Taylor Swift Lyrics Quotes

you're an expert at sorry and keeping the lines blurry

So don't you worry your pretty little mind because people throw rocks at things that shine. [Ours]

I don't let nobody see me wishin' he was mine

The rest of the world was black and white, But we were in screaming color

Nothing safe is worth the drive.

You can plan on a change in the weather and time, but I never planned on you changing you mind.

The song was about a girl who didn't fit in and she didn't care and she was different than everyone else. I think there's a long chorus of me singing "Do do do do do do do do do do". It's very young and I look back and it's kind of interesting to hear those kind of storylines and the lyrics that I used to write compared to the lyrics that I write now.

When all you wanted was to be wanted, you wish you could go back and tell yourself what you know now.

When I was growing up, I didn't really know much about being popular or cliques or anything like that. In elementary school and middle school, you start to kind of realize what it's all about. There are cool kids, and then there's you, and you're just trying to figure out where you fit in.I learned a lot about acceptance and rejection,Those are the themes that you'll find spread throughout my music and weaved in throughout all of the lyrics. I really know what it's like to be accepted, and I also know what it's like to be rejected. And those are lessons I learned in Wyomissing.

Life makes love look hard.

You'll be mine and I'll be yours.

You gotta step into the daylight and let it go.

And when I felt like I was an old cardigan under someone's bed, you put me on and said I was your favorite.

no one likes a mad woman.

I just wanna know you Know you Know you

All the king's horses, all the king's men Couldn't put me together again 'Cause all of my enemies started out friends Help me hold onto you

My reputation's never been worse, so You must like me for me

He was a Taylor Swift lyric wrapped around a knife.

i was so ahead of the curve, the curve became a sphere. fell behind all my classmates, and I ended up here

You drew stars around my scars But now I'm bleedin

This is life before you know who you're gonna be.

one single thread of gold tied me to you

I’d been at Lyla and Marissa’s apartment long enough for the Taylor Swift album that Lyla was playing to get to a song about someone’s tears ricocheting, which seemed to be a favorite of hers with the way she mouthed the lyrics. It was a sad fucking song.

crescent moon, coast is clear spring breaks loose, but so does fear

one tiny thread of gold tied me to you

He moves toward the door, hesitates there for a second. And then he's gone, and I'm still frozen where he left me.

I know my love should be celebrated, but you tolerate it

I have great taste in music. Taylor Swift is a lyrical genius, and to be clear, you asked me on a date because you threw a football at my head.

My mood lightens with the sky, and I find myself singing along to Taylor Swift and tapping my fingers on the steering wheel as she talks about “trouble walking in”—and I laugh at the irony of the lyrics.

You're talking shit for the hell of it Addicted to betrayal, but you're relevant You're terrified to look down 'Cause if you dare, you'll see the glare Of everyone you burned just to get there It's coming back around

The music video and the song’s lyrics are all about breaking the rules unapologetically…How confusing, then, that “Shake It Off” musically represents…Taylor Swift’s arrival as a run-of-the-mill, straight-and-narrow pop artist.” It cheers for individual distinctness in the most generic voice possible. But this tension isn’t a bug, it’s a feature. It articulates a paradox central to white identity in a white supremacist society: for whites, the generic and the individual coincide because the generic is nothing but a false generalization of/from white existence and experience. In “Shake It Off,” what appears to be uncontrived expression is really the contrivances of whiteness as they materialize in Swift’s body and musical performance.

He scoffs. “Seriously, what kind of thirty-three-year-old man listens to Taylor Swift?” “Thirty-four,” I correct him. “Even worse, my friend.” “She just gets me,” I reply, turning it up so loud he winces. “I mean…listen to these lyrics. Straight from the heart.

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I've only ever been loved like a Top 40 song- the latest hit, the hot new thing. Something fleeting, bubbly and fun; nothing serious. But just once, I'd like to be loved like a poignant, timeless ballad. With a melody that moves you and lyrics that burrow deep in your heart. Like Leonard Cohen's "Suzanne" or "Something" by the Beatles or "Speak Now" by Taylor Swift. But that never seems to happen.

I think he did it but I just can't prove it. No, no body, no crime, But I ain't letting up until the day I die."- no body no crime

Seriously, what kind of thirty-three-year-old man listens to Taylor Swift?” “Thirty-four,” I correct him. “Even worse, my friend.” “She just gets me,” I reply, turning it up so loud he winces. “I mean…listen to these lyrics. Straight from the heart.

They say she was seen on occasion Pacing the rocks, staring out at the midnight sea And in a feud with her neighbor She stole his dog and dyed it key lime green

Sadly, people boycotted me, and I don´t even have internet access permanently right now, and i am pretty much ruined... Incase you didnt forget about me, I live in Lore Kullmer Straße 3, Rainsboro (Regensburg), Appartment Roth/ Bülbül. Happy Birthday too btw. Greetings, the Guy from the tshirt/ the lyrics one.