Shakespeare Birthday Quotes

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With mirth and laughter let old wrinkles come.
William Shakespeare (The Merchant of Venice)
I believe it was Shakespeare, or possibly Howard Cosell, who first observed that marriage is very much like a birthday candle, in that 'the flames of passion burn brightest when the wick of intimacy is first ignited by the disposable butane lighter of physical attraction, but sooner or later the heat of familiarity causes the wax of boredom to drip all over the vanilla frosting of novelty and the shredded coconut of romance.' I could not have phrased it better myself.
Dave Barry
Things you can buy with half a million dollars: a car that looks more like a space creature than a car. A designer platinum purse to carry a small dog. A small dog. A performance by your favorite musical artist for your birthday. A diamond-encrusted bottle of Dominican rum. A mansion. A yacht. A hundred acres of land. Houses, but not homes. All four years of college or beautician school & certificate. Five hundred flights to the Dominican Republic. A half million Dollar Store chess sets, with their accompanying boxes. A hundred thousand copies of Shakespeare's The Tempest. Apparently a father.
Elizabeth Acevedo (Clap When You Land)
I have graded my separate works from A to D. The grades I hand out to myself do not place me in literary history. I am comparing myself with myself. Thus can I give myself an A-plus for Cat’s Cradle, while knowing that there was a writer named William Shakespeare. The report card is chronological, so you can plot my rise and fall on graph paper, if you like: Player Piano B The Sirens of Titan A Mother Night A Cat’s Cradle A-plus God Bless You, Mr. Rosewater A Slaughterhouse-Five A-plus Welcome to the Monkey House B-minus Happy Birthday, Wanda June D Breakfast of Champions C Wampeters, Foma & Grandfalloons C Slapstick D Jailbird A Palm Sunday C
Kurt Vonnegut Jr.
Is it possible that the Pentateuch could not have been written by uninspired men? that the assistance of God was necessary to produce these books? Is it possible that Galilei ascertained the mechanical principles of 'Virtual Velocity,' the laws of falling bodies and of all motion; that Copernicus ascertained the true position of the earth and accounted for all celestial phenomena; that Kepler discovered his three laws—discoveries of such importance that the 8th of May, 1618, may be called the birth-day of modern science; that Newton gave to the world the Method of Fluxions, the Theory of Universal Gravitation, and the Decomposition of Light; that Euclid, Cavalieri, Descartes, and Leibniz, almost completed the science of mathematics; that all the discoveries in optics, hydrostatics, pneumatics and chemistry, the experiments, discoveries, and inventions of Galvani, Volta, Franklin and Morse, of Trevithick, Watt and Fulton and of all the pioneers of progress—that all this was accomplished by uninspired men, while the writer of the Pentateuch was directed and inspired by an infinite God? Is it possible that the codes of China, India, Egypt, Greece and Rome were made by man, and that the laws recorded in the Pentateuch were alone given by God? Is it possible that Æschylus and Shakespeare, Burns, and Beranger, Goethe and Schiller, and all the poets of the world, and all their wondrous tragedies and songs are but the work of men, while no intelligence except the infinite God could be the author of the Pentateuch? Is it possible that of all the books that crowd the libraries of the world, the books of science, fiction, history and song, that all save only one, have been produced by man? Is it possible that of all these, the bible only is the work of God?
Robert G. Ingersoll (Some Mistakes of Moses)
Your dad gave you a Benz for your seventeenth birthday, and you already totaled it. You know what my pop got me for my seventeenth birthday? A phone call. In February.
Dahlia Adler (That Way Madness Lies: 15 of Shakespeare's Most Notable Works Reimagined)
One day, I’d stop twisting my hair, and wearing running shoes all the time, and eating exactly the same food every day. I’d remember my friends’ birthdays, I’d learn Photoshop, I wouldn’t let my daughter watch TV during breakfast. I’d read Shakespeare. I’d spend more time laughing and having fun, I’d be more polite, I’d visit museums more often, I wouldn’t be scared to drive.
Gretchen Rubin (The Happiness Project)
You haven’t gotten to the point of leaving a glass for her, too.” He covered his eyes but said nothing. She pulled away his hands, and then, looking straight at him, asked, “She’s alive, isn’t she?” He nodded and sat up. “Rong, I used to think that a character in a novel was controlled by her creator, that she would be whatever the author wanted her to be, and do whatever the author wanted her to do, like God does for us.” “Wrong!” she said, standing up and beginning to pace the room. “Now you realize you were wrong. This is the difference between an ordinary scribe and a literary writer. The highest level of literary creation is when the characters in a novel possess life in the mind of the writer. The writer is unable to control them, and might not even be able to predict the next action they will take. We can only follow them in wonder to observe and record the minute details of their lives like a voyeur. That’s how a classic is made.” “So literature, it turns out, is a perverted endeavor.” “It was like that for Shakespeare and Balzac and Tolstoy, at least. The classic images they created were born from their mental wombs. But today’s practitioners of literature have lost that creativity. Their minds give birth only to shattered fragments and freaks, whose brief lives are nothing but cryptic spasms devoid of reason. Then they sweep up these fragments into a bag they peddle under the label ‘postmodern’ or ‘deconstructionist’ or ‘symbolism’ or ‘irrational.’” “So you mean that I’ve become a writer of classic literature?” “Hardly. Your mind is only gestating an image, and it’s the easiest one of all. The minds of those classic authors gave birth to hundreds and thousands of figures. They formed the picture of an era, and that’s something that only a superhuman can accomplish. But what you’ve done isn’t easy. I didn’t think you’d be able to do it.” “Have you ever done it?” “Just once,” she said simply, and dropped the subject. She grabbed his neck, and said, “Forget it. I don’t want that birthday present anymore. Come back to a normal life, okay?” “And if all this continues—what then?” She studied him for a few seconds, then let go of him and shook her head with a smile. “I knew it was too late.” Picking up her bag from the bed, she left. Then
Liu Cixin (The Dark Forest (Remembrance of Earth’s Past, #2))
There was a small public library on Ninety-third and Hooper. Mrs. Stella Keaton was the librarian. We’d known each other for years. She was a white lady from Wisconsin. Her husband had a fatal heart attack in ’34 and her two children died in a fire the year after that. Her only living relative had been an older brother who was stationed in San Diego with the navy for ten years. After his discharge he moved to L.A. When Mrs. Keaton had her tragedies he invited her to live with him. One year after that her brother, Horton, took ill, and after three months he died spitting up blood, in her arms. All Mrs. Keaton had was the Ninety-third Street branch. She treated the people who came in there like her siblings and she treated the children like her own. If you were a regular at the library she’d bake you a cake on your birthday and save the books you loved under the front desk. We were on a first-name basis, Stella and I, but I was unhappy that she held that job. I was unhappy because even though Stella was nice, she was still a white woman. A white woman from a place where there were only white Christians. To her Shakespeare was a god. I didn’t mind that, but what did she know about the folk tales and riddles and stories colored folks had been telling for centuries? What did she know about the language we spoke? I always heard her correcting children’s speech. “Not ‘I is,’ she’d say. “It’s ‘I am.’” And, of course, she was right. It’s just that little colored children listening to that proper white woman would never hear their own cadence in her words. They’d come to believe that they would have to abandon their own language and stories to become a part of her educated world. They would have to forfeit Waller for Mozart and Remus for Puck. They would enter a world where only white people spoke. And no matter how articulate Dickens and Voltaire were, those children wouldn’t have their own examples in the house of learning—the library.
Walter Mosley (White Butterfly (Easy Rawlins #3))
He'd kept his figure despite being past his first youth. Pretty good for nearly forty. Who was she fooling? She knew quite well that he was thirty-five and a half, exactly five years older than she. Their birthdays were two days apart. It was absurd the way trivial facts lingered in the memory, facts as unimportant as what she had for dinner on Tuesday. Except that she couldn't remember last week's menu and she was annoyingly aware of Max Quinton's preference for lamb over beef, for apple tart over syllabub. He preferred Shakespeare to the modern poets, the country to the town.
Miranda Neville (The Second Seduction of a Lady (The Wild Quartet, #0.5))
Flora died in her bed at home on 23 August 1908—Albert Lewis’s forty-fifth birthday. The somewhat funereal quotation for that day on her bedroom calendar was from Shakespeare’s King Lear: “Men must endure their going hence.” For the rest of Albert Lewis’s life, Warnie later discovered, the calendar remained open at that page.
Alister E. McGrath (C. S. Lewis: A Life: Eccentric Genius, Reluctant Prophet)
Sonnet. What the hell kinda name is Sonnet?” “My mom was into Shakespeare when she had me—a May birthday. I’m named after Sonnet number 18. Do you know it?” “‘Shall I compare thee to a summer’s day,’” Jezebel quoted, her voice taking on the cadence and tone of the syncopated sound that had made her famous. “‘Thou are more lovely and more temperate: Rough winds do shake the darling buds of May, And summer’s lease hath too short a date. Sometimes too hot the eye of heaven shines...
Susan Wiggs (Return to Willow Lake (The Lakeshore Chronicles #9))
Following some initial criticism from the NPG’s Dr. Tarnya Cooper, their former director Sir Roy Strong lambasted the Cobbe’s legitimacy as fantasy. “Codswallop!” was how he phrased it. Then the formidable Katherine Duncan-Jones, whose writings on the sonnets are considered sacrosanct, weighed in by describing the Cobbe theory as “irrational.” But it didn’t matter what the experts said. This time the fix was in. Scholars no longer scored the fight, Google did. And because of this, the Cobbe’s debut, launched on Shakespeare’s birthday as part of a Stratford publicity stunt, proved a choreographed success that would redefine the playwright. A star is born: the prettiest Shakespeare of them all.
Lee Durkee (Stalking Shakespeare: A Memoir of Madness, Murder, and My Search for the Poet Beneath the Paint)
In 1963, George celebrated his fiftieth birthday, and a year later he changed the name of the store. He’d long been a devotee of Sylvia Beach and admired the name Shakespeare and Company, “a novel in three words,” as he called it. He and Beach met for tea and she even visited Le Mistral on occasion.
Jeremy Mercer (Time Was Soft There: A Paris Sojourn at Shakespeare & Co.)
The opening of the Folger Shakespeare Library on April 23, 1932—Shakespeare’s birthday, of course—
Elizabeth Winkler (Shakespeare Was a Woman and Other Heresies: How Doubting the Bard Became the Biggest Taboo in Literature)
whispered to her that I hoped she was happy, that I hoped she was with Grandpa. I said that I was in awe of her carrying out her duties to the last. The Jubilee, the welcoming of a new prime minister. On her ninetieth birthday my father had given a touching tribute, quoting Shakespeare on Elizabeth I: …no day without a deed to crown it.
Prince Harry (Spare)
I previously spoke to Mrs. Newton of such… She's trading your shifts. She spoke to inform you she wishes you a: 'Happy Birthday.'' ‘I- yet can't come over,’ I resolved, clambering for an excuse. ‘I, well, I mustn't watch Romeo and Juliet yet for English.’ Olivia squealed, ‘You have Romeo and Juliet memorized.’ ‘Although Mr. Smith proclaimed, we obliged to notice it performed to thoroughly acknowledge it that's how Shakespeare intended it to be presented.’ Marcel rolled his eyes. ‘You've already seen the movie,’ Olivia accused. ‘Although not the nineteen-sixties version. Mr. Smith said it was the best.’ Subsequently, Olivia lost the self-satisfied smile and glared at me. ‘This can be obvious, or this can be troublesome, Bell, but one way or the others’ Marcel interrupted her threat. ‘Relax, Olivia. If Karly wants to watch a movie, then she can. It's her birthday.’ ‘So there,’ I added. ‘I'll bring her over around seven,’ he continued. ‘That will give you more time to set up.’ Olivia's howling sounded again. ‘Sounds immeasurable good. See you tonight, Bell! It'll be fun, you'll see.’ She grinned- the wide smile revealed all her perfect, glistening teeth-then pecked me on the cheek and danced off moving her first class before I could respond. ‘Marcel, please-’ I started to beg, but he clasped one crisp finger to my lips. ‘Let's review it later. We're going to be late for school.’ No one bothered to stare at us as we took our representative seats in the back of the classroom (we should almost every class together now-it was amazing the favors Marcel could get the female administrators to do for him.)
Marcel Ray Duriez (Nevaeh Hard to Let Go)