Outer Wilds Quotes

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Happy. Just in my swim shorts, barefooted, wild-haired, in the red fire dark, singing, swigging wine, spitting, jumping, running—that's the way to live. All alone and free in the soft sands of the beach by the sigh of the sea out there, with the Ma-Wink fallopian virgin warm stars reflecting on the outer channel fluid belly waters. And if your cans are redhot and you can't hold them in your hands, just use good old railroad gloves, that's all.
Jack Kerouac (The Dharma Bums)
Wild dreams torment me as I lie. And though a god lives in my heart, though all my power waken at his word, though he can move my every inmost part - yet nothing in the outer world is stirred. thus by existence tortured and oppressed I crave for death, I long for rest.
Johann Wolfgang von Goethe (Faust, Part One)
In many of the more relaxed civilizations on the Outer Eastern Rim of the Galaxy, the Hitch-Hiker's Guide has already supplanted the great Encyclopaedia Galactica as the standard repository of all knowledge and wisdom, for though it has many omissions and contains much that is apocryphal, or at least wildly inaccurate, it scores over the older, more pedestrian work in two important respects. First, it is slightly cheaper; and secondly it has the words DON'T PANIC inscribed in large friendly letters on its cover.
Douglas Adams (The Hitchhiker’s Guide to the Galaxy (Hitchhiker's Guide to the Galaxy, #1))
What does this wildish intuition do for women? Like the wolf, intuition has claws that pry things open and pin things down, it has eyes that can through the shields of persona, it has ears that hear beyond the range of mundane human hearing. With these formidable psychic tools a woman takes on a shrewd and even precognitive animal consciousness, one that deepens her femininity and sharpens her ability to move confidently in the outer world.
Clarissa Pinkola Estés (Women Who Run With the Wolves)
The industrial towns were far away, a smudge of smoke and misery hidden by the curve of the earth's surface. Down here it was still the England I had known in my childhood: the railway-cuttings smothered in wild flowers, the deep meadows where the great shining horses browse and meditate, the slow-moving streams bordered by willows, the green bosoms of the elms, the larkspurs in the cottage gardens; and then the huge peaceful wilderness of outer London, the barges on the miry river, the familiar streets, the posters telling of cricket matches and Royal weddings, the men in bowler hats, the pigeons in Trafalgar Square, the red buses, the blue policemen—all sleeping the deep, deep sleep of England, from which I sometimes fear that we shall never wake till we are jerked out of it by the roar of bombs.
George Orwell (Homage to Catalonia)
Not only is it a wholly remarkable book, it is also a highly successful one – more popular than the Celestial Home Care Omnibus, better selling than Fifty-three More Things to do in Zero Gravity, and more controversial than Oolon Colluphid's trilogy of philosophical blockbusters Where God Went Wrong, Some More of God's Greatest Mistakes and Who is this God Person Anyway? In many of the more relaxed civilizations on the Outer Eastern Rim of the Galaxy, the Hitch-Hiker's Guide has already supplanted the great Encyclopaedia Galactica as the standard repository of all knowledge and wisdom, for though it has many omissions and contains much that is apocryphal, or at least wildly inaccurate, it scores over the older, more pedestrian work in two important respects. First, it is slightly cheaper; and secondly it has the words DON'T PANIC inscribed in large friendly letters on its cover.
Douglas Adams (The Hitchhiker’s Guide to the Galaxy (Hitchhiker's Guide to the Galaxy, #1))
Intuition is not to be consulted once and then forgotten. It is not disposable. It is to be consulted at all steps along the way, whether the woman's work be clashing with a demon in the interior, or completing a task in the outer world. It does not matter whether a woman's concerns and aspirations are personal or global. Before all else, every action begins with strengthening the spirit.
Clarissa Pinkola Estés (Women Who Run With the Wolves)
Everything about it and the fierce old coast around it, had the ring and taste and feel of utter rightness to me. Its peace and loneliness crept into my veins and ran there, its wildness called out to the deep buried wildness in my heart.
Anne Rivers Siddons (Outer Banks)
The idea of synchronizing her outer movements with the natural rhythms of her body inspired her,
Tami Lynn Kent (Wild Feminine: Finding Power, Spirit & Joy in the Female Body (Reclaim Your Wild Book 2))
As if Japan weren't small enough to begin with, I fail to understand why it is necessary to think of it in even smaller units. No matter where I go in the world, although I can't speak any foreign language, I don't feel out of place. I think of the earth as my home. If everyone thought this way, people might notice just how foolish international friction is, and they would put an end to it. We are, after all, at a point where it is almost narrow-minded to think merely in geocentric terms. Human beings have launched satellites into outer space, and yet they still grovel on earth looking at their own feet like wild dogs. What is to become of our planet?
Akira Kurosawa (Something Like an Autobiography)
His kiss was like no other! His kiss was enchanted and fairy-tale like. He applied pressure, but just enough to feel his tenderness and warmth. I could feel his heart beating wildly as he pressed his chest against my chest all the while his loving lips brushed up against mine with a care-filled affection. His tongue lightly licked the outer edges of my mouth, and then searched for my tongue. The pursuit allowed a marriage of both tongues to meet - inspiring a mingling tango of hot and heavy French kissing to manifest profusely. We kissed like two hot and horny teenagers, our mouths moving and craving each others lips, in animalistic desires!
Keira D. Skye
We are the fluid gyrations of birthing stars, beautiful explosions in motion coruscating with all the love that we brought from the outer edges of the cosmos, and it whirls wildly, madly, in the centre of our beings...
Mona Soorma (You Make Me Spill My Ink)
The last frontier is not Alaska, outer space, the oceans, or the wonders of technology. It’s open-mindedness. Honor the land and its first nation peoples, and their ability to acquire wisdom, sustenance, and happiness from the wild plants and animals around them. Learn through story. Sleep on the ground. Listen. Travel by kayak and canoe.
Kim Heacox (John Muir and the Ice That Started a Fire: How a Visionary and the Glaciers of Alaska Changed America)
She strolled between shelves, looking at titles, smiling as she met old friends - books she had read three times or five times or a dozen. Just a title, or an author's name, would be enough to summon up happy images. Strange creatures like phoenixes and psammeads, moving under smokey London daylight of a hundred years before, in company with groups of bemused children; starships and new worlds and the limitless vistas of interstellar night, outer space challenged but never conquered; princesses in silver and golden dresses, princes and heroes carrying swords like sharpened lines of light, monsters rising out of weedy tarns, wild creatures that talked and tricked one another...
Diane Duane (So You Want to Be a Wizard (Young Wizards, #1))
In many of the more relaxed civilizations on the Outer Eastern Rim of the Galaxy, the Hitchhiker’s Guide has already supplanted the great Encyclopedia Galactica as the standard repository of all knowledge and wisdom, for though it has many omissions and contains much that is apocryphal, or at least wildly inaccurate,
Douglas Adams (The Hitchhiker's Guide to the Galaxy (Hitchhiker's Guide, #1))
There we understood that our vocation, our true vocation, was to move for eternity along the roads and seas of the world. Always curious, looking into everything that came before our eyes, sniffing out each corner but only ever faintly — not setting down roots in any land or staying long enough to see the substratum of things; the outer limits would suffice. As all the sentimental themes the sea inspires passed through our conversation, the lights of Antofagasta began to shine in the distance, to the northeast. It was the end of our adventure as stowaways, or at least the end of this adventure now that our boat was returning to Valparaíso. ESTA VEZ, FRACASO this time, disaster I can see him now clearly, the drunk captain, like all his officers and the owner of the vessel alongside with his great big mustache, their crude gestures the results of bad wine. And the wild laughter as they recounted our odyssey. “Hey listen, they’re tigers, they’re on your boat now for sure, you’ll find out when you’re out to sea.” The captain must have let slip to his friend and colleague this or some similar phrase. We
Ernesto Che Guevara (The Motorcycle Diaries: Notes on a Latin American Journey)
Anyone close to a woman is in fact in the presence of two women; an outer being and an interior criatura, one who lives in the topside world, one who lives in the world not so easily seeable. The outer being lives by the light of day and is easily observed. She is often pragmatic, acculturated, and very human. The criatura, however, often travels to the surface from far away, often appearing and then as quickly disappearing, yet always leaving behind a feeling: something surprising, original, and knowing.
Clarissa Pinkola Estés (Women Who Run With the Wolves: Myths and Stories of the Wild Woman Archetype)
Human beings have launched satellites into outer space, and yet they still grovel on earth looking at their own feet like wild dogs. What is to become of our planet?
Akira Kurosawa (Something Like an Autobiography)
The Sick Woman begins to see that life is wilder, more chaotic, harsher and more loving, paradoxical, and downright strange than she was ever taught. She discovers for herself the power of moon and the tides, the shifting of the stars and the seasons, the haze of pollen and shift in air pressure and how they impact her dreams, her moods, her body processes. She learns that she is not an independent automaton but a wild being woven of life and death, a chaos of magic, not a machine of logic. She learns that the outer impacts the inner in myriad ways. And vice versa. She learns that she is simultaneously weaker and yet more powerful than she ever knew. She is dangerous with this knowledge which does not appear in the medical books and bibles except as anomalies. She’s singing from the wrong hymn sheet and messing up the patina of perfection that the patriarchy is aiming for. In a display of a million marching soldiers with polished boots, gleaming medals and straight legs, there is the sick woman, bare breasted, hair loose, scars showing, shameless, dancing to her own tune.
Lucy H. Pearce (Medicine Woman: Reclaiming the Soul of Healing)
First: breakdown, impossible to sleep, impossible to stay awake, impossible to endure life, or, more exactly, the course of life. The clocks are not in unison; the inner one runs crazily on at a devilish or demoniac or in any case inhuman pace, the outer one limps along at its usual speed. What else can happen but that the two worlds split apart, and they do split apart, or at least clash in a fearful manner. There are doubtless several reasons for the wild tempo of the inner process; the most obvious one is introspection, which will suffer no idea to sink tranquilly to rest but must pursue each one into consciousness, only itself to become an idea, in turn to be pursued by renewed introspection. Secondly: this pursuit, originating in the midst of men, carries one in a direction away from them. The solitude that for the most part has been forced on me, in part voluntarily sought by me –but what was this if not compulsion too? –is now losing all its ambiguity and approaches its dénouement. Where is it leading? The strongest likelihood is, that it may lead to madness; there is nothing more to say, the pursuit goes right through me and rends me asunder. Or I can –can I? –manage to keep my feet somewhat and be carried along in the wild pursuit. Where, then, shall I be brought? ‘Pursuit,’ indeed, is only a metaphor. I can also say, ‘assault on the last earthly frontier’, an assault, moreover, launched from below, from mankind, and since this too is a metaphor, I can replace it by the metaphor of an assault from above, aimed at me from above.
Franz Kafka (Diaries, 1910-1923)
Prison Moon Four a.m. work duty and I begin my solitary trudge from outer compound to main building. A shivering guard, chilled in his lonely outpost, strip searches me until content that my inconsequential nudity. poses no threat and then whispers the secret code that allows me admittance into the open quarter-mile walkway. I chuff my way into another day as ice glints on the razor wire and the rifles note my numbed passage, silent but for my huffs and scuffle on the cracked, slippery sidewalk A new moon, veiled in wispy fog and beringed in glory, hangs over the prison, its gaudy glow taunting the halogen spotlights. The moon’s creamy pull upsets some liquid equilibrium within me and like tides, wolves and all manner of madmen, I surrender disturbed by the certainty that under the bony luminescence of a grinning moon The lunar deliriums grip me and I howl--once, then again, and surely somewhere an unbound sleeper stirs, penitence is dying a giddy death. I shake myself sane and as the echoes hang in the frigid air I explain to the wild-eyed guard that convicts, like all animals under the leash, must bay at the beauty beyond them.
Jorge Antonio Renaud
There is incredible symmetry in a tree, between its inner life and its outer life,between its rooted memory and its external active presence. A tree grows up and down at once and produces enough branches too incarnate it’s wild divinity. It doesn’t limit itself- it reaches for the sky and it reaches for the source, all in one kind of seamless movement. So I think landscape is an incredible, mystical teacher, and when you begin to tune into its sacred presence, something shifts inside you.
John O'Donohue (Walking in Wonder: Eternal Wisdom for a Modern World)
It’s as if the massive building has been stripped of its outer layers, revealing the very pieces that keep it erect just underneath. Brightly colored tubes in green, blue, yellow, and red are interspersed with metal beams, and look as much like a piece of art as the items housed inside.
Christina Lauren (Sweet Filthy Boy (Wild Seasons, #1))
Oh, Beauty, passing beauty Oh, Beauty, passing beauty! sweetest Sweet! How canst thou let me waste my youth in sighs? I only ask to sit beside thy feet. Thou knowest I dare not look into thine eyes, Might I but kiss thy hand! I dare not fold My arms about thee ­ scarcely dare to speak. And nothing seems to me so wild and bold, As with one kiss to touch thy blessed cheek. Methinks if I should kiss thee, no control Within the thrilling brain could keep afloat The subtle spirit. Even while I spoke, The bare word KISS hath made my inner soul To tremble like a lutestring, ere the note Hath melted in the silence that it broke. But were I loved, as I desire to be, What is there in the great sphere of the earth, And range of evil between death and birth, That I should fear ­ if I were loved by thee? All the inner, all the outer world of pain Clear Love would pierce and cleave, if thou wert mine, As I have heard that, somewhere in the main, Fresh water-springs come up through bitter brine. 'Twere joy, not fear, clasped hand in hand with thee, To wait for death ­ mute ­ careless of all ills, Apart upon a mountain, though the surge Of some new deluge from a thousand hills Flung leagues of roaring foam into the gorge Below us, as far on as eye could see.
Alfred Tennyson
We’re all in outer space, Jerry, and we’re in color. NBC claims to be the first full- color network, so let’s prove it for them. When you light the sets, throw wild colors in—magenta, red, green, any color you can find—especially behind the actors when they’re in a close shot. Be dramatic. In fact, go overboard. Backlight the women and make them more beautiful. Take some chances. No one can tell you that’s not the way the future will look.
Robert H. Justman
When women reassert their relationship with the wildish nature, they are gifted with a permanent and internal watcher, a knower, a visionary, an oracle, an inspiratrice, an intuitive, a maker, a creator, an inventor, and a listener who guide, suggest, and urge vibrant life in the inner and outer worlds. When women are close to this nature, the fact of that relationship glows through them. This wild teacher, wild mother, wild mentor supports their inner and outer lives, no matter what.
Clarissa Pinkola Estés (Women Who Run With the Wolves: Myths and Stories of the Wild Woman Archetype)
The door had six knobs on its inner side: the uppermost, which matched the outer one, a square of frost-furred crystal, and five beneath it, placed in an uneven row. The first two were of some sort of dark stone, one icy and the other matte and slippery-smooth. The fourth had the look of a tiny aquarium, a cylinder of turquoise sea shafted with sunlight. The bottom two were made of wood. The first was pale, carved with an intricate floral pattern. I could not tell if the second was similarly decorated, for it was largely covered in a wet moss woven with constellations of tiny white flowers.
Heather Fawcett (Emily Wilde’s Map of the Otherlands (Emily Wilde, #2))
Once women have lost her and then found her again, they will contend to keep her for good. Once they have regained her, they will fight and fight hard to keep her, for with her their creative lives blossom; their relationships gain meaning and depth and health; their cycles of sexuality, creativity, work, and play are re-established; they are no longer marks for the predations of others; they are entitled equally under the laws of nature to grow and to thrive. Now their end-of-the-day fatigue comes from satisfying work and endeavors, not from being shut up in too small a mind-set, job, or relationship. They know instinctively when things must die and when things must live; they know how to walk away, they know how to stay. When women reassert their relationship with the wildish nature, they are gifted with a permanent and internal watcher, a knower, a visionary, an oracle, an inspiratrice, an intuitive, a maker, a creator, an inventor, and a listener who guide, suggest, and urge vibrant life in the inner and outer worlds. When women are close to this nature, the fact of that relationship glows through them. This wild teacher, wild mother, wild mentor supports their inner and outer lives, no matter what.
Clarissa Pinkola Estés (Women Who Run With the Wolves: Myths and Stories of the Wild Woman Archetype)
Where do you buy food for her, and of what quality and quantity, and what hours for dining? We might start off by paraphrasing Oscar Wilde’s poem, substituting the word “Art” for “Love.” Art will fly if held too lightly, Art will die if held too tightly, Lightly, tightly, how do I know Whether I’m holding or letting Art go? For “Art” substitute, if you wish, “Creativity” or “The Subconscious” or “Heat” or whatever your own word is for what happens when you spin like a firewheel and a story “happens.” Another way of describing The Muse might be to reassess those little specks of light, those airy bubbles which float across everyone’s vision, minute flaws in the lens or the outer, transparent skin of the eye.
Ray Bradbury (Zen in the Art of Writing)
Reade drew a deep breath. He said with resignation, "All right. I'll try to explain. But it's rather difficult. You see, I've devoted my life to the problem of why certain men see visions. Men like Blake and Boehme and Thomas Traherne. A psychologist once suggested that it's a chemical in the bloodstream—the same sort of thing that makes a dipsomaniac see pink elephants. Now obviously, I can't accept this view. But I've spent a certain amount of time studying the action of drugs, and taken some of them myself. And it's become clear to me that what we call 'ordinary consciousness' is simply a special, limited case. . . But this is obvious after a single glass of whiskey. It causes a change in consciousness, a kind of deepening. In ordinary consciousness, we're mainly aware of the world around us and its problems. This is awfully difficult to explain. . ." Fisher said, "You're being very clear so far. Please go on." "Perhaps an analogy will help. In our ordinary state of consciousness, we look out from behind our eyes as a motorist looks from behind the windscreen of a car. The car is very small, and the world out there is very big. Now if I take a few glasses of whiskey, the world out there hasn't really changed, but the car seems to have grown bigger. When I look inside myself, there seem to be far greater spaces than I'm normally aware of. And if I take certain drugs, the car becomes vast, as vast as a cathedral. There are great, empty spaces. . . No, not empty. They're full of all kinds of things—of memories of my past life and millions of things I never thought I'd noticed. Do you see my point? Man deliberately limits his consciousness. It would frighten him if he were aware of these vast spaces of consciousness all the time. He stays sane by living in a narrow little consciousness that seems to be limited by the outside world. Because these spaces aren't just inhabited by memories. There seem to be strange, alien things, other minds. . ." As he said this, he saw Violet de Merville shudder. He said, laughing, "I'm not trying to be alarming. There's nothing fundamentally horrible about these spaces. One day we shall conquer them, as we shall conquer outer space. They're like a great jungle, full of wild creatures. We build a high wall around us for safety, but that doesn't mean we're afraid of the jungle. One day we shall build cities and streets in its spaces.
Colin Wilson (The Glass Cage)
A degree of anxiety is fundamental to our nature for well-founded reasons: •   Because we are intensely vulnerable physical beings, a complicated network of fragile organs deeply affected by the vagaries of our outer and inner worlds. •   Because we can imagine so much more than we can ever have and live in mobile-driven, mediatised societies where envy and restlessness are constants. •   Because we are the descendants of the great worriers of the species (the others having been trampled and torn apart by wild animals) and because we still carry in our bones – into the calm of the jasmine-scented holiday resort – the terrors of the savannah. •   Because we rely for our self-esteem and sense of comfort on the love of people we cannot control and whose needs and hopes will never align seamlessly with our own
Alain de Botton (How to Travel)
Gordon MacDonald once wrote about how what he called the “sinkhole syndrome” happens in a human life. It may be triggered by a failure at work, a severed relationship, harsh criticism from a parent, or for no apparent reason at all. But it feels like the earth has given way. It turns out, MacDonald wrote, that in a sense we have two worlds to manage: an outer world of career and possessions and social networks; and an inner world that is more spiritual in nature, where values are selected and character is formed — a place where worship and confession and humility can be practiced. Because our outer worlds are visible and measurable and expandable, they are easier to deal with. They demand our attention. “The result is that our private world is often cheated, neglected because it does not shout quite so loudly. It can be effectively ignored for large periods of time before it gives way to a sinkhole-like cave-in.” He quotes the haunting words of Oscar Wilde: “I was no longer captain of my own soul.” The sinkhole, says MacDonald, is the picture of spiritual vulnerability in our day.
John Ortberg (Soul Keeping: Caring For the Most Important Part of You)
Often, when forced from his hammock by exhausting and intolerably vivid dreams of the night, which, resuming his own intense thoughts through the day, carried them on amid a clashing of phrensies, and whirled them round and round in his blazing brain, till the very throbbing of his life-spot became insufferable anguish; and when, as was sometimes the case, these spiritual throes in him heaved his being up from its base, and a chasm seemed opening in him, from which forked flames and lightnings shot up, and accursed fiends beckoned him to leap down among them; when this hell in himself yawned beneath him, a wild cry would be heard through the ship; and with glaring eyes Ahab would burst from his state room, as though escaping from a bed that was on fire. Yet these, perhaps, instead of being the unsuppressable symptoms of some latent weakness, or fright at his own resolve, were but the plainest tokens of its intensity. For, at such times, crazy Ahab, the scheming, unappeasedly steadfast hunter of the White Whale; this Ahab that had gone to his hammock, was not the agent that so causedhim to burst from it in horror again. The latter was the eternal, living principle or soul in him; and in sleep, being for the time dissociated from the characterizing mind, which at other times employed it for its outer vehicle or agent, it spontaneously sought escape from the scorching contiguity of the frantic thing, of which, for the time, it was no longer an integral. But as the mind does not exist unless leagued with the soul, therefore it must have been that, in Ahab's case, yielding up all his thoughts and fancies to his one supreme purpose; that purpose, by its own sheer inveteracy of will, forced itself against gods and devils into a kind of self-assumed, independent being of its own. Nay, could grimly live and burn, while the common vitality to which it was conjoined, fled horror-stricken from the unbidden and unfathered birth. Therefore, the tormented spirit that glared out of bodily eyes, when what seemed Ahab rushed from his room, was for the time but a vacated thing, a formless somnambulistic being, a ray of living light, to be sure, but without an object to color, and therefore a blankness in itself. God help thee, old man, thy thoughts have created a creature in thee; and he whose intense thinking thus makes him a Prometheus; a vulture feeds upon that heart for ever; that vulture the very creature he creates.
Herman Melville (Moby Dick)
And then England—southern England, probably the sleekest landscape in the world. It is difficult when you pass that way, especially when you are peacefully recovering from seasickness with the plush cushions of a boat-train carriage underneath you, to believe that anything is really happening anywhere. Earthquakes in Japan, famines in China, revolutions in Mexico? Don’t worry, the milk will be on the doorstep tomorrow morning, the New Statesman will come out on Friday. The industrial towns were far away, a smudge of smoke and misery hidden by the curve of the earth’s surface. Down here it was still the England I had known in my childhood: the railway-cuttings smothered in wild flowers, the deep meadows where the great shining horses browse and meditate, the slow-moving streams bordered by willows, the green bosoms of the elms, the larkspurs in the cottage gardens; and then the huge peaceful wilderness of outer London, the barges on the miry river, the familiar streets, the posters telling of cricket matches and Royal weddings, the men in bowler hats, the pigeons in Trafalgar Square, the red buses, the blue policemen—all sleeping the deep, deep sleep of England, from which I sometimes fear that we shall never wake till we are jerked out of it by the roar of bombs.
George Orwell (Homage to Catalonia)
A drunken party girl and her equally drunken escort got onto the elevator at that moment. The girl spotted Drake and lurched toward him, an inviting smile on her face as she thrust her barely concealed breasts at him. “Hello, handsome. Would you hold me against you if I told you it was beautiful?” I pushed myself between her and Drake. “He’s very handsome, isn’t he? And verytaken.” “Fat bitch,” she snapped, sulking for a moment until she spotted Pál. Her companion slouched against the wall of the elevator, too far gone to care, I guess. The door opened at our floor and we exited, leaving the drunken woman to pout as Pál avoided her grasp. I stopped just outside the door, pulled on Drake’s fire, and set alight a ring at her feet. She shrieked and flapped her arms wildly as the doors started to close. I drew a quick ward on them, and before the outer doors blocked my way, mentally stamped out the fire. I turned to find Drake watching me with crossed arms and a cocked eyebrow. “What?” I asked, trying unsuccessfully to bat my eyelashes at him. “You locked them in there with fire?” “There was a fire extinguisher,” I said. “Of course, she’s probably too drunk to notice it or know how to use it, but that’s hardly my problem.” Drake continued to give me the Eyebrow of Much Displeasure. “There were sprinklers as well. They’re sure to go off at some point…oh, for heaven’s sake, Drake! What sort of person do you take me for? I put out the fire just before the doors closed, OK? I just wanted to scare her a little. I may be a demon lord, but I’m not ademon lord! I wouldn’t barbecue a person just because she called me fat.” “Hey, Ash, you know that you’re getting fa—” “You are not a person,” I told Jim. “If you don’t want me to singe off a few whiskers, you’ll pipe down.” “Yeesh!
Katie MacAlister (Holy Smokes (Aisling Grey, #4))
Real burrata is a creation of arresting beauty- white and unblemished on the surface, with a swollen belly and a pleated top. The outer skin should be taut and resistant, while the center should give ever so slightly with gentle prodding. Look at the seam on top: As with mozzarella, it should be rough, imperfect, the sign of human hands at work. Cut into the bulge, and the deposit of fresh cream and mozzarella morsels seems to exhale across the plate. The richness of the cream- burrata comes from burro, the Italian word for "butter"- coats the mouth, the morsels of mozzarella detonate one by one like little depth charges, and the entire package pulses with a gentle current of acidity. The brothers, of course, like to put their own spin on burrata. Sometimes that means mixing cubes of fresh mango into its heart. Or Spanish anchovies. Even caviar. Today, Paolo sends me next door to a vegetable stand to buy wild arugula, which he chops and combines with olives and chunks of tuna and stirs into the liquid heart of the burrata, so that each bite registers in waves: sharp, salty, fishy, creamy. It doesn't move me the same way the pure stuff does, but if I lived on a daily diet of burrata, as so many Dicecca customers do, I'd probably welcome a little surprise in the package from time to time. While the Diceccas experiment with what they can put into burrata, the rest of the world rushes to find the next food to put it onto. Don't believe me? According to Yelp, 1,800 restaurants in New York currently serve burrata. In Barcelona, more than 500 businesses have added it to the menu. Burrata burgers, burrata pizza, burrata mac and cheese. Burrata avocado toasts. Burrata kale salads. It's the perfect food for the globalized palate: neutral enough to fit into anything, delicious enough to improve anything.
Matt Goulding (Pasta, Pane, Vino: Deep Travels Through Italy's Food Culture (Roads & Kingdoms Presents))
Ah, God! what trances of torments does that man endure who is consumed with one unachieved revengeful desire. He sleeps with clenched hands; and wakes with his own bloody nails in his palms. Often, when forced from his hammock by exhausting and intolerably vivid dreams of the night, which, resuming his own intense thoughts through the day, carried them on amid a clashing of phrensies, and whirled them round and round in his blazing brain, till the very throbbing of his life-spot became insufferable anguish; and when, as was sometimes the case, these spiritual throes in him heaved his being up from its base, and a chasm seemed opening in him, from which forked flames and lightnings shot up, and accursed fiends beckoned him to leap down among them; when this hell in himself yawned beneath him, a wild cry would be heard through the ship; and with glaring eyes Ahab would burst from his state room, as though escaping from a bed that was on fire. Yet these, perhaps, instead of being the unsuppressable symptoms of some latent weakness, or fright at his own resolve, were but the plainest tokens of its intensity. For, at such times, crazy Ahab, the scheming, unappeasedly steadfast hunter of the White Whale; this Ahab that had gone to his hammock, was not the agent that so caused him to burst from it in horror again. The latter was the eternal, living principle or soul in him; and in sleep, being for the time dissociated from the characterizing mind, which at other times employed it for its outer vehicle or agent, it spontaneously sought escape from the scorching contiguity of the frantic thing, of which, for the time, it was no longer an integral. But as the mind does not exist unless leagued with the soul, therefore it must have been that, in Ahab's case, yielding up all his thoughts and fancies to his one supreme purpose; that purpose, by its own sheer inveteracy of will, forced itself against gods and devils into a kind of self-assumed, independent being of its own. Nay, could grimly live and burn, while the common vitality to which it was conjoined, fled horror-stricken from the unbidden and unfathered birth. Therefore, the tormented spirit that glared out of bodily eyes, when what seemed Ahab rushed from his room, was for the time but a vacated thing, a formless somnambulistic being, a ray of living light, to be sure, but without an object to color, and therefore a blankness in itself. God help thee, old man, thy thoughts have created a creature in thee; and he whose intense thinking thus makes him a Prometheus; a vulture feeds upon that heart for ever; that vulture the very creature he creates.
Herman Melville (Moby-Dick or, The Whale)
Joy Seekers Certainly, every one of you will admit that what we seek in life is peace and joy. The way of seeking and the field in which we are seeking may be different from man to man, from place to place, and from era to era. But all of us are demanding the same joy everywhere and at all times. Joy or peace, as generally understood, is that which we experience when, in the external circumstances, we come to live a pattern which we have demanded for ourselves at a given period of time and place. That which was, in our childhood, a great happiness and joy, may not again provide for us an equal happiness or peace in our youth. A blue glass marble or a tennis ball would have been a joyous present when one was in one’s childhood. But the same present would not bring any happiness to us if it is presented to us at our diamond jubilee; conversely, it may even be painful, inasmuch as it would remind us of our old age and the impending ‘calamitous day’! Examples can be multiplied to justify the working definition of joy or peace that we have made just now. In this, the difficulty or the failure of man is mainly because the demand of the physical man is not necessarily the demand of the emotional; in the same individual the intellectual personality would still have a third type of demand and, perhaps, the spiritual seeker in him would have yet another demand. Thus, four distinct sets of demands are made by each individual at the same period of time and space. Certainly, no two happenings can come to pass at one and the same time and place, the happenings being conditioned by both time and place. Therefore, however much we may try to bring about, through certain new changes, a perfect scheme of things in our life and a hope to gain out of it a perfect satisfaction for all the four personalities in us, we shall only end up with sheer disappointment. Our Hope But, if there be a technique by which we can train, discipline and integrate all these wild and madly revolting personalities in us together into one unit, certainly, we can thereafter order much more freedom and happiness for ourselves in the outer world. These techniques are together termed as ‘religion’ by the great seers.
Chinmayananda (Isavasya Upanisad)
But there were great kingdoms in the Western Sudan waiting to be discovered. Once knowledge of these old empires resurfaced, some claimed that Jews, who had rebelled against the Romans in Cyrenaica (Libya), had migrated to the Western Sudan around A.D. 115 and built these civilizations. Another group pushed the theory that Sudanese achievements were the results of Arab invasions and the coming of Islam. Some even suggested that African accomplishments were the result of visitors from outer space. Any wild idea was more acceptable than to admit that Africans had the intellect and ingenuity to develop and control well-ordered empires. The purpose of all these erroneous theories was simply to justify slavery and attitudes of racial superiority.
Patricia C. McKissack (The Royal Kingdoms of Ghana, Mali, and Songhay: Life in Medieval Africa)
The interior journey of the soul from the wilds of sin into the enjoyed Presence of God is beautifully illustrated in the Old Testament tabernacle. The returning sinner first entered the outer court where he offered a blood sacrifice on the brazen altar and washed himself in the laver that stood near it. Then through a veil he passed into the holy place where no natural light could come, but the golden candlestick which spoke of Jesus the Light of the World threw its soft glow over all. There also was the shewbread to tell of Jesus, the Bread of Life, and the altar of incense, a figure of unceasing prayer.
A.W. Tozer (The Pursuit of God)
The Weak Point Dealer is an ideal man fighting his inner himself who is drowned by the outer himself, desperate to deal with the weak points. The man who is wildly in love with what he wants and madly hates for what he has to wait for.
Bhavik Sarkhedi (The Weak Point Dealer)
There is an urge to simply wave away all this talk of relativity and insist on absolute space and time. One wants to merely declare that the measurements done from a stationary position on Earth are the absolute measurements and every other measurement is relative. This would be an error. Although it seems like the Earth is not moving, it is , in fact, constantly moving in a wild pattern. Remember that the Earth is spinning on its axis at about 1,000 miles per hour. It is rotating around the sun at about 67,000 miles per hour. Furthermore, our solar system is moving around our galaxy at about a half a million miles per hour. Poke your finger into the air. Wait a second. Now poke your finger "in the same place." Realize that the two places where you poked your finger are hundreds, if not thousands, of miles apart. A stationary observer on Earth is far from stationary. There are no absolute observers, no absolute measurements, and no absolute space and time. All is relative.
Noson S. Yanofsky (The Outer Limits of Reason: What Science, Mathematics, and Logic Cannot Tell Us)
Dent recognized it; the intermezzo before the last movement of De Bruik’s Human Biology. The finale of the symphony was a standard concert opener in the outer worlds. Soon the crackling of superamplified muscle contractions and the rush of adrenaline into the bloodstream announced the shift to the finale, and the crowd cheered wildly; Dent could feel his blood surging through him—
Kim Stanley Robinson (The Memory of Whiteness: A Scientific Romance)
the invention of beer. Picture a bucket of barley left to soak overnight to soften the tough outer husk. Wild yeast would have found its way into the bucket, and someone would have thought to taste the strange, foamy mixture that resulted from the yeast going to work on all those sugars. There it was: beer! Yeasty, bubbly, mildly intoxicating beer. The priorities of people in the waning years of the Stone Age must have undergone a rapid reshuffling as society organized itself around the need to reproduce this glorious mishap on a larger scale.
Amy Stewart (The Drunken Botanist: The Plants that Create the World's Great Drinks)
Because our outer worlds are visible and measurable and expandable, they are easier to deal with. They demand our attention. “The result is that our private world is often cheated, neglected because it does not shout quite so loudly. It can be effectively ignored for large periods of time before it gives way to a sinkhole-like cave-in.” He quotes the haunting words of Oscar Wilde: “I was no longer captain of my own soul.” The sinkhole, says MacDonald, is the picture of spiritual vulnerability in our day.
John Ortberg (Soul Keeping: Caring For the Most Important Part of You)
Happiness is the best makeup to emphasize your inner beauty and outer glow.
Debasish Mridha
Meditation is a wonderful way to shout down the outer noise so that you may pay attention to the universal inner message.
Debasish Mridha
To this day, long gone to earth in my own much-loved house by the sea some eight hundred miles north of it, I still dream of Ginger Fowler’s house on the Outer Banks of North Carolina. Everything about it, and the fierce old coast around it, had the ring and taste and feel of utter rightness to me. Its peace and loneliness crept into my veins and ran there, its wildness called out to the deep-buried wildness in my heart. I, who had never found earth beneath my feet that called “home” up to me, here found home raging through my entire body like an ague.
Anne Rivers Siddons (Outer Banks)
Normally, an album with Crazy Horse would have meant a tour with them, but much to the surprise of Jeff Blackburn and his band members (former Moby Grape bassist Bob Mosley and drummer Johnny Craviotto), Young began rehearsing with them instead. In early July, the newly renamed Ducks, after a duck’s landing they saw in town, played its first shows—in local bars in Santa Cruz. In what the Santa Cruz Sentinel called “the worst-kept secret in town,” the Ducks would drive to a club and ask the opening act for their slot (“They were fine—they knew they couldn’t draw what we could,” says Mosley). Charging only a few dollars for admission, they would tear through sets of songs by Young and by Blackburn. Young debuted new material like “Sail Away” and “Comes a Time” in more electrified versions than were later heard on record. “It was unfathomable,” recalls Mosley. “Some of the guitar solos took me into outer space. It was incredible shit.” Starting in mid-July and ending around Labor Day, the Ducks would play more than twenty
David Browne (Crosby, Stills, Nash and Young: The Wild, Definitive Saga of Rock's Greatest Supergroup)
To seek the wellness in the soul we’ve lost, we return to what we know best. For me, that place was nature. Nature as a physical space that reframes and recasts one’s inner space. Nature as an outer world that, like no other force, facilitates the journey to the inner world. Nature as healer.
Boyd Varty (Cathedral of the Wild: An African Journey Home)
How can science ask society to conserve that which it doesn’t fully understand? When I first began learning about red wolves, this was the question that kept coming back to me. It was intriguing enough that I decided to commit a significant amount of my time to documenting what red wolves are today; exploring how the wild population is managed; and understanding the contradictory concepts of the species’ origins, its past history in the East, and what its main conservation challenges are heading into the future. The morning after my beach stroll, I set out to meet a red wolf biologist named Ryan Nordsven. He had agreed to show me Sandy Ridge, which is a secure facility where the recovery program holds wild red wolves that are sick or being held for other reasons. A few wolves that are part of the captive breeding program are also kept there permanently. But the facility’s location is somewhat of a secret, and I was supposed to go first to the FWS’s Red Wolf Recovery Program headquarters in the small town of Manteo. Manteo is on Roanoke Island, a low and narrow, kidney-bean-shaped island wedged in the sounds between the Albemarle Peninsula and the Outer Banks. It is smothered in live oaks, and its perimeter is bordered by thick marsh grasses. From Manteo, the red wolf biologists make tracks across the whole peninsula. As I drove through the marsh and into town, my hope was that Ryan or one of the other biologists might let me tag along as they worked with the world’s only population of wild C. rufus. Little did I know then how deep Ryan and the others would ultimately take me into the secret world of red wolves.
T. DeLene Beeland (The Secret World of Red Wolves: The Fight to Save North America's Other Wolf)
Prior to implicit healing, our protectors are responding to the magnitude of pain they need to sequester. It is as though they are facing mainly inward to keep track of the suffering there while devoting just enough resources to the outside world to modulate the degree of protection needed according to the emerging moment. That is why our responses can sometimes look wildly out of proportion to those only seeing our outer circumstances. As we heal, there is less need for protection from implicit wounds, so more of our protective resources can be devoted to the needs of the current moment.
Bonnie Badenoch
From John Haines: You can kill off the original inhabitants, most of the world’s wildlife, and still live on the land…but a sure poverty will follow us, an inner desolation to match the devastation without. And having rid the earth of wilderness, of wild things generally, we look to outer space , to other planets, to find their replacements there…the prospect of an Alaska in which a million or so people are on the prowl with guns, snow machines, airboats, and four-wheelers is not only terrifying, it is finally unacceptable. An environmental ethic, believed in, practiced and enforce, is not just an alternative, it is the only one,…and it is sometimes possible to sense a genuine urge toward…a sane kind of plenitude, a fullness of spirit and being.
David Landis Barnhill (At Home on the Earth: Becoming Native to Our Place: A Multicultural Anthology)
Right there in that greasy spoon, Davis became achingly conscious of the volatility of time. It spun everyone around, holding all of humanity together with great centrifugal motion, until the wear of the tracks and the rust of the bolts flung everyone wildly away from each other into outer spaces.
Andy Abramowitz (A Beginner's Guide to Free Fall)
Her hands groped around his neck, her fingers lacing through the thick shorn locks at the back of his head. The hard, clean contours of Keir's face rubbed against hers, a different feeling than the coarse tickle of his beard. But the mouth was the same, full and erotic, searingly hot. He consumed her slowly, searching with his tongue, licking deep into each kiss. Wild quivers of pleasure went through her, weakening her knees until she had to lean against him to stay upright. As her head tilted back, a forgotten tear slid from the outer corner of her eye to the edge of her hairline. His lips followed the salty track, absorbing the taste. Keir cradled her cheek in his hand, his shaken whisper falling hotly against her mouth. "Merry, love... my heart's gleam, drop of my dearest blood... you should have told me." Merritt heard her own weak reply as if from a distance. "I thought... in some part of your mind... you might have wanted to forget." "No." Keir crushed her close, nuzzling her hard against her hair and disheveling the pinned-up coils. "Never, love. The memory slipped out of reach for a moment, is all." His hand coasted slowly up and down her spine. "I'm so damned sorry for the way I've been trying to keep you at a distance. I dinna know you were already inside my heart." He paused before adding wryly, "Mind, I did have to jump from a three-story window, with little to break the fall but my own hard head." Taking one of her hands, he pressed her palm over his pounding heartbeat. "But you were still in here. Your name is carved so deep, a million years could no' erase it.
Lisa Kleypas (Devil in Disguise (The Ravenels, #7))