Havana Club Quotes

Passengers drank and smoked. Both; a lot. This was a significant source of profit for Cunard. The company laid in a supply of 150 cases of Black & White Whiskey, 50 cases of Canadian Club Whiskey, and 50 of Plymouth Gin; also, 15 cases each of an eleven-year-old French red wine, a Chambertin, and an eleven-year-old French white, a Chablis, and twelve barrels of stout and ten of ale. Cunard stockpiled thirty thousand “Three Castles” cigarettes and ten thousand Manila cigars. The ship also sold cigars from Havana and American cigarettes made by Phillip Morris. For the many passengers who brought pipes, Cunard acquired 560 pounds of loose Capstan tobacco—“navy cut”—and 200 pounds of Lord Nelson Flake, both in 4-ounce tins. Passengers also brought their own. Michael Byrne, a retired New York merchant and former deputy sheriff traveling in first class, apparently planned to spend a good deal of the voyage smoking. He packed 11 pounds of Old Rover Tobacco and three hundred cigars. During the voyage, the scent of combusted tobacco was ever present, especially after dinner.

General Gerardo Machado always had an eye for the ladies and enjoyed partying at the swankiest nightclubs in Havana. For a time he even owned his own club, which was the place for his political hacks to be seen. Machado was frequently there in the company of some of the most enticing ladies in the country. Through a combination of threats and bribery, he maintained control of the Army. In April of 1928 the Cuban Congress at the behest of Machado passed a law barring any presidential nominations by any party other than the Liberal, Conservative and Popular parties. Interestingly enough Machado declared himself the only legal candidate for those parties, and thus ran for a second term unopposed. Not only had he overspent money from the national treasury, but now he also alienated the Cuban public, who denounced him as an authoritarian nationalist and tyrant. Students, labor unions and intellectuals branded him an outright dictator. It was during this time that Marxist thinking was gaining strength throughout the world. The Communist philosophy was also becoming ever more popular among intellectuals, professors and students at the Universidad de La Havana. Realizing that he was now in danger of losing control, Machado made a power grab and declared Martial Law in Cuba. Intent on holding on to power, he became even more despotic than ever, creating a secret police known to the people as La Porra, meaning a big stick! As President, Machado became openly vindictive and did not hesitate to torture or even assassinate his foes in order to maintain tight sway over the Cuban population. With the Great Depression of 1928, things only got worse. The economy, which was single-sided, was extremely dependent upon sugar. Poverty was widespread, and even necessities all but disappeared, leaving the Cuban people destitute and in misery.

In 1925, a master plan was instituted to blend the French neo-classical design with the tropical background. The Art Deco movement, both in Havana and in Miami Beach, took hold during the late 1920’s, and is found primarily in the residential section of Miramar. Miramar is where most of the embassies are located, including the massive Russian embassy. The predominant street is Fifth Avenue known as La Quinta Avenida, along which is found the church of Jesus de Miramar, the Teatro Miramar and the Karl Marx Theater. There is also the Old Miramar Yacht Club and the El Ajibe Restaurant, recently visited and televised by Anthony Bourdain on his show, “No Reservations.” Anthony Bourdain originally on the Travel Channel is now being shown on CNN. The modern five-star Meliá Habana hotel, known for its cigar bar, is located opposite the Miramar Trade Centre. Started in 1772, el Paseo del Prado, also known as el Paseo de Marti, became the picturesque main street of Havana. It was the first street in the city to be paved and runs north and south, dividing Centro Habana from Old Havana. Having been designed by Jean-Claude Nicolas Forestier, a French landscape architect, it connects the Malecón, the city’s coastal esplanade, with a centrally located park, Parque Central. Although the streets on either side are still in disrepair, the grand pedestrian walkway goes for ten nicely maintained blocks. The promenade has a decorated, inlaid, marble terrazzo pavement with a balustrade of small posts. It is shaded by a tree-lined corridor and has white marble benches for the weary tourist. Arguably, the Malecón is the most photographed street in Havana. It lies as a bulwark just across the horizon from the United States, which is only 90, sometimes treacherous miles away. It is approximately 5 miles long, following the northern coast of the city from east to west. This broad boulevard is ideal for the revelers partaking in parades and is the street used for Fiesta Mardi Gras, known in Cuba as Los Carnavales. It has at times also been used for “spontaneous demonstrations” against the United States. It runs from the entrance to Havana harbor, alongside the Centro Habana neighborhood to the Vedado neighborhood, past the United States Embassy on the Calle Calzada.

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The so-called Cuban bourgeoisie, at first under the influence of colonial racism and later by North American racism, and feeling insecure under the latter, was the group that always paid the greatest attention to the sophisticated instruments of genetic racism, since it assisted them to exert its power and domination. This led to some rather ironic interpretations of race in Havana. Fulgencio Batista, the president of the Republic, as a mulatto, could not belong to the most aristocratic clubs. Josephine Baker, a most important international performer, suffered discrimination in Havana. The Spanish colonizers, despite close to eight hundred years under the Moors, never adopted their African ancestors, their own racial mixture. This shameful attitude was inherited and transmitted to the Cuban creole bourgeoisie and the white (virtually the only) middle class.

The pink, grey, yellow pillars of what had once been the aristocratic quarter were eroded like rocks; an ancient coat of arts, smudged and featureless, was set over the doorway of a shabby hotel, and the shutters of a night-club were varnished in bright crude colours to protect them from the wet and salt of the sea. In the west the steel skyscrapers of the new town rose higher than lighthouses into the clear February sky. It was a city to visit, not a city to live in, but it was the city where Wormold had first fallen in love and he was held to it as though to a scene of a disaster. Time gives poetry to a battlefield, and perhaps Milly resembled a little flower on an old rampart where an attack had been repulsed with heavy loss many years ago.