Tell The Wolves I'm Home Quotes

We've searched our database for all the quotes and captions related to Tell The Wolves I'm Home. Here they are! All 100 of them:

Maybe I was destined to forever fall in love with people I couldn’t have. Maybe there’s a whole assortment of impossible people waiting for me to find them. Waiting to make me feel the same impossibility over and over again.
Carol Rifka Brunt (Tell the Wolves I'm Home)
Nothing had changed. I was the stupid one again. I was the girl who never understood who she was to people.
Carol Rifka Brunt (Tell the Wolves I'm Home)
That's the secret. If you always make sure you're exactly the person you hoped to be, if you always make sure you know only the very best people, then you won't care if you die tomorrow.
Carol Rifka Brunt (Tell the Wolves I'm Home)
I felt like I had proof that not all days are the same length, not all time has the same weight. Proof that there are worlds and worlds and worlds on top of worlds, if you want them to be there.
Carol Rifka Brunt (Tell the Wolves I'm Home)
Because maybe I don't want to leave the planet invisible. Maybe I need at least one person to remember something about me.
Carol Rifka Brunt (Tell the Wolves I'm Home)
I knew the way lost hopes could be dangerous, how they could turn a person into someone they never thought they'd be.
Carol Rifka Brunt (Tell the Wolves I'm Home)
You can build a whole world around the tiniest of touches.
Carol Rifka Brunt (Tell the Wolves I'm Home)
The sun kept on with its slipping away, and I thought how many small good things in the world might be resting on the shoulders of something terrible.
Carol Rifka Brunt (Tell the Wolves I'm Home)
I need to figure out the secret. I need to work out how to keep things flying back to me instead of always flying away.
Carol Rifka Brunt (Tell the Wolves I'm Home)
If my life was a film, I’d have walked out by now.
Carol Rifka Brunt (Tell the Wolves I'm Home)
Once you know a thing you can’t ever unknow it.
Carol Rifka Brunt (Tell the Wolves I'm Home)
My mother gave me a disappointed look. Then I gave her one back. Mine was for everything, not just the sandwich.
Carol Rifka Brunt (Tell the Wolves I'm Home)
I had no idea how greedy my heart really was.
Carol Rifka Brunt (Tell the Wolves I'm Home)
Sometimes it feels good to take the long way home.
Carol Rifka Brunt (Tell the Wolves I'm Home)
You could try to believe what you wanted, but it never worked. Your brain and your heart decided what you were going to believe and that was that. Whether you liked it or not.
Carol Rifka Brunt (Tell the Wolves I'm Home)
I really wondered why people were always doing what they didn't like doing. It seemed like life was a sort of narrowing tunnel. Right when you were born, the tunnel was huge. You could be anything. Then, like, the absolute second after you were born, the tunnel narrowed down to about half that size. You were a boy, and already it was certain you wouldn't be a mother and it was likely you wouldn't become a manicurist or a kindergarten teacher. Then you started to grow up and everything you did closed the tunnel in some more. You broke your arm climbing a tree and you ruled out being a baseball pitcher. You failed every math test you ever took and you canceled any hope of being a scientist. Like that. On and on through the years until you were stuck. You'd become a baker or a librarian or a bartender. Or an accountant. And there you were. I figured that on the day you died, the tunnel would be so narrow, you'd have squeezed yourself in with so many choices, that you just got squashed.
Carol Rifka Brunt (Tell the Wolves I'm Home)
I stared hard, trying to find a pattern. Thinking if I kept looking hard enough, maybe the pieces of the world would fit back together into something I could understand.
Carol Rifka Brunt (Tell the Wolves I'm Home)
…there’s just something beautiful about walking on snow that nobody else has walked on. It makes you believe you’re special, even though you know you’re not.
Carol Rifka Brunt (Tell the Wolves I'm Home)
I thought of all the different kinds of love in the world. I could think of ten without even trying. The way parents love their kids, the way you love a puppy or chocolate ice cream or home or your favorite book or your sister. Or your uncle. There's those kinds of love and then there's the other kind. The falling kind.
Carol Rifka Brunt (Tell the Wolves I'm Home)
There are dark black buttons tattooed on my heart. I’ll carry them for the rest of my days.
Carol Rifka Brunt (Tell the Wolves I'm Home)
Watching people is a good hobby, but you have to be careful about it. You can’t let people catch you staring at them. If people catch you, they treat you like a first-class criminal. And maybe they’re right to do that. Maybe it should be a crime to try to see things about people they don’t want you to see.
Carol Rifka Brunt (Tell the Wolves I'm Home)
She was wired into my heart. Twisted and kinked and threaded right through.
Carol Rifka Brunt (Tell the Wolves I'm Home)
You think I don't know about wrong love, June? You think I don't understand embarrassing love?
Carol Rifka Brunt (Tell the Wolves I'm Home)
Toby was right. Finn was my first love. But Toby, he was my second. And the sadness in that stretched like a thin cold river down the length of my whole life.
Carol Rifka Brunt (Tell the Wolves I'm Home)
That's what being shy feels like. Like my skin is too thin, the light too bright. Like the best place I could possibly be is in a tunnel far under the cool, dark earth. Someone asks me a question and I stare at them, empty-faced, my brain jammed up with how hard I'm trying to find something interesting to say. And in the end, all I can do is nod or shrug, because the light of their eyes looking at me, waiting for me, is just too much to take. And then it's over and there's one more person in the world who thinks I'm a complete and total waste of space. The worst thing is the stupid hopefulness. Every new party, every new bunch of people, and I start thinking that maybe this is my chance. That I'm going to be normal this time. A new leaf. A fresh start. But then I find myself at the party, thinking, Oh, yeah. This again. So I stand on the edge of things, crossing my fingers, praying nobody will try to look me in the eye. And the good thing is, they usually don't.
Carol Rifka Brunt (Tell the Wolves I'm Home)
I thought it was good to test yourself sometimes. It was good to see how much you could take.
Carol Rifka Brunt (Tell the Wolves I'm Home)
But maybe I am. Maybe that’s exactly what I am. Maybe all I wanted was for Toby to hear the wolves that lived in the dark forest of my heart. And maybe that’s what it meant. Tell the Wolves I’m Home. Maybe Finn understood everything, as usual. You may as well tell them where you live, because they’ll find you anyway. They always do.
Carol Rifka Brunt (Tell the Wolves I'm Home)
I don’t like to overhear things, because, in my experience, things your parents are keeping quiet about are things you don’t want to know.
Carol Rifka Brunt (Tell the Wolves I'm Home)
I thought how that was wrong and terrible and beautiful all at the same time.
Carol Rifka Brunt (Tell the Wolves I'm Home)
I only need one good friend to see me through. Most people aren't like that. Most people are always looking out for more people to know.
Carol Rifka Brunt (Tell the Wolves I'm Home)
I know all about love that's too big to stay in a tiny bucket. Splashing out all over the place in the most embarrassing way possible.
Carol Rifka Brunt (Tell the Wolves I'm Home)
The kinds of things I want don't cost money.
Carol Rifka Brunt (Tell the Wolves I'm Home)
I was in a place where nobody knew my heart even a little bit.
Carol Rifka Brunt
The bed was warm and ordinary and perfect, and it had been such a long, long day. Probably the longest day of my life. I felt like I had proof that not all days are the same length, not all time has the same weight. Proof that there are worlds and worlds and worlds on top of worlds, if you want them to be there.
Carol Rifka Brunt (Tell the Wolves I'm Home)
But if they loved each other so much, couldn’t they talk it out?” Toby gave an exasperated laugh. “You get into habits. Ways of being with certain people.
Carol Rifka Brunt (Tell the Wolves I'm Home)
I didn’t want to care, but somehow, like always, I did. She was wired into my heart. Twisted and kinked and threaded right through.
Carol Rifka Brunt (Tell the Wolves I'm Home)
Maybe you had to be dying to finally get to do what you wanted. I fidgeted around with the puzzle pieces for a while longer, but I wasn't lucky. Nothing seemed to fit without a whole lot of work. Then I had this thought: What if it was enough to realize that you would die someday, that none of this would go on forever? Would that be enough?
Carol Rifka Brunt (Tell the Wolves I'm Home)
I thought of trying to catch her eye, so she’d know I understood what she’d done, but I decided not to. Everyone needs to think they have secrets.
Carol Rifka Brunt (Tell the Wolves I'm Home)
My mother said it was like a cassette tape you could never rewind. But it was hard to remember you couldn’t rewind it while you were listening to it. And so you’d forget and fall into the music and listen and then, without you even knowing it, the tape would suddenly end.
Carol Rifka Brunt (Tell the Wolves I'm Home)
That’s different,” I said. And it was. A portrait is a picture where somebody gets to choose what you look like. How they want to see you. A camera catches whichever you happens to be there when it clicks.
Carol Rifka Brunt (Tell the Wolves I'm Home)
I needed to know that my mother understood that her hand was in this too. That all the jealousy and envy and shame we carried was our own kind of sickness. As much a disease as Toby and Finn’s AIDS.
Carol Rifka Brunt (Tell the Wolves I'm Home)
It's the most unhappy people who want to stay alive, because they think they haven't done everything they want to do. They think they haven't had enough time. They feel they've been shortchanged.
Carol Rifka Brunt (Tell the Wolves I'm Home)
I’m not a violent person. I didn’t think I was a violent person, but right then something dangerous seemed to be waking up. Some hard dark sleeping thing from deep in my belly had opened one eye.
Carol Rifka Brunt (Tell the Wolves I'm Home)
Maybe when you’re dead you can crawl inside other people and make them nicer than they were before.
Carol Rifka Brunt (Tell the Wolves I'm Home)
I like the word clandestine. It feels medieval. Sometimes I think of words as being alive. If clandestine were alive, it would be a pale little girl with hair the color of fall leaves and a dress as white as the moon.
Carol Rifka Brunt (Tell the Wolves I'm Home)
I dream about people who don’t need to have sex to know they love each other.
Carol Rifka Brunt (Tell The Wolves I'm Home)
But you don't know what it was like. It was just the two of us that afternoon, and then . . . and then it was just me.
Carol Rifka Brunt (Tell the Wolves I'm Home)
Don’t you see? It’s like we’ve known each other all these years. Without even seeing each other. It’s like there’s been this . . . this ghost relationship between us. You laying out my plectrums on the floor, me buying black-and-white cookies every time I knew you would be coming over. You didn’t know that was me, but it was.
Carol Rifka Brunt (Tell the Wolves I'm Home)
Things you'd never even seen with Finn could remind you of him, because he was the one person you'd want to show. "Look at that," you'd want to say, because you knew he would find a way to think it was wonderful. To make you feel like the most observant person in the world for spotting it.
Carol Rifka Brunt (Tell the Wolves I'm Home)
I stared out the car window and understood that I was in a place where nobody knew my heart even a little bit.
Carol Rifka Brunt (Tell the Wolves I'm Home)
Going into the woods alone is the best way to pretend you're in another time. It's a thing you can only do alone. If there's somebody else with you, it's too easy to remember where you really are.
Carol Rifka Brunt (Tell the Wolves I'm Home)
Then we left, just me running with my sister, the wolves at our backs.
Carol Rifka Brunt (Tell the Wolves I'm Home)
In having a purpose. I could feel it hardening up my bones and thickening my blood. I felt older and smarter than anyone else I knew. I could do anything, anything at all.
Carol Rifka Brunt (Tell the Wolves I'm Home)
Opening a present from a live person was scary enough. There was always the chance that the gift might be so wrong, so completely not the kind of thing you liked, that you'd realize they didn't really know you at all.
Carol Rifka Brunt (Tell the Wolves I'm Home)
I thought how there was a kind of power in being needed. In having a purpose. I could feel it hardening up my bones and thickening my blood.
Carol Rifka Brunt (Tell the Wolves I'm Home)
Every new party, every new bunch of people, and I start thinking that maybe this is my chance.That I'm going to be normal this time. A new leaf. A fresh start. But then I find myself at the party, thinking, Oh, yeah. This again.
Carol Rifka Brunt (Tell the Wolves I'm Home)
When you have a watch, time is like a swimming pool. There are edges and sides. Without a watch, time is like the ocean. Sloppy and vast.
Carol Rifka Brunt (Tell the Wolves I'm Home)
Please promise to take the very best care of my only girl. With so much love my heart might split in two...
Carol Rifka Brunt (Tell the Wolves I'm Home)
I was the girl who never understood who she was to people.
Carol Rifka Brunt (Tell The Wolves I'm Home)
Finn said art isn't about drawing or painting a perfect bowl of fruit. It's about ideas. And you, he said, have enough good ideas to last a lifetime.
Carol Rifka Brunt (Tell the Wolves I'm Home)
All my parents' music came from greatest hits albums. It was like the thought of getting even one bum track was too much for them to handle.
Carol Rifka Brunt (Tell the Wolves I'm Home)
I go to the movies whenever I get the chance, because the movie theater is like the woods. It's another place that's like a time machine.
Carol Rifka Brunt (Tell the Wolves I'm Home)
You get into habits. Ways of being with certain people.
Carol Rifka Brunt (Tell the Wolves I'm Home)
We both knew we were the biggest nerds in the whole world.
Carol Rifka Brunt (Tell the Wolves I'm Home)
...What’s the one superpower of June Elbus?” I thought about myself from head to toe. It was like being forced to read the most boring part of the Sears catalog. Like leafing through the bathroom accessories pages. Boring brain. Boring face. No sex appeal. Clumsy hands. “Heart. Hard heart,” I said, not sure where it came from. “The hardest heart in the world.” “Hmmm,” Toby said, tapping a finger in the air. “That’s a useful one, you know. Very handy. The question is . . .” Toby paused like he was considering this all very seriously. “What’s the question?” “The question is, stone or ice? Crack or melt?
Carol Rifka Brunt (Tell the Wolves I'm Home)
It's hard to do that, to decide to believe one thing over another.
Carol Rifka Brunt (Tell the Wolves I'm Home)
If I kept looking hard enough maybe the pieces of the world would fit back together into something I could understand.
Carol Rifka Brunt (Tell the Wolves I'm Home)
I wasn't interested in drinking beer or vodka or smoking cigarettes or doing all the other things Greta thinks I can't even imagine. I don't want to imagine those things. Anyone can imagine things like that. I want to imagine wrinkled time, and forests thick with wolves, and bleak midnight moors. I dream about people who don't need to have sex to know they love each other. I dream about people who would only ever kiss you on the cheek.
Carol Rifka Brunt (Tell the Wolves I'm Home)
There was something so lonely about that moment, everyone around me completely involved in this thing I wasn't a part of, me with nowhere to go.
Carol Rifka Brunt (Tell the Wolves I'm Home)
As the elevator door started to close, she stood and put up one hand to wave goodbye. That’s one of those frozen memories for me, because there was something in Greta’s solemn wave that made me understand it was about something bigger. That as the elevator door eclipsed the look between us, we were really saying goodbye to the girls we used to be. Girls who knew how to play invisible mermaids, who could run through dark aisles, pretending to save the world.
Carol Rifka Brunt (Tell the Wolves I'm Home)
What if you ended up in the wrong kind of love? What if you accidentally ended up in the falling kind with someone it would be so gross to fall in love with that you could never tell anyone in the world about it? The kind you’d have to crush down so deep inside yourself that it almost turned your heart into a black hole? The kind you squashed deeper and deeper down, but no matter how much you hoped it would suffocate, it never did? Instead, it seemed to inflate, to grow gigantic as time went by, filling every little spare space you had until it was you. You were it. Until everything you ever saw or thought led you back to one person. The person you weren’t supposed to love that way.
Carol Rifka Brunt (Tell the Wolves I'm Home)
If you think a story can be like a kind of cement, the sloppy kind that you put between bricks, the kind that looks like cake frosting before it dries hard, then maybe I thought it would be possible to use what Toby had to hold Finn together, to keep him here with me a little bit longer.
Carol Rifka Brunt (Tell the Wolves I'm Home)
There was at least some small beauty in what we’d done.
Carol Rifka Brunt (Tell the Wolves I'm Home)
The walls of the tunnels were covered with so much dirt, it was almost like fur. I thought those tunnels were the kind of places wolves might live. I thought they were like the vessels of the human heart.
Carol Rifka Brunt (Tell the Wolves I'm Home)
But they gave me Finn. He said it like maybe it was worth the trade. Like it was something he would do again if he had the choice. Like he would take a man's legs and give away years of his own freedom if it was the only way. I thought how that was wrong and terrible and beautiful all at the same time.
Carol Rifka Brunt (Tell the Wolves I'm Home)
None of those things should have mattered, but I guess they did. I guess they were like water. Soft and harmless until enough time went by. Then all of a sudden you found yourself with the Grand Canyon on your hands.
Carol Rifka Brunt (Tell the Wolves I'm Home)
I dream about people who don't need to have sex to know they love each other. I dream about people who would only ever kiss you on the cheek.
Carol Rifka Brunt (Tell the Wolves I'm Home)
There was a flicker of something in Greta's look. I couldn't tell whether it was a flicker of love or regret or meanness.
Carol Rifka Brunt (Tell the Wolves I'm Home)
Greta always wanted to know everything. Every little detail. But I understood. You can ruin anything if you know too much.
Carol Rifka Brunt (Tell The Wolves I'm Home)
If you close your eyes when you sing in Latin, and if you stand right at the back so you can keep one hand against the cold stone wall of the church, you can pretend you're in the Middle Ages. That's why I did it. That's what I was in it for.
Carol Rifka Brunt (Tell the Wolves I'm Home)
I mean, why did sex have to be so important? Why couldn’t people live together, spend their whole lives together, just because they liked each other’s company? Just because they liked each other more than they liked anyone else in the whole world? If you found a person like that you wouldn’t have to have sex. You could just hold them, couldn’t you?
Carol Rifka Brunt (Tell the Wolves I'm Home)
Why, June, you sound surprised.” He’d put on an offended-housewife voice, but it was in a hoarse whisper, so it sounded like an offended housewife who smoked five packs of cigarettes a day. I laughed.
Carol Rifka Brunt (Tell the Wolves I'm Home)
When I go to the woods now, I always head out along the brook and go straight to the big maple. I run there, like Toby must have done on that stormy night, then I bend down and crawl on the earth. Because what if there’s a clue? What if there’s a piece of chunky strawberry bubble gum still bundled up in its waxy wrapper, or a weather-faded matchbook, or a fallen button from somebody’s big gray coat? What if buried under all those leaves is me? Not this me, but the girl in a Gunne Sax dress with the back zipper open. The girl with the best boots in the world. What if she’s under there? What if she’s crying? Because she will be, if I find her. Her tears tell the story of what she knows. That the past, present, and future are just one thing. That there’s nowhere to go from here. Home is home is home.
Carol Rifka Brunt (Tell the Wolves I'm Home)
It was a nice thing for her to say. In her way. With Greta you have to look out for the nice things buried in the rest of her mean stuff. Greta’s talk is like a geode. Ugly as anything on the outside and for the most part the same on the inside, but every once in a while there’s something that shines through.
Carol Rifka Brunt (Tell the Wolves I'm Home)
After a snowstorm is the best time to be in the woods, because all the empty beer and soda cans and candy wrappers disappear, and you don't have to try as hard to be in another time. Plus there's just something beautiful about walking on snow that nobody else has walked on.
Carol Rifka Brunt (Tell the Wolves I'm Home)
I stared out the window the whole way, because it was raining, which is how I like the city best. It looks like it's been polished up. All the streets shine and lights from everywhere reflect off the black. It's like the whole place has been dipped in sugar syrup. Like the city is some kind of big candy apple.
Carol Rifka Brunt (Tell the Wolves I'm Home)
The real question for me is why Lieutenant Cable and Nellie didn’t just get together. Because they would have been a perfect match. I guess the idea is that opposites attract, but I don’t think that’s what it’s like in real life. I think in real life you’d want someone who was as close to you as possible. Someone who could understand exactly the way you thought.
Carol Rifka Brunt (Tell the Wolves I'm Home)
I stared at Greta’s back. At her matted hair, decorated with brown torn leaves and dirt. What was happening to my sister? What if I’d never come? How long would she have stayed hidden in those cool, damp leaves? How long before she woke up alone and scared, with nothing but the howling of wolves to keep her company?
Carol Rifka Brunt (Tell the Wolves I'm Home)
But being a monk is just one more impossible thing, like traveling to the past or having Finn here forever, because to be a monk you'd have to be a man and you'd also have to believe in God, neither of which was ever going to happen. I don't think God would create a disease just to kill people like Finn, and if he did, then there's no way I'd ever even consider worshipping him.
Carol Rifka Brunt (Tell the Wolves I'm Home)
I really wondered why people were always doing what they didn't like doing. It seemed like life was a sort of narrowing tunnel. Right when you were born, the tunnel was huge. You could be anything. Then, like, the absolute second you were born, the tunnel narrowed down to about half the size. . . . I figured that, on the day you died, the tunnel would be so narrow, you'd have squeezed yourself in with so many choices, that you just got squashed.
Carol Rifka Brunt (Tell the Wolves I'm Home)
Don't you know? That's the secret. If you always make sure you're exactly the person you hoped to be, if you always make sure you know only the best people, then you won't care if you die tomorrow." "That doesn't make any sense. If you were so happy, then you'd want to stay alive, wouldn't you? You'd want to be alive forever, so you could keep being happy." ... "No, no. It's the most unhappy people who want to stay alive, because they think they haven't done everything they want to do. They think they haven't had enough time. They feel like they've been shortchanged.
Carol Rifka Brunt (Tell the Wolves I'm Home)
Black holes aren't an Earth Science topic, but Mr. Zerbiak is like that. One minute Adam Bell was asking a question about a meteoroid he found in his backyard, and the next Mr. Zerbiak was saying that he was "going a little off topic here, but..." and of course everyone was suddnely all interested. If teachers pretended that everything they said was "off topic", we'd have a whole school full of straight-A students.
Carol Rifka Brunt (Tell the Wolves I'm Home)
People didn’t know everything then. There were things people had never seen before. Places nobody had ever been. You could make up a story and people would believe it...also maybe it seems like it would be okay not to be perfect. Nobody was perfect back then. Just about everyone was defective, and most people had no choice except to stay that way.
Carol Rifka Brunt (Tell the Wolves I'm Home)
For a long time, all the way through to the end of elementary school, Beans was my only friend. Because that’s how I’ve always been. I only need one good friend to see me through. Most people aren’t like that. Most people are always looking out for more people to know. In the end, Beans was like most people. After a while she had dozens of friends, and by fifth grade it was pretty obvious that even though she was my best friend, I wasn’t hers.
Carol Rifka Brunt (Tell the Wolves I'm Home)
Opening a present from a live person was scary enough. There was always the chance that the gift might be so wrong, so completely not the kind of thing you liked, that you’d realize they didn’t really know you at all. I knew it wouldn’t be like that with this present from Finn. What was scary about this was that I knew it would be perfect —completely, totally perfect. What if nobody ever knew me like that again? What if I went through my whole life getting mediocre gifts — bath sets and boxes of chocolate and bed socks — and never ever found someone who knew me the way Finn did?
Carol Rifka Brunt (Tell the Wolves I'm Home)
They segued into a more general piece about AIDS. As usual, they started out with footage of some kind of sweaty nightclub in the city with a bunch of gay men dancing around in stupid leather outfits. I couldn't even begin to imagine Finn dancing the night away like some kind of half-dressed cowboy. It would have been nice if for once they show some guys sitting in their living rooms drinking tea and talking about art or movies or something. If they showed that, then maybe people would say, "Oh, okay, that's not so strange.
Carol Rifka Brunt (Tell the Wolves I'm Home)
Greta knows that for me there are no good parties. I’m okay with one or two people, but more than that and I turn into a naked mole rat. That’s what being shy feels like. Like my skin is too thin, the light too bright. Like the best place I could possibly be is in a tunnel far under the cool, dark earth. Someone asks me a question and I stare at them, empty-faced, my brain jammed up with how hard I’m trying to find something interesting to say. And in the end, all I can do is nod or shrug, because the light of their eyes looking at me, waiting for me, is just too much to take. And then it’s over and there’s one more person in the world who thinks I’m a complete and total waste of space.
Carol Rifka Brunt (Tell the Wolves I'm Home)
You will. I promise. There’s a lockup. Each apartment has one. Like a big storage cage. Come with me.” An image of me being locked in a cage in some kind of creepy cellar came into my head. I didn’t even know Toby. Not really. And he said himself he was jealous of me. Maybe he would lock me in this basement and nobody in the world would ever guess where I was. Toby’s shoulders drooped, and he cocked his head to one side and said, “Please,” in the most pathetic voice ever. Then he perked back up. “Look, truly, June. You won’t be sorry.” I thought about it for a few seconds and came to the conclusion that a real psycho wouldn’t have mentioned the cage. A real psycho would have lured me down there by telling me there was a puppy or something.
Carol Rifka Brunt (Tell the Wolves I'm Home)
I came to a sketch where the space between my arm and Greta’s arm, the shape of the place between us, had been darkened in. The negative space. That’s what Finn called it. He was always trying to get me to understand negative space. And I did. I could understand what he was saying, but it didn’t come naturally to me. I had to be reminded to look for it. To see the stuff that’s there but not there. In this sketch, Finn had colored in the negative space, and I saw that it made a shape that looked like a dog’s head. Or, no—of course, it was a wolf’s head, tilted up, mouth open and howling. It wasn’t obvious or anything. Negative space was kind of like constellations. The kind of thing that had to be brought to your attention. But the way Finn did it was so skillful. It was all in the way Greta’s sleeve draped and the way my shoulder angled in. So perfect. It was almost painful to look at that negative space, because it was so smart. So exactly the kind of thing Finn would think of. I touched my finger to the rough pencil lines, and I wished I could let Finn know that I saw what he’d done. That I knew he’d put that secret animal right between Greta and me.
Carol Rifka Brunt (Tell the Wolves I'm Home)
She could smell the wrongness in the air and it made her wolf nervous. It felt like something was watching them, as if the wrongness had an intelligence— and it didn't help to remember that at least one of the people they were hunting could hide from their senses. Anna fought the urge to turn around, to take Charles's hand or slide under his arm and let his presence drive away the wrongness. Once, she would have, but now she had the uneasy feeling that he might back away as he almost had when she sat on his lap in the boat, before Brother Wolf had taken over. Maybe he was just tired of her. She had been telling everyone that there was something wrong with him...but Bran knew his son and thought the problem was her. Bran was smart and perceptive; she ought to have considered that he was right. Charles was old. He'd seen and experienced so much—next to him she was just a child. His wolf had chosen her without consulting Charles at all. Maybe he'd have preferred someone who knew more. Someone beautiful and clever who... "Anna?" said Charles. "What's wrong? Are you crying?" He moved in front of her and stopped, forcing her to stop walking, too. She opened her mouth and his fingers touched her wet cheeks. "Anna," he said, his body going still. "Call on your wolf." "You should have someone stronger," she told him miserably. "Someone who could help you when you need it, instead of getting sent home because I can't endure what you have to do. If I weren't Omega, if I were dominant like Sage, I could have helped you." "There is no one stronger," Charles told her. "It's the taint from the black magic. Call your wolf." "You don't want me anymore," she whispered. And once the words were out she knew they were true. He would say the things that he thought she wanted to hear because he was a kind man. But they would be lies. The truth was in the way he closed down the bond between them so she wouldn't hear things that would hurt her. Charles was a dominant wolf and dominant wolves were driven to protect those weaker than themselves. And he saw her as so much weaker. "I love you," he told her. "Now, call your wolf." She ignored his order—he knew better than to give her orders. He said he loved her; it sounded like the truth. But he was old and clever and Anna knew that, when push came to shove, he could lie and make anyone believe it. Knew it because he lied to her now—and it sounded like the truth. "I'm sorry," she told him. "I'll go away—" And suddenly her back was against a tree and his face was a hairsbreadth from hers. His long hot body was pressed against her from her knees to her chest—he'd have to bend to do that. He was a lot taller than her, though she wasn't short. Anna shuddered as the warmth of his body started to penetrate the cold that had swallowed hers. Charles waited like a hunter, waited for her to wiggle and see that she was truly trapped. Waited while she caught her breathe. Waited until she looked into his eyes. Then he snarled at her. "You are not leaving me." It was an order, and she didn't have to follow anyone's orders. That was part of being Omega instead of a regular werewolf—who might have had a snowball's chance in hell of being a proper mate. "You need someone stronger," Anna told him again. "So you wouldn't have to hide when you're hurt. So you could trust your mate to take care of herself and help, damn it, instead of having to protect me from whatever you are hiding." She hated crying. Tears were weaknesses that could be exploited and they never solves a damn thing. Sobs gathered in her chest like a rushing tide and she needed to get away from him before she broke. Instead of fighting his grip, she tried to slide out of it. "I need to go," she said to his chest. "I need—" His mouth closed over hers, hot and hungry, warming her mouth as his body warmed her body. "Me," Charles said, his voice dark and gravelly as if it had traveled up from the bottom of the earth,...
Patricia Briggs (Fair Game (Alpha & Omega, #3))