bumper knocked him clear. A four-foot box, a foot for every year.

He looks again at the face of the little girl. He wonders where she went, that little firecracker life, that smoldering, spitting, whizgig of a girl. He wonders if he can tell from the expression on her face where she's gone to. And he smiles because he can. The angels would want her sure.

Mowgli went on with his work, but it was nearly twilight before he and the wolves had drawn the great gay skin clear of the body. 'Now we must hide this and take the buffaloes home! Help me to herd them, Akela.' The herd rounded up in the misty twilight, and when they got near the village Mowgli saw lights, and heard the conches and bells in the temple blowing and banging. Half the village seemed to be waiting for him by the gate. 'That is because I have killed Shere Khan,' he said to himself; but a shower of stones whistled about his ears, and the villagers shouted: 'Sorcerer! Wolfs brat! Jungle-demon! Go away! Get hence quickly, or the priest will turn thee into a wolf again. Shoot, Buldeo, shoot!' The old Tower musket went off with a bang, and a young buffalo bellowed in pain. 'More sorcery!' shouted the villagers. 'He can turn bullets. Buldeo, that was thy buffalo.' 'Now what is this?' said Mowgli, bewildered, as the stones flew thicker. 'They are not unlike the Pack, these brothers of thine,' said Akela, sitting down composedly. 'It is in my head that, if bullets mean anything, they would cast thee out.' 'Wolf! Wolf's cub! Go away!' shouted the priest, waving a sprig of the sacred tulsi plant. 'Again? Last time it was because I was a man. This time it is because I am a wolf. Let us go, Akela.

Ode to the Beloved’s Hips" Bells are they—shaped on the eighth day—silvered percussion in the morning—are the morning. Swing switch sway. Hold the day away a little longer, a little slower, a little easy. Call to me— I wanna rock, I-I wanna rock, I-I wanna rock right now—so to them I come—struck-dumb chime-blind, tolling with a throat full of Hosanna. How many hours bowed against this Infinity of Blessed Trinity? Communion of Pelvis, Sacrum, Femur. My mouth—terrible angel, ever-lasting novena, ecstatic devourer. O, the places I have laid them, knelt and scooped the amber—fast honey—from their openness— Ah Muzen Cab’s hidden Temple of Tulúm—licked smooth the sticky of her hip—heat-thrummed ossa coxae. Lambent slave to ilium and ischium—I never tire to shake this wild hive, split with thumb the sweet- dripped comb—hot hexagonal hole—dark diamond— to its nectar-dervished queen. Meanad tongue— come-drunk hum-tranced honey-puller—for her hips, I am—strummed-song and succubus. They are the sign: hip. And the cosign: a great book— the body’s Bible opened up to its Good News Gospel. Alleluias, Ave Marías, madre mías, ay yay yays, Ay Dios míos, and hip-hip-hooray. Cult of Coccyx. Culto de cadera. Oracle of Orgasm. Rorschach’s riddle: What do I see? Hips: Innominate bone. Wish bone. Orpheus bone. Transubstantiation bone—hips of bread, wine-whet thighs. Say the word and healed I shall be: Bone butterfly. Bone wings. Bone Ferris wheel. Bone basin bone throne bone lamp. Apparition in the bone grotto—6th mystery— slick rosary bead—Déme la gracia of a decade in this garden of carmine flower. Exile me to the enormous orchard of Alcinous—spiced fruit, laden-tree—Imparadise me. Because, God, I am guilty. I am sin-frenzied and full of teeth for pear upon apple upon fig. More than all that are your hips. They are a city. They are Kingdom— Troy, the hollowed horse, an army of desire— thirty soldiers in the belly, two in the mouth. Beloved, your hips are the war. At night your legs, love, are boulevards leading me beggared and hungry to your candy house, your baroque mansion. Even when I am late and the tables have been cleared, in the kitchen of your hips, let me eat cake. O, constellation of pelvic glide—every curve, a luster, a star. More infinite still, your hips are kosmic, are universe—galactic carousel of burning comets and Big Big Bangs. Millennium Falcon, let me be your Solo. O, hot planet, let me circumambulate. O, spiral galaxy, I am coming for your dark matter. Along las calles de tus muslos I wander— follow the parade of pulse like a drum line— descend into your Plaza del Toros— hands throbbing Miura bulls, dark Isleros. Your arched hips—ay, mi torera. Down the long corridor, your wet walls lead me like a traje de luces—all glitter, glowed. I am the animal born to rush your rich red muletas—each breath, each sigh, each groan, a hooked horn of want. My mouth at your inner thigh—here I must enter you—mi pobre Manolete—press and part you like a wound— make the crowd pounding in the grandstand of your iliac crest rise up in you and cheer.

Why didn’t they just skip the whole sacrificial system all together? That would have been amazing. Just scrap the whole thing. Announce that the final sacrifice has been offered and there’s no more need to do such things. Declare that the temple is going to be torn down. Proclaim that it is finished. Oh wait, we’re getting ahead of ourselves, aren’t we? (Please tell me you enjoyed that last paragraph.)

I am a Hindu because of sculptured cones of red kumkum powder and baskets of yellow turmeric nuggets, because of garlands of flowers and pieces of broken coconut, because of the clanging of bells to announce one's arrival to God, because of the while of the reedy nadaswaram and the beating of drums, because of the patter of bare feet against stone floors down dark corridors pierced by shafts of sunlight, because of the fragrance of incense, because of flames of arati lamps circling in the darkness, because of bhajans being sweetly sung, because of elephants standing around to bless, because of colourful murals telling colourful stories, because of foreheads carrying, variously signified, the same word - faith. I became loyal to these sense impressions even before I knew what they meant or what they were for. It is my heart that commands me so. I feel at home in a Hindu temple. I am aware of Presence, not personal the way we usually presence, but something larger. My heart still skips a beat when I catch sight of the murti, of God Residing, in the inner sanctum of the temple. Truly I am in a sacred cosmic womb, a place where everything is born, and it is my sweet luck to behold its living core. My hands naturally come together in reverent worship.

In his wretched life of less than twenty-seven years Abel accomplished so much of the highest order that one of the leading mathematicians of the Nineteenth Century (Hermite, 1822-1901) could say without exaggeration, 'Abel has left mathematicians enough to keep them busy for five hundred years.' Asked how he had done all this in the six or seven years of his working life, Abel replied, 'By studying the masters, not the pupils.

The strident chimes of prayer bells from the distant temple resonated in the night air with ritual insistence, and nudged Kamala from her repose. What had once sounded to her like a sharp and persistent call to prayer now, with ceaseless repetition, mellowed to become plaintive and wistful, like one's favourite recording playing in the background to the syncopated percussion of lovemaking. (From the novel Blood & Nemesis by Ben Antao).

A Thousand mountains will greet my departing friend, When the spring teas blossom again. With such breadth and wisdom, Serenely picking tea— Through morning mists Or crimson evening clouds— His solitary journey is my envy. We rendezvous at a remote mountain temple, Where we enjoy tea by a clear pebble fountain. In that silent night, Lit only by candlelight, I struck a marble bell— Its chime carrying me A hidden man Deep into thoughts of ages past. — "The Day I Saw Lu Yu off to Pick Tea

It is a sort of quasi-monastic diabolical vision. In a landscape populated with larvae - flowing and undulating larvae called forth like a cascade of leeches by tolling bells - three female figures rise up phantasmally, enshrouded with gauze like Spanish madonnas. They are the 'three brides': the bride of Heaven, the bride of the Earth and the bride of Hell... The bride of Hell, with her two serpents writhing about her temples to hold her veil in place, has the most attractive mask: the most profound eyes, the most vertiginous smile that one could ever see. If she existed, how I would love that woman! I feel that if that smile and those eyes were in my life they would be all the cure I need! I could never tire of the study and contemplation of that hallucinatory visage. "The Three Brides" is very peculiar in its detail and composition. It is the whimsy of a dream rendered with astonishing fastidiousness: the delusion of an opium-smoker composed in the style of Holbein.

How can you, through my plain and simple words, possible experience the joy i felt when Robinson jumped into that Los Angeles pool, sledded on the golden sand of the Great Dunes, or kissed me in an ancient temple? How can you understand what Robinson meant to me? His laugh was like a peal of bells. He really did consider Slim Jims to be their own food group. When he played the guitar and sang, whether it was in the cancer ward or in Tompkin's Square Park, everyone stopped to listen. He was magic

It seems to begin before dawn with the Muslims, when a mosque at the edge of the mangrove forest softly announces, in a lullaby voice, the morning call to prayer. Not to be outdone, the local Christians soon crank up pop-sounding hymns that last anywhere from one to three hours. This is followed by cheerful, though overamplified, kazoo-like refrain from the Hindu temple that reminds Less of the ice cream truck from his childhood. Then comes a later call to prayer. Then the Christians decide to ring some bronze bells. And so on. There are sermons and live singers and thunderous drum performances. In this way, the faiths alternate throughout the day, as at a music festival, growing louder and louder until, during the outright cacophony of sunset, the Muslims, who began the whole thing, declare victory by projecting not only the evening call to prayer but the prayer itself in its entirety. After that, the jungle falls to silence. Perhaps this is the Buddhists' sole contribution. Every morning, it starts again.

He kissed the pulsing vein at her temple that had drawn his attention when he had first met her. In hindsight, he knew that it had been love at first sight for him. Now that he held his dream in his hands, he would do anything to protect and keep it. He wasn’t the kind of man that took anything for granted. He was willing to risk everything for her, including his heart. If he had to slay a few dragons on the way in order to keep her, well, suffice it to say he was well-trained physically and mentally for just that.

THE SIMPLE UNION Listen to me, O friend. Be thou a yogi, a monk, a priest, A devout lover of God, A pilgrim searching for Happiness, Bathing in holy rivers, Visiting sacred shrines, The occasional worshipper of a day, A great reader of books, Or a builder of many temples - My love aches for thee. I know the way to the heart of the Beloved. This vain struggle, This long toil, This ceaseless sorrow, This changing pleasure, This burning doubt, This burden of life, All these will cease, O friend - My love aches for thee. I know the way to the heart of the Beloved. Have I pilgrimage the earth, Have I loved the reflections, Have I chanted, singing in ecstasy, Have I donned the robe, Have I put on ashes, Have I listened to the temple bells, Have I grown old with study, Have I searched, Was I lost? Yea, much have I known - My love aches for thee. I know the way to the heart of the Beloved, O friend, Wouldst thou love the reflection, If I can give thee the reality? Throw away thy bells, thine incense, Thy fears and thy gods, Set aside thy systems, thy philosophies. Come, Put aside all these. I know the way to the heart of the Beloved. O friend, The simple union is the best. This is the way to the heart of the Beloved.

He hoped and feared,' continued Solon, in a low. mournful voice; 'but at times he was very miserable, because he did not think it possible that so much happiness was reserved for him as the love of this beautiful, innocent girl. At night, when he was in bed, and all the world was dreaming, he lay awake looking up at the old books against the walls, thinking how he could bring about the charming of her heart. One night, when he was thinking of this, he suddenly found himself in a beautiful country, where the light did not come from sun or moon or stars, but floated round and over and in everything like the atmosphere. On all sides he heard mysterious melodies sung by strangely musical voices. None of the features of the landscape was definite; yet when he looked on the vague harmonies of colour that melted one into another before his sight he was filled with a sense of inexplicable beauty. On every side of him fluttered radiant bodies, which darted to and fro through the illuminated space. They were not birds, yet they flew like birds; and as each one crossed the path of his vision he felt a strange delight flash through his brain, and straightaway an interior voice seemed to sing beneath the vaulted dome of his temples a verse containing some beautiful thought. Little fairies were all this time dancing and fluttering around him, perching on his head, on his shoulders, or balancing themselves on his fingertips. 'Where am I?' he asked. 'Ah, Solon?' he heard them whisper, in tones that sounded like the distant tinkling of silver bells, "this land is nameless; but those who tread its soil, and breathe its air, and gaze on its floating sparks of light, are poets forevermore.' Having said this, they vanished, and with them the beautiful indefinite land, and the flashing lights, and the illumined air; and the hunchback found himself again in bed, with the moonlight quivering on the floor, and the dusty books on their shelves, grim and mouldy as ever.' ("The Wondersmith")

These estimates may well be enhanced by one from F. Klein (1849-1925), the leading German mathematician of the last quarter of the nineteenth century. 'Mathematics in general is fundamentally the science of self-evident things.' ... If mathematics is indeed the science of self-evident things, mathematicians are a phenomenally stupid lot to waste the tons of good paper they do in proving the fact. Mathematics is abstract and it is hard, and any assertion that it is simple is true only in a severely technical sense—that of the modern postulational method which, as a matter of fact, was exploited by Euclid. The assumptions from which mathematics starts are simple; the rest is not.

MACDUFF Confusion now hath made his masterpiece! Most sacrilegious murder hath broke ope The Lord’s anointed temple, and stole thence The life o’ the building. MACBETH 235 What is’t you say? the life? LENNOX Mean you his majesty? MACDUFF Approach the chamber, and destroy your sight With a new Gorgon:—do not bid me speak; See, and then speak yourselves. [Exeunt MACBETH and LENNOX.] 240 Awake, awake!— Ring the alarum-bell:—murder and treason!— Banquo and Donalbain! Malcolm! awake! Shake off this downy sleep, death’s counterfeit, And look on death itself! up, up, and see 245 The great doom’s image! Malcolm! Banquo! As from your graves rise up, and walk like sprites, To countenance this horror!

Heaven” is actually a country that we build within ourselves, or that we continue to build. We come from it, and we harvest materials for it while we are here, doing this through sharing our talents with others, and through being dedicated to our relationships in life, through loving others and through strengthening our ability to believe, through our faith. What is faith? Faith is the strength to believe even when believing is a very difficult thing to do! I think that faith is acquired here in this world, because there is no need to have faith in our eternal countries. But here, as we acquire faith in the midst of our hardships, we are begetting unto our eternal countries the strong glue that holds some buildings and some temples together.

The Master's Eyes Shining with Secrets Those bells ringing on the mist-covered mountain signify that the Master of the Temple is dead. The fact of the matter is that the monks there finally killed him. It seems that a few years ago the Master of the Temple began to exhibit some odd and very unpleasant forms of behavior. He apparently lost all sense of earthly decorum, even losing control over his own body. At one point an extra head sprouted from the side of the Master's neck, and this ugly little thing started to issue all sorts of commands and instructions to the monks which only their lofty sense of decency and order prevented them from carrying out. Eventually the Master of the Temple was confined to a small room in an isolated part of the monastery. There, this once wise and beloved teacher was looked after like an animal. For several years the monks put up with the noises he made, the diverse shapes he took. Finally, they killed him. It is whispered among students of enlightenment that one may achieve a state of being in which enlightenment itself loses all meaning, with the consequence that one thereby becomes subject to all manner of strange destinies. And the monks? After the assassination they scattered in all directions. Some hid out in other monasteries, while others went back to live among the everyday inhabitants of this earth. But it was not as if they could escape their past by fleeing it, no more than they could rid themselves of their old master by killing him. For even after the death of his material self, the Master of the Temple sought out those who were once under his guidance; and upon these unhappy disciples he now bestowed, somewhat insistently, his terrible illumination.

Deity of the ruined temple! The broken strings of Vina sing no more your praise. The bells in the evening proclaim not your time of worship. The air is still and silent about you. In your desolate dwelling comes the vagrant spring breeze. It brings the tidings of flowers---the flowers that for your worship are offered no more. Your worshipper of old wanders ever longing for favour still refused. In the eventide, when fires and shadows mingle with the gloom of dust, he wearily comes back to the ruined temple with hunger in his heart. Many a festival day comes to you in silence, deity of the ruined temple. Many a night of worship goes away with lamp unlit. Many new images are built by masters of cunning art and carried to the holy stream of oblivion when their time is come. Only the deity of the ruined temple remains unworshipped in deathless neglect.

Lady Isabeau was tall for a woman, nearly as tall as Molly, but slender where Molly was stout, with a smooth immobile face that looked as if it had been carved from ivory, pale and serene. Hob stared at her: glossy black hair bound about the brows with a broad white linen fillet and partly concealed by a veil that draped down her neck; dark eyes beneath dark brows plucked thin; unsmiling lips, full and well-shaped. There was so little expression on her face, and its beauty was so unworldly, that Hob had a moment when he thought her an apparition, or a graven figure. “Blanche comme la neige,” came to his mind, a song Molly had taught him, “belle comme le jour.” The thinnest of scars ran from her hairline down her forehead, divided her left eyebrow, and curved along her cheek to the corner of her mouth, and seemed at once to augment her beauty and to reinforce its carven stillness, as if some wright's chisel had slipped in the course of fashioning her visage. A linen band of the sort known as a barbette ran down from the fillet at her temples and passed under her chin, framing her face, and rendering her features all the more austere. Her gown was a muted purple; heavy embroidery of red and blue circled its neckline, and it was gathered by a zone of gray silk, sewn with pearls, that circled her hips. From this belt depended a silver ring, as wide around as a big man's fist. On the ring was a bunch of black iron keys, of varying sizes: the symbol and reality of her standing as administrator of the household. As she spoke, she fiddled with the keys as though they were prayer beads; they gave off a continual muted clink, just barely audible to Hob above the rumble of voices, the thuds and thumps of plank tabletops settling onto their trestles.

Nina looked at her. 'Everyone describes him so differently.' She paused, unsure. 'He was one guy, but there's no consensus about what he was like. For Peter's mom, he was a blowhard who drank too much; for Millie, he was the kindest man in the world who made endless time for her.' Eliza shrugged. 'People change. There's forty years between the William that Peter's mom knew and the William that Millie knew. Parents get stuck in the amber of childhood, right? Whenever my parents visit, I feel myself becoming a cranky fourteen-year-old. I saw William through the lens of being his wife; I look at Millie only as her mother... You see what I mean?' 'Sure. So I'll never see my dad properly, only through the filter of other people's opinions.' 'Or maybe it'll average out and you'll be the only one who sees the real him.' Nina laughed. 'Maybe there is no real thing for anyone. Maybe all of us change depending on where we are and who we're with.' 'And that's why you like to be alone.' Eliza looked at her and smiled. 'How do you mean?' 'Because you prefer who you are when you're alone.' Nina shrugged. 'It takes a lot of energy to be with other people. It's easier to be myself when there's no one else there.' 'Some people take energy; some people give energy... Occasionally, you get lucky and find someone whose energy balances your own and brings you into neutral.' She paused. 'My God, I've been in Malibu too long. I said that completely without irony.' Nina laughed. 'It was really convincing. I think I even heard a tiny temple bell ringing somewhere...' Eliza made a face at herself. 'Your dad used to say being with me was as good as being alone.' Eliza laughed. 'I think he meant it as a complement.' The two women looked at each other. 'I think we're overthinking this,' said Eliza. 'More wine?

I’ll wait for you at the cottage until noon tomorrow.” “I won’t be there.” “I’ll wait until noon,” he insisted. “You will be wasting your time. Let go of me, please. This has all been a mistake!” “Then we may as well make two of them,” he said harshly, and his arm abruptly tightened, bringing her closer to his body. “Look at me, Elizabeth,” he whispered, and his warm breath stirred the hair at her temple. Warning bells screamed through her, belated but loud. If she lifted her head, he was going to kiss her. “I do not want you to kiss me,” she warned him, but it wasn’t completely true. “Then say good-bye to me now.” Elizabeth lifted her head, dragging her eyes past his finely sculpted mouth to meet his gaze. “Good-bye,” she told him, amazed that her voice didn’t shake. His eyes moved down her face as if he were memorizing it, then they fixed on her lips. His hands slid down her arms and abruptly released her as he stepped back. “Good-bye, Elizabeth.” Elizabeth turned and took a step, but the regret in his deep voice made her turn back…or perhaps it had been her own heart that had twisted as if she was leaving something behind-something she’d regret. Separated by less than two feet physically and a chasm socially, they looked at each other in silence. “They’ve probably noticed our absence,” she said lamely, and she wasn’t certain whether she was making excuses for leaving him there or hoping he’d convince her to remain. “Possibly.” His expression was impassive, his voice coolly polite, as if he was already beyond her reach again. “I really must go back.” “Of course.” “You do understand, don’t you…” Elizabeth voice trailed off as she looked at the tall, handsome man whom society deemed unsuitable merely because he wasn’t a blue blood, and suddenly she hated all the restrictions of the stupid social system that was trying to enslave her. Swallowing, she tried again, wishing that he’d either tell her to go or open his arms to her as he had when he’d asked her to dance. “You do understand that I can’t possibly be with you tomorrow…” “Elizabeth,” he interrupted in a husky whisper, and suddenly his eyes were smoldering as he held out his hand, sensing victory before Elizabeth ever realized she was defeated. “Come here.

By the old Moulmein Pagoda, lookin' lazy at the sea, There's a Burma girl a-settin', and I know she thinks o' me; For the wind is in the palm-trees, and the temple-bells they say: "Come you back, you British soldier; come you back to Mandalay!" Come you back to Mandalay, Where the old Flotilla lay: Can't you 'ear their paddles chunkin' from Rangoon to Mandalay ? On the road to Mandalay, Where the flyin'-fishes play, An' the dawn comes up like thunder outer China 'crost the Bay! 'Er petticoat was yaller an' 'er little cap was green, An' 'er name was Supi-yaw-lat - jes' the same as Theebaw's Queen, An' I seed her first a-smokin' of a whackin' white cheroot, An' a-wastin' Christian kisses on an 'eathen idol's foot: Bloomin' idol made o' mud Wot they called the Great Gawd Budd Plucky lot she cared for idols when I kissed 'er where she stud! On the road to Mandalay... When the mist was on the rice-fields an' the sun was droppin' slow, She'd git 'er little banjo an' she'd sing "Kulla-lo-lo! With 'er arm upon my shoulder an' 'er cheek agin my cheek We useter watch the steamers an' the hathis pilin' teak. Elephints a-pilin' teak In the sludgy, squdgy creek, Where the silence 'ung that 'eavy you was 'arf afraid to speak! On the road to Mandalay... But that's all shove be'ind me - long ago an' fur away An' there ain't no 'busses runnin' from the Bank to Mandalay; An' I'm learnin' 'ere in London what the ten-year soldier tells: "If you've 'eard the East a-callin', you won't never 'eed naught else." No! you won't 'eed nothin' else But them spicy garlic smells, An' the sunshine an' the palm-trees an' the tinkly temple-bells; On the road to Mandalay... I am sick o' wastin' leather on these gritty pavin'-stones, An' the blasted English drizzle wakes the fever in my bones; Tho' I walks with fifty 'ousemaids outer Chelsea to the Strand, An' they talks a lot o' lovin', but wot do they understand? Beefy face an' grubby 'and - Law! wot do they understand? I've a neater, sweeter maiden in a cleaner, greener land! On the road to Mandalay... Ship me somewheres east of Suez, where the best is like the worst, Where there aren't no Ten Commandments an' a man can raise a thirst; For the temple-bells are callin', an' it's there that I would be By the old Moulmein Pagoda, looking lazy at the sea; On the road to Mandalay, Where the old Flotilla lay, With our sick beneath the awnings when we went to Mandalay! O the road to Mandalay, Where the flyin'-fishes play, An' the dawn comes up like thunder outer China 'crost the Bay !

The scope of Trump’s commitment to whiteness is matched only by the depth of popular intellectual disbelief in it. We are now being told that support for Trump’s “Muslim ban,” his scapegoating of immigrants, his defenses of police brutality are somehow the natural outgrowth of the cultural and economic gap between Lena Dunham’s America and Jeff Foxworthy’s. The collective verdict holds that the Democratic Party lost its way when it abandoned commonsense everyday economic issues like job creation for the softer fare of social justice. The indictment continues: To their neoliberal economics, Democrats, and liberals at large, have married a condescending elitist affect that sneers at blue-collar culture and mocks white men as history’s greatest monster and prime time television’s biggest doofus. In this rendition, Donald Trump is not the product of white supremacy so much as the product of a backlash against contempt for white working people. “We so obviously despise them, we so obviously condescend to them,” Charles Murray, a conservative social scientist who co-wrote The Bell Curve, recently told The New Yorker’s George Packer. “The only slur you can use at a dinner party and get away with is to call somebody a redneck—that won’t give you any problems in Manhattan.” “The utter contempt with which privileged Eastern liberals such as myself discuss red-state, gun-country, working-class America as ridiculous and morons and rubes,” charged Anthony Bourdain, “is largely responsible for the upswell of rage and contempt and desire to pull down the temple that we’re seeing now.” That black people who’ve lived under centuries of such derision and condescension have not yet been driven into the arms of Trump does not trouble these theoreticians. After all, in this analysis Trump’s racism and the racism of his supporters are incidental to his rise. Indeed, the alleged glee with which liberals call out Trump’s bigotry is assigned even more power than the bigotry itself. Ostensibly assaulted by campus protests, battered by theories of intersectionality, throttled by bathroom rights, a blameless white working class did the only thing any reasonable polity might: elect an orcish reality television star who insists on taking his intelligence briefings in picture-book form.

The presence of this extraordinary being caused, as it were, a breath of life to circulate throughout the entire cathedral. It seemed as though there escaped from him, at least according to the growing superstitions of the crowd, a mysterious emanation which animated all the stones of Notre-Dame, and made the deep bowels of the ancient church to palpitate. It sufficed for people to know that he was there, to make them believe that they beheld the thousand statues of the galleries and the fronts in motion. And the cathedral did indeed seem a docile and obedient creature beneath his hand; it waited on his will to raise its great voice; it was possessed and filled with Quasimodo, as with a familiar spirit. One would have said that he made the immense edifice breathe. He was everywhere about it; in fact, he multiplied himself on all points of the structure. Now one perceived with affright at the very top of one of the towers, a fantastic dwarf climbing, writhing, crawling on all fours, descending outside above the abyss, leaping from projection to projection, and going to ransack the belly of some sculptured gorgon; it was Quasimodo dislodging the crows. Again, in some obscure corner of the church one came in contact with a sort of living chimera, crouching and scowling; it was Quasimodo engaged in thought. Sometimes one caught sight, upon a bell tower, of an enormous head and a bundle of disordered limbs swinging furiously at the end of a rope; it was Quasimodo ringing vespers or the Angelus. Often at night a hideous form was seen wandering along the frail balustrade of carved lacework, which crowns the towers and borders the circumference of the apse; again it was the hunchback of Notre-Dame. Then, said the women of the neighborhood, the whole church took on something fantastic, supernatural, horrible; eyes and mouths were opened, here and there; one heard the dogs, the monsters, and the gargoyles of stone, which keep watch night and day, with outstretched neck and open jaws, around the monstrous cathedral, barking. And, if it was a Christmas Eve, while the great bell, which seemed to emit the death rattle, summoned the faithful to the midnight mass, such an air was spread over the sombre façade that one would have declared that the grand portal was devouring the throng, and that the rose window was watching it. And all this came from Quasimodo. Egypt would have taken him for the god of this temple; the Middle Ages believed him to be its demon: he was in fact its soul.

Any impatient student of mathematics or science or engineering who is irked by having algebraic symbolism thrust on him should try to get on without it for a week.

energy so abundantly that be could talk with a voice sounding as a large bell. Being asked by Wang the secret of longevity, the man replied: "There is no secret in it; I merely kept my mind calm and peaceful." Further, he explained the method of Meditation according to Taoism and Buddhism. Thereupon Wang sat face to face with the old man and began to practise Meditation, utterly forgetful of his bride and nuptial ceremony. The sun began to cast his slanting rays on the wall of the temple, and they sat motionless; twilight came over them, and night wrapped them with her sable shroud, and they sat as still as two marble statues; midnight, dawn, at last the morning sun rose to find them still in their reverie. The father of the bride, who had started a search during the night, found to his surprise the bridegroom absorbed in Meditation on the following day.[FN#265]

Over the past few months, I had taken every precaution to avoid the local papers and Internet sites. I did everything, other than migrating out of the country. My darkest nightmare was to stumble across a picture of Troy with one of his Catalinas on his arm. I knew it would crush my soul into dust. Physically, I was fine. My temple was healed, and so was my foot. The cast was off, and I had even started running again. But inside, emptiness ate away at every corner of my being. No amount of blueberry pancakes was going to fill that void. Trust me, I’d tried.

The months of June and July passed. The monsoons were tardy this year—the nights hinted rain constantly with an aroma in the air, a cooling on the skin, soundless lightning across skies. But when morning came, the sun rose strong again, mocking Agra and its inhabitants. And the days crawled by, brazenly hot, when every breath was an effort, every movement a struggle, every night sweat-stewed. In temples, incantations were offered, the muezzins called the faithful to prayers, their voices melodious and pleading, and the bells of the Jesuit churches chimed. But the gods seemed indifferent. The rice paddies lay ploughed after the pre-monsoon rains, awaiting the seedlings; too long a wait and the ground would grow hard again. A few people moved torpidly in the streets of Agra; only the direst of emergencies had called them from their cool, stone-flagged homes. Even the normally frantic pariah dogs lay panting on doorsteps, too exhausted to yelp when passing urchins pelted them with stones. The bazaars were barren too, shopfronts pulled down, shopkeepers too tired to haggle with buyers. Custom could wait for cooler times. The whole city seemed to have slowed to a halt. The imperial palaces and courtyards were hushed in the night, the corridors empty of footsteps. Slaves and eunuchs plied iridescent peacock feather fans, wiping their perspiring faces with one hand. The ladies of the harem slept under the intermittent breeze of the fans, goblets of cold sherbets flavoured with khus and ginger resting by their sides. Every now and then, a slave would refresh the goblet, bringing in another one filled with new shards of ice. When her mistress awoke, and wake she would many times during the night, her drink would be ready. The ice, carved in huge chunks from the Himalayan mountains, covered with gunnysacks and brought down to the plains in bullock carts, was a blessing for everyone, nobles and commoners alike. But in this heat, ice melted all too soon, disappearing into a puddle of warm water under sawdust and jute. In Emperor Jahangir’s apartments, music floated through the courtyard, stopping and tripping in the still night air as the musicians’ slick fingers slipped on the strings of the sitar.

Zen is Buddhism made simple again. The robes worn by Zen priests are plain black affairs (unlike the colorful getups favored by the Tibetans and their other Buddhist cousins), and even after receiving Transmission, the Zen master's daily dress is a dull brown robe. You can sit anywhere; Dogen Zenji said that the heart is the real zendo. This informs temple architecture. Plainness here is neither false humility nor a facade. It is true to the bone. Skeletal beams and rafters are seamlessly joined; they are not nailed or screwed into place; they are made to fit together. Inside a zendo, there is mostly open space, dimly lit, with a small central altar and a tan, a two-foot-high wooden platform built around the perimeter, where meditators sit on plain black cushions, facing the wall. There are few ceremonial objects—the teacher's staff, a stick of incense burning in a bowl—and it is rare to run into more than one or two bronze or wooden Buddhas. Zen rituals are spare, too. Music is reduced to an isolated ding or bong of a bell, the flat report of a mallet tapped against a slab of wood, and a thrumming bang from a giant bass drum. Even the chanting is monochromatic; students pitch their voices toward the deep, dark end of the register and grumble in unison.

Crucibles burn away the dross... Sometimes, I fancy that’s what has happened to me.” She studied his face. “How do you mean?” “All of this... I lost faith. I lost heart.” His eyes met hers with rueful humor. “I lost you.” Ann stilled. Her breath caught in her throat as he reached to brush a stray curl of hair from her temple. He tucked it back into the confines of her black bonnet. “I suppose that sometimes you have to be put into the fire to realize what’s truly important to you,” he said. “It burns everything else away. Melts you down to your finest parts. in the end, all that was left of me were my responsibilities-- and my love for you.

Lagrange’s father, once Treasurer of War for Sardinia, married Marie-Thérèse Gros, the only daughter of a wealthy physician of Cambiano, by whom he had eleven children. Of this numerous brood only the youngest, Joseph-Louis, born on January 25, 1736, survived beyond infancy.

HINDU TEMPLE In this spiritual abode the smell of incense, the sight of lighted diya (clay oil lamp), the ring of temple bell, the singing of prayers, the reciting and hum of mantras, all create an environment of divine feel and resonance to have moments with the divinity. The sanctity of the place is defined.

Tragically, it was Vince Masuoka who finally answered that lame question. “Grasshopper,” he said, shaking his head wisely, on the morning when he overheard me turning down Miami Hoy for the third time. “When temple bell rings, crane must fly.

Projective geometry has opened up for us with the greatest facility new territories in our science, and has rightly been called a royal road to its own particular field of knowledge. —FELIX KLEIN

This queer crotchet [of Hamilton's] that algebra is the science of pure time has attracted many philosophers, and quite recently it has been exhumed and solemnly dissected by owlish metaphysicians seeking the philosopher's stone in the gall bladder of mathematics.

The official declaration of war came on October 19, 1739, with the ringing of bells and the Prince of Wales toasting the London populace outside the Rose Tavern near Temple Bar. “This is your war,” Walpole told his rival the Duke of Newcastle, “and I wish you joy of it.

The hippopotamus is said to have a tender heart by those who have eaten that delicacy baked, so a thick skin is not necessarily a reliable index to what is inside the man.

The grand temples of Greece were built either of stone or of marble. As a general rule they are set on a platform to which a long flight of steps lead up, and are enclosed within an outer wall or a continuous colonnade. Their plan is extremely simple: a parallelogram, formed in some cases entirely of columns, in others with walls at the side and columns at the ends only, encloses a second and considerably smaller pillared space known as the cella or naos, that enshrined the image of the god to whom the building was dedicated, and was entered from a pronaos or porch, and with a posticum or back space behind it, sometimes supplemented by a kind of second cella called the opisthodomus or back temple. The front columns at either end are spanned by horizontal beams that uphold a sloping gable called a pediment, the flat, three-cornered surface of which is generally adorned with sculpture in bas-relief, and along the side-columns is placed what is known as the entablature, that consists of three parts, the architrave resting on the capitals of the columns, the frieze above it and the cornice, the last of which sustains the flat roof, usually covered with tiles or marble copies of tiles. Greek architecture is generally divided into three groups or orders: the Doric, Ionic, and Corinthian, each of which, though the buildings belonging to them resemble each other in general plan, is distinguished by certain peculiarities of the columns and entablatures. The Doric was the earliest to be employed, but the Ionic, that early succeeded it, was long used simultaneously with it, sometimes even in the same building, whilst the Corinthian did not come into use until considerably later.

The Parthenon was 228 feet long by 101 broad, and 64 feet high; the porticoes at each end had a double row of eight columns; the sculptures in the pediments were in full relief, representing in the eastern the Birth of Athene, and in the western the Struggle between that goddess and Poseidon, whilst those on the metopes, some of which are supposed to be from the hand of Alcamenes, the contemporary and rival of Phidias, rendered scenes from battles between the Gods and Giants, the Greeks and the Amazons, and the Centaurs and Lapithæ. Of somewhat later date than the Parthenon and resembling it in general style, though it is very considerably smaller, is the Theseum or Temple of Theseus on the plain on the north-west of the Acropolis, and at Bassæ in Arcadia is a Doric building, dedicated to Apollo Epicurius and designed by Ictinus, that has the peculiarity of facing north and south instead of, as was usual, east and west. Scarcely less beautiful than the Parthenon itself is the grand triple portico known as the Propylæa that gives access to it on the western side. It was designed about 430 by Mnesicles, and in it the Doric and Ionic styles are admirably combined, whilst in the Erectheum, sacred to the memory of Erechtheus, a hero of Attica, the Ionic order is seen at its best, so delicate is the carving of the capitals of its columns. It has moreover the rare and distinctive feature of what is known as a caryatid porch, that is to say, one in which the entablature is upheld by caryatides or statues representing female figures. Other good examples of the Ionic style are the small Temple of Niké Apteros, or the Wingless Victory, situated not far from the Propylæa and the Parthenon of Athens, the more important Temple of Apollo at Branchidæ near Miletus, originally of most imposing dimensions, and that of Artemis at Ephesus, of which however only a few fragments remain in situ. Of the sacred buildings of Greece in which the Corinthian order was employed there exist, with the exception of the Temple of Jupiter at Athens already referred to, but a few scattered remains, such as the columns from Epidaurus now in the Athens Museum, that formed part of a circlet of Corinthian pillars within a Doric colonnade. In the Temple of Athena Alea at Tegea, designed by Scopas in 394, however, the transition from the Ionic to the Corinthian style is very clearly illustrated, and in the circular Monument of Lysicrates, erected in 334 B.C. to commemorate the triumph of that hero's troop in the choric dances in honour of Dionysos, and the Tower of the Winds, both at Athens, the Corinthian style is seen at its best. In addition to the temples described above, some remains of tombs, notably that of the huge Mausoleum at Halicarnassus in memory of King Mausolus, who died in 353 B.C., and several theatres, including that of Dionysos at Athens, with a well-preserved one of larger size at Epidaurus, bear witness to the general prevalence of Doric features in funereal monuments and secular buildings, but of the palaces and humbler dwelling-houses in the three Greek styles, of which there must have been many fine examples, no trace remains. There is however no doubt that the Corinthian style was very constantly employed after the power of the great republics had been broken, and the Oriental taste for lavish decoration replaced the love for austere simplicity of the virile people of Greece and its dependencies. CHAPTER III

What I’m saying,” Nate tried once more, “is that there should always be a world in which you and I meet.” Walter’s shrug would have done an old uncle at temple proud. “We meet, we don’t meet—if we don’t know each other, it doesn’t make a difference.” But it does. I was missing you before you were born.

Strange as it may seem, not all of the great mathematicians have been professors in colleges or universities. Quite a few were soldiers by profession; others went into mathematics from theology, the law, and medicine, and one of the greatest was as crooked a diplomat as ever lied for the good of his country. A few have had no profession at all. Stranger yet, not all professors of mathematics have been mathematicians. But this should not surprise us when we think of the gulf between the average professor of poetry drawing a comfortable salary and the poet starving to death in his garret.

At first she felt overwhelmed by the house, its airy symmetry its silence. Now she was accustomed to the place, but she caught herself wondering, Is this still Berkeley? George's neighborhood felt as far from Telegraph as the hanging gardens of Babylon. You could get a good kebab in Jess's neighborhood, and a Cal T-shirt, and a reproduction NO HIPPIES ALLOWED sign. Where George lived, you could not get anything unless you drove down from the hills. Then you could buy art glass, and temple bells, and burled-wood jewelry boxes, and dresses of hand-painted silk, and you could eat at Chez Panisse, or sip coffee at the authentically grubby French Hotel where your barista took a bent paper clip and drew cats or four-leaf clovers or nudes in your espresso foam. You returned home with organic, free-range groceries, and bouquets of ivory roses and pale green hydrangeas, and you held dinner parties where some guests got lost and arrived late, and others gave up searching for you in the fog. That was George's Berkeley, and even in these environs, his home stood apart, hidden, grand, and rambling; windows set like jewels in their carved frames, gables twined with wisteria of periwinkle and ghostly white.

Roman soldiers were everywhere, patrolling the streets, standing guard over the temple in Jerusalem, reminding everybody of their conquest and power. There were a number of Jesus’s contemporaries who believed that the only proper response to this outrage was to pick up swords and declare war. Many in the crowds that followed Jesus assumed that he at some point would become one of those leaders, driving the Romans out of their land. But Jesus wasn’t interested. He was trying to bring Israel back to its roots, to its divine calling to be a light to the world, showing the nations just what the redeeming love of God looks like. And he was confident that this love doesn’t wield a sword.

Now, whenever she smelled the gums, the balsams, and the special aromatics that arrived with merchants from afar, her head reeled with images of temples, shrines, palaces, fortresses, mysterious walls, tapestries, paintings, jewels, liquors, icons, drugs, dyes, meats, sweets, sweetmeats, silks, bolts and bolts of cotton cloth, ores, shiny metals, foodstuffs, spices, musical instruments, ivory daggers and ivory dolls, masks, bells, carvings, statues (ten times as tall as she!), lumber, leopards on leashes, peacocks, monkeys, white elephants with tattooed ears, horses, camels, princes, maharajah, conquerors, travelers (Turks with threatening mustaches and Greeks with skin as pale as the stranger who had befriended her at the funeral grounds), singers, fakirs, magicians, acrobats, prophets, scholars, monks, madmen, sages, saints, mystics, dreamers, prostitutes, dancers, fanatics, avatars, poets, thieves, warriors, snake charmers, pageants, parades, rituals, executions, weddings, seductions, concerts, new religions, strange philosophies, fevers, diseases, splendors and magnificences and things too fearsome to be recounted, all writhing, cascading, jumbling, mixing, splashing, and spinning; vast, complex, inexhaustible, forever.

Nina shrugged. “It takes a lot of energy to be with other people. It’s easier to be myself when there’s no one else there.” “Some people take energy; some people give energy . . . Occasionally, you get lucky and find someone whose energy balances your own and brings you into neutral.” She paused. “My God, I’ve been in Malibu too long. I said that completely without irony.” Nina laughed. “It was really convincing. I think I even heard a tiny temple bell ringing somewhere . . .

How about after college? Are you supposed to experiment then?" He could feel his dad's eyes burning a hole in his temple. "Never too late to learn new things about yourself.

Peace. Warm yourself, warrior, while I tell you of peace. History is unerring, and even the least observant mortal can be made to understand, through innumerable repetition. Do you see peace as little more than the absence of war? Perhaps, on a surface level, it is just that. But let me describe the characteristics of peace, my young friend. A pervasive dulling of the senses, a decadence afflicting the culture, evinced by a growing obsession with low entertainment. The virtues of extremity — honour, loyalty, sacrifice — are lifted high as shoddy icons, currency for the cheapest of labours. The longer peace lasts, the more those words are used, and the weaker they become. Sentimentality pervades daily life. All becomes a mockery of itself, and the spirit grows… restless. Is this a singular pessimism? Allow me to continue with a description of what follows a period of peace. Old warriors sit in taverns, telling tales of vigorous youth, their pasts when all things were simpler, clearer cut. They are not blind to the decay all around them, are not immune to the loss of respect for themselves, for all that they gave for their king, their land, their fellow citizens. The young must not be abandoned to forgetfulness. There are always enemies beyond the borders, and if none exist in truth, then one must be fashioned. Old crimes dug out of the indifferent earth. Slights and open insults, or the rumours thereof. A suddenly perceived threat where none existed before. The reasons matter not — what matters is that war is fashioned from peace, and once the journey is begun, an irresistible momentum is born. The old warriors are satisfied. The young are on fire with zeal. The king fears yet is relieved of domestic pressures. the army draws its oil and whetstone. Forges blast with molten iron, the anvils ring like temple bells. Grain-sellers and armourers and clothiers and horse-sellers and countless other suppliers smile with the pleasure of impending wealth. A new energy has gripped the kingdom, and those few voices raised in objection are quickly silenced. Charges of treason and summary execution soon persuade the doubters. Peace, my young warrior, is born of relief, endured in exhaustion, and dies with false remembrance. False? Ah, perhaps I am too cynical. Too old, witness to far too much. Do honour, loyalty and sacrifice truly exist? Are such virtues born only from extremity? What transforms them into empty words, words devalued by their overuse? What are the rules of the economy of the spirit, that civilization repeatedly twists and mocks? Withal of the Third City. You have fought wars. You have forged weapons. You have seen loyalty, and honour. You have seen courage and sacrifice. What say you to all this?" "Nothing," Hacking laughter. "You fear angering me, yes? No need. I give you leave to speak your mind." "I have sat in my share of taverns, in the company of fellow veterans. A select company, perhaps, not grown so blind with sentimentality as to fashion nostalgia from times of horror and terror. Did we spin out those days of our youth? No. Did we speak of war? Not if we could avoid it, and we worked hard at avoiding it." "Why?" "Why? Because the faces come back. So young, one after another. A flash of life, an eternity of death, there in our minds. Because loyalty is not to be spoken of, and honour is to be endured. Whilst courage is to be survived. Those virtues, Chained One, belong to silence." "Indeed. Yet how they proliferate in peace! Crowed again and again, as if solemn pronouncement bestows those very qualities upon the speaker. Do they not make you wince, every time you hear them? Do they not twist in your gut, grip hard your throat? Do you not feel a building rage—" "Aye. When I hear them used to raise a people once more to war.

Sun-boy was acting out religion before the age of space. He chorused hymns, he lifted his eyes and his hands and his piece of the congohelium to the sun; he played the rattle of whirling dervishes, the temple bells of the Man on the Two Pieces of Wood and the other temple bells of that saint who had escaped time simply by seeing it and stepping out of it. Buddha, was that his name?

As the leaves of this tree are, I too am made of the water, the sky, sun, and stars; I share this essence with all the Ten-thousand Things. And in so doing, empty myself and my cup. As tea, I am now free to transcend the moment, Finding Heaven in a leaf. I ride the cinnabar mists Beyond the temple stairs And blue peaks To soar beneath the unveiled moon, Glancing downwards but once When the temple bells chimed.

The temple bell stops-- but the sound keeps coming out of the flowers.

Stop. I believe you. Of course I believe you.” He pressed a kiss to her temple. “Imogen—I don’t think you’re mad.” She lifted her head. “You don’t?” “No.” His hand found her cheek, his thumb stroking across the soft skin there. “I think the world is mad. But you . . . I think you are the best of it—you are hope, and passion, and purpose, and justice. And sometimes you are vengeance, too, and it makes me want to fight by your side. For as long as you need me.

One of the chief services which mathematics has rendered the human race in the past century is to put “common sense” where it belongs: on the topmost shelf next to the dusty canister labeled “discarded nonsense.” —ERIC TEMPLE BELL2

Replying two weeks later he states his opinion of Fermat’s Last Theorem. “I am very much obliged for your news concerning the Paris prize. But I confess that Fermat’s Theorem as an isolated proposition has very little interest for me, because I could easily lay down a multitude of such propositions, which one could neither prove nor dispose of.

In 1835 the Academy of Sciences began publishing its weekly bulletin (the Comptes rendus). Here was a virgin dumping ground for Cauchy, and he began swamping the new publication with notes and lengthy memoirs- sometimes more than one a week. Dismayed at the rapidly mounting bill for printing, the Academy passed a rule, in force today, prohibiting the publication of an article over four pages long. This cramped Cauchy’s luxuriant style, and his longer memoirs, including a great one of 300 pages on the theory of numbers, were published elsewhere.

In all that galaxy of talent there was no brighter star than Niels Henrik Abel, the man of whom Hermite said, “He has left mathematicians something to keep them busy for five hundred years.

He (Gauss) lives everywhere in mathematics