Tear Grants Quotes

We've searched our database for all the quotes and captions related to Tear Grants. Here they are! All 100 of them:

This much I'm certain of: it doesn't happen immediately. You'll finish [the book] and that will be that, until a moment will come, maybe in a month, maybe a year, maybe even several years. You'll be sick or feeling troubled or deeply in love or quietly uncertain or even content for the first time in your life. It won't matter. Out of the blue, beyond any cause you can trace, you'll suddenly realize things are not how you perceived them to be at all. For some reason, you will no longer be the person you believed you once were. You'll detect slow and subtle shifts going on all around you, more importantly shifts in you. Worse, you'll realize it's always been shifting, like a shimmer of sorts, a vast shimmer, only dark like a room. But you won't understand why or how. You'll have forgotten what granted you this awareness in the first place ... You might try then, as I did, to find a sky so full of stars it will blind you again. Only no sky can blind you now. Even with all that iridescent magic up there, your eye will no longer linger on the light, it will no longer trace constellations. You'll care only about the darkness and you'll watch it for hours, for days, maybe even for years, trying in vain to believe you're some kind of indispensable, universe-appointed sentinel, as if just by looking you could actually keep it all at bay. It will get so bad you'll be afraid to look away, you'll be afraid to sleep. Then no matter where you are, in a crowded restaurant or on some desolate street or even in the comforts of your own home, you'll watch yourself dismantle every assurance you ever lived by. You'll stand aside as a great complexity intrudes, tearing apart, piece by piece, all of your carefully conceived denials, whether deliberate or unconscious. And then for better or worse you'll turn, unable to resist, though try to resist you still will, fighting with everything you've got not to face the thing you most dread, what is now, what will be, what has always come before, the creature you truly are, the creature we all are, buried in the nameless black of a name. And then the nightmares will begin.
Mark Z. Danielewski (House of Leaves)
He drew iron tears down Pluto's cheek and make Hell grant what Love did seek.
Edith Hamilton (Mythology)
Let neither tear nor reproach besmirch this declaration of the mastery of God who, with magnificent irony, granted me both the gift of books and the night.
Jorge Luis Borges
All relaxation does is allow the truth to be felt. The mind is cleared, like a dirty window wiped clean, and the magnitude of what we might ordinarily take for granted inspires tears.
Jay Michaelson (Evolving Dharma: Meditation, Buddhism, and the Next Generation of Enlightenment)
My eyes fill with tears. All these years, I have never seen it that way, but Ma’s right. I did grow up with four mothers, and it really has been amazing. There’s been so much love in my life that I took for granted.
Jesse Q. Sutanto (Dial A For Aunties)
Dearest creature in creation, Study English pronunciation. I will teach you in my verse Sounds like corpse, corps, horse, and worse. I will keep you, Suzy, busy, Make your head with heat grow dizzy. Tear in eye, your dress will tear. So shall I! Oh hear my prayer. Just compare heart, beard, and heard, Dies and diet, lord and word, Sword and sward, retain and Britain. (Mind the latter, how it’s written.) Now I surely will not plague you With such words as plaque and ague. But be careful how you speak: Say break and steak, but bleak and streak; Cloven, oven, how and low, Script, receipt, show, poem, and toe. Hear me say, devoid of trickery, Daughter, laughter, and Terpsichore, Typhoid, measles, topsails, aisles, Exiles, similes, and reviles; Scholar, vicar, and cigar, Solar, mica, war and far; One, anemone, Balmoral, Kitchen, lichen, laundry, laurel; Gertrude, German, wind and mind, Scene, Melpomene, mankind. Billet does not rhyme with ballet, Bouquet, wallet, mallet, chalet. Blood and flood are not like food, Nor is mould like should and would. Viscous, viscount, load and broad, Toward, to forward, to reward. And your pronunciation’s OK When you correctly say croquet, Rounded, wounded, grieve and sieve, Friend and fiend, alive and live. Ivy, privy, famous; clamour And enamour rhyme with hammer. River, rival, tomb, bomb, comb, Doll and roll and some and home. Stranger does not rhyme with anger, Neither does devour with clangour. Souls but foul, haunt but aunt, Font, front, wont, want, grand, and grant, Shoes, goes, does. Now first say finger, And then singer, ginger, linger, Real, zeal, mauve, gauze, gouge and gauge, Marriage, foliage, mirage, and age. Query does not rhyme with very, Nor does fury sound like bury. Dost, lost, post and doth, cloth, loth. Job, nob, bosom, transom, oath. Though the differences seem little, We say actual but victual. Refer does not rhyme with deafer. Foeffer does, and zephyr, heifer. Mint, pint, senate and sedate; Dull, bull, and George ate late. Scenic, Arabic, Pacific, Science, conscience, scientific. Liberty, library, heave and heaven, Rachel, ache, moustache, eleven. We say hallowed, but allowed, People, leopard, towed, but vowed. Mark the differences, moreover, Between mover, cover, clover; Leeches, breeches, wise, precise, Chalice, but police and lice; Camel, constable, unstable, Principle, disciple, label. Petal, panel, and canal, Wait, surprise, plait, promise, pal. Worm and storm, chaise, chaos, chair, Senator, spectator, mayor. Tour, but our and succour, four. Gas, alas, and Arkansas. Sea, idea, Korea, area, Psalm, Maria, but malaria. Youth, south, southern, cleanse and clean. Doctrine, turpentine, marine. Compare alien with Italian, Dandelion and battalion. Sally with ally, yea, ye, Eye, I, ay, aye, whey, and key. Say aver, but ever, fever, Neither, leisure, skein, deceiver. Heron, granary, canary. Crevice and device and aerie. Face, but preface, not efface. Phlegm, phlegmatic, ass, glass, bass. Large, but target, gin, give, verging, Ought, out, joust and scour, scourging. Ear, but earn and wear and tear Do not rhyme with here but ere. Seven is right, but so is even, Hyphen, roughen, nephew Stephen, Monkey, donkey, Turk and jerk, Ask, grasp, wasp, and cork and work. Pronunciation (think of Psyche!) Is a paling stout and spikey? Won’t it make you lose your wits, Writing groats and saying grits? It’s a dark abyss or tunnel: Strewn with stones, stowed, solace, gunwale, Islington and Isle of Wight, Housewife, verdict and indict. Finally, which rhymes with enough, Though, through, plough, or dough, or cough? Hiccough has the sound of cup. My advice is to give up!!!
Gerard Nolst Trenité (Drop your Foreign Accent)
Work in me more profound and abiding repentance; Give me the fullness of godly grief, that trembles and fears, yet ever trust and loves, which is ever powerful, and ever confident; Grant through the tears of repentance I may see more clearly the brightness and glories of the saving cross.
Arthur Bennett (The Valley of Vision: A Collection of Puritan Prayers and Devotions)
I thought about the earth then, really thought about it, the tsunami's and earthquakes and volcanoes, all the horrors I haven't witnessed but have changed my life, the lives of everyone I know, all the people I'll never know. I thought about life without the sun, the moon, stars, without flowers and warm days in May. I thought about a year ago and all the good things I'd taken for granted and all the unbearable things that had replaced those simple blessings. And even though I hated the thought of crying in from of Syl, tears streamed down my face.
Susan Beth Pfeffer (This World We Live In (Last Survivors, #3))
Wealth is as love in that it destroys him who withholds it but grants life to him who gives freely of it.
Kahlil Gibran (A Tear and a Smile)
So, basically, what it all comes down to is that we are made of tears from the disembodied eyeball of a guy who fucks his own shadow and surrounds himself with spit and puke. I'm gonna go cry now. I hope it doesn't turn it into babies.
Cory O'Brien (Zeus Grants Stupid Wishes: A No-Bullshit Guide to World Mythology)
If I've taken you for granted," said Strike, "I'm sorry. You're the best I've got." "Oh, for fuck's sake, Strike," said Robin, abandoning the pretense that she wasn't crying as she snorted back tears.
Robert Galbraith (Troubled Blood (Cormoran Strike, #5))
Doctor Doom was exactly the sort of bastard who would have armed al-Qaeda with death rays and killer robots if he thought for one second it would piss off the hated Reed Richards and the rest of his mortal enemies in the Fantastic Four, but here he was sobbing with the best of them, as representative not of evil, but of Marvel Comics' collective shock, struck dumb and moved to hand-drawn tears by the thought that anyone could hate America and its people enough to do this.
Grant Morrison (Supergods: What Masked Vigilantes, Miraculous Mutants, and a Sun God from Smallville Can Teach Us About Being Human)
One wish I would like to be granted is for teachers to understand bullying hurts. Bullying tears a person down, inside and out.
Charlena E. Jackson (Teachers Just Don't Understand Bullying Hurts)
One wish I would like to be granted is for teachers to understand bullying hurts. Bullying tears a person down, inside and out. It stings and deeply pierces the heart.
Charlena E. Jackson (Teachers Just Don't Understand Bullying Hurts)
Or bid the soul of Orpheus sing Such notes as warbled to the string, Drew Iron tears down Pluto’s cheek, And made Hell grant what Love did seek.
John Milton (L'Allegro, Il Penseroso, Comus, and Lycidas)
Saint Bartleby's School for Young Gentlemen Annual Report Student: Artemis Fowl II Year: First Fees: Paid Tutor: Dr Po Language Arts As far as I can tell, Artemis has made absolutely no progress since the beginning of the year. This is because his abilities are beyond the scope of my experience. He memorizes and understands Shakespeare after a single reading. He finds mistakes in every exercise I administer, and has taken to chuckling gently when I attempt to explain some of the more complex texts. Next year I intend to grant his request and give him a library pass during my class. Mathematics Artemis is an infuriating boy. One day he answers all my questions correctly, and the next every answer is wrong. He calls this an example of the chaos theory, and says that he is only trying to prepare me for the real world. He says the notion of infinity is ridiculous. Frankly, I am not trained to deal with a boy like Artemis. Most of my pupils have trouble counting without the aid of their fingers. I am sorry to say, there is nothing I can teach Artemis about mathematics, but someone should teach him some manners. Social Studies Artemis distrusts all history texts, because he says history was written by the victors. He prefers living history, where survivors of certain events can actually be interviewed. Obviously this makes studying the Middle Ages somewhat difficult. Artemis has asked for permission to build a time machine next year during double periods so that the entire class may view Medieval Ireland for ourselves. I have granted his wish and would not be at all surprised if he succeeded in his goal. Science Artemis does not see himself as a student, rather as a foil for the theories of science. He insists that the periodic table is a few elements short and that the theory of relativity is all very well on paper but would not hold up in the real world, because space will disintegrate before lime. I made the mistake of arguing once, and young Artemis reduced me to near tears in seconds. Artemis has asked for permission to conduct failure analysis tests on the school next term. I must grant his request, as I fear there is nothing he can learn from me. Social & Personal Development Artemis is quite perceptive and extremely intellectual. He can answer the questions on any psychological profile perfectly, but this is only because he knows the perfect answer. I fear that Artemis feels that the other boys are too childish. He refuses to socialize, preferring to work on his various projects during free periods. The more he works alone, the more isolated he becomes, and if he does not change his habits soon, he may isolate himself completely from anyone wishing to be his friend, and, ultimately, his family. Must try harder.
Eoin Colfer
Sheridan bit back a teary smile at his quip, afraid to believe him, afraid to trust him, and unable to stop herself because she loved him. "Look at me," Stephen said, tipping her chin up again, and this time her glorious eyes looked into his. "I have several reasons for asking you to walk into that chapel, where there is a vicar waiting for us, but guilt is not among them. I also have several things to ask of you before you agree to go in there with me." "What sort of things?" "I would like you to give me daughters with your hair and your spirit," he said, beginning to enumerate his reasons and requests. "I would like my sons to have your eyes and your courage. Now, if that's not what you want, then give me any combination you like, and I will humbly thank you for giving me any child we make." Happiness began to spread through Sheridan until it was so intense she ached from it. "I want to change your name," he said with a tender smile, "so there's no doubt who you are ever again, or who you belong to." He slid his hands up and down her arms, looking directly into her eyes. "I want the right to share your bed tonight and every night from this day onward. I want to make you moan in my arms again, and I want to wake up wrapped in yours." He shifted his hands and cradled her cheeks, his thumbs brushing away two tears at the edges of her shimmering eyes. "Last of all, I want to hear you say 'I love you' every day of my life. If you aren't ready to agree to that last request right now, I would be willing to wait until tonight, when I believe you will. In return for all those concessions, I will grant you every wish that is within my power to grant you.
Judith McNaught (Until You (Westmoreland, #3))
A book can tell you all the emotions and subtext that are so rarely aptly portrayed in film. You understand the nuances of each character. You breathe every breath with them and cry every tear.
AnnaLisa Grant (The Lake (The Lake Trilogy, #1))
She was made after the time of ribs and mud. By papal decree there were to be no more people born of the ground or from the marrow of bones. All would be created from the propulsions and mounts performed underneath bedsheets- rare exception granted for immaculate conceptions. The mixing pits were sledged and the cutting tables, where ribs were extracted from pigs and goats, were sawed in half. Although the monks were devout and obedient to the thunder of Rome, the wool of their robes was soaked not only by the salt of sweat but also by that of tears. The monks rolled down their heavy sleeves, hid their slaughter knives in the burlap of their scrips, and wiped the hoes clean. They closed the factory down, chained the doors with Vatican-crested locks, and marched off in holy formation. Three lines, their faces staring down in humility, closing their eyes when walking over puddles, avoiding their unshaven reflections.
Salvador Plascencia (The People of Paper)
Love is easy." He traced my eyebrow with his thumb. "Trust is what's hard. Broken hearts can be fixed. Broken trust?" His touch followed a tear down my cheek to my lips. "Trust doesn't heal. Your parents broke your trust when you were really young, it changed you, it took something away. Then the one time you let trust grow, you thought it had been broken again. That's where it can be tricky, because sometimes trust feels broken when it's only a little dented up.
Adrienne Wilder (In the Absence of Light (Morgan & Grant, #1))
Tears and Smiles <3 Mrs. Randolph Quite the character!!! "Here’s the thing about life, boy. We meet a lot of people along this journey. Some of them are sonsabitches and some are special. When you find the special ones you don’t take a moment for granted, because you never know when your time with them is gonna be up. I got over fifty years with my Fritz. Fifty wonderful years. When he died, I was lost for a few months. I lost my fire. But then I realized that life’s short and I had a choice to make. I could keep bein’ miserable, or I could go find joy and live again.” She’s squeezing even harder now. “If you only listen to one thing this crazy old lady tells you, I hope it’s this: ain’t nobody gonna stoke your fire but you, boy.” She looks at me hard with her grey, cloudy eyes. “You go make life happen.
Kim Holden (Gus (Bright Side, #2))
When Magnus looked at Imasu, he saw Imasu had dropped his head into his hands. "Er," Magnus said. "Are you quite all right?" "I was simply overcome," Imasu said in a faint voice. Magnus preened slightly. "Ah. Well." "By how awful that was," Imasu said. Magnus blinked. "Pardon?" "I can't live a lie any longer!" Imasu burst out. "I have tried to be encouraging. Dignitaries of the town have been sent to me, asking me to plead with you to stop. My own sainted mother begged me, with tears in her eyes - " "It isn't as bad as all that - " "Yes, it is!" It was like a dam of musical critique had broken. Imasu turned on him with eyes that flashed instead of shining. "It is worse than you can possibly imagine! When you play, all of my mother's flowers lose the will to live and expire on the instant. The quinoa has no flavor now. The llamas are migrating because of your music, and llamas are not a migratory animal. The children now believe there is a sickly monster, half horse and half large mournful chicken, that lives in the lake and calls out to the world to grant it the sweet release of death. The townspeople believe that you and I are performing arcane magic rituals - " "Well, that one was rather a good guess," Magnus remarked. " - using the skull of an elephant, an improbably large mushroom, and one of your very peculiar hats!" "Or not," said Magnus. "Furthermore, my hats are extraordinary." "I will not argue with that." Imasu scrubbed a hand through his thick black hair, which curled and clung to his fingers like inky vines. "Look, I know that I was wrong. I saw a handsome man, thought that it would not hurt to talk a little about music and strike up a common interest, but I don't deserve this. You are going to get stoned in the town square, and if I have to listen to you play again, I will drown myself in the lake." "Oh," said Magnus, and he began to grin. "I wouldn't. I hear there is a dreadful monster living in that lake." Imasu seemed to still be brooding about Magnus's charango playing, a subject that Magnus had lost all interest in. "I believe the world will end with a noise like the noise you make!" "Interesting," said Magnus, and he threw his charango out the window. "Magnus!" "I believe that music and I have gone as far as we can go together," Magnus said. "A true artiste knows when to surrender." "I can't believe you did that!" Magnus waved a hand airily. "I know, it is heartbreaking, but sometimes one must shut one's ears to the pleas of the muse." "I just meant that those are expensive and I heard a crunch.
Cassandra Clare (The Bane Chronicles)
Galen turned and looked at Logan. That anger, the seething, festering fury, had come from Logan, and it was tearing his friend in two.
Donna Grant (Shadow Highlander (Dark Sword, #5))
We fight still to be recognised in the Australian Constitution; that same constitution that has allowed laws to take away children; invade our homes and violate our privacy. In
Stan Grant (Talking To My Country: The passionate and powerful bestselling book by critically acclaimed journalist and author of Tears of Strangers and The Queen is Dead)
To hold the courage to let another witness our tears, while refuting fears invitation to shield face, is to grant the most privileged of all loving intimacies to them.
Ged Thompson Liverpool Poet
Butterfly Kisses Aged imperfections stitched upon my face years and years of wisdom earned by His holy grace. Quiet solitude in a humble home all the family scattered now like nomads do they roam. Then a gift sent from above a memory pure and tangible wrapped in innocence and unquestioning love. A butterfly kiss lands gently upon my cheek from an unseen child a kiss most sweet. Heaven grants grace and tears follow as youth revisits this empty hollow.
Muse (Enigmatic Evolution)
As pertaining to this perfect atonement, wrought by the shedding of the blood of God—I testify that it took place in Gethsemane and at Golgotha, and as pertaining to Jesus Christ, I testify that he is the Son of the Living God and was crucified for the sins of the world. He is our Lord, our God, and our King. This I know of myself independent of any other person. I am one of his witnesses, and in a coming day I shall feel the nail marks in his hands and in his feet and shall wet his feet with my tears. But I shall not know any better then than I know now that he is God’s Almighty Son, that he is our Savior and Redeemer, and that salvation comes in and through his atoning blood and in no other way. God grant that all of us may walk in the light as God our Father is in the light so that, according to the promises, the blood of Jesus Christ his Son will cleanse us from all sin.
Bruce R. McConkie
This time, the anger in her voice wasn’t there, and the tears were beginning to overflow her lower lids, starting their slow tracks down her cheeks. She looked old, and tired, and like the woman I’d only ever seen in pictures taken before I was even born. She looked like someone who could have loved me.
Mira Grant (Blackout (Newsflesh, #3))
A happy New Year! Grant that I 
May bring no tear to any eye
 When this New Year in time shall end
 Let it be said I've played the friend,
 Have lived and loved and labored here,
 And made of it a happy year.


Edgar A. Guest
Academia has its own special way of tearing apart work-life balance, wearing people down, and making them forget that they are worth more than the number of papers they publish or the grant money they are able to rake in.
Ali Hazelwood (The Love Hypothesis)
Tears flowed down his face. He could remember so many times he’d been mean to his dad, so many times he’d ignored him or taken him for granted. He wished there was some sort of time machine so he could go back and fix everything.
Nicholas Sansbury Smith (Red Sands (Orbs, #1.2))
Their fond Uncle Martin looked anything but gratified, but managed to control his feelings until he found himself out of earshot of his sister. He then declared that if Louisa imagined that he meant to waste his time in amusing her children she would find herself very much mistaken. ‘Good God, Martin, are you mad?’ demanded Gervase. ‘You will take those brats for rides as soon as they have swallowed their breakfasts, if Theo and I have to tie you to the saddle! Did you not hear Louisa say that she could not tear them from us until they had been granted this indulgence?
Georgette Heyer (The Quiet Gentleman)
These graces and favors that God grants us without our knowledge may be referred to by the Holy Spirit in the Canticle when he says to the bride: “How beautiful are you, my love, how beautiful you are! Your eyes are doves' eyes, besides what is hid within.” [110]  As doves' eyes are tearful, the eyes of devout persons, who are accustomed to weep, are compared to them. Such tears come from grace and virtue, especially if they are shed out of desire for our Lord's presence when he is absent; he gives them a secret grace for this of which even they themselves are unaware;
Francisco De Osuna (Third Spiritual Alphabet)
My son, you are just an infant now, but on that day when the world disrobes of its alluring cloak, it is then that I pray this letter is in your hands. Listen closely, my dear child, for I am more than that old man in the dusty portrait beside your bed. I was once a little boy in my mother’s arms and a babbling toddler on my father's lap. I played till the sun would set and climbed trees with ease and skill. Then I grew into a fine young man with shoulders broad and strong. My bones were firm and my limbs were straight; my hair was blacker than a raven's beak. I had a spring in my step and a lion's roar. I travelled the world, found love and married. Then off to war I bled in battle and danced with death. But today, vigor and grace have forsaken me and left me crippled. Listen closely, then, as I have lived not only all the years you have existed, but another forty more of my own. My son, We take this world for a permanent place; we assume our gains and triumphs will always be; that all that is dear to us will last forever. But my child, time is a patient hunter and a treacherous thief: it robs us of our loved ones and snatches up our glory. It crumbles mountains and turns stone to sand. So who are we to impede its path? No, everything and everyone we love will vanish, one day. So take time to appreciate the wee hours and seconds you have in this world. Your life is nothing but a sum of days so why take any day for granted? Don't despise evil people, they are here for a reason, too, for just as the gift salt offers to food, so do the worst of men allow us to savor the sweet, hidden flavor of true friendship. Dear boy, treat your elders with respect and shower them with gratitude; they are the keepers of hidden treasures and bridges to our past. Give meaning to your every goodbye and hold on to that parting embrace just a moment longer--you never know if it will be your last. Beware the temptation of riches and fame for both will abandon you faster than our own shadow deserts us at the approach of the setting sun. Cultivate seeds of knowledge in your soul and reap the harvest of good character. Above all, know why you have been placed on this floating blue sphere, swimming through space, for there is nothing more worthy of regret than a life lived void of this knowing. My son, dark days are upon you. This world will not leave you with tears unshed. It will squeeze you in its talons and lift you high, then drop you to plummet and shatter to bits . But when you lay there in pieces scattered and broken, gather yourself together and be whole once more. That is the secret of those who know. So let not my graying hairs and wrinkled skin deceive you that I do not understand this modern world. My life was filled with a thousand sacrifices that only I will ever know and a hundred gulps of poison I drank to be the father I wanted you to have. But, alas, such is the nature of this life that we will never truly know the struggles of our parents--not until that time arrives when a little hand--resembling our own--gently clutches our finger from its crib. My dear child, I fear that day when you will call hopelessly upon my lifeless corpse and no response shall come from me. I will be of no use to you then but I hope these words I leave behind will echo in your ears that day when I am no more. This life is but a blink in the eye of time, so cherish each moment dearly, my son.
Shakieb Orgunwall
I know.” He said it so matter-of-fact that I took a step back. “I’ve always known you’d never hurt me.” “Then why would you ask about Jeff, or think I was going to leave?” Morgan’s smile was subtle. “Because you’re the one who doesn’t trust. Me, yourself, even your faraway island. You doubt everything. And people who can’t trust, eventually run.” He took a step forward, and even though I didn’t mean to, I took a step back. “You don’t believe in yourself. You’re scared of getting lost. Getting hurt. Being trapped.” I bumped the coffee table, stumbled, and wound up sitting on my ass. Morgan pushed his way between my knees and cupped my face. He continued to hold my gaze. Never had he looked at me with so much knowledge of who I was shining in his eyes. “Love is easy.” He traced my eyebrow with his thumb. “Trust is what’s hard. Broken hearts can be fixed. Broken trust?” His touch followed a tear down my cheek to my lips. “Trust doesn’t heal. Your parents broke your trust when you were really young, it changed you, it took something away. Then the one time you let trust grow, you thought it had been broken again. That’s where it can be tricky, because sometimes trust feels broken when it’s only a little dented up. "But it still feels like you’re losing bits and pieces of yourself.” Closer, his exhale ghosted my lips. “Now you’re scared to trust me because you might lose everything you have left.
Adrienne Wilder (In the Absence of Light (Morgan & Grant, #1))
A previous sub once blamed me because she had to throw out her mascara and buy a waterproof one. Tears are granted. Tears for all reasons.
Cara Dee (Twice the Touch (Touch, #2))
Adam was told to toughen up. Get over it. We hear this a lot. History is in the past, bad things happened but it is time to move on. But history is not past for us. Adam
Stan Grant (Talking To My Country: The passionate and powerful bestselling book by critically acclaimed journalist and author of Tears of Strangers and The Queen is Dead)
In toxic cultures, people prove their intelligence by tearing others down. In healthy cultures, people use their intelligence to build others up.
Adam M. Grant
Because the lower performers are not willing to step up and take responsibility to increase their production, they can only seek to tear down those who are performing at higher levels.
Grant Cardone (The 10X Rule: The Only Difference Between Success and Failure)
But now, with permission finally granted, an urgency gripped him and he seemed to bypass her needs and push his way. She cried out against a sharp tearing, thinking something was wrong.
Delia Owens (Where the Crawdads Sing)
When she came back down, Sam and Astrid had arrived. Sam hugged Dekka, and the two of them stayed that way for a long time, saying nothing. Both had loved Brianna. To Edilio, Sam said, “I’m so sorry, man. I wish I’d . . . You know what I wish.” Edilio fought back a fresh rush of tears, nodded, waited until he was sure he could speak, and said, “I’m glad you’re back, boss.
Michael Grant (Light (Gone, #6))
You and me,” Ulrik said. “No friendship has ever been stronger, and there’s nothing that will ever tear apart our bond.” Con looked at him, a wide smile in place. “Brothers.” “Brothers.
Donna Grant (Torched (Dark Kings, #13))
You’ve got a big heart. And that’s why Steve’s betrayal is tearing you apart right now. But big hearts don’t just hurt big. They also heal big. Even bigger and better than they were before.
Pippa Grant (Hosed (Happy Cat, #1))
But for white people, being poor didn’t define them in the way our blackness defined us. Poverty itself could be temporary and if by chance or effort they broke its chains, there’d be a white world waiting. But
Stan Grant (Talking To My Country: The passionate and powerful bestselling book by critically acclaimed journalist and author of Tears of Strangers and The Queen is Dead)
In those days family had been a given, a fact of life that she took for granted, like air to breathe. The coming storms that would tear them apart, tear everything apart, were not yet even a cloud on the horizon.
Karen Robards (The Black Swan of Paris)
Taking a deep breath, George turned around taking in the unspectacular panorama. A tear moved slowly down his cheek. To George this was where it had all began. And where it was now ending. His biggest regret was not making peace with his family. All those years and now he’d reached the last moments of his life without saying the things he needed to say. Without making the effort he should have done. Years of taking things for granted.
Emily Organ (The Last Day)
I might not like what you do, but you’re not going to lose me, Gin.” “Why not?” I said, forcing the words out through the lump of emotion that clogged my throat. “What’s changed?” Bria looked at me. “Because we came down here, and I saw how Donovan treated you. How he thought he was so much better than you, so much more righteous, and I realize that it’s the same way I’ve been treating you for months now, when you’ve done nothing but save my life over and over again. With no question, no hesitation, and nothing asked in return. Not one damn thing.” Tears streaked down her cheeks, and her blue eyes were agonizingly bright in her face. “The truth is that I’m ashamed of myself for acting like him and most especially for taking you for granted. When we found out that Callie was in trouble, you were the first one to do anything about it. You immediately stepped up and offered to help her. If it wasn’t for you, Callie would be dead now and probably Donovan along with her. You saved her not because I asked you to and not even because she was my friend but because you saw someone who was in trouble and you realized you could help her. Maybe you are an assassin, maybe you are one of the bad guys, but you know what? I don’t give a damn anymore. You’re my sister first, and that’s all that matters to me.” I blinked and was surprised to find hot tears sliding down my own cheeks, one after another in a torrent that I couldn’t control. She . . . she . . . understood. She actually understood who and what I was and that I would probably never change or give up being the Spider. She knew it all, and she was still here with me. All sorts of emotions surged through my heart then, but there was one that drowned out all the others—relief. Pure, sweet relief that she wasn’t going to walk out of my life, that she was going to stick with me through the good and the bad and whatever else the world threw at us. I reached forward and wrapped my arms around Bria, and she did the same to me. We stood like that for several minutes, still and quiet, with silent sobs shaking both of our bodies. Just letting out all the fear and anger and guilt that had crept up on us both and had created this gulf between us. But we’d overcome those emotions, and I’d be damned if we’d ever grow apart like this again.
Jennifer Estep (By a Thread (Elemental Assassin #6))
“I want you to know something.” She nods, but she closes her eyes as though she wants to focus on my voice and nothing else. “When my mom died, I stopped believing in God.” She lays her head on her arms and keeps her eyes shut. “I didn’t think God would make someone go through that much physical pain. I didn’t think God would make someone suffer like she suffered. I didn’t think God was capable of making someone go through something so ugly.” A tear falls from Rachel’s closed eyes. “But then I met you, and every single day since then, I’ve wondered how someone could be so beautiful if there wasn’t a God. I’ve wondered how someone could make me so incredibly happy if God didn’t exist. And I realized … just now … that God gives us the ugliness so we don’t take the beautiful things in life for granted.”
Colleen Hoover (Ugly Love)
I want to turn every person who has been bullied into their own hero—if I can do it, others can do it too. I am proud of myself. Years ago, I was fragile, buried in broken dreams, and felt hopeless because of what my classmates said and did to me… No, it is not fair, not at all. Nearly every single day, elementary school has been a challenge. I have many wishes that I would love to come true but one wish I would like to be granted is for teachers to understand bullying hurts. Bullying tears a person down, inside and out. It stings and deeply pierces the heart.
Charlena E. Jackson (Teachers Just Don't Understand Bullying Hurts)
You’re not others.” “No?” “No.” “Why?” “Because I love you.” Astrid was silent for so long, Sam thought he must have upset her. Yet she never loosened her hold on him, never pulled away but kept her face buried in his neck. He felt her warm tears on his skin. And at last she said, “I love you, too.
Michael Grant
Broken Melody Broken melody — tear sparkling in the eye Of a woman loved… Please past, Jewel lost, A trampled dream Lips unkissed In the broken melody. With silent sobs the naked shoulders shake, Their whiteness dazzling… Stabbed, stabbed with remorse For the moments of mindlessness, For her ruined fate, For the happiness lost In the broken melody. Face hidden in her hands in shame, Remorsefully the woman weeps, With heart despairing (A broken guitar, A voice stifled On lips kissed by pain In the broken melody). Silent he stands beside the woman weeping Scolding tears of shame That dim her eyes. Some money on the table quickly lays And goes away, Leaving the woman lost In the broken melody. But when another comes, lust mounts again, The heated blood Pounds furiously through the veins, Benumbing mind … and only gasps And grants are heard In the horrid melody. (Translated by R.Elsie)
Migjeni (Free Verse)
Unless death is made a lesson for the living, the life lived is wasted. Why should life come into existence only to be destroyed? One dies and another is born—for what? A few miserable hours of life—then oblivion! With this recognition of the finality of death, no one should willingly withhold acts that would bring benefits, joy or happiness to others. In death, the hesitant act can no longer be performed—the word of praise is as impossible as yesterday's return. What perversity justified inflicting pain, suffering and death upon others who have done no wrong? If death ends all, why fight while we are living? Why shorten life with unnecessary pain and suffering? How futile are the petty problems of individuals, with their hates and jealousies, when all vanish with death? All the prayers in the world cannot wipe out one injustice. Every wrong is irreparable. The dead cannot forgive. All the tears and sighs are of no avail. Forgiveness cannot be granted when lips cannot move. Praise cannot be heard when ears cannot hear; joy cannot be experienced when the heart no longer beats; and the happiness of an affectionate embrace can no longer be felt when arms are limp and the eyes are forever closed.
Joseph Lewis (An Atheist Manifesto)
If I told you that God speaks to us through our urges so long as these are safe and proper and totally civilized and don't hurt anyone, what would I be saying? If I told you longing is okay as long as it is within the bounds of what our world considers normal, I would be going counter to my whole tradition. My people discovered divine urges, for goodness' sake. Not namby-pamby urges either. It was loincloth-tearing, harlot-marrying, sacrificing, succumbing, and surrendering kinds of urges. Not without bickering and haggling, I'll grant you, but ultimately urges of the worst kind, the kind that demanded everything.
Francisco X. Stork (Marcelo in the Real World)
Miss Grant, I don't know where you got the idea that men don't have deep feelings, but that's wrong. Oh, we might be better at hiding them. But we get sad and scared and doubtful, the same as anybody else. I can tell you I cried lots of sowing tears when my uncle died after I came to Spiveyville.~Mack Cleveland
Kim Vogel Sawyer (Beneath a Prairie Moon)
The spectacle of soldiers entering a statehouse left northern opinion aghast, leading to vociferous demands for Sheridan’s ouster. Major Republican newspapers in the North denounced Grant. William Cullen Bryant thought it high time for Sheridan to “tear off his epaulets and break his sword and fling the fragments into the Potomac.”76 The strident headline in the New York World distilled northern hysteria: “Tyranny! A Sovereign State Murdered!”77 The Nation joined the apoplectic chorus, damning the New Orleans action as “the most outrageous subversion of parliamentary government by military force yet attempted in this country.
Ron Chernow (Grant)
The devil never rejoices more,” said Francis of Assisi, “than when he robs a servant of God of his peace of heart.” Peace and joy go a-begging when the heart of a Christian pants for one sign after another of God’s merciful love. Nothing is taken for granted, and nothing is received with gratitude. The troubled eyes and furrowed brow of the anxious believer are the symptoms of a heart where trust has not found a home. The Lord himself must pass through all the shades of the emotional spectrum with us—from rage to tears to amusement. But the poignant truth remains: we do not trust Him. We do not have the mind of Christ. —Gentle Revolutionaries
Brennan Manning (Dear Abba: Morning and Evening Prayer)
Hear me, God of the silver bow, you who stand over Chryse and Killa most holy, you whose might rules Tenedos, God of Plague; if ever I roofed over a temple that pleased you, or if ever I burned as sacrifice to you the fatty thighbones​40 of bulls and of goats—grant me this wish: May the Danaans pay for my tears with your arrows.
Homer (The Iliad)
Lunch had been at a McDonald’s in Santa Barbara. It had been so clean. It had smelled like food. It had sounded happy and alive. In the bathroom, the toilet flushed. Water ran in the sink. He had passed a trash can on the way back to his table and stopped just to look at it. It was full of food. Leftover burgers, the last few fries, smears of ketchup on cardboard. He’d had to hold back tears when he saw it. “Candy bar?” Vicky asked, and held a Snickers out to him. At that moment they slowed to turn off the highway and head cautiously, carefully, through recently bulldozed streets, toward the town plaza. That’s where the McDonald’s was. His McDonald’s. A candy bar. People had killed for less.
Michael Grant (Light (Gone, #6))
It was as if she had spoken slightingly of a woman he loved. For he dreamed of peace by day and night. Once in sleep it had appeared to him as the great glowing shoulder of the moon heaving across his window like an iceberg, arctic and destructive in the moment before the world was struck: by day he tried to win a few moments of its company, crouched under the rusting handcuffs in the locked office, reading the reports from the sub-stations. Peace seemed to him the most beautiful word in the language: My peace I give to you, my peace I leave with you: O Lamb of God, who takest away the sins of the world, grant us thy peace. In the Mass he pressed his fingers against his eyes to keep the tears of longing in.
Graham Greene (The Heart of the Matter)
Sam sent me to give you a message, Edilio. He said, ‘Tell Edilio I couldn’t kill the bugs.’” “The things that came out of Hunter?” Howard asked. Taylor closed her eyes. Tears squeezed out and rolled down her cheeks. “Yes. The things that came out of Hunter. Sam shot them, you know, with his light. But they’re like, reflective or whatever. Anyway, it didn’t kill them.
Michael Grant (Plague (Gone, #4))
I survived. I overcame my shyness at going alone to cinemas; I would take a seat with less and less embarrassment as the months went by. People stared at the middle-aged lady without a partner. I would feign indifference, while anger hammered against by nerves and the tears I held back welled behind my eyes. From the surprised looks, I gauged the slender liberty granted to women.
Mariama Bâ (So Long a Letter)
Sam. Brianna is dead.” He just stared at her. Then, in a soft, almost childlike voice, he said, “Breeze?” “She stopped Gaia. It looked like Brianna almost killed her. The second time she . . . But this time . . .” There were tears in Sam’s eyes. “My God. How is Dekka?” “Like you’d expect. Destroyed. Roger’s dead, too, so Edilio . . . It’s been really bad, Sam. Really bad. It’s like we’re in a war.” “We are.
Michael Grant (Light (Gone, #6))
And as to death, the fact is we know next to nothing about it. “Do we not!” say the faithless indignantly. “Do we not know the misery of it, the tears, and the sinking of the heart and the desolation!” Yes; you know those; but those are your things, not those of death. About death you know nothing. God has never told us anything about it but that the dead are alive to him, and that one day, they will be again to us.
George MacDonald (Donal Grant)
On October 1, 1838, the first detachment set out in what was to be known as the Trail of Tears. As they moved westward, they began to die—of sickness, of drought, of the heat, of exposure. There were 645 wagons, and people marching alongside. Survivors, years later, told of halting at the edge of the Mississippi in the middle of winter, the river running full of ice, “hundreds of sick and dying penned up in wagons or stretched upon the ground.” Grant Foreman, the leading authority on Indian removal, estimates that during confinement in the stockade or on the march westward four thousand Cherokees died. In December 1838, President Van Buren spoke to Congress: It affords sincere pleasure to apprise the Congress of the entire removal of the Cherokee Nation of Indians to their new homes west of the Mississippi. The measures authorized by Congress at its last session have had the happiest effects.
Howard Zinn (A People's History of the United States: 1492 to Present)
Both women were mothers of children caught up in mind control cover-up, one of which paralleled Kelly’s and my case. She, too, had volumes of documents and evidences whereby it was inexcusable that justice had not prevailed. The other mother conveyed a story that touched me so deeply it undoubtedly will continue to motivate me with reverberating passion forever. This mother was very weak from the final stages of cancer and chemotherapy, and tears slid down her pale gray cheeks as she told me her story. When she reported sexual abuse of her three daughters, the local court system took custody of them. The children appeared dissociative identity disordered from their ordeal, yet were reportedly denied therapy and placed in Foster care “since the mother was dying anyway.” When she finally was granted brief visitation with her precious daughters, they looked dazed and robotic with no memory of her or their sexual abuse. Mind control was apparent to this mother, and she struggled to give voice to their plight to no avail. She explained how love and concern for her children had kept her alive far longer than her doctors thought possible. She embraced me and said, “Now I can die in peace knowing that you are out there talking, raising awareness with the same passion for justice and love for children that I have. Thank you. Please keep talking. Please remember my daughters.
Cathy O'Brien (ACCESS DENIED For Reasons Of National Security: Documented Journey From CIA Mind Control Slave To U.S. Government Whistleblower)
Brianna! Is Sam okay?” Astrid cried. “No. Drake tore him up.” She wanted to sound tough, but the sobs came bubbling up and overtook her. “Oh, God, Astrid, he’s hurt so bad.” Astrid gasped and covered her hand with her mouth. Brianna put her arms around Astrid and sobbed into her hair. “Is he going to die?” Astrid asked, voice wobbly. “No, I don’t think so,” Brianna said. She stood back and wiped her tears. “I gave him something for the pain. But he’s messed up, Astrid.
Michael Grant (Hunger (Gone, #2))
The underlying point of the letter was to notify Grant that, if Sherman’s brother John should be a candidate for president, “it would be unnatural for me to oppose or qualify his purpose.”9 When he received this letter in Tokyo, Grant was deeply moved by Sherman’s sensitivity in explaining why he might be forced to support his brother. With tears in his eyes, he told Young, “‘People may wonder . . . why I love Sherman. How could I help loving Sherman. And he has always been the same during the thirty five years I have known him. He was so at West Point.
Ron Chernow (Grant)
So he spoke, and her knees and the heart within her went slack as she recognized the clear proofs that Odysseus had given; but then she burst into tears and ran straight to him, throwing her arms around the neck of Odysseus, and kissed his head, saying: ‘Do not be angry with me, Odysseus, since, beyond other men, 210 you have the most understanding. The gods granted us misery, in jealously over the thought that we two, always together, should enjoy our youth, and then come to the threshold of old age. Then do not now be angry with me nor blame me, because
Homer (The Odyssey)
She stared at him, at his face. Simply stared as the scales fell from her eyes. "Oh, my God," she whispered, the exclamation so quiet not even he would hear. She suddenly saw-saw it all-all that she'd simply taken for granted. Men like him protected those they loved, selflessly, unswervingly, even unto death. The realization rocked her. Pieces of the jigsaw of her understanding of him fell into place. He was hanging to consciousness by a thread. She had to be sure-and his shields, his defenses were at their weakest now. Looking down at her hands, pressed over the nearly saturated pad, she hunted for the words, the right tone. Softly said, "My death, even my serious injury, would have freed you from any obligation to marry me. Society would have accepted that outcome, too." He shifted, clearly in pain. She sucked in a breath-feeling his pain as her own-then he clamped the long fingers of his right hand about her wrist, held tight. So tight she felt he was using her as an anchor to consciousness, to the world. His tone, when he spoke, was harsh. "Oh, yes-after I'd expended so much effort keeping you safe all these years, safe even from me, I was suddenly going to stand by and let you be gored by some mangy bull." He snorted, soft, low. Weakly. He drew in a slow, shallow breath, lips thin with pain, but determined, went on, "You think I'd let you get injured when finally after all these long years I at last understand that the reason you've always made me itch is because you are the only woman I actually want to marry? And you think I would stand back and let you be harmed?" A peevish frown crossed his face. "I ask you, is that likely? Is it even vaguely rational?" He went on, his words increasingly slurred, his tongue tripping over some, his voice fading. She listened, strained to catch every word as he slid into semi delirium, into rambling, disjointed sentences that she drank in, held to her heart. He gave her dreams back to her, reshaped and refined. "Not French Imperial-good, sound, English oak. You can use whatever colors you like, but no gilt-I forbid it." Eventually he ventured further than she had. "And I want at least three children-not just an heir and a spare. At least three-if you're agreeable. We'll have to have two boys, of course-my evil ugly sisters will found us to make good on that. But thereafter...as many girls as you like...as long as they look like you. Or perhaps Cordelia-she's the handsomer of the two uglies." He loved his sisters, his evil ugly sisters. Heather listened with tears in her eyes as his mind drifted and his voice gradually faded, weakened. She'd finally got her declaration, not in anything like the words she'd expected, but in a stronger, impossible-to-doubt exposition. He'd been her protector, unswerving, unflinching, always there; from a man like him, focused on a lady like her, such actions were tantamount to a declaration from the rooftops. The love she'd wanted him to admit to had been there all along, demonstrated daily right before her eyes, but she hadn't seen. Hadn't seen because she'd been focusing elsewhere, and because, conditioned as she was to resisting the same style of possessive protectiveness from her brothers, from her cousins, she hadn't appreciated his, hadn't realized that that quality had to be an expression of his feelings for her. Until now. Until now that he'd all but given his life for hers. He loved her-he'd always loved her. She saw that now, looking back down the years. He'd loved her from the time she'd fallen in love with him-the instant they'd laid eyes on each other at Michael and Caro's wedding in Hampshire four years ago. He'd held aloof, held away-held her at bay, too-believing, wrongly, that he wasn't an appropriate husband for her. In that, he'd been wrong, too. She saw it all. And as the tears overflowed and tracked down her cheeks, she knew to her soul how right he was for her. Knew, embraced, and rejoiced.
Stephanie Laurens (Viscount Breckenridge to the Rescue (Cynster, #16; The Cynster Sisters Trilogy, #1))
I then invited the mother of the handicapped son to imagine herself similarly looking back over her life. Let us listen to what she had to say as recorded on the tape: “I wished to have children and this wish has been granted to me; one boy died; the other, however, the crippled one, would have been sent to an institution if I had not taken over his care. Though he is crippled and helpless, he is after all my boy. And so I have made a fuller life possible for him; I have made a better human being out of my son.” At this moment, there was an outburst of tears and, crying, she continued: “As for myself, I can look back peacefully on my life; for I can say my life is full of meaning, and I have tried hard to fulfill it; I have done my best - I have done the best for my son. My life was no failure!” Viewing her life as if from her deathbed, she had suddenly been able to see a meaning in it, meaning which even included all of her sufferings. By the same token, however, it has become clear as well that a life of short duration, like that, for example, of her dead boy, could be so rich in joy and love that it could contain more meaning than a life lasting eighty years.
Viktor E. Frankl (Man’s Search for Meaning)
Don’t want no more rock,” Orc repeated. The bleeding stopped almost immediately. “Does it hurt?” Lana asked. “I mean the rock. I know the hole hurts.” “No. It don’t hurt.” Orc slammed his fist against his opposite arm, hard enough that any human arm would have been shattered. “I barely feel it. Even Drake’s whip, when we was fighting, I barely felt it.” Suddenly he was weeping. Tears rolled from human eyes onto cheeks of flesh and pebbles. “I don’t feel nothing except…” He pointed a thick stone finger at the flesh of his face. “Yeah,” Lana said. Her irritation was gone. Her burden was smaller, maybe, than Orc’s.
Michael Grant (Hunger (Gone, #2))
He overheard the director talking to one of the cameramen. The cameraman was explaining that he couldn’t get a good long shot on the exterior because someone had set up a fake graveyard right in the plaza. “Kids just playing around, I guess, but it’s morbid; we’ll have to get rid of it, maybe bring in some sod to—” “No,” Albert said. “We’re almost ready for you,” the director assured him. “That’s not a fake graveyard. Those aren’t fake graves. No one was playing around.” “You’re saying those . . . those are actually . . .” “What do you think happened here?” Albert asked in a soft voice. “What do you think this was?” Absurdly, embarrassingly, he had started to cry. “Those are kids buried there. Some of them were torn apart, you know. By coyotes. By . . . by bad people. Shot. Crushed. Like that. Some of those kids in the ground there couldn’t take it, the hunger and the fear . . . some of those kids out there had to be cut down from the ropes they used to hang themselves. Early on, when we still had any animals? I had a crew go out and hunt down cats. Cats and dogs and rats. Kill them. Other kids to skin them . . . cook them up.” There were a dozen crew people in the McDonald’s. None spoke or moved. Albert brushed away tears and sighed. “Yeah. So don’t mess with the graves. Okay? Other than that, we’re good to go.
Michael Grant (Light (Gone, #6))
Your grandmother—you said she was all you had. Is that why it’s so important to you to find him?” I nod. “Losing her has been harder than I imagined. I should have realized it would be, but she was always so vibrant, seemed so much younger than her years, and I suppose I took for granted that she would be around a long time. Would see me get married, hold my child in her arms.” A tear trickles down my cheek and I bat it away. “I hate that she’s not going to be here for all of these moments. That she won’t be here to sing ‘Cielito Lindo’ to my child like she did to me when I was a little girl. There’s this giant hole in my heart. I miss her arms around me, the scent of her perfume, the smell of her cooking.
Chanel Cleeton (Next Year in Havana)
The introduction of cinematography enabled us to corral time past and thus retain it not merely in the memory - at best, a falsifying receptacle - but in the objective preservative of a roll of film. But, if past, present and future are the dimensions of time, they are notoriously fluid. There is no tension in the tenses and yet they are always tremulously about to coagulate. The present is a liquid jelly which settles into a quivering, passive mass, the past, as soon as - if not sooner than - we are aware of it as present. Yet this mass was intangible and existed only conceptually until arrival of the preservative, cinema. The motion picture is usually regarded as only a kind of shadow play and few bother to probe the ontological paradoxes it presents. For it offers us nothing less than the present tense experience of time irrefutably past. So that the coil of film has, as it were, lassoed inert phenomena from which the present had departed, and when projected upon a screen, they are granted a temporary revivification. [...] The images of cinematography, however, altogether lack autonomy. Locking in programmed patterns, they merely transpose time past into time present and cannot, by their nature, respond to the magnetic impulses of time future for the unachievable future which does not exist in any dimension, but nevertheless organizes phenomena towards its potential conclusions. The cinematographic model is one of cyclic recurrences alone, even if these recurrences are instigated voluntarily, by the hand of man viz. the projectionist, rather than the hand of fate. Though, in another sense, the action of time is actually visible in the tears, scratches and thumbprints on the substance of the film itself, these are caused only by the sly, corrosive touch of mortality and, since the print may be renewed at will, the flaws of aging, if retained, increase the presence of the past only by a kind of forgery, as when a man punches artificial worm-holes into raw or smokes shadows of fresh pain with a candle to produce an apparently aged artefact. Mendoza, however, claimed that if a thing were sufficiently artificial, it became absolutely equivalent to the genuine.
Angela Carter (The Infernal Desire Machines of Doctor Hoffman)
We have weathered deep depression, hurtful arguments, separation, estrangement, anger, bewilderment, deep disappointment and suspicion of words and deeds—all in connection with those nearest to us. We have overcome our own and our spouses’ thoughts of suicide, as well as an actual suicide attempt by one spouse and another by a surviving child. We have had to deal with a sibling turning to drugs in hopes of relieving the hurt. The repercussions of our children’s deaths will echo forever in our lives and those of our close family members. The bitterness and the fury will diminish, but they will never completely disappear. But the one relationship that has never faltered has been that which we had and continue to have with our deceased children. That closeness, which we probably took for granted when our children were alive, has grown to the point that they are forever with us and within us. Our dead children have become omnipresent in our lives. They are the one sure thing. Everything else surrounding us can ebb and flow, change and perhaps go, but our dead children are as much a part of us as they were when we carried them through nine months of pregnancy. We cannot, and will not, ever think of them as no longer existing. We cannot say for certain that they are watching us from heaven, but the thought that they may be doing just that comforts us and encourages us to go on with our lives. At times, it even makes us feel a certain comedic awkwardness. No matter what is happening, our child is in the room. Phyllis: “My son and his wife came
Ellen Mitchell (Beyond Tears: Living After Losing a Child)
An impressive gentleman,” he remarked casually. “The general’s kinsman, I mean. Wouldn’t think they were related to look at, would you?” Caught up in dying hope and tearing grief, William had barely noticed Colonel Fraser before the latter had so suddenly given him the hat—and been too startled to notice much about him then. He shook his head in agreement, though, having a vague recollection of a tall figure kneeling down by the bed, the firelight touching the crown of his head briefly with red. “Looks more like you than like the brigadier,” Grant added offhandedly, then laughed, a painful creak. “Sure you haven’t a Scottish branch in your family?” “No, Yorkshiremen back to the Flood on both sides, save one French great-grandmother,” William replied, grateful for the momentary distraction of light conversation. “My stepfather’s mother is half Scotch—that count, do you think?
Diana Gabaldon (The Fiery Cross / A Breath of Snow and Ashes / An Echo in the Bone / Written in My Own Heart's Blood (Outlander #5-8))
I want you." She felt the words wrench from her. As they slipped from her mouth into his, he crushed her against him in a grip that left all gentleness behind. His lips savaged, warred, absorbed, util they were both speechless. With an inarticulate mrumuer, Grant buried his face in her hair and fought to find reason. "Good God,in another minute I'll forget it's still daylight and this is a public road." Gennie ran her fingers down the nape of his neck. "I already have." Grant forced the breath in and out of his lungs three times, then lifted his head. "Be careful," he warned quietly. "I have a more difficult time remembering to be civilized than doing what comes naturally. At this moment I'd feel very natural dragging you into the backseat,tearing off your clothes and loving you until you were senseless." A thrill rushed up and down her spine, daring her,urging her. She leaned closer utnil her lips were nearly against his. "One should never go against one's nature.
Nora Roberts (The MacGregors: Alan & Grant (The MacGregors, #3-4))
Marriage is a very serious undertaking, after all. We are talking here about embarking upon a life together,” he says, attempting a smile. “Teaming up, you know? And so on. We are talking about nothing less than love, my dear! The universal lifeblood. Eternal, undying love!” His attention is back on the invisible thing in the middle distance. The creature tears up a little. “Ah, but love itself is not enough.” He sighs. “So fragile! So fleeting if left untended. I’m sure you’d agree, my dear, that we must never take this love of ours for granted?” The creature does agree. “It must be nurtured. Cultivated. Tell me, do you feel the same way?” It does. A single, rust colored tear carves out a path over the rugged and somewhat jaundiced terrain of its cheek. “And with what shall we nurture it, my dear? Hm? How to give it the strength it will need to thrive?” It doesn’t know. A belch from its lips releases a cloud of gas that makes Seiler’s vision blur. He takes a moment to steady himself. “With trust, my dear! We must have complete trust in one another!
Guillermo Stitch (Lake of Urine: A Love Story)
Then I realized I loved you. That was awful." "Awful!" "Loving you and knowing I couldn't have you was tearing me apart. Though I knew nothing would pardon me in your eyes, I had to do what I could to make sure you'd always have your family to take care of you. That's why I sent the telegram to Washington, asking for the authority to grant amnesty to your brothers and your pa. "I saved your family because I loved you, darlin', not because of what they could do to help me. True, they made the job easier, but I would have managed one way or another. "As for the wedding, your pa just provded me with the excuse to ignore the consequences and take what I wanted most in the world-you. I should have told you everything then. But I was selfish, Willow,and I feared I'd lose you once you knew the truth. "I guess I was hoping that once you were legally mine you'd give the two of us a chance.I even began telling myself that the amnesty deal would soften your opinion of me. When a man loves a woman as much as I love you, he reaches for almost any excuse to make himself believe he can win her over.
Charlotte McPherren (Song of the Willow)
But right now he wanted nothing more than a hot shower, a shave and a decent cup of tea. Though he'd have traded all of that for one more taste of Keeley. Knowing it irritated him had him scowling in the direction of her paddock. The minute he was cleaned up, he promised himself, the two of them would have a little conversation.Very little, he decided, before he got his hands on her again. And when he did, he was going to- The erotic image he conjured in his head burst like a bubble when he rounded the house and saw Keeley's mother kneeling at the flower bed. It was not the most comfortable thing to come across the mother when you'd been picturing the daughter naked. Then Adelia looked over at him, and he saw the tears on her cheeks. And his mind went blank. "Ah...Mrs. Grant." "Brian." Sniffling, she wiped her cheeks with the back of her hand. "I was doing some weeding. Just tidying up the beds here." She tugged at the cap on her head, then she lowered her hands, dropped back on her heels. "I'm sorry." "Ah..." Said that already, he thought, panicked. Say something else. He was never so helpless as he was with female tears.
Nora Roberts (Irish Rebel (Irish Hearts, #3))
Dear Bride to Be Come to me, Dear Bride to be, And kneel before My Throne And I will share My heart with you And make your house a home. Listen well, lean closely There are secrets at My feet— The marriage you will soon begin This Bridegroom will complete. The man with whom you'll journey Is your wedding gift from me To teach you things beyond this world… A precious mystery. Bearing all these things in mind You'll never lack for wealth For through your union I will choose To teach you of Myself. Let him hold you tightly And keep you safe from harm Until I'll one day hold you In My everlasting arms. Let him wipe your tears away And trust him with your pain Until I wipe them all away And Heaven is your gain. Pray to love his tender touch And want his gentle kiss I grant you both my blessing And ask you not to miss The reason why I've chosen For two halves to become one— That you might see the Bride of Christ, Sweet Daughter and Dear Son. So make his home a refuge He's to love you as I do Until your mansion is complete... A place prepared for you. And if I should choose to leave you here When I have called him home Trust I'll be your husband near... You'll never be alone.
Beth Moore (Things Pondered: From the Heart of a Lesser Woman)
Arian paced the cavern in his mountain in agitation and a wee bit of anxiety. He was shaking off the dragon sleep from the past six hundred years. Not only had it been six centuries since he had been in human form, but there was a war the Dragon Kings were involved in. Con and the others were waiting for him to join in the war. Every King had been woken to take part. After all the wars they had been involved in, Arian wasn’t happy to be woken to join another. Because of Ulrik. The banished and disgraced Dragon King hadn’t just made a nuisance of himself, but he somehow managed to get his magic returned. Which meant the Kings needed to put extra magic into keeping the four silver dragons sleeping undisturbed deep within the mountain. They were Ulrik’s dragons, and he would want to wake them soon. But it wasn’t just Ulrik that was causing mischief. The Dark Fae were as well. It infuriated Arian that they were once more fighting the Dark. Hadn’t the Fae Wars killed enough Fae and dragons? Then again, as a Dragon King as old as time itself, they were targets for others who wanted to defeat them. For Ulrik, he just wanted revenge. Arian hated him for it, but he could understand. Mostly because Arian had briefly joined Ulrik in his quest to rid the realm of humans. Thoughts of Ulrik were pushed aside as Arian found himself thinking about why he had taken to his mountain. When he came here six hundred years earlier, it was to remain there for many thousands of years. The Dragon Kings sought their mountains for many reasons. Some were just tired of dealing with mortals, but others had something they wished to forget for a while. Arian was one of the latter. There were many things he did in his past when the King of Kings, Constantine, asked. Not all of them Arian was proud of. The one that sent him to his mountain still preyed upon him. He didn’t remember her name, but he remembered her tears. Because of the spell to prevent any of the Dragon Kings from falling in love with mortals, Arian had easily walked away from the female. Six centuries later, he could still hear her begging him to stay with her, still see the tears coursing down her face. Though he hadn’t felt anything, it bothered him that he had so easily walked away. Because Con had demanded it. Loyalty—above all else. The Dragon Kings were his family, and Dreagan his home. There was never any question if he were needed that Arian would do whatever it took to help his brethren in any capacity asked of him.
Donna Grant (Dragon King (Dark Kings #6.5; Dark World #20.5))
I’m killing Zil. Clear enough? I’m putting him down.” “Whoa, man,” Edilio said. “That’s not what we do. We’re the good guys, right?” “There has to be an end to it, Edilio.” He wiped soot from his face with the back of his hand, but smoke had filled his eyes with tears. “I can’t keep doing it and never reaching the end.” “It’s not your call anymore,” Edilio said. Sam turned a steely glare on him. “You too? Now you’re siding with Astrid?” “Man, there have to be limits,” Edilio said. Sam stood staring down the street. The fire was out of control. All of Sherman was burning, from one end to the other. If they were lucky it wouldn’t jump to another street. But one way or the other, Sherman was lost. “We should be looking to save any kids that are trapped,” Edilio said. Sam didn’t answer. “Sam,” Edilio pleaded. “I begged Him to let me die, Edilio. I prayed to the God who Astrid likes so much and I said, God, if You’re there, kill me. Don’t let me feel this pain anymore.” Edilio said nothing. “You don’t understand, Edilio,” Sam said so softly, he doubted Edilio could hear him over the roar and crackle of the fire raging all around them. “You can’t do anything else with people like this. You have to kill them all. Zil. Caine. Drake. You just have to kill them. So right now, I’m starting with Zil and his crew,” Sam said. “You can come with me or not.
Michael Grant (Lies (Gone, #3))
They had shared much of their pasts, most of their fears, and all of their tenuous and fragile hopes, but Deborah had noticed over the years that whenever she mentioned her art, or something on which she was working, a subtle change would come over Carla. Her face would harden almost imperceptibly; her manner would edge toward coolness. Because it was a subtle emotion in a world of erratic oscillations of feeling, of violence, and of lies told by every sense of perception, Deborah had not noticed it in their sick times. But one day the world had cleared enough so that she realised that at any mention of her art, her friend drew back. In their new eagerness for experience and reality, the strange aloofness stood out clearly. [...] She had a dream. In the dream it was winter and night. The sky was thick blue-black and the stars were frozen in it, so that they glimmered. Over the clean white and windswept hills the shadows of snowdrifts drew long. She was walking on the crust of snow, watching the star-glimmer and the snow-glimmer and the cold tear-glimmer in her own eyes. A deep voice said to her, "You know, don't you, that the stars are sound as well as light?" She listened and heard a lullaby made by the voices of the stars, sounding so beautiful together that she began to cry with it. The voice said, "Look out there." She looked toward the horizon. "See, it is a sweep, a curve." Then the voice said, "This night is a curve of darkness and the space beyond it is a curve of human history, with every single life an arch from birth to death. The apex of all of these single curves determines the curve of history and, at last, of man." "I cannot show you yours," the voice said, "but I can show you Carla's. Dig here, deep in the snow. It is buried and frozen - Dig deep." Deborah pushed the snow aside with her hands. It was very cold, but she worked with a great intensity as if there were salvation in it. At last her hand struck something and she tore it up from burial. It was a piece of bone, thick and very strong and curved in a long, high, steady curve. "Is this Carla's life?" she asked. "Her creativity?" "It is bone-deep with her, though buried and frozen." The voice paused a moment and then said, "It's a fine one - a fine solid one!" [...] "Please don't be angry," she said, and then told Carla the dream. [...] She wiped her eyes. "It was only a dream, your dream..." "It's true anyway," Deborah said. "The one place I could never go..." Carla said musing, "...the one hunger I could never admit." When Deborah finished, Furii said, "You always took your art for granted, didn't you? I used to read in the ward reports all the time how you managed to do your drawing in spite of every sort of inconvenience and restriction.
Joanne Greenberg (I Never Promised You a Rose Garden)
She laughed, a sound of pure joy, and she cried more, because that joy was a miracle. 'That's a sound I never thought to hear from you, girl,' Amren said beside her. The delicate female was regal in a gown of light grey, diamonds at her throat and wrists, her usual black bob silvered with the starlight. Nesta wiped away her tears, smearing the stardust upon her cheeks and not caring. For a long moment, her throat worked, trying to sort through all that sought to rise from her chest. Amren just held her stare, waiting. Nesta fell to one knee and bowed her head. 'I am sorry.' Amren made a sound of surprise, and Nesta knew others were watching, but she didn't care. She kept her head lowered and let the words flow from her heart. 'You gave me kindness, and respect, and your time, and I treated them like garbage. You told me the truth, and I did not want to hear it. I was jealous, and scared, and too proud to admit it. But losing your friendship is a loss I can't endure.' Amren said nothing, and Nesta lifted her head to find the female smiling, something like wonder on her face. Amren's eyes became lined with silver, a hint of how they had once been. 'I went poking about the House when we arrived an hour ago. I saw what you did to the place.' Nesta's brow furrowed. She hadn't changed anything. Amren grabbed Nesta under the shoulder, hauling her up. 'The House sings. I can hear it in the stone. And when I spoke to it, it answered. Granted, it gave me a pile of romance novels by the end of it, but... you caused this House to come alive, girl.' 'I didn't do anything.' 'You Made the House,' Amren said, smiling again, a slash of red and white in the glowing dark. 'When you arrived here, what did you wish for most?' Nesta considered, watching a few stars whiz past. 'A friend. Deep down, I wanted a friend.' 'So you Made one. Your power brought the House to life with a silent wish born from loneliness and desperate need.' 'But my power only creates terrible things. The House is good,' Nesta breathed. 'Is it?' Nesta considered. 'The darkness in the pit of the library- it's the heart of the House.' Amren nodded. 'And where is it now?' 'It hasn't made an appearance in weeks. But it's still there. I think it's just... being managed. Maybe it's the House's knowledge that I'm aware of it, and didn't judge it, makes it easier to keep in check.' Amren put a hand above Nesta's heart. 'That's the key, isn't it? To know the darkness will always remain, but how you choose to face it, handle it... that's the important part. To not let it consume. To focus upon the good, the things that fill you with wonder.' She gestured to the stars zooming past. 'The struggle with that darkness is worth it, just to see such things.' But Nesta's gaze had slid from the stars- finding a familiar face in the crowd, dancing with Mor. Laughing, his head thrown back. So beautiful she had no words for it. Amren chuckled gently. 'And worth it for that, too.' Nesta looked back at her friend. Amren smiled, and her face became as lovely as Cassian's, as the stars arching past. 'Welcome back to the Night Court, Nesta Archeron.
Sarah J. Maas (A ​Court of Silver Flames (A Court of Thorns and Roses, #4))
Ella.” The sound was so quiet, I barely heard it through the blood-rush in my ears. I turned to look down the hallway. A man was coming toward me, his lean form clad in a pair of baggy scrub pants and a loose T-shirt. His arm was bandaged with silver-gray burn wrap. I knew the set of those shoulders, the way he moved. Jack. My eyes blurred, and I felt my pulse escalate to a painful throbbing. I began to shake from the effects of trying to encompass too much feeling, too fast. “Is it you?” I choked. “Yes. Yes. God, Ella . . .” I was breaking down, every breath shattering. I gripped my elbows with my hands, crying harder as Jack drew closer. I couldn’t move. I was terrified that I was hallucinating, conjuring an image of what I wanted most, that if I reached out I would find nothing but empty space. But Jack was there, solid and real, reaching around me with hard, strong arms. The contact with him was electrifying. I flattened against him, unable to get close enough. He murmured as I sobbed against his chest. “Ella . . . sweetheart, it’s all right. Don’t cry. Don’t . . .” But the relief of touching him, being close to him, had caused me to unravel. Not too late. The thought spurred a rush of euphoria. Jack was alive, and whole, and I would take nothing for granted ever again. I fumbled beneath the hem of his T-shirt and found the warm skin of his back. My fingertips encountered the edge of another bandage. He kept his arms firmly around me as if he understood that I needed the confining pressure, the feel of him surrounding me as our bodies relayed silent messages. Don’t let go. I’m right here. Tremors kept running along my entire frame. My teeth chattered, making it hard to talk. “I th-thought you might not come back.” Jack’s mouth, usually so soft, was rough and chapped against my cheek, his jaw scratchy with bristle. “I’ll always come back to you.” His voice was hoarse. I hid my face against his neck, breathing him in. His familiar scent had been obliterated by the antiseptic pungency of antiseptic burn dressings, and heavy saltwater brine. “Where are you hurt?” Sniffling, I reached farther over his back, investigating the extent of the bandage. His fingers tangled in the smooth, soft locks of my hair. “Just a few burns and scrapes. Nothing to worry about.” I felt his cheek tauten with a smile. “All your favorite parts are still there.” We were both quiet for a moment. I realized he was trembling, too. “I love you, Jack,” I said, and that started a whole new rush of tears, because I was so unholy glad to be able to say it to him. “I thought it was too late . . . I thought you’d never know, because I was a coward, and I’m so—” “I knew.” Jack sounded shaken. He drew back to look down at me with glittering bloodshot eyes. “You did?” I sniffled. He nodded. “I figured I couldn’t love you as much as I do, without you feeling something for me, too.” He kissed me roughly, the contact between our mouths too hard for pleasure. I put my fingers to Jack’s bristled jaw and eased his face away to look at him. He was battered and scraped and sun-scorched. I couldn’t begin to imagine how dehydrated he was. I pointed an unsteady finger at the waiting room. “Your family’s in there. Why are you in the hallway?” My bewildered gaze swept down his body to his bare feet. “They’re . . . they’re letting you walk around like this?” Jack shook his head. “They parked me in a room around the corner to wait for a couple more tests. I asked if anyone had told you I was okay, and nobody knew for sure. So I came to find you.” “You just left when you’re supposed to be having more tests?” “I had to find you.” His voice was quiet but unyielding.
Lisa Kleypas (Smooth Talking Stranger (Travises, #3))
I look over the recipe again. It sounds very simple. You boil some rice in water like pasta, I can do that. You cook some onion in butter, stir in the rice, pop it in the oven. Add some cream and grated cheese and mix it up. And voila! A real dinner. I pull out a couple of the pots Caroline gave me, and began to get everything laid out. Grant always yammered on about mise en place, that habit of getting all your stuff together before you start cooking so you can be organized. It seems to make sense, and appeals to the part of me that likes to make lists and check things off of them. I manage to chop a pile of onions without cutting myself, but with a lot of tears. At one point I walk over to the huge freezer and stick my head in it for some relief, while Schatzi looks at me like I'm an idiot. Which isn't unusual. Or even come to think of it, wrong. But I get them sliced and chopped, albeit unevenly, and put them in the large pot with some butter. I get some water boiling in the other pot and put in some rice. I cook it for a few minutes, drain it, and add it to the onions, stirring them all together. Then I put the lid on the pot and put it in the oven, and set my phone with an alarm for thirty-five minutes. The kitchen smells amazing. Nothing quite like onions cooked in butter to make the heart happy. While it cooks, I grab a beer, and grate some Swiss cheese into a pile. When my phone buzzes, I pull the pot out of the oven and put it back on the stovetop, stirring in the cream and cheese, and sprinkling in some salt and pepper. I grab a bowl and fill it with the richly scented mixture. I stand right there at the counter, and gingerly take a spoonful. It's amazing. Rich and creamy and oniony. The rice is nicely cooked, not mushy. And even though some of my badly cut onions make for some awkward eating moments, as the strings slide out of the spoon and attach themselves to my chin, the flavor is spectacular. Simple and comforting, and utterly delicious.
Stacey Ballis (Recipe for Disaster)
Dear God, We have failed you, we have failed you miserably. From eating animals to becoming animals, from cutting trees to cutting our conscience we have failed you. Your Kindness saved us time and again and You out of your most benevolent mercy tried to show us that Humanity means Humility, that we Your dear creation is capable of so much of Love and Grace after all You made us with your Light, that this world can always come back to Love, that Fear can always be overcome by Kindness, that Strength is always embedded within, that Courage lies in Forgiveness, yet did we listen in with our hearts? Perhaps, perhaps not. You sent us a pandemic to teach us the value of lives and how You United this world and healed this Earth through suffering yet did we learn the value of lives? No, we failed. There is a war going on in a beautiful country, and an economic meltdown in another, and so many other nations are fighting their own unknown battles just like every human being, and yet we fail to tickle our conscience, we fail to see how we have literally ruined this world and made demons out of your beautiful creation of humankind succombing to greed, lust and anger, oh how we have failed! We have failed in absolute disgrace where we don't see the tears of children, the lost smiles of our fellow neighbours and the numb dreams of almost everyone because we have locked the doors of our heart in false pictures of camouflaged pleasures, we indeed have failed you, we have failed us. Yet Your kindness knows no bound, your Love is infinite and your Grace is eternal, forgive us, dear Father and grant us, this Humankind the knowledge and understanding to act as Humans again. Fill those angry hearts with healing, those hurt souls with the grace of forgiveness and above all let your world know your true Nature by giving the strength of Courage in those hearts who walk in your Light, to stand by what is right without the shackles of Fear. Oh, the Kindest of All, may You strengthen the Truth and lead the Light bearers of Love ahead through Your Mercy to win over a world that is slowly crawling into a deep cavern of Hate, a world that was once created to nourish and nurture the different faces of Love, a world that is failing and falling frail in every passing moment, You alone are our only Hope. We know we have failed you miserably and as we keep failing you, I know more than ever that Your Grace will find us through and once again You will save us, because we may fail as children but You won't fail your children as the most Loving Father. - a soul traveling through this beautiful Universe of your making.
Debatrayee Banerjee
I’m mean? That’s the worst you can throw at me?” “Mean and self-pitying. Does that make it better?” “And what are you, Astrid?” he shouted. “A smug know-it-all! You point your finger at me and say, ‘Hey, Sam, you make the decisions, and you take all the heat.’” “Oh, it’s my fault? No way. I didn’t anoint you.” “Yeah, you did, Astrid. You guilted me into it. You think I don’t know what you’re all about? You used me to protect Little Pete. You use me to get your way. You manipulate me anytime you feel like it.” “You really are a jerk, you know that?” “No, I’m not a jerk, Astrid. You know what I am? I’m the guy getting people killed,” Sam said quietly. Then, “My head is exploding from it. I can’t get my brain around it. I can’t do this. I can’t be that guy, Astrid, I’m a kid, I should be studying algebra or whatever. I should be hanging out. I should be watching TV.” His voice rose, higher and louder till he was screaming. “What do you want from me? I’m not Little Pete’s father. I’m not everybody’s father. Do you ever stop to think what people are asking me to do? You know what they want me to do? Do you? They want me to kill my brother so the lights will come back on. They want me to kill kids! Kill Drake. Kill Diana. Get our own kids killed. “That’s what they ask. Why not, Sam? Why aren’t you doing what you have to do, Sam? Tell kids to get eaten alive by zekes, Sam. Tell Edilio to dig some more holes in the square, Sam.” He had gone from yelling to sobbing. “I’m fifteen years old. I’m fifteen.” He sat down hard on the edge of the bed. “Oh, my God, Astrid. It’s in my head, all these things. I can’t get rid of them. It’s like some filthy animal inside my head and I will never, ever, ever get rid of it. It makes me feel so bad. It’s disgusting. I want to throw up. I want to die. I want someone to shoot me in the head so I don’t have to think about everything.” Astrid was beside him, and her arms were around him. He was ashamed, but he couldn’t stop the tears. He was sobbing like he had when he was a little kid, like when he had a nightmare. Out of control. Sobbing. Gradually the spasms slowed. Then stopped. His breathing went from ragged to regular. “I’m really glad the lights weren’t on,” Sam said. “Bad enough you had to hear it.” “I’m falling apart,” he said. Astrid gave no answer, just held him close. And after what felt like a very long time, Sam moved away from her, gently putting distance between them again. “Listen. You won’t ever tell anyone…” “No. But, Sam…” “Please don’t tell me it’s okay,” Sam said. “Don’t be nice to me anymore. Don’t even tell me you love me. I’m about a millimeter from falling apart again.” “Okay.
Michael Grant (Hunger (Gone, #2))
Besides, I know you loved my Lucy . . ." Here he turned away and covered his face with his hands. I could hear the tears in his voice. Mr. Morris, with instinctive delicacy, just laid a hand for a moment on his shoulder, and then walked quietly out of the room. I suppose there is something in a woman's nature that makes a man free to break down before her and express his feelings on the tender or emotional side without feeling it derogatory to his manhood. For when Lord Godalming found himself alone with me he sat down on the sofa and gave way utterly and openly. I sat down beside him and took his hand. I hope he didn't think it forward of me, and that if her ever thinks of it afterwards he never will have such a thought. There I wrong him. I know he never will. He is too true a gentleman.I said to him, for I could see that his heart was breaking, "I loved dear Lucy, and I know what she was to you, and what you were to her. She and I were like sisters, and now she is gone, will you not let me be like a sister to you in your trouble? I know what sorrows you have had, though I cannot measure the depth of them. If sympathy and pity can help in your affliction, won't you let me be of some little service, for Lucy's sake?" In an instant the poor dear fellow was overwhelmed with grief. It seemed to me that all that he had of late been suffering in silence found a vent at once. He grew quite hysterical,and raising his open hands, beat his palms together in a perfect agony of grief. He stood up and then sat down again, and the tears rained down his cheeks. I felt an infinite pity for him, and opened my arms unthinkingly. With a sob he laid his head on my shoulder and cried like a wearied child, whilst he shook with emotion. We women have something of the mother in us that makes us rise above smaller matters when the mother spirit is invoked. I felt this big sorrowing man's head resting on me, as though it were that of a baby that some day may lie on my bosom, and I stroked his hair as though he were my own child. I never thought at the time how strange it all was. After a little bit his sobs ceased, and he raised himself with an apology, though he made no disguise of his emotion. He told me that for days and nights past, weary days and sleepless nights, he had been unable to speak with any one, as a man must speak in his time of sorrow. There was no woman whose sympathy could be given to him, or with whom, owing to the terrible circumstance with which his sorrow was surrounded, he could speak freely. "I know now how I suffered," he said, as he dried his eyes, "but I do not know even yet, and none other can ever know, how much your sweet sympathy has been to me today. I shall know better in time, and believe me that, though I am not ungrateful now, my gratitude will grow with my understanding. You will let me be like a brother, will you not, for all our lives, for dear Lucy's sake?" "For dear Lucy's sake," I said as we clasped hands."Ay, and for your own sake," he added, "for if a man's esteem and gratitude are ever worth the winning, you have won mine today. If ever the future should bring to you a time when you need a man's help,believe me, you will not call in vain. God grant that no such time may ever come to you to break the sunshine of your life, but if it should ever come, promise me that you will let me know." He was so earnest, and his sorrow was so fresh, that I felt it would comfort him, so I said, "I promise.
Bram Stoker (Dracula)
(p.112-114) This past, the Negro's past, of rope, fire torture, castration, infanticide, rape; death and humiliation; fear by day and night, fear as deep as the marrow of the bone; doubt that he was worthy of life, since everyone around him denied it; sorrow for this women, for his kinfolk, for his children, who needed his protection, and whom he could not protect; rage, hatred, and murder, hatred for white men so deep that it often turned against him and his own, and made all love, all trust, all joy impossible - this past, this endless struggle to achieve and reveal and confirm a human identity, human authority, yet contains, for all its horror, something very beautiful. I do not mean to be sentimental about suffering - enough is certainly as good as a feast - but people who cannot suffer can never grow up, can never discover who they are. That man who is forced each day to snatch manhood, his identity, out of the fire of human cruelty that rages to destroy it knows, if he survives his effort, and even if he does not survive it, something about himself and human life that no school on earth - and indeed, no church - can teach. He achieves his own authority, and that is unshakable. This is because, in order to save his life, he is forced to look beneath appearances, to take nothing for granted, to hear the meaning behind the words. If one is continually surviving the worst that life can bring, one eventually ceases to be controlled by a fear of what life can bring; whatever it brings must be borne. And at this level of experience one's bitterness begins to be palatable, and hatred becomes too heavy a sack to carry. The apprehension of life here so briefly and inadequately sketched has been the experience of generations of Negroes, and it helps to explain how they have endured and how they have been able to produce children of kindergarten age who can walk through mobs to get to school. It demands great force and great cunning continually to assault the mighty and indifferent fortress of white supremacy, as Negroes in this country have done so long. It demands great spiritual resilience not to hate the hater whose foot is on your neck, and even greater miracle of perception and charity not to teach your child to hate. The Negro boys and girls who are facing mobs today come out of a long line of improbable aristocrats - the only genuine aristocrats this country has produced. I say "this country" because their frame of reference was totally American. They were hewing out of the mountain of white supremacy the stone of their individuality. I have great respect for that unsung army of black men and women who trudged down back lanes and entered back doors, saying "Yes, sir" and "No, Ma'am" in order to acquire a new roof for the schoolhouse, new books, a new chemistry lab, more beds for the dormitories, more dormitories. They did not like saying "Yes, sir" and "No Ma'am", but the country was in no hurry to educate Negroes, these black men and women knew that the job had to be done, and they put their pride in their pockets in order to do it. It is very hard to believe that they were in anyway inferior to the white men and women who opened those back doors. It is very hard to believe that those men and women, raising their children, eating their greens, crying their curses, weeping their tears, singing their songs, making their love, as the sun rose, as the sun set, were in any way inferior to the white men and women who crept over to share these splendors after the sun went down. ... I am proud of these people not because of their color but because of their intelligence and their spiritual force and their beauty. The country should be proud of them, too, but, alas, not many people in this country even know of their existence.
James Baldwin
Successful con men are treated with considerable respect in the South. A good slice of the settler population of that region were men who’d been given a choice between being shipped off to the New World in leg-irons and spending the rest of their lives in English prisons. The Crown saw no point in feeding them year after year, and they were far too dangerous to be turned loose on the streets of London—so, rather than overload the public hanging schedule, the King’s Minister of Gaol decided to put this scum to work on the other side of the Atlantic, in The Colonies, where cheap labor was much in demand. Most of these poor bastards wound up in what is now the Deep South because of the wretched climate. No settler with good sense and a few dollars in his pocket would venture south of Richmond. There was plenty of opportunity around Boston, New York, and Philadelphia—and by British standards the climate in places like South Carolina and Georgia was close to Hell on Earth: swamps, alligators, mosquitoes, tropical disease... all this plus a boiling sun all day long and no way to make money unless you had a land grant from the King... So the South was sparsely settled at first, and the shortage of skilled labor was a serious problem to the scattered aristocracy of would-be cotton barons who’d been granted huge tracts of good land that would make them all rich if they could only get people to work it. The slave-trade was one answer, but Africa in 1699 was not a fertile breeding ground for middle-management types... and the planters said it was damn near impossible for one white man to establish any kind of control over a boatload of black primitives. The bastards couldn’t even speak English. How could a man get the crop in, with brutes like that for help? There would have to be managers, keepers, overseers: white men who spoke the language, and had a sense of purpose in life. But where would they come from? There was no middle class in the South: only masters and slaves... and all that rich land lying fallow. The King was quick to grasp the financial implications of the problem: The crops must be planted and harvested, in order to sell them for gold—and if all those lazy bastards needed was a few thousand half-bright English-speaking lackeys in order to bring the crops in... hell, that was easy: Clean out the jails, cut back on the Crown’s grocery bill, jolt the liberals off balance by announcing a new “Progressive Amnesty” program for hardened criminals.... Wonderful. Dispatch royal messengers to spread the good word in every corner of the kingdom; and after that send out professional pollsters to record an amazing 66 percent jump in the King’s popularity... then wait a few weeks before announcing the new 10 percent sales tax on ale. That’s how the South got settled. Not the whole story, perhaps, but it goes a long way toward explaining why George Wallace is the Governor of Alabama. He has the same smile as his great-grandfather—a thrice-convicted pig thief from somewhere near Nottingham, who made a small reputation, they say, as a jailhouse lawyer, before he got shipped out. With a bit of imagination you can almost hear the cranky little bastard haranguing his fellow prisoners in London jail, urging them on to revolt: “Lissen here, you poor fools! There’s not much time! Even now—up there in the tower—they’re cookin up some kind of cruel new punishment for us! How much longer will we stand for it? And now they want to ship us across the ocean to work like slaves in a swamp with a bunch of goddamn Hottentots! “We won’t go! It’s asinine! We’ll tear this place apart before we’ll let that thieving old faggot of a king send us off to work next to Africans! “How much more of this misery can we stand, boys? I know you’re fed right up to here with it. I can see it in your eyes— pure misery! And I’m tellin’ you, we don’t have to stand for it!...
Hunter S. Thompson (Fear and Loathing on the Campaign Trail '72)
I can tell you about my mother, and how her death nearly destroyed me. I can tell you in detail about what I did afterward, and what that cost me. I can tell you about the decade it took me to work through it. I can tell you how many days and nights I suffered during the forty-nine years Amarantha held Rhys captive, the guilt tearing me apart that I wasn't there to help him, that I couldn't save him. I can tell you how I still look at him and know I'm not worthy of him, that I failed him when he needed me- that fact drags me from sleep sometimes. I can tell you I've killed so many people I've lost count, but I remember most of their faces. I can tell you how I hear Eris and Devlon and the others talk and, deep down, I still believe that I am a worthless bastard brute. That it doesn't matter how many Siphons I have or how many battles I've won, because I failed the two people dearest to me when it mattered the most.' She couldn't find the words to tell him that he was wrong. That he was good, and brave, and- 'But I'm not going to tell you all of that,' he said, pressing a kiss to the top of her head. The wind seemed to pause, the sunlight on the lake brightening. He said, 'I am going to tell you that you will get through it. That you will face all of this, and you will get through it. That these tears are good, Nesta. These tears mean you care. I am going to tell you that it is not too late, not for any of it. And I can't tell you when, or how, but it will get better. What you feel, this guilt and pain and self-loathing- you will get through it. But only if you are willing to fight. Only if you are willing to face it, and embrace it, and walk through it, to emerge on the other side of it. And maybe you will still feel that tinge of pain, but there is another side. A better side. She pulled back from his chest then. Found his gaze lined with silver. 'I don't know how to get there. I don't think I'm capable of it.' His eyes glimmered with pain for her. 'You are. I've seen it- I've seen what you can do when you are willing to fight for the people you love. Why not apply that same bravery and loyalty to yourself? Don't say you don't deserve it.' He gripped her chin. 'Everyone deserves happiness. The road there isn't easy. It is long, and hard, and often travelled utterly blind. But you keep going.' He nodded to the mountains and lake. 'Because you know the destination will be worthwhile.' She stared up at him, this male who had walked with her for five days in near-silence, waiting, she knew, for this moment. She blurted, 'All the things I've done before-' 'Leave them in the past. Apologise to who you feel the need to, but leave those things behind.' 'Forgiveness is not that easy.' 'Forgiveness is something we also grant ourselves. And I can talk to you until these mountains crumble around us, but if you don't wish to be forgiven, if you don't want to stop feeling this way... it won't happen.' He cupped her cheek, calluses scraping against her overheated skin. 'You don't need to become some impossible ideal. You don't need to become sweet and simpering. You can give everyone that I Will Slay My Enemies look- which is my favourite look, by the way. You can keep that sharpness I like so much, that boldness and fearlessness. I don't want you to ever lose those things, to cage yourself.' 'But I still don't know how to fix myself.' 'There's nothing broken to be fixed.' he said fiercely. 'You are helping yourself. Healing the parts of you that hurt to much- and perhaps hurt others, too.' Nesta knew he wouldn't have ever said it, but she saw it in his gaze- that she had hurt him. Many times. She'd known she had, but to see it again in his face... She lifted her hand to his cheek and laid it there, too drained to are about the gentleness of the touch. Cassian nuzzled into her hand, closing his eyes. 'I'll be with you every step of the way,' he whispered into her palm.
Sarah J. Maas (A ​Court of Silver Flames (A Court of Thorns and Roses, #4))
Ella.” The sound was so quiet, I barely heard it through the blood-rush in my ears. I turned to look down the hallway. A man was coming toward me, his lean form clad in a pair of baggy scrub pants and a loose T-shirt. His arm was bandaged with silver-gray burn wrap. I knew the set of those shoulders, the way he moved. Jack. My eyes blurred, and I felt my pulse escalate to a painful throbbing. I began to shake from the effects of trying to encompass too much feeling, too fast. “Is it you?” I choked. “Yes. Yes. God, Ella . . .” I was breaking down, every breath shattering. I gripped my elbows with my hands, crying harder as Jack drew closer. I couldn’t move. I was terrified that I was hallucinating, conjuring an image of what I wanted most, that if I reached out I would find nothing but empty space. But Jack was there, solid and real, reaching around me with hard, strong arms. The contact with him was electrifying. I flattened against him, unable to get close enough. He murmured as I sobbed against his chest. “Ella . . . sweetheart, it’s all right. Don’t cry. Don’t . . .” But the relief of touching him, being close to him, had caused me to unravel. Not too late. The thought spurred a rush of euphoria. Jack was alive, and whole, and I would take nothing for granted ever again. I fumbled beneath the hem of his T-shirt and found the warm skin of his back. My fingertips encountered the edge of another bandage. He kept his arms firmly around me as if he understood that I needed the confining pressure, the feel of him surrounding me as our bodies relayed silent messages. Don’t let go. I’m right here. Tremors kept running along my entire frame. My teeth chattered, making it hard to talk. “I th-thought you might not come back.” Jack’s mouth, usually so soft, was rough and chapped against my cheek, his jaw scratchy with bristle. “I’ll always come back to you.” His voice was hoarse. I hid my face against his neck, breathing him in. His familiar scent had been obliterated by the antiseptic pungency of antiseptic burn dressings, and heavy saltwater brine. “Where are you hurt?” Sniffling, I reached farther over his back, investigating the extent of the bandage. His fingers tangled in the smooth, soft locks of my hair. “Just a few burns and scrapes. Nothing to worry about.” I felt his cheek tauten with a smile. “All your favorite parts are still there.” We were both quiet for a moment. I realized he was trembling, too. “I love you, Jack,” I said, and that started a whole new rush of tears, because I was so unholy glad to be able to say it to him. “I thought it was too late . . . I thought you’d never know, because I was a coward, and I’m so—” “I knew.” Jack sounded shaken. He drew back to look down at me with glittering bloodshot eyes. “You did?” I sniffled. He nodded. “I figured I couldn’t love you as much as I do, without you feeling something for me, too.” He kissed me roughly, the contact between our mouths too hard for pleasure. I put my fingers to Jack’s bristled jaw and eased his face away to look at him. He was battered and scraped and sun-scorched. I couldn’t begin to imagine how dehydrated he was. I pointed an unsteady finger at the waiting room. “Your family’s in there. Why are you in the hallway?” My bewildered gaze swept down his body to his bare feet. “They’re . . . they’re letting you walk around like this?” Jack shook his head. “They parked me in a room around the corner to wait for a couple more tests. I asked if anyone had told you I was okay, and nobody knew for sure. So I came to find you.” “You just left when you’re supposed to be having more tests?” “I had to find you.” His voice was quiet but unyielding
Lisa Kleypas (Smooth Talking Stranger (Travises, #3))
They went sledding. They rented two Flexible Flyers from the general store, and spent the afternoon with the rest of the villagers sledding on the steep Stonington hill that ran down to the bay. Anthony walked uphill exactly twice. Granted, it was a big hill, and he was brave and good to do it, but the other twenty times, his father carried him. Finally, Tatiana said, “You two go on without me. I can’t walk anymore.” “No, no, come with us,” said Anthony. “Dad, I’ll walk up the hill. Can you carry Mama?” “I think I might be able to carry Mommy,” said Alexander. Anthony trudged along, while Alexander carried Tatiana uphill on his back. She cried and the tears froze on her face. But then they raced down, Tatiana and Anthony on one sled, trying to beat Alexander, who was heavier than mother and son, and fast and maneuvered well, unhampered by fear for a small boy, unlike her. She flew down anyway, with Anthony shrieking with frightened delight. She almost beat Alexander. At the bottom she collided into him. “You know if I didn’t have Ant, you’d never win,” she said, lying on top of him. “Oh, yes, I would,” he said, pushing her off him into the snow. “Give me Ant, and let’s go.” It was a good day.
Paullina Simons (The Summer Garden (The Bronze Horseman, #3))
Mom?" I jerked around to see Gavril standing at the door to my study, as if I'd called him. "Gav?" I sighed when I looked at his face. Something was wrong. Would he tell me what that was? Probably not. He and Gavin wore the same look on most days—as if they'd done something horrible and weren't ready to own up to it yet. "Dad and I have talked. Several times." "I know." I did. My son just hadn't bothered to talk to me. Until now. "I didn't know, Mom. How was I to know she was related? Nobody knew that, except you." "If you'd been a little nicer, she could have told you herself," I snapped. "She knew?" "The whole time. She saw it in your face. Saw it in my face, whenever she looked at a photograph. Nothing like getting mistreated by family, huh?" I lowered my eyes and pretended to scroll through figures on the comp-vid. "You had that asshole hit her in the face and break bones." "That'll follow me until the end of time," Gavril muttered, ducking his head. "Probably just like the fact that your father sired a vampire, and then did absolutely nothing in the sire department. He didn't teach her a single thing, starved her and worked her—with your help—day and night. I've been advised, you see." I still didn't look up from the comp-vid. "Your assistants hired that dickhead Rathik Erwin, who stole from her and got her attacked by the other dickhead, Skel Hawer," Gavril attempted to deflect my wrath onto new targets. "I've already had that discussion—with my assistants and with Norian," I snapped. "You, on the other hand, see fit to speak with your father several times, while I, having been gone for months, see you three weeks after I return—temporary death notwithstanding." "Yeah. That's just, well, Mom, I'm sorry." "If your aunt hadn't been here and decided, even after you and your father did your best to kill her, to save my ass anyway, where would we be right now? Answer that, will you?" "Mom, you know I don't have any excuse. Sometimes I wish you'd just punch me and get it over with." "Gavril Tybus Montegue, that's pure stupidity, so stop it now. You don't know what it's like to get punched in the face by someone who's supposed to be your parent. I do. Take your lumps. You fucked up. Admit it." I threw the comp-vid in my hand at the wall so hard it shattered. "Grant will just have to use the crown's funds to buy another one," I growled. "Gavril, go home. Come back when you're more sorry and I'm less pissed." He disappeared and I wiped away stubborn tears.
Connie Suttle (Blood Trouble (God Wars, #2))
She fought back the panic and tears when she realized Quinn had said she couldn’t go to the village. “Why? Why can’t I return to the village?” Quinn met her gaze. “There’s nothing of it left to return to.
Donna Grant (Dangerous Highlander (Dark Sword, #1))
Octavius Augustus became the first Roman emperor because the republic granted him enormous powers. And why did the republic do that? Why did it commit suicide to make way for an empire? Tacitus explains it thus: Cuncta fessa. Which means ‘the whole world is tired.’ Weariness in the face of political and social insecurity is what led to Rome losing its rights and freedoms. Fear induces a hunger for authoritarianism in people. Fear is a really bad adviser. And now look around you, Bruna: everyone’s afraid. We’re living in critical times. Our democratic system is also on the verge of suicide. Sometimes nations opt to throw themselves into the abyss.
Rosa Montero (Tears in Rain)
How long has it been since you and your King were together?" he asked. Rhi looked away, the tears returning again. "A very long time, but not so long that I don't remember the taste of his kiss or the way he would look at me and smile." "You'll never move on unless you let go. What you need is another lover." She cut him a look. "Are you applying for the position?" "Would you take me?
Donna Grant (Soul Scorched (Dark Kings, #6))
Yet this book is written in the desire—perhaps in a measure of inner certainty—that we shall see the great Head of the Church once more bring into being His special instruments of revival, that He will again raise up unto Himself certain young men whom He may use in this glorious employ. And what manner of men will they be? Men mighty in the Scriptures, their lives dominated by a sense of the greatness, the majesty and holiness of God, and their minds and hearts aglow with the great truths of the doctrines of grace. They will be men who have learned what it is to die to self, to human aims and personal ambitions; men who are willing to be “fools for Christ’s sake”, who bear reproach and falsehood, who will labour and suffer, and whose supreme desire will be, not to gain earth’s accolades, but to win the Master’s approbation when they appear before His awesome judgment seat. They will be men who will preach with broken hearts and tear-filled eyes, and upon whose ministries God will grant an extraordinary effusion of the Holy Spirit, and who will witness “signs and wonders following” in the transformation of multitudes of human lives.
Jonathan Leeman (The Underestimated Gospel)