Teenagers Are Hard Quotes

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Was I kind to others? It was hard to nail down an answer. I worried that if I did turn out to have a personality, it would be one of the unkind ones. Did I only worry about this question because as a woman I felt required to put the needs of others before my own? Was “kindness” just another term for submission in the face of conflict? These were the kind of things I wrote about in my diary as a teenager: as a feminist I have the right not to love anyone.
Sally Rooney (Conversations with Friends)
Babies are soft. Anyone looking at them can see the tender, fragile skin and know it for the rose-leaf softness that invites a finger's touch. But when you live with them and love them, you feel the softness going inward, the round-cheeked flesh wobbly as custard, the boneless splay of the tiny hands. Their joints are melted rubber, and even when you kiss them hard, in the passion of loving their existence, your lips sink down and seem never to find bone. Holding them against you, they melt and mold, as though they might at any moment flow back into your body. But from the very start, there is that small streak of steel within each child. That thing that says "I am," and forms the core of personality. In the second year, the bone hardens and the child stands upright, skull wide and solid, a helmet protecting the softness within. And "I am" grows, too. Looking at them, you can almost see it, sturdy as heartwood, glowing through the translucent flesh. The bones of the face emerge at six, and the soul within is fixed at seven. The process of encapsulation goes on, to reach its peak in the glossy shell of adolescence, when all softness then is hidden under the nacreous layers of the multiple new personalities that teenagers try on to guard themselves. In the next years, the hardening spreads from the center, as one finds and fixes the facets of the soul, until "I am" is set, delicate and detailed as an insect in amber.
Diana Gabaldon (Dragonfly in Amber (Outlander, #2))
Courage is not the absence of fear. It is rather not letting your fear control your actions
Brett Harris (Do Hard Things: A Teenage Rebellion Against Low Expectations)
It's especially hard to admit that you made a mistake to your parents, because, of course, you know so much more than they do.
Sean Covey (The 7 Habits of Highly Effective Teens: The Ultimate Teenage Success Guide)
Love is rare and hard to find and takes years upon years to develop. Teenagers don't fall in love.
Kody Keplinger (The DUFF: Designated Ugly Fat Friend (Hamilton High, #1))
For in today’s generation of teenagers finding acceptance is hard, especially for those who dare to be different-then it’s impossible.
Rebecah McManus (Colliding Worlds)
Parents, she thought, learned to survive touching their children less and less. As a baby Pearl had clung to her; she’d worn Pearl in a sling because whenever she’d set her down, Pearl would cry. There’d scarcely been a moment in the day when they had not been pressed together. As she got older, Pearl would still cling to her mother’s leg, then her waist, then her hand, as if there was something in her mother she needed to absorb through the skin. Even when she had her own bed, she would often crawl into Mia’s in the middle of the night and burrow under the old patchwork quilt, and in the morning they would wake up tangled, Mia’s arm pinned beneath Pearl’s head, or Pearl’s legs thrown across Mia’s belly. Now, as a teenager, Pearl’s caresses had become rare—a peck on the cheek, a one-armed, half-hearted hug—and all the more precious because of that. It was the way of things, Mia thought to herself, but how hard it was. The occasional embrace, a head leaned for just a moment on your shoulder, when what you really wanted more than anything was to press them to you and hold them so tight you fused together and could never be taken apart. It was like training yourself to live on the smell of an apple alone, when what you really wanted was to devour it, to sink your teeth into it and consume it, seeds, core, and all.
Celeste Ng (Little Fires Everywhere)
As teenagers, Marcus had been the muscle and Jake the brains. Marcus had beat up the kids who'd made fun of skinny Jake; Jake had convinced teachers not to punish him. Since then, Marcus had grown a brain (kind of) and Jake had developed muscles. But habits die hard.
Gena Showalter (Catch a Mate)
For a moment, I’m captivated. He’s seducing me with his eyes. A nervous flutter swims through my stomach. I can feel my heartbeat in my throat. Pounding. Constricting. I swallow hard.
Lauren Hammond (A Whisper To A Scream (The Sociopath Diaries, #1))
Being a teenager and figuring out who you are is hard enough without someone attacking you
Ellen DeGeneres
all effort—even failed effort—produces muscle.
Alex Harris (Do Hard Things: A Teenage Rebellion Against Low Expectations)
Tie me up, please..." Chantal said. They looked above at some vines and roots hanging down from the grassy area above the depression in the canal they were standing in. She was in his hands—he had to comply. A little bit of kink was one of the most delicious of erotic pleasures. Catholic school girls were often the horniest—Brett could hardly contain his elation.
Jess C. Scott (Catholic School Girls Rule)
It was funny how dad was more honest in a book that anyone in the world could pick up and read than he could be talking to me. Or maybe it was sad. One or the other. Sometimes it’s hard to tell.
Gabrielle Zevin (Memoirs of a Teenage Amnesiac)
I loved you when you were a snot-nosed kid, into so much mischief it's a wonder my hair didn't turn prematurely gray. I loved you when you were a teenager with long, skinny legs and eyes that broke my heart every time I looked at you. I love you now that you're a woman who makes my brain go soft, my legs go weak, and my dick get hard. When you walk into a room, my heart damn near jumps out of my chest. When you smile, I feel as if I've won a Nobel Prize. And your eyes still break my heart.
Linda Howard (Shades of Twilight)
So it is written - but so, too, it is crossed out. You can write it over again. You can make notes in the margins. You can cut out the whole page. You can, and you must, edit and rewrite and reshape and pull out the wrong parts like bones and find just the thing and you can forever, forever, write more and more and more, thicker and longer and clearer. Living is a paragraph, constantly rewritten. It is Grown-Up Magic. Children are heartless; their parents hold them still, squirming and shouting, until a heart can get going in their little lawless wilderness. Teenagers crash their hearts into every hard and thrilling thing to see what will give and what will hold. And Grown-Ups, when they are very good, when they are very lucky, and very brave, and their wishes are sharp as scissors, when they are in the fullness of their strength, use their hearts to start their story over again.
Catherynne M. Valente (The Girl Who Soared Over Fairyland and Cut the Moon in Two (Fairyland, #3))
We leave such a trail of bodies through our teens and twenties that it's hard to tell which one is us. How many versions do we abandon over the years
Dan Chaon (Among the Missing)
Most parents try really hard to give their kids the best possible life. They give them the best food and clothes they can afford, take their own kind of take on training kids to be honest and polite. But what they don't realize is no matter how much they try, their kids will get out there. Out to this complicated little world. If they are lucky they will survive, through backstabbers, broken hearts, failures and all the kinds of invisible insane pressures out there. But most kids get lost in them. They will get caught up in all kinds of bubbles. Trouble bubbles. Bubbles that continuously tell them that they are not good enough. Bubbles that get them carried away with what they think is love, give them broken hearts. Bubbles that will blur the rest of the world to them, make them feel like that is it, that they've reached the end. Sometimes, even the really smart kids, make stupid decisions. They lose control. Parents need to realize that the world is getting complicated every second of every day. With new problems, new diseases, new habits. They have to realize the vast probability of their kids being victims of this age, this complicated era. Your kids could be exposed to problems that no kind of therapy can help. Your kids could be brainwashed by themselves to believe in insane theories that drive them crazy. Most kids will go through this stage. The lucky ones will understand. They will grow out of them. The unlucky ones will live in these problems. Grow in them and never move forward. They will cut themselves, overdose on drugs, take up excessive drinking and smoking, for the slightest problems in their lives. You can't blame these kids for not being thankful or satisfied with what they have. Their mentality eludes them from the reality.
Thisuri Wanniarachchi (COLOMBO STREETS)
We love men because they can never fake orgasms, even if they wanted to. Because they write poems, songs, and books in our honor. Because they never understand us, but they never give up. Because they can see beauty in women when women have long ceased to see any beauty in themselves. Because they come from little boys. Because they can churn out long, intricate, Machiavellian, or incredibly complex mathematics and physics equations, but they can be comparably clueless when it comes to women. Because they are incredible lovers and never rest until we’re happy. Because they elevate sports to religion. Because they’re never afraid of the dark. Because they don’t care how they look or if they age. Because they persevere in making and repairing things beyond their abilities, with the naïve self-assurance of the teenage boy who knew everything. Because they never wear or dream of wearing high heels. Because they’re always ready for sex. Because they’re like pomegranates: lots of inedible parts, but the juicy seeds are incredibly tasty and succulent and usually exceed your expectations. Because they’re afraid to go bald. Because you always know what they think and they always mean what they say. Because they love machines, tools, and implements with the same ferocity women love jewelry. Because they go to great lengths to hide, unsuccessfully, that they are frail and human. Because they either speak too much or not at all to that end. Because they always finish the food on their plate. Because they are brave in front of insects and mice. Because a well-spoken four-year old girl can reduce them to silence, and a beautiful 25-year old can reduce them to slobbering idiots. Because they want to be either omnivorous or ascetic, warriors or lovers, artists or generals, but nothing in-between. Because for them there’s no such thing as too much adrenaline. Because when all is said and done, they can’t live without us, no matter how hard they try. Because they’re truly as simple as they claim to be. Because they love extremes and when they go to extremes, we’re there to catch them. Because they are tender they when they cry, and how seldom they do it. Because what they lack in talk, they tend to make up for in action. Because they make excellent companions when driving through rough neighborhoods or walking past dark alleys. Because they really love their moms, and they remind us of our dads. Because they never care what their horoscope, their mother-in-law, nor the neighbors say. Because they don’t lie about their age, their weight, or their clothing size. Because they have an uncanny ability to look deeply into our eyes and connect with our heart, even when we don’t want them to. Because when we say “I love you” they ask for an explanation.
Paulo Coelho
The hard way is my favorite way to learn.
Sarah McCarry (All Our Pretty Songs (Metamorphoses, #1))
Great faith is the product of great fights. Great testimonies are the outcome of great tests. Great triumphs can only come out of great trials.
Alex Harris (Do Hard Things: A Teenage Rebellion Against Low Expectations)
The teen years are not a vacation from responsibility,” we had told the columnist. “They are the training ground of future leaders who dare to be responsible
Alex Harris (Do Hard Things: A Teenage Rebellion Against Low Expectations)
But deciding not to have children is a very, very hard decision for a woman to make: the atmosphere is worryingly inconducive to saying, "I choose not to," or "it all sounds a bit vile, tbh." We call these women "selfish" The inference of the word "childless" is negative: one of lack, and loss. We think of nonmothers as rangy lone wolves--rattling around, as dangerous as teenage boys or men. We make women feel that their narrative has ground to a halt in their thirities if they don't "finish things" properly and have children.
Caitlin Moran (How to Be a Woman)
Peter puts one arm around my waist, pulls me in, and, looking down at me, he says fiercely, "Neither of us wants to break up. So why should we? Because of some shit my mom said? Because your sister did it that way? You're not the same as your sister, Lra Jean. We're not the same as Margot and Sanderson or anybody else. We're you and me. And yeah, it's gonna be hard. But Lara Jean, I've never feel for another girl what I feel for you." He says it with all the certainty only a teenage boy can have, and I have never loved him more than at this very moment.
Jenny Han (Always and Forever, Lara Jean (To All the Boys I've Loved Before, #3))
I hardly think it wise to put the idea of flying into the heads of impressionable teenagers who are already battling the challenges of lunacy.
Julie Halpern (Get Well Soon (Anna Bloom, #1))
...it's hard to overestimate the teenage appetite for high drama...
David Nicholls (One Day)
It all boils down to a principle at the heart of Christian character: we have to care more about pleasing God than we care about pleasing man.
Alex Harris (Do Hard Things: A Teenage Rebellion Against Low Expectations)
What is possible when a generation stops assuming that someone else will take care of the brokenness in the world - or that someone else will capitalize on current opportunities - and realizes that they are called to take action?
Alex Harris (Do Hard Things: A Teenage Rebellion Against Low Expectations)
I squint my eyes and glare at him. “I don’t have a crush on Quinn anymore.” He raises a golden eyebrow. “No?” I shake my head. “No.” “Why is that?” I stare at him long and hard, trying to decide what to say. Should I be downright, painfully honest? I’ve always found that the best way to be, so I nod. “Two words.” He waits. “Dante. Giliberti.” I hear him suck in his breath and I smile. Sometimes, honesty is refreshing and so very worth it. “Me?” He sounds so surprised, as though he doesn’t know that he is practically a living breathing Adonis. I nod. “You.” He studies me again and I fight the need to fidget as I wait for his reaction. After a minute of nerve-wracking silence, he finally answers. “So, will you keep the bracelet?” I nod. “Can I kiss you again?” I nod. So he does.
Courtney Cole (Dante's Girl (The Paradise Diaries, #1))
I regretted what a serious teenager I'd been: There were no posters of pop stars or favorite movies, no girlish collection of photos or corsages. Instead there were paintings of sailboats, proper pastel pastorals, a portrait of Eleanor Roosevelt. The latter was particularly strange, since I'd known little about Mrs. Roosevelt, except that she was good, which at the time I suppose was enough. Given my druthers now, I'd prefer a snapshot of Warren Harding's wife, "the Duchess," who recorded the smallest offenses in a little red notebook and avenged herself accordingly. Today I like my first ladies with a little bite.
Gillian Flynn (Sharp Objects)
At every stage of our lives we make decisions that will profoundly influence the lives of the people we’re going to become, and then when we become those people, we’re not always thrilled with the decisions we made. So young people pay good money to get tattoos removed that teenagers paid good money to get. Middle-aged people rushed to divorce people who young adults rushed to marry. Older adults work hard to lose what middle-aged adults worked hard to gain. On and on and on.48
Morgan Housel (The Psychology of Money)
The confusing lesson whipped Frankie's anger into something she had never felt before. It was like an emotional meringue - the airy feeling of loneliness topped with the hard crisp of injustice. Yet its taste was far from sweet.
Lisi Harrison (Monster High (Monster High, #1))
Teenagers are embarrassed by old people. Old people don’t get it, are hard of hearing, don’t even own a computer, are slow, are clueless about fashion and music, and all they have to offer you is a cookie.
Hendrik Groen (The Secret Diary of Hendrik Groen, 83¼ Years Old)
the modern concept of adolescence is not a biological stage, but a cultural mind-set. It doesn’t stop when you graduate from high school, or when you turn twenty-one.
Alex Harris (Do Hard Things: A Teenage Rebellion Against Low Expectations)
Jesus said that it doesn’t matter if you have the admiration of the world if you lose your soul,
Alex Harris (Do Hard Things: A Teenage Rebellion Against Low Expectations)
Don’t let anyone look down on you because you are young, but set an example for the believers in speech, in life, in love, in faith and in purity” (NIV).
Alex Harris (Do Hard Things: A Teenage Rebellion Against Low Expectations)
It’s about an idea. It’s about rebelling against low expectations. It’s about a movement that is changing the attitudes and actions of teens around the world. And we want you to be part of it.
Alex Harris (Do Hard Things: A Teenage Rebellion Against Low Expectations)
When his daughter was a teenager, Jim used to think that children were like kites, so he held on to the string as tightly as he could, but eventually the wind carried her off anyway. She pulled free and flew off into the sky. It's hard to tell exactly when a person's substance abuse begins, which is why everyone is lying when they say: "I've got it under control." Drugs are a sort of dusk that grant us the illusion that we're the ones who decide when the light goes out, but that power never belongs to us. The darkness takes us whenever it likes.
Fredrik Backman (Anxious People)
He was Mo-Maw’s youngest son, but he was also her confidant, her lady’s maid, and errand boy. He was her one flattering mirror, and her teenage diary, her electric blanket, her doormat. He was her best pal, the dog she hardly walked, and her greatest romance. He was her cheer on a dreich morning, the only laughter in her audience. Jodie shunted him again but Mungo only grumbled and curled tighter around her. Her brother was her mother’s minor moon, her warmest sun, and at the exact same time, a tiny satellite that she had forgotten about. He would orbit her for an eternity, even as she, and then he, broke into bits.
Douglas Stuart (Young Mungo)
Creed scowls. "Hardly. All he does now is mope like a goddamn teenage girl. Anytime I'm home, he's in his room with the door locked. I'm telling you guys, he got worked over really bad in San Diego. I thought the whole point of having a gay brother was that they were supposed to be all cool and shit. I got a defective gay.
T.J. Klune (Bear, Otter, and the Kid (Bear, Otter, and the Kid, #1))
I don't care anymore! I tried so hard! It's like the more I keep tryin' to be here the more people keep treating me like I don't belong here!
Randolph Randy Camp (29 Dimes: A Love Story)
God calls us to be examples. Where our culture might expect little, God expects great things.
Alex Harris (Do Hard Things: A Teenage Rebellion Against Low Expectations)
Baptized in a river when I was a teenager. I go to church most Sundays. My favorite Bible verse is ‘Jesus wept.’” “Because it’s the shortest?” He almost smiled. “No. Because it says that Jesus knew what it meant to grieve. He’d just let his best friend in the world die of illness when he could have gotten there in time to save him. I’m thinking he was between a rock and hard place, and the hard place let his friend die. He grieved. Then, when he could, he went and raised his friend from the grave, and he knew that if he did that, he’d die himself.
Faith Hunter (Blood Trade (Jane Yellowrock, #6))
At sixteen, to pretended to fall in love with Alyssa. She tried hard to make me feel things. A few weeks later, I began to think about strangling Alyssa. One night, I was ready to do it. Instead, I took a breath and tried once more to let her in.
Charles Forsman (The End of the Fucking World)
Katherine stared intently at the cold, hard steel. She knew it would be loaded and that, if need be, there was extra ammunition in the back of the drawer. She would not be one of those girls, the ones who sit idly by and wait for the answers to come to them.
Gwenn Wright (Filter (The Von Strassenberg Saga, #1))
The baby boom produced a fresh batch of American youngsters -- teenagers they were called -- and they were suddenly coming of age. But until Roman Holiday, it was hard for them to see themselves in the movies. What Audrey offered -- namely to the girls -- was a glimpse of someone who lived by her own code of interests, not her mother's, and who did so with a wholesome independence of spirit.
Sam Wasson (Fifth Avenue, 5 A.M.: Audrey Hepburn, Breakfast at Tiffany's, and the Dawn of the Modern Woman)
We’re passionate about these causes because God has placed them on our hearts.
Alex Harris (Do Hard Things: A Teenage Rebellion Against Low Expectations)
Working on the campaigns taught us that never trying is a lot worse than losing.
Alex Harris (Do Hard Things: A Teenage Rebellion Against Low Expectations)
For all of us, expectations are a self-fulfilling prophecy.
Alex Harris (Do Hard Things: A Teenage Rebellion Against Low Expectations)
It may surprise you to know this, but there are children--some of them teenage boys, just like you--who actually carry on open, honest conversations with their mothers." "I find it very hard to believe that there are other teenage boys just like me." I finished my cereal and stood up. "I also find it a little terrifying.
Dan Wells (I Don't Want to Kill You (John Cleaver, #3))
Our uprising is against a cultural mind-set that twists the purpose and potential of the teen years and threatens to cripple our generation. Our uprising won’t be marked by mass riots and violence, but by millions of individual teens quietly choosing to turn the low expectations of our culture upside down.
Alex Harris (Do Hard Things: A Teenage Rebellion Against Low Expectations)
I’m not a teenage boy with his first hard-on. And even when I was, I’ve never tried to prove myself to anyone by using my dick as an exclamation point. I told you everything you needed to know last night. This is your decision, Cecelia, don’t turn it on me.
Kate Stewart (Flock (The Ravenhood, #1))
I want to forget this awful place. Yet, at the same time, I never want to forget the many lessons that enabled me to mature quickly from just a skinny kid with a scraggly mustache, into a young man working so hard to seem older than his few years, as he evolves into early manhood.
Michael Zboray (Teenagers War: Vietnam 1969)
But then you hear a scream and you decide it’s some teenagers playing around. A young man jumping a fence is taking a shortcut. The gunshot at three a.m. is a firecracker or a car backfiring. You sit up in bed for a startled moment. Awaiting you is the cold, hard floor and a conversation that may lead nowhere; you collapse onto your warm pillow, and turn back to sleep. Sirens wake you later.
Michelle McNamara (I'll Be Gone in the Dark: One Woman's Obsessive Search for the Golden State Killer)
And it’s not just in America. Countries around the world have developed names for young “adults
Alex Harris (Do Hard Things: A Teenage Rebellion Against Low Expectations)
Do Hard Things will help recruit, develop, and deploy a new generation of young culture warriors.
Alex Harris (Do Hard Things: A Teenage Rebellion Against Low Expectations)
the three pillars of the Rebelution: character, competence, and collaboration
Alex Harris (Do Hard Things: A Teenage Rebellion Against Low Expectations)
I'm always the Skinny Girl, the one with no athletic talents, the girl who doesn't try hard enough, the girl who apparently never eats enough.
Amy Goldwasser (Red: Teenage Girls in America Write On What Fires Up Their Lives Today)
My relatives worked hard all the time but never seemed to prosper. My grandfather was murdered when I was a teenager, but it didn't seem to matter much to the world outside our family.
Bryan Stevenson (Just Mercy)
I am in this same river. I can't much help it. I admit it: I'm racist. The other night I saw a group (or maybe a pack?) or white teenagers standing in a vacant lot, clustered around a 4x4, and I crossed the street to avoid them; had they been black, I probably would have taken another street entirely. And I'm misogynistic. I admit that, too. I'm a shitty cook, and a worse house cleaner, probably in great measure because I've internalized the notion that these are woman's work. Of course, I never admit that's why I don't do them: I always say I just don't much enjoy those activities (which is true enough; and it's true enough also that many women don't enjoy them either), and in any case, I've got better things to do, like write books and teach classes where I feel morally superior to pimps. And naturally I value money over life. Why else would I own a computer with a hard drive put together in Thailand by women dying of job-induced cancer? Why else would I own shirts mad in a sweatshop in Bangladesh, and shoes put together in Mexico? The truth is that, although many of my best friends are people of color (as the cliche goes), and other of my best friends are women, I am part of this river: I benefit from the exploitation of others, and I do not much want to sacrifice this privilege. I am, after all, civilized, and have gained a taste for "comforts and elegancies" which can be gained only through the coercion of slavery. The truth is that like most others who benefit from this deep and broad river, I would probably rather die (and maybe even kill, or better, have someone kill for me) than trade places with the men, women, and children who made my computer, my shirt, my shoes.
Derrick Jensen (The Culture of Make Believe)
Alex is frozen, registering the press of Henry's lips and the wool cuffs of his coat grazing his jaw. The world fuzzes out into static, and his brain is swimming hard to keep up, adding up the equation of teenage grudges and wedding cakes and two a.m. texts and not understanding the variable that got him here, except it's...well, surprisingly, he really doesn't mind. Like, at all.
Casey McQuiston (Red, White & Royal Blue)
He was Mo-Maw’s youngest son, but he was also her confidant, her lady’s maid, and errand boy. He was her one flattering mirror, and her teenage diary, her electric blanket, her doormat. He was her best pal, the dog she hardly walked, and her greatest romance. He was her cheer on a dreich morning, the only laughter in her audience.
Douglas Stuart (Young Mungo)
Conspicuous lesbians abounded—it's hard to miss teenage queers who have yet to figure out subtlety—and, though I can’t deny that I like my girls a little rough, most leaned so heavily on the dyke archetype that they looked like a Timberland truck crashed into Lilith Fair.
Valentine Glass (Between Kay and You: A Bisexual Girl's Cumming-of-Age Confession)
Isn’t that exactly what has happened? Entire industries—movie, music, fashion, fast food—and countless online services revolve around the consumer habits of, you guessed it, teens. With all this money and attention focused on teens, the teen years are viewed as some sort of vacation.
Alex Harris (Do Hard Things: A Teenage Rebellion Against Low Expectations)
Instead he thinks up the worst ending imaginable: Hemingway has Catherine die from hemorrhaging after their child is stillborn. It is the most torturous ending I have ever experienced and probably will ever experience in literature, movies, or even television. I am crying so hard at the end, partly for the characters, yes, but also because Nikki actually teaches this book to children. I cannot imagine why anyone would want to expose impressionable teenagers to such a horrible ending. Why not just tell high school students that their struggle to improve themselves is all for nothing?
Matthew Quick (The Silver Linings Playbook)
Sure...the boy was precocious. But having been precocious himself, Lowell was never wowed by teenagers who could recite the periodic table of elements or whatever. He was on to them. Precocious was not the same as smart, much less the same as wise, and the perfect opposite of informed - since the more you prided yourself on knowing the less you listened and the less you learned. Worse, with application less glibly gifted peers often caught up with or overtook prodigies by early adulthood, and meanwhile the kid to whom everything came so effortlessly never mastered the grind of sheer hard work.
Lionel Shriver (The Mandibles: A Family, 2029–2047)
Everyone always knows what they're doing," he says abruptly, still not looking up from his hands, the little plastic pot and the old tattoo and the new white dressing on his left wrist. "You know what you're doing, you got your work and your friends and everything and miserable headfucky little teenage girly boys think you're amazing and, I don't know, you might've saved my life, who knows? I might be dead if it weren't for you and Olly but people can't keep looking after me all the time cos that ain't healthy neither, that's just as bad as people not giving a fuck at all. And, like... I'm trying to sort my head out and be a proper grown-up and get my degree and go to work and look after them kids and make sure my dad ain't kicking my sister round the house like a football but it's just so hard all the time, and I know I ain't got no right to complain cos that's just life, ain't it? Everyone's the same, least I ain't got money worries or nothing. I just don't know what I'm doing, everything's too hard. I can try and try forever but I can't be good enough for no one so what the fuck's the point?
Richard Rider (17 Black and 29 Red (Stockholm Syndrome, #2))
My skin burns under Maven's gaze, with the memory of one stolen kiss. It was him who saved me from Evangeline. Cal who saved me from escaping and bringing more pain upon myself. Cal who saved me from conscription. I've been too busy trying to save others to notice how much Cal saves me. How much he loves me. Suddenly it's very hard to breathe. Maven shakes his head. "He will always choose you." Farley scoffs. "You want me to pin my entire operation, the entire revolution, on some teenaged love story? I can't believe this." Across the table, a strange look crosses Kilorn's face. When Farley turns to him, looking for some kind of support, she fines none. "I can," he whispers, his eyes never leaving my face.
Victoria Aveyard (Red Queen (Red Queen, #1))
As Harry Potter was the only other thing I was passionate about, the doctors gave consent for me to leave the hospital and collect the fifth Harry Potter book, Harry Potter and the Order of the Phoenix, from the local book shop. I was so ecstatic to have the book and excited to begin reading it, but there was never any hint of your imminent arrival and the way you would change my life so drastically. Luna, you instantly captivated me. I didn’t know why but there was something about you with your upside-down magazine, straggly blonde hair, and the honest, abashed way you stared at people without blinking that fascinated and perplexed me at once. You laughed hysterically at one of Ron’s quips and didn’t stop to excuse yourself and feel ashamed when it became clear that everyone found you strange. Throughout the book, I found myself waiting for your brief appearances and wanting to know more about you and why you were the way you were. You baffled me, not because you were odd (though indeed you were), but because you were… perfect. But it was a different kind of perfect to the perfectly thin, smiling magazine girls I simultaneously idolised and reviled. It was the way you carried your oddness like it was the most natural thing in the world. You didn’t market your oddness as your defining feature the way some insecure teenagers do, in guise of confidence and security. And nor were you oblivious to the awkward and uncomfortable feelings your oddness provoked in others. When, unable to comprehend how you wore your oddness so honestly and unashamedly, your peers reverted to mockery and bullying, you recognized this as a reflection of their own deep-seated insecurity and calmly let them carry on, quite above your head. You weren’t trying hard to present a certain aspect of yourself that would boldly identify you in the world. And that’s when it occurred to me how bizarre and positively ridiculous it was to apply the word “weird” to describe you, when you represented the most natural and unpretentious state possible to be; you were yourself.
Evanna Lynch
Forgiveness is hard, and it takes courage.” ~Love is respect ♥~
Charlena E. Jackson (In Love With Blindfolds On)
Sometimes I feel like another creature, hardly a woman. I can’t be a modern woman. I’m a Victorian teenager–at heart.
Anne Sexton (No Evil Star: Selected Essays, Interviews, and Prose)
I couldn’t stop thinking about what he’d said. How had a teenage guy figured out what I worked hard to ignore? All in the span of a couple of conversations?
Nicole Williams (Lost & Found (Lost & Found, #1))
The only time churches are worried about modesty and purity is when it comes to their teenage girls. I think maybe you all need to take a hard look at why that is?
Erin Hahn (Never Saw You Coming)
Rape culture manifests in a myriad ways…but its most devilish trick is to make the average, noncriminal person identify with the person accused, instead of the person reporting the crime. Rape culture encourages us to scrutinize victims’ stories for any evidence that they brought the violence onto themselves – and always to imagine ourselves in the terrifying role of Good Man, Falsely Accused, before we ‘rush to judgment’. We're not meant to picture ourselves in the role of drunk teenager at her first college party, thinking 'Wow, he seems to think I'm pretty!' Or the woman who accepts a ride with a 'nice guy,' who's generously offered to see her safely home from the bar. Or the girl who's passed out in a room upstairs, while the party rages on below, so chaotic that her friends don't even notice she's gone. When it comes to rape, if we're expected to put ourselves in anyone else's shoes at all, it's the accused rapist's. The questions that inevitably come along with 'What was she wearing?' and 'How much did she have to drink?' are, 'What if there was no rape at all? What if she's lying? What happens to this poor slob she's accusing? What if he goes to prison for a crime he didn't commit?
Kate Harding (Asking for It: The Alarming Rise of Rape Culture and What We Can Do about It)
When I was twenty-one, I finally realized that I was gay, after several years of living in denial. That’s hardly exceptional. Many gay men spend their entire teenage years unsure about their sexuality.
Yuval Noah Harari (21 Lessons for the 21st Century)
No amount of wishful thinking was changing the cold hard fact that she was a teenage girl living in the Dominican Republic of Rafael Leónidas Trujillo Molina, the Dictatingest Dictator who ever Dictated.
Junot Díaz (The Brief Wondrous Life of Oscar Wao)
Vomit began to spill out of me like pea soup, splattering the road with champagne and caviar, long island iced teas, of bacon appetizers and croissants, and a perfectly grilled filet mignonette. It had gone down easy, among the kiss ups of the lawyer world, but spewed out nastily and hard, in the company of a cheater.
Keira D. Skye (Dead Lullabyes in the Lake)
I know all too well how painful it is to be constantly aroused, Kyrie. I've been hard for you since the moment I woke up. Since the moment I met you, honestly. I'm always hard for you, Kyrie. I ache for you every moment of every day. I wake up at night, having dreamed of burying my cock inside you, and when I wake up I'm mere moments for coming all over myself like a horny teenager. I am desperate to be inside you, Kyrie. This torture is for both of us.
Jasinda Wilder (Alpha (Alpha, #1))
Doing hard things is how we exercise our bodies, our minds, and our faith. Small hard things are the individual repetitions—like a single push-up. They are seemingly insignificant by themselves but guaranteed to get results over time.
Alex Harris (Do Hard Things: A Teenage Rebellion Against Low Expectations)
Cliff says Sylvia Plath's work is very depressing to read, and that his own daughter had recently suffered through The Bell Jar because she is taking an American literature course at Eastern High School. "And you didn't complain to administration?" I asked. "About what?" "About your daughter being forced to read such depressing stories." "No. Of course not. Why would I?" "Because the novel teaches kids to be pessimistic. No hope at the end, no silver lining. Teenagers should be taught that--" "Life is hard, Pat, and children have to be told how hard life can be." "Why?" "So they will be sympathetic to others. So they will understand that some people have it harder than they do and that a trip through this world can be a wildly different experience, depending on what chemicals are raging through one's mind.
Matthew Quick (The Silver Linings Playbook)
Then she got all teary again and made the scrunchy face with more nodding, and the pain started to come out, but then she worked really hard to reign it in and fight the tears and shook her head side to side as if that would keep it in, which it did, and then she dropped her chin and made a weird motor cry and took a deep breath in and exhaled and nodded and succeeded. Wow. Amazing. It was like watching a transformer or sculptor taking clay through a full range of emotions. Sadie is a true emo artist.
Nicole Schubert (Saoirse Berger's Bookish Lens In La La Land)
I yanked hard on the reins, and my horse's hooves slid on the linoleum as he skidded to a stop, nervously snorting and tossing his head at the cramped quarters he'd suddenly found himself in. The Frontman stood in the hallway between me and Ben, holding him at gunpoint, but his head was turned to stare back at me, eyes wide with surprise at seeing a teenage girl on a horse in the kitchen.
Kirby Howell (Autumn in the Dark Meadows (Autumn, #2))
Something I find incredibly boring [..] is everyone's conviction that love is different for them. Somehow harder. Do you know what I mean? I just don't think it's hard. It's just another way of thinking you're special, the way everyone does when they're a teenager. You think you aren't able to love, except that of course you are. You think you aren't able to love correctly or the same as everyone else, except that of course you are, you just haven't had a chance to do it yet. You are not special, you're just waiting.
Julia Armfield (Our Wives Under the Sea)
Aloneness – that is what SM feels like to me. Isolated, alone, separated, left out as I silently stand by watching others experience life while the words freeze inside me, afraid to speak up or join in a conversation. Actually feeling the anxiety shaking inside my chest as I try to get up the courage to speak to someone or call or text a friend. SM feels like the child standing alone behind the door watching the other kids in the playground – afraid to ask, 'may I play?' It feels like the teenager standing silently against the wall, listening to classmates laugh and chat, invisible to everyone and wondering what it would be like to have a friend. It feels like the 50-year-old office worker, alone in her cube while others chat and laugh in the aisle, still left out. I live inside a shell, a mask that looks like me, but isn't me. I am in here, but it is really hard to let others see. I'm so grateful for the few dear friends I have now. Most people, though, only see the shell and assume I'm aloof and uncaring because I am quiet. I feel very deeply. I feel others' joy and pain intensely, yet they rarely know. I'm not quiet because I am uncaring. I'm silent because I'm afraid.
Carl Sutton (Selective Mutism In Our Own Words: Experiences in Childhood and Adulthood)
Tilda was hard for her to talk to; she was of a generation that despised difficult conversations, and shut down at the slightest hint of conflict or unpleasantness. When Georgiana was a teenager, she found this infuriating, every venture at true closeness put on ice.
Jenny Jackson (Pineapple Street)
No lecture and no moral. Just blood calling to blood. The stupid urges of wakeful people. And you've made it to a time of life when you're completely awake. It's hard for you. I know that. It's hard for everyone, but most teenagers don't have your abilities. Your weapons.
Stephen King (Doctor Sleep (The Shining, #2))
That such lowly beginnings would soon become one of the world’s strongest dictatorships is beyond fantastic. Lenin was essentially a pamphleteer. In 1918 he was identified as “Chairman of the Council of People’s Commissars and journalist,” and earned more money from publication honoraria (15,000 rubles) than from his salary (10,000 rubles).17 Trotsky was a writer as well, and a grandiloquent orator, but similarly without experience or training in statecraft. Sverdlov was something of an amateur forger, thanks to his father’s engraving craft, and a crack political organizer but hardly an experienced policy maker. Stalin was also an organizer, a rabble-rouser, and, briefly, a bandit, but primarily a periodicals editor—commissar of nationalities was effectively his first regular employment since his brief stint as a teenage Tiflis weatherman. Now,
Stephen Kotkin (Stalin: Volume I: Paradoxes of Power, 1878-1928)
It’s against the rules for you and me to have each other’s phone numbers in the first place, for us to act like f**king teenagers and make each other cum over the phone at night, but you’ve never complained about that.” “You’ve never made me cum...” “Don’t lie to me.” “You haven’t.” “So, last week when I said that I wanted you to ride my mouth so I could eat your pu**y until you came all over my lips, you were pretending to breathe hard?” She sucked in a breath. “No, but—” “I thought so. Why can’t we meet in person?” “Because it would ruin our friendship and you know it.
Whitney G. (Reasonable Doubt: Volume 1 (Reasonable Doubt, #1))
The familiar (if loud) churn of the engine made it hard to talk, especially with the windows open (the air-conditioning didn’t work), but the day was warm and they blasted the music and sang along. Nessa loved singing at full volume. She couldn’t carry a tune, but with Bree it didn’t matter.
C.D. Bell (Weregirl (Weregirl Trilogy))
Rea­sons Why I Loved Be­ing With Jen I love what a good friend you are. You’re re­ally en­gaged with the lives of the peo­ple you love. You or­ga­nize lovely ex­pe­ri­ences for them. You make an ef­fort with them, you’re pa­tient with them, even when they’re side­tracked by their chil­dren and can’t pri­or­i­tize you in the way you pri­or­i­tize them. You’ve got a gen­er­ous heart and it ex­tends to peo­ple you’ve never even met, whereas I think that ev­ery­one is out to get me. I used to say you were naive, but re­ally I was jeal­ous that you al­ways thought the best of peo­ple. You are a bit too anx­ious about be­ing seen to be a good per­son and you def­i­nitely go a bit over­board with your left-wing pol­i­tics to prove a point to ev­ery­one. But I know you re­ally do care. I know you’d sign pe­ti­tions and help peo­ple in need and vol­un­teer at the home­less shel­ter at Christ­mas even if no one knew about it. And that’s more than can be said for a lot of us. I love how quickly you read books and how ab­sorbed you get in a good story. I love watch­ing you lie on the sofa read­ing one from cover-to-cover. It’s like I’m in the room with you but you’re in a whole other gal­axy. I love that you’re al­ways try­ing to im­prove your­self. Whether it’s running marathons or set­ting your­self chal­lenges on an app to learn French or the fact you go to ther­apy ev­ery week. You work hard to be­come a bet­ter ver­sion of your­self. I think I prob­a­bly didn’t make my ad­mi­ra­tion for this known and in­stead it came off as ir­ri­ta­tion, which I don’t re­ally feel at all. I love how ded­i­cated you are to your fam­ily, even when they’re an­noy­ing you. Your loy­alty to them wound me up some­times, but it’s only be­cause I wish I came from a big fam­ily. I love that you al­ways know what to say in con­ver­sa­tion. You ask the right ques­tions and you know ex­actly when to talk and when to lis­ten. Ev­ery­one loves talk­ing to you be­cause you make ev­ery­one feel im­por­tant. I love your style. I know you think I prob­a­bly never no­ticed what you were wear­ing or how you did your hair, but I loved see­ing how you get ready, sit­ting in front of the full-length mir­ror in our bed­room while you did your make-up, even though there was a mir­ror on the dress­ing ta­ble. I love that you’re mad enough to swim in the English sea in No­vem­ber and that you’d pick up spi­ders in the bath with your bare hands. You’re brave in a way that I’m not. I love how free you are. You’re a very free per­son, and I never gave you the sat­is­fac­tion of say­ing it, which I should have done. No one knows it about you be­cause of your bor­ing, high-pres­sure job and your stuffy up­bring­ing, but I know what an ad­ven­turer you are un­der­neath all that. I love that you got drunk at Jack­son’s chris­ten­ing and you al­ways wanted to have one more drink at the pub and you never com­plained about get­ting up early to go to work with a hang­over. Other than Avi, you are the per­son I’ve had the most fun with in my life. And even though I gave you a hard time for al­ways try­ing to for al­ways try­ing to im­press your dad, I ac­tu­ally found it very adorable be­cause it made me see the child in you and the teenager in you, and if I could time-travel to any­where in his­tory, I swear, Jen, the only place I’d want to go is to the house where you grew up and hug you and tell you how beau­ti­ful and clever and funny you are. That you are spec­tac­u­lar even with­out all your sports trophies and mu­sic cer­tifi­cates and in­cred­i­ble grades and Ox­ford ac­cep­tance. I’m sorry that I loved you so much more than I liked my­self, that must have been a lot to carry. I’m sorry I didn’t take care of you the way you took care of me. And I’m sorry I didn’t take care of my­self, ei­ther. I need to work on it. I’m pleased that our break-up taught me that. I’m sorry I went so mental. I love you. I always will. I'm glad we met.
Dolly Alderton (Good Material)
I think your 20s are the hardest part of life. I mean, everyone goes on about how hard it is to be a teenager, but actually I think it’s tougher to be in your 20s because you’re expected to be a grownup and expected to earn your own living and be successful and I think you feel like a kid still.
Nigel Cole
So how did Roe v. Wade help trigger, a generation later, the greatest crime drop in recorded history? As far as crime is concerned, it turns out that not all children are born equal. Not even close. Decades of studies have shown that a child born into an adverse family environment is far more likely than other children to become a criminal. And the millions of women most likely to have an abortion in the wake of Roe v. Wade—poor, unmarried, and teenage mothers for whom illegal abortions had been too expensive or too hard to get—were often models of adversity. They were the very women whose children, if born, would have been much more likely than average to become criminals. But because of Roe v. Wade, these children weren’t being born.
Steven D. Levitt
Your hard-won triumphs can be wholly negated if you live in a climate where your victories are seen as threatening, incorrect, distasteful, or -- most crucially of all, for a teenage girl -- simply uncool. Few girls would choose to be right -- right, down into their clever, brilliant bones -- but lonely.
Caitlin Moran (How to Be a Woman)
It's hard. Being 15, 16, 17. You get so angry. You want to do something with that anger. I guess try to find some other way to let it out. Don't kill people. Don't kill yourself. Let yourself grow up a little. Then you might start to think differently about things. You might get new opportunities to do something with your life that you never thought possible as a teenager." -- Thomas Harvey from the upcoming novel, "Nikki White: Polar Extremes" (Nikki, #3)
Jack Chaucer (Nikki White: Polar Extremes (Nikki, #3))
Hey, there, Kizuki, I thought. Unlike you, I've chosen to live - and to live the best I know how. Sure, it was hard for you. What the hell, it's hard for me. Really hard. And all because you killed yourself and left Naoko behind. But that's something I will never do. I will never, ever, turn my back on her. First of all, because I love her, and because I'm stronger than she is. And I'm just going to keep on getting stronger. I'm going to mature. I'm going to be an adult. Because that's what I have to do. I always used to think I'd like to stay 17 or 18 if I could. But not any more. I'm not a teenager any more. I've got a sense of responsibility now. I' m not the same person I was when we used to hang out together. I'm 20 now. And I have to pay the price to go on living.
Haruki Murakami
People say that teenagers don’t know how to love like an adult. Part of me believes that, but I’m not an adult and so I have nothing to compare it to. But I do believe it’s probably different. I’m sure there’s more substance in the love between two adults than there is between two teenagers. There’s probably more maturity, more respect, more responsibility. But no matter how different the substance of a love might be at different ages in a person’s life, I know that love still has to weigh the same. You feel that weight on your shoulders and in your stomach and on your heart no matter how old you are. And my feelings for Atlas are very heavy. Every night I cry myself to sleep and I whisper, “Just keep swimming.” But it gets really hard to swim when you feel like you’re anchored in the water.
Colleen Hoover (It Ends with Us (It Ends with Us, #1))
I don’t think I’d ever realized, until that moment, that a person could be beautiful and ugly at the same time. When you’re a teenage boy, you want the beautiful people to be truly beautiful. It’s hard to see otherwise, stupid as it sounds. I guess I owe her for that.” “It’s a lesson a lot of people never learn, Adolin.
Brandon Sanderson (Rhythm of War (The Stormlight Archive, #4))
Imagine teaching a fifteen-year-old how to drive a car with mutual transmission. First, you have to press down the clutch. Then you have to whisper a secret into one of the cup holders. In Diane's case, this was easy, as she was not a very social or public person, and most any mundane thing in her life could be a secret. In Josh's case this was hard, because for teenagers most every mundane thing in their lives is a secret that they do not like sharing in front of their parents.
Joseph Fink (Welcome to Night Vale (Welcome to Night Vale, #1))
He imagined all the boys he wanted to know lying sleepless in their cramped and cluttered rooms, the curling posters and chipped trophies, the endless cords to defunct video game consoles, all of it once the feeble altar of teenage triumphs, now the detritus of adolescence. He wavered through the blocks, searching each window for a face and, finding none, lent his face to the overcast sky, a bowl so emptied it was hard to imagine it held anything at all, let alone entire flocks of geese.
Ocean Vuong (The Emperor of Gladness)
He was Mo-Maw’s youngest son, but he was also her confidant, her lady’s maid, and errand boy. He was her one flattering mirror, and her teenage diary, her electric blanket, her doormat. He was her best pal, the dog she hardly walked, and her greatest romance. He was her cheer on a dreich morning, the only laughter in her audience.
Douglas Stuart
In Kai’s defense, it was hard to forget a six-foot-six slab of muscle that shadowed your every move. It was especially hard when they wore their shirts tight enough to count their abs and smelled like rain and sex and poor life choices. He closed his eyes, attempting to regulate his teenage hormones and wildly thumping heart before Rhys smelled it on him.
Martina McAtee (Children Shouldn't Play with Dead Things (Dead Things, #1))
Your daughter works hard every day to harness powerful and unpredictable emotions so that she can get on with doing everything else she means to do.
Lisa Damour (Untangled: Guiding Teenage Girls Through the Seven Transitions into Adulthood)
Did she have any idea how hard it was to try to sound like an angry teenage girl with zero sense of humor?
Penelope Douglas (Nightfall (Devil's Night, #4))
Did he really forget what it’s like to be a teenager? We’re hardly a team. It’s more like survival of the fittest.
Mary Jennifer Payne (Since You've Been Gone)
It’s hard to go underground when you weigh 400 pounds, Marcus. That’s why they’ll have to bury you in a piano case.
Jem Fox (Diary of a Teenage Serial Killer)
You need a boyfriend.” Well sure, who doesn’t need a boyfriend? But ealistically, those exotic creatures are hard to come by. At least a quality one. I go to an all- girls school, and meaning no disrespect to my sapphic sisters, but I have no interest in nding a romantic companion there. The rare boy creatures I do meet who aren’t either related to me or who aren’t gay are usually too at ached to their Xboxes to notice me, or their idea of how a teenage girl should look and act comes directly from the pages of Maxim magazine or from the tarty look of a video game character.
Rachel Cohn (Dash & Lily's Book of Dares (Dash & Lily, #1))
It is hardly unusual for a young man to be drawn to a pursuit considered reckless by his elders; engaging in risky behavior is a rite of passage in our culture no less than in most others. Danger has always held a certain allure. That, in large part, is why so many teenagers drive too fast and drink too much and take too many drugs, why it has always been so easy for nations to recruit young men to go to war. It can be argued that youthful derring-do is in fact evolutionarily adaptive, a behavior encoded in our genes. McCandless, in his fashion, merely took risk-taking to its logical extreme.
Jon Krakauer (Into the Wild)
At every stage of our lives we make decisions that will profoundly influence the lives of the people we're going to become, and then when we become those people, we're not always thrilled with the decisions we made. So young people pay good money to get tattoos removed that teenagers paid good money to get. Middle-aged people rushed to divorce people who young adults rushed to marry. Older adults work hard to lose what middle-aged adults worked hard to gain. On and on and on. The question is, as a psychologist, that fascinates me is, why do we make decisions that our future selves so often regret?
Dan Gilbert
People have different habitats,” he explained. “Some people have it better than others. They grew up in good neighborhoods. Their family has jobs. They have good income. They don’t understand. Their life is so good, they think everybody’s life is good. They don’t understand the struggles people go through. I don’t know where you grew up at, if it’s like a low-income area, where there’s a lot of violence and crime. But if you grew up in a low-income area and all you see is crime and drugs? If you have family that does crime? You see it. It has an impact on you. If you’re around it a lot, it’s hard to do good.
Dashka Slater (The 57 Bus: A True Story of Two Teenagers and the Crime That Changed Their Lives)
If I was set an essay on Friday, I’d spend three hours on Saturday morning in the library. Was that normal? I didn’t know. What I did know was that I felt less prone to depression and more normal walking through Venice or staring out over the lake in Zurich. At home I wrestled continually with my moods. The black thing inside me gnawed like a rat at my self-esteem and self-confidence. I felt there was a happy person inside me too, who wanted to enjoy life, to be normal, but my feelings of self-loathing and the deep distrust I had towards my father wouldn’t allow that sunny person to come out. When the black thing had an iron grip on me, I couldn’t even look at my father: Did you do bad things to me when I was little? Like a line from a song stuck in your brain, the words ran through my head and never once came out of my mouth. Not that I needed to say what was in my mind. I was sure Father could read my thoughts in my moods, in the blank, dead stare of my eyes. It was hardly surprising that there was always an atmosphere of strain and awkwardness in the house, and the blame was always mine: Alice and her moods, Alice and her anorexia; Alice and her low self-esteem; Alice and her inescapable feelings of loss and emptiness.
Alice Jamieson (Today I'm Alice: Nine Personalities, One Tortured Mind)
One explanation is that popularity brings hard work, regardless of how girls come by it. Girls who are at the center of large tribes have a lot of social connections to maintain and often run into loyalty conflicts.
Lisa Damour (Untangled: Guiding Teenage Girls Through the Seven Transitions into Adulthood)
What’s the biggest problem facing teenagers today? Ourselves. We’re a generation of lazy underachievers who need to learn that hard work pays off. What’s your town known for? Cow manure! Hold for laughs... Actually Irondale is the setting of Fannie Flagg’s famous novel Fried Green Tomatoes at the Whistle Stop Café. Why’d you enter the Junior Miss Birmingham pageant? To win... to go to State... then Nationals... maybe get the hell out of Alabama.
Nadria Tucker (The Heaviest Corner on Earth)
Oh, by the way," Coop announces as he weaves his DeathBot ship through a barrage of space debris on his laptop screen. "In case you didn't know. It's national 'That's What She Said' Day." I give him a thumbs-up. "I like it." We're camping out in Sean's backyard tonight. It's another one of our traditions. One night, every summer, we buy a ton of junk food and energy drinks and set up Sean's six-person tent in the far corner of his yard. We've got an extension cord running from the garage so that we can rough it in style, with computers and a TV and DVD player. There's a citronella candle burning in the middle of the tent to ward off mosquitoes and to mask the thick stink of mildew. Everyone's brought sleeping bags and pillows, but we aren't planning on logging too many Zs. Sean enters the tent carrying his Xbox. "I don't think there are enough sockets for all of these." I waggle my eyebrows at Coop. "That's what she said." Coop busts up. Sean stands there, looking confused. "I don't get it." "That's what she says," Coop says, sending him and me into hysterics. Sean sighs and puts the Xbox down. "I can see this is going to be a long night." "That's what she said," me and Coop howl in chorus. "Are you guys done yet?" Coop is practically in tears. "That's what she said." "Okay. I'll just keep my mouth shut," Sean grumbles. "That's what she said." I can barely talk I'm laughing so hard. "Enough. No more. My cheeks hurt," Coop says, rubbing his face. I point at him. "That's what she said." And with that, the three of us fall over in fits. "Oh, man, now look what you made me do." Coop motions to his computer. "That was my last DeathBot ship." "That's what she said," Sean blurts out, laughing at his nonsensical joke. Coop and I stare at him, and then silmultaniously, we hit Sean in the face with our pillows.
Don Calame (Swim the Fly (Swim the Fly, #1))
Aggressive, foolishly courageous young men, weighed down with enough piss and vinegar to take on an entire NVA regiment; battle-hard- ened,jungle-wise, full of machismo and bravado, yet still barely removed from teenaged innocence.
David Walker (Cyclops in the Jungle: A One-Eyed LRP in Vietnam)
What were you so scared about?” I whisper. His hands tighten into fists at his sides. When he finally speaks, his voice comes out raw, like he hasn’t used it in a while. “I was scared that you were going to go to UNC and you were gonna figure out I wasn’t worth it, and you were going to leave.” I take a step closer to him. I put my hand on his arm; he doesn’t pull away from me. “Besides my family, you’re the most special person to me in the world. And I meant some of those things I said the other night, but not the part when I said I only wanted to lose my virginity to you to close a chapter on us. I wanted it to be you because I love you.” Peter puts one arm around my waist, pulls me in, and, looking down at me, he says fiercely, “Neither of us wants to break up. So why should we? Because of some shit my mom said? Because your sister did it that way? You’re not the same as your sister, Lara Jean. We’re not the same as Margot and Sanderson or anybody else. We’re you and me. And yeah, it’s gonna be hard. But Lara Jean, I’ll never feel for another girl what I feel for you.” He says it with all the certainty only a teenage boy can have, and I have never loved him more than at this very moment.
Jenny Han (Always and Forever, Lara Jean (To All the Boys I've Loved Before, #3))
She was a spiky teenager rebelling against the soul-suck mirror reflected back at her in her mother’s blank stare, her question mark of a spine. Determined to beat the odds, she completed high school with distinction. But there was a caveat. Beydan was allowed to roam and educate herself – up to a point. On her eighteenth birthday her Father sat her down and held out his Rolexed wrist. Studded with crystals and flecks of diamond, the watch dazzled in the light. All Beydan could hear, however, was tick-tock-tick-tick-tick-tick - time to neatly fold all her hard work, to parcel up her progress, send it to the attic in her subconscious and let dust gather on her dreams. There was a lump in her throat and a stopwatch in her womb.
Diriye Osman
Though the adult brain is more flexible and volatile than was once thought, it is still less malleable than the teenage brain. Reconnecting neurons and rewiring synapses is hard work.5 But in the twenty-first century, you can’t afford stability.
Yuval Noah Harari (21 Lessons for the 21st Century)
When Batty got back home from walking the dogs, there were teenagers lounging all over the place, some left over from the basketball game, some arriving for the birthday dinner, some who fit into both categories. For once, she hardly cared, too delighted to see that Oliver's sleek car was no longer in the driveway. Hoping that he was gone forever, she rushed into the house and ended up in the kitchen, where dinner preparations were in full swing. Mr. Penderwick was chopping up vegetables for quesadillas, Rosalind was pulling a cake out of the oven, Jeffrey was shredding cheese, and Iantha was cooking up small, plain cheese quesadillas for Lydia, who was to be fed before the big dinner got rolling. Then there were the non-workers: Lydia in her high chair, wearing both her crown and her lamb bib, her new pink rabbit beside her; Jane sitting cross-legged on the floor, in everyone's way; Ben, strutting around, showing off his new Celtics T-shirt; and Asimov, sticking close to Jeffrey, hoping for falling cheese.
Jeanne Birdsall (The Penderwicks in Spring (The Penderwicks, #4))
Hey there, Kizuki, I thought. Unlike you, I've chosen to live- and to live the best i know how. Sure it was hard for you. What the hell, it's hard for me. Really hard. And all because you killed yourself and left Naoko behind. But that's something I will never do. I will never, ever, turn my back on her. First of all, because I love her, and because I'm stronger than she is. And i'm just going to keep on getting stronger. I'm going to mature. I'm going to be an adult. Because that's what I have to do. I always used to think I'd like to stay 17 or 18 if I could. But not anymore. I'm not a teenager anymore. I've got a sense of responsibility now. I'm not the same person I was when we used to hang out together. I'm 20 now. And I have to pay the price to go on living.
Haruki Murakami (Norwegian Wood)
It seems a simple task. We all know what water looks like, feels like in our mouth. Water is ubiquitous. Describing a cup of water feels a little like doing a still life painting. As a child I used to wonder: Why do people spend so much time painting bowls of fruit, when they could be painting dragons? Why learn to describe a cup of water, when the story is about cool magic and (well) dragons? It’s a thing I had trouble with as a teenage writer—I’d try to rush through the “boring” parts to get to the interesting parts, instead of learning how to make the boring parts into the interesting parts. And a cup of water is vital to this. Robert Jordan showed me that a cup of water can be a cultural dividing line–the difference between someone who grew up between two rivers, and someone who’d never seen a river before a few weeks ago. A cup of water can be an offhand show of wealth, in the shape of an ornamented cup. It can be a mark of traveling hard, with nothing better to drink. It can be a symbol of better times, when you had something clean and pure. A cup of water isn’t just a cup of water, it’s a means of expressing character. Because stories aren’t about cups of water, or even magic and dragons. They’re about the people painted, illuminated, and changed by magic and dragons.
Brandon Sanderson
But Little Grandmother did not keep in touch with her namesake, my mother, Margaret Morris. News about Will Morris's younger daughter reached the "white" side through Mamie. They knew where she was, what she was doing, and who she was doing it with. Most important, they knew she had chosen to stay negro. It is still a matter of speculation as to why my mother's father or one of her much older brothers or her sister did not keep in touch with her and her younger brother. Over the years, Aunt Mamie and my mother's various guardians supplied different explanations. The times were hard. They were bad for mulattoes and worse for "real" Negroes. There was little money around. Her father drank, drifted and could not keep jobs. Her teenage siblings could barely keep jobs ...... She was too dark, revealing both the Negro and swarthy Italian strains of her ancestry. Her color would give them away in their new white settings. All of these reasons were plausible. None of them sufficed. None could take away the pain, the anger, the isolation, the questions.
Shirlee Taylor Haizlip (Sweeter the Juice: A Family Memoir in Black and White)
Peter puts one arm around my waist, pulls me in, and, looking down at me, he says fiercely, "Neither of us wants to break up. So why should we? Because of some shit my mom said? Because your sister did it that way? You're not the same as your sister, Lara Jean. We're not the same as Margot and Sanderson or anybody else. We're you and me. And yeah, it's gonna be hard. But Lara Jean, I'll never feel for another girl what I feel for you." He says it with all the certainty only a teenage boy can have, and I have never loved him more than at this very moment.
Jenny Han (Always and Forever, Lara Jean (To All the Boys I've Loved Before, #3))
Peter puts one arm around my waiist, pulls me in, and, looking down at me, he says fiercely, "Neither of us wants to break up. SO why should we? Because of some shit my mom said? Because your sister did it that way? You're not the same as your sister, Lra Jean. We're not the same as Margot and Sanderson or anybody else. We're you and me. And yeah, it's gonna be hard. But Lara Jean, I've never feel for another girl what I feel for you." He says it with all the certainty only a teenage boy can have, and I have never loved him more than at this very moment.
Jenny Han (Always and Forever, Lara Jean (To All the Boys I've Loved Before, #3))
The world fuzzes out into static, and his brain is swimming hard to keep up, adding up the equation of teenage grudges and wedding cakes and two a.m. texts and not understanding the variable that got him here, except it’s … well, surprisingly, he really doesn’t mind. Like, at all.
Casey McQuiston (Red, White & Royal Blue)
The more I looked around, the more I listened to the music, watched television and movies, and examined sexist advertising, the more convinced I became that, as a society, we were on the wrong path with our daughters. American culture was poisonous to teenage girls. The messages girls received about sex, beauty and their place in the world truncated their development and left many of them traumatized. With the onset of puberty, girls were crashing into a junk culture that was just too hard for them to understand and master. Many became overwhelmed, depressed and angry.
Mary Pipher (Reviving Ophelia: Saving the Selves of Adolescent Girls)
So if I tell you I want to re-do our senior year in one day…to go ice-skating at Rockefeller Center and let you get to second base like two teenagers…” I erased the gap between us, kissing a sliver of his exposed neck, and his breath stilled. “And go eat at P.J. Clarke’s and move to third base in the bathroom…” I rasped the words against his hot flesh and dragged my eyes up to meet his stormy ones. “And end the day at a Broadway show where I’d do something very inappropriate under your seat…” We melted into each other, and sure enough, I felt the swelling in his slacks getting bigger against my stomach. “You’d say…no?” His face was the funniest thing on earth as it moved from surprised to eager, then finally to turned on. “Fuck,” he muttered, pressing his hard cock against me. From the outside, it must’ve looked like we were sharing the dirtiest hug ever. “I’m about to go ice-skating for a hand job, and I’m not even sixteen anymore.” “You’re totally going on a day date,” I joked. He rolled his eyes but followed me back outside and into the nearest subway station, buttoning his pea coat to cover the massive bulge between his legs. “Lead the way.
L.J. Shen (Vicious (Sinners of Saint, #1))
And the millions of women most likely to have an abortion in the wake of Roe v. Wade—poor, unmarried, and teenage mothers for whom illegal abortions had been too expensive or too hard to get—were often models of adversity. They were the very women whose children, if born, would have been much more likely than average to become criminals. But because of Roe v. Wade, these children weren’t being born. This powerful cause would have a drastic, distant effect: years later, just as these unborn children would have entered their criminal primes, the rate of crime began to plummet.
Steven D. Levitt (Freakonomics: A Rogue Economist Explores the Hidden Side of Everything)
Additionally, one cannot escape a comment on the irony of sexual attraction: in a world where men and women try to stave off pregnancy for the majority of their sexual encounters, sexual preference is still guided by ancient rules that make us most attracted to bodies that look the most reproductively fit. Nor can we escape the jarring thought that women compete in the mating world for men whose brains are hard-wired to find nubile teenagers highly desirable and particularly beautiful. This is not a conscious process nor a desired one but a biological holdover from a vanished way of life.
Nancy L. Etcoff (Survival of the Prettiest: The Science of Beauty)
All her pent-up misery and frustration broke loose with a vengeance, and she yelled at him, ‘You expect me to TRUST YOU?’ Her brain felt like a live coal, spitting sparks. ‘You expect me to go out with YOU! – when you tell me bare-faced LIES? D'you think I'm FUCKING STUPID?’ She slapped his face just as hard as she had the night before, then stood up and fled the length of the alley; tears streaming – hating herself – hating Bobby – hating the entire rotten, cruel, hateful world – filled with blind, savage, useless hate. She didn't see the way he laid his head on his knees in despair, nor if he really cried.
Bernie Morris (Bobby's Girl)
This is the part where I should fall asunder, consumed with shock, rage, indignation, terror, horror and any number of other emotions. But I’m as cool as a cucumber. It’s hard to admit to myself that I’m not overly surprised. Because, deep down, I’ve always known I was different, that something wasn’t quite right.
Siobhan Davis (Saven Denial (Saven #3))
As the columnist Dan Savage says, instead they point “to the suicide rate among gay teenagers—which the religious right works so hard to drive up … as evidence that the gay lifestyle is destructive. It’s like intentionally running someone down with your car and then claiming that it isn’t safe to walk the streets.
Michael Shermer
To me this is the most tragic part of this whole business. How hard we worked to become hooked, and this is why it is difficult to stop teenagers. Because they are still learning to smoke, because they still find cigarettes distasteful, they believe they can stop whenever they want to. Why do they not learn from us?
Allen Carr (Easy Way to Stop Smoking)
The history of black workers in the United States illustrates the point. As already noted, from the late nineteenth-century on through the middle of the twentieth century, the labor force participation rate of American blacks was slightly higher than that of American whites. In other words, blacks were just as employable at the wages they received as whites were at their very different wages. The minimum wage law changed that. Before federal minimum wage laws were instituted in the 1930s, the black unemployment rate was slightly lower than the white unemployment rate in 1930. But then followed the Davis-Bacon Act of 1931, the National Industrial Recovery Act of 1933 and the Fair Labor Standards Act of 1938—all of which imposed government-mandated minimum wages, either on a particular sector or more broadly. The National Labor Relations Act of 1935, which promoted unionization, also tended to price black workers out of jobs, in addition to union rules that kept blacks from jobs by barring them from union membership. The National Industrial Recovery Act raised wage rates in the Southern textile industry by 70 percent in just five months and its impact nationwide was estimated to have cost blacks half a million jobs. While this Act was later declared unconstitutional by the Supreme Court, the Fair Labor Standards Act of 1938 was upheld by the High Court and became the major force establishing a national minimum wage. As already noted, the inflation of the 1940s largely nullified the effect of the Fair Labor Standards Act, until it was amended in 1950 to raise minimum wages to a level that would have some actual effect on current wages. By 1954, black unemployment rates were double those of whites and have continued to be at that level or higher. Those particularly hard hit by the resulting unemployment have been black teenage males. Even though 1949—the year before a series of minimum wage escalations began—was a recession year, black teenage male unemployment that year was lower than it was to be at any time during the later boom years of the 1960s. The wide gap between the unemployment rates of black and white teenagers dates from the escalation of the minimum wage and the spread of its coverage in the 1950s. The usual explanations of high unemployment among black teenagers—inexperience, less education, lack of skills, racism—cannot explain their rising unemployment, since all these things were worse during the earlier period when black teenage unemployment was much lower. Taking the more normal year of 1948 as a basis for comparison, black male teenage unemployment then was less than half of what it would be at any time during the decade of the 1960s and less than one-third of what it would be in the 1970s. Unemployment among 16 and 17-year-old black males was no higher than among white males of the same age in 1948. It was only after a series of minimum wage escalations began that black male teenage unemployment not only skyrocketed but became more than double the unemployment rates among white male teenagers. In the early twenty-first century, the unemployment rate for black teenagers exceeded 30 percent. After the American economy turned down in the wake of the housing and financial crises, unemployment among black teenagers reached 40 percent.
Thomas Sowell (Basic Economics: A Common Sense Guide to the Economy)
Was I mad at being “outed” by him as sexually active? No. To be honest with you, I liked that Justin said that. Why did my managers work so hard to claim I was some kind of young-girl virgin even into my twenties? Whose business was it if I’d had sex or not? I’d appreciated it when Oprah told me on her show that my sexuality was no one else’s business, and that when it came to virginity, “you don’t need a world announcement if you change your mind.” Yes, as a teenager I played into that portrayal, because everyone was making such a big deal out of it. But if you think about it, it was pretty stupid for people to describe my body in that way, for them to point to me and say, “Look! A virgin!” It’s nobody’s business at all. And it took the focus off me as a musician and performer. I worked so hard on my music and on my stage shows. But all some reporters could think of to ask me was whether or not my breasts were real (they were, actually) and whether or not my hymen was intact.
Britney Spears (The Woman in Me)
I'd been pretty screwed up. Not the usual teenage angsty version, either. I was verging on the homicidal maniac brand of dark and twisty, with an unhealthy dose of low self-esteem for good measure. Okay, I was still pretty neurotic, but now I was just moody and hard to get along with. I could pass for a normal teenager most days.
Ben Reeder (Page of Swords (The Demon's Apprentice, #2))
There was a school here now, in Concourse C. Like educated children everywhere, the children in the airport school memorized abstractions: the airplanes outside once flew through the air. You could use an airplane to travel to the other side of the world, but—the schoolteacher was a man who’d had frequent-flyer status on two airlines—when you were on an airplane you had to turn off your electronic devices before takeoff and landing, devices such as the tiny flat machines that played music and the larger machines that opened up like books and had screens that hadn’t always been dark, the insides brimming with circuitry, and these machines were the portals into a worldwide network. Satellites beamed information down to Earth. Goods traveled in ships and airplanes across the world. There was no place on earth that was too far away to get to. They were told about the Internet, how it was everywhere and connected everything, how it was us. They were shown maps and globes, the lines of the borders that the Internet had transcended. This is the yellow mass of land in the shape of a mitten; this pin here on the wall is Severn City. That was Chicago. That was Detroit. The children understood dots on maps—here—but even the teenagers were confused by the lines. There had been countries, and borders. It was hard to explain.
Emily St. John Mandel (Station Eleven)
I look in the jewelry box where Joanie found the drugs. She showed me a miniature Ziploc bag filled with a clear, hard rock. “What is this?” I said. I never did drugs, so I had no idea. Heroin? Cocaine? Crack? Ice? “What is this?” I screamed at Alex, who screamed back, “It’s not like I shoot it!” A plastic ballerina pops up and slowly twirls to a tinkling song whose sound is discordant and deformed. The pink satin liner is dirty, and other than a black pearl necklace, the box holds only rusty paper clips and rubber bands noosed with Alex’s dark hair. I see a note stuck to the mirror and pick up the jewelry box and move the ballerina aside. She twirls against my finger. The note says, I wouldn’t hide them in the same place twice. I let out a short breath through my nose. Good one, Alex. I close the jewelry box and shake my head, missing her tremendously. I wish she never went back to boarding school, and I don’t understand her sudden change of plans. What did they fight about? What could have been so bad?
Kaui Hart Hemmings (The Descendants)
Here, too, I recognized-easily, from firsthand experience, since this kind of thing happened at my age-the heat of the moment, the very instant you knew you should be feeling something but, for various reasons, partly due to inexperience, partly to a desynchronized, muddled teenage constitution, this emotion, however hard you tried to express it, stayed uncomfortably stuck in your heart, only half there and only half felt, just like my love for that girl across the street, the feeling I was trying to coax out of myself the way you might squeeze a toothpaste tube you'd decided to roll from the bottom up but that, distracted, and in a rush, you finally ended up pressing any which way.
Jean-Christophe Valtat (03)
Charlie harrumphed uncomfortably. “But what do you think about all this, Carlisle? I mean, they’re just teenagers. Isn’t this a little… intense?” Carlisle’s answering laugh was breezy. “Don’t you remember being seventeen?” “Not really, no.” Carlisle laughed again. “Do you remember the first time you fell in love?” Charlie was quiet for a minute. “Yeah, I do. Hard stuff to forget.
Stephenie Meyer (Midnight Sun)
It wasn’t until the final years of her life that Neville and Patsie became almost reunited. Neville now lived a few hundred yards from the house that I grew up in as a teenager on the Isle of Wight, and Patsie in her old age would spend long summers living with us there as well. The two of them would take walks together and sit on the bench overlooking the sea. But Neville always struggled to let her in close again, despite her warmth and tenderness to him. Neville had held fifty years of pain after losing her, and such pain is hard to ignore. As a young man I would often watch her slip her fingers into his giant hand, and it was beautiful to see. I learned two very strong lessons from them: the grass isn’t always greener elsewhere, and true love is worth fighting for.
Bear Grylls (Mud, Sweat and Tears)
Hey, there, Kizuki, I thought. Unlike you, I’ve chosen to live—and to live the best I know how. Sure, it was hard for you. What the hell, it’s hard for me. Really hard. And all because you killed yourself and left Naoko behind. But that’s something I will never do. I will never, ever turn my back on her. First of all, because I love her, and because I’m stronger than she is. And I’m just going to keep on getting stronger. I’m going to mature. I’m going to be an adult. Because that’s what I have to do. I always used to think I’d like to stay seventeen or eighteen if I could. But not anymore. I’m not a teenager anymore. I’ve got a sense of responsibility now. I’m not the same guy I was when we used to hang out together. I’m twenty now. And I have to pay the price to go on living.
Haruki Murakami (Norwegian Wood)
Jase grew up in a home where the doors were never locked, and he never saw any reason for us to lock ours. “A locked door won’t stop a thief,” he reasoned, “so you might as well save your door.” Those teenagers could have turned the handle! Now, since Duck Dynasty came into our lives, all of us Robertsons have learned to lock our doors. Better yet, we have installed high-tech security systems.
Missy Robertson (Blessed, Blessed ... Blessed: The Untold Story of Our Family's Fight to Love Hard, Stay Strong, and Keep the Faith When Life Can't Be Fixed)
I believe that perseverance, hard work, and commitment lead to success. I got married as a teenager and have since raised a family, gone to college, chased my career around the US, and become successful. Our children and family recognize that nothing was given to us and that the above traits will bring success. There is no such thing as good luck or bad luck—only good planning or poor planning.
Chris Hogan (Everyday Millionaires)
The main barrier standing between ourselves and a local-food culture is not price, but attitude. The most difficult requirements are patience and a bit of restraint -- virtues that are hardly the property of the wealthy. These virtues seem to find precious little shelter, in fact, in any modern quarter of this nation founded by Puritans. Furthermore, we apply them selectively: browbeating our teenagers with the message that they should wait for sex, for example. Only if they wait to experience intercourse under the ideal circumstances (the story goes), will they know its true value. "Blah blah blah," hears the teenager: words issuing from a mouth that can't even wait for the right time to eat a tomatoes, but instead consumes tasteless ones all winter to satisfy a craving for everything NOW.
Barbara Kingsolver (Animal, Vegetable, Miracle: A Year of Food Life)
Do you feel this?” he growls over my lips as he pushes me into the sink. The thick, hard ridge of his cock nudges my ass, and I groan. “This is what you’re doing to me, Tiernan. It’s not right. Instead of pile-driving the hot tits and ass I came home with, I’m sitting down here, trying to talk myself out of going into your room and giving the teenage piece of ass living in my house a really long kiss goodnight.
Penelope Douglas (Credence)
It is hard to appreciate now, but there was once a time before mobile phones and text messages when people communicated with each other by sticking notes to refrigerators using magnets. It got to be so commonplace that it became the secondary purpose of fridges themselves. Families would leave dinner instructions, teenagers would explain their whereabouts, and unhappy wives would initiate divorces, all using short Heminway-esque messages affixed at eye level using coloured magnetic letters. In fact there was a widespread panic in the refrigeration industry when text messages became popular. And then, when free texts became available, the National Association of Subzero Appliances (the other NASA, as they called themselves) brought a case to the Supreme Court, citing an infringement of their right to earn a livelihood.
Ronan Hession (Leonard and Hungry Paul)
For several months they'd been drifting toward political involvement, but the picture was hazy and one of the most confusing elements was their geographical proximity to Berkeley, the citadel of West Coast radicalism. Berkeley is right next door to Oakland, with nothing between them but a line on the map and a few street signs, but in many ways they are as different as Manhattan and the Bronx. Berkeley is a college town and, like Manhattan, a magnet for intellectual transients. Oakland is a magnet for people who want hour-wage jobs and cheap housing, who can't afford to live in Berkeley, San Francisco or any of the middle-class Bay Area suburbs. [10] It is a noisy, ugly, mean-spirited place, with the sort of charm that Chicago had for Sandburg. It is also a natural environment for hoodlums, brawlers, teenage gangs and racial tensions. The Hell's Angels' massive publicity -- coming hard on the heels of the widely publicized student rebellion in Berkeley -- was interpreted in liberal-radical-intellectual circles as the signal for a natural alliance. Beyond that, the Angels' aggressive, antisocial stance -- their alienation, as it were -- had a tremendous appeal for the more aesthetic Berkeley temperament. Students who could barely get up the nerve to sign a petition or to shoplift a candy bar were fascinated by tales of the Hell's Angels ripping up towns and taking whatever they wanted. Most important, the Angels had a reputation for defying police, for successfully bucking authority, and to the frustrated student radical this was a powerful image indeed. The Angels didn't masturbate, they raped. They didn't come on with theories and songs and quotations, but with noise and muscle and sheer balls.
Hunter S. Thompson (Hell's Angels)
(...) I could "talk fast" -- that's to say, without hesitating, stammering -- most of the time -- but there were categories of words, sentiments, I could never say, they'd have stuck in my throat. The embarrassment of it even whispering-teasing to Legs for instance 'Yeah you're my heart too!' or 'I love you' or 'I would die for you', nobody ever talked that way, mostly there was just my mother and me and we hardly talked at all.
Joyce Carol Oates (Foxfire: Confessions of a Girl Gang)
Today each nation flies its own flag, a symbolic embodiment of its territorial status. But patriotism is not enough. The ancient tribal hunter lurking inside each citizen finds himself unsatisfied by membership of such a vast conglomeration of individuals, most of whom are totally unknown to him personally. He does his best to feel that he shares a common territorial defence with them all, but the scale of the operation has become inhuman. It is hard to feel a sense of belonging with a tribe of fifty million or more. His answer is to form sub-groups, nearer to his ancient pattern, smaller and more personally known to him - the local club, the teenage gang, the union, the specialist society, the sports association, the political party, the college fraternity, the social clique, the protest group, and the rest. Rare indeed is the individual who does not belong to at least one of these splinter groups, and take from it a sense of tribal allegiance and brotherhood. Typical of all these groups is the development of Territorial Signals - badges, costumes, headquarters, banners, slogans, and all the other displays of group identity. This is where the action is, in terms of tribal territorialism, and only when a major war breaks out does the emphasis shift upwards to the higher group level of the nation.
Desmond Morris (Peoplewatching: The Desmond Morris Guide to Body Language)
The APA surveyed multiple studies which found links between the sexualization of girls and a wide range of mental health issues, including low self-esteem, anxiety, depression, eating disorders, cutting, even cognitive-dysfunction. Apparently, thinking about being hot makes it hard to think: "Chronic attention to physical appearance leaves fewer cognitive resources available for other mental and physical activities," said the APA report.
Nancy Jo Sales (American Girls: Social Media and the Secret Lives of Teenagers)
So it is written-but so, too, it is crossed out. You can write over it again. You can make notes in the margins. You can cut out the whole page. You can, and you must, edit and rewrite and reshape and pull out the wrong parts like bones and find just the thing and you can forever, forever, write more and more and more, thicker and longer and clearer. Living is a paragraph, constantly rewritten. It is Grown-Up Magic. Children are heartless; their parents hold them still, squirming and shouting, until a heart can get going in their little lawless wilderness. Teenagers crash their hearts into every hard and thrilling thing to see what will give and what will hold. And Grown-Ups, when they are very good, when they are very luck, and very brave, and their wishes are sharp as scissors, when they are in the fullness of their strength, use their hearts to start their story over again.
Catherynne M. Valente (The Girl Who Soared Over Fairyland and Cut the Moon in Two (Fairyland, #3))
It's hard. Being 15, 16, 17. You get so angry. You want to do something with that anger. I guess try to find some other way to let it out. Don't kill people. Don't kill yourself. Let yourself grow up a little. Then you might to start to think differently about things. You might get new opportunities to do something with your life that you never thought possible as a teenager." -- Thomas Harvey in the upcoming novel, "Nikki White: Polar Extremes" (Nikki, #3)
Jack Chaucer (Nikki White: Polar Extremes (Nikki, #3))
Being willing to feel my pain isn't another strategy I can use to avoid my pain. It is genuinely accepting that sometimes stuff really sucks. Sometimes life can really hurt. Sometimes this world isn't what I signed up for. Sometimes I still feel like I would do anything not to have these feelings and these thoughts... Willingness to allow suffering to be there is hard. Damn hard. And often frightening too. And the only thing harder is not being willing to allow suffering to be there.
Ben Sedley (Stuff That Sucks: A Teen's Guide to Accepting What You Can't Change and Committing to What You Can (The Instant Help Solutions Series))
Imagine teaching a fifteen-year-old how to drive a car with manual transmission. First, you have to press down the clutch. Then you have to whisper a secret into one of the cup holders. In Diane’s case, this was easy, as she was not a very social or public person, and most any mundane thing in her life could be a secret. In Josh’s case this was hard, because for teenagers most every mundane thing in their lives is a secret that they do not like sharing in front of their parents. Then, after the clutch and the secret, the driver has to grab the stick shift, which is a splintered wood stake wedged into the dashboard, and shake it until something happens—anything really—and then simultaneously type a series of code numbers into a keyboard on the steering wheel. All this while sunglasses-wearing agents from a vague yet menacing government agency sit in a heavily tinted black sedan across the street taking pictures (and occasionally waving). This is a lot of pressure on a first-time driver.
Joseph Fink (Welcome to Night Vale (Welcome to Night Vale, #1))
Kevin tried to sleep with a pillow tight over his face, and he nearly suffocated himself. When he tiptoed over to close the door, they were talking in a subdued tone on the narrow couch. Colette's bare legs were curled up on the pillows, her head riding on the camelback motion of his chest. But her eyes were open, and she looked more adrift than comforted. In a tired baritone, Jerry was talking about prison. It was a horror story -- about the echoing screams of young kids and eyeballs cut open with smuggled razor blades, beginning as the usual speech about the hell he'd seen. But somehow it bcame a lonesome country-western love song, about how every long night of his life he had dreamed of a woman like her-- quick-witted and beautiful and tenacious. It was more than Kevin expected from the man. He told her that if he could buy her safe passage out of this life, hers and Kevin's, he would; but it was hard with a teenage son always pressing to know more and a tiring and insatiable young girlfriend who wanted to devour the world. Think of the pressure on him. "You need to know that we're together like this partly because of you. You keep us up and running. I know it and Kevin knows it. I'm not a good person, Colette -- I never claimed to be, I don't want to be, and you can't expect me to be. But look me in the eye and accept me as a snake, and I'll tell you whatever you're waiting to hear: I need you, I want you, I hurt for you, down in the dust, honey, down in the dust of my bones." She interrupted him with kisses that sounded like determined sips at a scalding drink.
Peter Craig (Hot Plastic)
Before she could say anything more, Sabella swung around at the sound of Noah’s Harley purring to life behind the garage. God. He was dressed in snug jeans and riding chaps. A snug dark T-shirt covered his upper body, conformed to it. And he was riding her way. “Is there anything sexier than a man in riding chaps riding a Harley?” Kira asked behind her. “It makes a woman simply want to melt.” And Sabella was melting. She watched as he pulled around the side of the garage then took the gravel road that led to the back of the house. The sound of the Harley purred closer, throbbing, building the excitement inside her. “I think it’s time for me to leave,” Kira said with a light laugh. “Don’t bother to see me out.” Sabella didn’t. She listened as the Harley drew into the graveled lot behind the house and moved to the back door. She opened it, stepping out on the back deck as he swung his legs over the cycle and strode toward her. That long-legged lean walk. It made her mouth water. Made her heart throb in her throat as hunger began to race through her. “The spa treated you well,” he announced as he paused at the bottom of the steps and stared back at her. “Feel like messing your hair up and going out this evening? We could have dinner in town. Ride around a little bit.” She hadn’t ridden on a motorcycle since she was a teenager. She glanced at the cycle, then back to Noah. “I’d need to change clothes.” His gaze flickered over her short jeans skirt, her T-shirt. “That would be a damned shame too,” he stated. “I have to say, Ms. Malone, you have some beautiful legs there.” No one had ever been as charming as Nathan. She remembered when they were dating, how he would just show up, out of the blue, driving that monster pickup of his and grinning like a rogue when he picked her up. He’d been the epitome of a bad boy, and he had been all hers. He was still all hers. “Bare legs and motorcycles don’t exactly go together,” she pointed out. He nodded soberly, though his eyes had a wicked glint to them. “This is a fact, beautiful. And pretty legs like that, we wouldn’t want to risk.” She leaned against the porch post and stared back at him. “I have a pickup, you know.” She propped one hand on her hip and stared back at him. “Really?” Was that avarice she saw glinting in his eyes, or for just the slightest second, pure, unadulterated joy at the mention of that damned pickup? He looked around. “I haven’t seen a pickup.” “It’s in the garage,” she told him carelessly. “A big black monster with bench seats. Four-by-four gas-guzzling alpha-male steel and chrome.” He grinned. He was so proud of that damned pickup. “Where did something so little come up with a truck that big?” he teased her then. She shrugged. “It belonged to my husband. Now, it belongs to me.” That last statement had his gaze sharpening. “You drive it?” “All the time,” she lied, tormenting him. “I don’t have to worry about pinging it now that my husband is gone. He didn’t like pings.” Did he swallow tighter? “It’s pinged then?” She snorted. “Not hardly. Do you want to drive the monster or question me about it? Or I could change into jeans and we could ride your cycle. Which is it?” Which was it? Noah stared back at her, barely able to contain his shock that she had kept the pickup. He knew for a fact there were times the payments on the house and garage had gone unpaid—his “death” benefits hadn’t been nearly enough—almost risking her loss of both during those first months of his “death.” Knowing she had held on to that damned truck filled him with more pleasure than he could express. Knowing she was going to let someone who wasn’t her husband drive it filled him with horror. The contradictor feelings clashed inside him, and he promised himself he was going to spank her for this.
Lora Leigh (Wild Card (Elite Ops, #1))
I feel more like I am in the Middle East than in any recognizable part of Europe. There really are wild dogs everywhere, and they cry all night long. There is a least a miserable, bohemian glamour to the life here. There are a ton of outdoor cafes with people smoking and drinking rakia. Gypsies leading dancing bears around on leashes, attractive people, glue-sniffing teenage gangs - contradictions everywhere. My email is hard-wired into a big, gaping hole in the apartment wall and ants and little spiders keep crawling out. I am trying to keep an open mind.
Annie Ward (The Making of June)
To explain the metamorphosis that takes place in the process of recovery from addiction, we have to wait for that physiological change to occur -you can’t rush it, it will happen in its own time. Imagine trying to teach a caterpillar how to fly. The poor thing might listen, take flight lessons, watch butterflies darting around. But no matter how hard it tries, it won’t fly. Maybe we get frustrated because we know this whole day has it in him to become a butterfly. So we give him books to read, try to counsel him, scold him, punish him, threaten him, maybe even toss him up in the air and watch his flap his little legs before crashing back to earth. The miracle takes time, we must be patient. But just as it is natural and normal for caterpillars to become butterflies, So can we expect addicted individuals, given the appropriate care and compassion, to be transformed in the recovery process. The metamorphosis is nothing short of miraculous, as people who are desperately sick are restored to health and a “normal” state of being. So don’t sit around feeling sorry for yourself, be grateful that you have a disease from which you can make a full recovery.
Katherine Ketcham (The Only Life I Could Save)
Returning home can be awkward for any college-age kid. We spend our teenage years learning to be obnoxious and short with our parents. We prefer to confide in friends. We connive, we become reclusive, we strive to become remote. We may still have a little voice somewhere deep inside pleading, 'Just keep loving me, I'll come back,' but for the most part, coming home from college is like reaching for the end of an umbilical cord we worked so hard to cut. We enjoy the security, the lazy familiarity, but we have left the nest, proven our capacity for independence, and now demand the respect afforded adults.
Nick Trout (Ever By My Side: A Memoir in Eight [Acts] Pets)
The path, as the mystic poet Rumi writes, won’t appear until you start walking. William Herschel started walking, grinding mirrors, and reading astronomy-for-dummies books even though he had no idea he would discover Uranus. Andrew Wiles started walking when he picked up a book on Fermat’s last theorem as a teenager, not knowing where his curiosity might lead. Steve Squyres started walking in search of his blank canvas, even though he had no idea it would one day lead him to Mars. The secret is to start walking before you see a clear path. Start walking, even though there will be stuck wheels, broken drills, and exploding oxygen tanks ahead. Start walking because you can learn to walk backward if your wheel gets stuck or you can use duct tape to block catastrophe. Start walking, and as you become accustomed to walking, watch your fear of dark places disappear. Start walking because, as Newton’s first law goes, objects in motion tend to stay in motion—once you get going, you will keep going. Start walking because your small steps will eventually become giant leaps. Start walking, and if it helps, bring a bag of peanuts with you for good luck. Start walking, not because it’s easy, but because it’s hard. Start walking because it’s the only way forward.
Ozan Varol (Think Like a Rocket Scientist: Simple Strategies You Can Use to Make Giant Leaps in Work and Life)
Children are intuitive scientists and armchair philosophers, brimming with such startling observations that it’s hard to believe they’ve come from people barely out of diapers. . . . But, along with their Talmudic wisdom and intellectual acuity, preschoolers can surprise, equally, with their undeveloped motor skills, atrocious impulse control, and venal self-interest. Like teenagers, whom they closely resemble developmentally, preschoolers are a complicated mix of competence and ineptitude. The problem with American early education is how often the grownups misread, and even interchange, those two attributes completely, and at such critical moments for learning.
Erika Christakis (The Importance of Being Little: What Preschoolers Really Need from Grownups)
On 17 July 2015 the German chancellor Angela Merkel was confronted by a teenage Palestinian refugee girl from Lebanon, whose family was seeking asylum in Germany but faced imminent deportation. The girl, Reem, told Merkel in fluent German that ‘It’s really very hard to watch how other people can enjoy life and you yourself can’t. I don’t know what my future will bring.’ Merkel replied that ‘politics can be tough’ and explained that there are hundreds of thousands of Palestinian refugees in Lebanon, and Germany cannot absorb them all. Stunned by this no-nonsense reply, Reem burst into tears. Merkel proceeded to stroke the desperate girl on the back, but stuck to her guns.
Yuval Noah Harari (Homo Deus: A Brief History of Tomorrow)
War means endless waiting, endless boredom. There is no electricity, so no television. You can't read. You can't see friends. You grow depressed but there is no treatment for it and it makes no sense to complain — everyone is as badly off as you. It's hard to fall in love, or rather, hard to stay in love. If you are a teenager, you seem halted in time. If you are critically ill — with cancer, for instance — there is no chemotherapy for you. If you can't leave the country for treatment, you stay and die slowly, and in tremendous pain. Victorian diseases return — polio, typhoid and cholera. You see very sick people around you who seemed in perfectly good health when you last saw them during peacetime. You hear coughing all the time. Everyone hacks — from the dust of destroyed buildings, from disease, from cold. As for your old world, it disappears, like the smoke from a cigarette you can no longer afford to buy. Where are your closest friends? Some have left, others are dead. The few who remain have nothing new to talk about. You can't get to their houses, because the road is blocked by checkpoints. Or snipers take a shot when you leave your door, so you scurry back inside, like a crab retreating inside its shell. Or you might go out on the wrong day and a barrel bomb, dropped by a government helicopter, lands near you. Wartime looks like this.
Janine Di Giovanni (The Morning They Came for Us: Dispatches from Syria)
My seventeen-year-old son, Chase, and his friends are in the family room watching a movie. I’ve been trying to leave them alone, but it’s hard for me. I understand that most teenagers think their moms are uncool, but I am certain I’m the exception. I stand at the door and peek inside. The boys are draped all over the couch. The girls have arranged themselves in tiny, tidy roly-poly piles on the floor. My young daughters are perched at the feet of the older girls, quietly worshipping. My son looks over at me and half smiles. “Hi, Mom.” I need an excuse to be there, so I ask, “Anybody hungry?” What comes next seems to unfold in slow motion. Every single boy keeps his eyes on the TV and says, “YES!” The girls are silent at first. Then each girl diverts her eyes from the television screen and scans the faces of the other girls. Each looks to a friend’s face to discover if she herself is hungry. Some kind of telepathy is happening among them. They are polling. They are researching. They are gathering consensus, permission, or denial. Somehow the collective silently appoints a French-braided, freckle-nosed spokesgirl. She looks away from the faces of her friends and over at me. She smiles politely and says, “We’re fine, thank you.” The boys looked inside themselves. The girls looked outside themselves. We forgot how to know when we learned how to please. This is why we live hungry.
Glennon Doyle (Untamed)
Stalker The light so thick nothing’s visible, cognoscenti I knew them, stupid apes. Real apes know more Before we said apes. I know how to be you bet- ter — a stupid voice. You must find a mind to respect — why? There was someone with ear buds, speaking gibberish who wouldn’t stop walking beside me; freckle-spattered. I had to ask the métro attendant for help; she extricated him from me ... I respect his chaotic speech, mild adhesive force because it makes no sense. I am back on the alley, discovering adults are un- trustworthy: someone’s lying ... about a fight between a teenage girl and boy — he pushed her hard — first she badly scratched him, she’s worse, his mother says. I’m back at pre-beginning, I don’t want to go through that again. There is no sexuality in chaos, there’s no style, nor hope. I want style — apes have style, people have machines. Show me something to respect This bleuet growing out of a wall on rue d’Hauteville. I picked it and pressed it in a diary. Every once in a while I respect a moment. I am back at pre-beginning: I don’t want to care beyond this ... sudden hue in the sand, yellow or spotted with an hallucinated iridescence. The one who is stalking me ... there has often been someone stalk- ing me. My destiny. He’s gone, stay here in this, I can’t be harmed if I’m the only one who’s thought of being here. Aren’t you lonely? I don’t know.
Alice Notley
blinked back sudden tears and pasted a smile on my face. The smiles had gotten me through tough times. I’d read online that the physical act of smiling—even if you were unhappy—could improve your mood by tricking your brain into releasing happiness-inducing hormones. So I’d smiled all the time as a teenager, and people probably thought I was crazy, but it was better than sinking into a darkness so deep I might’ve never clawed my way out. And when smiling on my own became too hard, I looked for other reasons to be “happy” like the beauty of a rainbow after a storm, the sweet taste of a perfectly baked cookie, or gorgeous photographs of glittering cities and epic landscapes around the world. It had worked…for the most part.
Ana Huang (Twisted Love (Twisted, #1))
Maddie spun to her left - looked back to the cliff - but it was too late. He was already there, standing in front of her. The gun was trained on the center of her chest, and the look on Stefan's face was pure, unadulterated loathing. "You should have forgotten about the phone," he said. Maddie had seen evil up close; she'd witnessed terror and rage, and she knew better than most people the effect that pure hate can have on the human body. First, in Maddie's experience, it was terrible for your skin. (If there was one thing a zit loved, it was stress. Second, it could do awful things to your eyes. They got glossy, but not with tears, with wild and untamed fury. Finally, that much adrenaline might make you strong enough to lift a Toyota off a toddler or whatever, but it could also make your hands shake and your heart race. That's how Stefan looked. His eyes were too wide, his lips were too dry, and his grip was too hard on the gun. Maddie didn't scream. Or plead. Or cry. She just rolled her eyes and said, "But I'm a teenage girl. We're addicted to our phones, or haven't you heard?" She could feel the boulder at her back, as Stefan stepped closer, she knew there was nowhere to go. So she tensed. "You think you are so smart." Stefan's accent was thicker. The words were cold. "Well, not to brag, but I am number one in my class. Does it matter if you're the only one in your class?" she asked. "I don't know about -" "Shut up!" he yelled, limping closer.
Ally Carter (Not If I Save You First)
Still, Eddie envied the way his brother looked in the evenings, so tanned and clean. Eddie’s fingernails, like his father’s, were stained with grease, and at the dinner table Eddie would flick them with his thumbnail, trying to get the dirt out. He caught his father watching him once and the old man grinned. “Shows you did a hard day’s work,” he said, and he held up his own dirty fingernails, before wrapping them around a glass of beer. By this point—already a strapping teenager—Eddie only nodded back. Unbeknownst to him, he had begun the ritual of semaphore with his father, forsaking words or physical affection. It was all to be done internally. You were just supposed to know it, that’s all. Denial of affection. The damage done.
Mitch Albom (The Five People You Meet in Heaven (The Five People You Meet in Heaven, #1))
Beckett watched Cole closely. This had been some next level-bullshit. And Cole had already been through some caveman-brutal violence coming up with his horrible mother. A betrayal like that cut deep and hard. He watched as Cole’s eyes filled up, and he curled his hands into fists. His breath came in gasps. His brother’s reality might possibly be caving in. Who the fuck knew. Beckett put the safety on and set down his gun. He turned in his seat and leaned over, grabbing Cole’s shirt and twisting it hard at his chest, pulling the sobbing man closer to him. It was one of the ways he scared the shit out of people, this look he would give, but not now. “Look at me. Fucking look at me!” Cole’s hazel eyes finally locked on Beckett’s. “You are never alone. You will never be alone! We’re together. Do you understand? I will murder the whole world to keep you out of that shit! It will never happen to you again. Do you hear me? Do you fucking hear me?” Cole screamed back at Beckett. Not words, just a guttural noise. Pain. Pain vocalized. Blake careened the car to the side of the road and cut the lights. After it was in park, he turned and faced Cole as well. Cole screamed again. Anger. Hot tears, rage. Pain, so much pain. Beckett panicked. Was it something I said? Shit. Was I too late? Shit. Blake crawled over the seat, sat next to Cole, and he started screaming too. Jesus Christ. The two of them were fucking insane. And if they were going crazy, he would follow. Beckett crawled over too, sloppy and kicking his brothers as he planted himself in the backseat. It took a second before he could match them, before he could go to that place in his head and heart and scream. But he did. For a few heartbeats, three teenage boys raged at their childhood. They hollered at fate. They screamed out pure need. It was the sound of Peter Pan fucking dying, the ghost of dreams that would never be—until Cole started cough-sob-laughing. It was catching, the sliding from one emotion to another. Blake was next, holding his stomach and laughing. Finally Beckett held his head and did the same. They collapsed in a heap, slapping at each other in their hysteria. When they finally caught their breath, they didn’t need words. They didn’t need anything but each other. Cole put up his arm and Blake and Beckett grabbed on. Never alone.
Debra Anastasia (Poughkeepsie Begins (Poughkeepsie Brotherhood, #0))
But you don’t really think wearing a low-cut top to the boys’ party will solve all your problems, do you?” she asked. “Of course not. I think wearing a low-cut top to the boys’ part will show Sean I’m ready for him.” “Lori, no girl is ever ready for a boy like Sean. How were finals?” Clearly she wanted to change the subject to impress upon me that boys were not all there was to a teenage girl’s life. As if. “Finals?” I asked. “Yes, finals. To graduate from the tenth grade? You took them yesterday.” Wow, it was hard to believe I’d played hopscotch with the quadratic equation only twenty-seven hours ago. Thinking back, it seemed like I’d sleepwalked through the past nine months of school, compared with everything that had happened today. Time flew when you were having Sean.
Jennifer Echols (Endless Summer (The Boys Next Door, #1-2))
There is an inherent, humbling cruelty to learning how to run white water. In most other so-called "adrenaline" sports—skiing, surfing and rock climbing come to mind—one attains mastery, or the illusion of it, only after long apprenticeship, after enduring falls and tumbles, the fatigue of training previously unused muscles, the discipline of developing a new and initially awkward set of skills. Running white water is fundamentally different. With a little luck one is immediately able to travel long distances, often at great speeds, with only a rudimentary command of the sport's essential skills and about as much physical stamina as it takes to ride a bicycle downhill. At the beginning, at least, white-water adrenaline comes cheap. It's the river doing the work, of course, but like a teenager with a hot car, one forgets what the true power source is. Arrogance reigns. The river seems all smoke and mirrors, lots of bark (you hear it chortling away beneath you, crunching boulders), but not much bite. You think: Let's get on with it! Let's run this damn river! And then maybe the raft hits a drop in the river— say, a short, hidden waterfall. Or maybe a wave reaches up and flicks the boat on its side as easily as a horse swatting flies with its tail. Maybe you're thrown suddenly into the center of the raft, and the floor bounces back and punts you overboard. Maybe you just fall right off the side of the raft so fast you don't realize what's happening. It doesn't matter. The results are the same. The world goes dark. The river— the word hardly does justice to the churning mess enveloping you— the river tumbles you like so much laundry. It punches the air from your lungs. You're helpless. Swimming is a joke. You know for a fact that you are drowning. For the first time you understand the strength of the insouciant monster that has swallowed you. Maybe you travel a hundred feet before you surface (the current is moving that fast). And another hundred feet—just short of a truly fearsome plunge, one that will surely kill you— before you see the rescue lines. You're hauled to shore wearing a sheepish grin and a look in your eye that is equal parts confusion, respect, and raw fear. That is River Lesson Number One. Everyone suffers it. And every time you get the least bit cocky, every time you think you have finally figured out what the river is all about, you suffer it all over again.
Joe Kane (Running the Amazon)
I find it hard to talk about myself. I'm always tripped up by the eternal who am I? paradox. Sure, no one knows as much pure data about me as me. But when I talk about myself, all sorts of other factors - values, standards, my own limitations as an observer - make me, the narrator, select and eliminate things about me, the narratee. I've always been disturbed by the thought that I'm not painting a very objective picture of myself. This kind of things doesn't seem to bother most people. Given the chance, people are surprisingly frank when they talk about themselves. "I'm honest and open to a ridiculous degree," they'll say, or "I'm thin-skinned and not the type who gets along easily in the world." Or "I'm very good at sensing others' true feelings." But any number of times I've seen people who say they're easily hurt or hurt other people for no apparent reason. Self-styled honest and open people, without realizing what they're doing, blithely use some self-serving excuse to get what they want. And those "good at sensing others' true feelings" are taken in by the most transparent flattery. It's enough to make me ask the question: how well do really know ourselves? The more I think about it, the more I'd like to take a rain check on the topic of me. What I'd like to know more about is the objective reality of things outside myself. How important the world outside is to me, how I maintain a sense of equilibrium by coming to terms with it. That's how I'd grasp a clearer sense of who I am. These are the kind of ideas I had running through my head when I was a teenager. Like a master builder stretches taut his string and lays one brick after another, I constructed this viewpoint - or philosophy of life, to put a bigger spin on it. Logic and speculation played a part in formulating this viewpoint, but for the most part it was based on my own experiences. And speaking of experience, a number of painful episodes taught me that getting this viewpoint of mine across to other people wasn't the easiest thing in the world. The upshot of all this is that when I was young I began to draw an invisible boundary between myself and other people. No matter who I was dealing with, I maintained a set distance, carefully monitoring the person's attitude so that they wouldn't get any closer. I didn't easily swallow what other people told me. My only passions were books and music. As you might guess, I led a lonely life.
Haruki Murakami (Sputnik Sweetheart)
The jurors put themselves fully in George Zimmerman’s shoes. They could not find any empathy for the teenage boy walking home with snacks. These women’s acquittal of Zimmerman suggested that their primary social priority is white safety, even if it means authorizing lethal force against Black folks who aren’t studying them or their white suburban lives in the least. After the Zimmerman trial, white feminists did not call out these jurors. During the trial they did not call on them to exercise integrity, check their white privilege, or act from a place of empathy. White feminism has worked hard to make the world safer for white women, but it has stridently refused to call out the ways that white women’s sexuality and femininity is used not just as a tool of patriarchy but also as a tool for the maintenance of white supremacy.
Brittney Cooper (Eloquent Rage: A Black Feminist Discovers Her Superpower)
My own heartbeat was slowing under my hand, under the deep rose silk, the color of a baby’s sleep-flushed cheek. When you hold a child to your breast to nurse, the curve of the little head echoes exactly the curve of the breast it suckles, as though this new person truly mirrors the flesh from which it sprang. Babies are soft. Anyone looking at them can see the tender, fragile skin and know it for the rose-leaf softness that invites a finger’s touch. But when you live with them and love them, you feel the softness going inward, the round-checked flesh wobbly as custard, the boneless splay of the tiny hands. Their joints are melted rubber, and even when you kiss them hard, in the passion of loving their existence, your lips sink down and seem never to find bone. Holding them against you, they melt and mold, as though they might at any moment flow back into your body. But from the very start, there is that small streak of steel within each child. That thing that says “I am,” and forms the core of personality. In the second year, the bone hardens and the child stands upright, skull wide and solid, a helmet protecting the softness within. And “I am” grows, too. Looking at them, you can almost see it, sturdy as heartwood, glowing through the translucent flesh. The bones of the face emerge at six, and the soul within is fixed at seven. The process of encapsulation goes on, to reach its peak in the glossy shell of adolescence, when all softness then is hidden under the nacreous layers of the multiple new personalities that teenagers try on to guard themselves. In the next years, the hardening spreads from the center, as one finds and fixes the facets of the soul, until “I am” is set, delicate and detailed as an insect in amber.
Diana Gabaldon (Dragonfly in Amber (Outlander, #2))
G. Stanley Hall, a creature of his times, believed strongly that adolescence was determined – a fixed feature of human development that could be explained and accounted for in scientific fashion. To make his case, he relied on Haeckel's faulty recapitulation idea, Lombroso's faulty phrenology-inspired theories of crime, a plethora of anecdotes and one-sided interpretations of data. Given the issues, theories, standards and data-handling methods of his day, he did a superb job. But when you take away the shoddy theories, put the anecdotes in their place, and look for alternate explanations of the data, the bronze statue tumbles hard. I have no doubt that many of the street teens of Hall's time were suffering or insufferable, but it's a serious mistake to develop a timeless, universal theory of human nature around the peculiarities of the people of one's own time and place.
Robert Epstein (Teen 2.0: Saving Our Children and Families from the Torment of Adolescence)
EVOLUTION DID NOT ENDOW HUMANS with the ability to play pick-up basketball. True, it produced legs for running, hands for dribbling, and shoulders for fouling, but all that this enables us to do is shoot hoops by ourselves. To get into a game with the strangers we find in the schoolyard on any given afternoon, we not only have to work in concert with four teammates we may never have met before—we also need to know that the five players on the opposing team are playing by the same rules. Other animals that engage strangers in ritualized aggression do so largely by instinct—puppies throughout the world have the rules for rough-and-tumble play hard-wired into their genes. But American teenagers have no genes for pick-up basketball. They can nevertheless play the game with complete strangers because they have all learned an identical set of ideas about basketball. These ideas are entirely imaginary, but if everyone
Yuval Noah Harari (Sapiens: A Brief History of Humankind)
A Final Word Now that you have become familiar with social anxiety, you know that it is a common problem, especially for teenagers. You’ve learned that it affects you physically, mentally, and behaviorally, and that it can have a tremendous impact on all aspects of your life. Most important, you’ve learned ways to cope with social anxiety. Now, make the techniques presented in this book part of your daily life. With practice you will be able to calm anxious feelings and develop self-confidence in social situations. Remember that change does not happen overnight. There will be tough times mixed in with the good. It may be necessary to see a professional therapist or to take medication. There is no reason social anxiety needs to remain a part of your life. If you are committed to lessening your anxiety, you will see great results. With time and hard work, you can become the person you want to be and live a healthy, happy, and productive life.
Heather Moehn (Social Anxiety (Coping With Series))
I just wish I knew what he was thinking, you know?” Her eyebrows knotted as she searched his face for who knew what. “You’re a guy. Can you shed any light on what the hell goes through a teenage boy’s head?” Troy was pretty sure she did not want to know the kind of things that occupied the brain of a fifteen-year-old male. There was some stuff mothers just shouldn’t know. “Well that would be breaking the guy code,” he teased. “Suffice to say that most of it involves chicks and heavy levels of nudity.” “Oh God…” She groaned. “Don’t. I’m not ready for that. I don’t even want to think about it.” She chewed on her bottom lip and Troy lost his place in the conversation. He wanted to step right up into her space, slide his hand onto her waist and soothe that bottom lip with his tongue. His dick got hard at the thought but he was pretty sure she’d knee him in the balls if he even attempted such a move. Unfortunately, not even the prospect of that killed his erection.
Amy Andrews (Troy (American Extreme Bull Riders Tour, #5))
I can’t get over the view. I spent most of the night sitting on the third-floor balcony watching the boats.” Don’t sing to them or they’ll crash on the rocks. The thought catches me off guard, but it sticks. I can picture her up there, dark hair flying around in the wind, beckoning to passing sailors. Will I ever get to see her up there? “You like the house?” I rasp. She shrugs one shoulder. And coming from Addison, that’s a resounding yes. “It reminds me of you.” Why am I holding my breath? “Does it?” “Mmmhmm. Old-fashioned and charming…” She squints at my backside. “With a big old kitchen.” The heat that weaves up my neck is humiliating, but I cough my way through it. I’m not sure if my usual embarrassment is at play, or if I’m remembering for the thousandth time how hard I came when she used that damn finger on me. Was it supposed to make me shake like a damn teenager? “It’s not polite to make ass jokes about your tour guide.” “Oh come on. You know I love that thing.
Tessa Bailey (Getaway Girl (Girl, #1))
Drawing aside so as not to impede passersby, he answered. “Oggy?” said his ex-colleague’s voice. “What gives, mate? Why are people sending you legs?” “I take it you’re not in Germany?” said Strike. “Edinburgh, been here six weeks. Just been reading about you in the Scotsman.” The Special Investigation Branch of the Royal Military Police had an office in Edinburgh Castle: 35 Section. It was a prestigious posting. “Hardy, I need a favor,” said Strike. “Intel on a couple of guys. D’you remember Noel Brockbank?” “Hard to forget. Seventh Armoured, if memory serves?” “That’s him. The other one’s Donald Laing. He was before I knew you. King’s Own Royal Borderers. Knew him in Cyprus.” “I’ll see what I can do when I get back to the office, mate. I’m in the middle of a plowed field right now.” A chat about mutual acquaintances was curtailed by the increasing noise of rush-hour traffic. Hardacre promised to ring back once he had had a look at the army records and Strike continued towards the Tube. He got out at Whitechapel station thirty minutes later to find a text message from the man he was supposed to be meeting. Sorry Bunsen cant do today ill give you a bell This was both disappointing and inconvenient, but not a surprise. Considering that Strike was not carrying a consignment of drugs or a large pile of used notes, and that he did not require intimidation or beating, it was a mark of great esteem that Shanker had even condescended to fix a time and place for meeting. Strike’s knee was complaining after a day on his feet, but there were no seats outside the station. He leaned up against the yellow brick wall beside the entrance and called Shanker’s number. “Yeah, all right, Bunsen?” Just as he no longer remembered why Shanker was called Shanker, he had no more idea why Shanker called him Bunsen. They had met when they were seventeen and the connection between them, though profound in its way, bore none of the usual stigmata of teenage friendship.
Robert Galbraith (Career of Evil (Cormoran Strike, #3))
What did you think of Rebecca on tv? I don’t think it had dated too badly, but some things hit me – and it was silly, the way they made Rebecca hit her head on a block, instead of being shot by Maxim. And they muffed the fancy-dress ball, and the wreck: it was all too hurried, one did not know what was happening. In the book she had to go through the whole Ball without speaking to Maxim, who was on a hard chair beside her, and then it was in early dawn the wreck came. I suppose you thought to yourself, now Peg would have been much better than Olivier, and it would have worked out rather well, imagining Peg thinking of his first wife, and being plunged in deep thoughts ...! Of course it was old-fashioned in 1938 when it was written – I remember critics saying it was a queer throwback to the 19th-century Gothic novel. But I shall never know quite why it seized upon everyone’s imagination, not just teenagers and shop girls, like people try to say now, but every age, and both sexes.
Daphne du Maurier (Letters from Menabilly: Portrait of a Friendship)
Child Whisperer Tip: Their quick movement from idea to idea often earns these children the label of “childish” or “silly.” So Type 1 children long to be respected as they grow up. In order to be taken seriously, they commonly attempt to slow down their energy and change who they are. Take your Type 1 child’s thought process seriously and listen to what they have to say, no matter how scattered it may appear at times. Their brains work quickly and their language has a hard time keeping up with how quickly thoughts move through their mind. Be willing to just try to make the jump from thought to thought with them sometimes. When it comes to a Type 1s feelings, everything is larger than life. Little joys are huge delights. Hurt feelings can lead to bursts of emotion. Both expressions may sound quite loud, as they express their emotions vocally, especially as young children. Type 1 toddlers are either screaming in delight or screaming in frustration. The highest squeal you hear from teenage girls is most likely to come from a Type 1.
Carol Tuttle (The Child Whisperer: The Ultimate Handbook for Raising Happy, Successful, Cooperative Children)
And - just as with winning the lottery, or becoming famous - there is no manual for becoming a woman, even though the stakes are so high. God knows, when I was 13, I tried to find one. You can read about other people's experience on the matter - by way of trying to crib, in advance, for an exam - but I found that this is, in itself, problematic. For throughout history, you can read stories of women who - against all odds - got being a woman right, but ended up being compromised, unhappy, hobbled or ruined, because all around them, society was still wrong. Show a girl a pioneering hero - Sylvia Plath, Dorothy Parker, Frida Kahlo, Cleopatra, Boudicca, Joan of Arc - and you also, more often than not, show a girl a woman who was eventually crushed. Your hard-won triumphs can be wholly negated if you live in a climate where your victories are seen as threatening, incorrect, distasteful, or - most crucially of all, for a teenage girl - simply uncool. Few girls would choose to be right - right, down into their clever, brilliant bones - but lonely.
Caitlin Moran (How to Be a Woman)
Hey, did you hear about Brad Miller?" he asked, already forgetting about the Lissie conversation. "He got his car taken away for getting another speeding ticket. Of course he tried to tell his parents that it was a setup." Violet laughed. "Yeah, because the police have nothing better to do than to plan a sting operation targeting eleventh-grade idiots." She was more than willing to go along with this diversion from conversations about Jay and his many admirers. Jay laughed too, shaking his head. "You're so cold-hearted," he said to Violet, shoving her a little but playing along. "How's he supposed to go cruising for unsuspecting freshman and sophomores without a car? What willing girl is going to ride on the handlebars of his ten-speed?" "I don't see you driving anything but your mom's car yet. At least he has a bike," she said, turning on him now. He pushed her again. "Hey!" he tried to defend himself. "I'm still saving! Not all of us are born with a silver spoon in our mouths." They were both laughing, hard now. The silver spoon joke had been used before, whenever one of them had something the other one didn't. "Right!" Violet protested. "Have you seen my car?" This time she shoved him, and a full-scale war broke out on the couch. "Poor little rich girl!" Jay accused, grabbing her arm and pulling her down. She giggled and tried to give him the dreaded "dead leg" by hitting him with her knuckle in the thigh. But he was too strong, and what used to be a fairly even matchup was now more like an annihilation of Violet's side. "Oh, yeah. Weren't you the one"-she gasped, still giggling and thrashing to break free from his suddenly way-too-strong grip on her, just as his hand was almost at the sensitive spot along the side of her rib cage-"who got to go to Hawaii..." She bucked beneath him, trying to knock him off her. "...For spring break...last..." And then he started to tickle her while she was pinned beneath him, and her last word came out in a scream: "...YEAR?!" That was how her aunt and uncle found them. Violet never heard the key in the dead bolt, or the sound of the door opening up. And Jay was just as ignorant of their arrival as she was. So when they were caught like that, in a mass of tangled limbs, with Jay's face just inches from hers, as she giggled and squirmed against him, it should have meant they were going to get in trouble. And if it had been any other teenage boy and girl, they would have. But it wasn't another couple. It was Violet and Jay...and this was business as usual for the two of them. Even her aunt and uncle knew that there was no possibility they were doing anything they shouldn't. The only reprimand they got was her aunt shushing them to keep it down before they woke the kids. After Jay left, Violet took the thirty dollars that her uncle gave her and headed out. As she drove home, she tried to ignore the feelings of frustration she had about the way her aunt and uncle had reacted-or rather hadn't reaction-to finding her and Jay together on the couch. For some reason it made her feel worse to know that even the grown-ups around them didn't think there was a chance they could ever be a real couple.
Kimberly Derting (The Body Finder (The Body Finder, #1))
In many ways, I have it easy now with the kids. They’re still in elementary school; the teenage years will surely have their own challenges. I’ve tried to stay involved in their lives, though my participation in school events has declined because of my other commitments. I can’t be the supermom who volunteers for every class trip anymore. But I do chaperone when I can, and one of my happiest days recently was watching Bubba give a class report. It’s been hard to realize and even harder to accept that that’s enough. The kid’s emotional growth won’t suffer if they don’t have the most frightening zombie costume in their class? No? Really? Can I get that in writing? Things that are vital to their success in life as well as school--those things we still do. Chores, required reading, homework, of course--those are all still there. And we still thank God every night for the things that mean a lot to us. We always say what we are grateful for that day--and from that, I’ve learned a lot about what’s important to them, and I think they’ve learned the same from me. One of the most remarkable things about children is their compassion. Mine continue to pray for others every night. Maybe it comes from the DNA. Maybe it comes from having been through adversity. But it’s a wonderful quality, one that I hope stays with them as they grow.
Taya Kyle (American Wife: Love, War, Faith, and Renewal)
Today Judith was dealing with the problem of grief. Her longtime editor at Harvard University Press who had published all her seminal texts and others not so seminal had died in a freak accident. He had gone out for a walk on the Cape (his second home) at the height of the afternoon, when the glare off the water was most intense. His foot had lost contact with the rocky footpath, sending his body over the edge. He was discovered the next day by a group of high school students who had gone to a cove to smoke angel dust, a fact that had come out when the parents took a closer look at why their children were on the shore in the middle of the day instead of in school. “Some people have been saying he did it on purpose, but that’s because they can’t accept the real tragedy: the accidental nature of the world,” Judith said, motioning to the waiter for another round of piña coladas. “It’s all very sordid.” Objectively that had to be so, although it was hard, while reclining in her luxuriously sturdy plastic chaise, poolside with a second piña colada on the way, for Dorothy to feel the impact of the story, to be there on the New England coastline with the angel-dust-smoking teenagers, the bloated editorial body, the cold gray ocean, the tragic inexorability of mischance. It wasn’t that the pool seemed real and the dead body seemed false; it was that nothing seemed real.
Christine Smallwood (The Life of the Mind)
It seems to Marithe that her life has undergone two changes: one, when her father left. And two, about a year ago, when she turned thirteen, when her life and the way she felt about it and the way she viewed it suddenly tilted; like the deck of a ship in a storm. At first it seemed to her that her house, her family, her dogs, her accordion, her books, her room with its geology samples, its display of feathers, its pictures of foxes and wolves, all took on an unreal aspect. Everything felt like a stage set: she kept viewing herself as if from the outside. Instead of just acting, just doing, just running or speaking or playing or collecting, she would feel this sense of externalisation: and so, a voice inside her head would comment, you are running. Do you need to run? Where are you going? You're picking up that rock but do you want it, do you really need it, are you going to carry it home? [...] And her body! Some mornings she woke and it was as if lead weights had been attached to her limbs by some ill-meaning fairy. Even if she had the urge to walk across the paddock to feed the neighbours' horses -- which she hardly ever did any more, she didn't know why -- she wouldn't have the energy, the sap in her to do it. She wanted it returned to her, Marithe did, that sense of security in her life, of certainty, of knowing who she was and what she was about. Would it ever come back?
Maggie O'Farrell (This Must Be the Place)
Psychologists who study peer influence ask what it is about teenage girls that makes them so susceptible to peer contagion and so good at spreading it. Many believe it has something to do with the way girls tend to socialize.35 “When we listen to girls versus boys talk to each other, girls are much more likely to reply with statements that are validating and supportive than questioning,” Amanda Rose, professor of psychology at the University of Missouri, told me. “They’re willing to suspend reality to get into their friends’ worlds more. For this reason, adolescent girls are more likely to take on, for instance, the depression their friends are going through and become depressed themselves.” This female tendency to meet our friends where they are and share in their pain can be a productive and valuable social skill. Co-rumination (excessive discussion of a hardship) “does make the relationship between girls stronger,” Professor Rose told me. But it also leads friends to take on each other’s ailments. Teenage girls spread psychic illness because of features natural to their modes of friendship: co-rumination; excessive reassurance seeking; and negative-feedback seeking, in which someone maintains a feeling of control by angling for confirmation of her low self-concept from others.36 It isn’t hard to see why the 24/7 forum of social media intensifies and increases the incidence of each.
Abigail Shrier (Irreversible Damage: The Transgender Craze Seducing Our Daughters)
I remember my very first day in the gym back in Indiana. My palms were soft and quickly got torn up on the bars because they weren’t accustomed to gripping steel. But over time, after thousands of reps, my palms built up a thick callous as protection. The same principle works when it comes to mindset. Until you experience hardships like abuse and bullying, failures and disappointments, your mind will remain soft and exposed. Life experience, especially negative experiences, help callous the mind. But it’s up to you where that callous lines up. If you choose to see yourself as a victim of circumstance into adulthood, that callous will become resentment that protects you from the unfamiliar. It will make you too cautious and untrusting, and possibly too angry at the world. It will make you fearful of change and hard to reach, but not hard of mind. That’s where I was as a teenager, but after my second Hell Week, I’d become someone new. I’d fought through so many horrible situations by then and remained open and ready for more. My ability to stay open represented a willingness to fight for my own life, which allowed me to withstand hailstorms of pain and use it to callous over my victim’s mentality. That shit was gone, buried under layers of sweat and hard fucking flesh, and I was starting to callous over my fears too. That realization gave me the mental edge I needed to outlast Psycho Pete one more time.
David Goggins (Can't Hurt Me: Master Your Mind and Defy the Odds)
Since we were on Everest, many other climbers have succeeded on the “big one” as well. She has now been scaled by a blind man, a guy with prosthetic legs, and even by a young Nepalese teenager. Don’t be fooled, though. I never belittle the mountain. She is still just as high and just as dangerous. Instead, I admire those mountaineers--however they have climbed her. I know what it is really like up there. Humans learn how to dominate and conquer. It is what we do. But the mountain remains the same--and sometimes she turns and bites so damn hard that we all recoil in terror. For a while. Then we return. Like vultures. But we are never in charge. It is why, within Nepal, Everest is known as the mother goddess of the sky--lest we forget. This name reflects the respect the Nepalese have for the mountain, and this respect is the greatest lesson you can learn as a climber. You climb only because the mountain allows it. If the peak hints at you to wait, then you must wait; and when she begins to beckon you to go then you must struggle and strain in the thin air with all your might. The weather can change in minutes, as storm clouds envelop the peak--and the summit itself stubbornly pokes into the fierce band of jet-stream winds that circle the earth above twenty-five thousand feet. These 150+ mph winds cause the majestic plume of snow that pours off Everest’s peak. A constant reminder that you have got to respect the mountain. Or you die.
Bear Grylls (Mud, Sweat and Tears)
I want you to imagine that you live on a planet where everyone has a skin disease. For two or three thousand years, the people on your planet have suffered the same disease: Their entire bodies are covered by wounds that are infected, and those wounds really hurt when you touch them. Of course, they believe this is a normal physiology of the skin. Even the medical books describe this disease as a normal condition. When the people are born, their skin is healthy, but around three or four years of age, the first wounds start to appear. By the time they are teenagers, there are wounds all over their bodies. Can you imagine how these people are going to treat each other? In order to relate with one another, they have to protect their wounds. They hardly ever touch each other’s skin because it is too painful. If by accident you touch someone’s skin, it is so painful that right away she gets angry and touches your skin, just to get even. Still, the instinct to love is so strong that you pay a high price to have relationships with others. Well, imagine that a miracle occurs one day. You awake and your skin is completely healed. There are no wounds anymore, and it doesn’t hurt to be touched. Healthy skin you can touch feels wonderful because the skin is made for perception. Can you imagine yourself with healthy skin in a world where everyone has a skin disease? You cannot touch others because it hurts them, and no one touches you because they make the assumption that it will hurt you.
Miguel Ruiz (The Mastery of Love: A Practical Guide to the Art of Relationship)
And that unfortunate loss? Was that really an accident,or did you lose deliberately so I wouldn't have to pay the bill?" He shrugged. "My lips are sealed." "I should have known." Once on the open highway he turned on the radio,and they both sang along with Garth as he lamented his papa being a rolling stone. When the song ended,Marilee looked over. "I'll consider that a sermon. According to Garth, a woman would be a fool to lose her heart to a man who'd rather drive a truck than be home with her." Wyatt winked,and in his best imitation of Daffy's smoky voice he said, "Honey, a man may love the open road,but any female with half a brain can figure out how to compete with a truck.Just bat those pretty little red-tipped lashes at any male over the age of twelve, and his brain turns to mush.Next thing you know, instead of revving up his engine, he's on his hands and knees, carrying a toddler on his back around a living room full of toys and baby gear." Though the image was a surprisingly pretty one,Marilee had to wipe tears from her eyes,she was laughing so hard. When she caught her breath she managed to say, "You've got Daffy down so perfectly,you could probably answer the phone at the Fortune Saloon and no one would believe it wasn't her." "She's easy." He chuckled. "I think she's the only female with a voice that's deeper than mine." She looked out the window at the full moon above Treasure Chest Mountain in the distance. "It's a shame to waste such a pretty night.Maybe you ought to pull over and park.We can make out like teenagers." "Not a bad idea." At his arched brow she added, "It would give me a chance to see if I could turn your brain to mush." "Believe it.
R.C. Ryan (Montana Destiny (McCords, 2))
I heard the fear in the first music I ever knew, the music that pumped from boom boxes full of grand boast and bluster. The boys who stood out on Garrison and Liberty up on Park Heights loved this music because it told them, against all evidence and odds, that they were masters of their own lives, their own streets, and their own bodies. I saw it in the girls, in their loud laughter, in their gilded bamboo earrings that announced their names thrice over. And I saw it in their brutal language and hard gaze, how they would cut you with their eyes and destroy you with their words for the sin of playing too much. “Keep my name out your mouth,” they would say. I would watch them after school, how they squared off like boxers, vaselined up, earrings off, Reeboks on, and leaped at each other. I felt the fear in the visits to my Nana’s home in Philadelphia. You never knew her. I barely knew her, but what I remember is her hard manner, her rough voice. And I knew that my father’s father was dead and that my uncle Oscar was dead and that my uncle David was dead and that each of these instances was unnatural. And I saw it in my own father, who loves you, who counsels you, who slipped me money to care for you. My father was so very afraid. I felt it in the sting of his black leather belt, which he applied with more anxiety than anger, my father who beat me as if someone might steal me away, because that is exactly what was happening all around us. Everyone had lost a child, somehow, to the streets, to jail, to drugs, to guns. It was said that these lost girls were sweet as honey and would not hurt a fly. It was said that these lost boys had just received a GED and had begun to turn their lives around. And now they were gone, and their legacy was a great fear. Have they told you this story? When your grandmother was sixteen years old a young man knocked on her door. The young man was your Nana Jo’s boyfriend. No one else was home. Ma allowed this young man to sit and wait until your Nana Jo returned. But your great-grandmother got there first. She asked the young man to leave. Then she beat your grandmother terrifically, one last time, so that she might remember how easily she could lose her body. Ma never forgot. I remember her clutching my small hand tightly as we crossed the street. She would tell me that if I ever let go and were killed by an onrushing car, she would beat me back to life. When I was six, Ma and Dad took me to a local park. I slipped from their gaze and found a playground. Your grandparents spent anxious minutes looking for me. When they found me, Dad did what every parent I knew would have done—he reached for his belt. I remember watching him in a kind of daze, awed at the distance between punishment and offense. Later, I would hear it in Dad’s voice—“Either I can beat him, or the police.” Maybe that saved me. Maybe it didn’t. All I know is, the violence rose from the fear like smoke from a fire, and I cannot say whether that violence, even administered in fear and love, sounded the alarm or choked us at the exit. What I know is that fathers who slammed their teenage boys for sass would then release them to streets where their boys employed, and were subject to, the same justice. And I knew mothers who belted their girls, but the belt could not save these girls from drug dealers twice their age. We, the children, employed our darkest humor to cope. We stood in the alley where we shot basketballs through hollowed crates and cracked jokes on the boy whose mother wore him out with a beating in front of his entire fifth-grade class. We sat on the number five bus, headed downtown, laughing at some girl whose mother was known to reach for anything—cable wires, extension cords, pots, pans. We were laughing, but I know that we were afraid of those who loved us most. Our parents resorted to the lash the way flagellants in the plague years resorted to the scourge.
Ta-Nehisi Coates (Between the World and Me)
They Should Have Asked My Husband You know this world is complicated, imperfect and oppressed And it’s not hard to feel timid, apprehensive and depressed. It seems that all around us tides of questions ebb and flow And people want solutions but they don’t know where to go. Opinions abound but who is wrong and who is right. People need a prophet, a diffuser of the light. Someone they can turn to as the crises rage and swirl. Someone with the remedy, the wisdom, and the pearl. Well . . . they should have asked my ‘usband, he’d have told’em then and there. His thoughts on immigration, teenage mothers, Tony Blair, The future of the monarchy, house prices in the south The wait for hip replacements, BSE and foot and mouth. Yes . . . they should have asked my husband he can sort out any mess He can rejuvenate the railways he can cure the NHS So any little niggle, anything you want to know Just run it past my husband, wind him up and let him go. Congestion on the motorways, free holidays for thugs The damage to the ozone layer, refugees and drugs. These may defeat the brain of any politician bloke But present it to my husband and he’ll solve it at a stroke. He’ll clarify the situation; he will make it crystal clear You’ll feel the glazing of your eyeballs, and the bending of your ear. Corruption at the top, he’s an authority on that And the Mafia, Gadafia and Yasser Arafat. Upon these areas he brings his intellect to shine In a great compelling voice that’s twice as loud as yours or mine. I often wonder what it must be like to be so strong, Infallible, articulate, self-confident …… and wrong. When it comes to tolerance – he hasn’t got a lot Joyriders should be guillotined and muggers should be shot. The sound of his own voice becomes like music to his ears And he hasn’t got an inkling that he’s boring us to tears. My friends don’t call so often, they have busy lives I know But its not everyday you want to hear a windbag suck and blow. Encyclopaedias, on them we never have to call Why clutter up the bookshelf when my husband knows it all!
Pam Ayres
Since when do you care, Cam?” I set my whisky glass down and stepped up to her, meeting her toe to toe. Her breath hitched as she met my gaze, our bodies almost touching.  “I care about you,” I whispered. “It may be crazy. I may not have a single shot in hell with you. But I care, Hal. I care a lot. And I like you more than I should.” She swallowed hard, her gaze dancing with something I couldn’t quite read. “It is crazy. Because if I didn’t know any better, I’d say you want me.” “I do want you. I want you like a garden wants the sun. When I see you, I can’t see anything else. I want you and no one else. Maybe I’ve always wanted you.” I didn’t care if I sounded like some crazy country poet saying those things, I meant every word.  “So you bullied me? Because you liked me?” “I wasn't raised to express my emotions in a healthy way, I was terrible to you for a lot of reasons, Haley. Reasons it took me years of therapy to figure out. Some of those reasons had nothing to do with you. One of those reasons was that I liked you but I also felt threatened by you. And my teenage, dumbass, hormone-riddled brain didn't know how to process more than one feeling at a time. I'm not that guy anymore, though. I've grown up.” “Threatened by me? What did I ever do to threaten you?” I sucked in a breath. This conversation had gone through my head a thousand times, and now it was here. Being honest fucking sucked sometimes, but I was going to be truthful.  “You didn't do anything. It was more that you represented change. Nothing ever changes in Citrus Cove. People are born, live, and die here. But one day the Bently girls show up out of nowhere. And, let me tell you it took dozens of hours and thousands of dollars of therapy to figure out why it was only ever you I was terrible to, but you coming to town, it meant that things don't stay the same forever. I didn't know that was why at the time, but you represented the possibility of more, but also the possibility of loss. And we had just lost my grandmother and I couldn't deal with something new. All that, and I had a stupid boyhood crush on you. But I'm not a boy anymore.” “No, you’re not,” she said, the corner of her mouth tugging. “You’ve grown up.
Clio Evans (Broken Beginnings (Citrus Cove, #1))
So Dad was a tedious, well-connected workaholic. But the other thing you need to understand is that Mom was a living wet dream. A former Guess model and Miller Lite girl, she was tall, curvy and gorgeous. At thirty-eight, she had somehow managed to remain ageless and maintained her killer body. She’s five-foot-nine with never-ending legs, generous breasts and full hips that scoop dramatically into her slim waist. People who say Barbie’s proportions are unrealistic obviously never met my stepmother. Her face is pretty too, with long eyelashes, sculpted cheekbones and big, blue eyes that tease and smile at the same time. Her long brown hair rests on her shoulders in thick, tousled layers like in one of those Pantene Pro-V commercials. One memory seared in to my brain from my early teenage years is of Mom parading around the house one evening in nothing but her heels and underwear. I was sitting on the couch in the living room watching TV when a flurry of long limbs and blow-dried hair burst in front of the screen. “Teddy-bear. Do you know where Silvia left the dry cleaning? I’m running late for dinner with the Blackwells and I can’t find my red cocktail dress.” Mom stood before me in matching off-white, La Perla bra and panties and Manolo Blahnik stilettos. Some subtle gold hoop earrings hung from her ears and a tiny bit of mascara on her eye lashes highlighted her sparkling, blue eyes. Aside from the missing dress, she was otherwise ready to go. “I think she left them hanging on the chair next to the other sofa,” I said, trying my best not to gape at Mom’s perfect body. Mom trotted across the room, her heels tocking on the hard wood floor. I watched her slim, sexy back as she lifted the dry cleaning onto the sofa and then bent over to sort through the garments. My eyes followed her long mane of brown hair down to her heart-shaped ass. Her panties stretched tightly across each cheek as she bent further down. “Found it!” She cried, springing back upright, causing her 35Cs to bounce up and down from the sudden motion. They were thrusting proudly off her ribcage and bulging out over the fabric of the balconette bra like two titanic eggs. Her supple skin pushed out over the silk edges. And then she was gone as quickly as she had arrived, her long legs striding back down the hallway.
C.R.R. Crawford (Sins from my Stepmother: Forbidden Desires)
INTERNATIONAL LAW WAS CREATED DURING THE BUSH ADMINISTRATION BECAUSE a group of Mexicans—and one African American—gang-raped and murdered two teenaged girls in Houston, Texas.1 The crime made history in another way: It led to the most death sentences handed out for a single crime in Texas since 1949.2 Do you even know about this case? The only reason the media eventually admitted that the lead rapist, Jose Ernesto Medellin, was an illegal alien from Mexico was to try to overturn his conviction on the grounds that he had not been informed of his right, as a Mexican citizen, to confer with the Mexican consulate. Journalists have an irritating tendency to skimp on detail when reporting crimes by immigrants, a practice that will not be followed here. One summer night in June 1993, fourteen-year-old Jennifer Ertman and Elizabeth Peña, who had just turned sixteen, were returning from a pool party, and decided to take a shortcut through a park to make their 11:30 p.m. curfew. They encountered a group of Hispanic men, who were in the process of discussing “gang etiquette,” such as not complaining if other members talked about having sex with your mother.3 The girls ran away, but Medellin grabbed Jennifer and began ripping her clothes off. Hearing her screams, Elizabeth came back to help her friend. For more than an hour, the five Hispanics and one black man raped the teens, vaginally, anally, and orally—“every way you can assault a human being,” as the prosecutor put it.4 The girls were beaten, kicked, and stomped, their teeth knocked out and their ribs broken. One of the Hispanic men told Medellin’s fourteen-year-old brother to “get some,” so he raped one of the girls, too. But when it was time to kill the girls, Medellin said his brother was “too small to watch” and dragged the girls into the woods.5 There, the girls were forced to kneel on the ground and a belt or shoelace was looped around their necks. Then a man on each side pulled on the cord as hard as he could. The men strangling Jennifer pulled so hard they broke the belt. Medellin later complained that “the bitch wouldn’t die.” When it was done, he repeatedly stomped on the girls’ necks, to make sure they were dead.6 At trial, Medellin’s sister-in-law testified that shortly after the gruesome murders, Medellin was laughing about it, saying they’d “had some fun with some girls” and boasting that he had “virgin blood” on his underpants.7 It’s difficult to understand a culture where such an orgy of cruelty is bragged about at all, but especially in front of women.
Ann Coulter (¡Adios, America!: The Left's Plan to Turn Our Country into a Third World Hellhole)
The culture generated by peer-orientation is sterile in the strict sense of that word: it is unable to reproduce itself or to transmit values that can serve future generations. There are very few third generation hippies. Whatever its nostalgic appeal, that culture did not have much staying power. Peer culture is momentary, transient, and created daily, a “culture du jour,” as it were. The content of peer culture resonates with the psychology of our peer-oriented children and adults who are arrested in their own development. In one sense it is fortunate that peer culture cannot be passed on to future generations, since its only redeeming aspect is that it is fresh every decade. It does not edify or nurture or even remotely evoke the best in us or in our children. The peer culture, concerned only with what is fashionable at the moment, lacks any sense of tradition or history. As peer orientation rises, young people's appreciation of history wanes, even of recent history. For them, present and future exist in a vacuum with no connection to the past. The implications are alarming for the prospects of any informed political and social decision-making flowing from such ignorance. A current example is South Africa today, where the end of apartheid has brought not only political freedom but, on the negative side, rapid and rampant Westernization and the advent of globalized peer culture. The tension between the generations is already intensifying. “Our parents are trying to educate us about the past,” one South African teenager told a Canadian newspaper reporter. “We're forced to hear about racists and politics…” For his part, Steve Mokwena, a thirty-six year-old historian and a veteran of the anti-apartheid struggle, is described by the journalist as being “from a different world than the young people he now works with.” “They're being force-fed on a diet of American pop trash. It's very worrying,” said Mokwena—in his mid-thirties hardly a hoary patriarch.on a diet of American pop trash. It's very worrying,” said Mokwena—in his mid-thirties hardly a hoary patriarch. You might argue that peer orientation, perhaps, can bring us to the genuine globalization of culture, of a universal civilization that no longer divides the world into “us and them.” Didn't the MTV broadcaster brag that children all over television's world resembled one another more than their parents and grandparents? Could this not be the way to the future, a way to transcend the cultures that divide us and to establish a worldwide culture of connection and peace? We think not.
Gabor Maté (Hold On to Your Kids: Why Parents Need to Matter More Than Peers)
I remember once, on a family skiing trip to the Alps, Dad’s practical joking got all of us into a particularly tight spot. I must have been about age ten at the time, and was quietly excited when Dad spotted a gag that was begging to be played out on the very serious-looking Swiss-German family in the room next door to us. Each morning their whole family would come downstairs, the mother dressed head to toe in furs, the father in a tight-fitting ski suit and white neck scarf, and their slightly overweight, rather snooty-looking thirteen-year-old son behind, often pulling faces at me. The hotel had the customary practice of having a breakfast form that you could hang on your door handle the night before if you wanted to eat in your room. Dad thought it would be fun to fill out our form, order 35 boiled eggs, 65 German sausages, and 17 kippers, then hang it on the Swiss-German family’s door. It was too good a gag to pass up. We didn’t tell Mum, who would have gone mad, but instead filled out the form with great hilarity, and sneaked out last thing before bed and hung it on their door handle. At 7:00 A.M. we heard the father angrily sending the order back. So we repeated the gag the next day. And the next. Each morning the father got more and more irate, until eventually Mum got wind of what we had been doing and made me go around to apologize. (I don’t know why I had to do the apologizing when the whole thing had been Dad’s idea, but I guess Mum thought I would be less likely to get in trouble, being so small.) Anyway, I sensed it was a bad idea to go and own up, and sure enough it was. From that moment onward, despite my apology, I was a marked man as far as their son was concerned. It all came to a head when I was walking down the corridor on the last evening, after a day’s skiing, and I was just wearing my ski thermal leggings and a T-shirt. The spotty, overweight teenager came out of his room and saw me walking past him in what were effectively ladies’ tights. He pointed at me, called me a sissy, started to laugh sarcastically, and put his hands on his hips in a very camp fashion. Despite the age and size gap between us, I leapt on him, knocked him to the ground, and hit him as hard as I could. His father heard the commotion and raced out of his room to find his son with a bloody nose and crying hysterically (and overdramatically). That really was the straw that broke the camel’s back, and I was hauled to my parents’ room by the boy’s father and made to explain my behavior to Mum and Dad. Dad was hiding a wry grin, but Mum was truly horrified, and I was grounded. So ended another cracking family holiday!
Bear Grylls (Mud, Sweat and Tears)
Boy Lost Picture a sunset in a small port town by the sea. Two teenaged boys sitting on the docks watching the ships as they fly across the water. One reaches out and takes the other’s hand. In this brush of skin for skin, a thousand unspoken promises erupt between them, and both are determined to keep them. This is what youth is. The sheer belief that you will be able to keep every promise you made to someone else. That you will be able to love someone into a forever when you do not even understand what forever means. An evening spent in the headiness of love, they go back to their respective homes. One boy helps his mother with cooking and cleaning and looking after his little sister. His father is a good man, a sailor who brings home with him meagre wages, but a heart full of love and a quicksilver tongue that tells stories of faraway lands to enthral them all. But this boy, despite his blessings, is not happy. He may have been blessed with a loving family, but that faraway look is made of unrest and wanderlust, something about him says fae, changeling, wearing the skin of a boy who was always destined to fly, to leave.   The other boy returns home to a father who drinks and a mother who works so hard that she is never there. He is the unwanted creature in this home, a beating waiting for him at every corner. His father’s temper is a beast so powerful that a boy made of paper bones barely held together cannot fight him. He hides in his room. He lives for a boy at sunset, hope made into a human being. Now picture this. This boy of paper bones alone at the docks the next sunset. And this boy alone on the docks again on a rainy day. And this boy alone on the docks every day after, waiting for someone who promised him forevers he never intended to keep. This boy becoming a man, a heart wounded so young in youth that it never quite healed right. Imagine him becoming a sailor, searching land after land for a boy he once loved, thinking he was hurt, or stolen, just needing to know what happened to him. Now see him finally finding out that the boy he loved in his boyhood ran away to a magical land where he never grew up. That without a second glance, he just forgot every promise of forever. Imagine his rage, that ancient pain turning to a terrible anger and escaping from the forgotten attic of his mangled heart. Think of what happens when immense love turns into immense hate. An anger so intense it cannot be controlled. What he would give up to avenge the boy he once was, paper-boned, standing on the docks, broken without a single person to love him, simply all alone. A hand is a small price to pay for a magical ship that will take him to Neverland, a place that lives on a star. Becoming a villain called Captain Hook is a small exchange to show Peter Pan that you cannot throw away love and think you will get away unscarred.
Nikita Gill (Fierce Fairytales: Poems and Stories to Stir Your Soul)
Please give me another chance!” Breathing hard, I waited for a light to come on, a door to open, a sign that she still loved me . . . but the house remained dark and silent. Crickets chirped. I glanced over at the girls, who seemed just as distraught as I was. They looked at each other, and then back at me. That’s when I heard a feminine voice come out of the darkness behind me. “Hey Winnie? Yeah, it’s Audrey. There’s some guy across the street yelling at the Wilsons’ house, but I think he’s talking to you.” Oh, fuck. Horrified, I spun around on my knees. A teenage couple stood under a front porch light at a home across the street. The girl was talking into her phone. “Dude,” the guy called out. “I think you’re at the wrong house.” Fuck. Me. Behind the couple, the front door opened and a barrel-chested man came storming out the front door wearing jeans, a USMC sweatshirt, and a scowl. “What’s going on out here? Who’s shouting?” “That guy over there is telling Winnie that he’s sorry and he loves her, but he’s at the wrong house,” said the girl. “I feel really bad for him.” “What?” The man’s chest puffed out further and he squinted in my direction. Then Winnie’s mom appeared on the porch, pulling a cardigan around her. “Is everything okay?” No. Everything was not okay. “Who is that guy?” her dad asked, and by his tone I could tell what he meant was, Who is that fucking idiot? “Is it Dex?” Frannie leaned forward and squinted. “Is that you, Dex?” “Yeah. It’s me.” I’d never wanted a sinkhole to open up and swallow me as badly as I did at that moment. If my kids hadn’t been there, I might have taken off on foot. Just then, a car pulled into their driveway, and my stomach lurched when Winnie jumped out of the passenger side. Her friend Ellie got out of the driver’s side and looked back and forth between Winnie and me. “Holy shit,” she said. “Dex?” Winnie started walking down the drive and stopped at the sidewalk, gaping at me kneeling in the spotlight from the streetlamp above. “What on earth are you doing?” “Hi, Winnie!” Hallie and Luna started jumping up and down and waving like mad. “Hi!” And then, because apparently there wasn’t a big enough audience, another car pulled up in front of the MacAllisters’ house, and a second teenage girl jumped out. “Bye!” she yelled, waving as the car drove off. Then she noticed everyone outside. “Oh, crap. Did I miss curfew or something?” “No,” the first teenage girl said, hopping down from the porch. “Omigod, Emmeline, this is amazing. Kyle was just leaving when this man pulled up, jumped out of his car, and starts shouting to Winnie that he loves her and he wants another chance—but he was yelling at the Wilsons’ house, not ours. Not that it mattered, because she wasn’t even here.” “Audrey, be quiet!” Winnie put her hands on her head. “Dex. What is this? Why are you on your knees?” “We told him to do that!” Hallie shouted proudly. “Because that’s what the ogre would do!
Melanie Harlow (Ignite (Cloverleigh Farms, #6))