“
She is my mate. And my spy,' I said too quietly. 'And she is the High Lady of the Night Court.'
'What?' Mor whsipered.
I caressed a mental finger down that bond now hidden deep, deep within us, and said, 'If they had removed her other glove, they would have seen a second tatoo on her right arm. The twin to the other. Inked last night, when we crept out, found a priestess, and I swore her in as my High Lady.' (...) 'Not consort, not wife. Feyre is High Lady of the Night Court.' My equal in every way; she would wear my crown, sit on a throne beside mine. Never sidelined, never designated to breeding and parties and child rearing. My queen.
”
”
Sarah J. Maas (A Court of Mist and Fury (A Court of Thorns and Roses, #2))
“
My daughter is seven, and some of the other second-grade parents complain that their children don't read for pleasure. When I visit their homes, the children's rooms are crammed with expensive books, but the parent's rooms are empty. Those children do not see their parents reading, as I did every day of my childhood. By contrast, when I walk into an apartment with books on the shelves, books on the bedside tables, books on the floor, and books on the toilet tank, then I know what I would see if I opened the door that says 'PRIVATE--GROWNUPS KEEP OUT': a child sprawled on the bed, reading.
”
”
Anne Fadiman (Ex Libris: Confessions of a Common Reader)
“
Silently she stared at the splintered pieces and felt the flame in her soul gutter. The flame she had nurtured since she was a child. The flame that had in it what little sparks of happiness she had ever known as well as all her hopes and dreams for the future. She had tended it so carefully and for so long, and in one, horrendous, agonizing second, felt it simply... go out.
”
”
Barbara Sontheimer (Victor's Blessing)
“
The state must declare the child to be the most precious treasure of the people. As long as the government is perceived as working for the benefit of the children, the people will happily endure almost any curtailment of liberty and almost any deprivation.
”
”
Adolf Hitler
“
But you know: you know that if I could have stayed, if I could have gone on, that I would have clutched every second: whatever it was, this death, you know that it came and took me, like a child carried away by goblins.
”
”
Audrey Niffenegger (The Time Traveler's Wife)
“
The grandiose person is never really free; first because he is excessively dependent on admiration from others, and second, because his self-respect is dependent on qualities, functions, and achievements that can suddenly fail.
”
”
Alice Miller (The Drama of the Gifted Child: The Search for the True Self)
“
Let us be the ones who say we do not accept that a child dies every three seconds simply because he does not have the drugs you and I have. Let us be the ones to say we are not satisfied that your place of birth determines your right for life. Let us be outraged, let us be loud, let us be bold.
”
”
Brad Pitt
“
Do you always wear underwear like this, or is it for me?”
I rolled to my back and pulled the sheet to my waist.
“It isn’t for you, I’ve been wearing underwear like this since Gram gave me my first Frederick’s of Hollywood box on my sixteenth birthday. Now, I owe Victoria’s Secret my first-born child.”
Before speaking again, Lee waited several seconds that can only be described as ‘loaded silence’. While this silence was going on, he pulled the sheet back down.
“You’re tellin’ me that since you were sixteen you’ve been sittin’ next to me every year at Christmas Dinner wearin’ underwear like this?
”
”
Kristen Ashley (Rock Chick (Rock Chick, #1))
“
When she does not find love, she may find poetry. Because she does not act, she observes, she feels, she records; a color, a smile awakens profound echoes within her; her destiny is outside her, scattered in cities already built, on the faces of men already marked by life, she makes contact, she relishes with passion and yet in a manner more detached, more free, than that of a young man. Being poorly integrated in the universe of humanity and hardly able to adapt herself therein, she, like the child, is able to see it objectively; instead of being interested solely in her grasp on things, she looks for their significance; she catches their special outlines, their unexpected metamorphoses. She rarely feels a bold creativeness, and usually she lacks the technique of self-expression; but in her conversation, her letters, her literary essays, her sketches, she manifests an original sensitivity. The young girl throws herself into things with ardor, because she is not yet deprived of her transcendence; and the fact that she accomplishes nothing, that she is nothing, will make her impulses only the more passionate. Empty and unlimited, she seeks from within her nothingness to attain All.
”
”
Simone de Beauvoir (The Second Sex)
“
Two seconds later, the sound of an alarm filled my ears.
''What did you do?'' I said over the noise as he backed up towards the bathroom door.
''The girl who gave you the note?''
''Yes...''
''I caught her staring at my lighter.''
I blinked. ''You gave a child, in a psych ward , a lighter?''
His eyes crinkled at the corners. ''She seemed trustworthy.''
''You're sick,'' I said, but smiled.
''Hey, nobody's perfect. '' Noah smiled back.
”
”
Michelle Hodkin (The Evolution of Mara Dyer (Mara Dyer, #2))
“
The classics tell us that, in relationships, the one between teacher and student comes second only to the one between parent and child.
”
”
Lisa See (Snow Flower and the Secret Fan)
“
And the first child asked: Dost thou oppose me, and thou half-dead?
And the second child said, I am as one half-dead, but you would be two-halves dead, bitch.
To which the first child said, My sweet, I only die of longing for thee.
And the other child said, Then perish.
”
”
Tamsyn Muir (Nona the Ninth (The Locked Tomb, #3))
“
But I was young
and didn’t know better
and someone should have told me to capture every second
every kiss & every night
Because now I’m sitting here alone and it’s getting really hard to breath because tears are growing in my throat and they want to break out, but there are people
watching
and I just want to be somewhere silent
somewhere still
But still I don’t want to be alone because I’m scared and lonely
and I don’t understand
Because I was alone my whole life
My whole life
I was so damn lonely and I was content with that
because I liked myself and my own company
and I didn’t need anyone
I thought
But then there was you .. ...
So, someone should have told me that love is for those few brave who can handle the unbearable emptiness,
the unbearable guilt and lack of oneself,
Because I lost myself to someone I love
and I might get myself back one day
but it will take time, it will take time.
This is gonna take some time.
I wish someone would have told me this.
Someone should have told me this.
”
”
Charlotte Eriksson (Empty Roads & Broken Bottles: in search for The Great Perhaps)
“
Babies are soft. Anyone looking at them can see the tender, fragile skin and know it for the rose-leaf softness that invites a finger's touch. But when you live with them and love them, you feel the softness going inward, the round-cheeked flesh wobbly as custard, the boneless splay of the tiny hands. Their joints are melted rubber, and even when you kiss them hard, in the passion of loving their existence, your lips sink down and seem never to find bone. Holding them against you, they melt and mold, as though they might at any moment flow back into your body.
But from the very start, there is that small streak of steel within each child. That thing that says "I am," and forms the core of personality.
In the second year, the bone hardens and the child stands upright, skull wide and solid, a helmet protecting the softness within. And "I am" grows, too. Looking at them, you can almost see it, sturdy as heartwood, glowing through the translucent flesh.
The bones of the face emerge at six, and the soul within is fixed at seven. The process of encapsulation goes on, to reach its peak in the glossy shell of adolescence, when all softness then is hidden under the nacreous layers of the multiple new personalities that teenagers try on to guard themselves.
In the next years, the hardening spreads from the center, as one finds and fixes the facets of the soul, until "I am" is set, delicate and detailed as an insect in amber.
”
”
Diana Gabaldon (Dragonfly in Amber (Outlander, #2))
“
I have never fit into this town, this marriage, this skin. I am the child who was picked last to play tag; I am the girl who laughed although she did not get the joke; I am the piecemeal part of you that you pretend doesn't exist, except it is all I am, all the time.
”
”
Jodi Picoult (Second Glance)
“
Little did she yet understand that the end of childhood comes not when a child’s body changes with puberty, but when her mind is finally able to see her life through the eyes of an outsider.
”
”
Elif Shafak (10 Minutes 38 Seconds in This Strange World)
“
People think about who they are in the stillest hour of the night. I carry this thought, the child's mystery and terror of this thought, I feel this immensity in my soul every second of my life.
”
”
Don DeLillo (Cosmopolis)
“
If the glare of the public eye has become unbearable, our inner child may claim its rights and our bodily shadow might turn into our mental second self, become our anchor, make us stay grounded and grant us deepness and intensity. By retreating from the blaze of display into our substantial self, we gain rootedness, insight and new worldly wisdom. ("Not without my shadow")
”
”
Erik Pevernagie
“
You have a child, so you know. You are my heart, baby girl. You are everything I did right. And I want you to know I would do it all again, every wonderful terrible second of it. I would do years and years of it again for one minute with you.
”
”
Kristin Hannah (The Great Alone)
“
Motherhood is about raising and celebrating the child you have, not the child you thought you would have. It's about understanding that he is exactly the person he is supposed to be. And that, if you're lucky, he just might be the teacher who turns you into the person you are supposed to be.
”
”
Joan Ryan (The Water Giver: The Story of a Mother, a Son, and Their Second Chance)
“
Sometimes parents don't find what they're looking for it their child, so they plant seeds for what they'd like to grow there instead. I've witnessed this with the former hockey player who takes his son out to skate before he can even walk. Or in the mother who gave up her ballet dreams when she married, but now scrapes her daughter's hair into a bun and watched from the wings of the stage. We are not, as you'd expect, orchestrating their lives; we are not even trying for a second chance. We are hoping that if this one thing takes root, it might take up enough light and space to keep something else from developing in our children: the disappointment we've already lived.
”
”
Jodi Picoult (Vanishing Acts)
“
That the child is the supreme aim of woman is a statement having precisely the value of an advertising slogan.
”
”
Simone de Beauvoir (The Second Sex)
“
Second, and far more important: tuck your chin. You're going to get hurt, so expect it and be ready. You may as well see it coming.
”
”
Elizabeth Haydon (Rhapsody: Child of Blood (Symphony of Ages, #1))
“
Tayla cursed under her breath. "I was just explaining to Eidolon that Sin is a Smurfette."
Wraith swung his big body around to study Sin with blue eyes that were very different from Shade's, E's. and Lore's. Sin's, too. "Nah. Smurfette is way hotter."
"What the fuck is a Smurfette?" Eidolon was seriously getting annoyed now.
"There's this cartoon called The Smurfs," Tayla explained, slowly, as though Eidolon were the child here.
"They're these little blue people, and they're all male. But one day a female shows up. She shouldn't exist, but she does."
Eidolon considered that for a second. "How did she get there?"
"An evil wizard named Gargamel made her," Tayla said. "In a lab or something."
"So you're suggesting that an evil wizard made Sin?"
"Of course not, silly. I'm just saying she's a Smurfette. A lone female amongst males."
Eidolon frowned. "Did the Smurfette mate with the males?"
"Dude." Wraith grimaced. "It's a cartoon.
”
”
Larissa Ione (Ecstasy Unveiled (Demonica, #4))
“
Recovery unfolds in three stages. The central task of the first stage is the establishment of safety. The central task of the second stage is remembrance and mourning. The central focus of the third stage is reconnection with ordinary life.
”
”
Judith Lewis Herman (Trauma and Recovery: The Aftermath of Violence - From Domestic Abuse to Political Terror)
“
In such moments, she could almost touch her loneliness, as if it were her second child.
”
”
Rachel Yoder (Nightbitch)
“
Public education does not exist for the benefit of students or the benefit of their parents. It exists for the benefit of the social order.
We have discovered as a species that it is useful to have an educated population. You do not need to be a student or have a child who is a student to benefit from public education. Every second of every day of your life, you benefit from public education.
So let me explain why I like to pay taxes for schools, even though I don't personally have a kid in school: It's because I don't like living in a country with a bunch of stupid people.
”
”
John Green
“
There are times when you don't belong and you think you're going to kill yourself. Once I went to a hotel. Later that night I made a plan. The plan was I would leave my family when my second child was born. And that's what I did. I got up one morning, made breakfast, went to the bus stop, got on a bus. I'd left a note. I got a job in a library in Canada. It would be wonderful to say you regretted it. It would be easy. But what does it mean? What does it mean to regret when you have no choice? It's what you can bear. There it is. No-one's going to forgive me. It was death. I chose life." -Laura Brown-
”
”
Michael Cunningham (The Hours)
“
The curse which lies upon marriage is that too often the individuals are joined in their weakness rather than in their strength, each asking from the other instead of finding pleasure in giving. It is even more deceptive to dream of gaining through the child a plenitude, a warmth, a value, which one is unable to create for oneself; the child brings joy only to the woman who is capable of disinterestedly desiring the happiness of another, to one who without being wrapped up in self seeks to transcend her own existence.
”
”
Simone de Beauvoir (The Second Sex)
“
A kind of second childhood falls on so many men. They trade their violence for the promise of a small increase of life span. In effect, the head of the house becomes the youngest child. And I have searched myself for this possibility with a kind of horror. For I have always lived violently, drunk hugely, eaten too much or not at all, slept around the clock or missed two nights of sleeping, worked too hard and too long in glory, or slobbed for a time in utter laziness. I've lifted, pulled, chopped, climbed, made love with joy and taken my hangovers as a consequence, not as a punishment. I did not want to surrender fierceness for a small gain in yardage. My wife married a man; I saw no reason why she should inherit a baby.
”
”
John Steinbeck (Travels with Charley: In Search of America)
“
It took a village to raise a child, and it took a rainbow of colors to make them feel at home and comfortable.
”
”
T.A. Webb (Second Chances (Second Chances #1))
“
There are only three ways to teach a child. The first is by example, the second is by example, the third is by example.
”
”
Albert Schweitzer
“
...small helpings, no seconds, no snacking, and a little bit of everything. - Julia Child
”
”
Julia Child
“
Finally, the last point that can kill your spark is Isolation. As you grow older you will realize you are unique. When you are little, all kids want Ice cream and Spiderman. As you grow older to college, you still are a lot like your friends. But ten years later and you realize you are unique. What you want, what you believe in, what makes you feel, may be different from even the people closest to you. This can create conflict as your goals may not match with others. And you may drop some of them. Basketball captains in college invariably stop playing basketball by the time they have their second child. They give up something that meant so much to them. They do it for their family. But in doing that, the spark dies. Never, ever make that compromise. Love yourself first, and then others.
”
”
Chetan Bhagat
“
A child becomes an adult when he realizes that he has a right not only to be right but also to be wrong.
”
”
Thomas Szasz (The Second Sin)
“
I gaze out at the glittering sea, the breathtaking sky above it, and think of birds and the moment before the fall, and how my sister as a child had been strong enough for the both of us, and I wonder when exactly that changed. I don't know when, but it did. Jake was right - I'm strong in a way June never was. Because I know that I want to be here. Even with the pain. Even with the ugliness. I've seen the other side - marching side by side down city streets with people who all believe they can change the world and the view of the sunset from Fridgehenge and Tom Waits lyrics and doing the waltz and kisses so hot they melt into each other and best friends who hold your hand and stretching out underneath a sky draped with stars and everything else.
There is so much beauty in just existing. In being alive. I don't want to miss a second.
”
”
Hannah Harrington (Saving June)
“
He seriously thought that there is less harm in killing a man than producing a child: in the first case you are relieving someone of life, not his whole life but a half or a quarter or a hundredth part of that existence that is going to finish, that would finish without you; but as for the second, he would say, are you not responsible to him for all the tears he will shed, from the cradle to the grave? Without you he would never have been born, and why is he born? For your amusement, not for his, that’s for sure; to carry your name, the name of a fool, I’ll be bound – you may as well write that name on some wall; why do you need a man to bear the burden of three or four letters?
”
”
Gustave Flaubert (November)
“
Each second we live is a new and unique moment of the universe, a moment that will never be again And what do we teach our children? We teach them that two and two make four, and that Paris is the capital of France. When will we also teach them what they are? We should say to each of them: Do you know what you are? You are a marvel. You are unique. In all the years that have passed, there has never been another child like you. Your legs, your arms, your clever fingers, the way you move. You may become a Shakespeare, a Michaelangelo, a Beethoven. You have the capacity for anything. Yes, you are a marvel. And when you grow up, can you then harm another who is, like you, a marvel? You must work, we must all work, to make the world worthy of its children.
”
”
Pau Casals
“
It slowly began to dawn on me that I had been staring at her for an impossible amount of time. Lost in my thoughts, lost in the sight of her. But her face didn't look offended or amused. It almost looked as if she were studying the lines of my face, almost as if she were waiting.
I wanted to take her hand. I wanted to brush her cheek with my fingertips. I wanted to tell her that she was the first beautiful thing that I had seen in three years. The sight of her yawning to the back of her hand was enough to drive the breath from me. How I sometimes lost the sense of her words in the sweet fluting of her voice. I wanted to say that if she were with me then somehow nothing could ever be wrong for me again.
In that breathless second I almost asked her. I felt the question boiling up from my chest. I remember drawing a breath then hesitating--what could I say? Come away with me? Stay with me? Come to the University? No. Sudden certainty tightened in my chest like a cold fist. What could I ask her? What could I offer? Nothing. Anything I said would sound foolish, a child's fantasy.
I closed my mouth and looked across the water. Inches away, Denna did the same. I could feel the heat of her. She smelled like road dust, and honey, and the smell the air holds seconds before a heavy summer rain.
Neither of us spoke. I closed my eyes. The closeness of her was the sweetest, sharpest thing I had ever known.
”
”
Patrick Rothfuss (The Name of the Wind (The Kingkiller Chronicle, #1))
“
The Witch's Life"
When I was a child
there was an old woman in our neighborhood whom we called The Witch.
All day she peered from her second story
window
from behind the wrinkled curtains
and sometimes she would open the window
and yell: Get out of my life!
She had hair like kelp
and a voice like a boulder.
I think of her sometimes now
and wonder if I am becoming her.
”
”
Anne Sexton
“
To my son,
If you are reading this letter, then I am dead.
I expect to die, if not today, then soon. I expect that Valentine will kill me. For all his talk of loving me, for all his desire for a right-hand man, he knows that I have doubts. And he is a man who cannot abide doubt.
I do not know how you will be brought up. I do not know what they will tell you about me. I do not even know who will give you this letter. I entrust it to Amatis, but I cannot see what the future holds. All I know is that this is my chance to give you an accounting of a man you may well hate.
There are three things you must know about me. The first is that I have been a coward. Throughout my life I have made the wrong decisions, because they were easy, because they were self-serving, because I was afraid.
At first I believed in Valentine’s cause. I turned from my family and to the Circle because I fancied myself better than Downworlders and the Clave and my suffocating parents. My anger against them was a tool Valentine bent to his will as he bent and changed so many of us. When he drove Lucian away I did not question it but gladly took his place for my own. When he demanded I leave Amatis, the woman I love, and marry Celine, a girl I did not know, I did as he asked, to my everlasting shame.
I cannot imagine what you might be thinking now, knowing that the girl I speak of was your mother. The second thing you must know is this. Do not blame Celine for any of this, whatever you do. It was not her fault, but mine. Your mother was an innocent from a family that brutalized her. She wanted only kindess, to feel safe and loved. And though my heart had been given already, I loved her, in my fashion, just as in my heart, I was faithful to Amatis. Non sum qualis eram bonae sub regno Cynarae. I wonder if you love Latin as I do, and poetry. I wonder who has taught you.
The third and hardest thing you must know is that I was prepared to hate you. The son of myslef and the child-bride I barely knew, you seemed to be the culmination of all the wrong decisions I had made, all the small compromises that led to my dissolution. Yet as you grew inside my mind, as you grew in the world, a blameless innocent, I began to realize that I did not hate you. It is the nature of parents to see their own image in their children, and it was myself I hated, not you.
For there is only one thing I wan from you, my son — one thing from you, and of you. I want you to be a better man than I was. Let no one else tell you who you are or should be. Love where you wish to. Believe as you wish to. Take freedom as your right.
I don’t ask that you save the world, my boy, my child, the only child I will ever have. I ask only that you be happy.
Stephen
”
”
Cassandra Clare (City of Lost Souls (The Mortal Instruments, #5))
“
I said
”I love you so much it’s killing me”
and you kept saying sorry
so I stopped explaining
for it never made sense to you
what always did to me
to let what you love
kill you
and never regret.
As Romeo is dying Juliet says
”I am willing to die to remain by your side”
and love was never a static place of rest
but the last second of euphoria
while throwing yourself out from a 20 store window
to be able to say
”I flew before I hit the ground”,
and it was glorious.
Don’t be sorry.
The fall was beautiful, dear.
The crash was beautiful.
”
”
Charlotte Eriksson
“
What it love, you ask. Dear child, love is like the light and there are two kinds, the bursting fireworks of the moment and the solid, fixed stars that sometimes become obscured in the heavens, but are always there, year after year, for a lifetime. You must experience the first in order to appreciate the second.
”
”
Ann Rinaldi (In My Father's House)
“
Somewhere on this globe, every ten seconds, there is a woman giving birth to a child. She must be found and stopped.
”
”
Sam Levenson
“
Every second I am a bird, I long to be a man. For you. For me. For the child I was so desperate to create. Not for Jeru. For us. You said I choose you because you are of use to me. And I did. But know this, Lark. I have loved you every moment of every day, and I will love you until i cease to be. Bird, man, or king, I love you, and I will always love you
”
”
Amy Harmon (The Bird and the Sword (The Bird and the Sword Chronicles, #1))
“
Go and catch a falling star, Get with child a mandrake root, Tell me where all past years are, Or who cleft the Devil’s foot. Teach me to hear the mermaids singing, Or to keep off envy’s stinging, And find What wind Serves to advance an honest mind. Decide what this is about Write a second verse yourself
”
”
Diana Wynne Jones (Howl's Moving Castle (Howl's Moving Castle, #1))
“
So much held in a heart in a lifetime. So much held in a heart in a day, an hour, a moment. We are utterly open with no one, in the end -- not mother and father, not wife or husband, not lover, not child, not friend. We open windows to each but we live alone in the house of the heart. Perhaps we must. Perhaps we could not bear to be so naked, for fear of a constantly harrowed heart. When young we think there will come one person who will savor and sustain us always; when we are older we know this is the dream of a child, that all hearts finally are bruised and scarred, scored and torn, repaired by time and will, patched by force of character, yet fragile and rickety forevermore, no matter how ferocious the defense and how many bricks you bring to the wall. You can brick up your heart as stout and tight and hard and cold and impregnable as you possibly can and down it comes in an instant, felled by a woman's second glance, a child's apple breath, the shatter of glass in the road, the words 'I have something to tell you,' a cat with a broken spine dragging itself into the forest to die, the brush of your mother's papery ancient hand in a thicket of your hair, the memory of your father's voice early in the morning echoing from the kitchen where he is making pancakes for his children.
”
”
Brian Doyle (One Long River of Song: Notes on Wonder)
“
What would happen to our lives, our world, if the parent could unconditionally affirm the child, saying in so many words: “You are precious to us; you will always have our love and support; you are here to be who you are; try never to hurt another, but never stop trying to become yourself as fully as you can; when you fall and fail, you are still loved by us and welcomed to us, but you are also here to leave us, and to go onward toward your own destiny without having to worry about pleasing us.
”
”
James Hollis (Finding Meaning in the Second Half of Life: How to Finally, Really Grow Up)
“
Nobody that has seen a baby born can believe in god for a second. When you see your child born, and the panic, and the amount of technology that is saving the life of the two people you love most in the world, when you see how much stainless steel and money it takes to fight off the fact that god wants both those people dead, no one, no one can look into the eyes of a newborn baby and say there's a god, because I'll tell ya, if we were squatting in the woods, the two people I love most would be dead. There's just no way around that. If I were in charge, no way. We need technology to fight against nature; nature so wants us dead. Nature is trying to kill us.
”
”
Penn Jillette
“
Women are as brave as any man. They save their own without a second thought. But that's love isn't it? Loyalty. Women never give up, not when it's someone they love. Many a child wouldn't be here if they did.
”
”
Ann Perry
“
I Keep Six Honest Serving Men ..."
I keep six honest serving-men
(They taught me all I knew);
Their names are What and Why and When
And How and Where and Who.
I send them over land and sea,
I send them east and west;
But after they have worked for me,
I give them all a rest.
I let them rest from nine till five,
For I am busy then,
As well as breakfast, lunch, and tea,
For they are hungry men.
But different folk have different views;
I know a person small—
She keeps ten million serving-men,
Who get no rest at all!
She sends'em abroad on her own affairs,
From the second she opens her eyes—
One million Hows, two million Wheres,
And seven million Whys!
”
”
Rudyard Kipling (The Elephant's Child (Just So Stories))
“
You think you know what is just and what is not. I understand. We all think we know." I had no doubt, myself, then, that at each moment each one of us, man, woman, child, perhaps even the poor old horse turning the mill-wheel, knew what was just: all creatures come into the world bringing with them the memory of justice. "But we live in a world of laws," I said to my poor prisoner, "a world of the second-best. There is nothing we can do about that. We are fallen creatures. All we can do is to uphold the laws, all of us, without allowing the memory of justice to fade.
”
”
J.M. Coetzee (Waiting for the Barbarians)
“
I remember the first year after my second child was born, what I can remember of it at all, as a year of disarray, of overturned glasses of milk, of toys on the floor, of hours from sunrise to sunset that were horribly busy but filled with what, at the end of the day, seemed like absolutely nothing at all. What saved my sanity were books. What saved my sanity was disappearing, if only for fifteen minutes before I inevitably began to nod off in bed...and as it was for me when I was young and surrounded by siblings, as it is today when I am surrounded by children, reading continues to provide an escape from a crowded house into an imaginary room of one's own.
”
”
Anna Quindlen (How Reading Changed My Life)
“
Spontaneously, without any theological training, I, a child, grasped the incompatibility of God and shit and thus came to question the basic thesis of Christian anthropology, namely that man was created in God's image. Either/or: either man was created in God's image - and has intestines! - or God lacks intestines and man is not like him.
The ancient Gnostics felt as I did at the age of five. In the second century, the Great Gnostic master Valentinus resolved the damnable dilemma by claiming that Jesus "ate and drank, but did not defecate."
Shit is a more onerous theological problem than is evil. Since God gave man freedom, we can, if need be, accept the idea that He is not responsible for man's crimes. The responsibility for shit, however, rests entirely with Him, the creator of man.
”
”
Milan Kundera (The Unbearable Lightness of Being)
“
By first believing in Santa Claus, then the Easter Bunny, then the Tooth Fairy, Rant Casey was recognizing that those myths are more than pretty stories and traditions to delight children. Or to modify behavior. Each of those three traditions asks a child to believe in the impossible in exchange for a reward. These are stepped-up tests to build a child's faith and imagination. The first test is to believe in a magical person, with toys as the reward. The second test is to trust in a magical animal, with candy as the reward. The last test is the most difficult, with the most abstract reward: To believe, trust in a flying fairy that will leave money.
From a man to an animal to a fairy.
From toys to candy to money. Thus, interestingly enough, transferring the magic of faith and trust from sparkling fairy-dom to clumsy, tarnished coins. From gossamer wings to nickels... dimes... and quarters.
In this way, a child is stepped up to greater feats of imagination and faith as he or she matures. Beginning with Santa in infancy, and ending with the Tooth Fairy as the child acquires adult teeth. Or, plainly put, beginning with all the possibility of childhood, and ending with an absolute trust in the national currency.
”
”
Chuck Palahniuk (Rant: An Oral Biography of Buster Casey)
“
Let my assure you, Brethren, that some day you will have a personal Priesthood interview with the Savior, Himself. If you are interested, I will tell you the order in which He will ask you to account for your earthly responsibilities.
First, He will request an accountability report about your relationship with your wife. Have you actively been engaged in making her happy and ensuring that her needs have been met as an individual?
Second, He will want an accountability report about each of your children individually. He will not attempt to have this for simply a family stewardship but will request information about your relationship to each and every child.
Third, He will want to know what you personally have done with the talents you were given in the pre-existence.
Fourth, He will want a summary of your activity in your church assignments. He will not be necessarily interested in what assignments you have had, for in his eyes the home teacher and a mission president are probably equals, but He will request a summary of how you have been of service to your fellowmen in your Church assignments.
Fifth, He will have no interest in how you earned your living, but if you were honest in all your dealings.
Sixth, He will ask for an accountability on what you have done to contribute in a positive manner to your community, state, country, and the world.
”
”
David O. McKay
“
Enforced maternity brings into the world wretched infants, whom their parents will be unable to support and who will become the victims of public care or ‘child martyrs’. It must be pointed out that our society, so concerned to defend the rights of the embryo, shows no interest in the children once they are born; it prosecutes the abortionists instead of undertaking to reform that scandalous institution known as ‘public assistance’; those responsible for entrusting the children to their torturers are allowed to go free; society closes its eyes to the frightful tyranny of brutes in children’s asylums and private foster homes.
”
”
Simone de Beauvoir (The Second Sex)
“
Gun control? My wife had a job for three years before she found out that her boss was a convicted sex offender—a child molester. She used to take our son to work with her. When we found out, she quit her job and filed for unemployment, but was denied because she didn’t have to quit. That’s a true story. I wonder what would happen if a young child walked into a room full of child molesters and executed them with an AR-15? What would congress have to say about gun control then?
”
”
Aaron B. Powell (Quixotic)
“
It's a wonder that any mother ever called a daughter Dinah again. But some did. Maybe you guessed that there was more to me than the voiceless cipher in the text. Maybe you heard it in the music of my name: the first vowel high and clear, as when a mother calls to her child at dusk; the second sound soft, for whispering secrets on pillows. Dee-nah.
”
”
Anita Diamant (The Red Tent)
“
Thomas looked like he was about to talk some smack at the malk, but only for a second. Then he frowned and said, "It's odd. You sound like...like a grade-school teacher."
"Perhaps it is because I am speaking to a child," Cat Sith said. "The comparison is apt."
Thomas blinked several times and then he looked at me. "Did the evil kitty just call me a child?
”
”
Jim Butcher (Cold Days (The Dresden Files, #14))
“
People who see themselves as “good” are much more likely to do “evil” things. This is because believing you are the “good guy” allows you to define your actions as good because you are the one doing them. This is why many successful cultures frame humans as intrinsically wretched. It can seem harsh to raise a child to believe deeply in their own wretchedness, but doing so helps them remember to always second-guess themselves by remembering their lesser, selfishly motivated instincts. Instincts that run counter to your morality and values have every bit as much access to your intelligence as “the better angels” of your consciousness and will use your own knowledge and wit to justify their whims. You can’t outreason your worst impulses without stacking the deck in your favor. Coming from a culture that anticipates bad impulses and steels you against them can do that. That said, cultures will no doubt develop different, less harsh mechanisms for achieving the same outcome.
”
”
Simone Collins (The Pragmatist’s Guide to Crafting Religion: A playbook for sculpting cultures that overcome demographic collapse & facilitate long-term human flourishing (The Pragmatist's Guide))
“
I’m going to make the wildly unfounded assumption that Satara’s dead by your hand and not Tory’s. Now, stay with me on this, Cajun. My father slit my throat and murdered my wife because he thought I’d betrayed him by getting married. Before that, he loved me more than his life and I was his last surviving child. His second in command. Now what do you think he’s going to do to you once he sees her body? I can assure you, it won’t be a fun-filled trip to Chuck E. Cheese. (Urian)
”
”
Sherrilyn Kenyon (Acheron (Dark-Hunter, #14))
“
From time to time, I would gaze up at the stars after a night shift and think that they looked like a glowing desert, and I myself was a poor child abandoned in the desert... I thought that life was truly an accident among accidents in the universe. The universe was an empty palace, and humankind the only ant in the entire palace. This kind of thinking infused the second half of my life with a conflicted mentality: Sometimes I thought life was precious, and everything was so important; but other times I thought humans were insignificant, and nothing was worthwhile. Anyway, my life passed day after day accompanied by this strange feeling, and before I knew it, I was old...
”
”
Liu Cixin (The Three-Body Problem (Remembrance of Earth’s Past, #1))
“
The Normal is the good smile in a child's eyes:-alright. It is also the dead stare in a million adults. It both sustains and kills-like a god. It is the Ordinary made beautiful: it is also the Average made lethal. The Normal is the indispensable, murderous God of Health, and I am his priest. My tools are very delicate. My compassion is honest. I have honestly assisted children in this room. I have talked away terrors and relieved many agonies. But also-beyond question-I have cut from the parts of individuality repugnant to this god, in both his aspects. Parts sacred to rarer and more wonderful gods. And at what length...Sacrifices to Zeus took at the most, surely, sixty seconds each. Sacrifices to the Normal can take as long as sixty months.
”
”
Peter Shaffer (Equus (Penguin Plays))
“
Imagine the one god himself has reversed his clock and reversed your regrets. Imagine knowing the bone-deep truth that whatever impossibility would make you truly happy has been granted. Imagine knowing you can once again hold your lost lover or your newborn child. Imagine what you feel during those first seconds of knowing. Now, imagine those first seconds last for days on end.
....
Like I said, I'm a chemist. It's all coming back to me.p62
”
”
Craig Clevenger (Dermaphoria)
“
It was the pivotal teaching of Pluthero Quexos, the most celebrated dramatist of the Second Dominion, that in any fiction, no matter how ambitious its scope or profound its theme, there was only ever room for three players. Between warring kings, a peacemaker; between adoring spouses, a seducer or a child. Between twins, the spirit of the womb. Between lovers, Death. Greater numbers might drift through the drama, of course -- thousands in fact -- but they could only ever be phantoms, agents, or, on rare occasions, reflections of the three real and self-willed beings who stood at the center. And even this essential trio would not remain intact; or so he taught. It would steadily diminish as the story unfolded, three becoming two, two becoming one, until the stage was left deserted.
”
”
Clive Barker (Imajica)
“
As a functional Aspergian adult, one thing troubles me deeply about those kids who end up behind the second door. Many descriptions of autism and Asperger’s describe people like me as “not wanting contact with others” or “preferring to play alone.” I can’t speak for other kids, but I’d like to be very clear about my own feelings: I did not ever want to be alone. And all those child psychologists who said “John prefers to play by himself” were dead wrong. I played by myself because I was a failure at playing with others. I was alone as a result of my own limitations, and being alone was one of the bitterest disappointments of my young life.
”
”
John Elder Robison (Look Me in the Eye: My Life with Asperger's)
“
We have never sought power. We have sought to disperse power, to set men and women free. That really means: to help them to discover that they are free. Everybody's free. The slave is free. The ultimate weapon isn't this plague out in Vegas, or any new super H-bomb. The ultimate weapon has always existed. Every man, every woman, and every child owns it. It's the ability to say No and take the consequences. 'Fear is failure.' 'The fear of death is the beginning of slavery.' "Thou hast no right but to do thy will.' The goose can break the bottle at any second. Socrates took the hemlock to prove it. Jesus went to the cross to prove it. It's in all history, all myth, all poetry. It's right out in the open all the time.
”
”
Robert Anton Wilson (Leviathan (Illuminatus, #3))
“
Because the truth was, there was a dark underbelly of terror to motherhood. You loved your children with such an overwhelming fierceness that you were absolutely vulnerable at every moment of every day: They could be taken from you. Somehow, you could lose them. You could stop at the corner to buy a newspaper when a drunk driver veered onto the sidewalk. You could feed your child an E. coli-tainted hamburger. You could turn your head for a second while one darted out into the street. The threats to your child were infinite. And the thing was, if any of your children's lives were ruined, even a little bit, yours wold be, too.
”
”
Katherine Center (Everyone is Beautiful)
“
A woman in her thirties came to see me. As she greeted me, I could sense the pain behind her polite and superficial smile. She started telling me her story, and within one second her smile changed into a grimace of pain. Then, she began to sob uncontrollably. She said she felt lonely and unfulfilled.
There was much anger and sadness. As a child she had been abused by a physically violent father. I saw quickly that her pain was not caused by her present life circumstances but by an extraordinarily heavy pain-body. Her pain-body had become the filter through which she viewed her life situation.
She was not yet able to see the link between the emotional pain and her thoughts, being completely identified with both. She could not yet see that she was feeding the pain-body with her thoughts. In other words, she lived with the burden of a deeply unhappy self. At some level, however, she must have realized that her pain originated within herself, that she was a burden to herself. She was ready to awaken, and this is why she had come.
I directed the focus of her attention to what she was feeling inside her body and asked her to sense the emotion directly, instead of through the filter of her unhappy thoughts, her unhappy story. She said she had come expecting me to show her the way out of her unhappiness, not into it.
Reluctantly, however, she did what I asked her to do. Tears were rolling down her face, her whole body was shaking. “At this moment, this is what you feel.” I said. “There is nothing you can do about the fact that at this moment this is what you feel. Now, instead of wanting this moment to be different from the way it is, which adds more pain to the pain that is already there, is it possible for you to completely accept that this is what you feel right now?”
She was quiet for a moment. Suddenly she looked impatient, as if she was about to get up, and said angrily, “No, I don't want to accept this.” “Who is speaking?” I asked her. “You or the unhappiness in you? Can you see that your unhappiness about being unhappy is just another layer of unhappiness?” She became quiet again. “I am not asking you to do anything. All I'm asking is that you find out whether it is possible for you to allow those feelings to be there. In other words, and this may sound strange, if you don't mind being unhappy, what happens to the unhappiness? Don't you want to find out?”
She looked puzzled briefly, and after a minute or so of sitting silently, I suddenly noticed a significant shift in her energy field. She said, “This is weird. I 'm still unhappy, but now there is space around it. It seems to matter less.”
This was the first time I heard somebody put it like that: There is space around my unhappiness. That space, of course, comes when there is inner acceptance of whatever you are experiencing in the present moment.
I didn't say much else, allowing her to be with the experience. Later she came to understand that the moment she stopped identifying with the feeling, the old painful emotion that lived in her, the moment she put her attention on it directly without trying to resist it, it could no longer control her thinking and so become mixed up with a mentally constructed story called “The Unhappy Me.” Another dimension had come into her life that transcended her personal past – the dimension of Presence. Since you cannot be unhappy without an unhappy story, this was the end of her unhappiness. It was also the beginning of the end of her pain-body. Emotion in itself is not unhappiness. Only emotion plus an unhappy story is unhappiness.
When our session came to an end, it was fulfilling to know that I had just witnessed the arising of Presence in another human being. The very reason for our existence in human form is to bring that dimension of consciousness into this world. I had also witnessed a diminishment of the pain-body, not through fighting it but through bringing the light of consciousness to it.
”
”
Eckhart Tolle (A New Earth: Awakening to Your Life's Purpose)
“
There were never strawberries
like the ones we had
that sultry afternoon
sitting on the step
of the open french window
facing each other
your knees held in mine
the blue plates in our laps
the strawberries glistening
in the hot sunlight
we dipped them in sugar
looking at each other
not hurrying the feast
for one to come
the empty plates laid on the stone together
with the two forks crossed
and I bent towards you
sweet in that air
in my arms
abandoned like a child
from your eager mouth
the taste of strawberries
in my memory
lean back again
let me love you
let the sun beat
on our forgetfulness
one hour of all
the heat intense
and summer lightning
on the Kilpatrick hills
let the storm wash the plates.
”
”
Edwin Morgan (The Second Life: Selected Poems)
“
When my now-adult daughter was a child, another child once hit her on the head with a metal toy truck. I watched that same child, one year later, viciously push his younger sister backwards over a fragile glass-surfaced coffee table. His mother picked him up, immediately afterward (but not her frightened daughter), and told him in hushed tones not to do such things, while she patted him comfortingly in a manner clearly indicative of approval. She was out to produce a little God-Emperor of the Universe. That’s the unstated goal of many a mother, including many who consider themselves advocates for full gender equality. Such women will object vociferously to any command uttered by an adult male, but will trot off in seconds to make their progeny a peanut-butter sandwich if he demands it while immersed self-importantly in a video game. The future mates of such boys have every reason to hate their mothers-in-law. Respect for women? That’s for other boys, other men—not for their dear sons.
”
”
Jordan B. Peterson (12 Rules for Life: An Antidote to Chaos)
“
So, what's the big emergency, princess? You and ice-boy look fine to me, and the Nevernever isn't crumbling around us. What's going on?"
"I'm pregnant, Puck," I said quietly, and watched his eyebrows shoot into his hair. Briefly,I explained what had happened at Elysium, the oracle's mysterious appearance and invitation, and Grimalkin's instruction to meet him at the Wishing Tree. By the time I was done, Puck was still staring at me openmouthed, struck mute for maybe the second time in his life, and I would've laughed if the situation wasn't so serious.
"Oh," he finally managed. "That's, uh... Wow. That's not something you hear every day. Not exactly what I was expecting, though the entire prophecy thing does get old after a while." He shook himself, seeming to regain his composure, and glanced at Ash. "So, it's the ever so popular Firstborn Child of Doom prophecy, huh, ice-boy? How very cliche. Why can't it be the third nephew twice removed who's fated to destroy the world?
”
”
Julie Kagawa (Iron's Prophecy (The Iron Fey, #4.5))
“
Why should people in one part of the globe have developed collectivist cultures, while others went individualist? The United States is the individualism poster child for at least two reasons. First there's immigration. Currently, 12 percent of Americans are immigrants, another 12 percent are children of immigrants, and everyone else except for the 0.9 percent pure Native Americans descend from people who emigrated within the last five hundred years. And who were the immigrants? Those in the settled world who were cranks, malcontents, restless, heretical, black sheep, hyperactive, hypomanic, misanthropic, itchy, unconventional, yearning to be rich, yearning to be out of their damn boring repressive little hamlet, yearning. Couple that with the second reason - for the majority of its colonial and independent history, America has had a moving frontier luring those whose extreme prickly optimism made merely booking passage to the New World insufficiently novel - and you've got America the individualistic.
Why has East Asia provided textbook examples of collectivism? The key is how culture is shaped by the way people traditionally made a living, which in turn is shaped by ecology. And in East Asia it's all about rice. Rice, which was domesticated there roughly ten thousand years ago, requires massive amounts of communal work. Not just backbreaking planting and harvesting, which are done in rotation because the entire village is needed to harvest each family's rice. The United States was not without labor-intensive agriculture historically. But rather than solving that with collectivism, it solved it withe slavery.
”
”
Robert M. Sapolsky (Behave: The Biology of Humans at Our Best and Worst)
“
Nakata let his body relax, switched off his mind, allowing things to flow through him. This was natural for him, something he'd done ever since he was a child, without a second thought. Before long the borders of his consciousness fluttered around, just like the butterflies. Beyond these borders lay a dark abyss. Occasionally his consciousness would fly over the border and hover over that dizzying black crevasse. But Nakata wasn't afraid of the darkness or how deep it was. And why should he be? That bottomless world of darkness, that weighty silence and chaos, was an old friend, a part of him already. Nakata understood this well. In that world there was no writing, no days of the week, no scary Governor, no opera, no BMWs. No scissors, no tall hats. On the other hand, there was also no delicious eel, no tasty bean-jam buns. Everything is there, but there are no parts. Since there are no parts, there's no need to replace one thing with another. No need to remove anything, or add anything. You don't have to think about difficult things, just let yourself soak it all in. For Nakata, nothing could be better.
”
”
Haruki Murakami (Kafka on the Shore)
“
The function of mindfulness is, first, to recognize the suffering and then to take care of the suffering. The work of mindfulness is first to recognize the suffering and second to embrace it. A mother taking care of a crying baby naturally will take the child into her arms without suppressing, judging it, or ignoring the crying. Mindfulness is like that mother, recognizing and embracing suffering without judgement.
So the practice is not to fight or suppress the feeling, but rather to cradle it with a lot of tenderness. When a mother embraces her child, that energy of tenderness begins to penetrate into the body of the child. Even if the mother doesn't understand at first why the child is suffering and she needs some time to find out what the difficulty is, just her acto f taking the child into her arms with tenderness can alreadby bring relief. If we can recognize and cradle the suffering while we breathe mindfully, there is relief already.
”
”
Thich Nhat Hanh (No Mud, No Lotus: The Art of Transforming Suffering)
“
he was keeping track of time. It was nearly two hours since he had last looked at his watch, but he knew what time it was to within about twenty seconds. It was an old skill, born of many long wakeful nights on active service. When you're waiting for something to happen, you close your body down like a beach house in winter and you let your mind lock onto the steady pace of the passing seconds. It's like suspended animation. It saves energy and it lifts the responsibility for your heartbeat away from your unconscious brain and passes it on to some kind of a hidden clock. Makes a huge black space for thinking in. But it keeps you just awake enough to be reach for whatever you need to be ready for. And it means you always know what time it is.
”
”
Lee Child (Die Trying (Jack Reacher, #2))
“
I am opposed to animal welfare campaigns for two reasons. First, if animal use cannot be morally justified, then we ought to be clear about that, and advocate for no use. Although rape and child molestation are ubiquitous, we do not have campaigns for “humane” rape or “humane” child molestation. We condemn it all. We should do the same with respect to animal exploitation.
Second, animal welfare reform does not provide significant protection for animal interests. Animals are chattel property; they are economic commodities. Given this status and the reality of markets, the level of protection provided by animal welfare will generally be limited to what promotes efficient exploitation. That is, we will protect animal interests to the extent that it provides an economic benefit.
”
”
Gary L. Francione
“
Regret hung from the hem of everyone's lives, a rip cord reminder that what you want is not always what you get. Look at himself, outliving Aimee. Or Az, trying to find his daughter, only to have her wind up dead. Look at Shelby, with a child who was dying by degrees. Ethan, born into a body nobody deserves. At some point or another, everyone was failed by this world. Disappointment was the one thin humans had in common.
Taken this way, Ross didn't feel quite so alone. Trapped in your whirlpool of what might have been, you might no be able to drag yourself out - but you could be saved by someone else who reached in.
”
”
Jodi Picoult (Second Glance)
“
According to scientists, there are three stages of love: lust, attraction, and attachment. And, it turns out, each of the stages is orchestrated by chemicals—neurotransmitters—in the brain.
As you might expect, lust is ruled by testosterone and estrogen.
The second stage, attraction, is governed by dopamine and serotonin. When, for example, couples report feeling indescribably happy in each other’s presence, that’s dopamine, the pleasure hormone, doing its work.
Taking cocaine fosters the same level of euphoria. In fact, scientists who study both the brains of new lovers and cocaine addicts are hard-pressed to tell the difference.
The second chemical of the attraction phase is serotonin. When couples confess that they can’t stop thinking about each other, it’s because their serotonin level has dropped. People in love have the same low serotonin levels as people with OCD. The reason they can’t stop thinking about each other is that they are literally obsessed.
Oxytocin and vasopressin control the third stage: attachment or long-term bonding. Oxytocin is released during orgasm and makes you feel closer to the person you’ve had sex with. It’s also released during childbirth and helps bond mother to child. Vasopressin is released postcoitally.
Natasha knows these facts cold. Knowing them helped her get over Rob’s betrayal. So she knows: love is just chemicals and coincidence.
So why does Daniel feel like something more?
”
”
Nicola Yoon (The Sun Is Also a Star)
“
Nothing as singular or as important had happened since the day of his birth. She returned his gaze, struck by the sense of her own transformation, and overwhelmed by the beauty in a face which a lifetime's habit had taught her to ignore. She whispered his name with the deliberation of a child trying out the distinct sounds. When he replied with her name, it sounded like a new word - the syllables remained the same, the meaning was different. Finally he spoke the three simple words that no amount of bad art or bad faith can ever quite cheapen. She repeated them, with exactly the same emphasis on the second word, as if she had been the one to say them first. He had no religious belief, but it was impossible not to think of an invisible presence or witness in the room, and that these words spoken aloud were like signatures on an unseen contract
”
”
Ian McEwan (Atonement)
“
He was biting his lower lip and clenching his hands. He looked like he was about to cry.
I threw my arms around him instinctively, wrapping them around his waist and pressing my face against his chest. He was so big, I flet like I was a child hugging a grown-up.
"Oh, Jake, it'll be okay!" I promised. "If it gets worse you can come live with me and Charlie. Don't be scared, we'll think of something!"
He was frozen for a second, and then his long arms wrapped hesitantly around me. "Thanks, Bella." His voice was huskier than usual.
We stood like that for a moment, and it didn't upset me; in fact, I felt comforted by the contact. This didn't feel anything like the last time someone had embraced me this way. This was friendship. And Jacob was very warm.
It was strange for me, being this close--emotionally rather physically, though the physical was strange for me, too--to another human being. It wasn't my usual style. I didn't normally relate to people so easily, on such a basic level.
Not human beings.
"If this is how you're going to react, I'll freak out more often." Jacob's voice was light, normal again, and his laughter rumbled against my ear. His fingers touched my hair, soft and tentative.
Well, it was friendship for me.
”
”
Stephenie Meyer (New Moon (The Twilight Saga, #2))
“
In the first movement, our infancy as a species, we felt no separation from the natural world around us. Trees, rocks, and plants surrounded us with a living presence as intimate and pulsing as our own bodies. In that primal intimacy, which anthropologists call "participation mystique," we were as one with our world as a child in the mother's womb.
Then self-consciousness arose and gave us distance on our world. We needed that distance in order to make decisions and strategies, in order to measure, judge and to monitor our judgments. With the emergence of free-will, the fall out of the Garden of Eden, the second movement began -- the lonely and heroic journey of the ego. Nowadays, yearning to reclaim a sense of wholeness, some of us tend to disparage that movement of separation from nature, but it brought us great gains for which we can be grateful. The distanced and observing eye brought us tools of science, and a priceless view of the vast, orderly intricacy of our world. The recognition of our individuality brought us trial by jury and the Bill of Rights.
Now, harvesting these gains, we are ready to return. The third movement begins. Having gained distance and sophistication of perception, we can turn and recognize who we have been all along. Now it can dawn on us: we are our world knowing itself. We can relinquish our separateness. We can come home again -- and participate in our world in a richer, more responsible and poignantly beautiful way than before, in our infancy.
”
”
Joanna Macy (World as Lover, World as Self)
“
KAUFMAN
Sir, what if a writer is attempting to create a story where nothing much happens, where people don't change, they don't have any epiphanies. They struggle and are frustrated and nothing is resolved. More a reflection of the real world —
MCKEE
The real world?
KAUFMAN
Yes, sir.
MCKEE
The real fucking world? First of all, you write a screenplay without Conflict or Crisis, you'll bore your audience to tears. Secondly: nothing happens in the world? Are you out of your fucking mind? People are murdered every day! There's genocide, war, corruption! Every fucking day somewhere in the world somebody sacrifices his life to save someone else! Every fucking day someone somewhere makes a conscious decision to destroy someone else! People find love! People lose it! For Christ's sake! A child watches her mother beaten to death on the steps of a church! Someone goes hungry! Somebody else betrays his best friend for a woman! If you can't find that stuff in life, then you, my friend, don't know CRAP about life! And WHY THE FUCK are you wasting my two precious hours with your movie? I don't have any use for it! I don't have any bloody use for it!
KAUFMAN
Okay, thanks.
”
”
Charlie Kaufman (Adaptation.: The Shooting Script)
“
Unfortunately, oppression does not automatically produce only meaningful struggle. It has the ability to call into being a wide range of responses between partial acceptance and violent rebellion. In between you can have, for instance, a vague, unfocused dissatisfaction; or, worst of all, savage infighting among the oppressed, a fierce love-hate entanglement with one another like crabs inside the fisherman's bucket, which ensures that no crab gets away. This is a serious issue for African-American deliberation.
To answer oppression with appropriate resistance requires knowledge of two kinds: in the first place, self-knowledge by the victim, which means awareness that oppression exists, an awareness that the victim has fallen from a great height of glory or promise into the present depths; secondly, the victim must know who the enemy is. He must know his oppressor's real name, not an alias, a pseudonym, or a nom de plume!
”
”
Chinua Achebe (The Education of a British-Protected Child: Essays)
“
Edie Sedgwick (1943-1971)
I don't know how she did it. Fire
She was shaking all over. It took
her hours to put her make-up on.
But she did it. Even the false eye-lashes.
She ordered gin with triple
limes. Then a limosine. Everyone
knew she was the real heroine of
Blonde on Blonde.
oh it isn't fair
oh it isn't fair
how her ermine hair
turned men around
she was white on white
so blonde on blonde
and her long long legs
how I used to beg
to dance with her
but I never had
a chance with her
oh it isn't fair
how her ermine hair
used to swing so nice
used to cut the air
how all the men
used to dance with her
I never got a chance with her
though I really asked her
down deep
where you do
really dream
in the mind
reading love
I'd get
inside
her move
and we'd
turn around
and she'd
turn around
and turn the head
of everyone in town
her shaking shaking
glittering bones
second blonde child
after brian jones
oh it isn't fair
how I dreamed of her
and she slept
and she slept
forever
and I'll never dance
with her no never
she broke down
like a baby
like a baby girl
like a lady
with ermine hair
oh it isn't fair
and I'd like to see
her rise again
her white white bones
with baby brian jones
baby brian jones
like blushing
baby dolls
”
”
Patti Smith (Seventh Heaven)
“
Things like "Everything happens for a reason" and "You'll become a stronger/kinder/more compassionate person because of this" brings out rage in grieving people. Nothing makes a person angrier than when they know they're being insulted but can't figure out how.
It's not just erasing your current pain that makes words of comfort land so badly. There's a hidden subtext in those statements about becoming a better, kinder, and more compassionate because of your loss, that often-used phrase about knowing what's "truly important in life" now that you've learned how quickly life can change.
The unspoken second half of the sentence in this case says you needed this somehow. It says that you weren't aware of what was important in life before this happened. It says that you weren't kind, compassionate, or aware enough in your life before this happened. That you needed this experience in order to develop or grow, that you needed this lesson in order to step into your "true path" in life.
As though loss and hardship were the only ways to grow as a human being. As though pain were the only doorway to a better, deeper life, the only way to be truly compassionate and kind.
”
”
Megan Devine (It's OK That You're Not OK)
“
Since Sienna was in an unusually cooperative mood, the session went well. He was returning from it midmorning - after a short detour - when a small naked body barreled into him in one of the main corridors. Steadying the boy with Tk, he looked down. The child lifted a finger to his lips. "Shh. I'm hiding." With that, he went behind Judd and scrambled into a small alcove. "Quickly!
Not sure why he obeyed the order, Judd backed up to stand in front of the alcove, arms crossed.
A flustered Lara came running around the corner a few seconds later. "Have you seen Ben? Four-year-old. Naked as a jaybird?"
"How tall is he?" Judd asked in his most overbearing Psy manner.
Lara stared. "He's four. How tall do you think he is? Have you seen him or not?"
"Let me think...did you say he was naked?"
"He was about to be bathed. Slippery little monkey."
A giggle from behind Judd.
Lara's eyes widened and then her lips twitched. "So you haven't seen him?"
"Without a proper description, I can't be sure."
The healer was obviously trying not to laugh. "You shouldn't encourage him - he's incorrigible as it is."
Judd felt childish hands on his left calf and then Ben poked his head out. "I'm incorwigeable, did ya hear?"
Judd nodded. "I do believe you've been found. Why don't you go have your bath?"
"Come on, munchkin." Lara held out a hand.
Surprisingly strong baby arms and legs wrapped around Judd's leg. "No. I wanna stay with Uncle Judd."
Lara anticipated his question. "Ben spends a lot of time with Marlee."
"I spend a lot of time with Marlee," a small voice piped up.
”
”
Nalini Singh (Caressed by Ice (Psy-Changeling, #3))
“
Hardly had the light been extinguished, when a peculiar trembling began
to affect the netting under which the three children lay.
It consisted of a multitude of dull scratches which produced a metallic
sound, as if claws and teeth were gnawing at the copper wire. This was
accompanied by all sorts of little piercing cries.
The little five-year-old boy, on hearing this hubbub overhead, and
chilled with terror, jogged his brother's elbow; but the elder brother
had already shut his peepers, as Gavroche had ordered. Then the little
one, who could no longer control his terror, questioned Gavroche, but in
a very low tone, and with bated breath:--
"Sir?"
"Hey?" said Gavroche, who had just closed his eyes.
"What is that?"
"It's the rats," replied Gavroche.
And he laid his head down on the mat again.
The rats, in fact, who swarmed by thousands in the carcass of the
elephant, and who were the living black spots which we have already
mentioned, had been held in awe by the flame of the candle, so long as
it had been lighted; but as soon as the cavern, which was the same
as their city, had returned to darkness, scenting what the good
story-teller Perrault calls "fresh meat," they had hurled themselves in
throngs on Gavroche's tent, had climbed to the top of it, and had begun
to bite the meshes as though seeking to pierce this new-fangled trap.
Still the little one could not sleep.
"Sir?" he began again.
"Hey?" said Gavroche.
"What are rats?"
"They are mice."
This explanation reassured the child a little. He had seen white mice in
the course of his life, and he was not afraid of them. Nevertheless, he
lifted up his voice once more.
"Sir?"
"Hey?" said Gavroche again.
"Why don't you have a cat?"
"I did have one," replied Gavroche, "I brought one here, but they ate
her."
This second explanation undid the work of the first, and the little
fellow began to tremble again.
The dialogue between him and Gavroche began again for the fourth time:--
"Monsieur?"
"Hey?"
"Who was it that was eaten?"
"The cat."
"And who ate the cat?"
"The rats."
"The mice?"
"Yes, the rats."
The child, in consternation, dismayed at the thought of mice which ate
cats, pursued:--
"Sir, would those mice eat us?"
"Wouldn't they just!" ejaculated Gavroche.
The child's terror had reached its climax. But Gavroche added:--
"Don't be afraid. They can't get in. And besides, I'm here! Here, catch
hold of my hand. Hold your tongue and shut your peepers!
”
”
Victor Hugo (Les Misérables)
“
I have found that there are three key steps to identifying your own core personal projects.
First, think back to what you loved to do when you were a child. How did you answer the question of what you wanted to be when you grew up? The specific answer you gave may have been off the mark, but the underlying impulse was not. If you wanted to be a fireman, what did a fireman mean to you? A good man who rescued people in distress? A daredevil? Or the simple pleasure of operating a truck? If you wanted to be a dancer, was it because you got to wear a costume, or because you craved applause, or was it the pure joy of twirling around at lightning speed? You may have known more about who you were then than you do now.
Second, pay attention to the work you gravitate to. At my law firm I never once volunteered to take on an extra corporate legal assignment, but I did spend a lot of time doing pro bono work for a nonprofit women’s leadership organization. I also sat on several law firm committees dedicated to mentoring, training, and personal development for young lawyers in the firm. Now, as you can probably tell from this book, I am not the committee type. But the goals of those committees lit me up, so that’s what I did.
Finally, pay attention to what you envy. Jealousy is an ugly emotion, but it tells the truth. You mostly envy those who have what you desire.
”
”
Susan Cain (Quiet: The Power of Introverts in a World That Can't Stop Talking)
“
If sexual physiology provides the pattern for our experience of the world, what is woman's basic metaphor? It is mystery, the hidden. Karen Horney speaks of a girl's inability to see her genitals and a boy's ability to see his as the source of "the greater subjectivity of women as compared with the greater objectivity of men." To rephrase this with my different emphasis: men's delusional certitude that objectivity is possible is based on the visibility of their genitals. Second, this certitude is a defensive swerve from the anxiety-inducing invisibility of the womb. Women tend to be more realistic and less obsessional because of their toleration for ambiguity which they learn from their inability to learn about their own bodies. Women accept limited knowledge as their natural condition, a great human truth that a man may take a lifetime to reach.
The female body’s unbearable hiddenness applies to all aspects men’s dealings with women. What does it look like in there? Did she have an orgasm? Is it really my child? Who was my real father? Mystery surrounds women’s sexuality. This mystery is the main reason for the imprisonment man has imposed on women. Only by confining his wife in a locked harem guarded by eunuchs could he be certain that her son was also his.
”
”
Camille Paglia (Sexual Personae: Art and Decadence from Nefertiti to Emily Dickinson (Yale Nota Bene))
“
I have never been one of those people—I know you aren’t, either—who feels that the love one has for a child is somehow a superior love, one more meaningful, more significant, and grander than any other. I didn’t feel that before Jacob, and I didn’t feel that after. But it is a singular love, because it is a love whose foundation is not physical attraction, or pleasure, or intellect, but fear. You have never known fear until you have a child, and maybe that is what tricks us into thinking that it is more magnificent, because the fear itself is more magnificent. Every day, your first thought is not “I love him” but “How is he?” The world, overnight, rearranges itself into an obstacle course of terrors. I would hold him in my arms and wait to cross the street and would think how absurd it was that my child, that any child, could expect to survive this life. It seemed as improbable as the survival of one of those late-spring butterflies—you know, those little white ones—I sometimes saw wobbling through the air, always just millimeters away from smacking itself against a windshield. And let me tell you two other things I learned. The first is that it doesn’t matter how old that child is, or when or how he became yours. Once you decide to think of someone as your child, something changes, and everything you have previously enjoyed about them, everything you have previously felt for them, is preceded first by that fear. It’s not biological; it’s something extra-biological, less a determination to ensure the survival of one’s genetic code, and more a desire to prove oneself inviolable to the universe’s feints and challenges, to triumph over the things that want to destroy what’s yours. The second thing is this: when your child dies, you feel everything you’d expect to feel, feelings so well-documented by so many others that I won’t even bother to list them here, except to say that everything that’s written about mourning is all the same, and it’s all the same for a reason—because there is no real deviation from the text. Sometimes you feel more of one thing and less of another, and sometimes you feel them out of order, and sometimes you feel them for a longer time or a shorter time. But the sensations are always the same. But here’s what no one says—when it’s your child, a part of you, a very tiny but nonetheless unignorable part of you, also feels relief. Because finally, the moment you have been expecting, been dreading, been preparing yourself for since the day you became a parent, has come. Ah, you tell yourself, it’s arrived. Here it is. And after that, you have nothing to fear again.
”
”
Hanya Yanagihara (A Little Life)
“
It is an unchristian religion, in the first place!' the prince resumed in great agitation and with excessive sharpness. 'That's in the first place, and secondly, Roman Catholicism is even worse than atheism - that's my opinion. Yes, that's my opinion! Atheism merely preaches a negation, but Catholicism goes further: it preaches a distorted Christ, a Christ calumniated and defamed by it, the opposite of Christ! It preaches Antichrist - I swear it does, I assure you it does! This is my personal opinion, an opinion I've held for a long time, and it has worried me a lot myself. ... Roman Catholicism believes that the Church cannot exist on earth without universal temporal power, and cries: Non possumus! In my opinion, Roman Catholicism isn't even a religion, but most decidedly a continuation of the Holy Roman Empire, and everything in it is subordinated to that idea, beginning with faith. The Pope seized the earth, an earthly throne and took up the sword; and since then everything has gone on in the same way, except that they've added lies, fraud, deceit, fanaticism, superstition wickedness. They have trifled with the most sacred, truthful, innocent, ardent feelings of the people, have bartered it all for money, for base temporal power. And isn't this the teaching of Antichrist? Isn't it clear that atheism had to come from them? And it did come from them, from Roman Catholicism itself! Atheism originated first of all with them: how could they believe in themselves? It gained ground because of abhorrence of them; it is the child of their lies and their spiritual impotence! Atheism! In our country it is only the upper classes who do not believe, as Mr Radomsky so splendidly put it the other day, for they have lost their roots. But in Europe vast numbers of the common people are beginning to lose their faith - at first from darkness and lies, and now from fanaticism, hatred of the Church and Christianity!
”
”
Fyodor Dostoevsky (The Idiot)
“
I watched him as he lined up the ships in bottles on his deck, bringing them over from the shelves where they usually sat. He used an old shirt of my mother's that had been ripped into rags and began dusting the shelves. Under his desk there were empty bottles- rows and rows of them we had collected for our future shipbuilding. In the closet were more ships- the ships he had built with his own father, ships he had built alone, and then those we had made together. Some were perfect, but their sails browned; some had sagged or toppled over the years. Then there was the one that had burst into flames in the week before my death.
He smashed that one first.
My heart seized up. He turned and saw all the others, all the years they marked and the hands that had held them. His dead father's, his dead child's. I watched his as he smashed the rest. He christened the walls and wooden chair with the news of my death, and afterward he stood in the guest room/den surrounded by green glass. The bottle, all of them, lay broken on the floor, the sails and boat bodies strewn among them. He stood in the wreckage. It was then that, without knowing how, I revealed myself. In every piece of glass, in every shard and sliver, I cast my face. My father glanced down and around him, his eyes roving across the room. Wild. It was just for a second, and then I was gone. He was quiet for a moment, and then he laughed- a howl coming up from the bottom of his stomach. He laughed so loud and deep, I shook with it in my heaven.
He left the room and went down two doors to my beadroom. The hallway was tiny, my door like all the others, hollow enough to easily punch a fist through. He was about to smash the mirror over my dresser, rip the wallpaper down with his nails, but instead he fell against my bed, sobbing, and balled the lavender sheets up in his hands.
'Daddy?' Buckley said. My brother held the doorknob with his hand.
My father turned but was unable to stop his tears. He slid to the floor with his fists, and then he opened up his arms. He had to ask my brother twice, which he had never to do do before, but Buckley came to him.
My father wrapped my brother inside the sheets that smelled of me. He remembered the day I'd begged him to paint and paper my room purple. Remembered moving in the old National Geographics to the bottom shelves of my bookcases. (I had wanted to steep myself in wildlife photography.) Remembered when there was just one child in the house for the briefest of time until Lindsey arrived.
'You are so special to me, little man,' my father said, clinging to him.
Buckley drew back and stared at my father's creased face, the fine bright spots of tears at the corners of his eyes. He nodded seriously and kissed my father's cheek. Something so divine that no one up in heaven could have made it up; the care a child took with an adult.
'Hold still,' my father would say, while I held the ship in the bottle and he burned away the strings he'd raised the mast with and set the clipper ship free on its blue putty sea. And I would wait for him, recognizing the tension of that moment when the world in the bottle depended, solely, on me.
”
”
Alice Sebold (The Lovely Bones)
“
The thing about being barren is that you’re not allowed to get away from it. Not when you’re in your thirties. My friends were having children, friends of friends were having children, pregnancy and birth and first birthday parties were everywhere. I was asked about it all the time. My mother, our friends, colleagues at work. When was it going to be my turn? At some point our childlessness became an acceptable topic of Sunday-lunch conversation, not just between Tom and me, but more generally. What we were trying, what we should be doing, do you really think you should be having a second glass of wine? I was still young, there was still plenty of time, but failure cloaked me like a mantle, it overwhelmed me, dragged me under, and I gave up hope. At the time, I resented the fact that it was always seen as my fault, that I was the one letting the side down. But as the speed with which he managed to impregnate Anna demonstrates, there was never any problem with Tom’s virility. I was wrong to suggest that we should share the blame; it was all down to me. Lara, my best friend since university, had two children in two years: a boy first and then a girl. I didn’t like them. I didn’t want to hear anything about them. I didn’t want to be near them. Lara stopped speaking to me after a while. There was a girl at work who told me—casually, as though she were talking about an appendectomy or a wisdom-tooth extraction—that she’d recently had an abortion, a medical one, and it was so much less traumatic than the surgical one she’d had when she was at university. I couldn’t speak to her after that, I could barely look at her. Things became awkward in the office; people noticed. Tom didn’t feel the way I did. It wasn’t his failure, for starters, and in any case, he didn’t need a child like I did. He wanted to be a dad, he really did—I’m sure he daydreamed about kicking a football around in the garden with his son, or carrying his daughter on his shoulders in the park. But he thought our lives could be great without children, too. “We’re happy,” he used to say to me. “Why can’t we just go on being happy?” He became frustrated with me. He never understood that it’s possible to miss what you’ve never had, to mourn for it.
”
”
Paula Hawkins (The Girl on the Train)
“
There were two things about this particular book (The Golden Book of Fairy Tales) that made it vital to the child I was. First, it contained a remarkable number of stories about courageous, active girls; and second, it portrayed the various evils they faced in unflinching terms. Just below their diamond surface, these were stories of great brutality and anguish, many of which had never been originally intended for children at all. (Although Ponsot included tales from the Brothers Grimm and Andersen, the majority of her selections were drawn from the French contes de fées tradition — stories created as part of the vogue for fairy tales in seventeenth century Paris, recounted in literary salons and published for adult readers.)
I hungered for a narrative with which to make some sense of my life, but in schoolbooks and on television all I could find was the sugar water of Dick and Jane, Leave it to Beaver and the happy, wholesome Brady Bunch. Mine was not a Brady Bunch family; it was troubled, fractured, persistently violent, and I needed the stronger meat of wolves and witches, poisons and peril. In fairy tales, I had found a mirror held up to the world I knew — where adults were dangerous creatures, and Good and Evil were not abstract concepts. (…) There were in those days no shelves full of “self–help” books for people with pasts like mine. In retrospect, I’m glad it was myth and folklore I turned to instead. Too many books portray child abuse as though it’s an illness from which one must heal, like cancer . . .or malaria . . .or perhaps a broken leg. Eventually, this kind of book promises, the leg will be strong enough to use, despite a limp betraying deeper wounds that might never mend. Through fairy tales, however, I understood my past in different terms: not as an illness or weakness, but as a hero narrative. It was a story, my story, beginning with birth and ending only with death. Difficult challenges and trials, even those that come at a tender young age, can make us wiser, stronger, and braver; they can serve to transform us, rather than sending us limping into the future.
”
”
Terri Windling (Mirror, Mirror on the Wall: Women Writers Explore Their Favorite Fairy Tales)
“
My son, you are just an infant now, but on that day when the world disrobes of its alluring cloak, it is then that I pray this letter is in your hands.
Listen closely, my dear child, for I am more than that old man in the dusty portrait beside your bed. I was once a little boy in my mother’s arms and a babbling toddler on my father's lap.
I played till the sun would set and climbed trees with ease and skill. Then I grew into a fine young man with shoulders broad and strong. My bones were firm and my limbs were straight; my hair was blacker than a raven's beak. I had a spring in my step and a lion's roar. I travelled the world, found love and married. Then off to war I bled in battle and danced with death.
But today, vigor and grace have forsaken me and left me crippled.
Listen closely, then, as I have lived not only all the years you have existed, but another forty more of my own.
My son, We take this world for a permanent place; we assume our gains and triumphs will always be; that all that is dear to us will last forever.
But my child, time is a patient hunter and a treacherous thief: it robs us of our loved ones and snatches up our glory. It crumbles mountains and turns stone to sand. So who are we to impede its path?
No, everything and everyone we love will vanish, one day.
So take time to appreciate the wee hours and seconds you have in this world. Your life is nothing but a sum of days so why take any day for granted? Don't despise evil people, they are here for a reason, too, for just as the gift salt offers to food, so do the worst of men allow us to savor the sweet, hidden flavor of true friendship.
Dear boy, treat your elders with respect and shower them with gratitude; they are the keepers of hidden treasures and bridges to our past. Give meaning to your every goodbye and hold on to that parting embrace just a moment longer--you never know if it will be your last.
Beware the temptation of riches and fame for both will abandon you faster than our own shadow deserts us at the approach of the setting sun. Cultivate seeds of knowledge in your soul and reap the harvest of good character.
Above all, know why you have been placed on this floating blue sphere, swimming through space, for there is nothing more worthy of regret than a life lived void of this knowing.
My son, dark days are upon you. This world will not leave you with tears unshed. It will squeeze you in its talons and lift you high, then drop you to plummet and shatter to bits . But when you lay there in pieces scattered and broken, gather yourself together and be whole once more. That is the secret of those who know.
So let not my graying hairs and wrinkled skin deceive you that I do not understand this modern world. My life was filled with a thousand sacrifices that only I will ever know and a hundred gulps of poison I drank to be the father I wanted you to have.
But, alas, such is the nature of this life that we will never truly know the struggles of our parents--not until that time arrives when a little hand--resembling our own--gently clutches our finger from its crib.
My dear child, I fear that day when you will call hopelessly upon my lifeless corpse and no response shall come from me. I will be of no use to you then but I hope these words I leave behind will echo in your ears that day when I am no more. This life is but a blink in the eye of time, so cherish each moment dearly, my son.
”
”
Shakieb Orgunwall
“
Consider the genesis of a single-celled embryo produced by the fertilization of an egg by a sperm. The genetic material of this embryo comes from two sources: paternal genes (from sperm) and maternal genes (from eggs). But the cellular material of the embryo comes exclusively from the egg; the sperm is no more than a glorified delivery vehicle for male DNA—a genome equipped with a hyperactive tail. Aside from proteins, ribosomes, nutrients, and membranes, the egg also supplies the embryo with specialized structures called mitochondria. These mitochondria are the energy-producing factories of the cell; they are so anatomically discrete and so specialized in their function that cell biologists call them “organelles”—i.e., mini-organs resident within cells. Mitochondria, recall, carry a small, independent genome that resides within the mitochondrion itself—not in the cell’s nucleus, where the twenty-three pairs of chromosomes (and the 21,000-odd human genes) can be found. The exclusively female origin of all the mitochondria in an embryo has an important consequence. All humans—male or female—must have inherited their mitochondria from their mothers, who inherited their mitochondria from their mothers, and so forth, in an unbroken line of female ancestry stretching indefinitely into the past. (A woman also carries the mitochondrial genomes of all her future descendants in her cells; ironically, if there is such a thing as a “homunculus,” then it is exclusively female in origin—technically, a “femunculus”?) Now imagine an ancient tribe of two hundred women, each of whom bears one child. If the child happens to be a daughter, the woman dutifully passes her mitochondria to the next generation, and, through her daughter’s daughter, to a third generation. But if she has only a son and no daughter, the woman’s mitochondrial lineage wanders into a genetic blind alley and becomes extinct (since sperm do not pass their mitochondria to the embryo, sons cannot pass their mitochondrial genomes to their children). Over the course of the tribe’s evolution, tens of thousands of such mitochondrial lineages will land on lineal dead ends by chance, and be snuffed out. And here is the crux: if the founding population of a species is small enough, and if enough time has passed, the number of surviving maternal lineages will keep shrinking, and shrinking further, until only a few are left. If half of the two hundred women in our tribe have sons, and only sons, then one hundred mitochondrial lineages will dash against the glass pane of male-only heredity and vanish in the next generation. Another half will dead-end into male children in the second generation, and so forth. By the end of several generations, all the descendants of the tribe, male or female, might track their mitochondrial ancestry to just a few women. For modern humans, that number has reached one: each of us can trace our mitochondrial lineage to a single human female who existed in Africa about two hundred thousand years ago. She is the common mother of our species. We do not know what she looked like, although her closest modern-day relatives are women of the San tribe from Botswana or Namibia. I find the idea of such a founding mother endlessly mesmerizing. In human genetics, she is known by a beautiful name—Mitochondrial Eve.
”
”
Siddhartha Mukherjee (The Gene: An Intimate History)
“
Things I Used to Get Hit For: Talking back. Being smart. Acting stupid. Not listening. Not answering the first time. Not doing what I’m told. Not doing it the second time I’m told. Running, jumping, yelling, laughing, falling down, skipping stairs, lying in the snow, rolling in the grass, playing in the dirt, walking in mud, not wiping my feet, not taking my shoes off. Sliding down the banister, acting like a wild Indian in the hallway. Making a mess and leaving it. Pissing my pants, just a little. Peeing the bed, hardly at all. Sleeping with a butter knife under my pillow.
Shitting the bed because I was sick and it just ran out of me, but still my fault because I’m old enough to know better. Saying shit instead of crap or poop or number two. Not knowing better. Knowing something and doing it wrong anyway. Lying. Not confessing the truth even when I don’t know it. Telling white lies, even little ones, because fibbing isn’t fooling and not the least bit funny. Laughing at anything that’s not funny, especially cripples and retards. Covering up my white lies with more lies, black lies. Not coming the exact second I’m called. Getting out of bed too early, sometimes before the birds, and turning on the TV, which is one reason the picture tube died. Wearing out the cheap plastic hole on the channel selector by turning it so fast it sounds like a machine gun. Playing flip-and-catch with the TV’s volume button then losing it down the hole next to the radiator pipe. Vomiting. Gagging like I’m going to vomit. Saying puke instead of vomit. Throwing up anyplace but in the toilet or in a designated throw-up bucket. Using scissors on my hair. Cutting Kelly’s doll’s hair really short. Pinching Kelly. Punching Kelly even though she kicked me first. Tickling her too hard. Taking food without asking. Eating sugar from the sugar bowl. Not sharing. Not remembering to say please and thank you. Mumbling like an idiot. Using the emergency flashlight to read a comic book in bed because batteries don’t grow on trees. Splashing in puddles, even the puddles I don’t see until it’s too late. Giving my mother’s good rhinestone earrings to the teacher for Valentine’s Day. Splashing in the bathtub and getting the floor wet. Using the good towels. Leaving the good towels on the floor, though sometimes they fall all by themselves. Eating crackers in bed. Staining my shirt, tearing the knee in my pants, ruining my good clothes. Not changing into old clothes that don’t fit the minute I get home. Wasting food. Not eating everything on my plate. Hiding lumpy mashed potatoes and butternut squash and rubbery string beans or any food I don’t like under the vinyl seat cushions Mom bought for the wooden kitchen chairs. Leaving the butter dish out in summer and ruining the tablecloth. Making bubbles in my milk. Using a straw like a pee shooter. Throwing tooth picks at my sister. Wasting toothpicks and glue making junky little things that no one wants. School papers. Notes from the teacher. Report cards. Whispering in church. Sleeping in church. Notes from the assistant principal. Being late for anything. Walking out of Woolworth’s eating a candy bar I didn’t pay for. Riding my bike in the street. Leaving my bike out in the rain. Getting my bike stolen while visiting Grandpa Rudy at the hospital because I didn’t put a lock on it. Not washing my feet. Spitting. Getting a nosebleed in church. Embarrassing my mother in any way, anywhere, anytime, especially in public. Being a jerk. Acting shy. Being impolite. Forgetting what good manners are for. Being alive in all the wrong places with all the wrong people at all the wrong times.
”
”
Bob Thurber (Paperboy: A Dysfunctional Novel)
“
In 90% of cases, you can start with one of the two most effective ways to open a speech: ask a question or start with a story.
Our brain doesn’t remember what we hear. It remembers only what we “see” or imagine while we listen.
You can remember stories. Everything else is quickly forgotten.
Smell is the most powerful sense out of 4 to immerse audience members into a scene.
Every sentence either helps to drive your point home, or it detracts from clarity. There is no middle point.
If you don’t have a foundational phrase in your speech, it means that your message is not clear enough to you, and if it’s not clear to you, there is no way it will be clear to your audience.
Share your failures first. Show your audience members that you are not any better, smarter or more talented than they are.
You are not an actor, you are a speaker. The main skill of an actor is to play a role; to be someone else. Your main skill as a speaker is to be yourself.
People will forgive you for anything except for being boring. Speaking without passion is boring. If you are not excited about what you are talking about, how can you expect your audience to be excited?
Never hide behind a lectern or a table. Your audience needs to see 100% of your body.
Speak slowly and people will consider you to be a thoughtful and clever person.
Leaders don’t talk much, but each word holds a lot of meaning and value.
You always speak to only one person. Have a conversation directly with one person, look him or her in the eye. After you have logically completed one idea, which usually is 10-20 seconds, scan the audience and then stop your eyes on another person. Repeat this process again.
Cover the entire room with eye contact.
When you scan the audience and pick people for eye contact, pick positive people more often.
When you pause, your audience thinks about your message and reflects. Pausing builds an audiences’ confidence. If you don’t pause, your audience doesn’t have time to digest what you've told them and hence, they will not remember a word of what you've said.
Pause before and after you make an important point and stand still. During this pause, people think about your words and your message sinks in.
After you make an important point and stand still. During this pause, people think about your words and your message sinks in.
Speakers use filler words when they don’t know what to say, but they feel uncomfortable with silence.
Have you ever seen a speaker who went on stage with a piece of paper and notes? Have you ever been one of these speakers? When people see you with paper in your hands, they instantly think, “This speaker is not sincere. He has a script and will talk according to the script.”
The best speeches are not written, they are rewritten.
Bad speakers create a 10 minutes speech and deliver it in 7 minutes. Great speakers create a 5 minute speech and deliver it in 7 minutes.
Explain your ideas in a simple manner, so that the average 12-year-old child can understand the concept.
Good speakers and experts can always explain the most complex ideas with very simple words.
Stories evoke emotions. Factual information conveys logic. Emotions are far more important in a speech than logic.
If you're considering whether to use statistics or a story, use a story.
PowerPoint is for pictures not for words. Use as few words on the slide as possible.
Never learn your speech word for word. Just rehearse it enough times to internalize the flow.
If you watch a video of your speech, you can triple the pace of your development as a speaker. Make videos a habit.
Meaningless words and clichés neither convey value nor information. Avoid them.
Never apologize on stage.
If people need to put in a lot of effort to understand you they simply won’t listen. On the other hand if you use very simple language you will connect with the audience and your speech will be remembered.
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Andrii Sedniev (Magic of Public Speaking: A Complete System to Become a World Class Speaker)