Cypress Point Quotes

The point is that one's got an instinct to live. One does not live because one's reason assents to living. People who, as we say, 'would be better dead,' don’t want to die! People who apparently have got everything to live for just let themselves fade out of life because they have not got the energy to fight.

There were many deficits in our swamp education, but Grandpa Sawtooth, to his credit, taught us the names of whole townships that had been forgotten underwater. Black pioneers, Creek Indians, moonshiners, women, 'disappeared' boy soldiers who deserted their army camps. From Grandpa we learned how to peer beneath the sea-glare of the 'official, historical' Florida records we found in books. "Prejudice," as defined by Sawtooth Bigtree, was a kind of prehistoric arithmetic--a "damn, fool math"--in which some people counted and others did not. It meant white names on white headstones in the big cemetery in Cypress Point, and black and brown bodies buried in swamp water. At ten, I couldn't articulate much but I got the message: to be a true historian, you had to mourn amply and well.

A few seconds behind, Dane freezes with his mouth half-open when he finally spots her. Then, his brow jumps and he’s taking it all in, the details I refuse to find appealing about her—tight little waist, sun-kissed skin, legs for days, nice size rack, pretty face. Not the typical, magazine-class pretty face, either. It’s unique and ethereal, makes you want to stare. Makes you want to get closer. She’s the human equivalent of oleander. Beautiful. Delicate. Dangerous.

I want more of this. More from the wolf who’s made it crystal clear he intends to do more than just blow my house down.

I want you, in a way that has nothing to do with wanting to fuck you.

Cast down by sadness, I walked far into the mountains where the cypresses grew so pointed one would have taken them for arms, where the brambles had thorns as big as claws.

You can choose whether you believe what I’ve told you about the video,” he says, cutting into my thoughts. “You can even choose whether you believe what I said about Parker. But you don’t get to doubt that I feel something for you. Not even for a second.

You're young. Men are gonna come and go, and you're doing yourself a favor by just letting 'em. Sure, it'll hurt a little, but what hurts worse is holding on to someone who doesn't want to be held onto. Then, when the right one comes along--if the right one comes along-- you'll know it and he won't leave for nothing.

Go on from here, Ada, please. (She). Billions of boys. Take one fairly decent decade. A billion of Bills, good, gifted, tender and passionate, not only spiritually but physically well-meaning Billions, have bared the jillions of their no less tender and brilliant Jills during that decade, at stations and under conditions that have to be controlled and specified by the worker, lest the entire report be choked up by the weeds of statistics and waist-high generalizations. No point would there be, if we left out, for example, the little matter of prodigious individual awareness and young genius, which makes, in some cases, of this or that particular gasp an unprecedented and unrepeatable event in the continuum of life or at least a thematic anthemia of such events in a work of art, or a denouncer’s article. The details that shine through or shade through: the local leaf through the hyaline skin, the green sun in the brown humid eye, tout ceci, vsyo eto, in tit and toto, must be taken into account, now prepare to take over (no, Ada, go on, ya zaslushalsya: I’m all enchantment and ears), if we wish to convey the fact, the fact, the fact—that among those billions of brilliant couples in one cross section of what you will allow me to call spacetime (for the convenience of reasoning), one couple is a unique super-imperial couple, sverhimperator-skaya cheta, in consequence of which (to be inquired into, to be painted, to be denounced, to be put to music, or to the question and death, if the decade has a scorpion tail after all), the particularities of their love-making influence in a special unique way two long lives and a few readers, those pensive reeds, and their pens and mental paintbrushes. Natural history indeed! Unnatural history—because that precision of senses and sense must seem unpleasantly peculiar to peasants, and because the detail is all: The song of a Tuscan Firecrest or a Sitka Kinglet in a cemetery cypress; a minty whiff of Summer Savory or Yerba Buena on a coastal slope; the dancing flitter of a Holly Blue or an Echo Azure—combined with other birds, flowers and butterflies: that has to be heard, smelled and seen through the transparency of death and ardent beauty. And the most difficult: beauty itself as perceived through the there and then. The males of the firefly (now it’s really your turn, Van).

ANOTHER TWILIGHT Allow the point of the Croccodrillo its hazy cypress trees in profile Like a rough sketch for the Isle of the Dead, as seen from yellow stucco, his Villa Igea where Lawrence finished "Sons and Lovers," wild thyme scenting olive-grove grass, crime scenery come back to more than once. Again you're mirrored in lake shadow, a white sail flaking on its turquoise wavelets, keep awake by traffic noise Along the Gardesana...and you know that this beauty's unbearable as before even if seen from its opposite shore.

The flat area immediately below was broken up into a formal pattern of beds containing oleander and more clipped clouds of box, a southern imitation of the grand parterres of aristocratic chateaux. A rose garden beyond was the first in a series of gardens created on descending levels, apparently linked by a magnificently overgrown wisteria. Dense lines of cypress hid any farther areas from view, including the memorial garden that was her special brief. As a whole, the garden was charming, luxuriant, but- from a professional point of view- dilapidated.

How about this one?" I pointed to a graceful, feathery vine with small, delicate, star-shaped red blooms. "That's a cypress vine," he said. "Ipomoea quamoclit. It's an escapee and not native to her garden. People think it's an annual, but with a little help from nature, it's self-seeding ability means it can pop up in new places year after year and thrive far away from its original home." Something niggled at the back of my mind. If the vine could escape and start over again somewhere new, why couldn't a person? If Jack's grandmother's plants were strong enough to survive neglect, why couldn't I?

Spend more time in nature to boost your own natural killer cells and enhance your immune system; bonus points for frequently visiting a forest with lots of evergreen trees. Or at least use some forest-based essential oils like cypress. •​Consider boron supplements for stem cells, as well as the other listed stem cell enhancers. Calcium fructoborate or food-grade boron (tetraborate) work well. •​Make sure your sexual function is that of a young person. If it isn’t, get your hormone levels checked and look at any prescription meds that may be causing a problem. To improve sexual function, consider GAINSWave treatments or simply practice Kegel exercises on a daily basis.

Then he said something about how L.A. is dust and exhaust and the hot, dry wind that sets your nerves on edge and pushes fire up the hillsides in ragged lines like tears in the paper that separates us from hell, and it’s towering clouds of smoke, and it’s sunshine that won’t let up and cool ocean fog that gets unrolled at night over the whole basin like a clean white hospital sheet and peeled back again in the morning. It’s a crescent moon in a sky bruised green after the sunset has beaten the shit out of it. It’s a lazy hammock moon rising over power lines, over the skeletal silhouettes of pylons, over shaggy cypress trees and the spiky black lionfish shapes of palm-tree crowns on too-skinny trunks. It’s the Big One that’s coming to turn the city to rubble and set the rubble on fire but not today, hopefully not today. It’s the obviousness of pointing out that the freeway looks like a ruby bracelet stretched alongside a diamond one, looks like a river of lava flowing counter to a river of champagne bubbles. People talk about the sprawl, and, yeah, the city is a drunk, laughing bitch sprawled across the flats in a spangled dress, legs kicked up the canyons, skirt spread over the hills, and she’s shimmering, vibrating, ticklish with light. Don’t buy a star map. Don’t go driving around gawking because you’re already there, man. You’re in it. It’s all one big map of the stars.

Beauty and the Illiterate" Often, in the Repose of Evening her soul took a lightness from                   the mountains across, although the day was harsh and                   tomorrow foreign. But, when it darkened well and out came the priest’s hand over                   the little garden of the dead, She Alone, Standing, with the few domestics of the night—the blowing                   rosemary and the murmur of smoke from the kilns—                   at sea’s entry, wakeful Otherly beauty! Only the waves’ words half-guessed or in a rustle, and others                   resembling the dead’s that startle in the cypress, strange                   zodiacs that lit up her magnetic moon-turned head.                   And one Unbelievable cleanliness allowed, to great depth in her, the real                   landscape to be seen, Where, near the river, the dark ones fought against the Angel,                   exactly showing how she’s born, Beauty Or what we otherwise call tear. And long as her thinking lasted, you could feel it overflow the                   glowing sight bitterly in the eyes and the huge, like an                   ancient prostitute’s, cheekbones Stretched to the extreme points of the Large Dog and of the Virgin. “Far from the pestilential city I dreamed of her deserted place                   where a tear may have no meaning and the only light be                   from the flame that ravishes all that for me exists. “Shoulder-to-shoulder under what will be, sworn to extreme silence                   and the co-ruling of the stars, “As if I didn’t know yet, the illiterate, that there exactly, in extreme                   silence are the most repellent thuds “And that, since it became unbearable inside a man’s chest, solitude                   dispersed and seeded stars!

Robert Askins Brings ‘Hand to God’ to Broadway Chad Batka for The New York Times Robert Askins at the Booth Theater, where his play “Hand to God” opens on Tuesday. By MICHAEL PAULSON The conceit is zany: In a church basement, a group of adolescents gathers (mostly at the insistence of their parents) to make puppets that will spread the Christian message, but one of the puppets turns out to be more demonic than divine. The result — a dark comedy with the can-puppets-really-do-that raunchiness of “Avenue Q” and can-people-really-say-that outrageousness of “The Book of Mormon” — is “Hand to God,” a new play that is among the more improbable entrants in the packed competition for Broadway audiences over the next few weeks. Given the irreverence of some of the material — at one point stuffed animals are mutilated in ways that replicate the torments of Catholic martyrs — it is perhaps not a surprise to discover that the play’s author, Robert Askins, was nicknamed “Dirty Rob” as an undergraduate at Baylor, a Baptist-affiliated university where the sexual explicitness and violence of his early scripts raised eyebrows. But Mr. Askins had also been a lone male soloist in the children’s choir at St. John Lutheran of Cypress, Tex. — a child who discovered early that singing was a way to make the stern church ladies smile. His earliest performances were in a deeply religious world, and his writings since then have been a complex reaction to that upbringing. “It’s kind of frustrating in life to be like, ‘I’m a playwright,’ and watch people’s face fall, because they associate plays with phenomenally dull, didactic, poetic grad-schoolery, where everything takes too long and tediously explores the beauty in ourselves,” he said in a recent interview. “It’s not church, even though it feels like church a lot when we go these days.” The journey to Broadway, where “Hand to God” opens on Tuesday at the Booth Theater, still seems unlikely to Mr. Askins, 34, who works as a bartender in Brooklyn and says he can’t afford to see Broadway shows, despite his newfound prominence. He seems simultaneously enthralled by and contemptuous of contemporary theater, the world in which he has chosen to make his life; during a walk from the Cobble Hill coffee shop where he sometimes writes to the Park Slope restaurant where he tends bar, he quoted Nietzsche and Derrida, described himself as “deeply weird,” and swore like, well, a satanic sock-puppet. “If there were no laughs in the show, I’d think there was something wrong with him,” said the actor Steven Boyer, who won raves in earlier “Hand to God” productions as Jason, a grief-stricken adolescent with a meek demeanor and an angry-puppet pal. “But anybody who is able to write about such serious stuff and be as hilarious as it is, I’m not worried about their mental health.” Mr. Askins’s interest in the performing arts began when he was a boy attending rural Texas churches affiliated with the conservative Lutheran Church-Missouri Synod denomination; he recalls the worshipers as “deeply conservative, old farm folks, stone-faced, pride and suffering, and the only time anybody ever really livened up was when the children’s choir would perform.” “My grandmother had a cross-stitch that said, ‘God respects me when I work, but he loves me when I sing,’ and so I got into that,” he said. “For somebody who enjoys performance, that was the way in.” The church also had a puppet ministry — an effort to teach children about the Bible by use of puppets — and when Mr. Askins’s mother, a nurse, began running the program, he enlisted to help. He would perform shows for other children at preschools and vacation Bible camps. “The shows are wacky, but it was fun,” he said. “They’re badly written attempts to bring children to Jesus.” Not all of his formative encounters with puppets were positive. Particularly scarring: D

But you don’t get to doubt that I feel something for you. Not even for a second.

Perhaps the most common device for giving people focus and direction is goal setting, but goals, as often as they are used, have their pros and cons. Sure, if you can convince everybody that profits must increase 20% next quarter or we’re going out of business, people will hurry around looking for ways to hype profits by 20%. When discussing “mission” I assigned Susan a goal of 25% improvement in sales, based on what I calculated was needed to avoid closing the factory and on what I felt her district could reasonably provide. It was not a number pulled from the ether, and I went to some length to explain this to her. Short of any such basis in reality, people will often do the easiest things, such as firing 20% of the workforce, canceling vital R&D programs, or simply not making any payments to suppliers. In other words, they will take achieving the goal as seriously as they feel you were in setting it; they will sense whether you have positioned yourself at the Schwerpunkt. Goals, as we all know, can be motivators. Cypress Semiconductor, a communications-oriented company founded in 1982, used to have a computer that tracked the thousands of self-imposed goals that its people fed into the system. Cypress founder T. J. Rodgers identified this automated goal tending system as the heart of his management style and a big factor in the company’s early success.136 Frankly, I find this philosophy depressing, not to mention a temptation to focus inward: If the boss places great importance on entering and tracking goals, as he obviously does, then that is what the other employees are going to consider important.137 In any case, what’s the big deal about meeting or missing a goal? A goal is an intention at a point in time. It is, to a large extent, an arbitrary target, whether you set it or someone above you assigns it. And we all know that numerical goals can be gamed, like banking (delaying) sales that we could have made this quarter to help us make quota next quarter. Unlike a Schwerpunkt, which gives focus and direction for chaotic and uncertain situations, what does a goal tell you? Just keep your head down and continue plugging away?

You might even say there is a tree for every mood and every moment. When you have something precious to give to the universe, a song or a poem, you should first share it with a golden oak before anyone else. If you are feeling discouraged and defenceless, look for a Mediterranean cypress or a flowering horse chestnut. Both are strikingly resilient, and they will tell you about all the fires they have survived. And if you want to emerge stronger and kinder from your trials, find an aspen to learn from–a tree so tenacious it can fend off even the flames that aim to destroy it. If you are hurting and have no one willing to listen to you, it might do you good to spend time beside a sugar maple. If, on the other hand, you are suffering from excessive self-esteem, do pay a visit to a cherry tree and observe its blossoms, which, though undoubtedly pretty, are no less ephemeral than vainglory. By the time you leave, you might feel a bit more humble, more grounded. To reminisce about the past, seek out a holly to sit under; to dream about the future, choose a magnolia instead. And if it is friends and friendships on your mind, the most suitable companion would be a spruce or a ginkgo. When you arrive at a crossroads and don’t know which path to take, contemplating quietly by a sycamore might help. If you are an artist in need of inspiration, a blue jacaranda or a sweetly scented mimosa could stir your imagination. If it is renewal you are after, seek a wych elm, and if you have too many regrets, a weeping willow will offer solace. When you are in trouble or at your lowest point, and have no one in whom to confide, a hawthorn would be the right choice. There is a reason why hawthorns are home to fairies and known to protect pots of treasure. For wisdom, try a beech; for intelligence, a pine; for bravery, a rowan; for generosity, a hazel; for joy, a juniper; and for when you need to learn to let go of what you cannot control, a birch with its white-silver bark, peeling and shedding layers like old skins. Then again, if it’s love you’re after, or love you have lost, come to the fig, always the fig.

Sticks and stones can’t break us. Because, you and me … we’re already broken.” My eyes fall shut when he summarizes the entire script of my life with that one statement. It leaves me feeling bare, like he and I are one in the same. Only, we can’t be.

You might even say there is a tree for every mood and every moment. When you have something precious to give to the universe, a song or a poem, you should first share it with a golden oak before anyone else. If you are feeling discouraged and defenceless, look for a Mediterranean cypress or a flowering horse chestnut. Both are strikingly resilient, and they will tell you about all the fires they have survived. And if you want to emerge stronger and kinder from your trials, find an aspen to learn from – a tree so tenacious it can fend off even the flames that aim to destroy it. If you are hurting and have no one willing to listen to you, it might do you good to spend time beside a sugar maple. If, on the other hand, you are suffering from excessive self-esteem, do pay a visit to a cherry tree and observe its blossoms, which, though undoubtedly pretty, are no less ephemeral than vainglory. By the time you leave, you might feel a bit more humble, more grounded. To reminisce about the past, seek out a holly to sit under; to dream about the future, choose a magnolia instead. And if it is friends and friendships on your mind, the most suitable companion would be a spruce or a ginkgo. When you arrive at a crossroads and don’t know which path to take, contemplating quietly by a sycamore might help. If you are an artist in need of inspiration, a blue jacaranda or a sweetly scented mimosa could stir your imagination. If it is renewal you are after, seek a wych elm, and if you have too many regrets, a weeping willow will offer solace. When you are in trouble or at your lowest point, and have no one in whom to confide, a hawthorn would be the right choice. There is a reason why hawthorns are home to fairies and known to protect pots of treasure. For wisdom, try a beech; for intelligence, a pine; for bravery, a rowan; for generosity, a hazel; for joy, a juniper; and for when you need to learn to let go of what you cannot control, a birch with its white-silver bark, peeling and shedding layers like old skins. Then again, if it’s love you’re after, or love you have lost, come to the fig, always the fig.

so Harvie Ward followed in right afterward with a sure-handed, hard-earned birdie of his own. Their remarkable assault on Cypress Point continued with another

Exiles, she and Leroy. They didn't need to go to Paris; that would do no good. What's the point of being spat on in France? What could they do in Rio, where black people are a mythological presence? No, the frontiers in Leroy's destiny were the sounds he heard and gave back as music; for Cypress the terrain of the new world was art. Her dance, like her people before her, adapted to the contours of her new land.

Spiro was pointing at a gentle curve of hillside that rose from the glittering sea. The hill and the valleys around it were an eiderdown of olive groves that shone with a fishlike gleam where the breeze touched the leaves. Halfway up the slope, guarded by a group of tall, slim cypress trees, nestled a small strawberry-pink villa, like some exotic fruit lying in the greenery. The cypress trees undulated gently in the breeze, as if they were busily painting the sky a still brighter blue for our arrival.

I know you can stand on your own two feet, and I know you don’t need anyone to take care of you, but… maybe you should let me. Just this once, at least.

This girl… she has my whole damn heart, and sometimes it’s overwhelming. Uncomfortable.

I didn’t just pack my bags because I’m scared shitless,” she confesses. “It was also because leaving would be easier than hurting you, making you hate me.

Hanging on the opposite wall is a painting, the only one down here. It’s hard to tell if the object in the canvas’s foreground is a giant cypress or a towering black flame. Pablo gathers nearer. There is so much movement within the picture frame, he finds he cannot stare at any single point for long. In the distance behind the dark spire in the center, though, there’s a valley with little houses nestled around a high-steepled church, not unlike scenes Pablo witnessed from the train window as he rode

reckless, choice she had made.

Four days a week, Miss Baez and her fifteen students meet at the school for lunch: potato salad, Kool-Aid, and hot dogs broiled on a portable barbecue. After lunch they do ballet exercises to Beatles records, and after that they sit around on the bare floor beneath a photomural of Cypress Point and discuss their reading: Gandhi on Nonviolence, Louis Fischer’s Life of Mahatma Gandhi, Jerome Frank’s Breaking the Thought Barrier, Thoreau’s On Civil Disobedience, Krishnamurti’s The First and Last Freedom and Think on These Things, C. Wright Mills’s The Power Elite, Huxley’s Ends and Means, and Marshall McLuhan’s Understanding Media.

That man loved me so hard I knew I’d never do half of what I should to deserve it. And that was the point. He said I never had to do a thing to make him love me. He just did. He just loved me.